Spook

PrometheanEditions

by Gareth Farr | Marimba

PROMETHEAN EDITIONS

GARETH FARR

Spook

Marimba


Gareth Farr

Spook

Marimba

PROMETHEAN EDITIONS

WELLINGTON


Spook (PE063) for Marimba by Gareth Farr (2000/2004). Written for

and dedicated to Jeremy Fitzsimons.

© Promethean Editions 2000/2004

First edition © 2004 Promethean Editions Limited (201505)

Series Editor: Ross Hendy

Editor: Thomas Liggett

Editorial comments: Jeremy Fitzsimons

ISBN: 978-1-877218-63-7 (print)

ISBN: 978-1-77660-063-2 (ebook)

ISMN: 979-0-67452-097-3

Promethean Editions Limited

PO Box 10-143

Wellington

NEW ZEALAND

http://www.promethean-editions.com

No part of this publication may be reproduced in any form or by

any means without permission in writing from the Publisher.

PE063 – ii


Gareth Farr (1968)

Gareth Farr was born in Wellington, New Zealand. He began his studies in composition and

percussion performance at the University of Auckland. The experience of hearing a visiting

gamelan orchestra prompted his return to Wellington to attend Victoria University, where the

characteristic rhythms and textures of the Indonesian gamelan rapidly became hallmarks of

his own composition. Farr continued with postgraduate study in composition and percussion

at the Eastman School of Music in Rochester, NY, where his teachers included Samuel Adler

and Christopher Rouse.

The inclusion of his works in four events at the 1996 New Zealand International Festival of

the Arts inaugurated his career as a dedicated freelance composer. Since then, Farr’s music

has been heard at, or especially commissioned for, high-profile events including the 50th

anniversary of the New Zealand Symphony Orchestra ( From the Depths Sound the Great Sea

Gongs), the opening of the Museum of New Zealand Te Papa Tongarewa ( Te Papa), and the

2000 Olympic Games in Sydney ( Hikoi, a concerto for percussionist Evelyn Glennie and the

NZSO). In 2003, a commission by the Auckland Festival resulted in Stone and Ice, composed

for the combined forces of the NZSO and the Auckland Philharmonia Orchestra. In 2006

Farr was made an Officer of the New Zealand Order of Merit, for his services to music and

entertainment. In the same year, the Royal New Zealand Ballet toured the country with their

brand new work The Wedding, featuring a score by Gareth Farr. At ninety minutes, it was

among the ballet company’s most ambitious projects, and combined Farr’s talents with those

of prominent New Zealand novelist and librettist Witi Ihimaera.

Farr’s music was integral to Maui – One Man Against the Gods, a stage show four years in the

making. First premiered in 2003, it featured aerial theatre, Maori kapa haka, contemporary

dance and song, with Farr’s stirring music, and toured a number of centres in New Zealand.

In more recent years, Farr has developed a fruitful collaboration with director and librettist

Paul Jenden, producing four comedy musicals. In 2007 Farr was appointed as Composer-

PE063 – iii


in-Residence for the Auckland Philharmonia Orchestra. The residency culminated in 2008

with the premiere of Ex Stasis, a symphonic song cycle for four soloists. In 2008, Farr also

celebrated the world premiere of his work Terra Incognita, for bass solo, choir and orchestra,

performed by Paul Whelan and the Orpheus Choir with the New Zealand Symphony

Orchestra. Farr’s artistic excellence was acknowledged when he received the Arts Foundation

of New Zealand’s Arts Laureate Award 2010, which aims to celebrate significant artistic

achievement as well as nurture future creative endeavours.

In March of 2014 Farr’s Concerto for Piano and Orchestra received its world premiere from

soloist Tony Lee and the New Zealand Symphony Orchestra, conducted by Pietari Inkenen.

Its UK premiere followed one year later, with Lee backed by the BBC Philharmonic, with

conductor Tecwyn Evans. The BBC Philharmonic included Farr’s work alongside Douglas

Lilburn’s Symphony No.2 as a programme to mark the 100th anniversary of the ANZAC

troops’ battle at Gallipoli during World War I. The concerto received critical acclaim,

described by the Dominion Post’s John Button as containing “marvellously free piano

writing surrounded by orchestral sounds that conjure up memories of Prokofiev ballets,

Ravel’s L’Enfant et les Sortileges and even the Bartok First Piano Concerto…the ear was tickled

bar after bar. I have no doubt that this marvellously inventive piano concerto is bound to

develop an international life all its own.”

Farr’s music is particularly influenced by his extensive study of percussion, both Western

and non-Western. Rhythmic elements of his compositions can be linked to the complex and

exciting rhythms of Rarotongan log drum ensembles, Balinese gamelan and other percussion

music of the Pacific Rim.

Latest information about the composer may be found at www.garethfarr.com.

PE063 – iv


Spook (2000/2004)

Although I had not originally conceived Spook as having any sort of extra-musical

associations, when it came time to find a title for the work I thought of the mercurial nature

of much of the music. Like a ghost, glimpsed in the corner of your eye and vanishing when

you spin round to look at it, the substance of the music is elusive, the tonality continually

shifting and the patterns of repeated figures subtly changing as soon as they can be grasped.

