Happy Tachyons (Preview)

PrometheanEditions

by John Psathas | Marimba, Vibraphone and Piano

PROMETHEAN EDITIONS

JOHN PSATHAS

Happy Tachyons

Marimba, Vibraphone and Piano


John Psathas

Happy Tachyons

Marimba, Vibraphone and Piano

PROMETHEAN EDITIONS

WELLINGTON


Happy Tachyons (PE009), for Marimba, Vibraphone and Piano by

John Psathas (1996). Dedicated to Evelyn Glennie.

© John Psathas 1996

Published exclusively by Promethean Editions Limited

First edition © 1997 Promethean Editions Limited (201506)

Series Editor: Ross Hendy

Editor: Ross Hendy

ISBN: 978-0-9583679-8-1 (print)

ISBN: 978-1-77660-009-0 (ebook)

ISMN: 979-0-67452-090-4

Promethean Editions Limited

PO Box 10-143

Wellington

NEW ZEALAND

http://www.promethean-editions.com

No part of this publication may be reproduced in any form or by

any means without permission in writing from the Publisher.

Happy Tachyons was commissioned by Evelyn Glennie with financial

support from Creative New Zealand, Arts Council of New Zealand Toi

Aotearoa.

PE009 – ii


John Psathas (1966)

John Psathas is one of New Zealand’s most frequently performed composers. With works

in the repertoire of such high profile musicians as Evelyn Glennie, Michael Brecker, Pedro

Carneiro, Michael Houstoun, Joshua Redman, Federico Mondelci, the Takács Quartet, the

Netherlands New Blazers Ensemble, the Hallé Orchestra and others, he has established an

international profile and is receiving regular commission offers from outside New Zealand.

Psathas grew up in Taumaranui and then Napier, and left high school early to study

composition and piano at Victoria University of Wellington. Psathas studied further with

composer Jacqueline Fontyn in Belgium before returning to New Zealand, where he has since

lectured in music at the New Zealand School of Music and continued to fulfil a busy schedule

of commissions.

Early success came in 1991 with Matre’s Dance, a maximum-energy duet for percussion and

piano that has since made Psathas’ name internationally known through having been taken

up and championed by percussionist Evelyn Glennie. This work and Drum Dances are now

standard repertoire for percussionists throughout the world.

In August 2000, the premiere of his saxophone concerto, Omnifenix, by legendary jazz

saxophonist Michael Brecker in Bolgna, Italy, brought international acclaim; further

prominent performances of his works have included the 2001 Klangspuren Schwaz Festival

of Contemporary Music in Austria; Psyzygysm, performed by Pedro Carneiro with Strike and

Stroma in the 2002 New Zealand Festival; the premiere of View From Olympus at the 2002

Royal Gala Concert in Manchester, and the premiere of Orpheus in Rarohenga in November

2002. This last, a major work for choir, soloists and orchestra, was a joint commission from

poet Robert Sullivan and John Psathas by the Orpheus Choir of Wellington. In April 2004,

pianist Stephen Gosling first performed Psathas’ piano concerto, Three Psalms, with the New

Zealand Symphony Orchestra, who commissioned the work for pianist Michael Houstoun.

Saxophonist Federico Mondelci commissioned Psathas to write his second saxophone

PE009 – iii


concerto, Zahara, which he first performed with the New Zealand Symphony Orchestra,

conducted by David Atherton, at the Michael Fowler Centre, Wellington, New Zealand on

22 September 2006. In 2008, Chamber Music New Zealand commissioned Psathas to write

a string quartet, A Cool Wind, for the world renown Takács Quartet, who presented the first

performance in the Auckland Town Hall, Auckland, New Zealand on 23 July 2008.

Psathas’ recent career highlights include the creation of key ceremonial music for the

2004 Athens Olympic Games and more recently Zeibekiko, an entire programme of music

celebrating the heritage of Greek music from antiquity and the present day. Zeibekiko was

commissioned by the Eduard van Beinum Foundation at the request of the Nederlands

Blazers Ensemble and toured Holland in 2004. It was a highlight of both the 2004 Bath

Festival (UK) and the 2006 New Zealand International Festival of the Arts.

