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Implications

Evanne O'Sullivan Thesis presentation - Spring 2020 University of San Francisco

Evanne O'Sullivan
Thesis presentation - Spring 2020
University of San Francisco

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1

Implications

Designed and Edited By

Evanne O’Sullivan


Implications

2 3

Implications



Implications

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First published in the United States in 2020 by Evanne O’Sullivan Ltd.

Thank you to the wonderful A+A department at USF, DIS

5

EOS company

Copenhagen and every design professor I’ve had.

Copyright © 2018, 2018 by Evanne O’Sullivan. No part of this book may be reproduced in any form without written permission from

the publisher.

- Evanne O’Sullivan, Class of 2020

ISBN: 123-4-5678-9000-1

Printed in China by Evanne O’Sulivan

Editorial Director: Evanne O’Sullivan

Designer: Evanne O’Sullivan

Project Editor: Evanne O’Sullivan

The author and publishers have made all reasonable efforts to contact copyright holders for permission, and apologize for any

omissions or errors in the form of credits given. Corrections may be made to future printings.

10 9 8 7 6 5 4 3 2 1

Evanne O’Sullivan LLC

4508 Fulton Street

San Francisco, CA 94121

www.evanneosullivan.com



Implications

Contents

6 7

6-11

introduction

4-6

value construction

7-11

consumerism

12-17

fashion’s role

18-40

brand exploration

41-44

conclusions



Implications

Introduction

8 9



Implications

10 11

What if everything you knew about

branding in the fashion industry was

flipped on its head?



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12 13



Implications

14

When I was a kid we shopped second hand a lot. It creating waste in the same way traditional consumerism

15

wasn’t out of environmental motives, it was mostly

was. This always baffled me because these items

because it was the most economical option for our weren’t worthless.

family at that time. And I loved it, I still love it. There

were endless possibilities every time we went in and When I was exploration this idea I wondered why people

the search to find something perfect was different and

have such high value associations with designer

equally exciting each visit. But in the earlier 2000s items and such low value assiciations with second

when consumerism was raging as strong as ever, I felt hand items. I wanted to showcase this value system

a shame for buying things that had once been used by and question it.

someone else. I don’t remember if someone had made

a specific comment but I knew that not buying my

I decided to explore the design expirence of designer

things from A Child’s Place, LimitedToo or

goods and second-hand goods. What impact was

Gymboree made me somehow different and lesser. But, design having? Could design change these associations?

I kept my shopping practices to myself and continued

How can branding mold the relationship con-

to enjoy each trip my mom or my grandma took me on. sumersm have with their posessions or the journey

they go through when partaking in consumerism?

As I got older it started to become the thing to do on

the weekends with your friends. The thrift shopping

craze had hit Portland and it’s teenagers unlike

anything before it. It excited me because I could shop

with my friend without feeling shame but as I got older

I started to realize that my friends relationship with

these items was a little different. When I was a growing

up every purchase mattered so I would only pick

one or two really specially things every trip. My peers

would buy whatever they wanted because “it didn’t

matter”. The clothes were cheap and they weren’t



Implications

Construction

16

This section covers value construction. How is our relationship

17

with stuff formed? How do we perceive high

value versus low value? Who are the contributors in

each consumer’s behavior?

Value

ARTICLES DISCUSSED:

Purchasing Designer Labels: The Role of

Reference Groups



Implications

Gucci IN FAMILY campaign, s/s 2018

“PHOTOGRAPHER KATHY LO IN A GUCCI

CITIES PRINT HOODIE AND VINTAGE WEB

SQUARE-FRAME SUNGLASSES; HER SON

SAGE IN A GUCCI KIDS’ JACKET”

18 19

Purchasing

Designer

Label

Apparels:

The Role of

Reference

Groups

Uchenna Cyril Eze

Crystal Hui Hui Chin

& Chai Har Lee

June 2012

Asian Journal of Business

Research



Implications

Consumers would perceive

designer apparels to be of

good quality, and embody

status and prestige.

