BIAF 2015 - ENG
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XXIX Edition<br />
26 th September 4 th October <strong>2015</strong><br />
Palazzo Corsini<br />
Lungarno Corsini<br />
Firenze
Master of the Zeri Campana panels<br />
Active at the end of 15th century<br />
Madonna Adoring the Child, Saint Peter Martyr and Saint Catherine of Siena<br />
Oil on panel<br />
37 x 42.5 cm<br />
End of 15th century<br />
Attribution: Prof. Andrea De Marchi<br />
PROVENANCE<br />
Sussex, Ashburnham Palace, Collezione<br />
Lord Ashburnham; Rome, Innocenti<br />
Collection.<br />
ALTOMANI & SONS #Stand 8<br />
Milano<br />
mail@altomani.com<br />
www.altomani.com
Roman Imperial Art and Roman Sculpture<br />
Eros and Anteros<br />
Pentelicus marble (for the antique parts) and Carrara marble<br />
(for the 16th century additions)<br />
h. 77.5 cm<br />
Circa I century CE and second half of 16th century<br />
PROVENANCE<br />
Rome, Collection of the antique dealer,<br />
Fabio Baverio (before 1594?); 1633, Rome,<br />
purchased by the Marchese Vincenzo<br />
Giustiniani (1564-1637); By inheritance<br />
the Palazzo Giustiniani in Rome until circa<br />
1811; Vienna, Private Collection; Private<br />
Collection.<br />
BIBLIOGRAPHY<br />
116-118, fig. 10; A. Gallottini, Le sculture<br />
della Collezione Giustiniani. I documenti,<br />
Rome 1998, p. 68, n. 19 (1633 inventory),<br />
p. 86, n. 170 (1638 inventory), p. 138, n.<br />
164 (1667 inventory), p. 190, n. 154, p. 266,<br />
n. 48 (1811 inventory); G. Fusconi, ed.,<br />
I Giustiniani e l’antico, Rome 2001, pp.<br />
428, 519; S. Castri, I Bambini e il Cielo,<br />
exhibition catalogue (Illegio, 28 April-30<br />
September 2012), Turin 2012, p. 259, pl.74.<br />
PREVIOUS EXHIBITIONS<br />
I Bambini e il Cielo, Illegio, 28 April-30<br />
September 2012<br />
ALTOMANI & SONS #Stand 8<br />
Milano<br />
mail@altomani.com<br />
www.altomani.com
Carlo Grubacs<br />
Venice 1810 - Venice 1870<br />
Festivities on the Grand Canal in Venice on the occasion<br />
of the Emperor of Austria’s visit in 1838<br />
Oil on canvas<br />
50 x 69 cm<br />
1838<br />
Signed lower left: «C. Grubacs»<br />
PROVENANCE<br />
Label on the recto: «Proprieta’ G. Ricasoli/<br />
prov: Casa Corsini/ Inventario n. 816»<br />
FRANCESCA ANTONACCI – DAMIANO LAPICCIRELLA FINE ART<br />
# Stand 44<br />
Roma<br />
info@antonaccilapiccirellafineart.com<br />
www.antonaccilapiccirellafineart.com
Luca Giordano<br />
Naples 1634 - Naples 1705<br />
The Glory of Saint Andrea Corsini<br />
Oil on canvas, unlined<br />
130 x 99 cm<br />
1682<br />
The cupola of the Corsini Chapel in the<br />
Church of Santa Maria del Carmine was<br />
frescoed by Luca Giordano in 1682 with<br />
the “Glory of Saint Andrea Corsini “; the<br />
receipts for the payment to the master for<br />
his work can be found in the Corsini family<br />
archive.<br />
PROVENANCE<br />
Florence, Princes Corsini Collection;<br />
Florence, Private Collection.<br />
BIBLIOGRAPHY<br />
F. Borroni Salvadori, L’esposizione del<br />
1705 a Firenze, exhibition catalogue<br />
(Florence, Monastero di San Luca, 1705),<br />
Florence 1975; S. Meloni Trkulja, I due<br />
primi cataloghi di mostre fiorentine, in<br />
Scritti di storia dell’arte in onore di Ugo<br />
Procacci, Milan 1977, pp. 579-585; O.<br />
Ferrari, G. Scavizzi, Luca Giordano, 1966,<br />
vol. I, p. 92.<br />
PREVIOUS EXHIBITIONS<br />
L’esposizione del 1705 a Firenze,<br />
Monastery of San Luca, Florence, 1705<br />
FRANCESCA ANTONACCI – DAMIANO LAPICCIRELLA FINE ART<br />
# Stand 44<br />
Roma<br />
info@antonaccilapiccirellafineart.com<br />
www.antonaccilapiccirellafineart.com
Camillo Innocenti<br />
Rome, 1871 - Rome, 1961<br />
At the Seamstress<br />
Pencil and oil on panel<br />
97.9 x 48.9 cm<br />
1954<br />
Signed and dated lower right: «Camillo Innocenti 1954»<br />
PROVENANCE<br />
Rome, Private Collection<br />
PAOLO ANTONACCI ANTICHITA’ S.r.l. # Stand 39<br />
Roma<br />
info@paoloantonacci.com<br />
www.paoloantonacci.com
Gennaro Favai<br />
Venice, 1879 - Venice, 1958<br />
Night Scene at Saints Giovanni and Paolo, Venice<br />
Oil on plywood<br />
100 x 119 cm<br />
1934<br />
Signed lower right: «Favai»; Dated on reverse: «1934»<br />
PROVENANCE<br />
Rome, Private Collection<br />
BIBLIOGRAPHY<br />
Gennaro Favai. Visioni e orizzonti 1879-<br />
1958, exhibition catalogue (Venice, Galleria<br />
Internazionale d’Arte Moderna di Ca’<br />
Pesaro, 17 December 2011-11 March 2012),<br />
ed. S. Fuso, Venice 2011 (with previous<br />
bibliography).<br />
PAOLO ANTONACCI ANTICHITA’ S.r.l. # Stand 39<br />
Roma<br />
info@paoloantonacci.com<br />
www.paoloantonacci.com
Michele Rocca<br />
Parma, 1666 - Parma, 1751<br />
Annunciation<br />
Oil on canvas<br />
48 x 37 cm<br />
BIBLIOGRAPHY<br />
G. Carlo Sestieri, Michele Rocca e la pittura<br />
Rococò a Roma, Rome 2004; Il Settecento a<br />
Roma, exhibition catalogue (Roma, Palazzo<br />
delle esposizioni 19 March-31 May 959),<br />
Rome 1959.<br />
PREVIOUS EXHIBITIONS<br />
Il Settecento a Roma, Roma Palazzo delle<br />
Esposizioni, 19 March - 31 May 1959<br />
W. APOLLONI S.r.l. # Stand 16<br />
Roma<br />
wapolloni@tiscali.it
Manifattura veneziana<br />
Third quarter of the 18th century<br />
A Pair of Perches with Polychrome Decorations<br />
Sculpted, carved lacquered and gilded wood<br />
h. 87 x 45 cm<br />
PROVENANCE<br />
Venice, Contessa Morosini Collection<br />
BIBLIOGRAPHY<br />
A. Gonzalez Palacios, Il tempio del gusto.<br />
Le arti decorative in Italia fra classicismi e<br />
barocco. Il Mobile di Corte Italiano, Milan<br />
1986; Lacche Veneziane del Settecento,<br />
exhibition catalogue (Venice, Ca’ Rezzonico<br />
25 April-31 October 1938), ed. G.<br />
Lorenzetti, Venice 1938, n. 38.<br />
PREVIOUS EXHIBITIONS<br />
Lacche Veneziane del Settecento, Venice,<br />
Ca’ Rezzonico 25 April - 31 October 1938.<br />
W. APOLLONI S.r.l. # Stand 16<br />
Roma<br />
wapolloni@tiscali.it
Giovan Francesco de Rosa detto Pacecco<br />
Naples, 1607 - Naples, 1660<br />
Eleazar at the Well<br />
Oil on canvas<br />
130 x 180 cm<br />
1600<br />
BIBLIOGRAPHY<br />
V. Pacelli, Giovan Francesco de Rosa detto<br />
Pacecco de Rosa: 1607 – 1656, Pozzuoli<br />
2008, pp. 96, 358; L. Muti, Capolavori<br />
in Proscenio: dipinti del Cinque, Sei e<br />
Settecento, Faenza 2006.<br />
ART COLLECTOR S.r.l. #Stand 24<br />
Pisa<br />
info@artcollector.it<br />
www.artcollector.it
Giuseppe Bartolomeo Chiari<br />
Rome, 1654 - Rome, 1727<br />
The Triumph of Galatea<br />
Oil on canvas<br />
60 x 70 cm<br />
BIBLIOGRAPHY<br />
G. Sestieri, Repertorio della pittura romana<br />
della fine del Seicento e del Settecento, Turin<br />
1994, vol. 2, fig. 271<br />
ART COLLECTOR S.r.l. #Stand 24<br />
Pisa<br />
info@artcollector.it<br />
www.artcollector.it
Urbino Production, Workshop of Guido Fontana<br />
Plate, with the coat of arms of Antonio I Pucci.<br />
Istoriato with the three Minyades (Leucippe, Arsippe, and Alcathoe,<br />
the daughters of Minyas, the king of Orchomenus) and Bacchus<br />
diameter 29.2 cm<br />
1544<br />
Mark: le fabulatricie et bacche 1544 In excellent state of conservation.<br />
BIBLIOGRAPHY<br />
Unpublished<br />
GIOVANNI ASIOLI MARTINI ANTIQUARIO #Stand 56<br />
Imola (Bologna)<br />
asiolimg@libero.it
Produced in the Duchy of Brabant (Brussels)<br />
Annunciation<br />
Polyhcrome and gilded oak (?) wood<br />
Angel: h. 35 cm; Virgin: h. circa 24.5 cm<br />
Last quarter of the 15th century<br />
In good state of conservation.<br />
BIBLIOGRAPHY<br />
Unpublished<br />
GIOVANNI ASIOLI MARTINI ANTIQUARIO #Stand 56<br />
Imola (Bologna)<br />
asiolimg@libero.it
Romolo Ferrucci del Tadda<br />
Florence, 1544 - Florence, 1621<br />
The Villano<br />
White Carrara marble<br />
h. 144 cm<br />
BIBLIOGRAPHY<br />
D. Zikos, Romolo Ferrucci del Tadda - The<br />
Villano for Livorno - A case for the success<br />
of a Giambologna model in Tuscany,<br />
Firenze 2012.<br />
BACARELLI ANTICHITA’ #Stand 63<br />
Firenze<br />
bacarelli@bacarelli.com<br />
www.bacarelli.com
Benedetto Buglioni<br />
Florence, 1459/1460 - Florence, 1521<br />
Christ the Redeemer<br />
Bust in terracotta<br />
56 x 50 x 23 cm<br />
1510/1520<br />
BACARELLI ANTICHITA’ #Stand 63<br />
Firenze<br />
bacarelli@bacarelli.com<br />
www.bacarelli.com
Giambattista Tiepolo<br />
Venice, 1696 - Madrid, 1770<br />
Portrait of Flora<br />
Oil on canvas<br />
88.3 x 69.9 cm<br />
JEAN-LUC BARONI #Stand 2<br />
Londra<br />
info@jlbaroni.com<br />
www.jlbaroni.com
Rosalba Carriera<br />
Venezia, 1673 - Venezia, 1757<br />
Ritratto di un giovane gentiluomo<br />
appartenente alla famiglia del Maresciallo di Campo Sir George Wade<br />
Pastello su carta<br />
560 x 420 mm<br />
PROVENIENZA<br />
Probabilmente commissionato dal<br />
Maresciallo di Campo Sir George Wade<br />
(1673-1748); Eredi Wade.<br />
BIBLIOGRAFIA<br />
Neil Jeffares, Dictionary of pastellists before<br />
1800, edizione online: www.pastellists.com/<br />
Articles/Carriera/1a.pdf<br />
JEAN-LUC BARONI #Stand 2<br />
Londra<br />
info@jlbaroni.com<br />
www.jlbaroni.com
Workshop of Giovan Battista Foggini<br />
First half of 17th century<br />
Centrepiece Table<br />
Table-top composed of semiprecious stones, Rome, end of 16th century<br />
180.5 x 120 x h. 92 cm<br />
GUIDO BARTOLOZZI ANTICHITA’ #Stand 12<br />
Firenze<br />
info@guidobartolozzi.com<br />
www.guidobartolozzi.com
Giovanni Boldini<br />
Ferrara, 1842 - Paris, 1931<br />
A Young Woman, seated, wearing gloves<br />
Oil on panel<br />
27.3 x 21.6 cm<br />
End of the 19th century, circa 1897<br />
PROVENANCE<br />
Private Collection<br />
BIBLIOGRAPHY<br />
C.L. Ragghianti, E. Camesasca, L’opera<br />
completa di Boldini, Milan 1970, p. 112; F.<br />
Dini, Giovanni Boldini, Catalogo ragionato,<br />
Turin 2002, vol. III, vol. 2, n. 714, p. 386;<br />
T. Panconi, Giovanni Boldini, L’opera<br />
completa, Florence 2002, p. 383.<br />
BOTTEGANTICA S.r.l. #Stand 37<br />
Bologna - Milano<br />
info@bottegantica.com<br />
www.bottegantica.com
Antonio Mancini<br />
Albano Laziale (RM). 1852 - Rome,1930<br />
The Gypsy<br />
Oil on canvas<br />
77 x 64 cm<br />
Signed above left: «Roma / A. Mancini»<br />
PROVENANCE<br />
Germany, Baron Albert-Emil von Klauten;<br />
Pisa, A. De Medici Tornaquinci (Marquis of<br />
Castellina); Milan, private collection<br />
BIBLIOGRAPHY<br />
D. Bonardi [ed.], Grandiosa vendita all’asta<br />
della raccolta artistica Barone Albert-Emil<br />
von Klauten dell’ultima parte della proprietà<br />
A. De Medici Tornaquinci (Marchesato<br />
della Castellina) e altri collezionista, vendita<br />
all’asta, Galleria Tauscheck, Milan 1955, p.<br />
21, n. 46.<br />
BOTTEGANTICA S.r.l. #Stand 37<br />
Bologna - Milano<br />
info@bottegantica.com<br />
www.bottegantica.com
Ippolito Scarsella, called Scarsellino .<br />
Ferrara, 1550 o 1551 - Ferrara 1620<br />
Holy Family with Young Saint John the Baptist<br />
Oil on panel<br />
31 x 25 cm<br />
circa 1590-1600<br />
Inscription on retro in pencil «Scarsellino/Ferrara»<br />
PROVENANCE<br />
Private Collection; New York, Sotheby’s, 19<br />
May 1994, n. 180; United States of America,<br />
Private Collection<br />
BIBLIOGRAPHY<br />
A. Bliznukov, Bastianino e la sua alterna<br />
fortuna, in Lampi sublimi a Ferrara. Tra<br />
Michelangelo e Tiziano: Bastianino e il<br />
cantiere di San Paolo, exhibition catalogue<br />
(Ferrara, Pinacoteca Nazionale, Palazzo<br />
dei Diamanti, 13 December 2014 – 15<br />
March <strong>2015</strong>), ed. A. Stanzani, with the<br />
collaboration of A. Bliznukov, C. Guerzi, G.<br />
Sassu, Ferrara <strong>2015</strong> [to be printed]. Digital<br />
Resources: Census of Ferrarese Paintings<br />
and Drawings, n. 1319 (www.censusferrarese.<br />
com) Photographs: Fototeca Fondazione<br />
Zeri, Bologna, sheet n. 56415 (Scarsellino,<br />
Soggetti sacri 1).<br />
PREVIOUS EXHIBITIONS<br />
Lampi sublimi a Ferrara. Tra Michelangelo<br />
e Tiziano: Bastianino e il cantiere di San<br />
Paolo, Ferrara, Pinacoteca Nazionale,<br />
Palazzo dei Diamanti, 13 December 2014 –<br />
15 March <strong>2015</strong>.<br />
BOTTICELLI - VIA MAGGIO #Stand 62<br />
Firenze<br />
bruno@botticelliantichita.com<br />
eleonora@botticelliantichita.com<br />
www.botticelliantichita.com
Gregorio di Lorenzo<br />
Florence, circa 1436 - Forlì, circa 1504<br />
Madonna with Blessing Child<br />
Low relief in marble<br />
24 x 35 x 8<br />
Circa 1480/90<br />
PROVENANCE<br />
Vienna, C. Castiglioni Collection (1930)<br />
BIBLIOGRAPHY<br />
O. Von Falke, Die Sammlung C. Castiglioni<br />
- Wien, Berlin 1930, n. 104, p. 42<br />
BOTTICELLI - VIA MAGGIO #Stand 62<br />
Firenze<br />
bruno@botticelliantichita.com<br />
eleonora@botticelliantichita.com<br />
www.botticelliantichita.com
Manufactured by the Giustiniani Family<br />
Pair of crater vases, in Neapolitan earthenware from the production of the<br />
Giustiniani family, circa 1825. One crater depicting the view of the Capodimonte<br />
Royal Palace and of the internal façade of the Real Favorita of Naples; the other,<br />
