Tangaroa

PROMETHEAN EDITIONS
GARETH FARR
Tangaroa
Marimba

Gareth Farr
Tangaroa
Marimba
PROMETHEAN EDITIONS
WELLINGTON

Tangaroa (PE064) for Marimba by Gareth Farr (2001). Dedicated to
Andy Harnsberger.
© Promethean Editions Limited 2001
First edition © 2004 Promethean Editions Limited (201507)
Series Editor: Ross Hendy
Editor: Thomas Liggett
ISBN: 978-1-877218-64-4 (print)
ISBN: 978-1-77660-064-9 (ebook)
ISMN: 979-0-67452-098-0
Promethean Editions Limited
PO Box 10-143
Wellington
NEW ZEALAND
http://www.promethean-editions.com
No part of this publication may be reproduced in any form or by
any means without permission in writing from the Publisher.
PE064 – ii

Gareth Farr (1968)
Gareth Farr was born in Wellington, New Zealand. He began his studies in composition and
percussion performance at the University of Auckland. The experience of hearing a visiting
gamelan orchestra prompted his return to Wellington to attend Victoria University, where the
characteristic rhythms and textures of the Indonesian gamelan rapidly became hallmarks of
his own composition. Farr continued with postgraduate study in composition and percussion
at the Eastman School of Music in Rochester, NY, where his teachers included Samuel Adler
and Christopher Rouse.
The inclusion of his works in four events at the 1996 New Zealand International Festival of
the Arts inaugurated his career as a dedicated freelance composer. Since then, Farr’s music
has been heard at, or especially commissioned for, high-profile events including the 50th
anniversary of the New Zealand Symphony Orchestra ( From the Depths Sound the Great Sea
Gongs), the opening of the Museum of New Zealand Te Papa Tongarewa ( Te Papa), and the
2000 Olympic Games in Sydney ( Hikoi, a concerto for percussionist Evelyn Glennie and the
NZSO). In 2003, a commission by the Auckland Festival resulted in Stone and Ice, composed
for the combined forces of the NZSO and the Auckland Philharmonia Orchestra. In 2006
Farr was made an Officer of the New Zealand Order of Merit, for his services to music and
entertainment. In the same year, the Royal New Zealand Ballet toured the country with their
brand new work The Wedding, featuring a score by Gareth Farr. At ninety minutes, it was
among the ballet company’s most ambitious projects, and combined Farr’s talents with those
of prominent New Zealand novelist and librettist Witi Ihimaera.
Farr’s music was integral to Maui – One Man Against the Gods, a stage show four years in the
making. First premiered in 2003, it featured aerial theatre, Maori kapa haka, contemporary
dance and song, with Farr’s stirring music, and toured a number of centres in New Zealand.
In more recent years, Farr has developed a fruitful collaboration with director and librettist
Paul Jenden, producing four comedy musicals. In 2007 Farr was appointed as Composer-
PE064 – iii

in-Residence for the Auckland Philharmonia Orchestra. The residency culminated in 2008
with the premiere of Ex Stasis, a symphonic song cycle for four soloists. In 2008, Farr also
celebrated the world premiere of his work Terra Incognita, for bass solo, choir and orchestra,
performed by Paul Whelan and the Orpheus Choir with the New Zealand Symphony
Orchestra. Farr’s artistic excellence was acknowledged when he received the Arts Foundation
of New Zealand’s Arts Laureate Award 2010, which aims to celebrate significant artistic
achievement as well as nurture future creative endeavours.
In March of 2014 Farr’s Concerto for Piano and Orchestra received its world premiere from
soloist Tony Lee and the New Zealand Symphony Orchestra, conducted by Pietari Inkenen.
Its UK premiere followed one year later, with Lee backed by the BBC Philharmonic, with
conductor Tecwyn Evans. The BBC Philharmonic included Farr’s work alongside Douglas
Lilburn’s Symphony No.2 as a programme to mark the 100th anniversary of the ANZAC
troops’ battle at Gallipoli during World War I. The concerto received critical acclaim,
described by the Dominion Post’s John Button as containing “marvellously free piano
writing surrounded by orchestral sounds that conjure up memories of Prokofiev ballets,
Ravel’s L’Enfant et les Sortileges and even the Bartok First Piano Concerto…the ear was tickled
bar after bar. I have no doubt that this marvellously inventive piano concerto is bound to
develop an international life all its own.”
Farr’s music is particularly influenced by his extensive study of percussion, both Western
and non-Western. Rhythmic elements of his compositions can be linked to the complex and
exciting rhythms of Rarotongan log drum ensembles, Balinese gamelan and other percussion
music of the Pacific Rim.
Latest information about the composer may be found at www.garethfarr.com.
PE064 – iv

