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Alpha_Alternative_School_1972–2012-Yumpu

ALPHA Alter­na­tive School—A Lot of Parents Hoping for an Alternative—one of the oldest alternative schools in Canada, celebrated its 40th anniversary in 2012. It seemed like a good time to take a look at the lives of some of its earliest students in order to get a sense of the long-term effects of this radical experiment in education. Our idea was to place black and white childhood portraits taken by F. Robert Openshaw in 1978 alongside present-day portraits of the same people taken at ALPHA during the 40th anniversary reunion by Michael Barker, and to contextualize the photographs with portraits in words contributed by the subjects and shaped by Ariel Fielding. The result is a sort of ethnographic art project or a personal history. It was not commissioned by ALPHA, nor was it conceived with any particular agenda in mind, except to present portraits of some interesting people with a common educational background.

ALPHA Alter­na­tive School—A Lot of Parents Hoping for an Alternative—one of the oldest alternative schools in Canada, celebrated its 40th anniversary in 2012. It seemed like a good time to take a look at the lives of some of its earliest students in order to get a sense of the long-term effects of this radical experiment in education. Our idea was to place black and white childhood portraits taken by F. Robert Openshaw in 1978 alongside present-day portraits of the same people taken at ALPHA during the 40th anniversary reunion by Michael Barker, and to contextualize the photographs with portraits in words contributed by the subjects and shaped by Ariel Fielding. The result is a sort of ethnographic art project or a personal history. It was not commissioned by ALPHA, nor was it conceived with any particular agenda in mind, except to present portraits of some interesting people with a common educational background.

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“It was an illusion that we “ran”

the schoolby democratic process.

The issues we could address were,

in retrospect, narrowly defined.”

But that’s also an exam ple of the kind of deep coer cion that was hap pening—I

really felt like I had a say in whether I learned to hand write or tie

my shoes or do long division, or for that mat ter to make the rules at school,

except you couldn’t change the no-running rule. But there were a million

things you also couldn’t change. It was an illu sion that we “ran” the

school by demo c ra tic process. The issues we could address were, in retro

spect, nar rowly defined. We didn’t pick the hours of the school day or

the edu ca tional model or hire/fire the teach ers or for that mat ter even do

the seri ous clean ing (thanks John the Jan i tor.) In the end, there was no

way my par ents and teach ers were going to let me not learn to hand write

or tie my shoes, but they made it seem as if I had a voice because they as

adults could maneu ver me through sub tler uses of their power, to make me

believe I was mak ing deci sions for myself. As a par ent, I can feel the allure

of lis ten ing and giv ing your kids a voice, but in the end it’s my house, my

rules. There is a cer tain self-denial of author ity and the respon si bil ity of

adults to set lim its for chil dren in the way that ALPHA used “direct democracy”.

It’s a tough one: in order to teach me that I had agency, I was given

some agency even though it was largely illusory.

The school wel comed my dad, an out gay activist, with out a hic cup as far

as I know. Even in San Fran cisco in the pub lic schools in the Cas tro today,

that’s not some thing that con sis tently hap pens. What a sur pris ing and rare

gift to a par ent who didn’t have to fight to spend time with the kids help ing

us do musi cals; to a kid who wasn’t shamed or stig ma tized; and to a fam ily

that was already under extra strain from homophobia.

Finally I would say that I was allowed to spend months one year doing

noth ing but read ing Isaac Asi mov books on sci ence. I learned how to mill

wheat for apple pies which I also learned to make. I explored burned out

ware houses near the CN tower over extra long lunches and didn’t get in

trou ble, and learned to love urban decay. I kissed the boys in kissy tag and

the teach ers didn’t inter fere—although the kids were super het ero nor mative

about that. I got to be in a musi cal with my dad about cryo gen ics.

I learned early how I was priv i leged by hang ing out with my ALPHA friends

who lived on Ward’s Island and in Park dale: both had sin gle poor moms

and cre atively scrounged for food dur ing the day and after school with no

money. I learned about dis abil ity from Doug, punk from Max, naked ladies

from the paint ings in the Leonards’ loft—where I also heard Pink Floyd’s

The Wall for the first time. I spent hours of school time, at my leisure, making

a work ing replica of the func tions of the ear. I never had home work.

I never took a test. I never got a grade or a report card or was pit ted against

my peers. I got to be inter ested in things and was given the time and

resources to learn more. We were so spoiled in such rich ways.

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