Static Live Magazine March 2020 - 2 Year Anniversary

STATIC LIVE Magazine is Central Florida’s premier publication dedicated to celebrating music and culture. STATIC LIVE provides extensive, detailed community information from fashion to art, entertainment to events through noteworthy interviews, sensational photography and in-depth editorial coverage. STATIC LIVE is the only publication of its kind in Central Florida and reaches all target markets through wide distribution channels. Our staff includes highly accomplished contributors with award-winning backgrounds in music and entertainment; we know how much business is captured from the entertainment market. Our free full-color publication can be found throughout Central Florida at key retailers, hotels, and restaurants in high traffic areas. Our mission is to highlight the incredible talent, culture, and lifestyle in Central Florida. With eye-opening profiles and coverage of the music and art community, STATIC LIVE readers will be positively influenced by

STATIC LIVE Magazine is Central Florida’s premier publication dedicated to celebrating music and culture. STATIC LIVE provides extensive, detailed community information from fashion to art, entertainment to events through noteworthy interviews, sensational photography and in-depth editorial coverage. STATIC LIVE is the only publication of its kind in Central Florida and reaches all target markets through wide distribution channels. Our staff includes highly accomplished contributors with award-winning backgrounds in music and entertainment; we know how much business is captured from the entertainment market. Our free full-color publication can be found throughout Central Florida at key retailers, hotels, and restaurants in high traffic areas. Our mission is to highlight the incredible talent, culture, and lifestyle in Central Florida. With eye-opening profiles and coverage of the music and art community, STATIC LIVE readers will be positively influenced by


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Vol. 3 Issue 13<br />

<strong>March</strong> <strong>2020</strong>

“Music gives a soul to the universe,<br />

wings to the mind, flight to the<br />

imagination and life to everything”<br />

~ Plato<br />

6<br />

8<br />

10<br />

12<br />

14<br />

16<br />

20<br />

22<br />

26<br />

28<br />

31<br />

34<br />

36<br />

38<br />

Oh My Goddess - <strong>Year</strong> in Review<br />

’60s Hair Wars: Hippies vs. Sgt Carter<br />

Behind the Mic: Riggs<br />

Return of the Vintage Guitar?<br />

Musical Innuendoes<br />

Art Feature - <strong>Year</strong> in Review<br />

<strong>Static</strong> <strong>Live</strong> Event Calendar<br />

Greg Douglass, Unsung hero of the early<br />

San Francisco Rock<br />

A Day in the Life of a Gigging Musician<br />

The Cyrus Connection<br />

Rocktails<br />

On The Block<br />

Snap It<br />

Metal Compost<br />



<strong>Static</strong> <strong>Live</strong> Media Group, LLC<br />

927 S. Ridgewood Ave., Suite A5<br />

Edgewater, FL 32132<br />

386-847-2716 www.staticlivemag.com<br />

Sean Impara, Publisher<br />

Billy Chapin, Co-Publisher<br />

Jenny McLain, Editor<br />

Nicole Henry, Graphic Artist<br />

Making great music since 1999<br />


© <strong>2020</strong>, <strong>Static</strong> <strong>Live</strong> Media Group, LLC. All rights<br />

reserved. No part of this publication may be<br />

reproduced or transmitted in any form by any<br />

means electronic, mechanical, photocopying,<br />

recording or otherwise without the prior written<br />

permission of the authors.<br />

For scheduling, Contact Sean at (386) 847-2716

Liljana<br />

Mar ch 2 019<br />

GabrielA<br />

Crystal<br />

Barbara<br />

Kendall<br />

Lynn<br />

Kaylin<br />

April 2019 MAY 2019<br />

June 2019<br />

July 2019<br />

Lexus<br />

August 2019<br />

Oh My Goddess<br />

September 2019<br />

October 2019 November 2019 December 2019<br />

January <strong>2020</strong><br />

February <strong>2020</strong><br />

6<br />

Haley<br />

Jenny T<br />

Lilly Lang<br />

GG<br />

Masha<br />


’60s Hair Wars:<br />

Hippies vs. Sgt. Carter<br />

Remember the 1960s? It<br />

was in all the papers – the<br />

Vietnam War, civil rights<br />

protests, sex, drugs and<br />

rock ’n roll. Those social upheavals<br />

made it seem Atlas had farted while<br />

he was holding up the earth.<br />

But the Molotov cocktail that firebombed<br />

more American households<br />

than those volatile, history-changing<br />

events was . . . guys’ hair! We males<br />

of the younger generation suddenly<br />

wanted to grow more of it. Our elders<br />

wanted to keep us looking like the<br />

flat-topped drill sergeant on the TV<br />

show “Gomer Pyle.”<br />

Looking back today, observers<br />

of this culture war might think we<br />

adolescent males in the ’60s were<br />

pushing to grow marijuana on top of<br />

our skulls.<br />

As we boys lobbied our parents to<br />

postpone a trip to the barbershop,<br />

we would play the J.C. card: “But<br />

Jesus had long hair!” However, those<br />

paintings of Jesus with hair down to<br />

his ass didn’t prevent a trip to the<br />

barber for me and my two brothers.<br />

My dad – smart guy! – knew the<br />

true reason we wanted hair down<br />

to our ass, and it wasn’t because<br />

we wanted to emulate the son<br />

of God. Rather, we wanted to be<br />

like someone bigger<br />

than Jesus Christ – the<br />

Beatles! But the Fab Four<br />

didn’t win the Hair Wars<br />

for our side. It was the<br />

8<br />

Cowsills, that mom-and-apple-pie<br />

family pop group, who struck the coup<br />

de grace.<br />

By the time the Beatles released<br />

the scandalous “Rubber Soul” in<br />

December 1965, in which the four<br />

mop-tops had hair that barely covered<br />

their ears, most of us white lads<br />

across America were allowed to have<br />

hair that looked like the Beach Boys<br />

on their “Surfer Girl” album – moppish<br />

but with ears fully exposed. That was<br />

the line of demarcation in the Hair<br />

Wars: If a boy’s hair had grown a<br />

quarter-inch over the top of his ears,<br />

he would be sent home with a note<br />

from the principal explaining how this<br />

hippie-freak kid was undermining<br />

American<br />

democracy. End of<br />

story.<br />

As for the black<br />

boys: Sure, Sly<br />

Stone sported an<br />

Afro that was bigger<br />

than the mushroom<br />

cloud of an atomic<br />

bomb. But, given that the black<br />

guys at school had hair that looked<br />

like country singer Charlie Pride, I<br />

assumed they also were losing the<br />

Hair Wars in their homes.<br />

All rock and soul stars were fueling<br />

us young lads with a lust for long<br />

beautiful hair, shining, gleaming,<br />

steaming, flaxen, waxen: The Door’s<br />

Jim Morrison with his lion’s mane.<br />

Led Zep’s Robert Plant with his<br />

even bigger lion’s mane. The Rolling<br />

Stones’ Brian Jones with his hippyfied<br />

medieval pageboy cut.<br />

The Hair Wars were at a stalemate<br />

when the Cowsills, that wholesome<br />

pop group that became the model for<br />

the TV show “The Partridge Family,”<br />

jumped into the fray with their 1969<br />

cover of the title song from the 1968<br />

musical “Hair.”<br />

by Rick de Yampert<br />

“Carl Reiner was creating a TV<br />

special called ‘The Wonderful World<br />

of Pizzazz,’ ” Susan Cowsill told me<br />

before her family group performed at<br />

Hippiefest in Daytona Beach in 2015.<br />

“And Carl, God bless him, thought<br />

it would be pretty darn funny if the<br />

Cowsills did a parody of hippies. So<br />

that video you see of ‘Hair’ with all of<br />

us dressed up, that was part of the<br />

deal. We were in modeling wigs from<br />

China.”<br />

The Cowsills’ record company was<br />

horrified and didn’t want to release<br />

“Hair” as a single. But a Chicago radio<br />

deejay sneaked it onto the air without<br />

revealing who was behind it, “and<br />

-- seriously old school verbiage -- the<br />

switchboard lit up,” Susan Cowsill<br />

said. The song became the Cowsills’<br />

biggest hit.<br />

And – just my theory – “Hair” was the<br />

song that ended the ongoing Hair<br />

Wars in our home. I’m certain my dad<br />

was thinking “If even the Cowsills are<br />

down with this long hair thing . . . .”<br />

So, Dad finally admitted defeat. His<br />

exasperated parting shot to me and<br />

my two brothers was: “Go ahead -- if<br />

you want to have hair down to your<br />

ass, that’s fine with me!”<br />

I fulfilled my dad’s<br />

sarcastic blessing for<br />

many years.<br />

Love ya, Dad.