Tangaroa (2001)
Composed at the request of North American marimbist Andy Harnsberger, the virtuosic
Tangaroa exploits a number of contemporary performance techniques, making it an exciting
showcase work for advanced percussionists. The mighty Pacific Ocean was Farr’s inspiration
for Tangaroa, with the work named after the Polynesian god of the sea. In its surging ebb
and flow, the music evokes the ocean in its many moods – from the gentle rippling of calm,
sparkling waters to the turmoil of a chaotic storm. Farr intentionally exploits a handful of
contemporary marimba performance techniques, in particular the standard hand-to-hand
roll, the independent (or one-hand) roll, and the double lateral roll. The journey begins
with the work’s mysterious theme bobbing above rippling harmonic material, surges of
rhythmic subversion pushing us onward. Metric acrobatics and harmonic departures begin
to punctuate the work, the opening theme recast but still recognisable; the presence of
fourth and fifth intervals between the pitches played by each hand maintain Tangaroa‘s
dark majesty. In the work’s middle section the performer must transition between a series
of challenging roll techniques while traversing the range of the marimba. Later, Tangaroa‘s
simmering, tightly coiled energy alternates with gestures that bring out gulping, woody
depths of the marimba’s lower register as the work dances towards its finale.
Tangaroa was commissioned by Andy Harnsberger, who gave its premiere performance at
the Virginia Day of Percussion, Radford University, Virginia, USA, on 12 April 2003.
Performance notes
• A marimba with a 5-octave range (C 2 -C 7 ) is required
• Choice of mallets is left to the discretion of the performer
• The following notational conventions are employed:
ˇ
ˇæ
Standard
hand-to-hand roll
ˇ
ˇ0
Independent
or one-hand roll
ˇ
ˇS
Double lateral roll
(4-3-1-2)
PE064 – v

PE064 – vi

TANGAROA
Gareth Farr
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Tangaroa © 2001 Promethean Editions Limited
This edition © 2004 Promethean Editions Limited PE064 – 1
ISMN: 979-0-67452-098-0

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PE064 – 2
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PE064 – 6

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&
?
b b ˛.
{ mp }
˛ ˛˛ ˛˛ ˛˛ ˛ ˛˛ b#
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛.
˛ ˛˛ ˛
˛
bb˛
˛ ˛
˛ ˛ ˛ ˛ ˛ ˛ ˛
108
&
?
˛ ˛˛ ˛
˛
˛˛ ˛˛ ˛
b b ˛. ˛ b b #
˛ ˛ b˛˛
˛ ˛ ˛
˛ ˛ ˛ ˛ ˛ ˛
b b ˛.. ˛ b # #
˛˛
˛˛ ˛˛ ˛ ˛ ˛˛ ˛˛
110
&
?
b b ˛.
mf
˛˛ ˛˛
˛
˛
˛
# b˛˛
˛ ˛ ˛ bb˛
˛ ˛
˛
˛
˛
˛
˛.
f
b b ˛
˛
b˛
˛
˛
˛ b
˛
˛
b˛
˛
˛
˛ ˛
˛
b˛
112
&
?
˛.
˛ ˛
b˛
˛
˛
˛ b
˛
˛
b˛
˛
˛
˛ ˛
˛
b˛
˛.
mp
˛ ˛˛
b˛
˛
˛
˛ b
˛
˛˛
b˛
˛
˛
˛ ˛
˛
b˛
114
&
?
˛.
˛ ˛˛
b˛
˛
˛
˛ b
˛
˛˛
b˛
˛
˛
˛ ˛
˛
b˛
˛
˛.
b˛ b
˛
b˛
˛
˛
˛ b˛
˛
˛ b˛
˛ ˛ ˛
˛
b˛
PE064 – 8

116
&
?
˛.
˛ ˛˛
b˛
˛
˛
˛ b
˛
˛˛
b˛
˛
˛
˛ ˛
˛
b˛
˛
˛.
b b ˛
˛
b˛
˛
˛
˛ ˛
b˛
˛ b˛
˛ ˛ ˛
˛
b˛
118
&
?
˛.
˛ ˛˛
b˛
˛
˛
˛ b
˛
˛˛
b˛
˛
b b ˛
˛ ˛
˛
b˛
˛
b˛. ˛
˛
b˛
˛
b˛
˛
˛
b˛
˛
˛
˛
b˛
˛
˛
˛ ˛
˛
b˛
poco
120
&
?
˛.
b b ˛
˛
b˛
˛
˛
˛ b
˛
˛
b˛
˛
˛
˛ ˛
˛
b˛
˛
b˛. ˛
˛
b˛
˛
b˛
˛
˛
b˛
˛
˛
˛
b˛
˛
˛
b˛
˛
b˛˛
˛
˛
122
&
?
b˛.
˛
b˛
˛
b˛
˛
˛
b˛
˛
˛
˛
b˛
˛
b˛
b˛
˛
b˛˛
˛
˛
b˛.
b b ˛
˛˛
˛
˛
b˛
˛
˛
˛
˛ ˛ b˛
˛
b˛
˛
˛
124
&
?
b˛.
b b ˛
˛˛
˛
˛
b˛
˛
˛
˛
˛ ˛ b˛
˛
b˛
˛
˛
˛.
˛
b˛
˛
b˛
˛
˛
˛˛ b˛
˛ b˛
˛ ˛ ˛
˛
b˛
126
&
?
˛.
b b ˛
˛
b˛
˛
˛
˛
b˛˛ ˛˛
b˛
˛
˛ ˛ ˛
˛˛
b˛
˛.
˛ ˛
n
˛
˛
˛ n
˛
˛
n
˛
˛
˛ ˛
˛
˛
PE064 – 9