Psathas’ inclination to work in a collaborative capacity with artists from a wide range of

musical genres and backgrounds has resulted in projects such as Elect the Dead Symphony

with Serj Tankian, and Pounamu with New Zealand roots musician Warren Maxwell. In 2011,

Psathas produced his first film score for the feature-film, Good for Nothing, and further film

music followed with White Lies in 2013. Psathas’ involvement with Booktrack—a company

focused on developing synchronised soundtracks for eBooks—saw the opportunity to write

music for the Salman Rushdie novel, In the South.

Psathas has received a number of awards and honours, including twice winning the SOUNZ

Contemporary APRA Silver Scroll Award (2002 and 2004) for individual works and taking

three Classical CD of the Year awards (2000, 2004 and 2007) in the NZ Music Awards. In 2003

he was made a New Zealand Arts Foundation Laureate and in 2005 was appointed an Officer

of the New Zealand Order of Merit (ONZM).

In 2014 Victoria University of Wellington awarded Psathas a Higher Doctorate in the degree of

Doctor of Music (DMus) for the immense body of work he has contributed to his field.

Latest information about the composer may be found at www.johnpsathas.com.

PE009 – iv


Happy Tachyons (1996)

Written at the request of Dame Evelyn Glennie, Psathas’ Happy Tachyons pushes the technical

abilities of the percussionist to edge. This excitable and high-spirited work sees melodic

bursts from the twinkling, bright vibraphone alternating with the woody depth of the

marimba. Elsewhere the percussionist must navigate passages that require the vibraphone

and marimba to be played simultaneously. The flashy percussive lines skate incessantly over

a heavily syncopated piano accompaniment.

Of the exuberant high spirits which pervade Happy Tachyons, Psathas writes “The work

reflects the fact that during its composition Carla and I were expecting our first child,

Emanuel, who was busy preparing his entrance into this world.”

A recording of Happy Tachyons is available on the Trust Records CD Fragments

(MMT2047). It is performed by Jeremy Fitzsimons (percussion) and Stephen Gosling

(piano).

Performance notes

The success of this piece lies in the realisation of the accents and dynamic shapes in the

melodic lines. All accents other than those at the end of a crescendo mark should be thought

of as very strongly contrasted to non-accented notes. This is illustrated in the first few pages

through extensive use of dynamics.

The mallet markings are guides only, as different acoustical spaces may suggest the use of

stronger or weaker mallet types. The number of mallets indicated is also only a suggestion

although the 4-mallet passages were written with this technique in mind.

The indication of ‘finger-pedalling’ in the piano part measure 196 is relevant until the end

of the piece. This relates to the various C-octaves in the left hand. The principle is that the

octave forms a continuum of sound by always sustaining either the upper or lower note with

PE009 – v


thumb or fifth finger until it appears again. This way the left hand will be sustained as if it is

being pedalled but the right hand lines will not be blurred.

Instrumentation

The mallet part can either be played by one or two players. In either case, measure 227 is to

be performed.

In the case of one player, the marimba and vibraphone must be set up in the following

manner in order for the passages where they are played together to be possible:

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M A R I M B A

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Happy Tachyons DEDICATED TO EVELYN GLENNIE

John Psathas 

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PE009 — 1

This edition © 1997 Promethean Editions Limited PE009 – 1

ISMN: 979-0-67452-090-4


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C C C > T U C C C > T U

C C C > U T

sfz

G

C C C

sfz

> C C C > C C C > C C C> > C C C

C. C C C C

C.

Y > .

T R S T O

C>C > C C > C > C C > C Y C > C C

C>C > C C > C > C C > C Y C > C C

C.

Ċ

jh

CCC

(X ) C

(X ) .

T C Y C

Y C . T C C

sfz

C>C

sfz

sfz

sfz

sfz

G

>

C C C C

sfz

> C C C

Y

g

> .

C>.

Mar

49

Vb !

Pn

! Q Q Q

# C > C C C > S

Y

sfz

> T S R S Y C

f > C C C C

> C Y C C C T

> >

C>CCC > Y

Y

>.

