Spook

PROMETHEAN EDITIONS
GARETH FARR
Spook
Marimba

Gareth Farr
Spook
Marimba
PROMETHEAN EDITIONS
WELLINGTON

Spook (PE063) for Marimba by Gareth Farr (2000/2004). Written for
and dedicated to Jeremy Fitzsimons.
© Promethean Editions 2000/2004
First edition © 2004 Promethean Editions Limited (201505)
Series Editor: Ross Hendy
Editor: Thomas Liggett
Editorial comments: Jeremy Fitzsimons
ISBN: 978-1-877218-63-7 (print)
ISBN: 978-1-77660-063-2 (ebook)
ISMN: 979-0-67452-097-3
Promethean Editions Limited
PO Box 10-143
Wellington
NEW ZEALAND
http://www.promethean-editions.com
No part of this publication may be reproduced in any form or by
any means without permission in writing from the Publisher.
PE063 – ii

Gareth Farr (1968)
Gareth Farr was born in Wellington, New Zealand. He began his studies in composition and
percussion performance at the University of Auckland. The experience of hearing a visiting
gamelan orchestra prompted his return to Wellington to attend Victoria University, where the
characteristic rhythms and textures of the Indonesian gamelan rapidly became hallmarks of
his own composition. Farr continued with postgraduate study in composition and percussion
at the Eastman School of Music in Rochester, NY, where his teachers included Samuel Adler
and Christopher Rouse.
The inclusion of his works in four events at the 1996 New Zealand International Festival of
the Arts inaugurated his career as a dedicated freelance composer. Since then, Farr’s music
has been heard at, or especially commissioned for, high-profile events including the 50th
anniversary of the New Zealand Symphony Orchestra ( From the Depths Sound the Great Sea
Gongs), the opening of the Museum of New Zealand Te Papa Tongarewa ( Te Papa), and the
2000 Olympic Games in Sydney ( Hikoi, a concerto for percussionist Evelyn Glennie and the
NZSO). In 2003, a commission by the Auckland Festival resulted in Stone and Ice, composed
for the combined forces of the NZSO and the Auckland Philharmonia Orchestra. In 2006
Farr was made an Officer of the New Zealand Order of Merit, for his services to music and
entertainment. In the same year, the Royal New Zealand Ballet toured the country with their
brand new work The Wedding, featuring a score by Gareth Farr. At ninety minutes, it was
among the ballet company’s most ambitious projects, and combined Farr’s talents with those
of prominent New Zealand novelist and librettist Witi Ihimaera.
Farr’s music was integral to Maui – One Man Against the Gods, a stage show four years in the
making. First premiered in 2003, it featured aerial theatre, Maori kapa haka, contemporary
dance and song, with Farr’s stirring music, and toured a number of centres in New Zealand.
In more recent years, Farr has developed a fruitful collaboration with director and librettist
Paul Jenden, producing four comedy musicals. In 2007 Farr was appointed as Composer-
PE063 – iii

in-Residence for the Auckland Philharmonia Orchestra. The residency culminated in 2008
with the premiere of Ex Stasis, a symphonic song cycle for four soloists. In 2008, Farr also
celebrated the world premiere of his work Terra Incognita, for bass solo, choir and orchestra,
performed by Paul Whelan and the Orpheus Choir with the New Zealand Symphony
Orchestra. Farr’s artistic excellence was acknowledged when he received the Arts Foundation
of New Zealand’s Arts Laureate Award 2010, which aims to celebrate significant artistic
achievement as well as nurture future creative endeavours.
In March of 2014 Farr’s Concerto for Piano and Orchestra received its world premiere from
soloist Tony Lee and the New Zealand Symphony Orchestra, conducted by Pietari Inkenen.
Its UK premiere followed one year later, with Lee backed by the BBC Philharmonic, with
conductor Tecwyn Evans. The BBC Philharmonic included Farr’s work alongside Douglas
Lilburn’s Symphony No.2 as a programme to mark the 100th anniversary of the ANZAC
troops’ battle at Gallipoli during World War I. The concerto received critical acclaim,
described by the Dominion Post’s John Button as containing “marvellously free piano
writing surrounded by orchestral sounds that conjure up memories of Prokofiev ballets,
Ravel’s L’Enfant et les Sortileges and even the Bartok First Piano Concerto…the ear was tickled
bar after bar. I have no doubt that this marvellously inventive piano concerto is bound to
develop an international life all its own.”
Farr’s music is particularly influenced by his extensive study of percussion, both Western
and non-Western. Rhythmic elements of his compositions can be linked to the complex and
exciting rhythms of Rarotongan log drum ensembles, Balinese gamelan and other percussion
music of the Pacific Rim.
Latest information about the composer may be found at www.garethfarr.com.
PE063 – iv

Spook (2000/2004)
Although I had not originally conceived Spook as having any sort of extra-musical
associations, when it came time to find a title for the work I thought of the mercurial nature
of much of the music. Like a ghost, glimpsed in the corner of your eye and vanishing when
you spin round to look at it, the substance of the music is elusive, the tonality continually
shifting and the patterns of repeated figures subtly changing as soon as they can be grasped.
In some respects Spook is a technical etude for the marimba. The main body of the work
focuses almost exclusively on the use of the double lateral stroke, one of the virtuoso
innovations of the last few decades. With four mallets available, extremely high velocities
can be achieved by playing two consecutive notes with each hand instead of with the
traditional left hand, right hand figuration. The quieter contrasting moments emphasise the
independent roll, where instead of executing a roll between the two hands, the roll is played
between the two mallets of a single hand. Sustained chords are played by one hand as an
accompaniment to the other, which plays more articulate, rhythmic material. After a steady
build-up to a powerful climax which utilises the full range of the marimba keyboard, the
music subsides before setting off on an even faster coda, a percussive frenzy of slowly rising
patterns and accents which culminates in a clatter of open fifths in the very lowest register of
the instrument.
Gareth Farr
Performance notes
• A marimba with a 5-octave range (C 2 -C 7 ) is required
• Choice of mallets is left to the discretion of the performer
PE063 – v