In some respects Spook is a technical etude for the marimba. The main body of the work

focuses almost exclusively on the use of the double lateral stroke, one of the virtuoso

innovations of the last few decades. With four mallets available, extremely high velocities

can be achieved by playing two consecutive notes with each hand instead of with the

traditional left hand, right hand figuration. The quieter contrasting moments emphasise the

independent roll, where instead of executing a roll between the two hands, the roll is played

between the two mallets of a single hand. Sustained chords are played by one hand as an

accompaniment to the other, which plays more articulate, rhythmic material. After a steady

build-up to a powerful climax which utilises the full range of the marimba keyboard, the

music subsides before setting off on an even faster coda, a percussive frenzy of slowly rising

patterns and accents which culminates in a clatter of open fifths in the very lowest register of

the instrument.

Gareth Farr

Performance notes

• A marimba with a 5-octave range (C 2 -C 7 ) is required

• Choice of mallets is left to the discretion of the performer

PE063 – v


PE063 – vi


SPOOK TO JEREMY FITZSIMONS

Gareth Farr

Tempo I Π= 80

& 4 2 # ˇ

# ˇ

#ˇ pp

?

4 2 Œ

˛

# ˛ mp mf

5

˛

& # ˛ ˛ ˛ b b ˛

f

3


˛ ˛



˛ ˛ ˛ ˛ ˛ ˛ ˛

molto rubato (quasi accel.)

˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛

Ú‰ = ‰ sempre

3

b ˛

6

(quasi rall.)



˛ ˛ ˛˛ ˛ ˛˛

ppp

in tempo



˛ ˛

5

˛ n˛


˛ ˛˛ ˛ ˛˛ ˛ ˛˛ b ˛

˛˛ ˛


˛ n˛

˛ ˛ ˛˛

3

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b ˛


˛˛

pp


Œ

9

&

?



# ˇ

# ˇ pp

Œ

# ˛ mp


˛

mf



˛

3

molto rubato



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& #˛

4 2

˛ n˛

˛ n˛

b ˛ n

14

˛

˛ # ˛ ˛ # ˛ ˛ # ˛ ˛ n˛


˛ ˛ ˛

3

4 3 4 3



ppp cresc.

in tempo

˛ ˛



˛ n˛

# ˛ b˛

˛ ˛ # ˛ ˛ ˛ ˛ ˛ # ˛ ˛ ˛ # ˛ ˛ n˛

15 b ˛

&

f

˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛

b b ˛

˛˛ ˛ ˛˛ ˛ ˛˛

6

˛ ˛˛ ˛ ˛˛ ˛ ˛˛ b b ˛

˛˛ ˛

5

˛ ˛ ˛˛

3

b b ˛

˛˛

pp

Œ

19

&

?



# ˇ

# ˇ pp

Œ

# ˛ mp


˛

pp



˛

3

molto rubato

4 3 #ˇ. 4

#ˇ.

2

4 3 ˛

b˛ ˛ ˛ ˛ ˛ ˛

˛ ˛ ˛ 4 2

3

mf

3


˛ ˛b˛


˛ ˛ ˛

Spook © 2000/2004 Promethean Editions Limited

This edition © 2004 Promethean Editions Limited PE063 – 1

ISMN: 979-0-67452-097-3


24

?

in tempo


# ˛ ˛ ˛



- ˛ n˛


- # ˛

˛ n˛

˛ n- ˛ ˛ n˛

# ˛

# ˛ ˛ ˛



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˛ n˛

˛ ˛- ˛ n˛

pp

26

?


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˛


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˛ n˛

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# ˛

# ˛ ˛ b˛

˛


- ˛ n˛


- # ˛

˛ n˛

˛ ˛- ˛ n˛

4 3

cresc.

28

? 4

3

b˛ >

# ˛ ˛ ˛

3 mp


3

# ˛ #˛

#˛ ˛ b˛

˛

ppp cresc.

4 2




7

# ˛ ˛ ˛ ˛


# ˛ ˛ ˛ # ˛ ˛ n˛

7

30

?


# ˛ ˛ b˛

˛


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˛ n˛

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# ˛

# ˛ ˛ b˛

˛


- ˛ n˛


- # ˛

˛ n˛

˛ ˛- ˛ n˛

p

32

?


# ˛ ˛ ˛



- ˛ n˛


- # ˛

˛ n˛

˛ ˛- ˛ n˛

# ˛

# ˛ ˛ ˛



- ˛ n˛


- # ˛

˛ n˛

˛ ˛- ˛ n˛

4 3

cresc.

34 3

&

?

3

4 3 b˛ ‰

4

# ˛ ˛ #˛ #˛

2

4 3 ˛ #˛ ˛ b˛

˛ 4 2

mf

>

ppp cresc.