S h

Y C C C

Y C > C C > T

sfz

sfz

f

G

G

C

! Y C > C C

T

C >

sfz

> C C C

C > > C C C C Y C C C C C C C C C

G G

sfz

> C C C>CCC Y C

C

> C C > > C C C > C C C > C

# T S S S Q

C C >

C

C

Y > .

C>.

U T

U T

Y C > C >

>

C

G

Y C >

C C C C

Mar

52

Vb !

Pn

! Q Q Q

# C > Y C

> C

Y C

> C

sfz

sfz

C>CT

> C

C

Y C C C > C > Y C

> C C > T U

C >

C C C >

C C C >

>

C T U

Y C C C > C > Y C

> C C > T U

! C > C Y C

> C

sfz

> Y C C C C > C C C > C

C C > C

>

C>C Y C C > C > C C > C

Y C >

C C C T U

>

# Q Q

! A ( C )

Y

C

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>C

C

U T

Y C C C C C

> C

> C C

> C

> C C

> C >

Y C C C C C > C > C C > C > C C > C >

C

> C

> Y C C C > C C C > C C > C Y C > C C > C C > C

t

PE009 – 7

PE009 — 7


g

C

>

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g

C

g

d

>

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C

C

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C

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g

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>

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h

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>

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h

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T

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> C

h

S

C

T

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S

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g

Mar

55

Vb !

Pn

Mar

58

Vb !

Pn

C

! Q Q Q

sfz (Quasi-gamelan)

# Y C C>C > C > C > C > C > C

>

Y C Y C C

ff

>

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C C C>

sfz

Y C > >C

T C C

h

> C C > C C > Y C C > > C > C Y C > C C C > C C > C C C >

T h

T h

sfz

> C C C Y C > C C C C

C>CCC C C

C>C C C Y C > C C C

C>CCC G G

C>C

!

Y C C Y C >

C C C>C C C

> C C C C > C C

ff

sfz

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#

! Y C

T

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sfz

> C

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> C

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> C C

sfz

> C Y C C C

sfz

> C

sfz

> C

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> T

Y > . Y C > C

Y

C

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C C

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> G h C > T C > T Y >

C

sfz

*

D

! Q Q Q

# T S R

Q Q

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legato

C

f > C C C C > C C C C

C Yf > C C

C C > C

G

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sfz Y C C

> C C >

! C T S R S h

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sfz

sffz

f >

# T S R

!

S C

h

C>.

eva

Y C >

C

G

C

> Y C

C

G

sfz

T S T h

sfz

T S T

C>CCCC > C C C Y C

Y > C C C C >

C

sfz

Y

sfz

Y C

> T S

h

Vb

Pn

61

! C > Y C

C C>C

> G

Y C C C>C

C>CC C

G

C C T Y C

C

G

G G G G

G > Y

sfz

> Y C

sfz > sfz

> C > C C > C C > C Y C > C C C C

C >

eva

Y > C

eva

! Q h

sfz sfz sfz

! Q T Y C

> C > R

Q

G

Y C >

C C

C C >

Y C > C >

PE009 – 8

PE009 — 8


S

h

T

T

T

R

h

h

g

T

T

T

h

h

h

T

S

h

h

T

T

T

R

T

R

h

h

T

T

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h

h

Vb

Pn

64

! C Y C > C > C C C > C C C > C C > C C>

C

! R

eva

C

p

sfz

C C C C>

sfz

>

C

C

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! R C C C C C > C C > T

C>

sfz

C C C > C

Y C C

G

sfz sfz >

Y >

C>

C

sfz

Y C

>

h

sfz

C>

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C C C

G

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> C C

C

sfz >

>

C

sfz

C

>

sfz

C>

sfz

C C C >

Vb

Pn

66

! C Y C

C

sfz > C C

sfz > Y C

C> C>

! T h

sfz sfz

! T g

C>

C>

G G

C C

sfz > C C > C C C C C C

C>

sfz

T C

>

S T

Y

G

C C C

C C C

G

C Y C

G

eva

CY

C

G

C C>

sfz

C C>

sfz

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> C C C C > C C C C p

C

h

mp

C

h

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C

C

f > C

C

C

Vb

68

G

! C > C C

G

C> Y C

C

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C> C C

G

C> C CY C

> C C

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> C Y C > C C

C C

G

G

C> C C

G

C>

sfz

C>

CY C > C C C

C>

sfz

C C>

sfz

C C

C>

C

sfz

C

Pn

eva

C C

C- C- C

C

C>

C- C- Y C C C- C-

C>

C Y > C

!