Behind the Mic: Riggs<br />

95.7 the Hog, Daytona Beach<br />

Hello, friends! Raise a glass<br />

to the 2-year anniversary of <strong>Static</strong><br />

<strong>Live</strong> <strong>Magazine</strong>! It is a major<br />

benchmark by any standard and I am beyond<br />

proud and honored to be a part of the family. There<br />

are “publications” around that mention music and<br />

events around a cluster of ads that you could certainly<br />

use for a placemat or drawer liner. This product you<br />

hold is a magazine, a collection of impassioned works<br />

by industry professionals and fans of all things music<br />

and culture. It looks better from cover to layout and<br />

hell, even the staples are superior to any other. And<br />

it costs you nothing. What a rare and beautiful thing<br />

that is. Here’s to many more years of excellence.<br />

That said, I have now raised the bar much too high<br />

for my planned “26 Best Toilet Experiences” article I<br />

had pieced together. Damn. OK, how about this… a<br />

list of some of the publications that I am, for whatever<br />

reason, no longer a contributor.<br />

INDIFFERENT HOUSEKEEPING - I began writing<br />

for these jokers in college. Yes, it was a great startup<br />

gig for a young writer. But how far can you stretch<br />

concepts like “Best uses for dirty cereal bowls” and<br />

“That’s not a laundry pile, it’s art!”? Best<br />

work I did there was<br />

“Litter box / Mail box; Drive your cat postal!”<br />

10<br />

THREE SHEETS - Another early career gig<br />

that I enjoyed for a few months. This monthly rag was<br />

printed on chamois and LITERALLY could be used<br />

as a rag. The content held tales of drunk reflections<br />

and binge drinking tips. And though it would be<br />

frowned on in these modern times, the content was<br />

a cautionary tale of how to handle your liquor with<br />

dignity, grace, and if needed, a chamois.<br />

PIGS OF LOGAN - This quarterly kept up with some<br />

of Logan, West Virginia’s favorite and most portly<br />

swines. The State Department of Agribusiness<br />

eventually pulled their funding and we were forced<br />

to write for free. Also, no more all-you-can-stand<br />

bacon eating writers meetings. Miss the pork, not the<br />

farmers’ scorn.<br />

BALLS - I accepted a position with this quasimonthly<br />

tabloid under the guises that I was writing<br />

about my favorite sports moments. Turns out that<br />

was NOT what they were looking for. Explains why<br />

the publisher was winking so much. Anyway, I wrote<br />

erotic testicle literature until we got the cease & desist<br />

from the OTHER Balls.<br />

TALK TO THE HAND! - This sassy weekly paper was<br />

a great outlet for those who wished to defiantly state<br />

their dismay with local city ordinances and events. As<br />

Chief Editor, my job entailed spellcheck, punctuation,<br />

obscenity censoring, slander avoidance, and general<br />

upkeep of the trailer we published in. 96% of the<br />

entries began with “Let me say something about this<br />

is that…” and finished “...and you tell that (obscenity<br />

deleted) S.O.B. that I will meet him in the G-damn<br />

parking lot of the Mercantile and settle this like a<br />

couple of grown-ass men!” Not what I bought into for<br />

a year of $65k torment.<br />

BLURRED INSIGHTS - A monthly magazine for those<br />

who can’t quite recall the details of their important<br />

stories. While my creative freedom was hampered,<br />

it’s surprising how long you can keep a job by<br />

massaging the facts.<br />

FROZEN FOUNDATIONS - I took a job in Kenosha,<br />

Wisconsin in the early 90’s writing for this journal. It<br />

required me to craft captions under photos of snow<br />

covered buildings, snowy landscapes, snowed on<br />

athletic equipment, animals in snow, and really snow<br />

anything they took a photo of. The photographer was<br />

a dictator and insisted that each of his picture subjects<br />

held a “voice” that we needed to amplify with words.<br />

Cheeseheads were wildly entertained by my series of<br />

stories from “Rusty the Blatz Keg”. Idiots.<br />

CLASSIC CITY SOUNDS - This bi-weekly published<br />

what I thought were concert reviews from area clubs<br />

and venues. Turned out that it was just angry rants<br />

from old townsfolk about the noise of the buses, dog<br />

food plant, traffic and “that long-hair that plays his<br />

guitar-fiddle on the corner of the drug store”. I quit via<br />

fax.<br />

THE OVERACHIEVER - This taunting periodical<br />

compiled stories of success from wealthy business<br />

owners and their advice to what they referred to as<br />

“the lazy filth” that populated the city’s bars. If you<br />

bought an annual subscription, you got a free ascot<br />

and monocle on a string of platinum silk. If you<br />

didn’t, they’d buy the house next to yours and play<br />

badminton in the front yard until you moved to a new<br />

town.<br />

SQUIRREL FANCY - A regrettable chapter in my<br />

writing career, this monthly magazine was, as the<br />

masthead read, “All About The NUTS!”. People would<br />

buy it, cut the word “NUTS” out, then drop the rest in<br />

the toilet at the store. Some of my best work was in<br />

features like “How to treat gushing bite wounds” and<br />

“You’ll never believe where I found a pecan!”. These<br />

tree rats hate being dressed up in doll clothes for the<br />

covers as well, so they would shred most of the issues<br />

in spiteful vengeance.<br />

HUMAN RESOURCES - Writing for this scandal<br />

sheet was a breeze because I would basically rip on<br />

co-workers and their annoying idiosyncrasies. Weekly<br />

features included “Kathy’s Kackles”, “Nice Attitude,<br />

Denise!”, “Back Room Rumors” and my favorite “Co-<br />

Ed Restroom Fails”. I was told that my “aggressive<br />

use of the term ‘shitass’ and mismanagement of the<br />

lunch HOUR” were the reasons for my dismissal.<br />

Whatevs.<br />

WHISKEY DIARIES - This weekly pamphlet featured<br />

some of my favorite drinks. But there was never<br />

room for the text due to what they told me was<br />

“malfunctioning photo formatting software”. I took that<br />

to mean they hated me so I left a lotta cat poop in the<br />

ceiling tiles. Sniff up, bitches!<br />

I also lost gigs at….<br />















Ahhhhhhh…. Well there ya go. A brief trip down my<br />

writing career memory lane. If you find any issues<br />

of the above works, grab ‘em ‘cuz those beasts are<br />

worth a good chunk on the internet market.<br />

I’ll sign the first 10 you send to <strong>Static</strong> <strong>Live</strong> to<br />

drive down the value!<br />


February 1st marked the<br />

return of the Orlando Guitar<br />

Expo to the Central Florida<br />

Fairgrounds. This was the 33rd<br />

year of the two-day event show,<br />

which is presented by promoter Morty<br />

Beckman. It also kicked off the guitar<br />

show season for the year. Hundreds of<br />

dealers from all over the world packed the hall<br />

with thousands of guitars to buy, sell, and trade.<br />

The show is always crowded and packed with tons<br />

of people, But this year, Saturday was extremely busy.<br />

Over the past few years vintage guitars have been on<br />

the decline at the shows, but this show was different.<br />

Many vintage guitars were bought and sold; most of<br />

them were bought by other dealers taking them to<br />

other states.<br />

The vintage market still remains soft, though, and<br />

new vintage reissues still out-sell the real thing. But<br />

this brought hope that the market may be making a<br />

comeback and, with that, the shows will get bigger<br />

and better. So, you may ask, what guitars are showing<br />

signs of a comeback? Well, ‘50s and ‘60s Fender<br />

Telecasters, ‘50s Gibson Les Pauls and ‘60s Mosrite<br />

Ventures models and have shown a slight uptick in<br />

value. There are others, but the best way<br />

to find out what they are really worth is to<br />

12<br />

either take them to a local<br />

used and vintage dealer or<br />

to a show.<br />

Upcoming shows in <strong>March</strong> are the<br />

By<br />

North Carolina show in the awesome<br />

Randy music town of Asheville on <strong>March</strong>14th<br />

Pepper and 15th and then two weeks later at the<br />

Nashville, Tennessee show. Other upcoming<br />

notable shows are the Atlanta Guitar Show June<br />

13th and 14th and the biggest show of the year, the<br />

Dallas International Guitar Festival, May 1st and 2nd.<br />

The Dallas show also features concerts and meetand-greets.<br />

This year features Eric Johnson, Andy<br />

Timmons, Phil X and Eric Gales, among others. This<br />

show is presented by guitar maker and dealer Jimmy<br />

Wallace and is considered the premier event of the<br />

year. If you have to pick just one show, this is the<br />

one to go to. So get out there and check all the cool<br />

guitars awaiting new owners and look for me as I try<br />

to buy, sell and trade at most of these shows.<br />

Randy Pepper is a Freelance Guitarist for hire and<br />

the owner of the Guitar Attic in Holly Hill.