the view of the Royal Palace of Caserta and the Real Villa of Naples<br />
h. 30 cm<br />
circa 1825<br />
MAURIZIO BRANDI ANTIQUARIO #Stand 34<br />
Napoli<br />
mauriziobrandi@live.com<br />
www.antiquarinapoletani.it/brandi
Neapolitan Production<br />
End of 18th beginning of th 19th century<br />
Shrine containing a Nativity scene, surrounded<br />
by various elements including the tavern,<br />
the sleeping child, the balcony with pergola<br />
and a scene of a fruit and vegetable stand.<br />
larg. 130 cm, prof. 55 cm, h. 230 cm<br />
MAURIZIO BRANDI ANTIQUARIO #Stand 34<br />
Napoli<br />
mauriziobrandi@live.com<br />
www.antiquarinapoletani.it/brandi
Lorenzo Sarti<br />
Active in Emilia and the Veneto between 1722 and 1751<br />
The Trinity with the guardian angel and Saints Filippo Benizzi,<br />
Francesco da Paola, Filippo Neri and Carlo Borromeo<br />
Low relief in terracotta<br />
98 x 163.5 cm<br />
18th century<br />
Historical information essay by Andrea<br />
Bacchi and Silvia Massari.<br />
PROVENANCE<br />
Private Collection<br />
PREVIOUS EXHIBITIONS<br />
The Sparkling soul of Terracotta - Caiati<br />
& Gallo - 9 Ottobre-8 Novembre 2014 -<br />
Milano<br />
CAIATI & GALLO #Stand 48<br />
Milano<br />
gallery@caiatigallo.com<br />
www.caiatigallo.com
Lorenzo Sarti<br />
Active in Emilia and the Veneto between 1722 and 1751<br />
The Blessed Virgin with Saint Catherine of Alexandria and Christ Carrying the Cross,<br />
with Saints Augustine, Dominic and Thomas Aquinas<br />
Low relief in terracotta<br />
98 x 163.5 cm<br />
18th century<br />
Historical information essay by Andrea<br />
Bacchi and Silvia Massari.<br />
PROVENANCE<br />
Private Collection<br />
BIBLIOGRAPHY<br />
The Sparkling soul of Terracotta, Milan,<br />
Caiati & Gallo, 9 October-8 November 2014<br />
PREVIOUS EXHIBITIONS<br />
the Sparkling soul of Terracotta - Caiati<br />
& Gallo - 9 Ottobre-8 Novembre 2014 -<br />
Milano<br />
CAIATI & GALLO #Stand 48<br />
Milano<br />
gallery@caiatigallo.com<br />
www.caiatigallo.com
Luca Giordano<br />
Naples, 1634 - Naples,1705<br />
Saint Sebastian Attended by Holy Women<br />
Oil on canvas<br />
217.5 x 166 cm<br />
BIBLIOGRAPHY<br />
San Sebastiano. Bellezza e integrità nell’Arte<br />
tra Quattrocento e Seicento, exhibition<br />
catalogue (San Secondo di Pinerolo, 4<br />
October 2014-8 March <strong>2015</strong>), ed.V. Sgarbi,<br />
San Secondo di Pinerolo 2014.<br />
PREVIOUS EXHIBITIONS<br />
San Sebastiano. Bellezza e integrità nell’Arte<br />
tra Quattrocento e Seicento, exhibition<br />
catalogue (San Secondo di Pinerolo, 4<br />
October 2014-8 March <strong>2015</strong>), ed.V. Sgarbi,<br />
San Secondo di Pinerolo 2014<br />
ROBERTO CAMPOBASSO #Stand 31<br />
Napoli<br />
roberto.campobasso@alice.it<br />
www.robertocampobasso.com
Filippo Tagliolini<br />
Fogliano di Cascia, 1745 - Napoli, 1809<br />
Triumph of Bacchus and Silenus<br />
Biscuit of the Real Fabbrica of Naples<br />
h. 61 cm<br />
BIBLIOGRAPHY<br />
A. Gonzales-Palacios, Lo scultore di Filippo<br />
Tagliolini e la Porcellana di Napoli: con<br />
un catalogo delle opere, Turin 1988, fig.<br />
4; Civiltà del ‘700 a Napoli, exhibition<br />
catalogue (Naples 1979-1980), Florence<br />
1980, ed. C. Minieri Riccio, p. 146; C.<br />
Minieri-Riccio, Storia delle porcellane in<br />
Napoli e sue vicende. Sala Bolognese 1980,<br />
pp.55-59<br />
ROBERTO CAMPOBASSO #Stand 31<br />
Napoli<br />
roberto.campobasso@alice.it<br />
www.robertocampobasso.com
Orazio Sammachini<br />
Bologna, 1532 - Bologna. 1577<br />
Saint John the Baptist<br />
Oil on panel<br />
75 x 27 cm<br />
CANTORE GALLERIA ANTIQUARIA #Stand 50<br />
Modena<br />
info@galleriacantore.it<br />
www.galleriacantore.it
Felice Giani<br />
San Sebastiano Curone, 1758 - Roma, 1823<br />
Allegory of painting or The Invention of paintin<br />
Oil on canvas<br />
35 x 47 cm<br />
PROVENANCE<br />
Bologna, Volpe Collection<br />
BIBLIOGRAPHY<br />
L’età neoclassica a Faenza, exhibition<br />
catalogue, X Biennale d’Arte Antica (Faenza,<br />
Palazzo Milzetti, 9 September-26 November<br />
1979), ed. A. Ottani Cavina, Bologna 1979,<br />
p. 21, n. 29 - ill. 30; Il primo ‘800 italiano,<br />
la pittura tra passato e futuro, exhibition<br />
catalogue (Milan, Palazzo Reale, 20<br />
February-3 May 1992), ed. R. Barilli, Milan<br />
1992; A. Ottani Cavina, Felice Giani 1758-<br />
1823 e la cultura di fine secolo, Milan 1999,<br />
Vol. II, p. 639-640.<br />
PREVIOUS EXHIBITIONS<br />
Bregenz, 1968; Vienna, 1968-69; X Biennale<br />
d’Arte Antica, L’età neoclassica a Faenza,<br />
Faenza, Palazzo Milzetti, 9 September-26<br />
November 1979; Il primo ‘800 italiano, la<br />
pittura tra passato e futuro, Milan, Palazzo<br />
Reale, 20 February-3 May 1992.<br />
CANTORE GALLERIA ANTIQUARIA #Stand 50<br />
Modena<br />
info@galleriacantore.it<br />
www.galleriacantore.it
Esafahan Production<br />
18th century<br />
Rug of the “Safavid” Esfahan Court<br />
202 x 135 cm<br />
A splendid integrated example of a Safavid<br />
rug from central Persia, intact, cotton<br />
structure and wool pile. A similar example is<br />
in the Metropolitan Museum of Art in New<br />
York, gifted by Ralph Dudley.<br />
MIRCO CATTAI FINE ART & ANTIQUE<br />
RUGS #Stand 29<br />
Milano<br />
info@mircocattai.com<br />
www.mircocattai.com
Anatolian Production<br />
Ushak “Lotto”<br />
structure in wool<br />
155 x 114 cm<br />
Beginning of the 17th century<br />
PROVENANCE<br />
London, Private Collection<br />
MIRCO CATTAI FINE ART & ANTIQUE<br />
RUGS #Stand 29<br />
Milano<br />
info@mircocattai.com<br />
www.mircocattai.com
Milanese Workshop<br />
Plaque<br />
Iron damascened with gold and silver<br />
35.2 x 49.5 cm<br />
circa 1550<br />
PROVENANCE<br />
F. Spitzer Collection; M. Rullier Collection<br />
BIBLIOGRAPHY<br />
La collection Spitzer: Antiquite, Moyen-age,<br />
Renaissance, Paris, Maison Quantin 1891,<br />
volume 3, p. 44, n. 6.<br />
ALESSANDRO CESATI #Stand 47<br />
Milano<br />
acesati@tiscali.it<br />
info@cesatiecesati.com<br />
www.cesatiecesati.com
Cristoforo Mantegazza<br />
Milan, circa 1429 - Milan, 1479<br />
Madonna of the Book<br />
Limestone<br />
42 x h. 66.5 cm<br />
1475-80<br />
Critical study by Prof. Aldo Galli<br />
ALESSANDRO CESATI #Stand 47<br />
Milano<br />
acesati@tiscali.it<br />
info@cesatiecesati.com<br />
www.cesatiecesati.com
Florentine Production<br />
Jointed Table<br />
beech wood<br />
110 x 58 cm; h. 60 cm<br />
15th century<br />
PROVENANCE<br />
Florence, Elia Volpi Collection; Florence,<br />
Giovanni Bellini Collection; Italy, Private<br />
Collection.<br />
BIBLIOGRAPHY<br />
M. Tinti, Il mobilio fiorentino, Milan-<br />
Rome 1928, p. CXVI (as Florence - Volpi<br />
Collection- Jointed Table (XV century?).<br />
CHIALE ANTIQUARIATO #Stand 60<br />
Racconigi (Cuneo)<br />
info@chialeantiquariato.com<br />
www.chialeantiquariato.com
Manifattura fiorentina<br />
Tavolo snodato<br />
legno di faggio<br />
110 x 58 cm; h. 60 cm<br />
XV secolo<br />
PROVENIENZA<br />
Già Firenze, Collezione Elia Volpi;<br />
Firenze, Collezione Giovanni Bellini; Italia,<br />
Collezione privata.<br />
BIBLIOGRAFIA<br />
Bibliografia: M. Tinti, Il mobilio fiorentino,<br />
Milano-Roma 1928, p. CXVI (come Firenze<br />
- già collezione Volpi - Tavolo snodato (XV<br />
century?).<br />
CHIALE ANTIQUARIATO #Stand 60<br />
Racconigi (Cuneo)<br />
info@chialeantiquariato.com<br />
www.chialeantiquariato.com
Bruxelles production, atelier of Peter van den Hecke<br />
Active from 1712 to 1752<br />
La Toeletta di Psiche<br />
wool and silk<br />
310 x 272 cm<br />
First half of 18th century<br />
Signed lower right «P van den Hecke»<br />
PROVENANCE<br />
Rome, Private Collection<br />
BIBLIOGRAPHY<br />
Similar Example to the properties of<br />
Philbrook Museum di Tulsa, Oklahoma<br />
(USA)<br />
LUCIANO COEN ARAZZI E TAPPETI ANTICHI #Stand 61<br />
Roma<br />
lcoen@tin.it<br />
www.lucianocoen.com
Caucasian Production<br />
Sumak<br />
248 x 152 cm<br />
Second half of 19th century<br />
LUCIANO COEN ARAZZI E TAPPETI ANTICHI #Stand 61<br />
Roma<br />
lcoen@tin.it<br />
www.lucianocoen.com
Benedetto Buglioni<br />
Florence, 1459/60 - Florence, 1521<br />
Saint Joseph<br />
Sculpture, half-length figure in terracotta with partial glazing<br />
63 x 45 x 30 cm<br />
16th century<br />
PROVENANCE<br />
Private Collection<br />
BIBLIOGRAPHY<br />
L. Balzaretti, Tesori di scultura, Novara<br />
1961, p. 98, fig. 58 (as circle of Andrea della<br />
Robbia); Giancarlo Gentilini, 26 June <strong>2015</strong>,<br />
Critical Study.<br />
COPERCINI & GIUSEPPIN<br />
S.r.l. #Stand 15<br />
Arquà Petrarca (Padova)<br />
copercinigiuseppinpadova@virgilio.it
Esodo Pratelli<br />
Lugo di Romagna, 1892 - Milan, 1983<br />
Fury<br />
ceramic plate, painted<br />
diameter 30 cm<br />
Dated on retro: «28 - 11 – 1911»<br />
Initialed and dated: “EP - Roma 28/11/11”<br />
PROVENANCE<br />
Private Collection<br />
BIBLIOGRAPHY<br />
Unpublished<br />
COPERCINI & GIUSEPPIN<br />
S.r.l. #Stand 15<br />
Arquà Petrarca (Padova)<br />
copercinigiuseppinpadova@virgilio.it
Ettore Beraldini<br />
Savigliano (CN), 1887 - Verona, 1965<br />
The Crazy Man’s Mother<br />
Oil on canvas<br />
235 x 310 cm<br />
1923<br />
The work takes place within the psychiatric<br />
hospital of Verona. In the centre, Professor<br />
Umberto Meneghetti is meeting with the<br />
mother of the “crazy man”. The painting is<br />
signed and dated in the lower right «Ettore<br />
Beraldini 1923». Critical study writte<br />
PROVENANCE<br />
Padua, Prof. Guerrino Lenarduzzi Collection<br />
BIBLIOGRAPHY<br />
Catalogo della XIV esposizione<br />
internazionale d’arte della città di Venezia,<br />
1924<br />
PREVIOUS EXHIBITIONS<br />
XIV esposizione internazionale d’arte della<br />
città di Venezia, 1924<br />
COPETTI ANTIQUARI #Stand 78<br />
Udine<br />
info@copettiantiquari.com<br />
www.copettiantiquari.com
Mario Mafai<br />
Rome, 1902 - Rome, 1965<br />
«The Directors» from the series «Le Fantasie»<br />
Oil on panel<br />
36 x 51 cm<br />
1941-’43<br />
We will present the complete collection of<br />
the 23 “Fantasie” painted by Mario Mafai<br />
between 1941 and 1943 and acquired<br />
directly from the artist by Giovanni Pirelli<br />
in 1958. Here, we publish “The Directors”,<br />
dated 1941-43. The important collection<br />
has been exhibited many times in various<br />
national and international museums.<br />
PROVENANCE<br />
Dr. Giovanni Pirelli Collection<br />
BIBLIOGRAPHY<br />
Arte e resistenza in Europa: ventesimo<br />
anniversario della resistenza, (Bologna, Museo<br />
Civico; Turin, Galleria d’arte Moderna)<br />
Bologna 1965; Mafai, exhibition catalogue<br />
(Rome, Palazzo Barberini 1969), Rome 1969;<br />
Immagine per la città, exhibition catalogue<br />
(Genoa, Palazzo dell’Accademia - Palazzo<br />
Reale, 8 April - 11 June 1972), ed. G. Bruno,<br />
Genoa 1972; Mario Mafai 1902-1985:<br />
mostra antologica dipinti e disegni, exhibition<br />
catalogue (Macerata, Palazzo Ricci, 6 July-<br />
14 September 1986), Macerata 1986; Le<br />
Fantasie, exhibition catalogue (Milan, Civico<br />
Museo d’Arte Contemporanea 1989), ed.<br />
G. Appella, Milan 1989; Mario Mafai: le<br />
Fantasie, exhibition catalogue (Modena,<br />
Palazzo Comunale, 1 September- 15 October<br />
1990), ed. F. D’Amico F. Gualdoni, Modena<br />
1990.<br />
COPETTI ANTIQUARI #Stand 78<br />
Udine<br />
info@copettiantiquari.com<br />
www.copettiantiquari.com
Adriaen Van Stalbempt<br />
1580 Anversa - 1662 Anversa<br />
Cabinet d’amateur<br />
90 x 120 cm<br />
PROVENANCE<br />
Laurent Meeus (1872- 1950) ; Bruxelles ;<br />
Collezione privata, Gran Bretagna.<br />
BIBLIOGRAPHY<br />
M. Diaz- Pedrón, Museo del Prado Catàlogo<br />
de Pinturas I. Escuela Flamenca Siglo XVII,<br />
Madrid 1975, vol. I, pp. 380-81, under no.<br />
1405 (come Adriaen van Stalbempt) ; A.<br />
Scarpa Sonino, Cabinet d’amateur, Milano<br />
1992, p.37 ; M. Diaz- Pedrón et M. Royo –<br />
Villanova, David Teniers, Jan Brueghel y los<br />
gabinetes de pinturas, Madrid 1992, p. 199;<br />
S.Speth-Holterhoff, Les peintres flamands de<br />
cabinet d’amateurs aux XVII siècle, 1957, p.<br />
69.<br />
PREVIOUS EXHIBITIONS<br />
Bruxelles, Galleria Robert Finck, 1955 (come<br />
Frans Francken il Giovane)<br />
DE JONCKHEERE #Stand 10<br />
Parigi<br />
paris@dejonckheere-gallery.com<br />
www.dejonckheere-gallery.com<br />
Ginevra<br />
geneve@dejonckheeregallery.com
Jan van Kessel<br />
Antwerp, 1626 - Antwerp, 1679<br />
Allegory of Europe<br />
Oil on copper<br />
49.5 x 68.6 cm<br />
1670<br />
Signed and dated<br />
PROVENANCE<br />
London, Richard Green, 1985; United<br />
States, Private Collection<br />
PREVIOUS EXHIBITIONS<br />
Worcester, Massachusetts, Worcester Art<br />
Museum, The Collector’s Cabinet; Flemish<br />
Paintings from New England Private<br />
Collections, novembre 1983 -gennaio 1984,<br />
p. 82-85, cat. n° 21, illustrato; Worcester,<br />
Worcester Art Museum, 1985-1996, Raleigh.<br />