T S

G G G G

sfz

sfz sfz

! Q R C > Y C

>

C>

sfz

>

C

Vb

Pn

70

C> C C >

! C C C C

G G sfz > C > C Y C C

C > C C

sfz > C C Y C > C Y C C > C

C Y C

C

C C C > C C > C C C > C

> >

eva

C>

C C>

Y C C C C C C C C

! S h T T h

TU

Y C C C C

sfz

sfz

C>

mp

! C C T

Q

>

PE009 – 9 PE009 — 9


d

T

T

h

Ì

S

Ì

d

h

d

S

h

T

S

T

T

T

T

Vb

Pn

72

G G

G

! Y C > C C

sfz > C CY C> C C

C

sfz sfz > C C

eva

! Y C

!

Y

C

C>

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C>

> Y C

C

G

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Y C

> C > T

G

C

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C>

ff

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sfz sfz

C>

h C

>

C

#

C C

Y C

Y C ->

sffz

d

ff

C > C C

C

G

G

C

>

C C Y C >

Y C C C

G G

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> C C

G

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C

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C> C C

G

C> C > C

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O B

O B

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>

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> C C

C

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C> C >

G

Vb

74

!

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C> C C

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Y C

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C

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G

>

C

C C

G

C>

Y C

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>

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G

G

C

> C C

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C> C C

G

C> C C

G

C>

Y C

C

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G

C C

G

C> C

C

Pn

!

#

eva C

B

B

G

C

C>

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G

C>

C

C

C->

sffz

d

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G

!

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G

C C

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C

G

C

C

CY

C

G

C

C C C

G

C C Y C

G

*

Vb

Pn

76

accents molto sforzando until m.85

E C > Y C C C - C C C C C-

!

pp C>

1/2 pedalling

sffz

eva

C>

C>

Y C C C - C C

! C

h

sffz

pp

G

C>

! C Y C C C C

G

accents molto sforzando until m.85

* una corda

C

C- CY C > C C C- C C-

C- C C C-

Y C C - C - C

eva

TU

C>

C- C

C-

C C C

C

C-

C C C

C

C>

C C Y C

C C- C

C C

G

C C C

PE009 – 10

PE009 — 10


T

d

d

Vb

Pn

Vb

Pn

78

80

!

!

!

!

!

!

Y

C

eva

CY

C C

G

eva

C>

C C C

G

C-

C Y C

G

C

C>

C C C

G

C

C

C C C

G

C> C > C C C Y C

C> C > C C C C > C > C C C > C C C C C

CY

C

G

C

C

h

C C C C C

C

C

C C

C

slight emphasis

C C C C- C C C

G G

C

C

CY

C

(Stravinsky)

C

C C C C C C

G G

C C

Y C C C

G

C

C C C - C - C

G

C C C C

Y C C C C

C C C

C C

C

C C

C C

C C C C C> C

C C C CY C > C C C C

C C C C C C C C

C C

G G G G G G G

G

G

G G

eva

C

C

Y C C C C

C C C C C C C C C

C C C C C C C C > Y C C C C C C > C

G G

G G

eva

Y C C- C- C C

C- C- C C C C C C C

C- C- Y C C C- C

C C C C

C C C

G G

G

Vb

Pn

Vb

Pn

C>

C C C C C > C C C > C

CY

C C C>

C C C Y C > C C C

C> C C > C

C C C C>

!

G G

G

eva

C C C C > C C C C C

Y C C > C C C C> C C C C C C C C C > C

CY

C

!

G

G

eva

C CY

C C C C C C C

G

C C

!

Y C C

C C C C- C C > Y C C C C C C C Y C

82

84

!

C>

W C C > C C C C C C > C C > C C > C C

G

eva

C Y C C C>

W C

!

