Planet Damnation Soli Version (Preview)

PROMETHEAN EDITIONS 

John Psathas 

Planet Damnation 

Timpani and Orchestra 

(Solo Version with Digital Audio)

John Psathas 



(Solo Version with Digital Audio) 

PROMETHEAN EDITIONS 

WELLINGTON

Planet Damnation (PE172), for Timpani and Orchestra by John 

Psathas (2007) (Solo Version with Digital Audio) dedicated to 

Laurence Reese 

© John Psathas 2007 

Published exclusively by Promethean Editions Limited 

First edition © 2012 Promethean Editions Limited (201604) 

Series Editor: Ross Hendy 

Editor: Jared Commerer 

ISBN: 978-1-877564-72-7 (print) 

ISBN: 978-1-77660-172-1 (ebook) 

ISMN: 979-0-67452-140-6 

Promethean Editions Limited 

PO Box 10-143 

Wellington 

NEW ZEALAND 

http://www.promethean-editions.com 

No part of this publication may be reproduced in any form or by 

any means without permission in writing from the Publisher. 

PE172 – ii

John Psathas (1966) 

John Psathas is one of New Zealand’s most frequently performed composers. With works 

in the repertoire of such high profile musicians as Evelyn Glennie, Michael Brecker, Pedro 

Carneiro, Michael Houstoun, Joshua Redman, Federico Mondelci, the Takács Quartet, the 

Netherlands New Blazers Ensemble, the Hallé Orchestra and others, he has established an 

international profile and is receiving regular commission offers from outside New Zealand. 

Psathas grew up in Taumaranui and then Napier, and left high school early to study 

composition and piano at Victoria University of Wellington. Psathas studied further with 

composer Jacqueline Fontyn in Belgium before returning to New Zealand, where he has since 

lectured in music at the New Zealand School of Music and continued to fulfil a busy schedule 

of commissions. 

Early success came in 1991 with Matre’s Dance, a maximum-energy duet for percussion and 

piano that has since made Psathas’ name internationally known through having been taken 

up and championed by percussionist Evelyn Glennie. This work and Drum Dances are now 

standard repertoire for percussionists throughout the world. 

In August 2000, the premiere of his saxophone concerto, Omnifenix, by legendary jazz 

saxophonist Michael Brecker in Bolgna, Italy, brought international acclaim; further 

prominent performances of his works have included the 2001 Klangspuren Schwaz Festival 

of Contemporary Music in Austria; Psyzygysm, performed by Pedro Carneiro with Strike and 

Stroma in the 2002 New Zealand Festival; the premiere of View From Olympus at the 2002 

Royal Gala Concert in Manchester, and the premiere of Orpheus in Rarohenga in November 

2002. This last, a major work for choir, soloists and orchestra, was a joint commission from 

poet Robert Sullivan and John Psathas by the Orpheus Choir of Wellington. In April 2004, 

pianist Stephen Gosling first performed Psathas’ piano concerto, Three Psalms, with the New 

Zealand Symphony Orchestra, who commissioned the work for pianist Michael Houstoun. 

Saxophonist Federico Mondelci commissioned Psathas to write his second saxophone 

PE172 – iii

concerto, Zahara, which he first performed with the New Zealand Symphony Orchestra, 

conducted by David Atherton, at the Michael Fowler Centre, Wellington, New Zealand on 

22 September 2006. In 2008, Chamber Music New Zealand commissioned Psathas to write 

a string quartet, A Cool Wind, for the world renown Takács Quartet, who presented the first 

performance in the Auckland Town Hall, Auckland, New Zealand on 23 July 2008. 

Psathas’ recent career highlights include the creation of key ceremonial music for the 

2004 Athens Olympic Games and more recently Zeibekiko, an entire programme of music 

celebrating the heritage of Greek music from antiquity and the present day. Zeibekiko was 

commissioned by the Eduard van Beinum Foundation at the request of the Nederlands 

Blazers Ensemble and toured Holland in 2004. It was a highlight of both the 2004 Bath 

Festival (UK) and the 2006 New Zealand International Festival of the Arts. 

Psathas’ inclination to work in a collaborative capacity with artists from a wide range of 

musical genres and backgrounds has resulted in projects such as Elect the Dead Symphony 

with Serj Tankian, and Pounamu with New Zealand roots musician Warren Maxwell. In 2011, 

Psathas produced his first film score for the feature-film, Good for Nothing, and further film 

music followed with White Lies in 2013. Psathas’ involvement with Booktrack—a company 

focused on developing synchronised soundtracks for eBooks—saw the opportunity to write 

music for the Salman Rushdie novel, In the South. 

