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Alpha_Alternative_School_1972–2012-Yumpu

ALPHA Alter­na­tive School—A Lot of Parents Hoping for an Alternative—one of the oldest alternative schools in Canada, celebrated its 40th anniversary in 2012. It seemed like a good time to take a look at the lives of some of its earliest students in order to get a sense of the long-term effects of this radical experiment in education. Our idea was to place black and white childhood portraits taken by F. Robert Openshaw in 1978 alongside present-day portraits of the same people taken at ALPHA during the 40th anniversary reunion by Michael Barker, and to contextualize the photographs with portraits in words contributed by the subjects and shaped by Ariel Fielding. The result is a sort of ethnographic art project or a personal history. It was not commissioned by ALPHA, nor was it conceived with any particular agenda in mind, except to present portraits of some interesting people with a common educational background.

ALPHA Alter­na­tive School—A Lot of Parents Hoping for an Alternative—one of the oldest alternative schools in Canada, celebrated its 40th anniversary in 2012. It seemed like a good time to take a look at the lives of some of its earliest students in order to get a sense of the long-term effects of this radical experiment in education. Our idea was to place black and white childhood portraits taken by F. Robert Openshaw in 1978 alongside present-day portraits of the same people taken at ALPHA during the 40th anniversary reunion by Michael Barker, and to contextualize the photographs with portraits in words contributed by the subjects and shaped by Ariel Fielding. The result is a sort of ethnographic art project or a personal history. It was not commissioned by ALPHA, nor was it conceived with any particular agenda in mind, except to present portraits of some interesting people with a common educational background.

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Facing page:

Contact sheet of ALPHA

student portraits taken

by F. Robert Openshaw

in 1978.

As a cooperative organization, ALPHA depended on every parent volunteering

for regular shifts; this had the benefit of exposing students to adults

with a wide range of skills, from microbiology and mathematics to painting

and sculpture. Students called both parents and teachers by their first

names. While the school was not immune to problems common to schools

everywhere—bullying being one example—there was for the most part a

climate of openness, curiosity, respect, and acceptance that would have

been unusual in a traditional school at the time, and would be difficult to

find outside of a school like ALPHA even today, when many of the innovative

practices devised and developed by alternative schools have been

absorbed into the mainstream.

This project came about because of ALPHA’s 40th anniversary. Our idea

was to place black and white childhood portraits taken by F. Robert

Openshaw in 1978 alongside present-day portraits of the same people

taken at ALPHA during the 40th anniversary reunion by Michael Barker,

and to contextualize the photographs with portraits in words contributed

by the subjects and shaped by Ariel Fielding. Bob Openshaw, now based

in California, very kindly gave us permission to use his photographs. The

subjects self-selected. The result is a sort of ethnographic art project or a

personal history. It was not commissioned by ALPHA, nor was it conceived

with any particular agenda in mind, except to present portraits of some

interesting people with a common educational background.

ALPHA was a glorious countercultural experiment devised in an age of

hopeful ingenuity and driven by a desire for freedom. Remarkably, in spite

of the many changes that have taken place in the world since ALPHA’s

founding—and the ongoing unease of the larger culture with alternative

education—the school is still here, now nearly fifty years old, not just

surviving, but thriving.

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