128
&
˛ ˛
?
˛.
˛ ˛ ˛
˛ ˛
˛ ˛ ˛ ˛ ˛
˛.
6
6
4 3 8
˛ ˛ ˛ 7
4 3 b˛ ˛
b˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
˛ ˛ b˛
˛ ˛ 7 8
mf
b
6
130
&
?
132
&
?
134
&
?
7
8
7
8
7
8
7
8
˛.
mp
˛.
mp
˛ ˛
˛ ˛
˛ ˛ ˛ ˛ ˛˛
˛ ˛ ˛ ˛ ˛
˛.
˛ ˛
˛ ˛ ˛ n˛
˛
˛ ˛
6
4 3 8
˛ ˛ ˛ 7
4 3 b˛ ˛
b˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
˛ ˛ b˛
˛ ˛ 7 8
mf
˛
˛
˛.
˛ ˛˛
6
b
6
˛ ˛ ˛ ˛
˛ ˛ ˛ ˛ ˛ ˛ ˛
16 9 b # ˛
˛
# b ˛
˛˛
˛ ˛˛ 8 3 ˛ ˛ 16 9
16 6 8 ˛˛
3 ˛ ˛ b˛
#˛ ˛ ˛ b˛
b˛ ˛ ˛
16 9 ˛ ˛ ˛
8 3 b #
˛
˛
˛ 16 9 #˛.
b . b˛
˛ ˛
b˛.
16 6 ˛
˛. # b˛ .
8 3
mf
mp
16 9 16 9
138
&
?
8
3
3
8
b # ˛
mf
˛
˛ # b ˛
˛
˛
16 9 ˛.
. 4 3 7 ˛.
8 ˛
16 9 #˛
b˛ ˛ ˛ ˛ ˛ 4 3 b˛
b˛
˛
b˛
˛ b˛ ˛ b˛
˛
b˛
˛
˛ 7
b
˛ 8
> > >
141
&
?
7
8
7
8
˛.
n˛
˛
˛ ˛ ˛
˛ ˛
˛ ˛ ˛ ˛ ˛
˛.
16 9
16 6
16 9
˛ ˛ b˛
#˛ ˛ ˛ b˛
b˛ ˛ ˛
16 9 .
b # ˛.
. b˛
˛ ˛
16 6 ˛
b˛.
˛. # b˛ .
16 9
p cresc. poco a poco
PE064 – 10

144
& 16 9 #˛ ˛ ˛ #˛
b˛
˛ ˛
16 6
16 9
4 2 b ˛.
. b˛
˛
˛
b˛
b˛
b˛
˛
.
.
˛. # b ˛
˛˛
b # ˛
˛
# b ˛
˛˛
˛ ˛˛
?
16 9 16 6 16 9 4 2
& ˛ ˛ ˛
mp cresc.
mf cresc.
147
˛˛
&
&
2
4
4
2
#
b
˛
b # ˛
˛
˛
˛
˛
˛
16 9
16 9
# b ˛
˛ ˛
f cresc.
b # ˛
˛
˛
˛
˛
˛
˛
ff
˛
˛ ˛˛
˛
˛
˛ ˛
˛
150
&
&
˛ ˛˛
˛
˛ ˛
˛
˛
˛ ˛˛
? #
˛
˛ ˛ b˛
b # .
˛.
˛
mf
#˛
b
˛
b˛.
˛ ˛
16 6 b˛
b˛ ˛ ˛ 4 5
16 6 ˛
˛. # b˛ .
4 5
153
&
˛
˛ ˛
˛
˛
˛
b˛ b
˛
˛
˛
˛
b˛
˛ ˛˛
?
4 5 8 7
4 5 ˛ ˛ ˛ 8 7
˛
˛˛
˛˛ ˛
˛
˛˛
>
˛ ˛˛
˛
&
˛
pp
˛
˛
bb ˛
˛
˛ ˛
˛
b˛
˛
155
&
˛ ˛˛
˛
˛
˛
˛ ˛˛
b b ˛
˛
˛
˛
˛
b˛
˛ ˛˛
&
˛
˛
˛ ˛˛
˛
˛ ˛˛
b b ˛
˛
˛ ˛
˛
b˛
˛
157
&
˛ ˛˛
˛
˛
˛ b b ˛˛ ˛˛
˛ ˛˛
˛
b˛
˛
˛
˛
˛
b b
˛
˛˛
&
˛
˛
˛ ˛˛
˛
b˛
˛
˛ ˛˛
˛
˛
b˛
˛
PE064 – 11