Psathas has received a number of awards and honours, including twice winning the SOUNZ 

Contemporary APRA Silver Scroll Award (2002 and 2004) for individual works and taking 

three Classical CD of the Year awards (2000, 2004 and 2007) in the NZ Music Awards. In 2003 

he was made a New Zealand Arts Foundation Laureate and in 2005 was appointed an Officer 

of the New Zealand Order of Merit (ONZM). 

In 2014 Victoria University of Wellington awarded Psathas a Higher Doctorate in the degree of 

Doctor of Music (DMus) for the immense body of work he has contributed to his field. 

Latest information about the composer may be found at www.johnpsathas.com. 

PE172 – iv

Planet Damnation (2007) 

Planet Damnation was originally conceived as a work for solo timpani and orchestra. This 

edition of the work has been prepared to allow for a solo performance with a backing track. It 

includes the solo timpani part with digital audio featuring a MIDI realisation of the orchestral 

score compiled by the composer. The digital audio also features audio tracks comprised of 

various mixes and tempi which are intended for rehearsal purposes only. 

Allured by the potential of the timpani to facilitate both rhythmically elaborate and 

melodically expressive writing, Psathas exhausts the entire spectrum of the instrument in 

this work for timpani and orchestra. Planet Damnation refers to a chapter in Robert Fisk’s, 

The Great War for Civilisation, the influence of which can be heard in the subtle references 

to martial music throughout the work. By elaborating on the intricate timpani parts of his 

previous concerti (particularly Three Psalms (PE085) for piano and orchestra, and Zahara 

for saxophone and orchestra), Psathas’ aim in allowing the timpani to “find their melodic 

voice” is realised. An unrelenting upward trajectory is propelled by the increase in rhythmic 

complexity evident between the timpani and orchestra, which only dissipates in the closing 

moments of the work. However, this drop in dynamic force is only an ostensible evanescence 

due to the tension created between rising chromatic figures in the wind instruments and the 

harmonically static motif given to the timpani, thereby aligning with Psathas’ omni-climactic 

intent. 

Planet Damnation was commissioned by the New Zealand Symphony Orchestra and is 

dedicated to timpani virtuoso Laurence Reese. 

The composer writes: 

Writing for the timpani in a solo role made it possible to create a piece that was dynamic 

and full of powerful energy. After all, the timpani is one of the very few instruments which 

is not in danger of being drowned out by the orchestra. So, although the work is short, it is 

very intense much of the time. I was keen to create something that felt massive, and almost 

PE172 – v

overwhelming. There is nothing in the repertoire for timpani that is as challenging for the 

performer as this work. 

Performance notes 

• Drum requirements: 5 drums (highest drum fixed at C). 

• Suggested drum indications have been included throughout. However, tuning and 

sticking indications have been intentionally omitted from the score in order to allow the 

performer to develop their own unique ‘choreography’ of the work. 

• Slurs indicate no re-striking of the drum. 

Digital Download 

• The digital audio files may be downloaded using the Download Coupon attached to the 

rear of this publication from our website at no extra cost. 

• To download the files follow the instructions in the Digital File Download coupon in the 

sleeve. 

• The coupon will provide a code for one download only. 

• If the coupon is missing or the coupon code has already been redeemed, please contact 

the Publisher at support@promethean-editions.com or submit a technical support case 

on our website (www.promethean-editions.com). 

• The audio file are supplied in the WAV audio format for maximum compatibility with all 

devices. 

PE172 – vi

Download Contents 

The download files contains the following: 

[1] Reference mix – timpani (L) & orchestra (R) [09:49] 

[2] Reference mix – click (L) & orchestra (R) [09:49] 

[3] Reference mix – timpani (L) & click (R) [09:49] 

[4] Rehearsal mix Œ = 110 [11:14] 



[7] Performance mix Œ = 126 [09:49] 

John Psathas 



(Solo Version with Digital Audio ) 

Download file size: 856MB 

DIGITAL FILE DOWNLOAD 

www.promethean-editions.com 

PE172DC 

PE172DC 

The Download File contains the following: 

[1] Reference mix – timp. (L) & orchestra (R) [9:49] 

[2] Reference mix – click (L) & orchestra (R) [9:49] 

[3] Reference mix – timp. (L) & click (R) [9:49] 




[7] Performance mix Œ = 126 [9:49] 

Total Duration [71:39] 

Download file size 

856 MB 

© 2007 John Psathas 

PE172 – vii

PE172 – viii

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DEDICATED TO LAURENCE REESE 

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Planet Damnation © 2007 John Psathas 