Some firms use the names of designers who have succeeded

in couture on their label because such designer

products are normally perceived as prestigious and

exclusive (Chang, 2006). Consumers would perceive

designer apparels to be of good quality, and embody

status and prestige. The designer-label apparel market

is growing rapidly. According to a global survey

by Nielsen (2008), one sixth of the world’s consumers

claim to buy designer brands, while one-third claim to

know a designer label buyer. The survey also indicates

that more than half (52%) of the consumers believe that

people buy designer brands in a bid to project their social

status. Luxury branded products, according to Bain

and Company (2011) are a US$195 billion global indus-

20

Clothing, generally, is a basic need for humans, but try. JP Morgan analysts suggest a higher figure of about are more likely to be influenced by reference groups

Conceptual Framework and Hypotheses Development Mangleburg, Doney & Bristol, 2004). These three types

21

today has become a product that could express different

US$210 billion. Datamonitor (2011) that takes a broader compared to housewives in their purchasing decision,

of influences require the opportunity for social inter-

dimensions of culture, social class, and identify the definition suggest the market size to be US$1,439.7 and that advertisement and promotion using reference

actions. Seeking information, complying with the pref-

characteristics of the consumers. Designer clothes particularly

billion. In addition, Datamonitor (2011) suggest that groups are more effective on consumers’ final decierence

of others, and adopting values of others would

are apparels that carry the logo of a well-known the market size for the whole of Asia Pacific region to sion. In addition, interdependent culture such as the

involve communication and/or observation of decisions,

fashion designer. The term designer label usually refers be 27%. As the Asian economy grew, the industry for cultures in Japan, Korea, China and South East Asian

opinions, and behaviours.

to clothing and other merchandise, usually named after luxury brands expanded (Kim, Kim & So, 2007). As the countries, emphasize conformity to groups’ norms and

its designer. The designer label is often categorized Asia-Pacific luxury brand market represents about onethird

social acceptance unlike most western cultures (Zhou &

within the luxury products. Examples of designer labels

of the world’s luxury brand market, the interest Hui, 2003; Han & Schmitt, 1997; Shukla, 2010). Findings

include Armani, Calvin Klein, Cartier, Dolce and Gabbna,

and influencing factors for consumers in this industry from prior studies also reveal that Asian consumers

DKNY, Kenneth Cole, Gucci, Tommy Hilfiger, Louis within the region becomes pertinent. The luxury brands have the tendency to buy luxury brands conspicuously

Vuitton and many more.

industry, seen as a major market in Europe and North to express their social status and wealth (Phau & Prendergast,

America, has a new growth landscape with the expanding

2001; Wong & Ahuvia, 1998), consequently,

Asian market (Kim et al., 2007). The significant making it easier for the luxury brands business to be

increase in the consumption of luxury brands can be successful (Ustuner & Holt, 2010).

attributed, in part, to the rapid economic growth in Asia

and the interpersonal influence within the culture.

Moschis (1976) indicated that consumers use reflective

and comparative appraisal to choose their products.

A subsequent study by Bearden and Etzel (1982) suggested

that consumers would not only apply direct and

verbal interactions to obtain evaluations from reference

groups (such as friends, peers, siblings, and parents),

but also observe reference group members’ behaviour

to make a purchase decision. Evidence from Park and

Lessig, (1997) findings indicate that college students

Over the last decade, Asian countries have enjoyed

enormous economic growth, wealth, and information.