7


˛

˛ ˛


# ˛ ˛ ˛ # ˛ ˛ n˛

7

36

&

# ˛

# ˛ ˛ b˛


mp ˛

˛ n˛



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˛ n˛

# ˛

# ˛ ˛ b˛

˛


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˛ n˛

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38 ˛

&

˛ b˛


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˛ ˛ ˛ ˛ b˛





˛ ˛ n˛

˛ ˛ n˛

˛ b˛


˛ ˛ ˛ ˛

cresc.

PE063 – 2


40

&

42

&

?


mf


5

˛ #pp ˛

# ˛ ˛ b˛

˛

5

˛ ˛ ˛ ˛ ˛


˛ n˛




# ˛

#˛ ˛ ˛

mp

˛ n˛

˛ ˛ ˛ n˛



˛ n˛


˛ ˛ ˛ ˛ ˛ b˛



˛


˛ ˛ n˛


˛


˛ n˛

˛ # ˛ # ˛ ˛ ˛ ˛

44

&

?

# ˛# ˛ ˛


˛ b˛

˛ n˛

˛ b˛


˛


˛ ˛ ˛

˛

cresc.

˛ b˛


˛ ˛ ˛ ˛ b˛



˛ ˛ ˛ ˛ b˛


46

&

?




˛ ˛ n˛

˛ ˛ n˛


˛ b˛


˛ ˛ ˛ ˛

8 5 4 2

molto rubato

5

8 5 #˛ ˛

#˛ ˛ ˛ ˛ # ˛ ‰

# ˛ 4 2

3

mf

ppp

48

? 4

2


# ˛ ˛ ˛



˛ n˛



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˛ n˛

˛ n˛

# ˛

# ˛ ˛ ˛



˛ ˛



n

7

˛ n˛

˛ n˛

˛

32

12

pp

& 32

12


#˛. ˛

˛. 32 8 b˛

32 9 . . .

b˛ ˛

#˛. ˛. ˛. 4 2

?

32

12 cresc.


#˛ #˛


32 8 ˛ ˛ ˛

b˛ ˛

32 9 f

4 2

50

53

? 4

2


# ˛ b˛

˛ ˛


˛ n˛



˛ ˛ ˛ n˛

˛ ˛ # ˛

# ˛ ˛ ˛



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˛ ˛ ˛ ˛ ˛ ˛

p

PE063 – 3


55

&


? b˛

# ˛ ˛ # ˛ # ˛ b˛

˛# ˛ ˛ ˛


˛ ˛ # ˛ ˛ ˛

cresc.

˛ n˛

# ˛ ˛ ˛ # ˛ ˛

˛

b b ˛ ˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛

f dim.

57

&

?

b b ˛

˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛


˛ ˛˛ ˛ ˛˛ ˛ ˛ ˛

7

˛



˛

˛







6

5

59

&

?

p


˛

b b ˛

.

b b

˛˛


˛

n˛.





˛

˛.

.

b b ˛

b

˛˛

˛ ˛ b˛

˛

n˛.

32

12

32

12

& 32

12 #˛. ˛. 32 8

32 9 4

#˛ ˛ ˛ 2 b˛




˛ ˛

#˛.

.

˛.

.

˛.

.

?

32

12 cresc.



#˛ #˛


32 8 32 9 mp

4 2

61

64

&

?

4 2 4 2

p


˛

b b ˛

.

b

˛˛


˛

n˛.





˛

˛.

.

b b ˛

b

˛˛

˛ ˛ b˛

˛

n˛.

66

&

?



˛ b˛

b b

˛˛

˛ b˛

˛˛ n

b b

˛˛

b b

˛

˛ n˛

b

b˛˛

˛ ˛



mp

PE063 – 4

p b˛



b b ˛

˛ b˛

b

˛˛

˛ b˛

˛ ˛

˛


˛ ˛ ˛


68

&

?




b b

˛

˛ b˛

b

˛˛

˛ b˛

˛ ˛

˛

˛ ˛ ˛

32

12

. 32 9

32

12 b

b˛˛

cresc.

˛ b b ˛

˛ # # n n ˛ # # .

˛ n n˛ ˛

˛

32 9

70

&

?

32 9

4 2

n n ˛ #

# ˛˛

˛˛ # # b˛

˛ ˛˛ ˛˛ n


n

˛˛

32 9 4 2

mp b˛



b b ˛

˛ b˛

b

˛˛

˛ b˛

˛ ˛

˛


˛ ˛ ˛

72

&

?




b b ˛

˛ b˛

b

˛˛

˛ b˛

˛ ˛

˛

˛ ˛ ˛



˛ b˛

b

b˛˛

n

˛˛

˛ b˛

b

b˛˛

˛ b b ˛ ˛

b

˛

˛ ˛



mf

32

12

32

12

74

& 32

12

. 32 9

32

12

?

32

12 ˛ ˛ b b ˛

˛

# # n n ˛ # # .

˛ n n ˛

˛˛ # # ˛

˛˛ # # #˛

˛ ˛˛ ˛˛ n # ˛

n

˛˛

˛

32 9 32

12

b b mp cresc.

