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Alpha_Alternative_School_1972–2012-Yumpu

ALPHA Alter­na­tive School—A Lot of Parents Hoping for an Alternative—one of the oldest alternative schools in Canada, celebrated its 40th anniversary in 2012. It seemed like a good time to take a look at the lives of some of its earliest students in order to get a sense of the long-term effects of this radical experiment in education. Our idea was to place black and white childhood portraits taken by F. Robert Openshaw in 1978 alongside present-day portraits of the same people taken at ALPHA during the 40th anniversary reunion by Michael Barker, and to contextualize the photographs with portraits in words contributed by the subjects and shaped by Ariel Fielding. The result is a sort of ethnographic art project or a personal history. It was not commissioned by ALPHA, nor was it conceived with any particular agenda in mind, except to present portraits of some interesting people with a common educational background.

ALPHA Alter­na­tive School—A Lot of Parents Hoping for an Alternative—one of the oldest alternative schools in Canada, celebrated its 40th anniversary in 2012. It seemed like a good time to take a look at the lives of some of its earliest students in order to get a sense of the long-term effects of this radical experiment in education. Our idea was to place black and white childhood portraits taken by F. Robert Openshaw in 1978 alongside present-day portraits of the same people taken at ALPHA during the 40th anniversary reunion by Michael Barker, and to contextualize the photographs with portraits in words contributed by the subjects and shaped by Ariel Fielding. The result is a sort of ethnographic art project or a personal history. It was not commissioned by ALPHA, nor was it conceived with any particular agenda in mind, except to present portraits of some interesting people with a common educational background.

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Flannery Fielding

“I always appreciated the

opportunity that ALPHA offered

for self-directed learning.”

I was already at ALPHA as a baby since my older sis ter was there and our

fam ily was a part of the com mu nity, but I still dis tinctly remem ber going

in with my mom to sign up to attend as a stu dent. Sit ting on a bench in the

main hall, it seemed so big.

flannery fielding

ALPHA 1977 to 1985, ages

4–11. Studied Nursing at

Ryerson University and

University of California, San

Francisco. Works as a Nurse

Practitioner in Palliative

Care. Creates art, sings, and

plays the ukelele.

I always appre ci ated the oppor tu nity that ALPHA offered for self-directed

learn ing. That trans lated into a lot of read ing for me. At home, I read

Nancy Drew, the Nar nia books, Madeleine L’Engle. At ALPHA, I read whatever

I could get my hands on. The book I remem ber best was some kind

of pic to r ial ency clo pe dia with pic tures of chil dren suffer ing from ter rible

dis eases of mal nu tri tion. There was a pho to graph of a kid with corneas

clouded and shiny blue that was awful and some how thrilling. The

down side of that free dom to do what I liked was less expo sure to math and

other sub jects, and I think that worked to rein force my sense that I wasn’t

good at math or French. Still, I have fond mem o ries of hang ing out in the

back cor ner of one of the big rooms on the third floor, a room the big kids

used for art—it had a loom and a pot tery wheel—lis ten ing to music on

an 8-track some one must have donated. I learned all the words to Kenny

Rogers’ The Gam bler, most of the songs on Break fast in Amer ica (Supertramp!)

and we played Michael Jackson’s Thriller album over and over

again on this lit tle turntable.

I think most kids at ALPHA had a sense of supe ri or ity about the free dom

we had—to learn, to play, to be our selves—although for me and my friends,

that even tu ally trans formed into a kind of dread about what we might be

miss ing, how hard it was going to be for us in the “real world.”

From ALPHA I went on to two differ ent alter na tive junior high schools

and then to a “reg u lar” high school, which was ter ri fy ing at first but turned

out to be eas ier to adapt to than I expected (although I never really got the

hang of home work.) Drama was the one sub ject in high school where I truly

felt at home. I seri ously con sid ered fol low ing my dad’s path into the atre

and even audi tioned for the National The atre School. After high school,

I worked in Toronto’s the atre com mu nity for a num ber of years as a performer,

tech ni cian, and gen eral par tic i pant in the scene. Through another

family connection I began travelling frequently to Central America,

volunteering with medical groups and studying Spanish.

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