Asian countries, especially, Malaysia, Singapore, Hong

Kong, Indonesia, Korea and Taiwan, are swiftly morphing

into brand conscious societies. This type of lifestyle

is also reflected in the younger generation, especially

among older teens and young adults. Akin to their

western counterparts, the young adults of today tend

to enjoy more financial independence to make their

own consumption and purchase decisions. Hence, the

increase in purchasing power, which enables the pur-

While marketing models assert that a consumers’

purchasing attitude relates to how a product/service

satisfies one’s needs, findings from studies on consumers’

social and interpersonal environment indicate that

consumers’ decision to buy a particular brand could be

affected by reference groups (such as friends, family,

celebrities, and work associates). Social and interpersonal

research could be traced back to the study by

Hyman (1942), who first discussed the term reference

group. Subsequently, studies by Deutsch and Gerard

(1955), and Kelman (1961) elaborated on several types

of influence to include informational, utilitarian, and

value expressive influences. Informational influence is

based on the interest to make informed decisions and

choices. In periods of uncertainty, consumers tend to

seek information, from many sources, and consumers

would accept those sources considered genuine (which

include referents with expertise). The utilitarian reference

group influence reflects the attempts to follow the

wishes of others to achieve rewards or avoid punishments

(Bearden & Etzel, 1982; Childers & Rao, 1992).

The value expressive is described by the identification

process in which people are willing to express themselves

to the society by making themselves appear similar

to the group that they want to belong (Kelman, 1961;



Implications

Celebrities

Siblings

22 23

A celebrity is a person who has a prominent profile and Siblings play a vital role as a reference for comparison

A parent is someone who begets, gives birth to, or nurtures

and raises a child; a father or mother. According in abilities, qualifications, age, background, and social

Peers are persons who appear to be equal to another

Reference

commands a great degree of public fascination and and modelling for adolescence (Pechmann & Knight,

influence in day-to-day media. Celebrities are renowned 2002). A sibling (brother or sister) is one with whom an

to Yoh (2005), interactions with parents tend to influence

status. Peers are considered key elements in most de-

personalities, who enjoy public recognition by a large individual shares the same biological parents. Siblings

young consumers’ fundamental knowledge of their cisionmaking processes, especially the buying decision

Groups

groups of individuals (Schlecht, 2003). They usually enjoy

high public acknowledgment, and often have great may not be strong. Findings from prior research indi-

about products from their parents, from whom they de-

on the views, attitudes, thoughts, and actions of their

are in fact sometimes similar, although the correlation

behaviour. Young consumers would seek information process. Consumers would, to some degree, depend

influence upon endorsing products. They appear on cate that siblings exhibit more similarities on attitudes

velop specific buying behaviour. Hence, parents play an peers to enable specific decision-making process to

television as spokespersons

and interests compared with their general personality

important role in their conversations and provide guidance

buy a product (Makgosa & Mohube, 2007). Park and

on behalf of the advertised brand, or ordinary users of attributes (Hoffman, 1991). Prior research on siblings’

whenever necessary (Bearden et al. 1989;

Lessig (1977) noted in their research that young adults

such brand. In either way, they often convey a convincing

roles in a purchase-decision process, are mixed. For

Childers & Rao, 1992; Lachance, Beaudoin & Robi-

are most likely to be vulnerable to the pressure of their

message. Celebrities help boost awareness of ad-

instance, Schacter and Stone’s (1987) revealed that

taille, 2003). Children’s identities were shaped by family peers since they have limited capacity to cope with risk

vertised brands and generate positive feelings towards siblings were found to be different from their parents,

pressure, usually through communication and observational

and uncertainness than more mature individuals. One

the brands (Solomon, 2002). Consequently, these positive

which is consistent with the findings of Festinger’s

learning and this intergenerational influence will of the reasons peers are able to influence purchasing

feelings towards a product tend to influence con-

(1954). Based on the family traits and structure, the

continue to influence children even as young adults. decisions emanate from the fact that some young adults

sumers’ behaviour, which may affect consumers’ brand roles of siblings in key decisions in the family are

It was also revealed that parents’ influence on children

often feel less confident to evaluate their buying deci-

choices. Findings from prior studies indicate positive becoming more apparent. In addition, with the growing

reduce as they grow older (Moore, Wilkie & Lutz, sions, and would rather rely on their peers to enhance

effects of celebrities on consumer buying behaviour, application of social networks, there are possibilities

