Kendhang Kalih

PROMETHEAN EDITIONS
GARETH FARR
Kendhang Kalih
Percussion Duet

Gareth Farr
Kendhang Kalih
Percussion Duet
PROMETHEAN EDITIONS
WELLINGTON

Kendhang Kalih (PE026) for Percussion Duet by Gareth Farr (1990).
Dedicated to Matthew Clayton.
© Promethean Editions Limited 1990
First edition © 1998 Promethean Editions Limited (201507)
Series Editor: Ross Hendy
Editor: Ross Hendy
ISBN: 978-1-877218-26-2 (print)
ISBN: 978-1-77660-026-7 (ebook)
ISMN: 979-0-67452-082-9
Promethean Editions Limited
PO Box 10-143
Wellington
NEW ZEALAND
http://www.promethean-editions.com
No part of this publication may be reproduced in any form or by
any means without permission in writing from the Publisher.
PE026 – ii

Gareth Farr (1968)
Gareth Farr was born in Wellington, New Zealand. He began his studies in composition and
percussion performance at the University of Auckland. The experience of hearing a visiting
gamelan orchestra prompted his return to Wellington to attend Victoria University, where the
characteristic rhythms and textures of the Indonesian gamelan rapidly became hallmarks of
his own composition. Farr continued with postgraduate study in composition and percussion
at the Eastman School of Music in Rochester, NY, where his teachers included Samuel Adler
and Christopher Rouse.
The inclusion of his works in four events at the 1996 New Zealand International Festival of
the Arts inaugurated his career as a dedicated freelance composer. Since then, Farr’s music
has been heard at, or especially commissioned for, high-profile events including the 50th
anniversary of the New Zealand Symphony Orchestra ( From the Depths Sound the Great Sea
Gongs), the opening of the Museum of New Zealand Te Papa Tongarewa ( Te Papa), and the
2000 Olympic Games in Sydney ( Hikoi, a concerto for percussionist Evelyn Glennie and the
NZSO). In 2003, a commission by the Auckland Festival resulted in Stone and Ice, composed
for the combined forces of the NZSO and the Auckland Philharmonia Orchestra. In 2006
Farr was made an Officer of the New Zealand Order of Merit, for his services to music and
entertainment. In the same year, the Royal New Zealand Ballet toured the country with their
brand new work The Wedding, featuring a score by Gareth Farr. At ninety minutes, it was
among the ballet company’s most ambitious projects, and combined Farr’s talents with those
of prominent New Zealand novelist and librettist Witi Ihimaera.
Farr’s music was integral to Maui – One Man Against the Gods, a stage show four years in the
making. First premiered in 2003, it featured aerial theatre, Maori kapa haka, contemporary
dance and song, with Farr’s stirring music, and toured a number of centres in New Zealand.
In more recent years, Farr has developed a fruitful collaboration with director and librettist
Paul Jenden, producing four comedy musicals. In 2007 Farr was appointed as Composer-
PE026 – iii

in-Residence for the Auckland Philharmonia Orchestra. The residency culminated in 2008
with the premiere of Ex Stasis, a symphonic song cycle for four soloists. In 2008, Farr also
celebrated the world premiere of his work Terra Incognita, for bass solo, choir and orchestra,
performed by Paul Whelan and the Orpheus Choir with the New Zealand Symphony
Orchestra. Farr’s artistic excellence was acknowledged when he received the Arts Foundation
of New Zealand’s Arts Laureate Award 2010, which aims to celebrate significant artistic
achievement as well as nurture future creative endeavours.
In March of 2014 Farr’s Concerto for Piano and Orchestra received its world premiere from
soloist Tony Lee and the New Zealand Symphony Orchestra, conducted by Pietari Inkenen.
Its UK premiere followed one year later, with Lee backed by the BBC Philharmonic, with
conductor Tecwyn Evans. The BBC Philharmonic included Farr’s work alongside Douglas
Lilburn’s Symphony No.2 as a programme to mark the 100th anniversary of the ANZAC
troops’ battle at Gallipoli during World War I. The concerto received critical acclaim,
described by the Dominion Post’s John Button as containing “marvellously free piano
writing surrounded by orchestral sounds that conjure up memories of Prokofiev ballets,
Ravel’s L’Enfant et les Sortileges and even the Bartok First Piano Concerto…the ear was tickled
bar after bar. I have no doubt that this marvellously inventive piano concerto is bound to
develop an international life all its own.”
Farr’s music is particularly influenced by his extensive study of percussion, both Western
and non-Western. Rhythmic elements of his compositions can be linked to the complex and
exciting rhythms of Rarotongan log drum ensembles, Balinese gamelan and other percussion
music of the Pacific Rim.
Latest information about the composer may be found at www.garethfarr.com.
PE026 – iv