DE JONCKHEERE #Stand 10<br />
Parigi<br />
paris@dejonckheere-gallery.com<br />
www.dejonckheere-gallery.com<br />
Ginevra<br />
geneve@dejonckheeregallery.com
Syrian Production<br />
Decorative Tile with floral motifs<br />
Glazed terracotta<br />
23.5 x 24 cm<br />
end of 16th century<br />
PROVENANCE<br />
Arthur Ali-Rhoné (1836 -1910) Collection<br />
ANTICHITA’ ALBERTO DI CASTRO #Stand 3<br />
Roma<br />
info@dicastro.com<br />
www.dicastro.com
Syrian Production<br />
Decorative Tile with Floral motifs and a central palm<br />
Glazed terracotta<br />
24.5 x 25 cm<br />
PROVENANCE<br />
Arthur Ali-Rhoné (1836 -1910) Collection<br />
ANTICHITA’ ALBERTO DI CASTRO #Stand 3<br />
Roma<br />
info@dicastro.com<br />
www.dicastro.com
Artist from Rome, from Michelangelo Buonarroti<br />
The Last Judgement<br />
Oil on lapis lazzuli<br />
11.8 x 9.5 cm<br />
ALESSANDRA DI CASTRO #Stand 67<br />
Roma<br />
info@alessandradicastro.com<br />
www.alessandradicastro.com
Giovanni Beltrami<br />
Cremona, 1770 - Cremona, 1854<br />
Cupid and Psyche, from Charles Boulanger de Boisfremont<br />
(Rouen, 1773 - Paris, 1838)<br />
Rock crystal within a gilded bronze frame<br />
5.5 x 7.5 cm (with frame)<br />
Dated 1817<br />
Seven gems from the Giovanni Battista<br />
Sommariva (Lodi, 1760 – Milano, 1826)<br />
Collection» Close to the carving of<br />
Beltrami are here exhibited another six<br />
pieces from the engraved gem collection<br />
of count Sommariva, the most influential<br />
man in Napoleonic Milan. His legendary<br />
collection of antique and contemporary art<br />
was reproduced in gem by one of the most<br />
famous engravers of the first decades of the<br />
nineteenth century.<br />
ALESSANDRA DI CASTRO #Stand 67<br />
Roma<br />
info@alessandradicastro.com<br />
www.alessandradicastro.com
Angelo Morbelli<br />
Alexandria, 1853 - Milan, 1919<br />
The ballerina<br />
Oil on canvas<br />
41.5 x 30.2 cm<br />
1909<br />
Signed and dated bottom left: «Morbelli 1909».<br />
PROVENANCE<br />
Private Collection<br />
ENRICO GALLERIE D’ARTE #Stand 71<br />
Milano - Genova<br />
enricogallerie@iol.it<br />
www.enricogallerie.com
Luigi Nono<br />
Venice, 1850 - Venic, 1918<br />
The love letter<br />
Oil on canvas<br />
65 x 95 cm<br />
1886<br />
.Signed and dated lower left: «L. Nono 1886»<br />
ENRICO GALLERIE D’ARTE #Stand 71<br />
Milano - Genova<br />
enricogallerie@iol.it<br />
www.enricogallerie.com
Felice Giani<br />
San Sebastiano Curone, 1758 - Rome, 1823<br />
The Seasons Offering Gifts to Ceres and Triptolemus;<br />
Triump of Bachus and Ceres;<br />
Ceres learns of the Abduction of Persephone from the nymph Arethusa;<br />
Ceres Begs Jupiter for the Return of Persephone<br />
Tempera on paper<br />
Each tempera 20 x 20 cm (octagonal), within a 19th century frame measuring 52 x 52 cm<br />
1812<br />
The four temperas are preparatory for<br />
the decoration of the vaults of the Cerere<br />
theatre in Imola (Bologna).<br />
BIBLIOGRAPHY<br />
A. Brogi, in Quadri da stanza. Dipinti<br />
emiliani dal XVI al XIX secolo, ed. D.<br />
Benati, catalogue, in “Incontro con la<br />
pittura”, 22, Bologna, 2014, pp. 140-144, n.<br />
35, 36, 37, 38.<br />
FONDANTICO di Tiziana Sassoli #Stand 19<br />
Bologna<br />
info@fondantico.it<br />
www.fondantico.it
Pier Francesco Cittadini<br />
Milan, 1615 circa - Bologna, 1681<br />
The Rape of Europa<br />
Oil on canvas<br />
102 x 153 cm<br />
circa 1660<br />
BIBLIOGRAPHY<br />
D. Benati, in Quadri da stanza. Dipinti<br />
emiliani dal XVI al XIX secolo, a cura dello<br />
stesso, exhibition catalogue, in “Incontro con<br />
la pittura”, 22, Bologna, 2014, pp. 64 - 65, n. 13<br />
FONDANTICO di Tiziana Sassoli #Stand 19<br />
Bologna<br />
info@fondantico.it<br />
www.fondantico.it
Master of the Budapest Antiphonary<br />
Active in Lombardy in 1440 – 1450 circa<br />
Initial G with Saint Francis in Glory<br />
Tempera on vellum (miniature cut and glued on paper)<br />
190 x 155 mm<br />
ENRICO FRASCIONE #Stand 43<br />
Firenze<br />
enricofrascioneantiquario@gmail.com
Plinio Nomellini<br />
Livorno, 1866 - Florence, 1943<br />
Victorious Youth<br />
Oil on canvas<br />
248 x 208 cm<br />
1903<br />
Signed lower right: «P. Nomellini» Documentation: ASAC, Fondo Tomaso Filippi,<br />
Victorious Youth, 1903, Gel in the Sali d’argento.<br />
BIBLIOGRAPHY<br />
V. Pica, Artisti contemporanei: Plinio<br />
Nomellini, in «Emporium», XXXVIII,<br />
1913, 228, p. 416; C. Nuzzi, P. Nomellini,<br />
Florence 1978, p. 7; P. Paccagnini, Un<br />
pittore per un poeta: Plinio Nomellini<br />
illustratore pascoliano (lettere 1901 – 1913),<br />
Massa 1988, p. 19; Luce e pittura in Italia<br />
1850-1914, exhibition catalogue, ed. R.<br />
Miracco, Milan 2002, ill. p. 103; E.B.<br />
Nomellini, Plinio Nomellini. Il colore, la<br />
natura, il mito, Florence 2008, s.p.; E.B.<br />
Nomellini in Opere d’Arte Moderna e<br />
Contemporanea, Asta 58, Porro & C. Art<br />
Consulting, Milan, 18 May 2010, p. 22, n.<br />
22; M. Fochessati, Arte e pubblicità in Italia<br />
1900 – 1945, in Lo stile italiano. Arte e<br />
design, exhibition catalogue, eds. S. Cirulli<br />
and M. Cirulli, Cinisello Balsamo 2012, p.<br />
86, ill. p. 46.<br />
ENRICO FRASCIONE #Stand 43<br />
Firenze<br />
enricofrascioneantiquario@gmail.com
Lazzaro Bastiani<br />
Padua, 1429 - Padua, 1512<br />
Madonna and Child<br />
Oil on panel<br />
75 x 61 cm<br />
XV secolo<br />
BIBLIOGRAPHY<br />
Quattro Madonne col Bambino di Lazzaro<br />
Bastiani, ed. M. Vinco, call for papers,<br />
Bologna, Fondazione Federico Zeri 2013<br />
FRASCIONE ARTE #Stand 55<br />
Firenze<br />
info@frascionearte.com<br />
www.frascionearte.com
Domenico Cresti, detto il Passignano<br />
Passignano, 1559 - Florence, 1638<br />
Holy Family with Saint Elizabeth and Young Saint John the Baptist<br />
Oil on panel<br />
146 x 114 cm<br />
1590<br />
BIBLIOGRAPHY<br />
Domenico Cresti, il Passignano, “fra la<br />
nazione fiorentina e veneziana” ed. F. Berti,<br />
Frascione arte, Firenze 2013<br />
FRASCIONE ARTE #Stand 55<br />
Firenze<br />
info@frascionearte.com<br />
www.frascionearte.com
The Master of Mirasole<br />
Active in Milan, 1460-1480circa<br />
Left shutter: Lamentation over the Dead Christ / Right shutter:<br />
The Virgin and Saint Martha with members of a white flagellant confraternity<br />
Tempera on panel<br />
70.5 x 20 cm each<br />
Circa 1465-1470<br />
GALERIE G. SARTI Stand 11<br />
Parigi<br />
giovanni.sarti@wanadoo.fr<br />
www.sarti-gallery.com
Matteo Loves<br />
(Cologne, born in the last quarter of the 16th century; documented in Cento from 1625 to 1647)<br />
Judith with the Head of Holofernes<br />
Oil on canvas<br />
89.5 x 105 cm<br />
Circa 1620 -1630<br />
Signed on the back: “Giuditta / Oloferne - Mattiha / Lovez”<br />
GALERIE G. SARTI Stand 11<br />
Parigi<br />
giovanni.sarti@wanadoo.fr<br />
www.sarti-gallery.com
Alfredo Ravasco<br />
Genoa, 1873 - Ghiffa, Verbania, 1958<br />
Silversmith: Luigi and Eros Genazzi - Milan.<br />
Una di cinque coppe in argento dorato e pietre dure<br />
gilded silver, lapis lazzuli<br />
h. 33 cm<br />
1935<br />
Inscriptions: «III Mostra Internazionale Arte Cinematografica<br />
Venezia 1935 A. XIII» In good state of conservation<br />
BIBLIOGRAPHY<br />
A. De Giovanni, Argenti italiani del XX<br />
secolo, ed. T.F. Giacobone, Milan 1993,<br />
p. 44; P. Venturelli, Alfredo Ravasco,<br />
Milan 2003, sheet 132, p. 128; La forza<br />
della Modernità. Arti in Italia 1920-1950,<br />
exhibition catalogue (Lucca, Fondazione<br />
Centro Studi sull’Arte Licia e Carlo<br />
Ludovico Ragghianti 2013), eds. M.F.<br />
Giubilei, V. Terraroli, Lucca 2013, sheet 135.<br />
PREVIOUS EXHIBITIONS<br />
La forza della Modernità. Arti in Italia<br />
1920-1950, Lucca, Fondazione Centro Studi<br />
sull’Arte Licia e Carlo Ludovico Ragghianti,<br />
2013.<br />
GALLERIA DANIELA BALZARETTI #Stand 22<br />
Milano<br />
galleria@danielabalzaretti.it<br />
www.danielabalzaretti.it
Adolfo De Carolis<br />
Montefiore dell’Aso, 1873 - Montefiore dell’Aso, 1928<br />
The Great Aretini<br />
Oil on canvas<br />
40 x 85 cm; 60 x 104.5 cm (with frame)<br />
1922 / 1924<br />
Bozzetto for the frescoes of the frontal<br />
wall of the Provincial Sala del Consiglio in<br />
Arezzo. Label on retro: «Vittoriale 1975, n.<br />
58». In good state of conservation<br />
PROVENANCE<br />
Treviso, Donella De Carolis (authenticated<br />
on the retro)<br />
BIBLIOGRAPHY<br />
A. Severi, Adolfo De Carolis, in «L’Artista<br />
Moderno», VII, 1909, February special<br />
number; R. Calzini, Adolfo De Carolis, in<br />
«Emporium», XLVIII, 1918, pp. 59-72;<br />
«Emporium», 1921, pp.165-166; E. Benezit,<br />
De Carolis, Circolo Artistico Politecnico<br />
di Napoli 1970, vol.VI, p. 166; L. Rossi<br />
Bortolatto, Adolfo De Carolis, Treviso 1970;<br />
A. Conti, Esposizione Romana delle opere<br />
di Adolfo De Carolis, 1929; Da Canova a<br />
De Carolis, Galleria d’Arte Moderna, Rome<br />
1978; Pittori del Novecento in Toscana, ed.<br />
U. Baldini, Florence 1979.<br />
PREVIOUS EXHIBITIONS<br />
Vittoriale 1975, n. 58 (label on retro);<br />
Adolfo De Carolis e il Liberty nelle Marche,<br />
Macerata, Palazzo Ricci, July-October 1999;<br />
Riconoscere Michelangelo, Florence Galleria<br />
dell’Accademia, February - May 2014.<br />
GALLERIA DANIELA BALZARETTI #Stand 22<br />
Milano<br />
galleria@danielabalzaretti.it<br />
www.danielabalzaretti.it
Giorgio de Chirico<br />
Volos, 1888 - Roma, 1978<br />
Horses and Ruins on the Banks of the Sea<br />
Oil on canvas<br />
91.7 x 73.7 cm<br />
1927<br />
Signed above right: «G. de Chirico». Three<br />
labels on the reverse.<br />
PROVENANCE<br />
Paris, Paul Guillaume Collection;<br />
Philadelphia, Albert C. Barnes Collection;<br />
Alan Neville Collection; United States<br />
of America, Private Collection; Private<br />
Collection<br />
BIBLIOGRAPHY<br />
: Die Andere Moderne, De Chirico-<br />
Savinio, exhibition catalogue (Düsseldorf,<br />
Kunstsammlung Nordrhein-Westfalen, 15<br />
September - 15 December 2001), sed. B.<br />
Paolo, W. Schmied, Ostfildern-Ruit 2001;<br />
Giorgio de Chirico, exhibition catalogue<br />
(Monaco, Lenbachhaus, 20 December 2001<br />
– 10 March 2002), Monaco 2001, p. 318, n.<br />
126; La bella pittura 1900-1945, exhibition<br />
catalogue (Potenza, Pinacoteca Provinciale,<br />
10 October 2003 - 19 January 2004),<br />
ed. L. Gavioli, Venice 2003, pp. 84, 85,<br />
189; Montecitorio e la bella pittura 1900-<br />
1945, exhibition catalogue (Rome, Palazzo<br />
Montecitorio, Sala della Regina, 2 March - 9<br />
April 2004),<br />
PREVIOUS EXHIBITIONS<br />
Die Andere Moderne, De Chirico / Savinio,<br />
Düsseldorf, Kunstsammlung Nordrhein-<br />
Westfalen, 15 settembre - 15 dicembre 2001,<br />
poi Monaco, Lenbachhaus, dicembre 2001 -<br />
maggio 2002, cat. p. 318, n. 126, illustrato a<br />
colori; La bella pittura 1900-1945.<br />
GALLERIA D’ARTE FREDIANO FARSETTI #Stand 69<br />
Firenze<br />
info@galleriafredianofarsetti.it; leonardo@farsettiarte.it<br />
www.galleriafredianofarsetti.it
Medardo Rosso<br />
Turin, 1858 - Milan, 1928<br />
Petite Rieuse<br />
Bronze Casting<br />
circa 22 x 15.5 x 18.5 cm<br />
BIBLIOGRAPHY<br />
Modernes kunstgewerbe. Impressionistische<br />
Sculptur un Decoration, in «Illustrierte<br />
Zeitung», 25 September 1902, p. 481;<br />
Medardo Rosso. Catalogo ragionato della<br />
scultura, eds. P. Mola and F. Vittucci, Milan<br />
2009, pp. 268-269, cat. I.21a; P. Mola,<br />
Rosso. Opere scelte, Milan 2011, pp. 56–63<br />
(with preceding bibliography).<br />
GALLERIA GOMIERO #Stand 21<br />
Milano<br />
diegogomiero@alice.it
Filippo Parodi<br />
Genoa, 1630 - Genoa, 1702<br />
Crucifix<br />
Carved boxwood<br />
80 x 90 cm<br />
End of the ninth decade of the 17th century<br />
BIBLIOGRAPHY<br />
About the artist, see P. Rotondi, Filippo<br />
Parodi maestro dell’intaglio, in «Bollettino<br />
d’arte», s. 4, XLIV, 1959, pp. 46-56; Eadem,<br />
Filippo Parodi, Genoa 1962; G. Bresciani<br />
Alvarez, Attività del Parodi scultore a<br />
Venezia e a Padova, in «Il Santo», 1964,<br />
pp. 155-175; S. Guerriero, Le alterne<br />
fortune dei marmi: busti, teste di carattere<br />
e altre “scolture moderne” nelle collezioni<br />
veneziane tra Sei e Settecento, in G.<br />
Pavanello, La scultura veneta del Seicento<br />
e del Settecento. Nuovi Studi, Venice<br />
2002, pp. 99-100; L. Magnani, Narciso e lo<br />
specchio, in «FMR», 15, 2005, pp. 99-100;<br />
M. Clemente, Un busto di Filippo Parodi a<br />
Waddesdon Manor, in «Arte Veneta», 68,<br />
2011, pp. 258-259; D. Sanguineti, Scultura<br />
genovese in legno policromo dal secondo<br />
Cinquecento al Settecento, Turin 2013, pp.<br />
432-435.<br />
GALLERIA GOMIERO #Stand 21<br />
Milano<br />
diegogomiero@alice.it
Giacomo Ceruti<br />
Milan, 1698 - Milan, 1767<br />
Girl with roses<br />
Oil on canvas<br />
72 x 56 cm<br />
PROVENANCE<br />
W. Suida Manning Collection<br />
BIBLIOGRAPHY<br />
M. Gregori, Giacomo Ceruti, Bergamo<br />
1982, p. 452, n. 124; A. Cottino, La<br />