2002). Moschis (1976) has proposed that family parental this process. In another study, peers emerged as the

such as the adoption styles of clothing, product choice, for siblings to acquire critical information about specific

influence on consuption patterns and attitudes often most important reference group in a purchase decision

and health behaviours (Spry, Pappu & Cornwell, 2011; products and may have access to critical information

overrides any other form of influence (see also Basow & process (Kamaruddin & Mokhlis, 2003), consistent with

Till, Stanley & Priluck, 2008). Evidence suggests that that enables informed decision. Siblings, therefore tend

Howe, 1980).

the findings of Yoh (2005). In addition, the importance

the perceived image of celebrity endorsers has a positive

to play key roles on purchase decisions.

of peers is reinforced by the findings of Khan and Khan

impact on product buying decisions (Seno & Lukas,

(2005), which concluded that friends tend to be domi-

2007; Jo, 2007). In contrast, some studies appear to

nant informational reference group.

be critical about the use of celebrity endorsement. For

instance, White,

Goddard and Wilbur (2009), indicated that many consumers

were sceptical of celebrities who were paid to

Parents

Peers



Implications

24 25

Gucci IN FAMILY campaign, s/s 2018

“PHOTOGRAPHER KATHY LO IN A GUCCI

CITIES PRINT HOODIE AND VINTAGE WEB

SQUARE-FRAME SUNGLASSES; HER SON

SAGE IN A GUCCI KIDS’ JACKET”



Implications

Consumerism

26

This chapter discusses the role that consumerism

27

plays in climate change. The previous articles

discussed how value construction impacts people’s

relationship with consumerism and now we go into how

consumerism impacts the world. These two articles

delve into topics around climate change and human

interaction with consumerism.

ARTICLES DISCUSSED:

As Consumerism Spreads, Earth Suffers,

Study Says.

Overconsumption is costing us the earth

and human happiness



Implications

28 29

Americans and Western Europeans have had a lock on we enter a new century, this unprecedented consumer Globalization is a driving factor in making goods and

Hillary Maywell

unsustainable over- consumption for decades. But now appetite is undermining the natural systems we all depend

on, and making it even harder for the world’s poor much more available. Items that at one point in time

services previously out of reach in developing countries

developing countries are catching up rapidly, to the

detriment of the environment, health, and happiness, according

to the Worldwatch Institute in its annual report,

computers, air conditioning—are now viewed as neces-

to meet their basic needs.”

were considered luxuries—televisions, cell phones,

January 2004

State of the World 2004.

sities.

As Consumerism Spreads,

Earth Suffers, Study Says.

National Geographic

Perfectly timed after the excesses of the holiday season,

the report put out by the Washington, D.C.-based research

organization focuses this year on consumerism

run amuck.

Approximately 1.7 billion people worldwide now belong

to the “consumer class”—the group of people characterized

by diets of highly processed food, desire for bigger

houses, more and bigger cars, higher levels of debt, and

lifestyles devoted to the accumulation of non-essential

goods.

Today nearly half of global consumers reside in developing

countries, including 240 million in China and 120

million in India—markets with the most potential for

expansion.

“Rising consumption has helped meet basic needs and

create jobs,” Christopher Flavin, president of Worldwatch

Institute said in a statement to the press. “But as

The report addresses the devastating toll on the Earth’s

water supplies, natural resources, and ecosystems exacted

by a plethora of disposable cameras, plastic garbage

bags, and other cheaply made goods with built in

product-obsolescence, and cheaply made manufactured

goods that lead to a “throw away” mentality.

From Luxuries

to Necessities

The climate is certainly changing. But what is causing

this change? And how does the rising temperature affect

the environment, and our lives?

China provides a snapshot of changing realities. For

years, the streets of China’s major cities were characterized

by a virtual sea of people on bicycles, and 25

years ago there were barely any private cars in China.