& 32

12 32 9 4 2

n n # ˛ #

˛˛

˛˛ # # ˛.

n b n .

n

˛˛ b

˛˛ n

˛˛ b b

˛

b

b

˛˛

˛˛ b b


˛

˛˛ b

˛˛ ˛˛ n˛

˛˛

f

76

78

&

?

4 2 4 2


b b ˛

mf


˛

˛

b b ˛


˛

b b

˛

˛ ˛ b˛

˛

b b

˛

b

b ˛ ˛˛

b

b˛˛


˛ b˛

˛˛

b b ˛

˛ b˛

b

˛˛

˛ b˛


˛

b

˛.

PE063 – 5


80

&

?

˛

˛

˛ ˛ ˛

˛ # # ˛ ˛

˛ # # ˛ ˛ ˛ # ˛

# # ˛

# ˛ ˛˛ b

b˛˛


˛ ˛ ˛˛

b b

˛

˛ b˛

b

˛˛

˛ b˛

˛ ˛

˛.

cresc.

82

&

?

˛ ˛ ˛ ˛

ff

˛ ˛ ˛ b˛

˛



˛ ˛ ˛ # ˛ # ˛ ˛ ˛ ˛ ˛

# ˛ # ˛ ˛


˛ b˛

˛ n˛

˛ b˛


˛


˛ ˛ ˛

84 ˛ ˛ b˛

& b˛

˛ ˛ ˛ ˛ b˛


˛ ˛ ˛ ˛ b˛





˛ ˛ n˛

˛ ˛ n˛

˛ b˛


˛ ˛ ˛ ˛

86

&

?



˛ ˛

˛dim.˛ # ˛



˛ ˛ ˛ ˛

˛ ˛ ˛ ˛

˛ ˛ # ˛


˛ ˛ ˛ ˛


˛ ˛ ˛ ˛

˛ ˛ ˛ ˛

88

?

˛ ˛ # ˛


˛ ˛ ˛ ˛

˛ ˛ ˛ ˛ ˛˛

˛˛

˛˛

˛˛

˛ # #

˛˛

˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛˛

˛˛

˛˛

˛˛

˛˛

˛˛

˛˛

˛ # ˛ ˛ ˛ Œ #

˛˛

˛˛

˛˛

˛˛ pp

91

?


# ˛ ˛ ˛



˛ n˛



˛ n˛

˛ n˛

˛ n˛

# ˛

# ˛ ˛ ˛



˛ n˛



˛ n˛

˛ ˛ ˛ n˛

4 3

pp

93


? 4

3

# ˛ ˛ # ˛ ˛ # ˛ ˛ ˛ b˛

# ˛ n˛



# ˛ ˛


˛ n˛

# ˛ ˛

˛ # ˛ ˛ n˛

4 2

PE063 – 6


94

? 4

2


# ˛ ˛ ˛



˛ n˛



˛ n˛

˛ n˛

˛ n˛

# ˛

# ˛ ˛ ˛



˛ n˛



˛ n˛

˛ ˛ ˛ n˛

4 3

96

&

?

4 3 b˛

4

# ˛ ˛ #˛ # ˛ b˛


#˛ n˛

˛ n˛

# ˛ ˛

˛ # ˛ ˛ n˛

2

4 3 cresc.

˛ # ˛ ˛ b˛ ˛ n˛ ˛

4 2

97

& 4 2


# ˛ # ˛

# ˛

mf

˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛

˛ ˛ ˛ ˛

˛ ˛>

˛ ˛

˛>

˛ ˛ ˛ ˛

˛>

˛ ˛

& # ˛ # ˛


˛ 16 5

˛ ˛


˛ ˛

˛ ˛ ˛ ˛ ˛ ˛ ˛

˛ ˛ ˛ ˛ ˛> ˛> ˛>

˛

# ˛

˛ ˛ ˛ ˛ ˛ ˛ ˛

99

101

&

?

16 5 ˛



˛

˛ b˛


˛

˛ ˛

˛

˛ ˛

˛ 4 2

16 5 n˛


˛ b˛


˛

4 2

103

&

?

4 2 4 2

˛ ˛

˛ ˛ ˛

˛ ˛ ˛

˛ ˛ b˛

˛ b˛

˛ ˛ ˛



˛ ˛ b ˛ b˛

˛ > ˛ ˛ > ˛ b˛

˛ ˛ ˛

> ˛ ˛

PE063 – 7


105

&

? ˛ ˛

˛ ˛ ˛

˛ ˛ ˛

˛ ˛

˛ ˛

˛ ˛ ˛

˛ ˛

˛

˛ ˛

˛ b > ˛ b˛

> ˛

˛ ˛

˛ ˛ ˛

˛

> ˛ ˛

16 5

16 5

107

˛

? 16

5

dim.

˛

˛



˛

˛



˛

˛

˛

# ˛


˛

˛

˛

˛

# ˛


4 2

109

? 2 4





˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛




˛ ˛ b˛

˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛

111

&

?


?


˛ b˛

˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛


pp







˛˛


3

˛˛

˛˛


˛˛

˛˛


˛ ˛

3

˛˛

˛ ˛

116

?

?


˛˛

mf

3

˛˛

˛ ˛

(quasi rall.)