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eva G

! C C Y C

C

C

C> C C C

G

C>

W C C C C

G

C>

C C X C

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C C C C C > C C

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C>

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C- C C C C

G

C>

C C C C>

G

C C

C C C C C C C

W C

> C C

G

C>

C>

C

G

C

G

C

C

PE009 – 11 PE009 — 11


d

C

>C

C

C

BB

C

C

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C

C

C

C

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C

C

C


>

C

C

C

C

C

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d

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C

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T

T

C

C

C

C

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>

C

C

g

C

g

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C

C>

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C

C

C

C>

C

C

C

C

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C

C

AA

g

T

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C

C

C

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C

C

C

C

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C

C

C

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Vb

Pn

85

!

!

!

W C C C C C C C

eva

W > C C

G

eva

W > C C

G

C C C

G

C C C

G

ff

ff

Y

Y

G

G

d

tre corda

X

G

C>C

G

> C

C

G

X

C

>

G

G

Y

G

Y

G

G

G

C>CC

G

C

> C

G

Y C C C

C

>

Y

G

G

C

> Y C

#

Vb

Pn

86

!

G

G

G G

! C > C

G

# C

> C C

*

C

sfz C C

C

sfz - >

B O

C

f

C

pp

T S R

C C > C C C C C C C

C > > C > C C C > C C Y C

sfz

> C C C

G

G

C C C

C

sfz

>

*

Mar

88

F

! Q Q

# R S

Vb ! R S h

C

sfz

> T C

sfz

semi-detached

>

f

Y > C C C > U

T C > C Y C > C C C > TU

Y C C C TU

C C

>

>

C C C > U T

C C >

Pn

G

! C Y C >

#

G

C

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G

C>C Y C

G

C>CC

g

C>.

g

C>.

C C

G

sfz

C>.

C C Y

G

sfz f

T C > C > T

Y C C > C C TU

Y C C > C C TU

>C

PE009 — 12

– 12


T

C

g

C

C

>C

>C

C

C

C>

C>

C

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S

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T

T

C

h

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C>

C>

CC

h

C

>

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C

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C

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C

C

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h

C>

h

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C

CC

C

C

C>

C>

>

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C

C

T

C

C>

C C

C

T

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T

C

C

Mar

90

Vb !

Pn

# C > C Y C > TU

! U T

# U T C

C>C Y C > TU

C C > C

> C C

> TU

C C > C > C C > U T

U T

U T

C C > U T

C C > U T

C C > C > Y C C > Y C C > >

C C C

sfz

> S

C C > C > Y C C > C > C C > C C C

sfz

C C C > C C > C C > T C C Y C > C - C - C

Y C C Y C C

sfz G

C C C > C C > C C > T C C Y C > C - G

C - Y CC C Y C C

C C C

sfz

sfz

G

sfz

G

C C C

T C C

T C C

C>C Y C

C

>

Y C > C > C C >

Y C > C > C C >

Y

C C C

> T

C C C

> T

93

# > Q

Mar Y

C C C

> > C C C

T C>C

> C > C > C C > C Y C > C > C > C > C

> sfz

sfz

Y C > C > C C C > > C C C > C > C > C C > C Y C > C

Vb ! T h S

> C > C > C> C > C > C Y C C

Y C C

sfz

sfz

sfz G sfz G sfz G G

! C

> C C C C > Y C C C C C>C

C C Y C C C > C C C C C > C C C

G

C C C

G

G

Y C C

sfz

sfz G

Pn

sfz

> C C C C C

sfz

> sfz

> T C C

G

# C > C C C C > Y C > C C C

G Y C C C > C C C C C C C C Y C

> > C C C

C C C C g

C

> >C >C C>.

Mar

96

Vb !

Pn

# R C C >

sfz

> Y C C > T

>

Y C C C C

> C Y C > C > C > T

> >

!