By 2000, 5 million cars moved people and goods; the

number is expected to reach 24 million by the end of

next year.

In the United States, there are more cars on the road

than licensed drivers.

Increased reliance on automobiles means more pollution,

more traffic, more use of fossil fuels. Cars and

other forms of transportation account for nearly 30

percent of world energy use and 95 percent of global oil

consumption.



Implications

30

Changing diet, with a growing emphasis on meat, microbes, complicating the treatment of disease in both

31

illustrates the environmental and societal toll exacted animals and people.

by unbridled consumption.

To provide enough beef, chicken, and pork to meet the

demand, the livestock industry has moved to factory

farming. Producing eight ounces of beef requires 6,600

gallons (25,000 liters) of water; 95 percent of world

soybean crops are consumed by farm animals, and 16

percent of the world’s methane, a destructive greenhouse

gas, is produced by belching, flatulent livestock.

The enormous quantities of manure produced at factory

farms becomes toxic waste rather than fertilizer, and

runoff threatens nearby streams, bays, and estuaries.

Chickens at a typical farm are kept in cages with about

nine square inches (about 60 square centimeters) of

space per bird. To force them to lay more eggs, they

are often starved. Chickens slaughtered for meat are

first fattened up with hormones, sometimes to the point

where their legs can no longer support their weight.

Crowded conditions can lead to the rapid spread of disease

among the animals. To prevent this, antibiotics are

included in their feed. The World Health Organization

reports that the widespread use of these drugs in the

livestock industry is helping breed antibiotic-resistant

Inroads are being made. In 2002, McDonald’s

announced it would stop buying eggs from suppliers

who keep chickens confined in battery cages and that

are forced to lay additional eggs through starvation. By

2004, the fast-food chain will require chicken suppliers

to stop giving birds antibiotics to promote growth.

Wendy’s, Burger King, and Kentucky Fried Chicken

have all hired animal welfare specialists to devise new

animal care standards.

The World Bank has also rethought its policy of funding

livestock factory farming. In 2001, a World Bank report

concluded “there is a significant danger that the poor

are being crowded out, the environment eroded, and

global food safety and security threatened.”

Not Much Happier

The increase in prosperity is not making humans

happier or healthier, according to several studies.

Findings from a survey of life satisfaction in more than

65 countries indicate that income and happiness tend

to track well until about $13,000 of annual income per

person (in 1995 dollars). After that, additional income

appears to produce only modest increments in selfreported

happiness.Increased consumerism evidently

comes at a steep price.

People are incurring debt and working longer hours to

pay for the high-consumption lifestyle, consequently

spending less time with family, friends, and community

organizations.

“Excess consumption can be counterproductive,” said

Gardner. “The irony is that lower levels of consumption

can actually cure some of these problems.”

Diets of highly processed food and the sedentary

lifestyle that goes with heavy reliance on automobiles

have led to a worldwide epidemic of obesity. In the United

States, an estimated 65 percent of adults are overweight

or obese, and the country has the highest rate of

obesity among teenagers in the world. Soaring rates of

heart disease and diabetes, surging health care costs,

and a lower quality of day-to-day life are the result.

There is, of course, no easy solution to the problem.

The authors call for green taxes (to reflect the true

environmental costs of a product), take-back programs

that require manufacturers to recycle packaging or

goods, and consumer education and awareness programs.

But first and foremost we need to reorient our way of

thinking, says Gardner.

“The goal is to focus not so much on sacrifice, but on

how to provide a higher quality of life using the lowest

amount of raw materials,” he said. “We need to change

the way we produce goods and the way we consume

them.”

$

$

$ $ $

$



Implications

32 33

Overconsumption is costing

Celia Cole

us the earth and human

happiness

June 2010

The Gaurdian

SoHo Memory Project, SoHo as Muse

“ISABEL MODELED THE SOHO DRESS FOR

A FASHION EDITORIAL PHOTOSHOOT THE

GROUP NAMED ‘BAG LADY’.”