PE063 – vi

SPOOK TO JEREMY FITZSIMONS
Gareth Farr
Tempo I Π= 80
& 4 2 # ˇ
# ˇ
#ˇ pp
?
4 2 Œ
˛
# ˛ mp mf
5
˛
& # ˛ ˛ ˛ b b ˛
f
3
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#ˇ
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˛ ˛ ˛ ˛ ˛ ˛ ˛
molto rubato (quasi accel.)
˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛
Ú‰ = ‰ sempre
3
b ˛
6
(quasi rall.)
#˛
#˛
˛ ˛ ˛˛ ˛ ˛˛
ppp
in tempo
b˛
b˛
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5
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9
&
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Œ
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14
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in tempo
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&
f
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b b ˛
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6
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19
&
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4 3 #ˇ. 4
#ˇ.
2
4 3 ˛
b˛ ˛ ˛ ˛ ˛ ˛
˛ ˛ ˛ 4 2
3
mf
3
#ˇ
˛ ˛b˛
#ˇ
˛ ˛ ˛
Spook © 2000/2004 Promethean Editions Limited
This edition © 2004 Promethean Editions Limited PE063 – 1
ISMN: 979-0-67452-097-3

24
?
in tempo
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pp
26
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28
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3
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‰
3
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7
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30
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32
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cresc.
34 3
&
?
3
4 3 b˛ ‰
4
# ˛ ˛ #˛ #˛
2
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˛ 4 2
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7
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36
&
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cresc.
PE063 – 2

40
&
42
&
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mf
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5
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44
&
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46
&
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molto rubato
5
8 5 #˛ ˛
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3
mf
ppp
48
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2
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7
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12
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& 32
12
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50
53
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2
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PE063 – 3

55
&
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b˛
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b b ˛ ˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛
f dim.
57
&
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b b ˛
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7
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59
&
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32
12
32
12
& 32
12 #˛. ˛. 32 8
32 9 4
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32
12 cresc.
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61
64
&
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66
&
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PE063 – 4
p b˛
b˛
b˛
b b ˛
˛ b˛
b
˛˛
˛ b˛
˛ ˛
˛
n˛
˛ ˛ ˛

68
&
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32
12
. 32 9
32
12 b
b˛˛
cresc.
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˛ # # n n ˛ # # .
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˛
32 9
70
&
?
32 9
4 2
n n ˛ #
# ˛˛
˛˛ # # b˛
˛ ˛˛ ˛˛ n
b˛
n
˛˛
32 9 4 2
mp b˛
b˛
b˛
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b
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n˛
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72
&
?
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n
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b
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b
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˛ ˛
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32
12
32
12
74
& 32
12
. 32 9
32
12
?
32
12 ˛ ˛ b b ˛
˛
# # n n ˛ # # .
˛ n n ˛
˛˛ # # ˛
˛˛ # # #˛
˛ ˛˛ ˛˛ n # ˛
n
˛˛
˛
32 9 32
12
b b mp cresc.
& 32
12 32 9 4 2
n n # ˛ #
˛˛
˛˛ # # ˛.
n b n .
n
˛˛ b
˛˛ n
˛˛ b b
˛
b
b
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n˛
˛
˛˛ b
˛˛ ˛˛ n˛
˛˛
f
76
78
&
?
4 2 4 2
b˛
b b ˛
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b˛
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˛.
PE063 – 5

80
&
?
˛
˛
˛ ˛ ˛
˛ # # ˛ ˛
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# # ˛
# ˛ ˛˛ b
b˛˛
b˛
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b b
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˛ b˛
b
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˛ ˛
˛.
cresc.
82
&
?
˛ ˛ ˛ ˛
ff
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˛
#˛
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b˛
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b˛
˛
n˛
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84 ˛ ˛ b˛
& b˛
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b˛
˛ ˛ ˛ ˛ b˛
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b˛
b˛
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86
&
?
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#˛
˛ ˛
˛dim.˛ # ˛
#˛
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88
?
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˛ # ˛ ˛ ˛ Œ #
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˛˛ pp
91
?
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pp
93
b˛
? 4
3
# ˛ ˛ # ˛ ˛ # ˛ ˛ ˛ b˛
# ˛ n˛
n˛
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n˛
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PE063 – 6

94
? 4
2
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96
&
?
4 3 b˛
4
# ˛ ˛ #˛ # ˛ b˛
n˛
#˛ n˛
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# ˛ ˛
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2
4 3 cresc.
˛ # ˛ ˛ b˛ ˛ n˛ ˛
4 2
97
& 4 2
#˛
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# ˛
mf
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99
101
&
?
16 5 ˛
b˛
b˛
˛
˛ b˛
b˛
˛
˛ ˛
˛
˛ ˛
˛ 4 2
16 5 n˛
n˛
˛ b˛
b˛
˛
4 2
103
&
?
4 2 4 2
˛ ˛
˛ ˛ ˛
˛ ˛ ˛
˛ ˛ b˛
˛ b˛
˛ ˛ ˛
b˛
b˛
˛ ˛ b ˛ b˛
˛ > ˛ ˛ > ˛ b˛
˛ ˛ ˛
> ˛ ˛
PE063 – 7

105
&
? ˛ ˛
˛ ˛ ˛
˛ ˛ ˛
˛ ˛
˛ ˛
˛ ˛ ˛
˛ ˛
˛
˛ ˛
˛ b > ˛ b˛
> ˛
˛ ˛
˛ ˛ ˛
˛
> ˛ ˛
16 5
16 5
107
˛
? 16
5
dim.
˛
˛
b˛
b˛
˛
˛
b˛
b˛
˛
˛
˛
# ˛
#˛
˛
˛
˛
˛
# ˛
#˛
4 2
109
? 2 4
b˛
b˛
b˛
b˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
b˛
b˛
b˛
˛ ˛ b˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
111
&
?
b˛
?
b˛
˛ b˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
bˇ
pp
bˇ
bˇ
bˇ
bˇ
˛˛
bˇ
3
˛˛
˛˛
bˇ
˛˛
˛˛
bˇ
˛ ˛
3
˛˛
˛ ˛
116
?
?
bˇ
˛˛
mf
3
˛˛
˛ ˛
(quasi rall.)
120
& Œ b˛
pp
?
bˇ
˛ ˛
˛ ˛
?
bˇ
˛ ˛
bˇ
pp
bˇ
3
˛ ˛
˛ ˛
bˇ
˛ ˛ b˛
bˇ
b˛
bˇ
˛ ˛ ˛ b˛
bˇ
˛ ˛ b˛
3
bˇ
n˛˛
˛˛
˛˛
pp
molto rubato
b˛
n
pp
molto rubato (quasi accel.)
& b˛
b˛
˛ ˛
bˇ
˛ ˛
˛ ˛
Œ
bˇ
˛ ˛
3
b˛
mf
3
˛˛
˛
˛ ˛
126
?
?
bˇ
˛˛
mf
3
˛˛
˛ ˛
bˇ
˛ ˛
˛ ˛
bˇ
˛ ˛
bˇ
3
˛ ˛
˛ ˛
˛ ˛ b˛
b˛
˛ ˛ ˛ b˛
˛ ˛ b˛
b˛
&
˛ ˛
b˛
n˛
Œ
3
˛
mf
˛
PE063 – 8