159
&
&
˛
b˛
b b ˛
˛˛
˛
˛
˛ ˛˛
˛
˛
˛
b˛
b b ˛
˛˛
˛
˛
b b ˛
˛˛ b
˛˛
˛
˛
˛ ˛˛
˛
˛
b b ˛
b b
˛˛
˛˛
˛ ˛˛
161
&
b
b˛˛
˛˛
˛
˛
˛
˛ ˛˛
˛˛ b
˛˛
˛
b b ˛
˛
b˛
˛
&
b b
˛
˛
˛ ˛˛
˛
˛ ˛˛
b b
˛
˛
˛
b˛
˛
˛˛
b b ˛
˛
163
&
&
˛
˛ ˛
˛
˛
˛ ˛
˛
˛
˛
˛ ˛˛
˛ ˛˛
˛ ˛ ˛
˛˛
mf
˛ ˛
?
˛ ˛ ˛ ˛
˛
&
˛ ˛˛
˛
pp
˛
165
&
b b ˛
˛
˛
˛
˛
b˛
˛ ˛˛
˛ ˛˛
˛
˛
˛
˛ ˛˛
&
b b ˛
˛
˛ ˛
˛
b˛
˛
˛
˛
˛ ˛˛
˛
˛ ˛˛
167
&
b b ˛
˛
˛
˛
˛
b˛
˛ ˛˛
˛ ˛˛
˛
˛
˛ b b ˛˛ ˛˛
˛ ˛˛
&
b b ˛
˛
˛ ˛
˛
b˛
˛
˛
˛
˛ ˛˛
˛
169
&
˛
b˛
˛
˛
˛
˛
b b
˛
˛˛
b b
˛
˛˛
˛
˛
b
˛
˛
&
b˛
˛
˛ ˛˛
˛
˛
b˛
˛
˛
b˛
˛
˛ ˛˛
˛
b b ˛
˛˛
˛
PE064 – 12

171
&
b˛˛
˛˛
˛
˛
˛
˛ ˛
b b
˛˛
˛˛
˛
˛
˛
˛ ˛˛
&
b b ˛
˛
˛ ˛˛
˛
˛ ˛˛
b b ˛
˛
˛ ˛˛
˛
˛ ˛˛
173
&
˛˛ b
˛˛
˛
b b ˛
˛
˛ ˛
˛ ˛
˛
˛
˛
˛ ˛
4 3 4 3
&
b b
˛
˛
˛
b˛
˛
˛˛
b b ˛
˛
˛
˛
˛ ˛
?
˛
˛ ˛˛
175
&
?
4 3 7 8 4
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
3
4 3 b˛
˛
b
˛
˛ ˛ ˛ ˛ ˛ ˛ ˛˛
b˛
˛˛ b˛ 7 8 ˛ 4 3
˛ ˛ ˛ ˛
˛.
˛.
mf
177
&
?
4 3 8
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
7
4 3 b˛
˛
b
˛
b˛
˛˛ b˛ 8 7
˛.
˛ ˛
˛ ˛ ˛ ˛ ˛˛
˛ ˛ ˛ ˛ ˛
˛.
179
&
?
˛.
pp
˛ ˛
˛ ˛ ˛ ˛ ˛˛
˛ ˛ ˛ ˛ ˛
˛.
4 3 7 8
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
4 3 b
˛
b
˛
b˛
˛˛ b˛ 7 8
181
&
?
7
8
7
8
˛.
˛ ˛
˛ ˛ ˛
˛ ˛ ˛ ˛ ˛
˛.
˛ ˛
˛.
˛ ˛
˛ ˛ ˛
˛ ˛ ˛ ˛ ˛
˛.
˛ ˛
mf
dim. poco a poco
PE064 – 13

