Art Moves Africa – Retracing Roots and Tracing New Routes: Mobility and Touring in North Africa
A study by Lara Bourdin for Art Moves Africa, October 2019
A study by Lara Bourdin for Art Moves Africa, October 2019
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40<br />
Summary of Outcomes<br />
—<br />
6.<br />
LACK OF PROFESSIONALIZATION<br />
AND INFRASTRUCTURE<br />
—<br />
The absence of a structural framework allow<strong>in</strong>g for the professionalization<br />
of artists <strong>and</strong> arts professions is a major factor undergird<strong>in</strong>g poor mobility.<br />
Its impact can be felt on several levels:<br />
a) <strong>Art</strong>ists are unequipped with the skills, knowledge or networks<br />
to search for <strong>in</strong>ternational opportunities <strong>and</strong> / or to complete<br />
fund<strong>in</strong>g applications.<br />
b) Cultural operators are unequipped with the skills, knowledge<br />
or networks to search for <strong>in</strong>ternational opportunities <strong>and</strong>/or to<br />
complete fund<strong>in</strong>g applications <strong>and</strong> / or to support artists complet<strong>in</strong>g<br />
fund<strong>in</strong>g applications.<br />
c) Centres <strong>and</strong> facilities with the capacity to host <strong>and</strong> support<br />
mobility projects may be lack<strong>in</strong>g.<br />
d) There is a lack of funds support<strong>in</strong>g mobility at the public, private<br />
<strong>and</strong> civil society levels.<br />
—<br />
7.<br />
LANGUAGE BARRIERS<br />
—<br />
While Modern St<strong>and</strong>ard Arabic is the official language across <strong>North</strong> <strong>Africa</strong>n<br />
countries, differences <strong>in</strong> regional spoken dialects <strong>and</strong> the presence<br />
of different colonial languages pose communication barriers with<strong>in</strong> the<br />
region <strong>and</strong> outside. Respondents named the follow<strong>in</strong>g issues:<br />
a) Language barriers were cited as a source of <strong>in</strong>timidation, discourag<strong>in</strong>g<br />
some artists from pursu<strong>in</strong>g <strong>in</strong>ternational travel opportunities.<br />
b) Low literacy <strong>in</strong> written French, English <strong>and</strong> / or Arabic was cited as<br />
an impediment to complet<strong>in</strong>g fund<strong>in</strong>g application forms.<br />
c) Language barriers can be especially relevant <strong>in</strong> discipl<strong>in</strong>es such as<br />
music <strong>and</strong> theatre, where underst<strong>and</strong><strong>in</strong>g of lyrics or dialogue can<br />
impact overall appreciation of a song or play.<br />
—<br />
QUOTE:<br />
« Sometimes the problem is not with<br />
mobility funds but also with the<br />
freedom of mobility or accessibility<br />
to mobility. Egypt is a shr<strong>in</strong>k<strong>in</strong>g<br />
political space, <strong>and</strong> artists work<strong>in</strong>g<br />
with creative <strong>in</strong>dustries <strong>and</strong> creative<br />
expression have this challenge<br />
<strong>in</strong> terms of regime, for example<br />
gett<strong>in</strong>g permissions to apply for<br />
visas <strong>and</strong> permits to travel to many<br />
countries. »<br />
Abdelsamee Abdallah<br />
Cultural activist <strong>and</strong> theatre<br />
practitioner,<br />
Cairo/Amman<br />
—