donna nella pittura italiana del seicento e<br />
settecento, Turn 2003, p. 182, n. 35. La<br />
donna nella pittura italiana del seicento e<br />
settecento, Turin 2003<br />
GALLERIA PREVITALI #Stand 65<br />
Bergamo<br />
info@galleriaprevitali.com<br />
www.galleriaprevitali.com<br />
Bergamo<br />
info@previtaliarte.com<br />
www.previtaliarte.com
Venetian Production<br />
Veneto commode<br />
104 x 146 x 65 cm<br />
End of 17th century<br />
Veneto commode from the end of the XVII<br />
century in walnut and olive woods with floral<br />
inlays and pop-up cornets in ebonized wood.<br />
Inside of the top drawer is a nest of drawers<br />
and a pull-out writing surface.<br />
GALLERIA PREVITALI #Stand 65<br />
Bergamo<br />
info@galleriaprevitali.com<br />
www.galleriaprevitali.com<br />
Bergamo<br />
info@previtaliarte.com<br />
www.previtaliarte.com
Venetian Production<br />
18th century<br />
Oriental Figure<br />
Polychrome terracotta<br />
h. 60 cm<br />
GALLERIA SILVA #Stand 42<br />
Milano<br />
galleriasilva@tiscali.it<br />
www.galleriasilva.com
Venetian Production<br />
18th century<br />
Pair of Young Moors<br />
Terracotta<br />
h. 44 cm and 47.6 cm<br />
GALLERIA SILVA #Stand 42<br />
Milano<br />
galleriasilva@tiscali.it<br />
www.galleriasilva.com
Leopold Kiesling<br />
Schönleben naer Liebenau (Austria), 1770 - Vienna, 1827<br />
The Genius of the Arts who Reveals Nature<br />
Marble with bronze inserts<br />
h. 140 cm<br />
1809 - 1810<br />
PROVENANCE<br />
Conte Ferdinand Palffy de Erdoed (1774-<br />
1840), recorded in his collection in 1821 by<br />
Joseph von Hormayr; Prince Johann II von<br />
Liechtenstein (1840-1929), in the Bankgasse<br />
Palace in Vienna.<br />
BIBLIOGRAPHY<br />
Morgenblatt für gebildete Stände, 1 April<br />
1809, n. 78; Morgenblatt für gebildete<br />
Stände, 28 September 1810, n. 233; S.<br />
Grandesso, Bertel Thorvaldsen (1770-1844),<br />
ed. L. Skjøthaugh, new English and Italian<br />
editions, Cinisello Balsamo <strong>2015</strong>, pp. 90-92,<br />
fig. 109.<br />
GALLERIA CARLO VIRGILIO & C. #Stand 18<br />
Roma<br />
info@carlovirgilio.it<br />
www.carlovirgilio.it
Giulio Bargellini<br />
Florence,1875 - Rome, 1936<br />
Annunication<br />
oil on canvas set on panel<br />
80 x 126 cm (in the original frame)<br />
1901<br />
Signed “G. Bargellini Roma”. The work<br />
was presented at the1901 Concorso Alinari<br />
dedicated to Stories of the Virgin.<br />
PROVENANCE<br />
Collection of the sculptor, Antonio Maraini<br />
(Rome 1886-Florence 1963); Rome, private<br />
collection<br />
GALLERIA CARLO VIRGILIO & C. #Stand 18<br />
Roma<br />
info@carlovirgilio.it<br />
www.carlovirgilio.it
Massimo Stanzione<br />
Orta di Atella, c. 1585 - Naples, c. 1658<br />
Christ with the Wanderers<br />
Oil on canvas<br />
121 x 153 cm<br />
17th century<br />
PROVENANCE<br />
Private Collection<br />
BIBLIOGRAPHY<br />
The work is accompanied by an essay<br />
written by Prof. Stefano Causa. Unpublished<br />
PREVIOUS EXHIBITIONS<br />
Opera Inedita<br />
MICHELE GARGIULO “ANTIQUARIO” #Stand 76<br />
Napoli<br />
michelegargiulo5@gmail.com<br />
graziagalanterie@alice.it
Filippo Tagliolini<br />
Fogliano di Cascia, 1745 - Naples, 1809<br />
Judgement of Paris<br />
Biscuit Real Fabbrica Ferdinandea, Naples<br />
h. 55 cm<br />
1801<br />
PROVENANCE<br />
Private Collection<br />
BIBLIOGRAPHY<br />
The work is accompanied by an essay written by Dr. Angela Carola Perrotti<br />
MICHELE GARGIULO “ANTIQUARIO” #Stand 76<br />
Napoli<br />
michelegargiulo5@gmail.com<br />
graziagalanterie@alice.it
Vincenzo Gemito<br />
Naples, 1852 - Naples, 1929<br />
Carminella<br />
Terracotta<br />
h. 30 cm<br />
1870<br />
This work dates back to the beginning of the<br />
sculptor’s career, shared with the contemporary<br />
painter, Antonio Mancini, who created<br />
a portrait of the same young girl, now in the<br />
Galleria Nazionale d’Arte Moderna di Roma<br />
(inv. 3335).<br />
BIBLIOGRAPHY<br />
Unpublished<br />
GIACOMETTI OLD MASTER PAINTINGS #Stand 38<br />
Roma<br />
info@giacomettiomp.com<br />
www.giacomettiomp.com
Antonio Mancini<br />
Rome, 1852 - Rome, 1930<br />
Costume popolare di Formia<br />
Oil on canvas<br />
141 x 100 cm<br />
Signed lower right “A. Mancini/Formia/1923”<br />
PROVENANCE<br />
Rome, Berardi Caruso collection; Rome, private<br />
collection<br />
BIBLIOGRAPHY<br />
The painting will be published in the<br />
monography of the artist edited by Cinzia<br />
Virno, De Luca editore.<br />
PREVIOUS EXHIBITIONS<br />
Esposizioni: 1926, XV Biennale Internazionale<br />
d’Arte di Venezia; 1925, 1926, 1927 Carnegie<br />
Insitute Pittsburgh, Philadelphia, Saint Louis (<br />
n. 1295).<br />
GIACOMETTI OLD MASTER PAINTINGS #Stand 38<br />
Roma<br />
info@giacomettiomp.com<br />
www.giacomettiomp.com
Giovanni Boccaccio<br />
Certaldo, 1313 - Certaldo, 1375<br />
Des Cas des Nobles Hommes et Femmes<br />
Manuscript on vellum, 301 leaves. 9 (of 10) large miniatures with full borders, 1 small miniature.<br />
400 x 300 mm<br />
Middle Ages<br />
A long lost Boccaccio, in large format, from<br />
the great era of Burgundian bibliophilia: a<br />
very fine codex in almost pristine condition<br />
with known provenance of the aristocratic<br />
recipients. The miniatures in this imposing<br />
codex are notable for their large scale, with<br />
spacious, colourful, and contemporary<br />
settings for distant events described in the<br />
texts. Many of the images present a striking<br />
originality inspired by the stories they<br />
accompany.<br />
PROVENANCE<br />
Perhaps Burgundy<br />
BIBLIOGRAPHY<br />
Parchment and Gold. Dr. Jörn Günther<br />
Rare Books, cat. 11. Stalden <strong>2015</strong>, no. 38.<br />
V. Branca, Boccaccio visualizzato: narrare<br />
per parole e per immagini fra Medioevo e<br />
Rinascimento, Torino 1999, Vol. III, no. 58.<br />
DR. JORN GUENTHER RARE BOOKS AG #Stand 5<br />
Stalden - Basilea<br />
info@guenther-rarebooks.com<br />
www.guenther-rarebooks.com
Caius Julius Caesar<br />
Rome, July 100 BCE - Rome, 15 March 44 BCE<br />
Commentarii de bello Gallico<br />
Manuscript on vellum, 280 leaves. 1 painted and 15 large white vine initials.<br />
Original Italian binding<br />
345 x 242 mm<br />
Renaissance<br />
The memoirs of the campaigns in Gaul<br />
from 58-52 BCE and of the civil war against<br />
Pompey in 49-48 BCE are the only works<br />
of Julius Caesar to survive intact. In the<br />
Renaissance his books became literature<br />
used in the education of youth. With its fine,<br />
15th<br />
PROVENANCE<br />
Milan<br />
BIBLIOGRAPHY<br />
J.J.G. Alexander, A.C. de la Mare. The<br />
Italian Manuscripts in the Library of Major<br />
J. R. Abbey. New York and Washington,<br />
1969, pp. 131-133, cat. no. 47. M.A.<br />
Casagrande Mazzoli, ‘Per la biblioteca<br />
di Fabrizio Marliani, vescovo di Piacenza<br />
(1476-1506),’ Libri e documenti, Archivio<br />
storico civico e Biblioteca Trivulziana,<br />
XXIII, 1-3 (1997), pp. 59-72.<br />
DR. JORN GUENTHER RARE BOOKS AG #Stand 5<br />
Stalden - Basilea<br />
info@guenther-rarebooks.com<br />
www.guenther-rarebooks.com
Jean-Baptiste Boudard<br />
Paris, 1710 - Paris, 1768<br />
Bust depicting “Young Marcus Aurelius”<br />
Carrara mable with base in veneered antique green<br />
51 x 35 cm<br />
BIBLIOGRAPHY<br />
F. Baroncelli, Jean Baptiste Boudard, Parma 1990<br />
IOTTI GIANFRANCO E FIGLIO ANTICHITA’ #Stand 53<br />
Reggio Emilia<br />
siottiantichita@libero.it
Agostino Sant’Agostino<br />
Milan, 1633 - Milan, 1699<br />
Portrait of a group with backgammon players, falconers, musicians, and a set table<br />
Oil on canvas<br />
195 x 335 cm<br />
Signed and dated: «AGOSTINO SANT’AGOSTINO 1663»<br />
BIBLIOGRAPHY<br />
On the artist, see: M. Bona Castellotti,<br />
Pittura lombarda del ‘600, edizioni<br />
Longanesi, Milan 1985<br />
IOTTI GIANFRANCO E FIGLIO ANTICHITA’ #Stand 53<br />
Reggio Emilia<br />
siottiantichita@libero.it
Giovan Battista Moroni<br />
Albino, Bergamo c. 1521 - Bergamo 1579<br />
Nativity<br />
Oil on canvas<br />
83 x 76 cm<br />
1540-1545 ca<br />
BIBLIOGRAPHY<br />
F. Frangi, Giovan Battista Moroni, una<br />
natività giovanile, Milan 2014.<br />
MATTEO LAMPERTICO ARTE ANTICA E MODERNA #Stand 26<br />
Milano<br />
info@matteolampertico.it<br />
www.matteolampertico.it
Tancredi Parmeggiani<br />
Feltre, 1927 - Rome, 1964<br />
Untitled. Cycle of the “Diari Paesani”<br />
Tempera and collage on canvas<br />
170 x 146 cm<br />
BIBLIOGRAPHY<br />
M. Dalai Emiliani, Tancredi. I dipinti e gli<br />
scritti, Turin 1996, n. 1087, p. 293, ill. vol.<br />
II; Tancredi, catalogo della mostra, Feltre,<br />
Galleria d’arte moderna “Carlo Rizzarda”, 9<br />
April – 28 August 2011, Milan 2011, p. 176<br />
and on the cover.<br />
PREVIOUS EXHIBITIONS<br />
Valdagno, Fondazione Marzotto, Mostra di<br />
Pittura contemporanea Comunità Europea<br />
1962-1963. Premio Marzotto, autunno 1962,<br />
n. 104; Milan, Galleria dell’Ariete, Tancredi<br />
1952-1962, 7 – 24 February 1967, n. 24.<br />
MATTEO LAMPERTICO ARTE ANTICA E MODERNA #Stand 26<br />
Milano<br />
info@matteolampertico.it<br />
www.matteolampertico.it
Master of San Sebastiano Monti<br />
Active in Milan around 1620 - 1640<br />
The mocking of Christ<br />
oil on canvas<br />
130 x 97 cm<br />
Good state of conservation, light retouches.<br />
PROVENANCE<br />
Private collection, Italy.<br />
BIBLIOGRAPHY<br />
Frangi, Daniele Crespi, la giovinezza<br />
ritrovata, Milan 2012, pp. 76-77, tav. XII.<br />
LAMPRONTI GALLERY #Stand 4<br />
Londra<br />
info@cesarelampronti.co.uk<br />
www.cesarelampronti.co.uk<br />
Roma<br />
info@cesarelampronti.it<br />
www.cesarelampronti.it
Gaspar Van Wittel, detto Vanvitelli<br />
Amersfoort, 1652/53 - Rome, 1736<br />
View of the Tiber with the Castel Sant’Angelo, Rome<br />
oil on canvas<br />
55 x 108 cm<br />
Private Collection, New York.<br />
Signed and dated, lower left: «Gaspar van Witel 168[?]3»<br />
BIBLIOGRAPHY<br />
G. Briganti, Gaspar van Wittel e l’origine<br />
della veduta settecentesca, Rome 1966,<br />
p. 198, n. 79; G. Briganti, Gaspar van<br />
Wittel, eds. L. Laureati, L. Trezzani, Milan<br />
1996, p. 179, fig. n. 30, p. 181, n. 130. See<br />
also: Gaspare Vanvitelli e le origini del<br />
vedutismo, exhibition catalogue (Rome,<br />
Centro Culturale Internazionale Chiostro<br />
del Bramante, 26 October 2002-2 February<br />
2003; Venice, Museo Correr, 28 February-1<br />
June 2003), ed. F. Benzi, Rome 2002, pp.<br />
128-131, cat. n. 28 and cat. n. 29, fig. 28, 29<br />
and 29bis, sheets edited by L. Laureati and<br />
L. Trezzani.<br />
LAMPRONTI GALLERY #Stand 4<br />
Londra<br />
info@cesarelampronti.co.uk<br />
www.cesarelampronti.co.uk<br />
Roma<br />
info@cesarelampronti.it<br />
www.cesarelampronti.it
Master of San Paolo Eremita<br />
Active in Lombardy during the second half of the 15th century -<br />
Christ in Pietà surrounded by angels<br />
Low-relief in marble<br />
19.5 x 27.5 x 5 cm<br />
Circa 1480<br />
PROVENANCE<br />
Como, Giovio Collection<br />
LONGARI ARTE MILANO #Stand 45<br />
Milano<br />
marco@longariartemilano.com<br />
www.longariartemilano.com
Florentine Workshop<br />
Frame with fruit garland with ribbons and ‘horsehead’ shield as a coats of arms for the<br />
English crown; Ovoid vase with two handles and fluted body with carnations; Ovoid<br />
vase with two handles, a fluted body and carnations; Frame with fruit garland with<br />
ribbons and ‘horsehead’ shield with the family crest of the Florentine family, Bardi<br />
Four intarsia panels made of walnut and maple wood<br />
33 x 39.5 x 0.3 cm circa<br />
Last quarter of 15th century<br />
LONGARI ARTE MILANO #Stand 45<br />
Milano<br />
marco@longariartemilano.com<br />
www.longariartemilano.com
Bartolomeo Bettera<br />
Bergamo, 1639 - dopo 1699<br />
Still Life with musical instruments<br />
oil on canvas<br />
119 x 145 cm<br />
BIBLIOGRAPHY<br />
La natura e la Grazia, exhibition catalogue<br />
(Cesena, Galleria Comunale d’arte, 30 June<br />
- 9 September 2012), ed. A. Cottino, Cesena<br />
2012, pp. 72-73, cat. n. 20.<br />
PREVIOUS EXHIBITIONS<br />
La Natura e la Grazia, Cesena, Galleria<br />
Comunale d’ arte, 30 June - 9 September<br />
2012.<br />
ENRICO LUMINA #Stand 27<br />
Bergamo<br />
info@enricolumina.com<br />
www.enricolumina.com
Enea Salmeggia, called Il Talpino<br />
Nembro, c. 1558 - Bergamo, 1626<br />
Portrait of a Young Gentleman<br />
Oil on canvas<br />
186 x 107 cm<br />
ENRICO LUMINA #Stand 27<br />
Bergamo<br />
info@enricolumina.com<br />
www.enricolumina.com
Jan Frans van Bloemen<br />
Antwerp, 1662 - Rome, 1749<br />
Landscape with Fountain and Towered Village (Marino?)<br />
Oil on copper (one of a couple)<br />
21.,5 x 28 cm<br />
First half of XVIII century<br />
PROVENANCE<br />
France, art market<br />
BIBLIOGRAPHY<br />
Unpublished<br />
FABIO MASSIMO MEGNA #Stand 35<br />
Roma<br />
megnam@inwind.it
Antonio Mercurio Amorosi<br />
Comunanza, 1660 - Comunanza, 1738<br />
Young Boy with tambourine and dog<br />
