Spook
by Gareth Farr | Marimba
by Gareth Farr | Marimba
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- marimba
- farr
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<strong>Spook</strong> (2000/2004)<br />
Although I had not originally conceived <strong>Spook</strong> as having any sort of extra-musical<br />
associations, when it came time to find a title for the work I thought of the mercurial nature<br />
of much of the music. Like a ghost, glimpsed in the corner of your eye and vanishing when<br />
you spin round to look at it, the substance of the music is elusive, the tonality continually<br />
shifting and the patterns of repeated figures subtly changing as soon as they can be grasped.<br />
In some respects <strong>Spook</strong> is a technical etude for the marimba. The main body of the work<br />
focuses almost exclusively on the use of the double lateral stroke, one of the virtuoso<br />
innovations of the last few decades. With four mallets available, extremely high velocities<br />
can be achieved by playing two consecutive notes with each hand instead of with the<br />
traditional left hand, right hand figuration. The quieter contrasting moments emphasise the<br />
independent roll, where instead of executing a roll between the two hands, the roll is played<br />
between the two mallets of a single hand. Sustained chords are played by one hand as an<br />
accompaniment to the other, which plays more articulate, rhythmic material. After a steady<br />
build-up to a powerful climax which utilises the full range of the marimba keyboard, the<br />
music subsides before setting off on an even faster coda, a percussive frenzy of slowly rising<br />
patterns and accents which culminates in a clatter of open fifths in the very lowest register of<br />
the instrument.<br />
Gareth Farr<br />
Performance notes<br />
• A marimba with a 5-octave range (C 2 -C 7 ) is required<br />
• Choice of mallets is left to the discretion of the performer<br />
PE063 – v