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The Red Bulletin December 2019 (UK)

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G U I D E<br />

Do it<br />

13<br />

November<br />

SECRET CINEMA PRESENTS STRANGER THINGS<br />

Didn’t get enough horror at Hallowe’en? <strong>The</strong> best is yet to come. What<br />

better subject for Secret Cinema – the immersive theatre company<br />

that has transformed blockbusters including Alien, Back to the Future,<br />

Ghostbusters and <strong>The</strong> Empire Strikes Back into real-world experiences<br />

– than the hit Netflix supernatural sci-fi drama that pays homage to the<br />

movies of the ’80s? Details are top secret, as is the exact location, but<br />

expect a trip to the US Midwestern town of Hawkins; encounters with<br />

characters such as Hopper, Joyce, Dustin, Mike, Lucas and Eleven; and<br />

a trip to the alternate dimension of the Upside Down. November tickets<br />

are already sold out, so you’ll need to move faster than the Demogorgon<br />

to get your fix. Until February; secret location, London; secretcinema.org<br />

Flayers gonna flay:<br />

join Eleven, Max<br />

and co in Hawkins<br />

Nov/Dec/Jan<br />

11<br />

January<br />

Hatsune Miku<br />

Expo 2020<br />

Hatsune Miku, who kicks off her European tour with<br />

this London gig, is a music sensation in her native<br />

Japan. Which is impressive when you consider she’s<br />

not real. This virtual teen pop star (her name means<br />

‘future sound’) is actually a voice bank of Japanese<br />

phonemes (phonetic word parts) spoken by actress<br />

Saki Fujita and channelled though a Vocaloid voice<br />

synthesiser. Anyone with the software can play her<br />

utterances through a music keyboard – Lady Gaga<br />

chose Miku as the opening act on her 2014 artRAVE:<br />

the ARTPOP Ball tour, and Pharrell remixed Last<br />

Night, Good Night, her song with Japanese electro<br />

band Livetune. Miku will be appearing on stage as<br />

a 3D anime projection, accompanied by a live band.<br />

O2 Academy Brixton, London; mikuexpo.com<br />

Virtual insanity:<br />

Hatsune Miku live<br />

ALAMY<br />

12 8<br />

November<br />

Touching the<br />

Void<br />

In 1985, Brits Joe Simpson and<br />

Simon Yates survived a near-fatal<br />

climb of the 6,344m-high Siula<br />

Grande in the Peruvian Andes.<br />

Simpson detailed the ordeal in<br />

his 1988 book Touching the Void,<br />

which became a documentary in<br />

2003. And now it’s a play, directed<br />

by War Horse’s Tom Morris and<br />

using an ingenious moving stage<br />

to simulate the mountain faces.<br />

Simpson recounts his experiences<br />

in our next issue. Until 29 Feb;<br />

Duke of York’s <strong>The</strong>atre, London;<br />

thedukeofyorks.com<br />

23<br />

November<br />

Spartan Stadion<br />

the only event was the Stadion, a<br />

sprint so epic that the arena was<br />

named after it (this later became<br />

then, that the Spartan – the<br />

present-day race inspired by the<br />

strongest of the Ancient Greeks –<br />

At the very first Olympics in 776AD,<br />

the Latin ‘stadium’). It’s only fitting,<br />

should honour this competition at a<br />

series of modern ‘stadions’. This<br />

5km race at Twickenham features<br />

20 obstacles including winding<br />

corridors and a clamber up the<br />

stadium’s stairs. Twickenham<br />

Stadium, London; spartanrace.uk<br />

<strong>December</strong><br />

UVA: Other<br />

Spaces<br />

<strong>The</strong> art collective United Visual<br />

Artists merges traditional media<br />

such as painting and sculpture with<br />

audio-visual technology to challenge<br />

perceptions. In other words, get<br />

ready for some mad shit. This<br />

installation in an iconic Brutalist<br />

building delivers such dizzying<br />

delights as mechanical lights<br />

dancing to the music of Mira Calix,<br />

and the animal recordings of<br />

‘bioacoustician’ Bernie Krause as<br />

spectrograms. 180 <strong>The</strong> Strand,<br />

London; 180thestrand.com<br />

THE RED BULLETIN 109

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