Implications

We’ve allowed our citizen

self to be dwarfed by a

relatively new reflex action –

consume,

consume,

consume.

34 35

She is sure of one thing though: “Change is inevitable.

If you really want to understand a country, a society, or

You can’t keep using one and a half planet’s worth of

even a civilization, don’t turn to its national museums or

resources indefinitely.”

government archives. Head to the tip.

According to Annie Leonard – former Greenpeace activist,

unwavering optimist and waste obsessive – the

tip is akin to society’s secret journal. “Stuff” became a

fascination for Leonard in her teens, choosing field trips

to landfills while at university when she began to question

how we came to build an economy based purely on

resources.

That was 20 years ago, and a lot has changed. Waste

and recycling are now burning policy issues. Forty

countries, hundreds of factories and still more landfills

later , Leonard worries we have not grasped the fundamental

problem with our materials economy. “It is a

linear system and we live on a finite planet. You cannot

run a linear system on a finite planet indefinitely. Too

often the environment is seen as one small piece of the

economy. But it’s not just one little thing, it’s what every

single thing in our life depends upon.”

In 2007, Leonard tried a novel medium – a YouTube

video – to convey the message. The Story of Stuff was

a frank and cleverly animated short film telling the story

of the American love affair with stuff and how it is quite

literally trashing the planet. Three years on and it’s a

viral online phenomenon; seen by 10 million people in

homes and classrooms all over the world. Now she has

followed up the video with a book of the same name.

Leonard has surprised many, though, by not actually

being against stuff. She isn’t even anti-consumption.

In fact, she feels lots of people should be consuming

more. Just not most of us in the western world who

often over-consume.

Consumption can be good, she says. “I don’t want to be

callous to the people who really do need more stuff”.

But consumerism is always bad, adding little to our

wellbeing as well as being disastrous for the planet.

“[It’s] a particular strand of overconsumption, where we

purchase things, not to fulfil our basic needs, but to fill

some voids about our lives and make social statements

about ourselves,” she explains.

“It turns out our stuff isn’t making us any happier,” she

argues. Our obsessive relationship with material things

is actually jeopardising our relationships, “Which are

proven over and over to be the biggest determining factor

in our happiness [once our basic needs are met].”

Leonard calls upon wider research to argue the sociological

and psychological consequences of our all-consuming

epidemic, including that of Tim Kasser and Robert

Putman. Kasser identified a connection between an

excessively materialistic outlook and increased levels

of anxiety and depression, while Putman argues we’re

paying the ultimate price for our consumeristic tendencies

with the loss of friendships, neighbourly support

and robust communities. Together they suggest we are

witnessing nothing short of the collapse of social fabric

across society.

Part of the problem, according to Leonard, is our confused

sense of self. We’ve allowed our citizen self to

be dwarfed by a relatively new reflex action – consume,

consume, consume. “Our consumer self is so overdeveloped

that we spend most of our time there. You

see it walking around – we usually interact with others

from our consumer self and are most spoken to as our

consumer self. The problem is that we are so comfortable

there that when we’re faced with really big problems

[like climate change], we think about what to do as

individuals and consumers: ‘I should buy this instead of

this.’

“If you’re going to vote with your dollar that’s fine,”

Leonard says. “But you need to remember that Exxon

has a lot more dollars than you. We need to vote with

our votes; re-engage with the political process and

change the balance of power so that those who are looking

out for the wellbeing of the planet dominate, instead

of those who are just looking our for the bottom line.”

Like George Monbiot, Leonard doesn’t think so-called

ethical consumption, or greensumption is going to

get us out of the problem either. “The real solution is

not perfecting your ability to choose the best option,

it’s getting that product off the shelf,” she says. “It’s

increasingly looking like buying green delays people

engaging with the political process.”