183
&
?
˛.
˛ ˛
˛ ˛ ˛
˛ ˛ ˛ ˛ ˛
˛.
˛ ˛
˛.
˛ ˛
˛ ˛ ˛
˛ ˛ ˛ ˛ ˛
˛.
˛ ˛
4
4
(dim.)
185
&
?
4
4
˛
˛
˛ ˛ b˛
pp
# ˛ ˛ ˛ b˛
#˛
˛ ˛ b˛
b˛
˛ ˛
˛ ˛
b˛
b˛
b˛
#˛
˛ ˛ b˛
# ˛ ˛ ˛ ˛ ˛ ˛ # ˛
187 ˛
& Œ J˛
b˛
b ˛
˛ ˛ p
?
b ˛
Œ b ˛
b ˛
˛˛ mf ˛ ..
3
Slow Π= 72
Œ ˛˛æ
f
Œ ˛˛æ
b bˇ æ
bbˇ
æ
ˇæ
ˇ
æ
bˇ
S
bˇ
S
O
Î
pp
O
Î
˛
O
O
Î
##
˛
O ˛Ǫ # ˛
# O
192
&
?
ˇ
ˇO
O
Î
##
˛
O n˛˛
n O
O ˛ # ˛
O ˛Ǫ Ǫ
O
Î
ˇ Ǫ æ
ˇO b ˛˛
O
ˇ.
b æ
˛
˛
˛æ
˛æ
˛ b˛
b˛
n˛
6
˛ ˛
˛ ˛ ˛ ˛ ˛ ˛
6
˛ ˛
6
˛ b˛
˛
b˛
196
&
?
b ˛
mp
b ˛
b ˛
b ˛
A little faster Π= 76
ˇ
ˇæ
ˇ
æ
b æ
˛
b˛
æ
˛˛æ
˛
æ
n
n ˇ
.
n æ ˇ.
.
n ˇ
æ
b b ˛ æ
˛æ bb ˇ æ
b b ˛ ˛ bbˇ
æ æ æ
b æ
b
˛˛
b b˛˛
æ
n n æ
Î
nnˇ
æ
#
# ˇˇ
æ
200
&
?
# #˛ æ
n nˇ æ. ˛
ˇ.
.
ˇ
æ æ
# #˛ æ
æ
nn ˇ
#˛ #
æ
ˇæ
˛æ
nn˛˛
æ
˛˛S
ˇæ
ˇæ
˛æ Î ˛ ˛
æ æ
S
p
ˇS
ˇ
S
ˇS
ˇ
S
ˇˇS
ˇ
S
PE064 – 14

205
&
?
O
Î
O
Î
˛
b
b
O
O Ǫ ˛˛
O
Î
b˛
O
ˇ
b b Oˇ
O
Î
˛
O
# # ˛
O
˛
# ˛
O
# O ˛Ǫ Ǫ
O
Î
O
ˇ
Oˇ.
.
ˇ
##˛
O æ
n
˛˛
˛
˛æ
210
&
?
˛
˛æ
˛
˛æ
#˛
˛ ˛
6
˛ ˛ ˛
˛ ˛
˛ # ˛ ˛
˛
6
˛ ˛
˛ ˛ ˛
6
˛
b ˛
mf
˛
b ˛
Faster Π= 84
˛
˛ b˛
˛ b˛
˛ ˛
˛ b˛
˛
æ
˛æ
˛
æ
˛
æ
212
&
?
b ˛
b ˛
b ˛
b˛
b˛
b˛
b˛
b˛
˛ ˛ ˛ b˛
˛ ˛
b˛
b˛
b˛
˛
˛ b˛
n˛
æ
n˛
æ
˛æ b ˛
æ
˛ b˛
æ æ
˛ ˛
˛ ˛
˛ ˛
˛ ˛
˛˛æ
˛
æ
214
&
?
b b ˛
æ
b b ˛
æ
˛ ˛
˛ ˛
˛ b˛
˛ b˛
˛ ˛ ˛ ˛ ˛ ˛
˛ b˛
˛ ˛ ˛ ˛ ˛ ˛ ˛
7
˛æ ˛
˛ # # ˛
æ æ
˛ ˛
˛ ˛ ˛ ˛ ˛ # ˛ ˛ ˛ ˛ ˛ ˛
#
7
˛
# æ 7
216
&
?
n b˛ æ
n˛
æ
ˇæ
ˇ # # æ
# # ˛
æ
˛ ˛æ
˛æ
# # ˛ # ˛ # ˛
#˛
æ # ˛
˛ ˛
# ˛ # ˛
#˛
#˛
˛ ˛
7
˛ ˛ # ˛ # ˛
˛ ˛ ˛ ˛ ˛
˛ ˛
218
&
?
#˛
#˛
#˛
#˛
#˛
#˛
#˛
#˛
˛
æ
˛
æ
˛
æ
˛
æ
˛ ˛ ˛ ˛
˛ ˛ ˛ ˛
˛ ˛ ˛ ˛ ˛
7
˛ ˛
˛ ˛ ˛
7
˛ ˛ ˛ ˛
# #
ˇˇ
æˇ #
æ
PE064 – 15