130
& Œ ˛
pp
?
# # æ
ˇ
Tempo II (Slower) Π= 60
4 3 j
˛
4 2 4
˛æ
. b b @
˛
˛˛æ
# b æ
ˇ n n ˇ 3 æ
4 3 ˛ ˛ ˛ ˛ ˛ ˛ p
4 2 ˛ ˛
˛ ˛ ˛
˛.
J ˛.
˛
4 3
135
&
?
4 3 4 2 8 5 4
# # j
æ
˛.
b b @
˛
˛˛æ
# b æ b
ˇ
ˇ
# n ˛ ˛ ‰ 2
4 3 ˛.
4 2 8 5 4 2
˛ ˛ ˛ ˛ ˛ ˛ ˛
æ˛
˛ ˛# ˛
æ æ
#
# ˛ # ˛ ˛.
˛ ˛ ˛ ‰
# ˛
3
139
? 4
2
Tempo I Π= 80
# ˛
#˛ ˛ ˛
b˛
b˛
˛ n˛
b˛
#˛
˛ n˛
˛ n˛
˛ n˛
# ˛
# ˛ ˛ ˛
b˛
b˛
˛ n˛
b˛
#˛
˛ n˛
˛ ˛ ˛ n˛
ppp
141
?
rallentando molto
#˛
# ˛ b˛
b˛
˛ ˛
b˛
˛ n˛
#˛
˛ n˛
˛ ˛ ˛ n˛
4 3
# ˛
# ˛ ˛ ˛
b˛
b˛
˛ n˛
b˛
#˛
˛ n˛
˛ ˛ ˛ n˛
Œ
143
&
?
Tempo II Π= 60
b b ˛.
æ pp
˛
˛
j
˛@
˛æ
˛ ˛ ˛
˛
4 2 nˇ
æ
b b ˇ
æ
4 3
4 2 p
# ˛ ˛ ˛
4 3
# ˛ ˛ # ˛ ˛ ˛ # ˛ n˛
146
&
?
4 3 b b j
˛. ˛@ ˛æ
4 2 8 5 4 2 æ
nˇ
æ
ˇæ
b b æ ‰
˛ ˛æ 4 3 n˛
n˛
˛ ˛ ˛.
4 2 # ˛. ˛ j
8 5 4 2
˛ # ˛ ˛ ‰ # ˛ ˛ # ˛
˛ n˛
n˛
˛ ‰ ˛
PE063 – 9

150
Tempo I Π= 80
& 4 2 # ˛
#˛ ˛ b˛
˛
ppp
b˛
˛ n˛
b˛
#˛
˛ n˛
˛ ˛ ˛ n˛
# ˛
rallentando molto
# ˛ ˛ b˛
˛
b˛
˛ n˛
b˛
#˛
˛ n˛
˛ ˛ ˛ n˛
b
& # ˛ ˛ # ˛
4 3
˛ # ˛ ˛ b˛
# ˛ b˛
n˛
˛ n˛
# ˛ ˛ n˛
˛ ˛ # ˛ ˛ ˛ # ˛ ˛ n˛
Œ
152 ˛
154
&
?
Tempo II Π= 60
4 3 4 2 4 3 4
# # æ
˛ b b æ b æ
˛
2 #
˛˛ n n ˇ bˇ
æ æ n n æ
˛ #
# ˛˛
æ # ˛˛
æ
pp
p
4 3 4 2 4 3 4 2
˛ ˛ ˛ ˛ ˛.
˛ ˛ ˛
‰ ˛ ˛ ˛.
˛ ˛ ˛ ˛ ˛ b˛
b˛
b˛
˛ ˛
3
&
?
4 2 b bˇ
n
æ ˇ
ˇ
4 3 # # ˇ
. æ æ
æ
4 2 ˛.
˛ ˛
æ˛ ˛ ˛.
b n˛
˛ #˛
#˛ # ˛.
˛ # ˛ # ˛
˛ # ˛ 4 3 n˛
158
ˇ
˛ ˛
˛ . ˛.
˛
& # ˛ ˛
4 2
#˛ ˛ ˛
b˛
b b˛
˛ n˛
#˛
˛ n˛
˛ ˛ ˛ n ˛
˛ # ˛ ˛ # ˛ ˛ # ˛ ˛ n˛
163
Tempo I Π= 80
ppp cresc.
& ˛ ˛ # ˛ ˛ ˛ # ˛ ˛ ˛
n 165
b b ˛ ˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛
f dim.
b˛
b b ˛
˛˛ ˛ ˛˛ ˛ ˛˛
6
# ˛ b˛
˛ ˛
# ˛ ˛ ˛
˛ ˛˛ ˛ ˛˛ ˛
5
167
&
?
˛ b ˛
˛˛ ˛
˛ ˛ ˛˛
3
˛ ˛˛
Œ
Tempo II Π= 60
4 3 .
4 2 4 3 # # j
æ
˛. ˛ b b @ ˛˛æ
˛ # b æ
ˇ n n ˇ
æˇ
pp
4 3 ˛ ˛ ˛ ˛ ˛ ˛ p˛
4 2 ˛ ˛ ˛
4 3
˛ ˛.
J ˛.
˛
PE063 – 10

