Art Moves Africa – Retracing Roots and Tracing New Routes: Mobility and Touring in North Africa
A study by Lara Bourdin for Art Moves Africa, October 2019
A study by Lara Bourdin for Art Moves Africa, October 2019
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17<br />
Introduction<br />
In order of volume of exchange with <strong>North</strong> <strong>Africa</strong>, the<br />
follow<strong>in</strong>g countries are most active:<br />
1.<br />
2.<br />
3.<br />
4.<br />
5.<br />
6.<br />
7.<br />
8.<br />
9.<br />
Senegal<br />
Cameroon <strong>and</strong> South <strong>Africa</strong><br />
Democratic Republic of Congo (DRC)<br />
Ethiopia<br />
Burk<strong>in</strong>a Faso<br />
Kenya <strong>and</strong> Tanzania<br />
Côte d’Ivoire<br />
Mali<br />
Nigeria<br />
Most exchanges happen with West <strong>Africa</strong>, with Senegal,<br />
Burk<strong>in</strong>a Faso, Côte d’Ivoire, Mali <strong>and</strong> Nigeria be<strong>in</strong>g the<br />
most active countries. Egypt has relatively strong l<strong>in</strong>ks<br />
with Nigeria. The Dakar Biennale is repeatedly cited as<br />
a reference for visual artists across <strong>North</strong> <strong>Africa</strong>; other<br />
events that are often noted <strong>in</strong>clude the Marché<br />
des <strong>Art</strong>s et du Spectacle (MASA <strong>–</strong> Market for<br />
Perform<strong>in</strong>g <strong>Art</strong>s) <strong>in</strong> Abidjan <strong>and</strong> the Bamako<br />
<strong>and</strong> Lagos biennales.<br />
Exchange is roughly the same with South, Central<br />
<strong>and</strong> East <strong>Africa</strong> (14 <strong>–</strong> 16%). Cameroon is by<br />
far the country <strong>in</strong> Central <strong>Africa</strong> that generates<br />
the most exchange, with strong ties to Morocco<br />
<strong>and</strong> Egypt <strong>in</strong> particular; it is followed by<br />
DRC. In East <strong>Africa</strong>, Ethiopia is the country that<br />
generates the most exchange, largely thanks to<br />
strong ties with Egypt; Kenya <strong>and</strong> Tanzania are<br />
the other two major hubs for mobility. In Southern<br />
<strong>Africa</strong>, South <strong>Africa</strong> is by far the country<br />
that generates the most exchange, presumably<br />
due to its strong cultural sector <strong>and</strong> capacity to<br />
host <strong>in</strong>ternational events.<br />
—<br />
QUOTE:<br />
« I’m work<strong>in</strong>g on <strong>Africa</strong>n identity.<br />
Culturally, we have many po<strong>in</strong>ts<br />
<strong>in</strong> common. There are trends<br />
l<strong>in</strong>k<strong>in</strong>g all <strong>North</strong> <strong>Africa</strong>n countries,<br />
whether they be <strong>in</strong> dance, music…<br />
there’s a history that l<strong>in</strong>ks us,<br />
sometimes a pa<strong>in</strong>ful one, because<br />
all the trade routes were between<br />
<strong>North</strong> <strong>and</strong> South. There’s a large<br />
community of black <strong>Africa</strong>ns<br />
from South of the Sahara that has<br />
become <strong>North</strong> <strong>Africa</strong>n. We need to<br />
recognize this entity. […]<br />
I th<strong>in</strong>k <strong>Africa</strong> has a great future.<br />
It’s a future we have to build<br />
ourselves; no one outside should<br />
decide what we should be. »<br />
Bahri Ben Yahmed<br />
Dancer <strong>and</strong> choreographer,<br />
Danseurs Citoyens & Lang’art,<br />
Tunis*<br />
Quote translated from French<br />
by the author.<br />
Other translated quotes will be marked<br />
(*) throughout the document.<br />
—