Planet 

This Edition 

Damnation 

© 2012 

© 

Promethean 

2007 John 

Editions 

Psathas 

Limited PE172 – 1 

ISMN: 979-0-67452-140-6 

This Edition © 2012 Promethean Editions 

PE172 – 1 

ISMN: XXXXXXXXXX

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197 

# 7 G 

8 Y 

Y C 

4 3 7 8 4 > 

Y 

Y C 

Y > 

Y > C C 

X > 

Y C 

C C 

Y C 

G 

> C>C Y > C C C Y C > C C C C C C 

200 

203 

# 4 Y C Y C > 

C 

> 

Y C 

> 

C 

206 

# C C 

C 

> Y C C C 

> C C 

> C 

> C 

C C 

> 

209 

# 

212 

# 

215 

# 

218 

# 

221 

# 

C C C - C Y C C - C 





C 

> 

G 

C C C 

> C C 

C 

Y C > 

C C- C C - C C 

G 

C C C C C - C C 


G 


G 

C C C C C - C 

G 

C C C 

G 

Y C Y C > 

C C > 

f 

mf 

C 

> 

C C - C 

Y C 

> 

C 

C 

> 

Y C C - C 





dim. poco a poco 


G 

C C C 

> C C 


G 



G 

C C C C C - C 

G 

C C C 


G 


Y C Y C > 

C C C 




C 

p - C C C - C Y C C - C 



X 

G 



G 



G 



PE172 – 5 PE172 – 5

-C 

-C 

-C 

-C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

-C 

-C 

-C 

-C 

C 

C 

C 

C 

C 

C 

-C 

-C 

-C 

-C 

C 

C 

224 

# 

227 

# 

230 

# 

233 


C C - C Y C C - C 

cresc. poco a poco 


G 


C C - C C - C C 

G 





C C - C C - C C 

G 


G 

C C C C C - C 

G 

C C C 




G 

C C C C C - C 

G 

C C C 

C C - C C - C C 

G 


# C C C - C Y C C - C 

C 

C - C C - C C 

C C C - C Y C C - G 

C 

C 

C C C C - C C C C 

C C C - C Y C C - G 

C 

G 

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C C C C - C C C C 

G 

4 3 

# 4 

3 

G 

G 

G 

2 4 

4 4 

3 

C>C C C C - C > C C C C 

Y > C C - C C > C C - C Y C > C C C C - C C > C C - C C > C C - C C > C 

236 

# 4 

3 

G 

G 

G 

Y 

2 4 

7 

> C C- C C > C C- C C 8 

> C C C C- C > C C C C 

Y > C C C C > C C C Y C > C C 

239 

# G 

X 4 G 

> C C C C- Y C > C C C X C > C C C X C > 

C C 

243 

246 

# Y C > 

Y C 

G 

G 

C C C > 

C C - C C C 

g 

X C > C 

C 

> 

O 

C C - C > C C C C > 

C C C - C C C > 

C __ 

p 

C C- Y C > C C- C C > C C- C 

B ___ 

C 

f 

C C C 

G 

C C C C C Y C 

Y C 

> C C- C Y C 

> C C > > - C C C > 

C- C C > 

# G 

C C __ 

B ___ 

Y 5 8 

p 

f > C > Y C > C __ 

B ___ 

C __ 

Y 

p 

> Y C C Y C- C > C- C > C C C C C > C C C C C C C C C 

p 

# 5 8 2 G 

4 5 8 6 G 

Y 8 2 4 

f > C C- C C > C C Y C > C C C C > C C 

Y > 

C C - C C > 

C C C C > 

C- C C C C C 

> 

249 

253 

G 

G 

# 2 4 

Y C C C C 5 8 Y 2 4 

5 8 

2 > > > 

C C - C C > 

C C X C > C C C C 

C C C C C C C Y C C C > > 

- C C C C 

> 4 

p 

f 

257 

262 

# 2 Y > C C > C C C 4 

5 C > C 

G 8 

p 

C-C C - C C C - C C C C C C 

> 

f 

C C > C Y C > C C- C C > C C Y C 

> C C- C C > C C 

G 

C 

PE172 – 6 PE172 – 6

C 

> 

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C 

C 

C 

C 

C 

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C 

C 

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C 

C 

C 

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C 

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C 

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> 

C 

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> 

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> 

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h 

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C 

C 

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C 

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> 

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> 

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> 

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C 

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C 

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> 

C 

-C 

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C 

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C 

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C 