172
& 4 3 4 2 8 5 4
# # j
æ
˛.
b b @
˛
˛˛æ
# b æ b n ˇ
ˇ
# n ˛ ˛ ‰
æ
2 æ æ
?
4 3 ˛.
4 2 8 5 4 2
˛ ˛ ˛ ˛ ˛ ˛ ˛
˛ ˛# ˛ #˛
# ˛ # ˛ ˛.
˛ ˛ ˛ ‰
# ˛
176
? 4
2
178
?
#˛
accelerando poco a poco
#˛
# ˛ ˛ b˛
b˛
b˛
˛ ˛ n˛
#˛
pp
# ˛ ˛ ˛
b˛
b˛
˛ n˛
b˛
#˛
˛ n˛
˛ n˛
3
˛ n˛
˛ ˛ ˛ n˛
˛ n˛
# ˛
# ˛
# ˛ ˛ b˛
˛
# ˛ ˛ ˛
b˛
b˛
˛ n˛
b˛
˛ n˛
b˛
b˛
#˛
#˛
˛ n˛
˛ ˛ ˛ n˛
˛ n˛
˛ ˛ ˛ n˛
4 3
180
? 4
3
182
?
184
?
cresc.
p
b˛ >
# ˛ ˛ ˛
3 mp
Tempo I Π= 80
#˛
# ˛ ˛ b˛
b˛
- b˛
- ˛ ˛ n˛
# ˛
#˛
# ˛ ˛ ˛
b˛
‰
b˛
- ˛ n˛
3
# ˛ #˛
# ˛ ˛ ˛
b˛
ppp cresc.
b˛
- # ˛
˛ n˛
4 2
˛ ˛- ˛ n˛
˛ n˛
˛ ˛- ˛ n˛
n˛
# ˛
# ˛
n˛
b˛
7
# ˛ ˛ b˛
˛
# ˛ ˛ ˛
b˛
# ˛ ˛ ˛ ˛
b˛
- ˛ n˛
b˛
- ˛ n˛
˛ # ˛ ˛ ˛ # ˛ ˛ n˛
b˛
- # ˛
b˛
- # ˛
7
˛ n˛
˛ ˛- ˛ n˛
˛ n˛
˛ ˛- ˛ n˛
4 3
cresc.
186 3
&
?
3
4 3 b˛ ‰
4 2 # ˛ ˛ #˛ #˛
4 3 ˛ #˛ ˛ b˛
˛ 4 2
mf
> ppp cresc.
n˛
n˛
b˛
7
#˛
˛
˛ ˛
n˛
# ˛ ˛ ˛ # ˛ ˛ n˛
7
188
&
# ˛
# ˛ b˛
˛ ˛
b˛
mp
˛ n˛
b˛
#˛
˛ n˛
˛ n˛
˛ n˛
# ˛
# ˛ ˛ ˛
b˛
b˛
˛ n˛
b˛
#˛
˛ n˛
˛ ˛ ˛ n˛
PE063 – 11

190 ˛
&
˛ b˛
b˛
˛ ˛ ˛ ˛ b˛
b˛
˛ ˛ ˛ ˛ b˛
b˛
b˛
b˛
b˛
˛ ˛ n˛
˛ ˛ n˛
˛ b˛
b˛
˛ ˛ ˛ ˛
cresc.
192
&
194
&
#˛
mf
#˛
5
˛ #pp ˛
# ˛ ˛ b˛
˛
5
˛ ˛ ˛ ˛ ˛
b˛
˛ n˛
b˛
#˛
#˛
# ˛ ˛ ˛
mp
˛ n˛
˛ ˛ ˛ n˛
b˛
b˛
˛ n˛
b˛
˛ ˛ ˛ ˛ b˛
˛
#˛
#˛
˛
n˛
˛ ˛ n˛
˛
n˛
˛ n˛
˛ # ˛ # ˛ ˛ ˛ ˛
196
&
?
# ˛# ˛ ˛
b˛
˛ b˛
˛ n˛
˛ b˛
b˛
˛
n˛
˛ ˛ ˛
˛
cresc.
˛ b˛
b˛
˛ ˛ ˛ ˛ b˛
b˛
˛ ˛ ˛ ˛ b˛
b˛
198
&
?
200
b˛
? 4
2
b˛
#˛
pp
b˛
˛ ˛ n˛
# ˛ ˛ b˛
˛
˛ ˛ n˛
b˛
˛ n˛
b˛
#˛
˛ b˛
b˛
˛ n˛
˛ n˛
˛ ˛ ˛ ˛
˛ n˛
# ˛
8 5 4 2
molto rubato
5
8 5 #˛ ˛
#˛ ˛ ˛ ˛ # ˛ ‰
# ˛ 4 2
3
mf
ppp
# ˛ ˛ b˛
˛
b˛
˛ ˛
b˛
#˛
n
7
˛ n˛
˛ n˛
& 32
12 #˛. ˛. 32 8
32 9 4
#˛ ˛
b˛
b˛
˛
#˛.
.
˛.
.
˛.
. 2
?
32
12 cresc.
#˛
#˛ #˛
#˛
32 8 b˛
˛ ˛ ˛ ˛
32 9 f
4 2
202
˛
32
12
205
? 4
2
#˛
# ˛ b˛
˛ ˛
b˛
˛ n˛
b˛
#˛
˛ ˛ ˛ n˛
˛ ˛ # ˛
# ˛ ˛ ˛
b˛
b˛
˛ n˛
b˛
#˛
˛ ˛ ˛ ˛ ˛ ˛
p
PE063 – 12