Musical Innuendos<br />

By Samantha Tribble<br />

Hi <strong>Static</strong> <strong>Live</strong> readers. My name is<br />

Samantha and I am beyond excited<br />

to share my weird and innuendofilled<br />

articles with you. I’m schooled<br />

in law and insurance with a passion<br />

for cats and photography. With a bit,<br />

more than a pinch of raunchiness<br />

and an overload of eccentric<br />

music this should be nothing short<br />

of a wild ride. Now for my first<br />

installment of Musical Innuendos.<br />

I don’t know about you but my<br />

pussy is pretty picky. Especially<br />

when it comes to music. Its tastes<br />

are eclectic and often off the beaten<br />

path. Some nights it wants slow<br />

and patient music; other nights it<br />

wants heavy pounding beats. My<br />

kitty is always looking for something<br />

to satisfy its appetite, always<br />

begging for wet food. Whenever<br />

my cat starts whining to be fed I am<br />

reminded of the song ‘Food and<br />

Pussy’ by Dan Reeder, “it’s just the<br />

way God made me”.<br />

Even the most basic cats<br />

need the mood to be<br />

set. Ya know, candles,<br />

hot wax (maybe not…),<br />

and music that makes<br />

14<br />

you tingly all over. Music may be<br />

one of the most crucial details<br />

in any situation. It can make my<br />

cat lean in for more or pull away<br />

quickly as though you’ve offended<br />

its ancestors. Any song by Luther<br />

Vandross will bring your kitty closer<br />

but The Cure’s ‘The Love Cats’<br />

could make it think you’re about to<br />

stuff it in a bag and drown it *wink*.<br />

Besides romance or fear, music<br />

can bring out a plethora of other<br />

emotions. It can make you feel<br />

things deeper than you thought<br />

physically possible. Some music<br />

can make your kitty purr, some<br />

music can make your pussy pump,<br />

some jams can make your cat jump<br />

out of its jammies. Some music puts<br />

my pudenda to sleep, like ‘The Lion<br />

Sleeps Tonight’ - and other songs<br />

- gives it quite the temperature<br />

boost, like ‘Cat Scratch Fever,’ “you<br />

know you got it when you’re going<br />

insane”, insane in the membrane.<br />

Elvis Costello even wrote a song<br />

about the most worshipped creature<br />

on earth; ‘Pads Paws Claws.’ It’s<br />

all “pads, paws, pads, paws, and<br />

claws”; which for some, isn’t exactly<br />

a turnoff. But when you don’t feel<br />

that rough tactics will do and your<br />

furry friend is feeling lazy, turn on<br />

and turn up ‘Nashville Cats,’ by The<br />

Lovin’ Spoonful. When it seems like<br />

all your sloth-like, mooching friend<br />

wants to do is be easy breezy and<br />

just lay there this song will help send<br />

them sky high.<br />

But then you have the cats who<br />

roam the streets always in search<br />

of strange. You wouldn’t want their<br />

answer to, “What’s New Pussycat?”.<br />

It would take too long for them to tell<br />

you who all they’ve been powdering<br />

their nose for. This is the kind of cat<br />

Jack Off Jill might say is a “pussy<br />

superstar”. It’s just best to avoid the<br />

skeeze and mellow on over to Les<br />

Big Byrd’s album They Worshipped<br />

Cats. This line-up will have you<br />

feeling relaxed and lost in space in<br />

no time.<br />

Now take some<br />

time to worship your<br />

sweet kitty and head<br />

back next month to<br />

see what weird thing<br />

I write about next.