Leonard’s film has its critics. Fox News branded it “full

of misleading numbers”. And the free market and climate

sceptic think tank The Competitive Enterprise

Institute, called the project “community college Marxism

in a ponytail.” But many have found it hard to argue

Leonard doesn’t live up to her values. At her home in

California she and another five families have chosen

community over stuff, tearing down the fences between

their homes. “Its not a big deal”, she says. “We don’t

have matching clothes and its not like a commune of

anything. We are all just regular families in these six

houses [who] share things. And we just have so much

fun.”

The Story of Stuff is about America, but how is the UK

faring? Leonard does note some positive differences:

the NHS, our liberal political discourse – allowing us

to utter the words capitalism and unsustainable in the

same large breath, and she likes the fact that washing

lines are not a threatened species. One thing that does

bug Leonard about this country, though, is our pyromania.

Specifically, she’s worried about our leaders’ love

affair with waste incinerators. “It’s just so depressing.

Incinerators are such a regressive way of dealing with

waste materials. We need to promote zero waste as an

alternative.”

Zero waste is a term that gets thrown around a lot, most

recently this week by environment secretary Caroline

Spelman. For Leonard, a complete overhaul in our

approach involves a real cradle-to-cradle revolution;

marrying intelligent design upstream and consumer

incentivised recycling and composting downstream.

This may well be one of the answers, and the book provides

a few more. But Leonard doesn’t pretend to have

them all, and she’s reluctant to commit to a new economic

paradigm, either, because “we haven’t invented it

yet.”

Many have argued against the minor details of the book,

but few have questioned the fundamental premise that

our current use of resources is unsustainable. Even

fewer have doubted her optimism. “Environmentalists

need to figure out a way of talking about this stuff in a

more engaging and inviting way, and that is what I hope

I’m doing with this book.”



Implications

Fashion’s

36

Fashion has a huge factor to play in climate change

37

and consumerism. Each label also puts a lot of effort

into creating a certain type of perceived value for it’s

customers. Considering both value construction and

consumerism how if the fashion industry itself

contributing to sustainability?

Role

ARTICLES DISCUSSED:

Fast Fashion Is the Second Dirtiest Industry

in the World, Next to Big Oil

Slow fashion: the answer for a sustainable

fashion industry?



Implications

38 39

Fast Fashion

“The clothing industry is the second largest polluter

clothes and it is a huge problem. Your clothes continue

in the world ... second only to oil,” the recipient of an

to impact the environment after purchase; washing and

environmental award told a stunned Manhattan audience

earlier this year. “It’s a really nasty business ... it’s

cause more harm to the planet than you realize.

final disposal when you’re finished with your shirt may

a mess.”

Is the Second

Dirtiest

Industry in

the World,

Next to Big

Oil

Glynis Sweeny

August 2015

Ecowatch

While you’d never hear an oil tycoon malign his bonanza

in such a way, the woman who stood at the podium,

Eileen Fisher, is a clothing industry magnate.

On a warm spring night at a Chelsea Piers ballroom on

the Hudson River, Fisher was honored by Riverkeeper

for her commitment to environmental causes. She was

self-deprecating and even apologetic when speaking

about the ecological impact of clothing, including garments

tagged with her own name. Fisher’s critique may

have seemed hyperbolic, but she was spot-on.

When we think of pollution, we envision coal power

plants, strip-mined mountaintops and raw sewage piped

into our waterways. We don’t often think of the shirts on

our backs. But the overall impact the apparel industry

has on our planet is quite grim.

Fashion is a complicated business involving long and

varied supply chains of production, raw material, textile

manufacture, clothing construction, shipping, retail, use

and ultimately disposal of the garment. While Fisher’s

assessment that fashion is the second largest polluter

is likely impossible to know, what is certain is that the

fashion carbon footprint is tremendous. Determining

that footprint is an overwhelming challenge due to the

immense variety from one garment to the next. A general

assessment must take into account not only obvious

pollutants—the pesticides used in cotton farming,

the toxic dyes used in manufacturing and the great

amount of waste discarded clothing creates—but also

the extravagant amount of natural resources used in

extraction, farming, harvesting, processing, manufacturing

and shipping.