207
&
?
b˛
# ˛ ˛ # ˛ # ˛ b˛
˛# ˛ ˛ ˛
b˛
˛ ˛
cresc.
# ˛ ˛ ˛ ˛ n˛
# ˛ ˛ ˛ # ˛ ˛
˛
b ˛ ˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛
f dim.
8
3
3
8
209
&
?
8
3
3
8
b b ˛
˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛
4 2 4 2
b˛
b˛
˛
6
˛
b˛
b˛
˛
˛
b˛
6
b˛
˛
n˛
211
&
?
b˛
b˛
˛ ˛
6
b˛
˛
˛ b˛
n˛
6
#˛
˛
˛
b˛
b˛
˛
6
n˛
b˛
b˛
b˛
b˛
n˛
6
n˛
˛
˛
213
?
˛
˛ ˛ b˛
˛
b˛
b˛
pp cresc. poco a poco
b˛
#˛
n˛
˛ b˛
˛ b˛
˛ n˛
n˛
# ˛ ˛ ˛
b˛
p cresc. sempre
b˛
b˛
b˛
#˛
n˛
˛ n˛
˛ b˛
˛ n˛
215
&
?
mp cresc.
# ˛
b˛
# ˛ ˛ ˛
b˛
b˛
n˛
b˛
n˛
˛ n˛
˛ b˛
˛
n˛
# ˛
# ˛ ˛ b˛
mf cresc.
˛
b˛
˛ n˛
b˛
#˛
n˛
n˛
˛ n˛
˛ n˛
217
&
219
&
#˛
# ˛ ˛ b˛
˛
f cresc.
#˛
# ˛ ˛ n˛
˛
n˛
˛ n˛
˛ ˛ n˛
b˛
n˛
#˛
#˛
#˛
#˛
n˛
˛ n˛
n˛
˛ n˛
˛ n˛
# ˛
# ˛ ˛ ˛
n˛
˛
n˛
# ˛ #˛
#˛
˛ ˛ n˛
˛ ˛ n˛
n˛
#˛
#˛
˛
n˛
# ˛ #˛
#˛
n˛
˛ n˛
˛ ˛ n˛
˛ # ˛
˛ # ˛
ff cresc.
PE063 – 13

n˛
221
#˛
& #˛
?
˛ ˛ n˛
˛
n˛
# ˛ #˛
#˛
˛ ˛ n˛
˛ # ˛
fff
#> ˛
# ˛ # ˛
#˛
˛ ˛ # ˛
# ˛
˛ ˛
#˛
#˛
˛
˛ ˛ ˛
223
&
#˛
# ˛ # ˛
˛ ˛ # ˛ # ˛
> ˛
˛
˛ ˛ ˛ ˛ ˛ ˛ ˛
7
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛>
˛ ˛ ˛ ˛ ˛ ˛
˛>
˛ ˛ ˛ ˛ ˛ ˛
˛>
˛ ˛ ˛ ˛ ˛ ˛ ˛
226
&
?
#> ˛ # ˛ # ˛
#˛
˛ ˛ # ˛
# ˛
˛ ˛
#˛
#˛
˛
˛ ˛ ˛
7
#˛
# ˛ # ˛
˛ ˛ # ˛ # ˛
7
>
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
228
&
?
˛ ˛ ˛
7
˛ ˛ ˛ ˛
˛
>
˛ ˛
7
˛ ˛ ˛ ˛
˛
>
˛ ˛
7
˛ ˛ ˛ ˛
˛
> ˛ ˛ ˛ ˛
˛ ˛ ˛
16 5
16 5
230
&
?
16 5 ˛ # ˛ n˛
#˛ n˛
# ˛ n˛
˛
˛ 4
# ˛ n˛ ˛ ˛ ˛
2
16 5 ˛
˛
˛ b˛
b˛
˛
4 2
232
˛
&
?
4 2 4 2
>
˛ ˛ ˛ ˛ ˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
˛
˛ ˛ ˛ ˛ ˛ ˛
b˛
>
b˛
˛
˛ ˛
˛ ˛ ˛ ˛
PE063 – 14

234 7
&
?
˛ b˛
˛
b˛
˛ ˛ ˛
b˛
>
b˛
˛
7
b˛
˛ ˛ ˛
b˛
>
b˛
˛
7
b˛
˛ ˛ ˛
b˛
> ˛ ˛ ˛ ˛
˛ ˛ ˛
236
˛
&
?
>
˛ ˛ ˛ ˛ ˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
˛
˛ ˛ ˛ ˛ ˛ ˛
˛
>
˛
˛ ˛ ˛
˛ ˛ ˛ ˛
238
&
?
˛ ˛ ˛ ˛ ˛ ˛ ˛
b > ˛
˛ ˛ ˛ ˛ ˛ ˛
b> ˛
˛ ˛ ˛ ˛ ˛ ˛
˛>
˛ ˛ ˛ ˛ ˛ ˛ ˛
16 5
16 5
7
7
7
240
˛
? 16
5
˛
˛
b˛
b˛
˛
˛
b˛
b˛
˛
˛
˛
# ˛
#˛
˛
˛
˛
˛
# ˛
#˛
4 2
242
&
?
4 2 4 2
3
b b b b ˛
˛
>
>
˛
>
˛
>
b b> ˛
3
˛
˛˛> ˛˛>
> ˛˛> 3
>
˛
>
˛
3
b b >
˛
b b >
˛
b b >
˛
3
b b> ˛
> ˛
˛˛>
3
>
˛
˛ b b >
3
˛
> ˛˛>
˛
>
3
˛
> ˛˛>
244
&
?
˛ b b >
3
˛ b b >
˛
>
˛
>
3
˛
>
b b> ˛
˛˛> ˛˛>
˛
> 3
>
˛
>
˛
3
b b >
˛
n
nˇˇ
b
bˇˇ
n n
ˇ
b
bˇˇ
PE063 – 15

n
&
247 ˛
?
b˛
b˛
˛ ˛ b˛
b˛
˛ ˛ n˛
n˛
˛ ˛ ˛ ˛ b˛
b˛
b˛
˛ ˛ n˛
˛ b˛
˛ ˛ b˛
b˛
˛ ˛
n˛
n˛
˛
249
&
?
˛ ˛ ˛
b˛
b˛
˛
˛ ˛
b˛
b˛
˛ ˛ b˛
b˛
˛ ˛
n˛
n˛
˛ ˛ ˛ ˛b˛
b˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
dim.
251
&
?
˛ ˛ b˛
b˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
bˇ
bˇ
bˇ
bˇ
# ˇ
# ˇ pp
Œ
# ˛ mp
255
&
?
#ˇ
#ˇ
˛ ˛ ˛
mf
3
dim.
molto rubato
#ˇ
#ˇ
˛ ˛ ˛ ˛
˛ ˛ ˛
3
#˛
#˛
˛ ˛
ppp
cresc.
in tempo
b˛
b˛
˛ n˛
b˛
#˛
˛ n˛
˛ n˛
b˛
n˛
258
˛
& # ˛ ˛ ˛ ˛
b b f dim.
˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛
˛ ˛ ˛˛ ˛ ˛˛
b b ˛
6
(quasi rall.)
˛ ˛˛ ˛ ˛˛ ˛
5
˛ b b ˛
˛˛ ˛
˛ ˛ ˛˛
3
261
˛
&
?
b b
˛˛
pp
Œ
# ˇ
# ˇ
pp
Œ
# ˛ mp
#ˇ
˛
mf
n˛
#ˇ
˛
3
dim.
molto rubato
#ˇ
#ˇ
˛ ˛ ˛ ˛
˛ ˛ ˛
3
4 3 4 3
PE063 – 16