Oil on canvas<br />
42 x 33 cm<br />
First half of 18th century<br />
PROVENANCE<br />
France, art market<br />
BIBLIOGRAPHY<br />
Unpublished<br />
FABIO MASSIMO MEGNA #Stand 35<br />
Roma<br />
megnam@inwind.it
Giuliano Giamberti, called Giuliano da Sangallo<br />
Florence, 1445 - Florence, circa 1516<br />
Crucifix<br />
Carved and Polychrome Wood<br />
41.8 x 41.8 cm (Christ); 82 x 44.5 cm (Cross, original)<br />
1480-1490<br />
PROVENANCE<br />
Florence, Aglietti-Ricasoli Collection<br />
BIBLIOGRAPHY<br />
M. Lisner, Holzkruzifixe in Florenz und in<br />
der Toskana, Munich 1970, p. 88, fig. 202,<br />
220; G. Gentilini, Giuliano da Sangallo:<br />
Cristo Crocifisso, in Per la storia della<br />
scultura, Turin 1992, cat. n.2, pp. 22-31;<br />
Proposta per Michelangelo giovane. Un<br />
Crocifisso in legno di tiglio, catalogo della<br />
mostra (Florence, Museo Horne, 8 May-4<br />
September 2004), ed. G. Gentilini, Turin<br />
2004; G. Amato, I ‘Crocifissi’ lignei di<br />
Giuliano, Antonio e Francesco da Sangallo,<br />
in «Prospettiva», 147-148, 2012, pp. 63, 66,<br />
68, 70, 73-74, 104 n. 16, figs. 4,8,12,104.<br />
PREVIOUS EXHIBITIONS<br />
Proposta per Michelangelo giovane. Un<br />
Crocifisso in legno di tiglio, Florence, Museo<br />
Horne, 8 May - 4 September 2004<br />
MEHRINGER BENAPPI #Stand 72<br />
Monaco di Baviera<br />
sascha.mehringer@web.de<br />
Torino<br />
info@benappi.com<br />
www.benappi.com
Urbano Lucchesi<br />
Lucca, 1844 - Florence, 1906<br />
Saint Jude the Apostle<br />
Sculpture in gesso<br />
h. 40 cm<br />
Circa 1883<br />
Study for the head of a marble statue<br />
for the façade of the Cathedral of Santa<br />
Maria del Fiore ing Florence.<br />
PROVENANCE<br />
Private Collection<br />
BIBLIOGRAPHY<br />
Unpublished. The marble statue is cited<br />
in: A. Conti, Illustrazione delle Sculture e<br />
dei Mosaici della Facciata del Duomo di<br />
Firenze, Florence 1887.<br />
MEHRINGER BENAPPI #Stand 72<br />
Monaco di Baviera<br />
sascha.mehringer@web.de<br />
Torino<br />
info@benappi.com<br />
www.benappi.com
Sculptor active in Marche<br />
Crucifix<br />
Polychrome wooden sculpture<br />
95 x 98 cm<br />
14th century<br />
SANDRO MORELLI #Stand 59<br />
Firenze<br />
sanmorelli@gmail.com
Ebony Craftsman from Marche<br />
Coin cabinet<br />
Carved Walnut Wood<br />
71 x 89 x 46 cm<br />
16th century<br />
SANDRO MORELLI #Stand 59<br />
Firenze<br />
sanmorelli@gmail.com
Francesco Granacci<br />
Florence, 1469 - Florence, 1543<br />
Madonna of the Girdle with Saints Benedict of Nursia,<br />
Thomas, Francis and Julian the Hospitalier<br />
Oil on panel<br />
216 x 180.5 cm<br />
PROVENANCE<br />
Florence, Santa Maria Novella, Chiostro<br />
della Porta (commissioned by the<br />
Compagnia San Benedetto Bigio et in Palco<br />
- later known as the Compagnia di San<br />
Benedetto Nero); Possibly Pisa, Cattedrale di<br />
Santa Maria Assunta.<br />
BIBLIOGRAPHY<br />
L. Pagnotta, Francesco Granacci in La<br />
pittura in Italia: Il Cinquecento, Milan,<br />
1988, pp. 736 – 737; V. Markova, Una tavola<br />
datata di Francesco Granacci e qualche<br />
nota sul suo percorso in Mitteilungen des<br />
Kunsthistorischen Institutes in Florenz,<br />
1992, 37, p. 297; R. C. Propto Pisani, Il<br />
Museo di Santa Verdiana a Castelfiorentino,<br />
Florence, 1999. p. 37.<br />
PREVIOUS EXHIBITIONS<br />
Manchester, Old Trafford, Art Treasures of<br />
the United Kingdom, May - October 1857,<br />
no. 147<br />
FABRIZIO MORETTI #Stand A<br />
Firenze<br />
info@morettigallery.com<br />
www.morettigallery.com<br />
Londra<br />
london@morettigallery.com<br />
New York, N.Y.<br />
newyork@morettigallery.com
Workshop of Pier Jacopo Alari-Bonacolsi, detto l’Antico<br />
Mantua, 1460 - Gazzuolo, 1528<br />
Bust of the Augustan Julius Caesar<br />
Bronze, hollow lost-wax cast<br />
37.5 x 25.4 cm (at shoulders); 19 cm (ear to ear), depth 24 cm<br />
1500 circa<br />
MULLANY HAUTE EPOQUE FINE ART #Stand 36<br />
Londra<br />
info@mullanyfineart.com<br />
www.mullanyfineart.com
England, Nottingham Workshop<br />
Relief with the Ascension of Christ<br />
Alabaster, with original polychrome and gilding<br />
39.5 x 24 cm<br />
15th century<br />
MULLANY HAUTE EPOQUE FINE ART #Stand 36<br />
Londra<br />
info@mullanyfineart.com<br />
www.mullanyfineart.com
Francesco Solimena<br />
Canale di Serino, 1657 - Naples, 1747<br />
Deposition<br />
Oil on canvas<br />
75 x 128 cm<br />
1730 circa<br />
OTTO NAUMANN Ltd. #Stand 41<br />
New York<br />
bria@ottonaumannltd.com<br />
www.ottonaumannltd.com
Denys Calvaert<br />
Antwerp, 1540 - Bologna, 1619<br />
The Holy Family with the infant St. John the Baptist and an Angel<br />
Oil on canvas<br />
58 x 41 cm<br />
1579<br />
Signed and dated left of center: FECIT/DIONISIO CALVART FIAM<strong>ENG</strong>O/∙1579<br />
BIBLIOGRAPHY<br />
Simone Twiehaus, Dionisio Calvaert (um<br />
1540-1619) – Die Altarwerke, Berlin 2002, p.<br />
148; N. Dacos, “Denys Calvaert,” The Age<br />
of Correggio and Carracci: Emilian Painting<br />
of the Sixteenth and Seventeenth Centuries<br />
(exh. Cat., Washington, DC, N.G.A., 1986),<br />
p. 77-81.<br />
OTTO NAUMANN Ltd. #Stand 41<br />
New York<br />
bria@ottonaumannltd.com<br />
www.ottonaumannltd.com
Giovanni Giacomo Sementi<br />
Bologna, 1583 - Rome, 1636<br />
The Holy Family with an angel<br />
oil on canvas<br />
76.3 x 96.5 cm (oval)<br />
Circa 1625 - 1630<br />
PROVENANCE<br />
Bologna, Private Collection<br />
BIBLIOGRAPHY<br />
Unpublished. The name of the painter is<br />
confirmed by a written expertise by Professor<br />
Daniele Benati.<br />
MAURIZIO NOBILE #Stand 33<br />
Bologna<br />
bologna@maurizionobile.com<br />
www.maurizionobile.com<br />
Parigi<br />
paris@maurizionobile.com
Felice Giani<br />
San Sebastiano Curone, 1758 - Rome, 1823<br />
The Dance of the Hours<br />
Tempera on paper<br />
290 x 414 mm<br />
circa 1797<br />
Model for the decoration of the ceiling of<br />
the Gabinetto di Astronomia di Palazzo<br />
Laderchi in Faenza: a studiolo which Count<br />
Achille, a passionate lover of the stars,<br />
commissioned from Giani in 1797 with<br />
termination of the decorative work in the<br />
large gallery of the townhouse.<br />
PROVENANCE<br />
Castel Bolognese (RA), Corbara Collection;<br />
Bologna, Private Collection.<br />
BIBLIOGRAPHY<br />
A. Ottani Cavina, L’età neoclassica a<br />
Faenza, Bologna 1979, pag. 82-83, ill. 154.<br />
MAURIZIO NOBILE #Stand 33<br />
Bologna<br />
bologna@maurizionobile.com<br />
www.maurizionobile.com<br />
Parigi<br />
paris@maurizionobile.com
Camillo Procaccini<br />
Parma, 1561 - Milan, 1629<br />
The Temptations of Saint Anthony Abbot<br />
Oil on canvas<br />
255 x 190 cm<br />
1590-1595<br />
PROVENANCE<br />
Marchesi Soranzo Picenardi Collection –<br />
successively transferred to another private<br />
collection.<br />
BIBLIOGRAPHY<br />
C. C. Malvasia, Felsina pittrice. Vite dei pittori<br />
Bolognesi..., vol. I, Bologna 1678, p. 285; U.<br />
Bocchi, Documenti d’arte nel Casalasco-<br />
Viadanese. Un territorio di confine tra Cremona,<br />
Mantova e Parma, Viadana (Mn) 2003, pp.<br />
145, 150, fig. 148; A. Morandotti, in Camillo<br />
Procaccini (1561-1629). Le sperimentazioni<br />
giovanili tra Emilia, Lombardia e Canton Ticino,<br />
eds. D. Cassinelli, P. Vanoli, Cinisello Balsamo-<br />
Rancate 2007, pp. 192-193, n. 24.<br />
ADOLFO E ALESSIO NOBILI DIPINTI ANTICHI #Stand 30<br />
Milano<br />
info@quadriantichi.it<br />
www.quadriantichi.it
Sebastiano Ricci<br />
Belluno, 1659 - Venice, 1734<br />
Charity/Maternal Love<br />
Oil on canvas<br />
150 x 110 cm<br />
Circa 1700<br />
BIBLIOGRAPHY<br />
L’opera completa di Sebastiano Ricci, in Classici<br />
dell’arte Rizzoli, 89, Milan 1976, p. 94; J. Daniels,<br />
Sebastiano Ricci, Howe 1976, sheet 376, Charity<br />
fig. 83. p. 107.<br />
ADOLFO E ALESSIO NOBILI DIPINTI ANTICHI #Stand 30<br />
Milano<br />
info@quadriantichi.it<br />
www.quadriantichi.it
Mario Balassi<br />
Florence, 1604 - Florence,1667<br />
Portrait of the Marchese Giovanni Corsi (1600 – 1661)<br />
Oil on canvas<br />
70.7 x 54 cm<br />
Inscription lower left: «All’Ill.mo Sig.re e Pron. Col.mo/ Il Sig. March.e Gio: Corsi /<br />
Firenze/1661.» («All’illustrissimo Signore e Padron Colendissimo, Il signor Marchese<br />
Giovanni Corsi, Firenze 1661»)<br />
BIBLIOGRAPHY<br />
F. Baldinucci, Notizie de’ professori del<br />
disegno da Cimabue in qua, vol. IV, Florence<br />
1688, ed. 1846, p. 587.<br />
CARLO ORSI #Stand 66<br />
Milano<br />
info@galleriaorsi.com<br />
www.galleriaorsi.com
Michele Marieschi<br />
Venice, 1710 - Venice, 1744<br />
The Regata on the Grand Canal<br />
Oil on canvas<br />
56 x 85 cm<br />
PROVENANCE<br />
London, Hallsborough Gallery; Bergamo,<br />
Lorenzelli; Contini Bonacossi Collection;<br />
Venice, Vittorio Cini Collection; France, Private<br />
Collection; Italy, Private Collection<br />
BIBLIOGRAPHY<br />
S. Paoli, Solenni Esequie di Maria Clementina<br />
Sobieski regina dell’Inghilterra celebrate nella<br />
chiesa di S. Paterniano in Fano. 23 maggio<br />
1735 [...] Fano; G. Tassini, Feste, spettacoli,<br />
divertimenti e piaceri degli antichi veneziani,<br />
Venice 1890 (ed. modern 1960, pp.41 ss.); P.A.<br />
Orlandi, Abecedario pittorico con aggiunte di P.<br />
Guarienti, Venice 1753, p. 380; R. Pallucchini,<br />
La pittura veneziana del Settecento, Venezia-<br />
Roma 1960, p. 194; W.G. Constable, Canaletto,<br />
Oxford 1962, vol. II, cat. n. 353 (b), p. 344;<br />
R. Pallucchini, A proposito della Mostra<br />
bergamasca del Marieschi, in «Arte Veneta», XX<br />
(1966), p. 314.<br />
CARLO ORSI #Stand 66<br />
Milano<br />
info@galleriaorsi.com<br />
www.galleriaorsi.com
Francesco orso<br />
Active in Piedmont and in Paris, 18th century<br />
Portrait of a Gentlewoman<br />
Terracotta<br />
h. 55 cm<br />
1791<br />
Signed and dated: «ORSY FECIT . 1791».<br />
PROVENANCE<br />
Paris, Wailly Collection<br />
WALTER PADOVANI #Stand 64<br />
Milano<br />
galleria@walterpadovani.it<br />
www.walterpadovani.it
Francesco Orso<br />
Active in Piedmont and in Paris, 18th century<br />
Portrait of a Gentleman<br />
Terracotta<br />
h. 54 cm<br />
1791<br />
Signed and dated: «F. PAR ORSY en 1791»<br />
PROVENANCE<br />
Paris, de Wailly Collection<br />
WALTER PADOVANI #Stand 64<br />
Milano<br />
galleria@walterpadovani.it<br />
www.walterpadovani.it
Pierre Gouthière<br />
Paris, 1732 - Paris, 1813<br />
Pair of Candelabra<br />
Gilded and patinated bronze<br />
38 x 18 h 90 cm.<br />
End of 18th century<br />
The represented figures of Flora, Zephyr,<br />
Love and Friendship were designed by Louis<br />
Simon Boizot in 1773 for Countess du Barry.<br />
Candelabra designs such as these appear<br />
in the Museum of Decorative Arts in Paris,<br />
signed by Dessiné.<br />
PROVENANCE<br />
France<br />
BIBLIOGRAPHY<br />
Louis- Simon Boizot: (1743-1809), exhibition<br />
catalogue (Versailles, Musée Lambinet, 23<br />
October 2001-24 January 2002), ed. G.<br />
Scherf, Paris 2001, pp. 202-203.<br />
PALAZZO TORLO ANTIQUARIATO #Stand 75<br />
Torre del Greco (Napoli)<br />
Milano<br />
info@palazzotorlo.it<br />
www.palazzotorlo.it
Roman Production<br />
Reliquary<br />
Ebony, semi-precious stones and silver<br />
66 x 50 x 12 cm<br />
Second half of 17th century<br />
PALAZZO TORLO ANTIQUARIATO #Stand 75<br />
Torre del Greco (Napoli)<br />
Milano<br />
info@palazzotorlo.it<br />
www.palazzotorlo.it
Vincenzo Gemito<br />
Naples, 1852 - Naples, 1929<br />
Portrait of Matilde Duffaud<br />
Terracotta<br />
h. 55 cm<br />
1872<br />
Firmato e datato sul retro: “Gemito 1872”<br />
BIBLIOGRAPHY<br />
From Paris, Matilde Duffaud arrives<br />
in Naples in 1870 and settles with the<br />
antiquarian Duhamel on the hill of<br />
Capodimonte and begins to frequent the<br />
studio of Gemito, who portrays her in<br />
numerous drawings. Until now, there are<br />
no other known busts in terracotta. Our<br />
sculpture is similar to the “Veiled Maiden”<br />
and “Moorish Boy “ executed in the same<br />
year by the twenty-year old artist.<br />
A. PALLESI ART GALLERY #Stand 23<br />
Monaco<br />
info@galleria-pallesi.com<br />
www.galleria-pallesi.com
Andrea Appiani<br />
Milan, 1754 - Milan, 1817<br />
Apollo and Daphne<br />
Oil on canvas<br />
57 x 42 cm<br />
Datable to 1794-1795<br />
It is a first impression – with variations – for<br />
the fresco conserved in the Brera Pinacoteca.<br />
Together with another painting of the<br />
same measurements depicting Apollo and<br />
Hyacinth, it was acquired from the heirs of<br />
the painter by Duke Litta Modigliani.<br />
PROVENANCE<br />
Milan, Litta Modigliani Collection<br />
BIBLIOGRAPHY<br />
Technical essay by Prof. Fernando<br />
Mazzocca; G. Beretta, Le opere di Andrea<br />
Appiani, Milan 1848, pp. 173-174; M. Bisi,<br />
Incisioni delle opere del pittore Cavaliere<br />
Andrea Appiani, Milan 1820; M. Garberi,<br />
M. Valsecchi, Andrea Appiani pittore di<br />
Napoleone, exhibition catalogue (Milan,<br />