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h 

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C 

\ 

# C C - C C > C C 2 C > C C - C C > C C - C 

G 

G 

4 

5 8 

6 

Y > C 

C-C C 8 

più f 

> C C Y > C C - C C > C C 

267 

# 6 3 G 

8 4 6 G 

Y 8 4 > 

C C - C C > 

C C - C Y C > 

C C C C > 

C C C C > 

C C C C C C C > - C C C C > - C C 

271 

# G 

4 Y C C 4 3 4 > - C C Yff > C C 

Y _ A 

Y _ A 

Y C > Y C 

__ 

p 

ff 

274 

> 

A Yfp _ __ 

Y 

ff 

C C > Y C 

280 

# Y > A _ Y O 

4 

3 4 

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Y > C 

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p 

286 

Y > B 

___ 

O 

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mf 

# O 

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3 

h 

C 

Y > B 

Y ___ > C 

X 

h ___ > A _ 

h 

__ 

ff 

fff 

# 4 

3 S T C C C > C C C 

Y 

Y 

4 4 

5 4 

G 

G 

Y 

Y 

C>CC- C C > C C- C 

ff 

G 

293 

# 4 Y > C Y C 

Y C 

C Y C 

Y 

G 

4 

3 

G 

> > 

C C C > 

C C C > 

C C C > 

C Y C 

C>C C 

296 

# 

> Y C 

> C 

4 

3 4 Y 299 

302 

C 

G C C 

Y > C Y C 

> 

C 

C 

> 

G 

C C 

Y C > 

C 

C Y C 

> 

C C C > 

C C C > 

C C C > 

C 

# Y 

Y 

G 

Y 

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Y C-C Y 

Y 9 C 

8 4 

3 

C C 

Y > 

305 

# 4 3 C Y 4 > 309 

# 

C ___ 

p 

C __ 

G 

C 

ff > C > >C 

rall. 

C 

> 

G 

Y > 

C 

> 

G 

C 

> 

Y 

a tempo 

G 

> 

C 

> 

Y C > 

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p 

rall. 

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ff > >C 

B ___ 

O 

C 

> 

ff 

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C 

> 

G 

C 

> 

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C > C Y C > 

p 

Y -C 

sub. 

Y 

G 

C C > 

C > 

C 

> 

> 

a tempo 

C C- 

B ___ 

> 

C 

PE172 – 7 PE172 – 7

C 

C 

C 

-C 

C 

C 

C 

-C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

-C 

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C 

-C 

C 

-C 

-C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

-C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

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C 

C 

C 

C 

C 

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-C 

C 

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-C 

-C 

-C 

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C 

C 

-C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

S 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

-C 

-C 

C 

C 

-C 

-C 

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-C 

-C 

-C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

C 

314 

# 

Y 

Y C - C 

C C - C 

C C Y C - 

Y C - C 

C C - C 

G 

C C Y C 

Y C - C 

C C - C 

317 

# 

Y 

Y C - C 

C C - C 

G 

G 

C C Y C 

Y C - C 

C C - C 

C C Y C - 

Y C - C 

C C - C 

G 

320 

# 

Y 

Y C - C 

C C - C 

C C Y C 

Y C - C 

C C - C 

G 

G 

C C Y C 

Y C - C 

C C - C 

323 

# 

Y 

Y C - C 

C C - C 

G 

C C Y C 

Y C - C 

C C - C 

C C Y C 

Y C - C 

C C - C 

G 

G 

326 

# 

Y 

Y C - C 

C C - C 

C C- 

Y 

Y C - C 

C C - C 

G 

C C Y C 

Y C - C 

C C - C 

329 

# 

Y 

Y -C 

C C- 

G 

G 

C C Y C 

Y -C 

C C- 

C C- 

Y 

Y -C 

C C- 

G 

332 

# 

Y 

Y -C 

C C- 

C C Y C 

Y -C 

C C- 

G 

G 

C C Y C 

cresc. 

Y -C 

C C- 

335 

# 

Y 

Y -C 

C C- 

G 

C C Y C 

Y -C 

C C- 

C C Y C 

Y -C 

C C- 

G 

G 

338 

# 

C>C 

mf C C 

Y C - 

C C - 

dim. 

C-C- 

C 

C-C C Y C - 

C C - 

C C C C C 

C-C C 

G 

C 

C C- C C Y C - 

C C - 

C C C C C 

341 

# 

Y C 

C 

- C 

- C 

C 

C-CCC - C C 

Y - C C C 

p 

C-CCCCC 

C C Y C - C C C 

C-CCC - C C C - C C 

344 

# 

Y C - C C C C - C C C - C C C - C C 

C-CC Y C - C C C C - C C C - C C C - C C 

C-C C 

G 

Y C. 

> 

R 

PE172 – 8 PE172 – 8

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