& 4 3 # ˛
4
#˛ ˛ b˛
b˛
b˛
˛ 2
ppp ˛ n˛
#˛
˛ n˛
n˛ ˛
˛ b˛
n˛
# ˛ ˛ ˛ # ˛
# ˛ ˛ n˛
cresc.
266
267
& 4 2
in tempo
b˛
# ˛ b˛
˛ ˛ # ˛ ˛ ˛ ˛ ˛ # ˛ ˛ ˛ # ˛ ˛ n˛
b b ˛ ˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛ ˛ ˛˛
f dim.
269
&
b ˛
˛˛ ˛ ˛˛ ˛ ˛˛
6
˛ ˛˛ ˛ ˛˛ ˛
5
˛ b b ˛
˛˛ ˛
˛
˛
3
˛
b b ˛
˛˛
pp
Π?
273
?
Faster Π= 126
# #˛
˛
˛
˛
# #˛
˛
˛
˛
# #˛
˛
˛
˛
# #˛
˛
˛
˛
?
˛
pp
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
277
?
# #˛
# #˛
# #˛
# #˛
#˛
#
# > ˛
˛ ˛
n>
˛
# #˛
˛
˛
˛
# > ˛ ˛ ˛
?
˛
>
˛
>
˛
>
˛
>
˛
˛
˛
˛
280
?
# #˛
˛
˛
˛
# #˛ # #˛
# #˛
# #˛
##˛
> # # ˛
# #˛
#
# ˛
?
˛
˛
˛
˛
˛
>
˛
>
˛
>
˛
>
˛
˛
>
˛
>
˛
>
283
?
#
# > ˛
˛
#
# ˛
> ˛
#
# > ˛
˛
# #˛
˛
˛
˛
# #˛
˛
˛
˛
?
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
PE063 – 17

286
?
# #˛
#˛ # >
# #˛
##˛
> # #˛
˛>
#˛ # >
4 3 ˇ
. 4 2
4 3 4 2
?
˛
>
˛
˛
>
˛
˛
˛
>
sfp
#
#
ˇ
.
f
289
?
# #˛
˛
˛
˛
# #˛
˛
˛
˛
˛
˛
# #˛ # #˛
# #˛
# #˛
##˛
> # # ˛
4 2 4 2 4 3 4 3
?
?
# #
˛
pp
292
˛
˛
˛
#
# ˛
˛
#
˛
# > ˛ ˛
˛
˛
#
˛
# > ˛ ˛
˛
˛
˛
b b >
˛
˛
˛
>
˛
b b >
˛
˛
>
˛
˛
>
˛>
˛
˛
b b ˛
˛
>
>
˛
?
˛
>
˛
>
˛
#
#
˛
>
˛
˛
#
#
˛
>
˛
>
˛
>
294
?
>
˛
>
˛
>
˛
˛
b b >
˛
˛
>
˛
>
˛
>
˛
˛
b b >
˛
˛
?
# #˛
# #˛
# #˛
#
# ˛
n n˛
˛
# #˛
# #˛
# #˛
#
# ˛
˛
˛
296
?
?
#
#
˛
>
˛
˛
>
b b ˛
˛
>
>
˛
˛
#
#
˛ >
˛
˛
˛
n n˛
>
˛
#
#
˛˛ >
˛
#
#
˛ >
˛
˛
˛
>
˛
# #˛
>
˛
#
# ˛ >
298
?
?
˛
˛>
#
#
˛ #
> # ˛
˛
˛
˛
˛
>
˛
˛
˛
˛
>
>
˛ ˛
#
# >
˛
˛
˛
˛
>
˛
˛
>
>
˛
˛
˛
˛
PE063 – 18

300
?
˛
?
#
#
˛
˛ ˛
#
# ˛ >
˛
˛
˛
>
˛
˛
##˛
>
˛
#
# >
˛
#
# ˛
˛
˛
>
˛
#
#
˛
>
˛
˛˛
##˛
>
˛
>
>
˛
#
# ˛
302
?
?
˛
#
#
˛
˛
˛
>
˛
˛
˛
˛
>
˛
˛
>
>
˛
˛
˛ ˛
#
#
>
˛
˛
>
>
˛
˛
˛
˛
˛
˛
˛
˛
16 5
>
˛
>
˛
4 3
16 5 #
#
4 3
# ˛ # ˛
˛
305
?
˛
b
b > ˛
˛
˛
˛
b
b ˛
>
˛
>
˛
>
˛
>
˛
˛
b
b > ˛
˛
˛
?
4 3 4 3
#
#
˛
>
˛
#
#
˛
>
˛
>
˛
>
# #˛
# #˛
# #˛
#
#
˛
n n˛
307
?
?
# #˛
>
˛
# #˛
>
˛
# #˛
>
˛
#
# ˛
˛
˛
b
b > ˛
˛
˛
b
4 2 ˛ b ˛
>
˛
3
>
˛ ˛ ˛ ˛ 4 3 &
4 2 #
# ˛ ˛ ˛
4 3
> > > #
#
# ˛ # ˛ ˛ ˛ ˛
> >
310
&
?
4 3 4 3
#
# > ˛ ˛ ˛
b
b
>
˛
˛
˛
#
# > ˛ b
b
˛
˛ ˛>
>
˛
>
˛
##˛
> ˛
˛
b
b > ˛
˛
˛
##˛
> ˛
˛>
˛
>
˛
>
˛
312
&
?
# #˛
>
˛
#
# ˛
>
˛
# #˛
>
˛
# #˛
˛
˛
b
b > ˛
˛
˛
# #˛
>
˛
#˛
>
˛
# #˛
>
˛
# #˛
˛
˛
b
b > ˛
˛
˛
4 2 4 2
PE063 – 19