APRIL 2019<br />


MAY 2019<br />

KEM McNAIR<br />

JUNE 2019<br />


JULY 2019<br />


AUGUST 2019<br />

16<br />




SEPTEMBER 2019<br />


OCTOBER 2019<br />


NOVEMBER 2019<br />


DECEMBER 2019<br />


FEBRUARY <strong>2020</strong><br />

18<br />


MARCH<br />


<strong>2020</strong><br />

Sunday, <strong>March</strong> 1<br />

Crow’s Nest - Jason “Gote” Vandemaat<br />

1pm<br />

Yellow Dog Eats - Bret Messer 1pm<br />

Chase’s - Reed Foley 12pm<br />

Crabby’s Oceanside - Savannah Savino<br />

12pm<br />

Outriggers - Rhonda Blair 2pm<br />

Traders - Potlikkers 2pm<br />

Flagler Tavern - The Evening Muze 5pm<br />

Bounty Bar - Thom Blasberg 7pm<br />

Flagler Tavern - Bradford Buckley 9pm<br />

Monday, <strong>March</strong> 2<br />

Grind/Kona - Jimmy Z 6pm<br />

Bounty Bar - Jonny Odis 7pm<br />

Tuesday, <strong>March</strong> 3<br />

Grind/Kona - The Transfers 6pm<br />

Bounty Bar - Jeff Risinger 7pm<br />

Wednesday, <strong>March</strong> 4<br />

Outriggers - Laree App 5pm<br />

31 Supper Club - Mike Quick Band 6pm<br />

Grind/Kona - Faith Hannon 6pm<br />

Bounty Bar - Brent Clowers 7pm<br />

Traders - Aaron Lightnin’ 7pm<br />

Thursday, <strong>March</strong> 5<br />

Flagler Tavern - The Cyclones 5pm<br />

Outriggers - Corey Shenk 5pm<br />

31 Supper Club - Warren Beck 6pm<br />

Yellow Dog Eats - The Transfers 6pm<br />

Bounty Bar - Jay Paski 7pm<br />

Grind/Kona - The Click 7:30pm<br />

Traders - TBD 8pm<br />

Flagler Tavern - Reed Foley 9pm<br />

Friday, <strong>March</strong> 6<br />

Oceanside - Reed Foley 11am<br />

Crabby’s Oceanside - Danny Dread<br />

4pm<br />

Crow’s Nest - Black Velvet 6pm<br />

NSB Brewing - Faith Hannon 6pm<br />

Outriggers - The Vibe 6pm<br />

Traders - Love Bomb 6pm<br />

Yellow Dog Eats - Beartoe 6pm<br />

31 Supper Club - The High Steppers<br />

7pm<br />

Bounty Bar - Tony Cuchetti 7pm<br />

Grind/Kona - Trees of Life 7pm<br />

Traders - Most Wanted 9pm<br />

Saturday, <strong>March</strong> 7<br />

Crow’s Nest - Tony Cuchetti<br />

1pm<br />

Tortugas - Cat 4 Duo 1pm<br />

Oceanside - Billy Dean &<br />

Warren Beck 11am<br />

20<br />

Bounty Bar - Thomas Jones 12pm<br />

Chase’s - Sean Holcomb 12pm<br />

Crabby’s Oceanside - Shaker Jones<br />

12pm<br />

Chase’s - Tony Cuchetti 5pm<br />

Crabby’s Oceanside - Marty McCarrick<br />

5pm<br />

Flagler Tavern - Rhonda Blair 5pm<br />

Crow’s Nest - TBD 6pm<br />

NSB Brewing - Just Us 6pm<br />

Outriggers - Jeff Risinger 6pm<br />

Tortugas - The Cyclones 6pm<br />

Traders - The Vibe 6pm<br />

Yellow Dog Eats - Travis Rudd 6pm<br />

31 Supper Club - Beartoe 7pm<br />

Bounty Bar - Music Matt 7pm<br />

Grind/Kona - Cory Worsley 7pm<br />

Traders - Most Wanted 9pm<br />

Sunday, <strong>March</strong> 8<br />

Crow’s Nest - Trees of Life 1pm<br />

Tortugas - Mark Moore 1pm<br />

Yellow Dog Eats - James Wise 1pm<br />

Oceanside - The Vibe 11am<br />

Chase’s - Sean Holcomb 12pm<br />

Crabby’s Oceanside - The Cyclones<br />

12pm<br />

Outriggers - Mud Rooster 2pm<br />

Traders - Psycoustic 2pm<br />

Flagler Tavern - Jay Paski 5pm<br />

Tortugas - Kurt McClendon 5pm<br />

Bounty Bar - The Evening Muze 7pm<br />

Flagler Tavern - Austin Miller 9pm<br />

Monday, <strong>March</strong> 9<br />

Tortugas - Heather Craig 1pm<br />

Crabby’s Oceanside - Jeff Allen 4pm<br />

Grind/Kona - Travis Rudd 6pm<br />

Bounty Bar - David Dequasie 7pm<br />

Tuesday, <strong>March</strong> 10<br />

Tortugas - Jason Longoria 1pm<br />

Crabby’s Oceanside - Jay Paski 4pm<br />

Grind/Kona - The Evening Muze 6pm<br />

Bounty Bar - Dustin Stock 7pm<br />

Traders - The Cyclones 8pm<br />

Wednesday, <strong>March</strong> 11<br />

Tortugas - Cole Hall 1pm<br />

Chase’s - Sean Holcomb 3pm<br />

Crabby’s Oceanside - Travis Rudd 4pm<br />

Outriggers - Laree App 5pm<br />

31 Supper Club - Beartoe 6pm<br />

Grind/Kona - Mark Moore 6pm<br />

Bounty Bar - Brent Clowers 7pm<br />

Traders - Marty McCarrick 7pm<br />

Thursday, <strong>March</strong> 12<br />

Tortugas - Travis Rudd 1pm<br />

Chase’s - Jay Paski 3pm<br />

Crabby’s Oceanside - Joe Payne 4pm<br />

Outriggers - The Cyclones 5pm<br />

Tortugas - Nate Utley 5pm<br />

31 Supper Club - The Transfers 6pm<br />

Yellow Dog Eats - Claire Vandiver 6pm<br />

Bounty Bar - Faith Hannon 7pm<br />

Grind/Kona - Davis 7:30pm<br />

Traders - Mark Moore 8pm<br />

Flagler Tavern - Reed Foley 9pm<br />

Friday, <strong>March</strong> 13<br />

Tortugas - Joe Payne 1pm<br />

Oceanside - Dave Alexander 11am<br />

Chase’s - Travis Rudd 4pm<br />

Crabby’s Oceanside - Jimmy Z 4pm<br />

Crow’s Nest - Bret Messer 6pm<br />

NSB Brewing - Jay Paski 6pm<br />

Outriggers - Off the Road 6pm<br />

Traders - Acoustic Inferno 6pm<br />

Yellow Dog Eats - Adam & Farley 6pm<br />

31 Supper Club - Brent Clowers 7pm<br />

Bounty Bar - Warren Beck 7pm<br />

Grind/Kona - The Cyclones 7pm<br />

Traders - Pop Culture Poets 9pm<br />

Saturday, <strong>March</strong> 14<br />

Crow’s Nest - Gina Cuchetti 1pm<br />

Tortugas - Marty McCarrick 1pm<br />

Oceanside - Rhonda Blaire<br />

Bounty Bar - Thomas Jones 12pm<br />

Chase’s - Sean Holcomb 12pm<br />

Crabby’s Oceanside - The Evening<br />

Muze 12pm<br />

Chase’s - Joe Payne 5pm<br />

Crabby’s Oceanside - Trees of Life 5pm<br />

Tortugas - Davis 5pm<br />

Crow’s Nest - Mud Rooster 6pm<br />

NSB Brewing - Eddy Davis 6pm<br />

Outriggers - The Big Beat 6pm<br />

Traders - Etc 6pm<br />

Yellow Dog Eats - Jim Lord 6pm<br />

31 Supper Club - Billy Dean & Warren<br />

Beck 7pm<br />

Bounty Bar - Seth Pause 7pm<br />

Grind/Kona - Bradford Buckley 7pm<br />

Traders - Pop Culture Poets 9pm<br />

Sunday, <strong>March</strong> 15<br />

Crow’s Nest - Travis Rudd 1pm<br />

Tortugas - Trainwreck Orlando 1pm<br />

Yellow Dog Eats - Hannah Wilson 1pm<br />

Oceanside - Marty McCarrick 11am<br />

Chase’s - Sean Holcomb 12pm<br />

Crabby’s Oceanside - Warren Beck<br />

12pm<br />

Outriggers - Mark Moore 2pm<br />

Traders - The Transfers 2pm<br />

Flagler Tavern - Chuck Morel 5pm<br />

Bounty Bar - Brody Mullikin 7pm<br />

Monday, <strong>March</strong> 16<br />

Grind/Kona - Savannah Savino 6pm<br />

Bounty Bar - Chuck Morel 7pm<br />

Traders - Jimmy Z 8pm<br />

Tuesday, <strong>March</strong> 17<br />

Tortugas - Cat 4 Trio 1pm<br />

Tortugas - DJ Nostalgia 9pm<br />

Traders - Just Us 2pm<br />

Grind/Kona - Brent Clowers 6pm<br />

Bounty Bar - Jeff Risinger 7pm<br />

Traders - Joe Payne 8pm<br />

Wednesday, <strong>March</strong> 18<br />

Outriggers - Laree App 5pm<br />

31 Supper Club - Cesar Frasier 6pm<br />

Grind/Kona - Chuck Morel 6pm<br />

Bounty Bar - Davey Leatherwood 7pm<br />

Traders - Warren Beck 8pm<br />

Thursday, <strong>March</strong> 19<br />

Flagler Tavern - Etc 5pm<br />

Outriggers - Corey Shenk 5pm<br />

31 Supper Club - Comedy Night<br />

Yellow Dog Eats - Marty McCarrick 6pm<br />

Bounty Bar - Matt Burke 7pm<br />

Grind/Kona - Trainwreck Orlando<br />

7:30pm<br />

Traders - Eddy Davis 8pm<br />

Flagler Tavern - Reed Foley 9pm<br />

Friday, <strong>March</strong> 20<br />

Chase’s - Marty McCarrick 4pm<br />

Crabby’s Oceanside - Adam Floyd 4pm<br />

Crow’s Nest - Mark Moore 6pm<br />

NSB Brewing - Sam Seas 6pm<br />

Outriggers - Matt Burke 6pm<br />

Traders - Ashley & Sal 6pm<br />

Yellow Dog Eats - Brent Clowers 6pm<br />

31 Supper Club - The Evening Muze<br />

7pm<br />

Bounty Bar - Jay Paski 7pm<br />

Grind/Kona - Relief 7pm<br />

Traders - Mike Quick Band 9pm<br />

Saturday, <strong>March</strong> 21<br />

Crow’s Nest - Marty McCarrick 1pm<br />

Bounty Bar - The Transfers 12pm<br />

Crabby’s Oceanside - Nate Utley 12pm<br />

Crabby’s Oceanside - Rhonda Blair<br />

5pm<br />

Crow’s Nest - Joe Santana 6pm<br />

NSB Brewing - The Evening Muze 6pm<br />

Outriggers - Smokin’ Torpedoes 6pm<br />

Tortugas - Cain 6pm<br />

Traders - Randy Williams 6pm<br />

Yellow Dog Eats - Gina Cuchetti 6pm<br />

31 Supper Club - Dana Kamide Band<br />

7pm<br />

Bounty Bar - Thom Blasberg 7pm<br />

Grind/Kona - Coyotes & Towndogs 7pm<br />

Traders - Rock Candy 9pm<br />

Sunday, <strong>March</strong> 22<br />

Crow’s Nest - Adam & Farley 1pm<br />

Yellow Dog Eats - Nate Utley 1pm<br />

Chase’s - Reed Foley 12pm<br />

Crabby’s Oceanside - Savannah Savino<br />

12pm<br />

Outriggers - Warren Beck 2pm<br />

Traders - Joe Payne 2pm<br />

Flagler Tavern - Tony Cuchettii 5pm<br />

Bounty Bar - The Evening Muze 7pm<br />

Flagler Tavern - Aaron Lightnin’ 9pm<br />

Monday, <strong>March</strong> 23<br />

Grind/Kona - Jay Paski 6pm<br />

Bounty Bar - Chuck Morel 7pm<br />

Tuesday, <strong>March</strong> 24<br />

Grind/Kona - Rhonda Blair Duo 6pm<br />

Bounty Bar - TBD 7pm<br />

Wednesday, <strong>March</strong> 25<br />

Outriggers - Laree App 5pm<br />

31 Supper Club - Beartoe 6pm<br />

Grind/Kona - Warren Beck 6pm<br />

Bounty Bar - Dustin Stock 7pm<br />

Traders - Bradford Buckley 8pm<br />

Thursday, <strong>March</strong> 26<br />

Flagler Tavern - Etc 5pm<br />

Outriggers - The Cyclones 5pm<br />

31 Supper Club - Ricky Silvia 6pm<br />

Yellow Dog Eats - Jimmy Z 6pm<br />

Bounty Bar - Music Matt 7pm<br />

Grind/Kona - Bradford Buckley Band<br />

7:30pm<br />

Flagler Tavern - Reed Foley 9pm<br />

Friday, <strong>March</strong> 27<br />

Crabby’s Oceanside - Danny Dread<br />

4pm<br />

Crow’s Nest - The Vibe 6pm<br />

NSB Brewing - Jason Longoria 6pm<br />

Outriggers - Pot Likkers 6pm<br />

Traders - TBD 6pm<br />

Yellow Dog Eats - Austin Miller 6pm<br />

31 Supper Club - TBD<br />

Bounty Bar - Warren Beck 7pm<br />

Grind/Kona - Joe Santana 7pm<br />

Traders - Boomers 9pm<br />

Saturday, <strong>March</strong> 28<br />

Crow’s Nest - Jeff Jarrett 1pm<br />

Bounty Bar - TBD 7pm<br />

Chase’s - Sean Holcomb 12pm<br />

Crabby’s Oceanside - Relief 12pm<br />

Traders - Joe Payne 2pm<br />

Chase’s - Bobby James 5pm<br />

Crabby’s Oceanside - The Transfers<br />

5pm<br />

Crow’s Nest - Trainwreck Orlando 6pm<br />

NSB Brewing - Warren Beck 6pm<br />

Outriggers - The Evening Muze 6pm<br />

Tortugas - Coyotes & Towndogs 6pm<br />

Yellow Dog Eats - The Big Beat 6pm<br />

Traders - Etc 6:30pm<br />

31 Supper Club - Dana Kamide Band<br />

7pm<br />

Bounty Bar - Shawn Kelley 7pm<br />

Grind/Kona - TBD<br />

Traders - Boomers 9pm<br />

Sunday, <strong>March</strong> 29<br />

Crow’s Nest - Bradford Buckley 1pm<br />

Yellow Dog Eats - The Cyclones 1pm<br />

Chase’s - Sean Holcomb 12pm<br />

Crabby’s Oceanside - Claire Vandiver<br />

12pm<br />

Outriggers - Mike Quick 2pm<br />

Traders - Black Velvet 2pm<br />

Flagler Tavern - Jay Paski 5pm<br />

Bounty Bar - TBD 7pm<br />

Monday, <strong>March</strong> 30<br />

Grind/Kona - Jason Longoria 6pm<br />

Bounty Bar - David Dequasie 7pm<br />

Tuesday, <strong>March</strong> 31<br />