220
& #˛
?
A little faster Π= 88
7
#˛
> ˛
#˛
#˛
˛
˛
˛ ˛
7
˛ ˛
#˛
#˛
#˛
#˛
˛
˛ ˛
7
˛ ˛
˛
˛ ˛
7
˛ ˛
˛ ˛
˛
221 7
&
#˛
#˛
?
#˛
#˛ #˛
#˛
˛
˛
> ˛
˛
6
˛
˛
n˛
n˛
> ˛
b˛
6
b˛
˛
n˛
#˛
>
˛
b˛
6
b˛
b˛
n˛
222
&
?
˛
> ˛
b˛
7
b˛
b˛
b˛
b˛
b˛
˛
7
˛ ˛
˛ ˛
b˛
b˛
> ˛
6
˛ ˛ ˛
b˛
n˛
> ˛
7
˛ ˛
˛ ˛
˛
223
&
?
b˛
b˛
b˛
b˛
7
b˛
b˛
b˛
˛>
mf
˛
˛ ˛ ˛
6
b˛
b> ˛ ˛
˛ ˛ ˛
6
˛
˛> ˛
˛ ˛ ˛
6
˛
4 5 4 5
224
&
?
7
4 5 6
7
b˛
b˛
4 > b˛
4 5 b˛
b˛ ˛ ˛ ˛ ˛
b˛ b˛ ˛ ˛ ˛ > ˛ b˛
b˛
> ˛
7
?
b˛ b˛ b˛
˛ ˛ ˛ b˛
b˛ b˛
b˛
b˛
b˛ b˛ ˛ ˛
b˛
4 f
7
225
?
?
A little faster Π= 92
4
4
b b˛
˛
6
b
b
˛
˛
˛
˛
˛
˛
b b˛
6
˛
˛
˛
˛
˛
b
b ˛
6
˛
˛
˛
˛
&
˛
b b˛
6
˛
˛
˛
PE064 – 16

226
&
?
˛ ˛ ˛
˛
ff
3
˛
˛
3
˛
˛
˛
˛
˛
6
˛
˛
˛
# ˛
˛
# ˛ # ˛
# ˛ ˛ ˛
˛ ˛ ˛
˛
˛
˛
˛
227
&
?
j
n
nn
n ˛
3
˛
˛
˛ ˛˛
3
˛ ˛
˛ ˛
˛˛ ˛˛
6
˛ ˛˛
˛ ˛
6
˛
˛ ˛ ˛ # ˛ ˛ ˛ ˛
# ˛ ˛ ˛ ˛
##˛
˛ ˛ ˛n˛
##˛
˛ ˛ ˛ n˛
˛
˛
7
˛
˛
˛
&
?
˛ ˛
7
˛ ˛
˛ ˛
# ˛ ˛
˛˛ ˛˛ ˛˛
# ˛
˛˛ ˛˛ ˛˛
4 3 229
7
n˛
˛ ˛ ˛ ˛ ˛ ˛ 4 4 3 n
˛ ˛ ˛ ˛
˛ ˛ ˛ ˛ ˛ ˛ ˛
4 ˛ ˛ ˛ ˛
7
230
&
?
4
4
˛ ˛ ˛ ˛ b b ˛
˛
˛
˛
˛
˛ b˛
˛ ˛ ˛
˛
˛
˛
˛
J
˛ ˛˛
3
˛
b b ˛
b ˛
3
˛
b˛
˛
b b ˛
6
˛˛ b b ˛
˛˛ b
n˛
n ˛
˛
˛ ˛ ˛ ˛
˛ ˛ ˛
231
b˛
&
?
b˛
˛ ˛
7
˛ ˛ ˛
b b˛
7
˛ ˛ ˛
˛ ˛
˛ b ˛
b˛˛
˛ ˛ ˛
˛˛
˛˛
˛˛
7
˛ ˛ ˛ ˛ ˛ b˛
˛b˛
˛ ˛ ˛
˛ ˛ ˛
7
232
&
˛ ˛ ˛ ˛ ˛ ˛ ˛
7
?
˛ ˛ ˛ ˛ ˛ ˛ ˛
7
˛
Œ
&
˛ ˛
˛ ˛ ˛˛
æ
˛
æ
fff
b ˛
b ˛
b ˛
b ˛
ˇ
æ
ˇ
æ
ˇ
æ
ˇ
æ
æ
b
ˇˇ
ˇ ? b
æ
7
8
7
8
PE064 – 17