314
& 4 2
?
4 2
##˛
> ˛ b
b
˛
˛>
>
˛
>
˛
?
>
#
#
˛˛
˛
#
# ˛
˛
˛
>
˛
3
˛
˛
˛
>
˛
>
#
# ˛
˛
##˛
> #
# ˛
˛>
˛
317
˛
?
?
?
##
> #
#
˛
˛>
# #
320
˛
#
# ˛
˛
#˛ # > ˛>
#
# > ˛
˛ ˛
4 3 ˇ
.
4 3
sfp
#
# > ˛
˛ ˛
#
# ˇ
.
˛
>
f
# #˛ # #˛
˛
>
# #˛
˛
>
˛>
# #˛
˛
>
˛ # # ˛
# # > ˛
##˛
> # # ˛ # #˛ #
> # ˛ ˛ # # ˛
&
˛
>
?
˛
>
˛
>
˛
˛
˛
>
˛
>
˛
>
˛
˛
> &
322
&
# #˛
#
˛
>
#
# ˛
#
# > ˛
˛ ˛
#
# > ˛ #
#
˛˛
˛
#
# > ˛
˛ ˛
##˛
> ˛ ˛
#
# >
˛
&
˛
> ˛>
˛
˛ ˛
˛
>
˛>
˛
324
&
&
˛
#
# ˛ >
b
b > ˛
˛ ˛
˛ ˛
#
# ˛ >
˛
>
b
b
˛
˛
>
>
˛
# #˛
>
˛
# #˛
>
˛
# #˛
>
˛
#
# ˛
˛
˛
b
b > ˛
˛
˛
326
&
&
# #˛
>
˛
# #˛
>
˛
# #˛
>
˛
#
#
˛
˛
˛
b
b > ˛
˛
˛ ˛ ?
˛
#
#
˛ >
˛
>
b
b ˛
>
˛
>
?
˛
#
# > ˛˛
˛
˛
˛
PE063 – 20

328
˛>
?
?
#
#
˛
>
˛ ˛
#
# ˛ >
˛
˛
˛
>
˛
# #˛
>
˛
#
#
˛
>
˛
#
#
˛
>
>
˛
#
# ˛
˛
˛
˛
˛
>
˛
˛
˛
˛
>
330
˛
? ˛>
? #
# ˛ >
˛
˛
˛
>
˛
˛
>
>
˛
˛
˛
˛
˛
#
# ˛
˛
&
&
˛
#
# >
˛
˛
˛
˛
>
˛
˛
##˛
>
#
# >
˛
332
&
&
˛
#
#
˛
˛
˛
>
˛
#
# ˛
>
˛
˛˛
##˛
>
˛
>
>
˛
#
#
˛
˛
#
#
˛
˛
˛
>
˛
˛
˛
˛
>
˛
˛
>
>
˛
˛
?
16 5
16 5
334
&
?
16 5
4 3
˛ ˛ ˛
16 5 > >
# #
#
˛˛ # ˛ & 4 3
˛
#
# ˛˛ >
˛
b
b > ˛
˛
˛ ˛
#
#
˛ >
˛
>
b
b ˛
˛
>
>
˛
336
&
>
˛
>
˛
>
˛
˛
b
b > ˛
˛
˛
>
˛
>
˛
>
˛
˛
b
b > ˛
˛
˛
4 2 4 2
&
# #˛
# #˛
# #˛
#
# ˛
n n˛
# #˛
# #˛
# #˛
#
# ˛
n n˛
338
&
&
2
4
4
2
˛
#
#
˛ >
˛
>
b
b ˛
˛
>
>
˛
?
#
#
˛˛ >
˛
#
# ˛
˛
˛
3
˛
> ˛˛
˛
˛
>
&
4 3 4 3
PE063 – 21

340
& 4 3
& 4 3
˛
#
# ˛ >
b
b > ˛
˛ ˛
˛
˛
>
˛
˛
>
˛
˛
>
>
˛
˛
##˛
>
˛
b
b > ˛
˛
˛ ˛
##˛
>
˛
>
˛
˛
>
>
˛
342
&
>
˛
>
˛
>
˛
˛
b
b > ˛
˛
˛
>
˛
>
˛
>
˛
˛
b
b > ˛
˛
˛
4 2 4 2
&
# #˛
#
#
˛
# #˛
# #˛
n n˛
# #˛
#
#
˛
# #˛
# #˛
n n˛
344
&
&
2
4
2
4
˛
##˛
>
˛
>
b
b
˛
˛
>
>
˛
˛
#
#
˛ #
#
˛ >
˛
˛
>
˛
3
˛
˛
˛
>
˛
>
#
#
˛
˛
##˛
> #
#
˛
˛>
˛
347
&
&
##˛
> #
# ˛
˛>
˛
#˛ # >
˛
>
4 3 . ˇ. ˇ
?
4 2
4 3 4 2
pp
ˇ.
.
#
#
ˇ
sfp f
?
˛
# #˛
˛
˛
˛
˛
˛
˛
350
?
# #˛
˛
˛
˛
# #˛
˛
˛
˛
# #˛
˛
˛
˛
?
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
˛
353
?
# #˛ # #˛
# #˛
# #˛
#˛
#
# > ˛
˛ ˛
n>
˛
# #˛
˛
˛
˛
# > ˛ ˛ ˛
?
˛
>
˛
>
˛
>
˛
>
˛
˛
˛
˛
PE063 – 22

