Art Moves Africa – Retracing Roots and Tracing New Routes: Mobility and Touring in North Africa

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86 Country-Specific Information L’ART RUE CENTRE ARABO-AFRICAIN DE FORMATION ET DE RECHERCHE THÉÂTRALE LAB619 JISER FANNI RAGHMAN ANNI AND AL-MADINA WADI MHIRI HAFEDH ZALLIT PROJET BERKA 174 LANG’ART ASSOCIATION DANSEURS CITOYENS JOURNÉES CHORÉGRAPHIQUES DE CARTHAGE Examples of mobility projects Multidisciplinary arts centre L’Art Rue has hosted a number of African artists through its residency program, as well as through its flagship bi-annual event, Dream City (Biennale of contemporary art in public space). The Centre arabo-africain de formation et de recherche théâtrale has trained more than 367 theatre practitioners in the Arab world and Africa since its opening in 2001. Lab619 attended their first residency at Festival de la BD in Alger. They now have a partnership with Algerian artists. The JISER network aims to stimulate exchanges around contemporary art and research. It links Algiers, Tunis and Barcelona. Tunis-based arts and cultural rights organization Fanni Raghman Anni and Al-Madina (Alexandria) have a cultural exchange partnership. Visual artist Wadi Mhiri is now a co-organizer for Ségou Arts in Ségou, Mali, after attending several editions of the festival. Dancer/choreographer Hafedh Zallit recently led masterclasses at Karemba Studios in Bamako, Mali as part of Projet Berka 174. Named after the old slave market in Tunis’ medina, the project aims to excavate the mémoire du lieu to bring into focus and interrogate present-day questions of racism and religious, nationalist and economic conflict. Lang’art arts centre and Association Danseurs Citoyens are launching the first Tuniso-African festival of dance this year. The 2019 edition of the Journées chorégraphiques de Carthage, directed by Mariem Guellouz, had a focus on Africa and the Arab world. — T U N I S I A —
87 Country-Specific Information Dancers Samuel Dijoulaye Coulibaly, Abdailkader Traoré, Bintou Kébé and Sylvie Kouané participate in a Masterclass led by Tunisian choreographer Hafedh Zallit at the Centre Culturel Togola de Sabalibougou in Bamako, Mali, as part of Projet Berka 174. Photo courtesy of H.PROD/Hafedh Zallit — QUOTE: « Travel means connections, friends, the chance to love music even more. In Tunis, every time I go, I get to find books. There are no libraries in Benghazi. From my perspective and from what I hear from the people around me, you come back as a different person every time you go, even if you go for 5 days. We need to do something here to make culture the basis of change in this society. » Faraj Alsileeni drummer and Director, Tanarout, Benghazi* —
Page 1:
Retracing Roots and Tracing New Rou
Page 4 and 5:
4 Acknowledgments and Imprint This
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6 Foreword FORE — WORD In a world
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8 Introduction 1 — Fact : AMA did
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10 Introduction 1.1 Background of A
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12 Introduction 1.2 Purpose of the
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14 Introduction Arab identity was r
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16 Introduction 1. 4 Overview of mo
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18 Methodology 2 — Fact: This stu
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20 Methodology — NORTH AFRICA —
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22 Methodology 2.2 Limitations 1. T
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24 Sunmmary of Outcomes 3 — QUOTE
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26 Summary of Outcomes course remai
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28 Summary of Outcomes The program
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30 Summary of Outcomes Two programs
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32 Summary of Outcomes — 3.1. 3 T
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34 Summary of Outcomes As such, con
Page 36 and 37: 36 Summary of Outcomes High costs :
Page 38 and 39: 38 Summary of Outcomes — 3. LACK
Page 40 and 41: 40 Summary of Outcomes — 6. LACK
Page 42 and 43: 42 Summary of Outcomes — QUOTE:
Page 44 and 45: 44 Country-Specific Information 4
Page 46 and 47: 46 Country-Specific Information 4.1
Page 48 and 49: 48 Country-Specific Information des
Page 50 and 51: 50 Country-Specific Information CHE
Page 52 and 53: 52 Country-Specific Information —
Page 54 and 55: — A L G E R I A — Visas · Alge
Page 56 and 57: — GENERAL INFORMATION — Spannin
Page 62 and 63: 62 Country-Specific Information 4.
Page 64 and 65: 64 Country-Specific Information whe
Page 66 and 67: 66 Country-Specific Information Mus
Page 68 and 69: 68 Country-Specific Information the
Page 72 and 73: 72 Country-Specific Information Moh
Page 78 and 79: 78 Country-Specific Information Com
Page 90 and 91: 90 Country-Specific Information 4.7
Page 94 and 95: 94 Conclusion & Recommendations 5
Page 96 and 97: 96 Conclusion & Recommendations Ins
Page 98 and 99: — QUOTE: « There’s a growing c
Page 100 and 101: 4. Support the structuring of the a
Page 102 and 103: 102 Introduction Mapping and Backgr
Page 104 and 105: 104 Mapping TUNISIA MOROCCO ALGERIA
Page 106 and 107: 106 Mapping Installations & Equipme
Page 108 and 109: 108 Mapping Events & Festivals Alge
Page 110 and 111: 110 Mapping Tunisia Carthage 1 Jazz
Page 112 and 113: Events & Festivals Algeria Algiers
Page 114 and 115: Events & Festivals Venues Kelibia F
Page 116 and 117: Venues Falaki Theatre American Univ
Page 118 and 119: Venues Mahal Art Space 122, Avenue
Page 120 and 121: 120 Acronyms APPENDIX A — QUOTE:
Page 122 and 123: 122 Respondents APPENDIX B — Fact
Page 124 and 125: 124 Respondents · Mohammed Hassan
Page 126 and 127: 126 Bibliography APPENDIX C — Fac
Page 128 and 129: 128 Bibliography 8. El Bennaoui, Kh
Page 130: 130 — artmovesafrica.org —
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Art Moves Africa – Retracing Roots and Tracing New Routes: Mobility and Touring in North Africa

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