Grind/Kona - Heather Craig 6pm<br />

Bounty Bar - Jeff Whitfield 7pm<br />

www.<strong>Static</strong>livemag.com<br />



Unsung Hero of the<br />

Early San Francisco Rock<br />

Around 1972, with Mistress on the brink of financial<br />

suffocation, Greg began to play gigs with Terry Dolan<br />

of Terry and the Pirates. “I guess you could call me<br />

one of the pirates— Arggh Arggh,” says Greg. With<br />

John Cipollina on lead and Dolan carrying most of the<br />

vocal work, Greg handled the rest of the guitar work,<br />

including slide, bass, fills and rhythm, as well as a<br />

revolving door rhythm section.<br />

By Hank Harrison<br />

Greg Douglass first picked up a guitar when he was<br />

6 years old. During his high school years in Walnut<br />

Creek, California Greg played a lot of Beatles and<br />

Stones; until he heard the hard strains of the highdecibel<br />

bands that began to emerge in the mid- to<br />

late-’60s.<br />

During the Summer of Love (1967) Greg formed<br />

and soon ran away to the big city with the Virtues,<br />

his first band; he moved back home long enough<br />

to get married and have a kid. Over the next year<br />

or two, the Virtues grew into a full-fledged band.<br />

Renamed Country Weather, the four-piece group<br />

of acid-rockers managed to make it onto a few<br />

Fillmore posters. Country Weather grew stormy in<br />

1969 after playing numerous gigs at both Fillmore<br />

West and East, and the Avalon in its heyday. They<br />

filled in gigs at every bar and dance hall in Northern<br />

California. Greg was 18 at the time and itching for<br />

a bigger challenge, but Country Weather was in<br />

the process of whimpering its way into the Fog City<br />

night and Greg wasn’t about to quit music. To keep<br />

the ‘60s energy flowing into the ’70s, Greg formed<br />

a power trio called Mistress. Mistress played a lot<br />

of gigs, experimented with musical forms<br />

and even recorded an unreleased album.<br />

In fact, Mistress did everything but make<br />

money.<br />

22<br />

Greg moved to Marin in 1973 to work with Cipollina<br />

and a few other bands, and to do studio work with<br />

Van Morrison during Morrison’s rebuilding period. This<br />

took him on the road with Morrison for a year until<br />

Van fired the whole band en masse. The band stayed<br />

together, however, and called themselves Sound<br />

Hole. They eventually found themselves a singer—<br />

one Huey Lewis. Sound Hole became The News and<br />

the rest is music history, but Greg continued to evolve.<br />

In 1974, he went inward, primarily to woodshed. In<br />

that Sausalito period he wrote at least fifteen songs -<br />

all brilliant - but for bread and kicks he went out on the<br />

road with Hot Tuna, including Jack Casady and Jorma<br />

Kaukonen. The Hot Tuna vapor lasted almost a year,<br />

during which Jorma and Greg got along famously and<br />

developed lots of double lead licks on Jorma’s favorite<br />

song, “Keep Your Lamps Trimmed and Burning,”<br />

backed by drummer Bob Steeler.<br />

1975 saw another hiatus. This time Greg traveled<br />

back to Mill Valley and with John Cipollina’s Raven<br />

and appeared on the 1980 album “Raven”. They<br />

jammed all over, starting at the Strawberry Inn, Inn<br />

of the Beginning and The Saloon in North Beach.<br />

This combo sometimes played with Terry Dolan and<br />

sometimes with Nick Gravenites; occasionally with<br />

Peter Albin sitting in on bass.<br />

Greg continued to get better at his art but the stress<br />

of the road and some far too magical flirtations with<br />

drugs caused problems. In spite of the downward<br />


sessions with Steve Douglas (no relation), the<br />

legendary saxophone player and key musician in<br />

Phil Specter’s “Wall of Sound.”<br />

ebb, Greg’s genius showed forth in his tune “Jungle<br />

Love,” which he co-wrote with Lonnie Turner and in<br />

2002 was adopted as the theme song for CBS-TV<br />

sitcom, Everybody Loves Raymond. This brought<br />

him into contact with Steve Miller, who did a charttopping<br />

version of the hit. After that, Greg joined the<br />

Steve Miller Band for both studio and concert tours<br />

and featured on Miller’s tenth studio album, Book<br />

of Dreams. The day Greg signed with Steve Miller,<br />

“Keep on Rockin’ Me Baby” went number one on all<br />

the charts while the album went platinum. It was at<br />

this point that Greg wrote “Maelstrom,” a brilliant solo<br />

instrumental.<br />

After Abracadabra, around 1981, Greg recorded with<br />

such greats as Eddie Money, Country Joe McDonald,<br />

Tom Fogerty, Peter Rowan, and Link Wray, touring<br />

with most of them. A 1981 tour through Ireland,<br />

England, France, and Italy with Peter Rowan on<br />

Mandolin and Tex Logan on fiddle ended up with<br />

two of Greg’s tunes featured on an album mixed in<br />

a studio in Rome. A bootleg of this tour recorded at<br />

Slattery’s Pub in Dublin is definitive. His guitar work<br />

on “Refugees” is unbelievable and his melodic, soft<br />

sound comes through on “Raglan Road.”<br />

Upon his return from Europe, Greg did studio gigs and<br />

some touring with Paul Butterfield and Tom Johnston<br />

from the Doobie Brothers.<br />

Greg’s last serious touring gigs were with the Greg<br />

Kihn band, in which Douglass had an equal share.<br />

The first tune he cut with Kihn was “Jeopardy,”<br />

which became a number one international hit. Greg<br />

stayed with Kihn for three albums and four years<br />

(Kihnspiracy, Citizen Kihn, etc.).<br />

Except for a 1989 gig as a salesman for 800 numbers<br />

at AT&T, Greg never stopped rehearsing<br />

and writing. He went on to open for such<br />

artists as Leo Kottke, David Lindley, John<br />

Hammond and Taj Mahal. The biggest<br />

thrills he had at that time were his recording<br />

24<br />

Greg moved to the San Diego area in 1994, where<br />

he remains active as a touring guitarist with such<br />

bands as with Danny Kalb of the Blues Project,<br />

Big Brother and the Holding Company and the<br />

Electric Flag. He is also a studio player and a music<br />

instructor. At 70, he leads his own four-piece group,<br />

The Greg Douglass Band, and continues to play<br />

concerts, clubs and corporate events, spending<br />

about a month each year touring in Europe, primarily<br />

the UK.<br />

Here is a partial listing of albums Greg Douglass has<br />

played on. Information on additional writing credits is<br />

also included.<br />

Solo Albums: 2016 Flight of the Golden Dragon<br />

With The Steve Miller Band: 1977 Book of Dreams<br />

(also co-wrote “Jungle Love”); 1978<br />

Greatest Hits 1974–78.<br />

Douglass also co-wrote two songs: “Something<br />

Special” and “Goodbye Love” on Miller’s 1983<br />

album Abracadabra, as well as “Maelstrom” for his<br />

1986 album, Living in the 20th Century. Additionally,<br />

Douglass’ work with the Steve Miller Band has<br />

been reissued numerous times on greatest hits<br />

compilations.<br />

With the Greg Kihn Band: 1985 Citizen Kihn; 1984<br />

Kihntagious (also co-wrote “Stand Alone” and “One<br />

Thing About Love”); 1983 Kihnspiracy (also co-wrote<br />

“Tear That City Down”); Douglass also co-wrote and<br />

played on “Family Man”, included on Kihn’s 1982<br />

album, Kihntinued.<br />

With Tom Fogerty: 1981 Deal It Out.<br />

With Tom Johnston: 1981 Still Feels Good (also<br />

co-wrote “Wishing”).<br />

With Eddie Money: 1980 Playing for Keeps (also<br />

co-wrote “Trindad”).<br />

With Terry & The Pirates: 1980 The Doubtful<br />

Handshake; 1979 Too Close For Comfort.<br />


OVER 200 BEERS!<br />

<strong>March</strong> 1 Casey Picou<br />

<strong>March</strong> 7 Trainwreck Orlando Duo<br />

<strong>March</strong> 8 TBD<br />

<strong>March</strong> 14 The Vibe<br />

<strong>March</strong> 15 Adam Flyod/Dustin Seymour<br />

<strong>March</strong> 17 Adam Floyd/The Blarney Boys<br />

<strong>March</strong> 21 Dyer Davis<br />

<strong>March</strong> 22 Cody & Kyle<br />

<strong>March</strong> 28 The Vibe<br />

<strong>March</strong> 29 The Pot Likkers<br />

<strong>March</strong> 13: Irish Karaoke<br />

<strong>March</strong> 14: Jessica F. Bagpipes<br />

The Vibe<br />

<strong>March</strong> 15: Danny Lynaugh,<br />

Dustin Seymour<br />

<strong>March</strong> 16: Strumstick<br />

<strong>March</strong> 17: Strumstick<br />

Danny Lynaugh<br />

Celtic Fiddle The Celts<br />

& Blarney Brothers<br />

410 Flagler Ave., New Smyrna Beach, Fl<br />


A Day in a Life of a Gigging Musician<br />

PLENTY of time to prepare for my gigs next<br />

month. At least, that’s what I told myself last<br />

month when there was some time. But NOW<br />

has come as it always does and I’d better get<br />

cracking. Thing is, sometimes it’s hard to get<br />

moving until there is actually a time crunch. A<br />

deadline looming, if you will. Nothing like having<br />

to learn 10 songs in 8 hours to get the juices<br />

flowing. Not that I’m one to complain, more as to<br />

explain how I get the most out of my own habits.<br />

Driving to my Friday concert, I zoom down the<br />

interstate reminding myself not to speed. I need<br />

to stop by the store and get some strings for my<br />

guitars. Electrics for the Gretsch and acoustic<br />

strings for my Yamaha flat-top. I’ll need at least<br />

two sets of each so I’ll have spares. Get ready<br />

to shell out almost forty bucks. Oh well, easy<br />

come easy go. Probably the tips for my Saturday<br />

afternoon coffee house gig will make up for the<br />

expense. Fingers crossed, I arrive at the concert<br />

hall with just enough time to put on a fresh set of<br />

strings.<br />

A musician has enough on their mind with<br />

musical questions. I don’t want to get bogged<br />

down in the mundane world. Insurance,<br />

mortgages, stocks and bonds. What<br />

about food and shelter in this cruel<br />

world? Will I be able to provide for my<br />

26<br />

family, keep a roof over my head and (egad!)<br />

maybe save a little for a rainy day?. Pondering<br />

the instability of a musician’s life only makes me<br />

nervous. Buy a house, live on the cheap, save<br />

when I can. I set my sights long term so I can<br />

focus on the immediate.<br />

What key should I sing the latest pop song in? If<br />

I use the original key, it’s too high for my voice<br />

(and that of the pop artist, but he got help with<br />

electronic studio wizardry}. I could always go<br />

down an octave, which is still technically the<br />

original key but sounds strange. If I go up a fifth<br />

and sing down an octave from there it works<br />