# C CC>

C>C

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CC

G

C

CC

Y

sfz

Y C T

sfz

C Y

C C TU

C C C>

C C

G

Y

sfz

sfz

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C C

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C>C > C > T

Y C > C C > C > C C > C > C > T

T C > C C Y C > C C > TU

T C

> C C Y C > C C > TU

Y C > C > TU

Y C > C > TU

C>C > C > C > C > C C > C > C > C C

C>C > C > C > C > C C > C > C > C C

C C > h T C > C T

sfz

C C > h

sfz

C C C Y C C C

G G

sfz

C

Y

C >

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C

G

C>C

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G

G

C C C

PE009 –— 13 13


C

C

C

C

> C

h

> C

C>

C

C

C

>

CC

C

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C

C

C>

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>

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C

C

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C

C

C

C

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C

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C

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C

C

C

C

C

C

C

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T

C

C

h

h

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C

C

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C

C>

CC

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C

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C

C

C

C

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CC

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C>C

C

C

C

C

C>

CC

CC

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C

>

CC

C

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>

>

C

>C

CC

C

C

C>

CC

C>C

Mar

99

Vb !

Pn

! Q Q

# C Y C C > C C > C C > TU

Y C C > C C > C C > TU

> C C C

! G

sfz

# C > C C C

G

C C > C C

G

C C > C C

G

>

C

C C > Y C >

C C > Y C >

Y C > C > C > C C

G

> C > C > C

Y C

G

C

>

G

C C

C C

G

C

>

T C > C > C

sfz

C>C

sfz

C>C > C C C

sfz

Y C > C C

> C C C

>

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CC

C

CC >

Mar

101

Vb !

Pn

! Q Q

# Y

T S R

Q

sfz

Y C>CC C C

G

C

C C

> Y C

Y C

sfz

G

C Y C C C

sfz G G G >

sfz sfz

sfz G

Y

G G

G

C

! T

h Y C C C C C

sfz

> C C>CC U Y CC C C C

G

>

sfz sfz sfz sfz sfz

G G

# Y

C C

C C C C C CC> >C > C C>CC

C T g

C O CC C>.

Y

C

C C C

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> > > CC

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G

C C Y

G

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sfz

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CC

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Y C C > C C

Vb

103

!

G

> C

C

G

G

> Y C

C

G

G

C>C

G

G

C>C C

G

G CMolto animato : ecstatically

G

C C

sffz

Y

G

ff

legato

C>C > C C

G

C C

G

Pn

!

#

CCC C

C

CC

sfz

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CC

C C C

sfz

C C C > C C

Y

Y

CCOO

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CCOO

CCOO

sfz

CCOO

CCT

sfz

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CCT

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CC

Molto animato : ecstatically

sffz ff >C

CC

Y > C C

semi-detached

Y > C C

PE009 – 14

PE009 — 14


C

>C

d

d

>C

>C

>C

g

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C

CC>C

CC>C

h

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C

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C

C

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CC>C

T

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CC>C

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g

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C

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C

>

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PE009 — 15


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PE009 – 16


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PE009 — 17


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129

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I

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PE009 –— 18


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PE009 –— 19


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Pn

143

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145

! Y C C C C C C Y C C C C C C C C

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Mar

148

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PE009 —– 20


g

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Mar

151

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Mar

J

Poco meno mosso

Connect with piano

Semi-detached

154

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Pn

157

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PE009 –— 21


T

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Mar

Pn

160

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Mar

163

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PE009 –— 22


S

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178

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181

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PE009 –— 23


T

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190

Poco accelerando

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Pn

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G

# Q C C C C Y C>

C C C C C G > C C C C Y C

G

C

G C C BO

C C > C

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tre corda

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C C > C C C C C C Y C

> >

C C C > C C C > C C C Y C C

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C C C> C

C C C

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G G

G G G G

# Q Q Q

193

! C >

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#

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B

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>

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!

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C

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C C C

G

PE009 —– 24


C

C

C

C

C

h

C

g

C

C

C

C

C

T

T

T

C

C

C

C

T

S

S

C

C

C

C

C

C

C

C

C

C

C

C

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>C

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C

C

C

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C

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C

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>

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>C

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C

C

C

C

C

C

C

C

C

C

C

C

>C

>C

>C

C

>C

>C

>C

Mar

L

196

!

Tempo primo

C>.

Marimba optional – play if there is a seperate marimba player.

>.

(exuberantly)

Y

G

C C C C C > C C

sffz

f molto legato

# Q Q

G

C C > C C

G

C>CC

G

C>C Y C C

G

Y

Vb ! R

Pn

Mar

198

!