235
&
7
8
Tempo I Π= 132
?
7
8
˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
dim.
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
˛
f
˛
dim.
˛
˛ ˛ ˛ ˛ ˛ ˛
238
&
?
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
b b ˛.
. b b ˛
˛ ˛
˛
˛ ˛
˛
˛ ˛ ˛ ˛ ˛ ˛
mp
241
&
n˛.
.
?
˛ ˛
˛
bb˛˛ ˛
˛
˛
˛
˛ ˛
˛
˛ ˛
b b .
˛.
˛ b b
˛ b
˛
˛ ˛ ˛
˛
b ˛˛ ˛
˛ ˛
˛
˛ ˛
243
&
?
˛.
.
b b
˛
b˛
b
b˛˛
˛
˛
˛
˛˛ ˛ ˛˛ ˛
˛
˛
˛
b ˛ ˛˛ ˛ ˛˛ ˛
˛
˛.
.
b b
˛
b˛
˛
b
˛˛
˛
˛˛
˛˛
˛
˛˛
bb˛˛
˛
˛
˛ ˛ ˛ ˛ ˛
245
&
16 6 16 6
?
b b ˛.
˛ ˛ ˛ ˛ ˛ ˛ ˛ b˛
˛ ˛ ˛ ˛ ˛ n˛˛ .
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
247
&
?
16 6 16 9
7 8
b #
˛
˛˛ ˛ ˛˛ b b ˛
˛˛
16 6 b ˛ ˛
˛ ˛
16 9 7 8
b b b#˛
.
b ˛
˛.
b˛ ˛
.
.
˛.
PE064 – 18
˛
f
˛
mp
˛
˛˛ ˛˛ ˛˛ ˛˛ ˛˛ ˛˛
‰ Ó

250
&
?
b b ˛.
{ mp }
˛ ˛˛ ˛˛ ˛˛ ˛ ˛˛ b#
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛.
˛ ˛˛ ˛
˛
bb˛
˛ ˛
˛ ˛ ˛ ˛ ˛ ˛ ˛
252
&
?
˛ ˛˛ ˛
˛
˛˛ ˛˛ ˛
b b ˛. ˛ b b # b
˛ ˛
˛˛ ˛ ˛ ˛
˛ ˛ ˛ ˛ ˛ ˛
b b ˛.. ˛ b #
˛˛
˛˛ # ˛˛ ˛ ˛ ˛˛ ˛˛
254
&
?
˛˛ ˛˛
˛
˛
b b ˛.
˛
# b˛˛
˛ ˛ ˛ bb˛
˛ ˛
˛
mf
˛
˛
˛
˛.
f
b b ˛
˛
b˛
˛
˛
˛ b
˛
˛
b˛
˛
˛
˛ ˛
˛
b˛
256
&
?
˛.
˛ ˛
b˛
˛
˛
˛ b
˛
˛
b˛
˛
˛
˛ ˛
˛
b˛
˛.
mp
˛ ˛˛
b˛
˛
˛
˛ b
˛
˛˛
b˛
˛
˛
˛ ˛
˛
b˛
258
&
?
˛.
˛ ˛˛
b˛
˛
˛
˛ b
˛
˛˛
b˛
˛
˛
˛ ˛
˛
b˛
˛
˛.
b b ˛
˛
b˛
˛
˛
˛ ˛
b˛
˛ b ˛
˛ ˛ ˛
˛
b˛
260
&
?
˛.
˛ ˛˛
b˛
˛
˛
˛ b
˛
˛˛
b˛
˛
˛
˛ ˛
˛
b˛
˛
˛.
b b ˛
˛
b˛
˛
˛
˛ b˛
˛
˛ b˛
˛ ˛ ˛
˛
b˛
PE064 – 19

262
&
?
˛.
˛ ˛˛
b˛
˛
˛
˛ b
˛
˛˛
b˛
˛
b b ˛
˛ ˛
˛
b˛
˛
b˛. ˛
˛
b˛
˛
b˛
˛
˛
b˛
˛
˛
˛
b˛
˛
˛
˛ ˛
˛
b˛
poco
264
&
?
˛.
b b ˛
˛
b˛
˛
˛
˛ b
˛
˛
b˛
˛
˛
˛ ˛
˛
b˛
˛
b˛. ˛
˛
b˛
˛
b˛
˛
˛
b˛
˛
˛
˛
b˛
˛
˛
b˛
˛
b˛˛
˛
˛
266
&
?
b˛.
˛
b˛
˛
b˛
˛
˛
b˛
˛
˛
˛
b˛
˛
b˛
b˛
˛
b˛˛
˛
˛
b˛.
b b
˛
˛˛
˛
˛
b˛
˛
˛
˛
˛ ˛ b˛
˛
b˛
˛
˛
268
&
?
b˛.
b b ˛
˛˛
˛
˛
b˛
˛
˛
˛
˛ ˛ b˛
˛
b˛
˛
˛
˛.
˛
b˛
˛
b˛
˛
˛
˛˛ b˛
˛ b˛
˛ ˛ ˛
˛
b˛
270
&
?
˛.
b˛ b
˛
b˛
˛
˛
˛
b˛˛ ˛˛
b˛
˛
˛ ˛ ˛
˛˛
b˛
˛.
˛ ˛
n
˛
˛
˛ n
˛
˛
n
˛
˛
˛ ˛
˛
˛
272
&
?
˛.
˛ ˛
˛ ˛ ˛
˛ ˛
˛ ˛ ˛ ˛ ˛
˛.
6
6
4 3 7 8
˛ ˛ ˛
4 3 b˛ ˛
b˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
˛ ˛ b˛
˛ ˛ 7 8
mf
b
6
PE064 – 20