120

& Œ b˛

pp

?


˛ ˛

˛ ˛

?



˛ ˛


pp


3

˛ ˛

˛ ˛



˛ ˛ b˛





˛ ˛ ˛ b˛


˛ ˛ b˛

3


n˛˛

˛˛

˛˛

pp

molto rubato


n

pp

molto rubato (quasi accel.)

& b˛


˛ ˛


˛ ˛

˛ ˛

Œ


˛ ˛

3


mf


3

˛˛

˛

˛ ˛

126

?

?


˛˛

mf

3

˛˛

˛ ˛


˛ ˛

˛ ˛


˛ ˛


3

˛ ˛

˛ ˛

˛ ˛ b˛


˛ ˛ ˛ b˛

˛ ˛ b˛


&

˛ ˛



Œ

3

˛

mf


˛

PE063 – 8


130

& Œ ˛

pp

?

# # æ

ˇ


Tempo II (Slower) Π= 60

4 3 j

˛

4 2 4

˛æ

. b b @

˛

˛˛æ

# b æ

ˇ n n ˇ 3 æ

4 3 ˛ ˛ ˛ ˛ ˛ ˛ p

4 2 ˛ ˛

˛ ˛ ˛

˛.

J ˛.

˛

4 3

135

&

?

4 3 4 2 8 5 4

# # j

æ

˛.

b b @

˛

˛˛æ

# b æ b

ˇ

ˇ

# n ˛ ˛ ‰ 2

4 3 ˛.

4 2 8 5 4 2

˛ ˛ ˛ ˛ ˛ ˛ ˛

æ˛

˛ ˛# ˛

æ æ

#

# ˛ # ˛ ˛.

˛ ˛ ˛ ‰

# ˛

3

139

? 4

2

Tempo I Π= 80

# ˛

#˛ ˛ ˛



˛ n˛



˛ n˛

˛ n˛

˛ n˛

# ˛

# ˛ ˛ ˛



˛ n˛



˛ n˛

˛ ˛ ˛ n˛

ppp

141

?

rallentando molto


# ˛ b˛


˛ ˛


˛ n˛


˛ n˛

˛ ˛ ˛ n˛

4 3

# ˛

# ˛ ˛ ˛



˛ n˛



˛ n˛

˛ ˛ ˛ n˛

Œ

143

&

?

Tempo II Π= 60

b b ˛.

æ pp

˛

˛

j

˛@

˛æ

˛ ˛ ˛

˛

4 2 nˇ

æ

b b ˇ

æ

4 3

4 2 p

# ˛ ˛ ˛

4 3

# ˛ ˛ # ˛ ˛ ˛ # ˛ n˛

146

&

?

4 3 b b j

˛. ˛@ ˛æ

4 2 8 5 4 2 æ


æ

ˇæ

b b æ ‰

˛ ˛æ 4 3 n˛


˛ ˛ ˛.

4 2 # ˛. ˛ j

8 5 4 2

˛ # ˛ ˛ ‰ # ˛ ˛ # ˛

˛ n˛


˛ ‰ ˛

PE063 – 9


150

Tempo I Π= 80

& 4 2 # ˛

#˛ ˛ b˛

˛

ppp


˛ n˛



˛ n˛

˛ ˛ ˛ n˛

# ˛

rallentando molto

# ˛ ˛ b˛

˛


˛ n˛



˛ n˛

˛ ˛ ˛ n˛

b

& # ˛ ˛ # ˛

4 3

˛ # ˛ ˛ b˛

# ˛ b˛


˛ n˛

# ˛ ˛ n˛

˛ ˛ # ˛ ˛ ˛ # ˛ ˛ n˛

Œ

152 ˛

154

&

?

Tempo II Π= 60

4 3 4 2 4 3 4

# # æ

˛ b b æ b æ

˛

2 #

˛˛ n n ˇ bˇ

æ æ n n æ

˛ #

# ˛˛

æ # ˛˛

æ

pp

p

4 3 4 2 4 3 4 2

˛ ˛ ˛ ˛ ˛.

˛ ˛ ˛

‰ ˛ ˛ ˛.

˛ ˛ ˛ ˛ ˛ b˛



˛ ˛

3

&

?

4 2 b bˇ

n

æ ˇ

ˇ

4 3 # # ˇ

. æ æ

æ

4 2 ˛.

˛ ˛

æ˛ ˛ ˛.

b n˛

˛ #˛

#˛ # ˛.

˛ # ˛ # ˛

˛ # ˛ 4 3 n˛

158

ˇ

˛ ˛

˛ . ˛.

˛

& # ˛ ˛

4 2

#˛ ˛ ˛


b b˛

˛ n˛


˛ n˛

˛ ˛ ˛ n ˛

˛ # ˛ ˛ # ˛ ˛ # ˛ ˛ n˛

163

Tempo I Π= 80

ppp cresc.

& ˛ ˛ # ˛ ˛ ˛ # ˛ ˛ ˛

n 165

b b ˛ ˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛

f dim.


b b ˛

˛˛ ˛ ˛˛ ˛ ˛˛

6

# ˛ b˛

˛ ˛

# ˛ ˛ ˛

˛ ˛˛ ˛ ˛˛ ˛

5

167

&

?