Kendhang Kalih (1990)
Inspired by Javanese gamelan music, Farr’s Kendhang Kalih is an engaging multi-percussion
duet whose title is derived from a Javanese gamelan term literally meaning ‘two drums’. It
refers to one of the slower, sparser drumming styles that accompanies many gamelan forms,
using a small high pitched drum and a large drum with a resonant bass tone. In Kendhang
Kalih, however, the term refers to the two drummers and the two drum setups, which —
as in the Javanese style — function as one unit. Although each performer uses a unique
arrangement of drums, their rhythms lock into one another and hocket to produce the effect
of a single large drum set-up.
The work is split into two halves. The first half emphasises contrast between the two
performers’ material, as over a series of phasing repeats one part becomes denser and quieter
while the other grows sparser and louder. The second half fuses the performers together in a
minimalistic note-by-note build-up of a ‘drum melody’.
Kendhang Kalih received its premiere performance from Matthew Clayton and Gareth Farr at
the Adam Concert Room, Victoria University of Wellington, New Zealand in October 1998.
PE026 – v

PE026 – vi

KENDHANG KALIH DEDICATED TO MATTHEW CLAYTON
Gareth Farr
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Kendhang Kalih © 1990 Promethean Editions Limited
This edition © 1998 Promethean Editions Limited PE026 – 1
ISMN: 979-0-67452-082-9

25
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PE026 – 2

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PE026 – 3

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PE026 – 4

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PE026 – 5

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PE026 – 6

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˛
x 4
.
.
˛>
>
˛
>
˛
>
˛
x 4
.
?
≈ ˛
˛ ≈ ˛
˛
˛
˛
.
.
≈ ˛
˛ ≈ ˛
˛
˛
˛
≈ ˛
˛ ≈ ˛
˛
˛
˛
.
114
/
.
>
˛
>
˛
>
˛
˛^
x 4
.
.
˛>
>
˛
>
˛
?
.
˛>
# ˛ # ˛
f
#˛
˛
˛
˛
# ˛ # ˛
#˛
˛
˛
˛
.
.
#˛
#˛
#˛
˛ ˛ ˛
/
?
.
.
>
˛
f
˛
˛>
˛ ≈ ˛
˛
>
˛
˛
˛
≈ ˛
>
˛
˛ ≈ ˛
˛
>
˛
˛
x 4
.
.
˛ . .
f
˛
˛ ˛ ˛ Œ ˛ .
∑
˛
117
/
?
#˛
>
˛
#˛
#˛
>
˛
˛ ˛ ˛
˛^
x 4
.
.
7
8
8
7
˛
f
˛ ˛ ˛ Œ ˛ . ˛ .
∑
˛ . ˛ .
˛ .
∑
˛
v
3
˛ ˛ ˛
˛ ˛ ˛ ˛ Œ ˛ . ˛ .
∑
/
‰ ˛ ≈ ˛ .
˛
x 4
.
8
7
˛ ˛ ˛ ˛ Œ ˛ . ˛ .
˛ . ˛ .
˛
˛ ˛ ˛ ˛
Œ ˛ . ˛ . ˛ .
˛
?
∑
.
7
8
∑
∑
∑
PE026 – 7

121
/
/
˛ . ˛ .
˛ .
˛
v
‰ ˛ ˛ ˛ ˛ ˛ Œ
3
˛ ˛ ˛
˛ ˛ ˛ ˛ Œ ˛ . ˛ .
˛ . ˛ . ˛ . ˛ .
J˛
˛ . ˛ .
˛ .
‰ ˛ ˛ ˛ ˛ Œ ˛ .
˛v
3
˛ ˛ ˛
˛
124
/
/
˛ ˛ ˛ ˛ Œ ˛ . ˛ .
‰ ˛ . ˛ .
˛
˛ ˛
˛ . ˛ .
˛ .
˛
v
˛ ˛ Œ ˛ . ˛ .
3
˛ ˛ ˛
j ˛
˛ ˛ ˛ ˛ Œ ˛ . ˛ .
≈ ˛ .
˛ ˛ ˛ ˛ ˛ ‰
˛ . ˛ .
˛ .
˛v
3
˛ ˛ ˛
‰ ˛ . ˛ . ˛ . ˛ .
128
/
/
˛ ˛ ˛ ˛ Œ ˛ . ˛ .
˛
˛ ˛ ˛ ˛ Œ
j
˛
˛ . ˛ .
˛ .
≈
j
˛ . ˛ . ˛ .
˛
v
3
˛ ˛ ˛
˛
˛ ˛ ˛ ˛ Œ ˛ . ˛ .
˛ ˛ ˛ ˛ Œ ˛ . ˛ .
131
/
/
˛ . ˛ .
˛ . ˛ .
˛ .
˛ .
˛v
˛
3
˛ ˛ ˛
3
˛ ˛ ˛
4
4
˛
˛>
ff
‰ ˛ ˛
3
ff
˛
˛
˛ ˛ ˛
3
˛ ˛ ˛ ˛
˛ ˛ ˛ ˛
3
˛
Œ
˛> ˛ ˛
‰ ˛ ˛
3
˛ ˛
˛ ˛
˛ ˛ ˛ ˛ ˛ ˛ ˛
3
134
/
/
˛
˛
˛
˛
˛
˛ ˛>
‰ ˛ ˛ ˛ ˛ ˛ ˛
3
˛ ˛
˛ ˛ ˛ ˛ ˛
5
˛ ˛ ˛
˛
Œ
˛>
˛
3
˛ ˛ ˛ ˛
˛ ˛>
˛
˛^
3
˛ ˛ ˛
3
˛^
˛^
˛
v
˛
v
Œ Ó
Œ Ó
PE026 – 8

PROMETHEAN EDITIONS