Galleria d’Arte Moderna, December<br />
1969-January 1970), Milan 1969.<br />
PREVIOUS EXHIBITIONS<br />
Andrea Appiani pittore di Napoleone,<br />
Milan, Galleria d’Arte Moderna, December<br />
1969-January 1970; L’Officina Neoclassica,<br />
Forlì-Faenza, 15 March – 21 June 2009.<br />
A. PALLESI ART GALLERY #Stand 23<br />
Monaco<br />
info@galleria-pallesi.com<br />
www.galleria-pallesi.com
Giuseppe Recco<br />
Naples, 1634 - Alicante,1695<br />
Shelf of a lobster, basket and copper amphora<br />
Oil on canvas<br />
101 x 127 cm<br />
1660 - 1665<br />
PROVENANCE<br />
Private Collection<br />
BIBLIOGRAPHY<br />
N. Spinosa, Pittura del Seicento a Napoli. Da Mattia Preti a Luca<br />
Giordano, natura in posa, Naples 2011, p. 284, fig. 324.<br />
LA PINACOTECA #Stand 74<br />
Napoli<br />
lapinacoteca@libero.it
Salvator Rosa<br />
Arenella (Napoli) 1615 - Roma 1673<br />
battaglia tra cristiani e turchi<br />
olio su tela<br />
100 X 130<br />
1630 ca<br />
PROVENANCE<br />
collezione privata<br />
BIBLIOGRAPHY<br />
Caterina Volpi Roma 2014 pag 380 fin n. 24<br />
LA PINACOTECA #Stand 74<br />
Napoli<br />
lapinacoteca@libero.it
Giovanni Bonazza<br />
Venice, 1654 - Padua, 1736<br />
Group of eight reliefs in white marble depicting profiles of four Roman emperors,<br />
two philosophers and two men of antiquity<br />
45 x 29 cm circa<br />
BIBLIOGRAPHY<br />
Information sheet by Dott.ssa Monica De Vincenti<br />
PIVA & C. #Stand 46<br />
Milano<br />
Tel./Fax +39 02 366 326 93<br />
info@pivaec.it<br />
www.pivaec.it
Venice Production<br />
Pignatti Morano di Custoza Comomde<br />
Lacquered and gilded fir wood<br />
87 x 145 x 65 cm<br />
Second half of the 18th century<br />
BIBLIOGRAPHY<br />
Information sheet by Dott.ssa Clara Santini<br />
PIVA & C. #Stand 46<br />
Milano<br />
Tel./Fax +39 02 366 326 93<br />
info@pivaec.it<br />
www.pivaec.it
Master of the candle (Jacomo Massa)<br />
Active in Rome in the first half of the XVII secolo<br />
Saint Francis of Assisi in prayer before the Crucifix<br />
Oil on panel<br />
24 x 34 cm (ovale)<br />
PORCINI #Stand 58<br />
Napoli<br />
info@porcinigallery.com<br />
www.porcinigallery.com
Giovanni Lanfranco<br />
Parma,1582 - Rome,1674<br />
Heaven<br />
Oil on canvas<br />
60 x 75 cm<br />
Study for the lost cupola of the Church of Gesù Nuovo in Naples.<br />
PORCINI #Stand 58<br />
Napoli<br />
info@porcinigallery.com<br />
www.porcinigallery.com
Giusto Le Court<br />
Ypres, 1627 - Venice, 1679<br />
Bust of the Virgin<br />
Carrara marble<br />
54 x 41 x 26 cm<br />
GIOVANNI PRATESI ANTIQUARIO #Stand 14<br />
Firenze<br />
giovannipratesi@inwind.it
Giusto Le Court<br />
Ypres, 1627 - Venice, 1679<br />
Model for the head of Strength of the monument to Tommaso Alvise Mocenigo<br />
Terracotta<br />
37 x 27 x 21 cm<br />
GIOVANNI PRATESI ANTIQUARIO #Stand 14<br />
Firenze<br />
giovannipratesi@inwind.it
Vincenzo Vitagliano<br />
Palermo, 1699 - documented until 1745<br />
Pompea Paolina<br />
Marble<br />
h. 65 cm<br />
Inscription on the retro of the base: «VINCENZO VITAGLIANO /<br />
PANORMITANO SCVLTORE»<br />
IL QUADRIFOGLIO #Stand 40<br />
Milano<br />
info@gqfineart.com<br />
www.galleriailquadrifoglio.com
Luigi Bienaimé<br />
Carrara, 1795 - Rome, 1878<br />
Portrait of a Gentleman<br />
Marble<br />
h. 70 cm (including the base)<br />
Signed on recto: «A. BIENAIME»<br />
BIBLIOGRAPHY<br />
A. Panzetta, Dizionario degli scultori italiani<br />
dell’Ottocento e del primo Novecento, 2<br />
voll., Torino 1994, I, p. 48; A. Panzetta,<br />
Nuovo dizionario degli scultori italiani<br />
dell’Ottocento e del primo Novecento. Da<br />
Antonio Canova ad Arturo Martini, 2 vols.,<br />
Borgaro (TO) 2003, p. 156, fig. 229; R.<br />
Carozzi, G. Chiapello, Per un profilo del<br />
Bienaimé, e per la sua attività ritrattistica,<br />
in Scultura, marmo, lavoro: maestri, giovani<br />
artisti, ricerche tecniche, exhibition catalogue<br />
(Carrara, Massa, Pietrasanta) ed. M. De<br />
Micheli, Milan 1981, pp. 247-250 (with<br />
previous bibliography).<br />
IL QUADRIFOGLIO #Stand 40<br />
Milano<br />
info@gqfineart.com<br />
www.galleriailquadrifoglio.com
Longobardic Art<br />
Ambon sheet in marble<br />
Marble<br />
120 x 60 cm<br />
9th century<br />
ENNIO E PIERO RICCARDI ANTICHITA’ #Stand 57<br />
San Rufino - Assisi (Perugia)<br />
riccardi.antichita@gmail.com
Umbria<br />
Two slabs of red breccia depicting angels<br />
Red Breccia<br />
49 x 32 cm<br />
13th century<br />
ENNIO E PIERO RICCARDI ANTICHITA’ #Stand 57<br />
San Rufino - Assisi (Perugia)<br />
riccardi.antichita@gmail.com
Anthon Van Dyck<br />
Antwerp, 1599 - London, 1641<br />
Portrait of John Belasyse, to become First Lord Belasyse of Worlaby<br />
Oil on canvas<br />
102.2 x 81.2 cm<br />
PROVENANCE<br />
London, Sotheby’s Sale, 2/11/1949, lotto n°<br />
77 (as P. Herbert,V Count of Pembroke)<br />
BIBLIOGRAPHY<br />
O. Millar, Van Dyck a Londra, in<br />
«Burlington Magazine», CX, June 1968,<br />
p. 308; S. Barnes, N. De Poorter, O. Millar,<br />
H. Vey, Van Dyck. A Complete Catalogue<br />
of the Paintings, New Haven and London<br />
2004, n. IV, p. 26; Luce e ombra nella<br />
pittura italiana tra Rinascimento e Barocco,<br />
exhibition catalogue (San Paolo, Rio de<br />
Janeiro, 28 March-25 April 2006), ed. V.<br />
Sgarbi - F. Magalhães, Milan 2006, pp.88-91.<br />
ROBILANT+VOENA #Stand 13<br />
Londra<br />
art@robilantvoena.com<br />
Milano<br />
info@robilantvoena.com<br />
www.robilantvoena.com
Antonio Joli<br />
Modena, 1700 - Naples, 1777<br />
View of Naples from the Sea<br />
Oil on canvas<br />
64.5 x 174 cm<br />
PROVENANCE<br />
Jacob Hecht Sale, Berlin (from 1925 to 1929); Berlin, Private Collection<br />
ROBILANT+VOENA #Stand 13<br />
Londra<br />
art@robilantvoena.com<br />
Milano<br />
info@robilantvoena.com<br />
www.robilantvoena.com
Luigi Sabatelli<br />
Florence, 1772 - Milan, 1850<br />
Figure study of a deer<br />
Pen and ink on smooth paper<br />
314 x 174 mm<br />
Inscription on the verso in the lower right corner «Prof. Luigi Sabatelli»<br />
SIMONE ROMANO E FIGLI #Stand 54<br />
Firenze<br />
simoneromanoantik@virgilio.it<br />
info@antiksimoneromanoefigli.com
Pietro Benvenuti<br />
Arezzo, 1769 - Florence, 1844<br />
Portrait of Colonel Anton Gundacker Graf Starhembergh on a horse<br />
Oil on paper fixed on canvas<br />
290 x 250 mm<br />
This is the sketch of a celebratory painting<br />
of the Colonel Anton Gundacker Graf<br />
Starhembergh on a horse, now destroyed.<br />
The painting was signed and dated lower left<br />
«Benvenuti 1815»<br />
SIMONE ROMANO E FIGLI #Stand 54<br />
Firenze<br />
simoneromanoantik@virgilio.it<br />
info@antiksimoneromanoefigli.com
Paolo e Giovanni Veneziano<br />
1300 circa - 1365 circa<br />
Madonna Lactans<br />
Oil on panel<br />
38 x 27 x 3 cm<br />
Work datable ante-1349<br />
This work has been recognized as having a<br />
special cultural national importance and is<br />
subject to strict export control<br />
PROVENANCE<br />
Italian private collection<br />
BIBLIOGRAPHY<br />
R. Pallucchini, La pittura veneziana del<br />
trecento, Venice – Rome 1964; M. Muraro,<br />
Paolo da Venezia, Milan 1962; F. Pedrocco,<br />
Paolo Veneziano, Milan 2003.<br />
ROMIGIOLI ANTICHITA’ #Stand 73<br />
Legnano (Milano)<br />
romigioli@romigioli.it<br />
www.romigioli.it
Jacopo Sansovino<br />
(attribuito)<br />
Florence, 2 July 1486 - Venice, 1570<br />
Madonna with Child<br />
Lime wood with traces of polychrome and<br />
gilding<br />
h. 120 cm<br />
Work in temporary import<br />
BIBLIOGRAPHY<br />
R. Casciaro, Cartapesta e scultura<br />
polimaterica, conference papers, Gelatina<br />
2012<br />
ROMIGIOLI ANTICHITA’ #Stand 73<br />
Legnano (Milano)<br />
romigioli@romigioli.it<br />
www.romigioli.it
Mattia Preti<br />
Taverna, 1613 - Valletta, 1699<br />
Hagar, Ishmael and the Angel<br />
Oil on canvas<br />
134 x 98 cm<br />
PROVENANCE<br />
Reggio Emilia, Emma Villani Chierici<br />
Collection, until 1945; Reggio Emilia,<br />
Elisa Bolognesi Collection, widow of<br />
Coscelli (1887 – 1977), acquired for Lit.<br />
3,000; Reggio Emilia, Private Collection<br />
BIBLIOGRAPHY<br />
A. Mazza, Agar, Ismaele e l’angelo: un<br />
nuovo dipinto di Mattia Preti, in Scritti di<br />
storia dell’arte in onore di Sylvie Béguin,<br />
Naples 2001, pp. 469-484.<br />
PREVIOUS EXHIBITIONS<br />
Bibl.: A. Mazza,<br />
SALAMON & C. #Stand 28<br />
Milano<br />
info@salamon.it.it<br />
www.salamon.it
Bicci di Lorenzo<br />
Florence, 1373 - Florence, 1452<br />
Saint Giovanni Gualberto predicting the destruction of the Abbey of Moscheta<br />
Tempera on panel<br />
27.5 x 31 cm<br />
circa 1434<br />
This work has been recognized as having a<br />
special cultural national importance and is<br />
subject to strict export control.<br />
PROVENANCE<br />
Florence, Cappella Compagni, Church of<br />
Santa Trinità, circa 1434; Ile-de-France,<br />
Canto Collection; Milan, Private Collection<br />
BIBLIOGRAPHY<br />
G. Kaftal, Saints in Italian Art. Iconography<br />
of the Saints in Tuscan Painting, p. 578,<br />
N. 166 (5), Ill. 665; L. Berti, A. Paolucci,<br />
L’Età di Masaccio. Il Primo Quattrocento a<br />
Firenze, Florence 1990, p. 251; Fondazione<br />
Zeri, Dossier 10360, envelope 0140<br />
SALAMON & C. #Stand 28<br />
Milano<br />
info@salamon.it.it<br />
www.salamon.it
Giuseppe Marchesi, called il Sansone<br />
Bologna, 1699 - Bologna, 1771<br />
Saint Philip Neri appearing to a religious woman<br />
Oil on canvas<br />
diameter 61 cm<br />
1731 - 33<br />
Bozzetto (from a group of four) for the<br />
decoration of the vault in the Church<br />
of Santa Maria di Galliera in Bologna,<br />
executed by the artist beginning in 1737<br />
PROVENANCE<br />
Aldrovandi Montanari Collection; Private<br />
Collection.<br />
BIBLIOGRAPHY<br />
Mostra del Settecento Bolognese, exhibition<br />
catalogue (Bologna, Palazzo Comunale<br />
1935), eds. G. Zucchini, R. Longhi, Bologna<br />
1935, pp. 51-52; R. Roli, Quattro Secoli<br />
di pittura, Bologna 1971; R. Roli, Pittura<br />
Bolognese dal Cignani ai Gandolfi, Bologna<br />
1977, pp. 62, 274; A. Mampieri, Genesi di<br />
un ciclo di affreschi: S. Maria di Galliera a<br />
Bologna, in «Il Carrobbio - Rivista di Studi<br />
Bolognesi», 14, Bologna 1988, pp. 224-33;<br />
R. Poli, Rubbini, La Chiesa di S. Maria<br />
di Galliera, Bologna 2002, pp. 57-61,67;<br />
Da Cimabue a Morandi – Felsina Pittrice,<br />
exhibition catalogue (Bologna, Palazzo<br />
Fava, Palazzo delle Esposizioni, Pinacoteca<br />
Nazionale, 14 February - 17 May <strong>2015</strong>), ed.<br />
V. Sgarbi, Bologna <strong>2015</strong>, pp. 288-289.<br />
PREVIOUS EXHIBITIONS<br />
Mostra del Settecento Bolognese, Bologna,<br />
Palazzo Comunale, 1935; Da Cimabue a<br />
Morandi - Felsina Pittrice, Bologna, Palazzo<br />
Fava, Palazzo delle Esposizioni, Pinacoteca<br />
Nazionale, 14 February - 17 May <strong>2015</strong><br />
SAVELLI ARTE ANTICA #Stand 52<br />
Bologna<br />
savelliarteantica@gmail.com<br />
www.savelliarteantica.com
Giuseppe Marchesi, called il Sansone<br />
Bologna, 1699 - Bologna, 1771<br />
The Virgin appears to Saint Philip Neri<br />
Oil on canvas<br />
diameter 61 cm<br />
1731 - 32<br />
Bozzetto (from a group of four) for the<br />
decoration of the vault in the Church<br />
of Santa Maria di Galliera in Bologna,<br />
executed by the artist beginning in 1737.<br />
PROVENANCE<br />
Aldrovandi Montanari Collection; Private<br />
Collection.<br />
BIBLIOGRAPHY<br />
Mostra del Settecento Bolognese, Bologna<br />
1935, pp.51-52; R. Roli, Quattro Secoli<br />
di pittura, Edizioni Parma, Bologna 1971;<br />
R. Roli, Pittura Bolognese dal Cignani ai<br />
Gandolfi, ed. Alfa, Bologna 1977, pp. 62,<br />
274; A. Mampieri, Genesi di un ciclo di<br />
affreschi: S. Maria di Galliera a Bologna, in<br />
«Il Carrobbio - Rivista di Studi Bolognesi»,<br />
14, Bologna 1988, pp. 224-33; R. Poli,<br />
Rubbini, La Chiesa di S. Maria di Galliera,<br />
ed. Costa, Bologna 2002, pp. 57-61,67; Da<br />
Cimabue a Morandi - Felsina Pittrice, a cura<br />
di V. Sgarbi, Bologna <strong>2015</strong>, pp. 288-9.<br />
PREVIOUS EXHIBITIONS<br />
Mostra del Settecento Bolognese, Bologna<br />
1935; Da Cimabue a Morandi - Felsina<br />
Pittrice, Bologna <strong>2015</strong><br />
SAVELLI ARTE ANTICA #Stand 52<br />
Bologna<br />
savelliarteantica@gmail.com<br />
www.savelliarteantica.com
Adolfo Wildt<br />
Milan, 1868 - Milan, 1931<br />
The Virgin<br />
Candoglia marble<br />
29 x 35 cm<br />
1924<br />
Signed work: “A:WILDT”<br />
SCULTURA ITALIANA S.r.l. di Dario Mottola #Stand 51<br />
Milano<br />
dario.mottola@tiscali.it<br />
www.sculturaitalianasrl.com
Cerchia di Giuseppe Sanmartino<br />
Napoli, XVIII secolo<br />
Baccante<br />
Terracotta policroma, occhi di vetro<br />
h. 47,6 cm<br />
SCULTURA ITALIANA S.r.l. di Dario Mottola #Stand 51<br />
Milano<br />
dario.mottola@tiscali.it<br />
www.sculturaitalianasrl.com
Andrea di Leone<br />
Naples, 1610 - Naples, 1685<br />
Cavalry charge with a Self-Portrait<br />
Oil on canvas<br />