Vb !

Pn

!

#

C>.

! h

sffz

#

Tempo primo

Y

Y > .

C C C

G

C C C

G

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>

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>

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>

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>

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>

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G

f

>.

(exuberantly)

f

>.

Y

G

(exuberantly)

C

C>.

C>CC

G

C>CC

G

molto legato

Y

G

molto legato

C C C C C > C C

C C C C C > C C

Finger-pedalling to end

>

C

C

G

C>CC

G

>

C C C

C C C C C

C>CC C>CC

G G G

Y

Y

Y

G

G

G

G

G

C C > C C

G

>C

C

C C

G

O C C C C

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C>C

C>C

Y C

>

Y C

>

Y C

>

C O C C Y C

C C

G

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G

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G

C C

G

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C>C Y

Y

C C Y

G

C C Y

G

O

C C C

G

C C C

G

C C C

G

C C C

G

C C

G

C C

G

O

Y

Y

C>C C

Mar

200

!

Vb !

Pn

!

#

Y

Y

Y

Y C

>

Y C

>

Y

Y

Y C

> C C C

C C C C

>

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>

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G

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G

>

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C

>

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C C C

G

> >

C C C > C C C>CC C>CC > C C C C

C

G G G

C C > C > C C > C

C C C>CC > C C C C

G G G

C C C C C C O

Y C >

Y C >

Y C >

G

C C

C C C

G

C C C

G

C>C > C

C>C > C

C>C > C

C

PE009 –— 25


T

T

g

T

T

Mar

202

!

Vb !

Pn

!

#

C

Y C > C C

C

>

G

G

C C Y C

>

C C

Y C >

CY C > G G

C C C

> C CY C > C C Y C >

CY C > G

G

C C C

> C CY C > C C Y C >

CO

C C

C

C

CO

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C C C

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C C C

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G

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G

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C O C C

C

C

sfz >

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sfz >

G

C C C

G

C C C

C

G

C

> C C C

sfz

C C CO

C

>

C

G

C C C

C

G

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C

sfz > C

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C C C

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C

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C

C>

C

C>

C

C>

C

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C

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C > C

Y C

C> C C C> CY

C

C> C C C> CY

C

C > C C C C

G

C > C C C C

G

C > C C C C

G

C C C C C C C CO

C C C

C>

C>

C>

C

Mar

205

!

Vb !

Pn

!

#

C

> C C

G

C> C C

G

C>

C C

G

C

C> C C

G

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G

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G

C

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>

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>

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C

Y C

Y C

G

C C

G

C C

C

>

Y C C C

G

CO

C

C

C

C

> C C

C

> C C

C C

C

G

Y C > C C >

C C Y C

C

Y C > C C >

C

C

Y C > C C C >

G

CY

C

G

CY

C

C C Y C C C

C

C

C

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> C C C

C C

>

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G

G

G

C> C C C >

C C

C

C

Y C

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G

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G

C C C C

C

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G

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C

G

C

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C C CO

C C C

G

C C C

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C C C

G

Mar

207

! Y C

> C C

Vb ! Y C

> C C

Pn

! Y C

> C C

#

C

C

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> C C

C

> C

C

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> C

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C

> C

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> C Y C C C

C

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> CY

C C

C

C

G

> C

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> C

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>

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G

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G

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> C > CY

C C

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C C C C C C> C > C

G

G

CO

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C C C

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C

C

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Y C

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Y C

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C C C CO

C>

C C C C

G

C > C C C C

G

C > C C C C

G

C

C>

C>

C>

C

C

PE009 – 26

PE009 — 26


Mar

209

!

Vb !

Pn

!

#

C>

Y C

C>

Y C

C>

Y C

C

C

C

C

C

C> C C

C>

C C

G

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G

C> C C C > C C

C

G

G

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C >

C>

C C >

C

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G G

sfz

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C C C > C C

G G

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C C C > C C>

C

G G

sfz

G

C

> C C

C

C C

C

sfz > C

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G

C> C C

G

C C

G

C> C > C C

G

C> C > C C

G

C> C > C C

G

C

C> C C

G

C> Y C >

sfz

CO

C C

C> C C

C> Y C > C C

G

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C> C C C>

C Y C > C C

G

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C

C

C

C

C

C>

C>

C>

C

C

Y C

>

C C Y C

>

C C Y C

>

C

C

C

Mar

211

!