˛ b ˛

˛˛ ˛


˛ ˛ ˛˛

3

˛ ˛˛


Œ

Tempo II Π= 60

4 3 .

4 2 4 3 # # j

æ

˛. ˛ b b @ ˛˛æ

˛ # b æ

ˇ n n ˇ

æˇ

pp

4 3 ˛ ˛ ˛ ˛ ˛ ˛ p˛

4 2 ˛ ˛ ˛

4 3

˛ ˛.

J ˛.

˛

PE063 – 10


172

& 4 3 4 2 8 5 4

# # j

æ

˛.

b b @

˛

˛˛æ

# b æ b n ˇ

ˇ

# n ˛ ˛ ‰

æ

2 æ æ

?

4 3 ˛.

4 2 8 5 4 2

˛ ˛ ˛ ˛ ˛ ˛ ˛

˛ ˛# ˛ #˛

# ˛ # ˛ ˛.

˛ ˛ ˛ ‰

# ˛

176

? 4

2

178

?


accelerando poco a poco


# ˛ ˛ b˛



˛ ˛ n˛


pp

# ˛ ˛ ˛



˛ n˛



˛ n˛

˛ n˛

3

˛ n˛

˛ ˛ ˛ n˛

˛ n˛

# ˛

# ˛

# ˛ ˛ b˛

˛

# ˛ ˛ ˛



˛ n˛


˛ n˛





˛ n˛

˛ ˛ ˛ n˛

˛ n˛

˛ ˛ ˛ n˛

4 3

180

? 4

3

182

?

184

?

cresc.

p

b˛ >

# ˛ ˛ ˛

3 mp

Tempo I Π= 80


# ˛ ˛ b˛


- b˛

- ˛ ˛ n˛

# ˛


# ˛ ˛ ˛




- ˛ n˛

3

# ˛ #˛

# ˛ ˛ ˛


ppp cresc.


- # ˛

˛ n˛

4 2

˛ ˛- ˛ n˛

˛ n˛

˛ ˛- ˛ n˛


# ˛

# ˛



7

# ˛ ˛ b˛

˛

# ˛ ˛ ˛


# ˛ ˛ ˛ ˛


- ˛ n˛


- ˛ n˛

˛ # ˛ ˛ ˛ # ˛ ˛ n˛


- # ˛


- # ˛

7

˛ n˛

˛ ˛- ˛ n˛

˛ n˛

˛ ˛- ˛ n˛

4 3

cresc.

186 3

&

?

3

4 3 b˛ ‰

4 2 # ˛ ˛ #˛ #˛

4 3 ˛ #˛ ˛ b˛

˛ 4 2

mf

> ppp cresc.




7


˛

˛ ˛


# ˛ ˛ ˛ # ˛ ˛ n˛

7

188

&

# ˛

# ˛ b˛

˛ ˛


mp

˛ n˛



˛ n˛

˛ n˛

˛ n˛

# ˛

# ˛ ˛ ˛



˛ n˛



˛ n˛

˛ ˛ ˛ n˛

PE063 – 11


190 ˛

&

˛ b˛


˛ ˛ ˛ ˛ b˛


˛ ˛ ˛ ˛ b˛





˛ ˛ n˛

˛ ˛ n˛

˛ b˛


˛ ˛ ˛ ˛

cresc.

192

&

194

&


mf


5

˛ #pp ˛

# ˛ ˛ b˛

˛

5

˛ ˛ ˛ ˛ ˛


˛ n˛




# ˛ ˛ ˛

mp

˛ n˛

˛ ˛ ˛ n˛



˛ n˛


˛ ˛ ˛ ˛ b˛

˛



˛


˛ ˛ n˛

˛


˛ n˛

˛ # ˛ # ˛ ˛ ˛ ˛

196

&

?

# ˛# ˛ ˛


˛ b˛

˛ n˛

˛ b˛


˛


˛ ˛ ˛

˛

cresc.

˛ b˛


˛ ˛ ˛ ˛ b˛



˛ ˛ ˛ ˛ b˛


198

&

?

200


? 4

2



pp


˛ ˛ n˛

# ˛ ˛ b˛

˛

˛ ˛ n˛


˛ n˛




˛ b˛


˛ n˛

˛ n˛

˛ ˛ ˛ ˛

˛ n˛

# ˛

8 5 4 2

molto rubato

5

8 5 #˛ ˛

#˛ ˛ ˛ ˛ # ˛ ‰

# ˛ 4 2

3

mf

ppp

# ˛ ˛ b˛

˛


˛ ˛



n

7

˛ n˛

˛ n˛

& 32

12 #˛. ˛. 32 8

32 9 4

#˛ ˛



˛

#˛.

.

˛.

.

˛.

. 2

?

32

12 cresc.