92 x 130 cm<br />
1651<br />
Signed and dated “Andrea di Leone/fecit 1651”<br />
PROVENANCE<br />
France, Private collection<br />
ROB SMEETS OLD MASTER PAINTINGS #Stand 6<br />
Ginevra<br />
ps@robsmeets.com<br />
www.robsmeets.com
Francesco Boschi<br />
Florence, 1619 - Florence, 1675<br />
Portrait of a youth<br />
Oil on paper laid on panel<br />
40.2 x 29.6 cm<br />
circa 1642<br />
ROB SMEETS OLD MASTER PAINTINGS #Stand 6<br />
Ginevra<br />
ps@robsmeets.com<br />
www.robsmeets.com
Giovanni Fattori<br />
Livrono, 1825 - Florence, 1908<br />
La Punta del Romito<br />
Oil on canvas affixed to carton<br />
18 x 55 cm<br />
circa 1866<br />
SOCIETA’ DI BELLE ARTI S.r.l. #Stand 32<br />
Viareggio (Lucca)<br />
info@sba.it<br />
www.sba.it
Telemaco Signorini<br />
Florence, 1835 - Florence, 1901<br />
Strada alla Capponcina<br />
Oil on card<br />
29 x 16,3 cm<br />
1880-1822<br />
SOCIETA’ DI BELLE ARTI S.r.l. #Stand 32<br />
Viareggio (Lucca)<br />
info@sba.it<br />
www.sba.it
Manlio Rho<br />
Como, 1901 - Como, 1957<br />
Composizione<br />
Oil on cardboard<br />
57.5 x 45.5 cm<br />
1935<br />
Signed lower left. Authentic by Prof. Luciano Caramel. Recorded artwork in the Archivio<br />
Manlio Rho, Como.<br />
PROVENANCE<br />
Rome, Pogliani Gallery; Sarzana, Cesare<br />
Cardelli, Sarzana; Milan, Private Collection;<br />
Switzwerland, Gian Enzo Sperone<br />
SPERONE WESTWATER #Stand 1<br />
New York, N.Y.<br />
info@speronewestwater.com<br />
www.speronewestwater.com
Bruno Munari<br />
Milan, 1907 - Milan, 1998<br />
Negativo Positivo, 9<br />
Tempera on cardboard<br />
45.8 x 31.6 cm<br />
1950<br />
PROVENANCE<br />
Munari, Giancarlo Baccoli, Brescia; Gian<br />
Enzo Sperone, Svizzera<br />
BIBLIOGRAPHY<br />
M.A.C. e Dintorni, 1997, Arte a Milano<br />
1946-1959, Palazzo Pretorio, Sondrio 1998,<br />
p. 51; Bruno Munari - Luigi Veronesi: Tra<br />
Fantasia e Metodo, exhibition catalogue<br />
(Centro Arte Contemporanea Cavalese, 11<br />
July-6 January 2004), eds. O. Berlanda, C.<br />
Cerritelli, Milan 2003, p. 11<br />
SPERONE WESTWATER #Stand 1<br />
New York, N.Y.<br />
info@speronewestwater.com<br />
www.speronewestwater.com
Galileo Chini<br />
Florence, 1873 - Florence, 1956<br />
La vita<br />
Oil on canvas<br />
280 x 172 cm circa<br />
circa 1919<br />
Work registered with the “Archivio Galileo Chini”<br />
STUDIO D’ARTE DELL’800 #Stand 25<br />
Livorno<br />
postmaster@800artstudio.com; studioarte800@libero.it<br />
www.800artstudio.com
Raffaello Gambogi<br />
Livorno, 1874 - Livorno, 1943<br />
L’uscita dalla messa a Torre del Lago<br />
Oil on canvas<br />
83 x 140 cm<br />
Signed and dated lower right: «Raffaello Gambogi 1899»<br />
STUDIO D’ARTE DELL’800 #Stand 25<br />
Livorno<br />
postmaster@800artstudio.com; studioarte800@libero.it<br />
www.800artstudio.com
Justus Sustermans<br />
Antwerp, 1597 - Florence, 1681<br />
Portrait of Cosimo III de Medici in bands of clothes<br />
Oil on canvas<br />
62 x 77 cm<br />
1642<br />
Contemporary frame with de Mediceo coat of arms and carved oak leaves.<br />
STUDIOLO di Stefano e Guido Cribiori #Stand 77<br />
Milano<br />
info@studiolo.it<br />
www.studiolo.it
Amleto Cataldi<br />
Naples, 1882 - Rome, 1930<br />
L’anfora<br />
Bronze<br />
h. 128 cm<br />
Written communication by del Prof. Fernando Mazzocca<br />
PROVENANCE<br />
Villa Lugarna, Menaggio (posata nel 1916)<br />
STUDIOLO di Stefano e Guido Cribiori #Stand 77<br />
Milano<br />
info@studiolo.it<br />
www.studiolo.it
Veneto Louis XV<br />
Bookshelf<br />
Pear wood<br />
272 x 170 x 52 cm<br />
1730-1760<br />
Richly carved cornice, sides fitted with<br />
doors, bowed legs.<br />
BIBLIOGRAPHY<br />
G. Morazzoni, Il mobile veneziano<br />
del Settecento, Milan 1958, vol. II, pl.<br />
CDLXXXIX<br />
SURPRISE di Paola Cuoghi #Stand 49<br />
Modena<br />
verri.r@tiscali.it
Filippo Parodi Workshop<br />
Genoa, 1630 - Genoa, 1702<br />
Pair of allegorical figures “Spring and Summer”<br />
Carved and gilded wood<br />
h. 180 cm<br />
Second half of the 17th secolo<br />
Expertise by Enrico Colle<br />
SURPRISE di Paola Cuoghi #Stand 49<br />
Modena<br />
verri.r@tiscali.it
Lucio Fontana<br />
Rosario, 1899 - Cornabbio, 1968<br />
Concetto spaziale<br />
Stones and water-based paint on canvas<br />
50 x 40 cm<br />
1955<br />
BIBLIOGRAPHY<br />
Work registered with the Archivio<br />
Fondazione Lucio Fontana, under archive<br />
number no. 3828/1<br />
TEGA #Stand 68<br />
Milano<br />
info@galleriatega.it<br />
www.galleriatega.it
Filippo De Pisis<br />
Ferrara, 1896 - Brugherio, 1956<br />
Still lie with the word Feste<br />
Oil on canvas<br />
50 x 65 cm<br />
1927<br />
BIBLIOGRAPHY<br />
G. Briganti, De Pisis, Catalogo generale,<br />
Opere 1908 -1938, Milan 1991, Vol. I, p.<br />
144 no. 1927 29 (cover image of Volume I)<br />
TEGA #Stand 68<br />
Milano<br />
info@galleriatega.it<br />
www.galleriatega.it
Jean Baptiste Wicar<br />
Lille, 1762 - Rome, 1834<br />
Allegory of the French Republic<br />
Oil on canvas applied on mahogany board<br />
25 x 15 cm<br />
circa 1792-93<br />
Study for the shield of the French Legation<br />
TETTAMANTI ANTICHITÀ #Stand 20<br />
Firenze<br />
tettamantiantichita@virgilio.it
Giovan Battista Gigola<br />
Brescia, 1766 - Tremezzo, 1841<br />
Portrait of Eugenio di Beauharnais<br />
Ivory Miniature with gold frame.<br />
40 x 30 mm<br />
1807 circa<br />
Portrait of Eugenio di Beauharnais, Viceroy<br />
of Italy, in the General uniform of the<br />
French division. On his chest: ribbons from<br />
the order of the Legion of Honour (1804),<br />
the Iron Crown (1805) and plaque of Grand<br />
Dignitary of the Order of the Iron Crown.<br />
TETTAMANTI ANTICHITÀ #Stand 20<br />
Firenze<br />
tettamantiantichita@virgilio.it
Giovacchino Fortini<br />
Settignano, 1670 - settignano, 1736<br />
Bust of a Nobleman in Armour<br />
White marble<br />
h. 81 cm<br />
PROVENANCE<br />
New York, Private Collection<br />
PREVIOUS EXHIBITIONS<br />
S. Bellesi, M. Visonà, Giovacchino Fortini.<br />
Scultura Architettura decorazione e<br />
Committenza a Firenze al tempo degli ultimi<br />
Medici, 2 vols., Florence, 2008, II, nos. 14<br />
and 16.<br />
TOMASSO BROTHERS FINE ART #Stand 17<br />
Leeds<br />
Londra<br />
info@tomassobrothers.co.uk<br />
www.tomassobrothers.co.uk
Giuseppe Piamontini<br />
Florence, 1664 - Florence, 1742<br />
Hercules and Antaeus<br />
Bronze<br />
41.5 x 21.5 x 13.5 cm<br />
PROVENANCE<br />
Formerly Amsterdam, Private collection;<br />
London, Private collection<br />
PREVIOUS EXHIBITIONS<br />
C. Avery, Giambologna: The Complete<br />
Sculpture, Oxford 1987, pp. 139-41, 262,<br />
n. 76<br />
TOMASSO BROTHERS FINE ART #Stand 17<br />
Leeds<br />
Londra<br />
info@tomassobrothers.co.uk<br />
www.tomassobrothers.co.uk
Alighiero Boetti<br />
Turin, 1940 - Rome, 1994<br />
Oggi il ventiseiesimo quarto mese anno uno nove otto nove<br />
Embroidery on fabric<br />
109 x 111,5 cm<br />
1989<br />
TORNABUONI ARTE #Stand 70<br />
Firenze<br />
info@tornabuoniarte.it<br />
Milano<br />
milano@tornabuoniarte.it<br />
www.tornabuoniarte.it
Mario Tozzi<br />
Fossombrone, 1895 - Staint-Jean du Gar,d 197<br />
Il pittore<br />
Oil on canvas<br />
116 x 89 cm<br />
1931<br />
TORNABUONI ARTE #Stand 70<br />
Firenze<br />
info@tornabuoniarte.it<br />
Milano<br />
milano@tornabuoniarte.it<br />
www.tornabuoniarte.it
ALTOMANI & SONS #Stand 8<br />
Via Borgospesso 12/14<br />
20121 Milano<br />
Tel. +39 02 201033 Fax +39 02 890 742 51<br />
Via Baviera 18/20<br />
61100 Pesaro<br />
mail@altomani.com<br />
www.altomani.com<br />
ANTIQUARIAT BIBERMUEHLE AG #Stand 7<br />
Bibermuehle 1<br />
8262 Bibermuehle/Ramsen<br />
Tel. +41 5274 205 75 Fax +41 5274 205 79<br />
Cel. +41 7630 466 13<br />
mail@antiquariat-bibermuehle.com<br />
www.antiquariat-bibermuehele.com<br />
FRANCESCA ANTONACCI – DAMIANO LAPICCIRELLA<br />
FINE ART # Stand 44<br />
Via Margutta 54<br />
00187 Roma<br />
Tel. +39 06 454 330 36 Fax +39 06 454 330 54<br />
Cel. +39 335 669 31 81 Cel. +39 335 614 85 88<br />
info@antonaccilapiccirellafineart.com<br />
www.antonaccilapiccirellafineart.com<br />
PAOLO ANTONACCI ANTICHITA’ S.r.l. # Stand 39<br />
Via del Babuino 141a<br />
00187 Roma<br />
Tel. +39 06 326 516 79 Fax +39 06 326 290 14<br />
info@paoloantonacci.com<br />
www.paoloantonacci.com<br />
W. APOLLONI S.r.l. # Stand 16<br />
Via del Babuino 132-134<br />
00187 Roma<br />
Tel. +39 06 360 022 16 Fax +39 06 360 022 17<br />
wapolloni@tiscali.it<br />
ART COLLECTOR S.r.l. #Stand 24<br />
Via della Faggiola 23<br />
56126 Pisa<br />
Cel. +39 338 960 9057 – +39 338 653 4920<br />
info@artcollector.it<br />
www.artcollector.it<br />
GIOVANNI ASIOLI MARTINI ANTIQUARIO #Stand 56<br />
Via Emilia 3<br />
40026 Imola (Bologna)<br />
Tel. +39 335 817 94 36 Fax +39 0545 818 46<br />
asiolimg@libero.it<br />
BACARELLI ANTICHITA’ #Stand 63<br />
Via dei Fossi 33r<br />
50123 Firenze<br />
Tel. +39 055 215 457 Fax +39 055 282 013<br />
bacarelli@bacarelli.com<br />
www.bacarelli.com<br />
JEAN-LUC BARONI #Stand 2<br />
7-8 Mason’s Yard, Duke Street<br />
St. James’s, SW1Y 6BU Londra<br />
Tel. +44 207 930 5347 Fax +44 207 7839 8151<br />
info@jlbaroni.com<br />
www.jlbaroni.com<br />
GUIDO BARTOLOZZI ANTICHITA’ #Stand 12<br />
Via Maggio 11<br />
50125 Firenze<br />
Tel. +39 055 215 602 Fax +39 055 292 296<br />
info@guidobartolozzi.com<br />
www.guidobartolozzi.com<br />
KATRIN BELLINGER KUNSTHANDEL GmbH & Co.<br />
KG #Stand 7<br />
Brienner Str. 7<br />
80333 Monaco<br />
Tel. +49 89 983 465 Fax +49 89 981 0253<br />
Cel. +49 172 819 7556<br />
contact@bellinerg-art.com<br />
www.bellinger-art.com<br />
BLUMKA GALLERY #Stand 7<br />
209 East 72 Street<br />
10021, New York<br />
Tel. +1 212 7343 222 Fax +1 212 2491 087<br />
Cell. +1 9174 1233 03<br />
blumka@blumkagallery.com<br />
www.blumkagallery.com<br />
JULIUS BOEHLER KUNSTHANDLUNG GmbH #Stand 7<br />
Unterer Seeweg 4<br />
82319 Starnberg<br />
Tel. +49 8151 559 253 Fax +49 8151 268 317<br />
Cell. +49 0171 7562 953<br />
info@boehler-art.com<br />
www.boehelr-art.com<br />
BOTTEGANTICA S.r.l. #Stand 37<br />
Via D’Azeglio 96/a<br />
40123 Bologna<br />
Tel./Fax +39 051 331 338<br />
Cel. +39 335 718 0333<br />
Via Manzoni 45<br />
20121 Milano<br />
Tel. +39 02 626 954 89 Fax +39 02 620 271 20<br />
info@bottegantica.com<br />
www.bottegantica.com<br />
BOTTICELLI - VIA MAGGIO #Stand 62<br />
Via Maggio 47r<br />
50125 Firenze<br />
Tel./Fax +39 055 230 20 95<br />
bruno@botticelliantichita.com<br />
eleonora@botticelliantichita.com<br />
www.botticelliantichita.com
MAURIZIO BRANDI ANTIQUARIO #Stand 34<br />
Via D. Morelli 9<br />
80121 Napoli<br />
Tel. +39 081 764 3882 Fax +39 081 764 3906<br />
Cel. +39 333 549 6185<br />
Via Bisignano 21<br />
80121 Napoli<br />
mauriziobrandi@live.com<br />
www.antiquarinapoletani.it/brandi<br />
CAIATI & GALLO #Stand 48<br />
Via Gesù 17<br />
20121 Milano<br />
Tel. +39 02 794 866 – +39 02 783 863 Fax +39 02 760 127 41<br />
gallery@caiatigallo.com<br />
www.caiatigallo.com<br />
ROBERTO CAMPOBASSO #Stand 31<br />
Via Carlo Poerio 17<br />
80121 Napoli<br />
Tel./Fax +39 081 764 0770<br />
roberto.campobasso@alice.it<br />
www.robertocampobasso.com<br />
CANTORE GALLERIA ANTIQUARIA #Stand 50<br />
Via Farini 14<br />
41121 Modena<br />
Tel./Fax +39 059 225 400<br />
Cel. +39 335 520 8829<br />
info@galleriacantore.it<br />
www.galleriacantore.it<br />
MIRCO CATTAI FINE ART & ANTIQUE RUGS #Stand 29<br />
Via Manzoni 12<br />
20121 Milano<br />
Tel./Fax +39 02 760 089 59<br />
info@mircocattai.com<br />
www.mircocattai.com<br />
ALESSANDRO CESATI #Stand 47<br />
Via San Giovanni sul Muro 3<br />
20121 Milano<br />
Tel. +39 02 864 609 28 Fax +39 02 720 216 64<br />
Cel. +39 333 652 5576<br />
acesati@tiscali.it<br />
info@cesatiecesati.com<br />
www.cesatiecesati.com<br />
CHIALE ANTIQUARIATO #Stand 60<br />
Via Tempia 22<br />
12035 Racconigi (Cuneo)<br />
Tel. +39 0172 85 284 Fax +39 0172 058 042<br />
Cel. +39 339 882 5646 - +39 339 798 7801<br />
info@chialeantiquariato.com<br />
www.chialeantiquariato.com<br />
LUCIANO COEN ARAZZI E TAPPETI ANTICHI #Stand<br />
61<br />
Via Margutta 63 e 65<br />
00187 Roma<br />
Tel. +39 06 320 7604 Tel./Fax +39 06 320 7730<br />
lcoen@tin.it<br />
www.lucianocoen.com<br />
COPERCINI & GIUSEPPIN S.r.l. #Stand 15<br />
Salita G. da Gaibana 1<br />
35032 Arquà Petrarca (Padova)<br />
Tel./Fax +39 0429 777 339<br />
copercinigiuseppinpadova@virgilio.it<br />
COPETTI ANTIQUARI #Stand 78<br />
Via P. Sarpi 25<br />
33100 Udine<br />
Tel. +39 0432 502 784 Fax+39 0432 220 703<br />
info@copettiantiquari.com<br />
www.copettiantiquari.com<br />
DE JONCKHEERE #Stand 10<br />
100 rue du Faubourg Saint Honoré<br />
75008Parigi<br />
Tel. +33 01 426 669 49 Fax +33 01 426 613 42<br />
paris@dejonckheere-gallery.com<br />
www.dejonckheere-gallery.com<br />
7 rue de l’Hotel de Ville<br />
1204 Ginevra<br />
Tel. +41 223 108 080 Fax +41 223 108 081<br />
geneve@dejonckheeregallery.com<br />
ANTICHITA’ ALBERTO DI CASTRO #Stand 3<br />
Piazza di Spagna 5<br />
00187 Roma<br />
