Art Moves Africa – Retracing Roots and Tracing New Routes: Mobility and Touring in North Africa

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96 Conclusion & Recommendations Inspiring networks, residencies and circuits have emerged and been nourished across the region, thanks to the dedicated work of visionary cultural operators and artists. These initiatives must be supported. At the same time, this push towards regional East-West solidarity has not necessarily correlated with increased mobility towards the South. This report has striven to document some of the reasons why mobility between North African countries and other countries across the continent has been weaker than one might expect. While many of these impediments are tied to long-entrenched structures and trends that may be more difficult to move, other obstacles are very much in flux. The most prominent is the increasing closure of Schengen Europe, which is shaping mobility on the continent at the level of logistics but also, crucially, at the level of the imagination. In parallel and relatedly, there is an emergent awareness of the benefits of South-South connection and exchange, and initiatives designed to stimulate and facilitate such exchange are getting increasing momentum. As the continent’s first mobility fund and the only continentwide mobility fund open to all artistic disciplines, AMA is in a unique position to help bolster this momentum. It is our hope that this research will have contributed to this vital goal by illuminating the opportunities that exist for international mobility within North Africa and with other African regions; shedding light on the impediments that afflict this mobility; and articulating the recommendations detailed below, all of which are drawn from feedback from respondents and are geared at various stakeholders (funders, cultural operators, artists, etc.). — QUOTE: « If there’s any way to change things, it’s to travel within our country and to travel on the continent. This is the kind of mobility that is going to change things. When I went to Tangiers, I talked to some artists; those conversations gave me so much. When I went to Tunis, I found myself in a bar/café with all the Tunisian youth. It was sublime. I went back to Algiers feeling euphoric. I came back with so much energy. It did me so much good. We need these experiences! » Mehdi Djelil Visual artist, Algiers* —
97 Conclusion & Recommendations Dancer and choreographer Hind Benali (Compagnie Fleur d’Orange) performing M’Safir (Traveler), a new creation on the “limits placed on the freedom and mobility of Global South citizens from the moment they try to cross the border with the North.” Photo courtesy of Patrick Hamm.
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Retracing Roots and Tracing New Rou
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4 Acknowledgments and Imprint This
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6 Foreword FORE — WORD In a world
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8 Introduction 1 — Fact : AMA did
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10 Introduction 1.1 Background of A
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12 Introduction 1.2 Purpose of the
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14 Introduction Arab identity was r
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16 Introduction 1. 4 Overview of mo
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18 Methodology 2 — Fact: This stu
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20 Methodology — NORTH AFRICA —
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22 Methodology 2.2 Limitations 1. T
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24 Sunmmary of Outcomes 3 — QUOTE
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26 Summary of Outcomes course remai
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28 Summary of Outcomes The program
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30 Summary of Outcomes Two programs
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32 Summary of Outcomes — 3.1. 3 T
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34 Summary of Outcomes As such, con
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36 Summary of Outcomes High costs :
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38 Summary of Outcomes — 3. LACK
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40 Summary of Outcomes — 6. LACK
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42 Summary of Outcomes — QUOTE:
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44 Country-Specific Information 4
Page 46 and 47: 46 Country-Specific Information 4.1
Page 48 and 49: 48 Country-Specific Information des
Page 50 and 51: 50 Country-Specific Information CHE
Page 52 and 53: 52 Country-Specific Information —
Page 54 and 55: — A L G E R I A — Visas · Alge
Page 56 and 57: — GENERAL INFORMATION — Spannin
Page 62 and 63: 62 Country-Specific Information 4.
Page 64 and 65: 64 Country-Specific Information whe
Page 66 and 67: 66 Country-Specific Information Mus
Page 68 and 69: 68 Country-Specific Information the
Page 72 and 73: 72 Country-Specific Information Moh
Page 78 and 79: 78 Country-Specific Information Com
Page 86 and 87: 86 Country-Specific Information L
Page 90 and 91: 90 Country-Specific Information 4.7
Page 94 and 95: 94 Conclusion & Recommendations 5
Page 98 and 99: — QUOTE: « There’s a growing c
Page 100 and 101: 4. Support the structuring of the a
Page 102 and 103: 102 Introduction Mapping and Backgr
Page 104 and 105: 104 Mapping TUNISIA MOROCCO ALGERIA
Page 106 and 107: 106 Mapping Installations & Equipme
Page 108 and 109: 108 Mapping Events & Festivals Alge
Page 110 and 111: 110 Mapping Tunisia Carthage 1 Jazz
Page 112 and 113: Events & Festivals Algeria Algiers
Page 114 and 115: Events & Festivals Venues Kelibia F
Page 116 and 117: Venues Falaki Theatre American Univ
Page 118 and 119: Venues Mahal Art Space 122, Avenue
Page 120 and 121: 120 Acronyms APPENDIX A — QUOTE:
Page 122 and 123: 122 Respondents APPENDIX B — Fact
Page 124 and 125: 124 Respondents · Mohammed Hassan
Page 126 and 127: 126 Bibliography APPENDIX C — Fac
Page 128 and 129: 128 Bibliography 8. El Bennaoui, Kh
Page 130: 130 — artmovesafrica.org —
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Art Moves Africa – Retracing Roots and Tracing New Routes: Mobility and Touring in North Africa

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