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Contains Art Evaluation Report 2020

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Final evaluation, January 2020

3. Supporting practitioners

As well as the support that

we offer practitioners through

the exhibition programme

opportunities described in

the previous section, we

also undertake various other

activities intended to help

artists on their journey’s. For

the last few years we have

run a series of ‘container

conversations’ that provide a

place for discussion, debate

and critique for our artists’

community. We held four such

talks in 2018 and the same

in 2019, experimenting with

different formats as we consider

the evolution of the series and

the move to larger gallery in

due course. Some of the talks

are explored in more detail in

the following pages.

We also held a series of

conversations with local

practitioners who are

interested in taking studios

and working closely with us

in the new development. This

enabled us to understand

practitioner needs, hopes and

ideas and to connect them

firmly to the East Quay as it

moves forward. This work was

followed up at the start of 2019

with a Symposium, bringing

together the artist community

in developing ideas about

what is possible in the new

building. We were delighted to

welcome Bedwyr Williams as a

guest speaker at the event. A

second Symposium was also

held in December 2019, again

exploring future thinking in

regards to East Quay. This time,

we welcomed feminist artist

Rachel Ara to speak

Jenny Barron

New Perspectives

We have run a series of

speaker events during the

past that have been very

successful with creative and

public audiences alike. The

format of these evolved as we

have run the events. The most

interesting variant proved to

be a kind of ‘conversational’

Q&A format, which provided

a relaxed non-formal set-up

and also enabled those who

might not be comfortable in a

more traditional ‘speaker’ role

to agree and engage with the

process.

Jenny Barron’s container

conversation, which

accompanied her exhibition,

was the first opportunity for

many to hear this well-known

local artist speak first-hand

about her influences and

approach to her work.

Jenny led the conversation

through a conversational q&a

that was conducted during the

daytime—our first event of this

kind, having previously held

talks during the evening, often

on a Friday night.

We had looked extensively

at our audience profile for

Jenny’s work and decided

that the most attractive

format would be to hold the

conversation over Sunday

brunch in our container

courtyard. This was also part

of initiative to offer more

daytime cultural events and

weekend activities.

Dylan Fox

Rituals of Tourism

Responding to Dylan’s playful

approach to engagement and

because his works were sited

out and about in the town as

well as in the gallery, we reimagined

the format for his

‘container conversation’. He

was joined by lecturer Renee

Pfister for a walking tour of his

works, complete with stop for

ice-cream, pop into the pub for

a pint (and to see his beer mat

works) and dip in the ‘boating

lake’ (to see his wind breaks)

and finished with fish and chips

eaten around a conversational

table at the containers (having

taken in his postcard works

that were available from the

chippie).

The different format was very

much enjoyed by participants,

although it was harder work

to secure an audience than

when delivering the kind of

event we have become wellknown

for. This did not diminish

the impact of the event for

participants however, with

several commenting that the

smaller numbers (10 versus

the usual 20 or so for such

events) gave a chance to have

deeper and more involved

conversations, an opportunity

that was valuable given the

complexity and sensitivity of

the subject of Dylan’s work.

22

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