Tel. +39 06 679 2269 Fax +39 06 678 7410<br />
Cel. +39 335 420 880<br />
info@dicastro.com<br />
www.dicastro.com<br />
ALESSANDRA DI CASTRO #Stand 67<br />
Piazza di Spagna 3-4<br />
00187 Roma<br />
Tel. +39 06 699 231 27 Fax +39 06 697 900 70<br />
info@alessandradicastro.com<br />
www.alessandradicastro.com<br />
ENRICO GALLERIE D’ARTE #Stand 71<br />
Via Senato 45<br />
20121 Milano<br />
Tel. +39 02 8723 5752 Fax +39 02 8723 5753<br />
Via Garibaldi 11<br />
16124 Genova<br />
Tel. +39 010 247 0150<br />
enricogallerie@iol.it<br />
www.enricogallerie.com<br />
FONDANTICO di Tiziana Sassoli #Stand 19<br />
Via de’ Pepoli 6/e<br />
40125 Bologna<br />
Tel. e Fax +39 051 265 980<br />
info@fondantico.it<br />
www.fondantico.it<br />
ENRICO FRASCIONE #Stand 43<br />
Via dei Fossi 61/r<br />
50123 Firenze<br />
Tel./Fax +39 055 294 087 Cel. +39 335 705 7740<br />
enricofrascioneantiquario@gmail.com
FRASCIONE ARTE #Stand 55<br />
Via Maggio 5/7<br />
50125 Firenze<br />
Tel./Fax +39 055 239 9205<br />
Cel. +39 348 385 6495<br />
info@frascionearte.com<br />
www.frascionearte.com<br />
GALERIE BERNHEIMER #Stand 7<br />
Brienner Str. 7<br />
80333 Monaco<br />
Tel. +49 89 226 672 Fax +49 89 226 6037<br />
Cell. +49 170 286 5317<br />
kob@bernheimer.com<br />
www.bernheimer.com<br />
GALERIE SALIS GmbH #Stand 7<br />
Mozartplatz 4<br />
5010 Salisburgo<br />
Tel. +43 662 844 523 Fax +43 662 846 650<br />
Cell. +43 664 431 0285<br />
mail@thomassalis.com<br />
GALERIE G. SARTI Stand 11<br />
137 rue du Faubourg Saint-Honoré<br />
75008 Parigi<br />
Tel. +33 1 428 933 66 Fax +33 1 428 933 77<br />
giovanni.sarti@wanadoo.fr<br />
www.sarti-gallery.com<br />
GALLERIA DANIELA BALZARETTI #Stand 22<br />
Via San Marco 14<br />
20121 Milano<br />
Tel. +39 02 290 037 72 Fax +39 02 657 5517<br />
Cel. +39 348 563 1407 - +39 348 705 7523<br />
galleria@danielabalzaretti.it<br />
www.danielabalzaretti.it<br />
GALLERIA D’ARTE FREDIANO FARSETTI #Stand 69<br />
Lungarno Guicciardini 21-23r<br />
50125 Firenze<br />
Tel. +39 055 210 107 Fax +39 055 239 9389<br />
info@galleriafredianofarsetti.it; leonardo@farsettiarte.it<br />
www.galleriafredianofarsetti.it<br />
GALLERIA GOMIERO #Stand 21<br />
Via R. Pilo 11<br />
20129 Milano<br />
Tel. +39 02 205 202 50 Fax +39 049 521 1027<br />
Cel. +39 348 263 7330<br />
diegogomiero@alice.it<br />
GALLERIA PREVITALI #Stand 65<br />
Via T. Tasso 21<br />
24121 Bergamo<br />
Tel. +39 035 248 393 Fax +39 035 240 457<br />
info@galleriaprevitali.com<br />
www.galleriaprevitali.com<br />
Via S. Spaventa 68<br />
24122 Bergamo<br />
info@previtaliarte.com<br />
www.previtaliarte.com<br />
GALLERIA SILVA #Stand 42<br />
Via Borgospesso 12<br />
20121 Milano<br />
Tel./Fax +39 02 784 060<br />
Cel. +39 335 637 1704<br />
galleriasilva@tiscali.it<br />
www.galleriasilva.com<br />
GALLERIA CARLO VIRGILIO & C. #Stand 18<br />
Via della Lupa 10<br />
00186 Roma<br />
Tel. +39 06 687 1093 Fax +39 06 681 300 28<br />
info@carlovirgilio.it<br />
www.carlovirgilio.it<br />
MICHELE GARGIULO “ANTIQUARIO” #Stand 76<br />
Via C. Poerio 32<br />
80121 Napoli<br />
Tel. +39 081 764 3854 Fax +39 081 245 1275<br />
Cel. +39 337 661 181<br />
michelegargiulo5@gmail.com<br />
graziagalanterie@alice.it<br />
GIACOMETTI OLD MASTER PAINTINGS #Stand 38<br />
Via di Monserrato 34<br />
00186 Roma<br />
Tel. +39 06 6813 4928<br />
Cel. +39 320 372 0492<br />
info@giacomettiomp.com<br />
www.giacomettiomp.com<br />
DR. JORN GUENTHER RARE BOOKS AG #Stand 5<br />
Mosboden 1<br />
6063 Stalden<br />
Tel. +41 41 669 7000 Fax +41 41 669 7001<br />
Spalenberg 55<br />
4051 Basilea<br />
Tel. +41 61 275 7575 Fax +41 61 275 7576<br />
info@guenther-rarebooks.com<br />
www.guenther-rarebooks.com<br />
IOTTI GIANFRANCO E FIGLIO ANTICHITA’ #Stand 53<br />
Via Amendola 55/a<br />
42100 Reggio Emilia<br />
Tel. e Fax +39 0522 552 838<br />
siottiantichita@libero.it<br />
EUROPÄISCHE SKULPTUREN<br />
DR. RAINER JUNGBAUER # Stand 9<br />
Von-Kleist-Str. 5<br />
94315 Straubing<br />
Tel. +49 9421 333 52 Fax +49 9421 103 71<br />
Cell. +49 171 521 6071<br />
info@europaeische-skulpturen.de<br />
www.europaeische-skulpturen.de<br />
KUNKEL FINE ART #Stand 9<br />
Prinzregentenstrasse 71<br />
81675 Monaco<br />
Tel. +49 89 2186 9034<br />
Cell. +49 157 7500 2853<br />
info@kunkelfineart.de<br />
www.kunkelfineart.de
KUNSTHANDEL RUDIGIER-ALTE KUNST #Stand 9<br />
Arcostrasse 1<br />
80333 Monaco<br />
Tel. +49 89 595 432 Fax +49 89 550 4249<br />
info@rudigier.org<br />
KUNSTKAMMER GEORG LAUE #Stand 9<br />
Schellingstrasse 56<br />
80799 Monaco<br />
Tel. +49 89 2781 8555 Fax +49 89 2781 5556<br />
Cell. +49 172 8730 961<br />
kunstkammer@kunstkammer.com<br />
www.kunstkammer.com<br />
MATTEO LAMPERTICO ARTE ANTICA E MODER-<br />
NA #Stand 26<br />
Via Montebello 30<br />
20121 Milano<br />
Tel. +39 02 365 865 47 Fax +39 02 365 865 48<br />
info@matteolampertico.it<br />
www.matteolampertico.it<br />
LAMPRONTI GALLERY #Stand 4<br />
44 Duke Street, St. James’s<br />
SW1Y 6DD Londra<br />
Tel. +44 207 839 2977<br />
info@cesarelampronti.co.uk<br />
www.cesarelampronti.co.uk<br />
Via San Giacomo 22<br />
00187 Roma<br />
Tel. +39 06 322 7194<br />
info@cesarelampronti.it<br />
www.cesarelampronti.it<br />
LONGARI ARTE MILANO #Stand 45<br />
Via Bigli 12<br />
20121 Milano<br />
Tel. +39 02 896 978 48 - +39 02 794 287 Fax +39 02 780 322<br />
Cel. +39 335 592 9301<br />
marco@longariartemilano.com<br />
www.longariartemilano.com<br />
ENRICO LUMINA #Stand 27<br />
Via San Tomaso 76-78<br />
24121 Bergamo<br />
Tel./Fax +39 035 230 156<br />
Cel. +39 335 827 1827<br />
info@enricolumina.com<br />
www.enricolumina.com<br />
FABIO MASSIMO MEGNA #Stand 35<br />
Via del Babuino 148/a<br />
00187 Roma<br />
Tel./Fax +39 06 361 3775<br />
megnam@inwind.it<br />
MEHRINGER BENAPPI #Stand 72<br />
Georgenstrasse 24<br />
80799 Monaco di Baviera<br />
Tel. +49 89 987 431 Fax +49 89 982 7543<br />
sascha.mehringer@web.de<br />
Via A. Doria 10<br />
10123 Torino<br />
Tel./Fax +39 011 814 6176<br />
info@benappi.com<br />
www.benappi.com<br />
SANDRO MORELLI #Stand 59<br />
Via Maggio 59r<br />
50125 Firenze<br />
Tel./Fax +39 055 282 789<br />
Cel. +39 335 588 6567<br />
sanmorelli@gmail.com<br />
FABRIZIO MORETTI #Stand A<br />
Piazza Ottaviani 17r<br />
50123 Firenze<br />
Tel. +39 055 265 4277<br />
info@morettigallery.com<br />
www.morettigallery.com<br />
2a-6 Ryder Street, St. James’s<br />
SW1Y 6QB Londra<br />
Tel./Fax +44 207 491 0533<br />
london@morettigallery.com<br />
24 East, 80 th Street<br />
10075 New York, N.Y.<br />
Tel. +1 212 249 4987 Fax +1 212 755 0792<br />
newyork@morettigallery.com<br />
MULLANY Haute Epoque Fine Art #Stand 36<br />
16 Carlisle Mansions - Carlisle Place<br />
SW1P 1HX Londra<br />
Tel. +44 207 592 0276 - +44 77 9630 3081<br />
info@mullanyfineart.com<br />
www.mullanyfineart.com<br />
OTTO NAUMANN Ltd. #Stand 41<br />
22 East 80th Street<br />
10075 New York<br />
Tel. +1 212 734 4443 Fax +1 212 535 0617<br />
Cel. +1 914 320 7523<br />
bria@ottonaumannltd.com<br />
www.ottonaumannltd.com<br />
MAURIZIO NOBILE #Stand 33<br />
Via Santo Stefano 19/a<br />
40125 Bologna<br />
Tel. +39 051 238 363<br />
bologna@maurizionobile.com<br />
www.maurizionobile.com<br />
45 rue de Penthièvre<br />
75008 Parigi<br />
Tel. +33 01 453 0775<br />
paris@maurizionobile.com
ADOLFO E ALESSIO NOBILI DIPINTI ANTICHI #Stand 30<br />
Via Marsala 4<br />
20121 Milano<br />
Tel. +39 02 655 1681<br />
info@quadriantichi.it<br />
www.quadriantichi.it<br />
CARLO ORSI #Stand 66<br />
Via Bagutta 14<br />
20121 Milano<br />
Tel. +39 02 760 022 14 Fax +39 02 760 040 19<br />
info@galleriaorsi.com<br />
www.galleriaorsi.com<br />
WALTER PADOVANI #Stand 64<br />
Via Santo Spirito 26/a<br />
20121 Milano<br />
Tel./Fax +39 02 763 189 07<br />
galleria@walterpadovani.it<br />
www.walterpadovani.it<br />
PALAZZO TORLO ANTIQUARIATO #Stand 75<br />
Via Curtoli 28<br />
80059 Torre del Greco (Napoli)<br />
Tel. +39 081 358 0095 Fax +39 081 882 0853<br />
Cel. +39 335 838 6888<br />
Via C. Pisacane 53<br />
20129 Milano<br />
Tel. +39 02 295 259 80<br />
info@palazzotorlo.it<br />
www.palazzotorlo.it<br />
A. PALLESI ART GALLERY #Stand 23<br />
Le Park Palace – 6 Impasse de la Fontaine<br />
98000 Monaco<br />
Tel. +377 977 715 77 Fax +377 977 715 78<br />
info@galleria-pallesi.com<br />
www.galleria-pallesi.com<br />
LA PINACOTECA #Stand 74<br />
Via Vannella Gaetani 4<br />
80121 Napoli<br />
Tel./Fax +39 081 764 5741<br />
lapinacoteca@libero.it<br />
PIVA & C. #Stand 46<br />
Via Bigli 7<br />
20121 Milano<br />
Tel. +39 02 760 006 78 Fax +39 02 783 440<br />
Via Meravigli, ingresso da Via San Giovanni sul Muro<br />
20121 Milano<br />
Tel./Fax +39 02 366 326 93<br />
info@pivaec.it<br />
www.pivaec.it<br />
PORCINI #Stand 58<br />
Piazza Vittoria 6<br />
80121 Napoli<br />
Tel. +39 081 764 3550 Fax +39 081 245 7679<br />
info@porcinigallery.com<br />
www.porcinigallery.com<br />
GIOVANNI PRATESI ANTIQUARIO #Stand 14<br />
Via Maggio 13<br />
50125 Firenze<br />
Tel. +39 055 239 6568 Fax +39 055 211 096<br />
giovannipratesi@inwind.it<br />
IL QUADRIFOGLIO #Stand 40<br />
Via C. Pisacane 40<br />
20129 Milano<br />
Tel. +39 02 295 180 31 Fax +39 02 204 086 37<br />
info@gqfineart.com<br />
www.galleriailquadrifoglio.com<br />
ENNIO E PIERO RICCARDI ANTICHITA’ #Stand 57<br />
Via Torrione 2<br />
06081 San Rufino - Assisi (Perugia)<br />
Tel./Fax +39 075 812 877<br />
riccardi.antichita@gmail.com<br />
ROBILANT+VOENA #Stand 13<br />
1st floor, 38 Dover Street<br />
W1S 4NL Londra<br />
Tel. +44 207 409 1540 Fax +44 207 409 1565<br />
art@robilantvoena.com<br />
Via Fontana 16<br />
20122 Milano<br />
Tel. +39 02 805 6179 Fax +39 02 805 5577<br />
info@robilantvoena.com<br />
www.robilantvoena.com<br />
SIMONE ROMANO E FIGLI #Stand 54<br />
Borgognissanti 36<br />
50123 Firenze<br />
Tel./Fax +39 055 239 6006<br />
simoneromanoantik@virgilio.it<br />
info@antiksimoneromanoefigli.com<br />
ROMIGIOLI ANTICHITA’ #Stand 73<br />
Viale Toselli 68<br />
20025 Legnano (Milano)<br />
Tel. +39 348 011 7005 - +39 348 412 8148 Fax +39 0331 512<br />
507<br />
romigioli@romigioli.it<br />
www.romigioli.it<br />
SALAMON & C. #Stand 28<br />
Via San Damiano 2<br />
20122Milano<br />
Tel. +39 02 760 131 42 Fax +39 02 760 049 38<br />
info@salamon.it.it<br />
www.salamon.it<br />
SAVELLI ARTE ANTICA #Stand 52<br />
Casa Rossini - Strada Maggiore 26<br />
40125 Bologna<br />
Tel. +39 051 235 917<br />
Cel. +39 334 364 1541 Cel. +39 335 536 3308<br />
savelliarteantica@gmail.com<br />
www.savelliarteantica.com
SCULTURA ITALIANA S.r.l. di Dario Mottola #Stand 51<br />
Via Santa Marta 21<br />
20123 Milano<br />
Tel./Fax +39 02 869 2922<br />
dario.mottola@tiscali.it<br />
www.sculturaitalianasrl.com<br />
ROB SMEETS OLD MASTER PAINTINGS #Stand 6<br />
8 rue Jacques-Grosselin<br />
1227 Ginevra<br />
Tel. +41 022 301 5519<br />
Cel. +41 792 859 262<br />
ps@robsmeets.com<br />
www.robsmeets.com<br />
SOCIETA’ DI BELLE ARTI S.r.l. #Stand 32<br />
Via Buonarroti 9<br />
55049 Viareggio (Lucca)<br />
Tel. +39 0584 520 30 Fax +39 0584 549 77<br />
info@sba.it<br />
www.sba.it<br />
SPERONE WESTWATER #Stand 1<br />
257 Bowery<br />
10002 New York, N.Y.<br />
Tel. +1 212 999 7337 Fax +1 212 999 7338<br />
info@speronewestwater.com<br />
www.speronewestwater.com<br />
STUDIO D’ARTE DELL’800 #Stand 25<br />
Via Roma 63-67<br />
57126 Livorno<br />
Tel./Fax +39 0586 815 200<br />
postmaster@800artstudio.com; studioarte800@libero.it<br />
www.800artstudio.com<br />
TOMASSO BROTHERS FINE ART #Stand 17<br />
Bardon Hall, Weetwood Lane<br />
LS16 8HJ Leeds<br />
Tel. +44 113 275 5545<br />
12 Duke Street, St. James’s<br />
SW1Y 6BN Londra<br />
Tel. +44 207 839 9394<br />
info@tomassobrothers.co.uk<br />
www.tomassobrothers.co.uk<br />
TORNABUONI ARTE #Stand 70<br />
Lungarno B. Cellini 3<br />
50125 Firenze<br />
Tel. +39 055 681 2697 - +39 055 681 3360 Fax +39 055 681<br />
2020<br />
info@tornabuoniarte.it<br />
Via Fatebenefratelli 34/36<br />
20121 Milano<br />
Tel./ Fax +39 02 655 4841<br />
milano@tornabuoniarte.it<br />
www.tornabuoniarte.it<br />
WIENERROITHER & KOHLBACHER GmbH #Stand 9<br />
Strauchgasse 2<br />
1010 Vienna<br />
Tel. +43 1 533 9977 Fax +43 1 533 9988<br />
Cell. +49 171 3708 185 - +43 699 1323 3447<br />
office@austrianfineart.com<br />
www.austrianfineart.com<br />
STUDIOLO di Stefano e Guido Cribiori #Stand 77<br />
Corso di Porta Nuova 46<br />
20121 Milano<br />
Tel. +39 02 657 0348 Fax +39 02 290 027 64<br />
info@studiolo.it<br />
www.studiolo.it<br />
SURPRISE di Paola Cuoghi #Stand 49<br />
Via Ganaceto 28<br />
41121 Modena<br />
Tel./Fax +39 059 237 453<br />
verri.r@tiscali.it<br />
TEGA #Stand 68<br />
Via Senato 20<br />
20121 Milano<br />
Tel. +39 02 760 064 73 Fax +39 02 799 707<br />
Cell. +39 348 742 1417<br />
info@galleriatega.it<br />
www.galleriatega.it<br />
TETTAMANTI ANTICHITÀ #Stand 20<br />
Via Maggio 22r<br />
50125 Firenze<br />
Tel./Fax +39 055 218 044<br />
tettamantiantichita@virgilio.it
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