#˛ #˛


32 8 b˛

˛ ˛ ˛ ˛

32 9 f

4 2

202

˛

32

12

205

? 4

2


# ˛ b˛

˛ ˛


˛ n˛



˛ ˛ ˛ n˛

˛ ˛ # ˛

# ˛ ˛ ˛



˛ n˛



˛ ˛ ˛ ˛ ˛ ˛

p

PE063 – 12


207

&

?


# ˛ ˛ # ˛ # ˛ b˛

˛# ˛ ˛ ˛


˛ ˛

cresc.


# ˛ ˛ ˛ ˛ n˛

# ˛ ˛ ˛ # ˛ ˛

˛

b ˛ ˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛

f dim.

8

3

3

8

209

&

?

8

3

3

8

b b ˛

˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛


4 2 4 2



˛

6

˛



˛

˛


6


˛


211

&

?



˛ ˛

6


˛

˛ b˛


6


˛

˛



˛

6







6


˛

˛

213

?

˛

˛ ˛ b˛

˛



pp cresc. poco a poco




˛ b˛

˛ b˛

˛ n˛


# ˛ ˛ ˛


p cresc. sempre






˛ n˛

˛ b˛

˛ n˛

215

&

?

mp cresc.

# ˛


# ˛ ˛ ˛






˛ n˛

˛ b˛

˛


# ˛

# ˛ ˛ b˛

mf cresc.

˛


˛ n˛






˛ n˛

˛ n˛

217

&

219

&


# ˛ ˛ b˛

˛

f cresc.


# ˛ ˛ n˛

˛


˛ n˛

˛ ˛ n˛








˛ n˛


˛ n˛

˛ n˛

# ˛

# ˛ ˛ ˛


˛


# ˛ #˛


˛ ˛ n˛

˛ ˛ n˛




˛


# ˛ #˛



˛ n˛

˛ ˛ n˛

˛ # ˛

˛ # ˛

ff cresc.

PE063 – 13



221


& #˛

?

˛ ˛ n˛

˛


# ˛ #˛



˛ ˛ n˛

˛ # ˛

fff

#> ˛

# ˛ # ˛


˛ ˛ # ˛

# ˛

˛ ˛



˛

˛ ˛ ˛

223

&


# ˛ # ˛

˛ ˛ # ˛ # ˛

> ˛

˛

˛ ˛ ˛ ˛ ˛ ˛ ˛

7

˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛>

˛ ˛ ˛ ˛ ˛ ˛

˛>

˛ ˛ ˛ ˛ ˛ ˛

˛>

˛ ˛ ˛ ˛ ˛ ˛ ˛

226

&

?

#> ˛ # ˛ # ˛


˛ ˛ # ˛

# ˛

˛ ˛



˛

˛ ˛ ˛

7


# ˛ # ˛

˛ ˛ # ˛ # ˛

7

>

˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛


228

&

?

˛ ˛ ˛

7

˛ ˛ ˛ ˛

˛

>

˛ ˛

7

˛ ˛ ˛ ˛

˛

>

˛ ˛

7

˛ ˛ ˛ ˛

˛

> ˛ ˛ ˛ ˛

˛ ˛ ˛

16 5

16 5

230

&

?

16 5 ˛ # ˛ n˛

#˛ n˛

# ˛ n˛

˛

˛ 4

# ˛ n˛ ˛ ˛ ˛

2

16 5 ˛

˛

˛ b˛


˛

4 2

232

˛

&

?

4 2 4 2

>

˛ ˛ ˛ ˛ ˛

˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛

˛

˛ ˛ ˛ ˛ ˛ ˛


>


˛

˛ ˛

˛ ˛ ˛ ˛

PE063 – 14


234 7

&

?

˛ b˛

˛


˛ ˛ ˛


>


˛

7


˛ ˛ ˛


>


˛

7


˛ ˛ ˛


> ˛ ˛ ˛ ˛

˛ ˛ ˛

236

˛

&

?

>

˛ ˛ ˛ ˛ ˛

˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛

˛

˛ ˛ ˛ ˛ ˛ ˛

˛

>

˛

˛ ˛ ˛

˛ ˛ ˛ ˛

238

&

?

˛ ˛ ˛ ˛ ˛ ˛ ˛

b > ˛

˛ ˛ ˛ ˛ ˛ ˛

b> ˛

˛ ˛ ˛ ˛ ˛ ˛

˛>

˛ ˛ ˛ ˛ ˛ ˛ ˛

16 5

16 5

7

7

7

240

˛

? 16

5

˛

˛



˛

˛



˛

˛

˛

# ˛


˛

˛

˛

˛

# ˛


4 2

242

&

?

4 2 4 2

3

b b b b ˛

˛

>

>

˛

>

˛

>

b b> ˛

3

˛

˛˛> ˛˛>

> ˛˛> 3

>

˛

>

˛

3

b b >

˛

b b >

˛

b b >

˛

3

b b> ˛

> ˛

˛˛>

3

>

˛

˛ b b >

3

˛

> ˛˛>

˛

>

3

˛

> ˛˛>

244

&

?