pretty well. Still a bit high for me, but doable. Only<br />

nine more songs to go and the clock keeps on<br />

ticking.<br />

The time for time off is over and I just keep<br />

slogging until my next day off, which is never.<br />

Classical violin concerts, weddings and planning<br />

my summer tour keep me busy 24/7. Singing for<br />

these bands and being a side-man for the other<br />

ones. Practice and rehearsals, planning and<br />

preparation keeps life exciting. Try to make a few<br />

bucks to keep the wolves at bay. When it seems I<br />

have no time and only a few coins to rub together<br />

I remember I’ve got lots of music in my life and<br />

that’s PLENTY.<br />

3/1/<strong>2020</strong> Potlikkers 2pm<br />

3/4/<strong>2020</strong> Aaron Lightnin’ 7pm<br />

3/5/<strong>2020</strong> TBD 8pm<br />

3/6/<strong>2020</strong> Love Bomb 6pm<br />

3/6/<strong>2020</strong> Most Wanted 9pm<br />

3/7/<strong>2020</strong> The Vibe 6pm<br />

3/7/<strong>2020</strong> Most Wanted 9pm<br />

3/8/<strong>2020</strong> Psycoustic 2pm<br />

3/10/<strong>2020</strong> The Cyclones 8pm<br />

3/11/<strong>2020</strong> Marty McCarrick 7pm<br />

3/12/<strong>2020</strong> Mark Moore 8pm<br />

3/13/<strong>2020</strong> Acoustic Inferno 6pm<br />

3/13/<strong>2020</strong> Pop Culture Poets 9pm<br />

3/14/<strong>2020</strong> Etc 6pm<br />

3/14/<strong>2020</strong> Pop Culture Poets 9pm<br />

3/15/<strong>2020</strong> The Transfers 2pm<br />

3/16/<strong>2020</strong> Jimmy Z 8pm<br />

3/17/<strong>2020</strong> Traders - Just Us 2pm<br />

3/17/<strong>2020</strong> Joe Payne 8pm<br />

3/18/<strong>2020</strong> Warren Beck 8pm<br />

3/19/<strong>2020</strong> Eddy Davis 8pm<br />

3/20/<strong>2020</strong> Ashley & Sal 6pm<br />

3/20/<strong>2020</strong> Mike Quick Band 9pm<br />

3/21/<strong>2020</strong> Randy Williams 6pm<br />

3/21/<strong>2020</strong> Rock Candy 9pm<br />

3/22/<strong>2020</strong> Joe Payne 2pm<br />

3/25/<strong>2020</strong> Bradford Buckley 8pm<br />

3/27/<strong>2020</strong> TBD 6pm<br />

3/27/<strong>2020</strong> Boomers 9pm<br />

3/28/<strong>2020</strong> Joe Payne 2pm<br />

3/28/<strong>2020</strong> Etc 6:30pm<br />

3/28/<strong>2020</strong> Boomers 9pm<br />

3/29/<strong>2020</strong> Black Velvet 2pm<br />

*Music is subject to change<br />









$5 CROWN ROYAL<br />

$1 OFF PINTS<br />






ALL DAY!<br />

ALL<br />

DAY!<br />

8 to 10<br />

8 to 10<br />


“These girls are gonna put a<br />

hurtin’ on this world”. This was the<br />

infamous prediction of Billy Ray<br />

Cyrus to our family band on the<br />

27th of February, 1999. Back then<br />

we opened for him in Daytona<br />

Beach under the name “Littil<br />

Women”, kicking off the first night<br />

of Bike Week that year. We mark<br />

this event as a turning point at the<br />

start of our burgeoning careers.<br />

After a successful run of shows<br />

at previous Bike Week Events,<br />

Biketoberfests, and Seafood<br />

Festivals, our local promoter Tom<br />

Celli handpicked us to be the<br />

opener for Billy Ray. Tom Celli<br />

Productions had given us some<br />

real star powered experiences<br />

locally in the business when<br />

we were first starting out. TCP<br />

hired us in the fall of 1997 and<br />

provided us with our first real,<br />

professionally payed performance<br />

experiences and opportunities<br />

for the next two years straight.<br />

Back in the day, Daytona Beach<br />

Street venue shows were major<br />

events in Volusia County and<br />

Tom was an amazing promoter.<br />

TCP never failed to bring in top<br />

artists, and a good sized crowd of<br />

vendors, bikers and music festival<br />

enthusiasts. It was a dream come<br />

true network to be a part of for<br />

newcomers like ourselves. Celli<br />

and his crew were very good to<br />

us and treated us like the stars<br />

we longed to become. I remember<br />

Tom saying to us often, “Don’t<br />

ever forget...this is how you girls<br />

deserve to be treated. Never settle<br />

for less”.<br />

He always provided the best for<br />

us and our entourage. By 99’ he<br />

had us opening for the likes of<br />

Pam Tillis, Daryl Singletary, Bad<br />

Company, and Little Foot but<br />

we were still surprised when he<br />

asked us to open for Billy Ray. He<br />

believed in us and knew<br />

that the next step on our<br />

mile marker goals was<br />

to make a quality “VHS<br />

28<br />

press video” showcasing our act<br />

so we could send it out with our<br />

“demo tape” to booking agents and<br />

record labels (it was the 1990’s<br />

afterall). On opening night of Bike<br />

Week, Celli had hired us a film<br />

crew and gifted us our very first set<br />

of cordless mics for the occasion<br />

so we could sound professional<br />

and do our choreography without<br />

tripping over mic cords. The night<br />

seemed to fly by in a flash of<br />

bedazzled red dresses, heels, long<br />

hair and black cowboy hats. All<br />

I remember is a feeling of being<br />

totally on auto pilot. Everything fell<br />

into place on stage as if we’d been<br />

doing it our whole lives.<br />

By Candice Beu<br />

I know now that we didn’t just get<br />

lucky that night though. That kind<br />

of stage-magic isn’t accidental. It’s<br />

actually the result of putting in tons<br />

of work. My Mom, sisters and I had<br />

been perfecting our performance<br />

techniques as if it were our full<br />

time job. We rehearsed together<br />

every day in the living room and<br />

backyard, for hours on end. We<br />

drove an hour and a half every<br />

weekend to take vocal lessons<br />

with Linda Ronstadt’s vocal coach,<br />

Manny Lujan. Each month, each<br />

week, each day we set new goals<br />

for our group and visualized the<br />

outcome of our labors together.<br />

By the time we got in front of an<br />

audience we were more than<br />

ready to rock it. By the finale of<br />

our set we had totally won over<br />

Billy Ray’s audience! We ended<br />

the show with the reveal of our<br />

6 year old baby sister Gabrielle<br />

(our mascot) who came out from<br />

behind us to sing the last verse<br />

of the last song to thunderous<br />

applause. I still marvel at how my<br />

baby sisters held it together so<br />

well under all the pressure and hit<br />

every one of their marks on such<br />

an important night. We came down<br />

those backstage steps completely<br />

out of breath, with hearts on fire<br />

inside, smothering the little ones<br />

in kisses and squeezing each<br />

other tightly as we congratulated<br />

ourselves. Tom Celli quickly led us<br />

towards a very impressed and very<br />

energetic Billy Ray, who was about<br />

to go on next. He made a little joke<br />

to us as he introduced himself,<br />

saying, “I thought I heard some<br />

angels out there...now how am I<br />

supposed to follow that?” Even<br />

though the crowd was chanting his<br />

name, he still took the time to give<br />

us encouraging words.<br />

He may have been a larger than<br />

life personality but he had the<br />

air of a real down to earth family<br />

man. I spied a blonde Momshell<br />

with a toddler on her hip peeking<br />

out the front windows of his plush<br />

tour bus. Billy Ray waved to them<br />

and told us he was here with his<br />

beautiful wife Tish and his small<br />

children who always traveled with<br />

him (Miley was only a year older<br />

than Gabrielle at the time). The<br />

film crew for our show took the<br />

opportunity to snap a few pictures<br />

and (with his approval) shot our<br />

interaction with the celebrity. Even<br />

in the midst of all the pre-show<br />

chaos, Mr. Cyrus so kindly obliged<br />

our team with a touch of his star<br />

power and even went the extra<br />

mile to give our promo video his<br />

seal of approval, telling the camera<br />

in his most endearing southern<br />

drawl “this here’s the future right<br />

here! These girls are gonna put<br />

a hurtin’ on this world”. This<br />

moment has become a cherished<br />

memory from our early days. It<br />

still makes us smile. Just having<br />

had that interaction in real time<br />

and capturing it on film is truly<br />

one of the best things ever. We<br />

were never big “achy breaky” fans<br />

but we were suddenly star struck<br />

in his presence. He was such a<br />

kind soul who took time to bless<br />

us. His words have since become<br />

a recurring catch phrase for us<br />

during the course of our career.<br />

“Well, Billy Ray did say we were<br />

gonna put a hurtin’ on this world<br />

(wink-wink)”. This little phrase even<br />

got spliced right into our press kit,<br />

knowing it couldn’t hurt to have his<br />

endorsement. And it didn’t.<br />

The video we made that night<br />

was eventually mailed to over 100<br />

people during the next year as<br />

we tried to garner interest in our<br />

Mother-Daughter act. It wasn’t until<br />

we were low on resources, low on<br />

hope and down to one of our very<br />

last tapes that the right connection<br />

clicked into place for us. Our<br />

packet finally got into the hands of<br />

an agent at William Morris Agency,<br />

who got it to famed song writer<br />

Desmond Child, who showed<br />

our tape to Steve Greenberg of<br />

Hanson, Baha Men (and eventual<br />

Jonas Brothers) fame ...and the<br />

rest is Beu Sister history. This<br />

chain of events that (in less than<br />

3 years’ time) brought us to the<br />

signing of our first record deal with<br />

S-Curve Records all began with a<br />

little locally made VHS tape of our<br />

Daytona Beach Bike Week show<br />

and Billy Ray Cyrus’ foretelling of<br />

our family’s future successes.<br />

Many years later, while playing<br />

Radio Disney gigs all over the<br />

country with our songs from<br />

Disney’s “Home on the Range”<br />

and “The Lizzie McGuire Movie”,<br />

we started being asked by our fans<br />

if we knew any Hannah Montana<br />

songs. I remember being like<br />

“who IS this Hannah Montana that<br />

everyone is suddenly SO into?...<br />

I didn’t know. I was nearing 30 at<br />

the time. To our surprise, Hannah<br />

turned out to be Miley Cyrus, Billy<br />

Ray’s “smiley” little kiddo who was<br />

hiding in a tour bus backstage at<br />

our turning point gig so very long<br />

ago!<br />

Life is funny that way. You never<br />

know how experiences will<br />

intersect or whose paths you<br />

might cross at any given time.<br />

In fact, Billy Chapin (one of the<br />

owners of <strong>Static</strong> <strong>Live</strong> <strong>Magazine</strong>)<br />

