Art Moves Africa – Retracing Roots and Tracing New Routes: Mobility and Touring in North Africa
A study by Lara Bourdin for Art Moves Africa, October 2019
A study by Lara Bourdin for Art Moves Africa, October 2019
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—<br />
QUOTE:<br />
« There’s a grow<strong>in</strong>g consciousness at the<br />
local level: we don’t have much to do <strong>in</strong> the<br />
<strong>North</strong>. There is so much to do here at home.<br />
And the <strong>North</strong> is so saturated! I don’t see<br />
myself go<strong>in</strong>g to work abroad permanently,<br />
because what I have to do makes more sense<br />
here. It’s the consciousness of my generation.<br />
It’s what makes it so that people leave<br />
<strong>and</strong> come back.»<br />
Myriam Amroun<br />
Cultural manager,<br />
Algiers*<br />
—<br />
The lack of awareness of exist<strong>in</strong>g<br />
opportunities <strong>and</strong> potential<br />
partners was a recurr<strong>in</strong>g theme<br />
<strong>in</strong> all <strong>in</strong>terviews. Many artists<br />
<strong>and</strong> operators expressed support<br />
for this mapp<strong>in</strong>g exercise<br />
<strong>and</strong> wished to know where others<br />
could be found. In light of<br />
this, a crucial step towards improv<strong>in</strong>g<br />
mobility must be taken at the level of <strong>in</strong>formationshar<strong>in</strong>g,<br />
namely through the follow<strong>in</strong>g <strong>in</strong>itiatives:<br />
1.1. Create an onl<strong>in</strong>e platform centraliz<strong>in</strong>g <strong>in</strong>formation<br />
about opportunities on the cont<strong>in</strong>ent, preferably<br />
searchable by discipl<strong>in</strong>e, dest<strong>in</strong>ation, etc. <strong>and</strong><br />
<strong>in</strong>clud<strong>in</strong>g a calendar, contacts <strong>and</strong> other relevant<br />
<strong>in</strong>formation<br />
98<br />
Conclusion & Recommendations<br />
1 .<br />
Promote<br />
<strong>in</strong>formationshar<strong>in</strong>g<br />
about<br />
opportunities<br />
<strong>in</strong> <strong>North</strong> <strong>Africa</strong><br />
<strong>and</strong> other<br />
<strong>Africa</strong>n regions<br />
2 .<br />
Support<br />
face-to-face<br />
<strong>and</strong> onl<strong>in</strong>e<br />
network<strong>in</strong>g<br />
Lack of concrete, <strong>in</strong>-person contact with peers <strong>and</strong><br />
colleagues underlies the lack of <strong>in</strong>formation shar<strong>in</strong>g<br />
<strong>and</strong> lack of awareness of possibilities outside<br />
one’s immediate environment. Several respondents<br />
stressed that their most fruitful collaborations have<br />
come out of experiences where<br />
they physically met a fellow artist<br />
/ curator / operator. As such,<br />
it seems necessary to multiply<br />
such opportunities <strong>–</strong> ideally,<br />
through face-to-face meet<strong>in</strong>gs,<br />
but also leverag<strong>in</strong>g onl<strong>in</strong>e<br />
technologies to reduce costs.<br />
2.1. Create opportunities for<br />
cultural operators to meet <strong>and</strong><br />
share <strong>in</strong>formation, region- <strong>and</strong><br />
cont<strong>in</strong>ent-wide. Cultural operators<br />
will lead the way for artists<br />
2.2. Encourage the creation<br />
of discipl<strong>in</strong>e-specific networks,<br />
us<strong>in</strong>g the model of the Network<br />
of Alternative Arab Screens, AFRIFA <strong>and</strong><br />
Centres of Learn<strong>in</strong>g for Photography <strong>in</strong> <strong>Africa</strong>.<br />
These networks can share <strong>in</strong>formation,<br />
advocate for <strong>and</strong> facilitate mobility<br />
2.3. Strengthen networks <strong>and</strong> support mobility <strong>in</strong><br />
areas where mobility is already facilitated by<br />
visa-free policy (e.g., the Maghreb)<br />
1. 2. Centralize <strong>and</strong> consolidate exist<strong>in</strong>g mapp<strong>in</strong>gs (e.g.,<br />
Rac<strong>in</strong>e’s <strong>Art</strong>Map; Carte Culturelle de l’Algérie);<br />
support new mapp<strong>in</strong>gs for other countries<br />
1. 3. Emphasize dissem<strong>in</strong>ation of <strong>in</strong>formation about<br />
arts scenes <strong>in</strong> Algeria, Libya, Mauritania <strong>and</strong><br />
Western Sahara to combat isolation<br />
2.4. Multiply scop<strong>in</strong>g <strong>and</strong> tra<strong>in</strong><strong>in</strong>g missions to<br />
Algeria, Libya, Mauritania <strong>and</strong> Western Sahara<br />
to reduce isolation <strong>and</strong> create new networks<br />
2.5. Involve youth <strong>in</strong> new networks by reach<strong>in</strong>g<br />
out to art schools <strong>and</strong> universities