˛ b b >

3

˛ b b >

˛

>

˛

>

3

˛

>

b b> ˛

˛˛> ˛˛>

˛

> 3

>

˛

>

˛

3

b b >

˛

n

nˇˇ

b

bˇˇ


n n

ˇ

b

bˇˇ


PE063 – 15


n

&

247 ˛

?



˛ ˛ b˛


˛ ˛ n˛



˛ ˛ ˛ ˛ b˛



˛ ˛ n˛

˛ b˛

˛ ˛ b˛


˛ ˛



˛

249

&

?

˛ ˛ ˛



˛

˛ ˛



˛ ˛ b˛


˛ ˛



˛ ˛ ˛ ˛b˛



˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛

dim.

251

&

?

˛ ˛ b˛



˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛







# ˇ

# ˇ pp

Œ

# ˛ mp

255

&

?



˛ ˛ ˛

mf

3

dim.

molto rubato



˛ ˛ ˛ ˛

˛ ˛ ˛

3



˛ ˛

ppp

cresc.

in tempo



˛ n˛



˛ n˛

˛ n˛



258

˛

& # ˛ ˛ ˛ ˛

b b f dim.

˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛

˛ ˛ ˛˛ ˛ ˛˛

b b ˛

6

(quasi rall.)

˛ ˛˛ ˛ ˛˛ ˛

5

˛ b b ˛

˛˛ ˛

˛ ˛ ˛˛

3

261

˛

&

?

b b

˛˛

pp


Œ



# ˇ

# ˇ

pp

Œ

# ˛ mp


˛

mf



˛

3

dim.

molto rubato



˛ ˛ ˛ ˛

˛ ˛ ˛

3

4 3 4 3

PE063 – 16


& 4 3 # ˛

4

#˛ ˛ b˛



˛ 2

ppp ˛ n˛


˛ n˛

n˛ ˛

˛ b˛


# ˛ ˛ ˛ # ˛

# ˛ ˛ n˛

cresc.

266

267

& 4 2

in tempo


# ˛ b˛

˛ ˛ # ˛ ˛ ˛ ˛ ˛ # ˛ ˛ ˛ # ˛ ˛ n˛

b b ˛ ˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛

f dim.

269

&

b ˛

˛˛ ˛ ˛˛ ˛ ˛˛

6

˛ ˛˛ ˛ ˛˛ ˛

5

˛ b b ˛

˛˛ ˛

˛

˛

3

˛

b b ˛

˛˛

pp

Π?

273

?

Faster Π= 126

# #˛

˛

˛

˛

# #˛

˛

˛

˛

# #˛

˛

˛

˛

# #˛

˛

˛

˛

?

˛

pp

˛

˛

˛

˛

˛

˛

˛

˛

˛

˛

˛

˛

˛

˛

˛

277

?

# #˛

# #˛

# #˛

# #˛


#

# > ˛

˛ ˛

n>

˛

# #˛

˛

˛

˛

# > ˛ ˛ ˛

?

˛

>

˛

>

˛

>

˛

>

˛

˛

˛

˛

280

?

# #˛

˛

˛

˛

# #˛ # #˛

# #˛

# #˛

##˛

> # # ˛

# #˛

#

# ˛

?

˛

˛

˛

˛

˛

>

˛

>

˛

>

˛

>

˛

˛

>

˛

>

˛

>

283

?

#

# > ˛

˛

#

# ˛

> ˛

#

# > ˛

˛

# #˛

˛

˛

˛

# #˛

˛

˛

˛

?

˛

˛

˛

˛

˛

˛

˛

˛

˛

˛

PE063 – 17


286

?

# #˛

#˛ # >

# #˛

##˛

> # #˛

˛>

#˛ # >

4 3 ˇ

. 4 2

4 3 4 2

?

˛

>

˛

˛

>

˛

˛

˛

>

sfp

#

#

ˇ

.

f

289

?

# #˛

˛

˛

˛

# #˛

˛

˛

˛

˛

˛

# #˛ # #˛

# #˛

# #˛

##˛

> # # ˛

4 2 4 2 4 3 4 3

?

?

# #

˛

pp

292

˛

˛

˛

#

# ˛

˛

#

˛

# > ˛ ˛

˛

˛

#

˛

# > ˛ ˛

˛

˛

˛

b b >

˛

˛

˛

>

˛

b b >

˛

˛

>

˛

˛

>

˛>

˛

˛

b b ˛

˛

>

>

˛

?

˛

>

˛

>

˛

#

#

˛

>

˛

˛

#

#

˛

>

˛

>

˛

>

294

?

>

˛

>

˛

>

˛

˛

b b >

˛

˛

>

˛

>

˛

>

˛

˛

b b >

˛

˛

?

# #˛

# #˛

# #˛

#

# ˛

n n˛

˛

# #˛

# #˛

# #˛

#

# ˛

˛

˛

296

?

?

#

#

˛

>

˛

˛

>

b b ˛

˛

>

>

˛

˛


#

#

˛ >

˛

˛

˛

n n˛

>

˛

#

#

˛˛ >

˛

#

#

˛ >

˛

˛

˛

>

˛

# #˛

>

˛

#

# ˛ >

298

?

?

˛

˛>

#

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