356
?
# #˛
˛
˛
˛
# #˛
# #˛
# #˛
# #˛
##˛
> # # ˛
#˛ # > ˛ ˛
#
# > ˛
?
˛
˛
˛
˛
˛
>
˛
>
˛
>
˛
>
˛
˛
359
?
#
˛
#
# ˛
> ˛
#
# > ˛
˛
# #˛
˛
˛
˛
# #˛
˛
# > ˛
#˛ # >
˛>
?
˛
˛
˛
˛
˛
˛
˛
>
˛
˛
362
?
?
366
?
?
# > ˛ # #˛
˛>
˛
# #˛ # #˛
˛
>p cresc. sempre
#˛ # >
˛>
˛
>
# #˛
˛
>
˛>
4 3 ˇ
. 4 2 # #˛ ˛ ˛ ˛ 4 3
4 3 #
#
ˇ
. 4 2 ˛ ˛ ˛ ˛ 4 3
sfp f pp cresc. poco a poco
# #˛
˛
##˛
> # # ˛
˛
>
# #˛
˛
>
˛
>
#
#
˛
˛
# #˛
˛
˛
˛
˛
˛
˛
#
# > #
˛ # > ˛
˛ ˛ ˛ n˛
˛ ˛
˛ ˛
#
# > ˛
˛
368
?
##˛
> # # ˛
?
˛
mp cresc.
˛
>
# #˛
˛
>
˛
>
#
# ˛
˛
> ˛ # # ˛
&
# # ˛
˛
> &
˛
> ˛>
#
˛
˛
>
#
#
˛
˛ ˛
#
#
> ˛
˛ ˛
#
# >
˛
>
&
#
#
˛ # #˛
&
˛
mf cresc.
370
˛
>
# #˛
˛
> ˛>
˛
˛
>
˛ # #˛
b˛ b >
PE063 – 23
nn ˛
˛
>
˛>
˛
#
# > ##˛
> #
# >
˛
˛
˛ ˛ ˛ ˛
˛

372
& # #˛
˛
#˛ # > ˛
>
˛
#
# > #
˛ #
˛˛
˛
>
˛
>
˛
##˛
>
&
374
&
&
˛
>
˛>
f cresc.
>
˛ ˛
b
b
˛
ff cresc.
˛
˛
b b˛ >
˛
>
b˛ b
>
˛
˛
˛
˛
˛
>
˛ ˛
˛
>
˛
˛
>
˛
>
˛
>
˛
>
˛
˛
˛
>
˛
˛
˛
˛
˛
>
˛
˛
˛ ˛
˛
>
˛
4 2 4 2
376
&
&
2
4
2
4
#
# ˛
fff
##
˛ ˛
˛
#
#
˛
˛
˛
˛
# #˛
# #˛
#
# ˛
#
# ˛
˛
##˛
˛
# #˛
?
4 3 4 3
378
&
?
4 3 #˛ ˛ 4 2 #˛ ˛
# ˛ # ˛
˛ ˛
6
˛
4 3 #˛
# ˛ # ˛ ˛ 4 2
#˛
˛ ˛ ˛ ˛ &
6
6
˛
˛ ˛
˛
˛ ˛˛
˛
˛
380
˛
&
&
383
&
ˇ
˛
˛
˛ ˛˛
ˇ
#ˇ
˛ ˛
?
˛
#
# ˛
4 3 ˛ ˛ ˛ ˛
˛ ˛
‰ 4 2
3
4 3 ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
4 2
˛
6
˛
˛
6
# #˛
#
#
˛
ˇ
#ˇ
j
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&
ˇ
4 3 4 3
&
ˇ
ˇ
##˛
˛
#
# ˛
˛
˛
# #˛
#
# ˛
˛
?
# #˛
PE063 – 24

& 4 3 #˛ ˛ 4
#˛ ˛
# ˛ # ˛
˛ ˛ 2
6
˛
?
4 3 #˛
# ˛ # ˛
4 2
#˛
˛ ˛ ˛ ˛ ˛ &
387
6
6
˛
˛ ˛
˛
˛ ˛˛
˛
˛
389
&
&
˛
˛
˛
?
˛ ˛˛
˛ ˛
˛
4 3 ‰
˛ ˛ ˛ ˛
˛ ˛
4 2
6
4 3 3
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ 4 2
˛
6
j
˛
˛
ˇ
#ˇ
ˇ
392 ˇˇ
&
?
#
ˇˇ
ˇ
#ˇ
ˇ
&
#
# ˛
##˛
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#
#
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˛
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# #˛
# #˛
#
# ˛
#
# ˛
˛
##˛
˛
? # #˛
396
&
?
# #˛
##˛
˛
#
# ˛
#
# ˛
#
# ˛
˛
˛
# #˛
# #˛
˛ ˛ ˛ # ˛˛
˛˛ ˛˛
#
# ˛
# ˛ ˛
#
˛
˛
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#
˛
&
399
&
˛
˛
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˛ ?
&
#
#
˛
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#
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?
402
?
# #˛ # #˛
# #˛
# #˛
##˛
> ˛ ˛
#
# > ˛
˛ ˛
n>
˛
#
# > ˛
˛ ˛
#
# > ˛
˛ ˛
#
# > ˛
?
˛
mp
>
cresc.
˛
>
˛
>
˛>
˛
˛
PE063 – 25

405
?
?
˛
##˛
> # # ˛
˛
>
# #˛
˛
>
˛
>
#
# ˛
˛
#
# > ˛ # # ˛
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>
&
&
# # ˛
˛> ˛>
#
˛
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>
#
# ˛
#
#
> ˛ #
# >
˛
˛ ˛ ˛ ˛
408
&
&
411
&
&
414
&
&
417
&
&
421
&
&
˛
>
#
#
˛ # #˛
˛
>
mf cresc. sempre
˛
#˛ # > ˛
>
˛
˛
f cresc.
˛
>
˛
>
˛
˛
>
˛
˛ ˛
>
˛
˛
3
˛
>
˛
>
˛
# #˛
>
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>
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>
˛
˛
˛ ˛
˛
>
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>
˛>
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>
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>
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˛
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#
# > ˛
˛>
#˛ # > ˛
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>
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>
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>
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>
˛ ˛
>
˛
>
˛
>
˛ # #˛
˛
>
>
˛
˛
˛
nn ˛
b b˛ >
˛
˛
˛ ˛
˛
b b˛ >
>
˛
˛
#˛ # > ˛
˛
> ˛>
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>
˛>
˛
>
˛
>
˛
˛
5
> >
˛
>
˛
˛
˛˛
˛
>
PE063 – 26
˛
>
˛
>
˛
˛
˛ ˛
˛
?
?
#
# > ##˛
> #
# >
˛
˛
˛ ˛ ˛ ˛
˛
>
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>
˛
>
˛ ˛
˛
˛ ˛
b
b >
˛
fff
˛
>
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>
˛
5
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>
>
˛
˛
˛
˛
˛
>
˛
3
>
˛
>
ff cresc.
˛
>
b
b > ˛ b
b > ˛
˛˛>
˛˛>
˛
##˛
>
˛
>

PROMETHEAN EDITIONS