was the producer of our very first<br />

4 song demo tapes! <strong>Year</strong>s later<br />

we worked together on a song for<br />

a feature film called “Because of<br />

Winn Dixie”. Nowadays, I get to<br />

be part of this venture with him.<br />

Music careers can often come full<br />

circle over time, and have some<br />

surprising twists, turns, and crazy<br />

coincidences. I count on these<br />

moments of synchronicity showing<br />

up in my world and revealing the<br />

deeper connections and meanings<br />

of life to me. I absolutely cherish<br />

them. It has made my precious<br />

time here on earth and my musical<br />

journey such a Beu-tiful ride.<br />

My congrats to all at <strong>Static</strong><br />

<strong>Live</strong> for two wonderful years of<br />

collaboration bringing music,<br />

art, writing and wonderful<br />

synchronicities together in this<br />

incredible publication. The light<br />

within me honors the light in all of<br />

you.<br />


Rocktails<br />

with G.W. Smith<br />

3401 S. Atlantic Avenue, New Smyrna Beach, FL 32169 386-423-8787<br />


<strong>March</strong> LIVE Music Schedule:<br />

<strong>March</strong> 1 - Reed Foley 12pm<br />

<strong>March</strong> 7 - Sean Holcomb 12pm<br />

<strong>March</strong> 7 - Tony Cuchetti 5pm<br />

<strong>March</strong> 8 - Sean Holcomb 12pm<br />

<strong>March</strong> 11 - Sean Holcomb 3pm<br />

<strong>March</strong> 12 - Jay Paski 3pm<br />

<strong>March</strong> 13 - Travis Rudd 4pm<br />

<strong>March</strong> 14 - Sean Holcomb 12pm<br />

<strong>March</strong> 14 - Joe Payne 5pm<br />

<strong>March</strong> 15 - Sean Holcomb 12pm<br />

<strong>March</strong> 20 - Marty McCarrick 4pm<br />

<strong>March</strong> 22 - Reed Foley 12pm<br />

<strong>March</strong> 28 - Sean Holcomb 12pm<br />

<strong>March</strong> 28 - Bobby James 5pm<br />

<strong>March</strong> 29 - Sean Holcomb 12pm<br />

Six Questions With . . . . Scotty Sudakis<br />

I sat down with Scotty Sudakis, songwriter and lead<br />

singer for the local band, Five Time Shag. Scotty<br />

was born in Santa Monica, CA and moved to Volusia<br />

County when he was ten years old. Scotty is from a<br />

musical family, which surrounded him with influences<br />

from an early age.<br />

GW: Scotty, what’s going on with Five Time<br />

Shag right now?<br />

Scotty: Probably the most exciting thing is our six<br />

song EP which just came out on January 23rd. We<br />

recorded with Billy Chapin and <strong>Static</strong> <strong>Live</strong> Music. We<br />

are very pleased with the result, and I hope our fans<br />

will be too. It is a distillation of a lot of hard work,<br />

practice, writing and lyrical expression. We are so<br />

proud of it. It is available on all the usual platforms<br />

- Jukebox, Touchtones, Spotify, iTunes and our Five<br />

Time Shag FaceBook page. We are heading up the<br />

Main Street Music Festival on February 8. Five Time<br />

Shag is also booked for gigs in Orlando and around<br />

Volusia County until December of this year so far. Nice<br />

having that ahead of us. Billy Chapin is currently in<br />

talks to book us as an opening act for larger bands and<br />

bigger venues.<br />

GW: What do you do when you’re not out<br />

gigging with the band, any side hustles?<br />

Scotty: Yes! I’ve been working as a bartender at<br />

Peanuts Sports Bar in NSB for five years now. I love<br />

the people and the vibe of Peanuts. It’s great to be a<br />

part of that family and also be able to do some gigs<br />

there with FTS. When time permits, I’ve gotten into<br />

working with some local musician friends to explore<br />

other genres. I also have been writing for <strong>Static</strong> <strong>Live</strong><br />

<strong>Magazine</strong> from time to time. Writing is a nice creative<br />

outlet for me, and I truly enjoy it. I play the piano too,<br />

so that relaxes me.<br />

GW: As an artist, are there any other art forms<br />

that interest you?<br />

Scotty: More than the forms, I am interested in the<br />

processes and mindsets that move other artists to<br />

create. I have much respect for other musicians, as<br />

well as painters, video artists, actors and others. I<br />

look into what they do to make their mind concepts<br />

flow into tangible form. I sometimes look at how they<br />

use their God-given talent to express their feelings and<br />

messages to us. It’s fascinating to me how they do it. I<br />

am also interested in how musicians hone their craft to<br />

improve their style and presentation to their listeners. I<br />

constantly look at my own art as well, hoping to bring<br />

out the best music that is inside me.<br />

GW: What music do you listen to at home?<br />

Scotty: Depends on the mood, I guess. If I want<br />

retrospective, I may listen to Frank Sinatra or Tony<br />

Bennett. That music, while appearing simple, is very<br />

layered and complex. If I just want driving lyric, it’s<br />

Anderson Paak. Also, NPR has a series called Tiny<br />

Desk that is excellent. If I’m a bit sad, Elliot Smith or<br />

any emo music is helpful. It’s so stripped down and<br />

raw that it helps me deal with my feelings honestly. At<br />

home, I always listen to music that is different than<br />

what FTS does. I like to step back and study the other<br />

forms.<br />

GW: You seem like a chill guy. Is there<br />

anything that bugs you?<br />

Scotty: People fighting and not trying to understand<br />

one another. We are all different and always will be.<br />

So many people judge others by superficial things and<br />

they don’t bother to dig deeper and see what’s inside<br />

the person. But, if we put our differences aside and<br />

focus on our shared views, we can begin to understand<br />

and accept one another as we are. Finding acceptance<br />

is the key to getting along.<br />

GW: What’s the best advice you ever got?<br />

Scotty: My Grandfather, Eugene Alexander Bruce, told<br />

me, “Always show up on time or fifteen minutes early,<br />

do the best you can at whatever job you have, and if<br />

you see something that you desire, go for it. Never<br />

have regrets because you didn’t try.”<br />

GW: Thanks for your time, Scotty.<br />

1 ½ oz. Bacardi White<br />

1 oz Malibu Rum<br />

Pineapple Juice<br />

(Opt. - soda to taste)<br />

Combine all ingredients over ice in a<br />

tall glass and stir<br />



Across<br />

2. “Cheap Thrills” was released in 2016 by which<br />

artist?<br />

5. What is the title of Justin Bieber’s album released<br />

in <strong>2020</strong>?<br />

9. Who sings the hit song, “Hotel California”?<br />

11. What state was Michael Jackson born in?<br />

13. What is the title of FKA twigs’ single that was<br />

nominated for a Grammy Award?<br />

15. What is the title of Harry Styles’ recently released<br />

album: Fine ___?<br />

16. What is The Weeknd’s birth first name?<br />

17. What song off of Rush’s Moving Pictures album<br />

was named after an airport’s identification code?<br />

18. What is the first name of the rapper Gucci Mane?<br />

19. What is the title of Tyler, the Creator’s<br />

newest album?<br />

32<br />

Down<br />

1. How many members are in the newly reunited girl<br />

group, The Pussycat Dolls?<br />

3. What band sang the following lyrics: “Is this the<br />

real life? Is this just a fantasy”?<br />

4. Selena Gomez was born in which state?<br />

6. Off of Eminem’s latest album, what is the title of<br />

the song featuring the late Juice Wrld?<br />

7. What is the title of Halsey’s newest album?<br />

8. How old was Lorde when she released her hit<br />

song “Royals”?<br />

10. What is the first name of the rapper Ski Mask the<br />

Slump God?<br />

12. What country did the rock band Rush originate in?<br />

14. What is the name of the 90’s girl band known for<br />

their hit song ‘No Scrubs’?<br />

16. Jaden Smith is both a singer and a(n) ____?<br />

Answers on Page 37

On the Block<br />

By Jenny McLain (Editor, <strong>Static</strong> <strong>Live</strong> <strong>Magazine</strong>)<br />

A little over five years ago I met Sean Impara, the<br />

Publisher of <strong>Static</strong> <strong>Live</strong> <strong>Magazine</strong>. At the time, he<br />

was booking a lot of music around Volusia County<br />

(but considerably less than he books now). I wanted<br />

to see some of the artists he had been telling me<br />

about and one day I offered to help him keep the gigs<br />

updated on his website . . .<br />

Little did I know, I was<br />

witnessing the beginning<br />

of <strong>Static</strong> <strong>Live</strong> Media Group,<br />

<strong>Static</strong> <strong>Live</strong> Music and<br />

<strong>Static</strong> <strong>Live</strong> <strong>Magazine</strong>. As<br />

his booking business grew<br />

bigger and bigger, Sean<br />

always talked about starting<br />

a music magazine in our<br />

area. I thought it was a<br />

cool idea, although a big<br />

undertaking. I will admit, it took some convincing on<br />

his part to get me to agree to contribute to the project,<br />

but I finally had to acknowledge that I could make a<br />

unique contribution to it.<br />

In the meantime, Sean joined forces with musician/<br />

music producer/entrepreneur Billy Chapin to record<br />

some of the vast local talents. I remember being<br />

nervous the day I was invited to have lunch with<br />

the two of them. It was about a year later that we<br />

published the first edition of <strong>Static</strong> <strong>Live</strong> <strong>Magazine</strong>. I’ll<br />

