Art Moves Africa – Retracing Roots and Tracing New Routes: Mobility and Touring in North Africa
A study by Lara Bourdin for Art Moves Africa, October 2019
A study by Lara Bourdin for Art Moves Africa, October 2019
- No tags were found...
Transform your PDFs into Flipbooks and boost your revenue!
Leverage SEO-optimized Flipbooks, powerful backlinks, and multimedia content to professionally showcase your products and significantly increase your reach.
74<br />
Country-Specific Information<br />
—<br />
FUNDING<br />
—<br />
The M<strong>in</strong>istry of Culture is said to offer fund<strong>in</strong>g, but<br />
procedures <strong>and</strong> budgets are not clear <strong>and</strong> funds<br />
are poorly organized. <strong>Art</strong>ists reportedly depend<br />
heavily on cooperation <strong>in</strong>stitutes, embassies <strong>and</strong><br />
festival <strong>in</strong>vitations to travel. Mauritanians are very<br />
little represented <strong>in</strong> AMA’s statistics, as <strong>in</strong> those<br />
of other funds <strong>in</strong> the region.<br />
—<br />
IMPEDIMENTS<br />
—<br />
Isolation: high costs of travel <strong>and</strong> lack of<br />
fund<strong>in</strong>g<br />
· Flight costs to / from Nouakchott are high.<br />
· Mauritanian cultural actors are not well connected<br />
to fund<strong>in</strong>g organizations. Conversely,<br />
<strong>in</strong>ternational fund<strong>in</strong>g organizations have so<br />
far not made efforts to bolster mobility of<br />
Mauritanian cultural actors.<br />
· While Mauritanians are technically eligible for<br />
all major funds (AFAC, al-Mawred al-Thaqafy,<br />
RCF), its ambiguous status between <strong>North</strong> <strong>and</strong><br />
West <strong>Africa</strong> may feed (potentially unconscious)<br />
exclusion from Arab / MENA-oriented <strong>in</strong>itiatives.<br />
· The M<strong>in</strong>istry of Culture does not support travel<br />
of cultural actors.<br />
—<br />
M<br />
A<br />
U<br />
R<br />
I<br />
T<br />
A<br />
N<br />
I<br />
A<br />
—<br />
Algeria have done a disservice to its relations<br />
with Morocco, mak<strong>in</strong>g visas to the<br />
K<strong>in</strong>gdom more difficult to obta<strong>in</strong>.<br />
Language<br />
· Not all Mauritanians speak English or French<br />
sufficiently to fill <strong>in</strong> fund<strong>in</strong>g applications<br />
<strong>in</strong> those languages <strong>and</strong> as such may feel<br />
<strong>in</strong>timidated.<br />
Lack of professionalization<br />
· Opportunities for professional artistic tra<strong>in</strong><strong>in</strong>g<br />
<strong>and</strong> development are virtually nil <strong>in</strong> Mauritania.<br />
As such, artists do not necessarily<br />
have the skills or knowledge to search for<br />
fund<strong>in</strong>g, f<strong>in</strong>ance their careers, etc.<br />
They want to travel but they are stuck <strong>in</strong>side<br />
the country <strong>–</strong> they don’t underst<strong>and</strong> cultural<br />
management. <strong>–</strong> Atigh Ould, founder <strong>and</strong> director<br />
of Festival Nomade, Nouakchott / Montreal*<br />
Visas<br />
· Mauritanian cultural actors must travel to Dakar<br />
to get visas to countries that do not have a<br />
diplomatic representation <strong>in</strong> Nouakchott.<br />
Many young people want to attend events <strong>in</strong> Europe<br />
<strong>and</strong> the USA; but it takes time, <strong>and</strong> if you don’t know<br />
the ambassador, it takes months. Even Morocco<br />
<strong>and</strong> Egypt are start<strong>in</strong>g to get complicated as well. <strong>–</strong><br />
Mohamed Idoumou, Poet, journalist, documentary<br />
filmmaker <strong>and</strong> cultural operator, Maison du<br />
c<strong>in</strong>éma de Nouakchott*<br />
· Mauritania’s neutral stance on the Western<br />
Sahara issue <strong>and</strong> diplomatic relations with