C C

C

G

Vb ! C C

C

Pn

G

! C C

C

G

# C C

C C Y C

G

C C Y C

G

C C Y C

G

C Y C

C

G

C Y C C

G

C Y C C

C

G

C C C

G

C C C

G

C C C

G

C

C C C

G

C C C

G

C C C

G

C

C C C

G

C C C

G

C C C

G

C C C

G

C C C

G

C C C

G

C C C

C C C

G

C C C

G

C C C

G

Y C

Y C

Y C

C

G

C C

G

C C

G

C C

G

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G

CY

C

G

CY

C

G

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C

C C

sfz > C C C

>

> C C

C C

sfz >

C C

sfz >

C

C>

sfz

CO

G

C C > C C C C

G

C C C > > C C C C > C C C C

G

C C C > > C C C C > C C C C

C O C C

C

Mar

213

!

Vb !

Pn

!

#

Y C

Y C >

Y C >

C

CO

G

C C C

G

C C C

G

C C C

C

>

C>

C>

C

G

C C Y C

G

C CY

C

G

C CY

C

C

C

C

C

C

>

C

>

C

>

C

C C C

C C C

G

C C C C C C

G

C C C C C C

G

CO

C

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C

C

> C Y C > C C

C

G

> CY C > C

C

C

G

> CY C > C

C

C

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G

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G

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C C C > C C C

G

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G

CO

G

C C C

C>

C>

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C

C

C

C> C

PE009 – 27

PE009 — 27


d

d

d

Mar

215

!

C

C>

C

Y C

C> C C

G

C> C C

G

C>

C> C C

G

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G

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C C C > C

C

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G

C>

C

C C C > C C

G

C>

C

Vb !

!

C C > CY

C

C C > CY

C

C> C C

G

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G

C> C C

G

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G

C>

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C

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G

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G

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G

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G

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C> C

C>

C>

C C C > C C

C C C > C C

C> C C

G

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G

C>

C>

C

C

C C C > C C

G

C C C > C C

G

C>

C>

C

C

Pn

#

C

CO

C

C C

C

C C

C

C

C

C

CO

CO

C C

C

Mar

217

!

Vb !

Pn

!

#

C>

C>

C>

C

C

C

C

C>

C>

C>

C

C

C

C

C> C C

G

C> C C

G

C> C C

G

C

C> C C

G

C> C C

G

C> C C

G

C

C> C > C C

G

C> C C

ff

C> C > C C> C C C

G G

ff

C> C C>

C C C C> C C

G G G

G

ff

G

C C C C C C

C C>

G

C> C C

G

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G

C> C C

G

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G

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G

C> C C

G

C

C>

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C

C>

C

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C

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G

C

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G

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G

C> C C

G

C>

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C

C>

CO

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G

C> C C

G

C> C C

G

Mar

219

!

Vb !

Pn

!

#

C> C C

C>

G

C> C C

C>

G

C> C C C>

G

C> C

C>

C

C> C C Y C G

C

G C Y C

G C C Y C

C>

C CY

C C C

G

Y C

G

C> C CY

C C C

G

Y C

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C

C

C

G

C C

G

C C

Y

Y

C

C

C

G

C C

G

C C

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C C C C C C

C C C

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C C C

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G

G

C Y C

Y C

> -

d

C C C

G

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C

C

Y

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G

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G G

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>

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*

C>

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C>

C

*

C

C

C

C

PE009 – 28

PE009 — 28


d

d

S

S

S

d

d

Mar

221

!

Vb !

Pn

Mar

!

#

223

!

C> C C

G

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sfz

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C>

G

sfz

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sfz - >

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C C CY

C C

C C C C C C

C C C

G G G G

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fff

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fff G

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C C Y C C C C C

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->

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C

d

d

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225

G G

Mar ! C C Y C

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?

S

d *

PE009 – 29

PE009 — 29


PROMETHEAN EDITIONS

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