34<br />

1. What does Post Malone’s face tattoo say?<br />

2. What artist did Travis Scott sign a record deal with?<br />

3. Which of Ed Sheeran’s hit songs stayed at number 1 on Billboard Hot 100 for 16 weeks back in<br />

2017? What is the title of YNW Melly’s 2019 hit song featuring Kanye West?<br />

4. What is the title of Billie Eilish’s song to feature in the <strong>2020</strong> James Bond film?<br />

5. Who was the lead singer of Nirvana?<br />

6. What was the title of MC Hammer’s hit single from the ’90s?<br />

give credit where credit is due – Sean certainly knows<br />

how to assemble and manage a team of people. The<br />

first issue was printed two years ago, in <strong>March</strong> of<br />

2018 and we are beyond proud of the product it has<br />

become.<br />

We want to extend a special thanks to our<br />

contributors, our business partners, our advertisers,<br />

our fans, local venues and<br />

musicians, and everyone<br />

who supports our project<br />

each month. We have had<br />

requests for hard copies<br />

from all over the country,<br />

and we have even seen a<br />

couple of issues listed for<br />

sale on eBay in the United<br />

Kingdom!<br />

If you want to be a part of <strong>Static</strong> <strong>Live</strong>, you can contact<br />

us through our website, staticlivemag.com. You can<br />

send photos for the Snap It feature, a suggestion of<br />

a restaurant for the Phantom Foodie to visit, a musicrelated<br />

story you have written, or just an idea for a<br />

feature. Be sure to include your contact information<br />

so we can credit you for your contribution.<br />

Who knows? You may see your work or your idea in<br />

an upcoming issue.<br />

7. What famous actor was featured in Paula Abdul’s music video for her song “Rush Rush”?<br />

8. What is the title of Eminem’s eleventh studio album released in January <strong>2020</strong>?<br />

9. What is the name of the band that released the song “Hysteria” in 1987?<br />

<strong>Static</strong> <strong>Live</strong>: Introspective<br />

Answers on Page 37<br />

<strong>Live</strong> Music Line-up for <strong>March</strong><br />

<strong>March</strong> 1<br />

Jason “Gote” Vandemaat 1-5<br />

<strong>March</strong> 6<br />

Black Velvet 6-10<br />

<strong>March</strong> 7<br />

Tony Cuchetti 1-5<br />

TBD 6-10<br />

<strong>March</strong> 8<br />

Trees of Life 1-5<br />

<strong>March</strong> 13<br />

Bret Messer 6-10<br />

<strong>March</strong> 14<br />

Gina Cuchetti 1-5<br />

Mud Rooster6-10<br />

<strong>March</strong> 15<br />

Travis Rudd 1-5<br />

<strong>Live</strong> Music Friday-Sunday<br />

203 S Atlantic Avenue<br />

New Smyrna Beach, FL<br />

(386) 319-0000<br />

<strong>March</strong> 20<br />

Mark Moore 6-10<br />

<strong>March</strong> 21<br />

Marty McCarrick 1-5<br />

Joe Santana 6-10<br />

<strong>March</strong> 22<br />

Adam & Farley 1-5<br />

<strong>March</strong> 27<br />

The Vibe 6-10<br />

Under New Management<br />

<strong>March</strong> 28<br />

Jeff Jarrett 1-5<br />

Trainwreck Orlando 6-10<br />

<strong>March</strong> 29<br />

Bradford Buckley 1-5


PUZZLE answers<br />

1<br />

2<br />

3<br />

36<br />

4 5<br />

6<br />

8<br />

7<br />

9<br />

1. Photo Credit Laura Mata Brito 2. Photo Credit Laura Mata Brito 3. Photo Credit Laura Mata Brito<br />

4. Photo Credit Tim Tuech 5. Photo Credit Nicco 6. Photo Credit Tim Tuech<br />

7. Photo Credit Laura Mata Brito 8. Photo Credit Tim Tuech 9. Photo Credit Nico<br />

1. What does Post Malone’s face tattoo say? Always Tired<br />

2. What artist did Travis Scott sign a record deal with? Kanye West<br />

3. Which of Ed Sheeran’s hit songs stayed at number 1 on Billboard Hot 100 for 16 weeks back in 2017?<br />

Shape of You<br />

4. What is the title of YNW Melly’s 2019 hit song featuring Kanye West? Mixed Personalities<br />

5. What is the title of Billie Eilish’s song to feature in the <strong>2020</strong> James Bond film? No Time To Die<br />

6. Who was the lead singer of Nirvana? Kurt Cobain<br />

7. What was the title of MC Hammer’s hit single from the ’90s? U Can’t Touch This<br />

8. What famous actor was featured in Paula Abdul’s music video for her song “Rush Rush”?<br />

Keanu Reeves<br />

9. What is the title of Eminem’s eleventh studio album released in January <strong>2020</strong>?<br />

Music To Be Murdered By<br />

10. What is the name of the band that released the song “Hysteria” in 1987? Def Leppard<br />

answers<br />


By Chris Rajotte, Andy Minor and Jeff Watson<br />

VADER, abysmal dawn, hideous divinity<br />

Photo Credit Nuclear Blast<br />

On Tuesday, February 11th, Polish death metal band Vader<br />

brought their form of horror and war music to The Haven in Winter<br />

Park, along with California’s Abysmal Dawn and Italy’s Hideous<br />

Divinity for some serious head thrashing. All the opening bands<br />

did impressive sets to get the crowd and the pit rolling. Vader did<br />

an impressively long set from their 37-year career that included<br />

many early classics like “Dark Ages”, “Silent Empire “, “Incarnation”,<br />

“Sothis” and “Reborn In Flames “. Storm Trooper anthem “Triumph<br />

Of Death “ lit the crowd ablaze. They also did a killer cover of Judas<br />

Priest’s “Steeler” to end the show and to send all parishioners on<br />

their journey home.<br />

New School Album of the Month<br />

Orphan Stomper (Australia)<br />

*Deathcore*<br />

Releases:<br />

November 13, 2019 – Feasting<br />

December 28, 2019 – Flay and Spray<br />

This 8-song self-titled album was released on February 18,<br />

<strong>2020</strong>. Mixing classic Death Metal with force, Brad Evans’ vocals<br />

do not disappoint, with brutal guitar lows and extremely slicing<br />

highs. Combined with Lachlan Groenstein’s insane drum patterns<br />

and driving guitars, this Australian duo deserves listening to. It<br />

definitely delivers some thunder from down under……<br />

Old School Album of the Month<br />

When you think of extreme bass playing, one must consider the<br />

pummeling roar of Steve DiGiorgio, bassist extraordinaire of many<br />

ensembles including legendary bands Death, Autopsy, Obituary,<br />

Testament, and Control Denied to name a few. Where would this<br />

freak of the fretless finger plucking madness get his start? With<br />

the California thrash/death foursome Sadus. “Swallowed In Black<br />

“ is Sadus’ 2nd outing and is full of technically oriented bombs<br />

to make your head explode. Released in 1990 on Roadrunner<br />

Records, Sadus uses numerous tempo changes with extreme<br />

complexity to break all the land speed records known to man.<br />

“Swallowed In Black” is the death metal musician’s dream theater.<br />

Intro “Black” along with “Man Infestation”, “ The Wake”, “Oracle<br />

Of Obmission “ and the minute-long classic “In Your Face “ are<br />

digesting ditties to soothe one’s, dirty soul.<br />


Gotha Location<br />

3/5 Rafael Rodriguez<br />

3/6 Claire Vandiver Duo<br />

3/7 Run Raquel<br />

3/12 Jimi Papas<br />

3/13 TBD<br />

3/14 Wood Panel Basement<br />

3/19 Theo Moon<br />

3/20 Acoustic Rooster<br />

3/21 CC Trio<br />

3/26 Jim Reddin Duo<br />

3/27 DME Young Musicians<br />

Showcase<br />

3/28 TBD<br />

1236 Hempel Ave<br />

Windermere, Florida<br />

New Smyrna Location<br />

3/1 Bret Messer 1pm<br />

3/5 The Transfers 6pm<br />

3/6 Beartoe 6pm<br />

3/7 Travis Rudd 6pm<br />

3/8 James Wise 1pm<br />

3/12 Claire Vandiver 6pm<br />

3/13 Adam & Farley 6pm<br />

3/14 Jim Lord 6pm<br />

3/15 Hannah Wilson 1pm<br />

3/19 Marty McCarrick 6pm<br />

3/20 Brent Clowers 6pm<br />

3/21 Gina Cuchetti 6pm<br />

3/22 Nate Utley 1pm<br />

3/26 Jimmy Z 6pm<br />

3/27 Austin Miller 6pm<br />

3/28 The Big Beat 6pm<br />

3/29 The Cyclones 1pm<br />

147 Canal St,<br />

New Smyrna Beach

MARCH 13<br />


MARCH 19<br />


MARCH 21<br />


MARCH 27<br />


MARCH 28<br />


WITHIN<br />

APRIL 4<br />


APRIL 17<br />


APRIL 18<br />

ONE DROP<br />

APRIL 24<br />


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