The export of European films on SVOD outside Europe by Christian Grece

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English language explains the high share <strong>of</strong> British <strong>films</strong> in EU film <strong>of</strong>fering EU-5 <strong>films</strong> make up almost 90% <strong>of</strong> EU film <strong>of</strong>fering. With 3 SVOD catalogues entirely focused on Indian <strong>films</strong>, EU <strong>films</strong> are mostly <strong>of</strong>fered by global players Amazon and Netflix 1 210 occurrences <strong>of</strong> EU <strong>films</strong> by country <strong>of</strong> origin ES 150 12% DE 109 9% IT 95 8% DK 12 1% BE 11 1% FI 8 1% RO 7 1% FR 208 17% Other 16 EU countries 134 11% AT 13 1% SE 14 1% BG 4 0% PT 4 0% HU 3 0% PL 14 1% IE 20 2% CZ 2 0% GR 1 0% HR 1 0% GB 514 42% NL 19 2% SI 1 0%
Indian <strong>films</strong> dominate the catalogues <strong>of</strong> national services, international services rely also on EU <strong>films</strong> While international services Netflix, Amazon and Hooq have a comparatively high share <strong>of</strong> EU <strong>films</strong> in their catalogues, national services HotStar and Eros Now rely mostly on national <strong>films</strong>, with respectively 75% and 98% <strong>of</strong> Indian <strong>films</strong> in their catalogues. Viu has also 96% <strong>of</strong> national <strong>films</strong>. India is one <strong>of</strong> the biggest film producing countries in the world, and this production fills in local services Overview <strong>of</strong> EU 28 shares by SVOD catalogue 18% 16% 16% 15% 15% 14% 12% 10% 8% 6% 4% 4% 2% 0% Netflix IN Hooq IN Amazon Prime Video IN Hotstar IN Eros Now IN Viu IN 1% 0% Total <strong>films</strong> per catalogue Amazon Prime Video IN Eros Now IN Hooq IN Hotstar IN Netflix IN Viu IN 1 971 5 172 371 2 863 4 420 81
Page 1 and 2: The export
Page 3 and 4: Introduction The a
Page 5 and 6: Overview of 10 reg
Page 7 and 8: Key findings on the export<
Page 9 and 10: Key findings on the export<
Page 11 and 12: Medium film producing countries acc
Page 13 and 14: Which regions are the biggest buyer
Page 15 and 16: Circulation - Average number <stron
Page 17 and 18: Details on the number of</s
Page 19 and 20: Share of EU <stron
Page 21 and 22: Stark differences by types
Page 23 and 24: Global rights versus national right
Page 25 and 26: 17% of all <strong
Page 27 and 28: A lot of variance
Page 29 and 30: Details by region Latin America Arg
Page 31 and 32: British, French and Spanish <strong
Page 33 and 34: Netflix is more relying on
Page 35 and 36: 13% of fil
Page 37 and 38: Regional services have a low share
Page 39 and 40: Details by region China & Japan 6 S
Page 41 and 42: EU-5 leads again but variety <stron
Page 43 and 44: Diverse EU film of
Page 45: 8% of film
Page 49 and 50: Details by region Australia & New Z
Page 51 and 52: Dominance of Engli
Page 53 and 54: High importance of
Page 55 and 56: 18% of fil
Page 57 and 58: Netflix offering a
Page 59 and 60: Details by individual countries Rus
Page 61 and 62: British and French films</s
Page 63 and 64: French films are t
Page 65 and 66: British films well
Page 67 and 68: Diverse film offer

The export of European films on SVOD outside Europe by Christian Grece

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