Art Moves Africa – Retracing Roots and Tracing New Routes: Mobility and Touring in North Africa
A study by Lara Bourdin for Art Moves Africa, October 2019
A study by Lara Bourdin for Art Moves Africa, October 2019
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95<br />
Conclusion & Recommendations<br />
CON—<br />
CLU—<br />
SION &<br />
RE COM—<br />
MENDA—<br />
TIONS<br />
The importance of support<strong>in</strong>g mobility<br />
for artists <strong>and</strong> cultural actors <strong>in</strong> <strong>North</strong><br />
<strong>Africa</strong> cannot be stressed enough. <strong>Art</strong>ists<br />
young <strong>and</strong> older want to see new vistas, meet fellow<br />
creatives, share perspectives, learn new techniques <strong>and</strong><br />
learn about themselves <strong>and</strong> one another. This desire for<br />
exchange was shared by all 90 artists <strong>and</strong> cultural operators<br />
<strong>in</strong>terviewed.<br />
It is a desire that is shared with artists all over the world <strong>–</strong><br />
travel, tour<strong>in</strong>g <strong>and</strong> circulation have repeatedly been underscored<br />
as necessities for the creative vocation. However,<br />
mobility takes on special characteristics, resonances <strong>and</strong><br />
stakes <strong>in</strong> the <strong>North</strong> <strong>Africa</strong>n context. In the wake of the<br />
2011 revolutions <strong>and</strong> the upris<strong>in</strong>gs, conflicts, <strong>and</strong> peaceful<br />
movements of dissent that followed, a strong push toward<br />
discovery <strong>and</strong> solidarity has unfolded across the region.<br />
Old barriers of authoritarianism, isolationism <strong>and</strong> restricted<br />
freedoms have been lifted (albeit with uneven follow-through<br />
<strong>and</strong> worry<strong>in</strong>g trends emerg<strong>in</strong>g); neighbours have felt like<br />
they can f<strong>in</strong>ally see each other <strong>and</strong> get to know one another.