274
&
?
7
8
7
8
˛.
mp
˛ ˛
˛ ˛ ˛ ˛ ˛˛
˛ ˛ ˛ ˛ ˛
˛.
6
6
4 3 8
˛ ˛ ˛ 7
4 3 b˛ ˛
b˛
˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛ ˛
˛ ˛ b˛
˛ ˛ 7 8
mf
b
6
276
&
?
278
&
?
7
8
7
8
˛.
mp
˛ ˛
˛ ˛ ˛
˛ ˛ ˛ ˛ ˛ ˛
˛
˛
˛.
˛ ˛˛
˛ ˛ ˛ ˛
˛ ˛ ˛ ˛ ˛ ˛ ˛
16 9
b # ˛ ˛
# b ˛
˛˛
˛ ˛˛ 8 3 ˛ ˛˛
˛ 16 9
16 6 8 3
˛ ˛ #˛
b˛ ˛ ˛ b˛
b˛ ˛ ˛
16 9 ˛ ˛ ˛
8 3 b #
˛ ˛ ˛ 16 9 #˛
b . b˛
˛.
˛
b˛.
16 6 ˛
˛. # b˛ .
8 3
mf
mp
16 9 16 9
282
&
?
3
8
8
3
˛
b # mf
˛
˛ # b ˛
˛
˛
16 9 ˛.
. 4 3 7 ˛.
8 ˛
16 9 b˛
#˛
˛ ˛ ˛ ˛ 4 3 b˛
b˛
˛
b˛
˛ b˛ ˛ b˛
7 8
b˛
˛
˛ ˛ b˛
> > >
285
&
?
288
&
?
7
8
7
8
˛.
n˛
˛
˛ ˛ ˛
˛ ˛
˛ ˛ ˛ ˛ ˛
˛.
16 9
16 6
16 9
˛ ˛ #˛
b˛ ˛ ˛ b˛
b˛ ˛ ˛
16 9 b # b˛
˛.
˛.
16 6 ˛
b˛.
˛. # b˛ .
16 9
p cresc. poco a poco
16 9 #˛ ˛ ˛ b˛
# ˛
˛ ˛
16 6 b˛
16 9
4 2 b ˛.
. b˛
˛ b˛
˛
.
˛
b˛.
˛. # b ˛
˛˛
b # ˛ ˛
# b ˛
˛˛
˛ ˛˛
16 9 16 6 16 9 & ˛ ˛ ˛ 4 2
mp cresc.
mf cresc.
PE064 – 21

291
˛˛
& 4
2
&
2
4
#
b
˛
˛ b # ˛
˛
˛
˛
˛
16 9
# b ˛ b #
˛
˛ ˛
16
12
# b >
˛
16 9 12
˛ ˛ ˛ ˛ ˛ 16
f cresc.
˛ ˛
b # >
˛
˛ ˛
>
˛
˛ ˛
>
˛
˛ ˛
16 9 16 9
294
&
&
16 9 ˛ ˛ ˛˛ ˛
˛ ˛
˛
˛ ˛˛
16 6
˛ ˛ b˛
#˛ ˛ ˛
16 9 ˛
˛ ˛ ˛
16
˛ ˛˛
? ˛ ˛
˛
.
b # . b˛
˛. ˛ ˛
b˛.
6
ff cresc.
297
&
?
16 6 b˛
b˛ ˛ ˛ 16 9 ˛ ˛ b˛
# ˛
˛ ˛
16 6 16 9
16 6 ˛. # b b # ˛.
. ˛
b b˛
˛ b˛
˛
.
˛.
˛. # b ˛
˛˛
˛.
16 9 16 6 16 9
300
&
?
16 9 ˛
16 9
fff
˛
&
b b ˛
˛˛ ˛˛
˛
˛ ˛˛
˛
˛ ˛˛
b˛
˛ ˛˛
˛
˛ ˛˛
˛
˛ ˛˛
˛
˛ ˛˛
˛
˛ ˛˛
˛
303
&
&
>
˛
˛ ˛
˛ ˛
11:9
˛ ˛
˛ ˛
˛ ˛
˛> .
?
b b ˛
>
n ˛ >
5:3
b b ˛
>
n ˛ >
b b
˛˛
>
˛.
.
˛
>
‰.
PE064 – 22

PROMETHEAN EDITIONS