While cotton, especially organic cotton, might seem

like a smart choice, it can still take more than 5,000

gallons of water to manufacture just a T-shirt and a

pair of jeans. Synthetic, man-made fibers, while not as

water-intensive, often have issues with manufacturing

pollution and sustainability. And across all textiles,

the manufacturing and dyeing of fabrics is chemically

intensive.

Globalization means that your shirt likely traveled halfway

around the world in a container ship fueled by the

dirtiest of fossil fuels. A current trend in fashion retail

is creating an extreme demand for quick and cheap

Fisher is right, the fashion industry is truly a mess.



Implications

A Thirsty, Needy Plant

40

Cotton is the world’s most commonly used natural fields. Dust from the dry, exposed lakebed, containing Dyes are creating a chemical Fukushima in Indonesia.

The menace caused by nonylphenol doesn’t end at the While a majority of the world’s apparel conglomerates cars in just one year. The low-grade bunker fuel burned

41

fiber and is in nearly 40 percent of our clothing. It has these chemicals and salt saturated the air, creating a The Citarum River is considered one of the most polluted

Citarum River. The chemical remains in our clothes after are U.S. based, more than 60 percent of world clothing by ships is 1,000 times dirtier than highway diesel used

a clean, wholesome image long cultivated by the garment

public health crisis and settling onto farm fields, con-

rivers in the world due in great part to the hundreds

they are produced and only comes out after a few wash-

is manufactured in developing countries. Asia is the in the trucking industry. These ships do not consume

industry. But the truth is that it is a thirsty little taminating the soil. The Aral is rapidly becoming a dry of textile factories lining its shores. According to Greenes.

For this reason, the European Union (EU) member major clothing exporter today, producing more than 32 fuel by the gallon, but by tons per hour. Pollution by the

plant that drinks up more of its fair share of water. It is sea and the loss of the moderating influence that such peace, with 68 percent of the industrial facilities on the

states have banned imports of clothing and textiles containing

percent of the world’s supply. China is the leading world shipping industry, which has boomed over the past 20

also one of the most chemically dependent crops in the a large body of water has on the weather has made the Upper Citarum producing textiles, the adverse health

nonylphenol ethoxylates (it banned nonylphenol producer and supplier of clothing, providing nearly 13 years, is beginning to affect the health of those living

world. While only 2.4 percent of the world’s cropland region’s winters much colder and summers hotter and effects to the 5 million people living in the river basin

for its own textile manufacturing more than a decade percent of the world’s exports.

in coastal and inland regions around the world, yet the

is planted with cotton, it consumes 10 percent of all drier.

and wildlife are alarming.

ago.) While not banned in the U.S., the Environmental

emissions of such ships goes mostly unregulated.

agricultural chemicals and 25 percent of insecticides.

Protection Agency (EPA) has identified eight safer alternatives

Some genetically modified varieties, which are resistant

to nonylphenol ethoxylates.

to some insects and tolerant of some herbicides, now

Altogether, more than a half trillion gallons of fresh water

make up more than 20 percent of the world’s cotton

are used in the dyeing of textiles each year. The dye

crop. Cotton is indeed grown all over the world with

wastewater is discharged, often untreated, into nearby

China being the largest cotton grower followed by India,

rivers, where it reaches the sea, eventually spreading

the U.S., Pakistan and Brazil.

around the globe. China, according to Yale Environment

360, discharges roughly 40 percent of these chemicals.

Uzbekistan, the world’s sixth leading producer of cotton,

is a prime example of how cotton can severely

impact a region’s environment. In the 1950s, two rivers

in Central Asia, the Amu Darya and and the Syr Darya,

were diverted from the Aral sea to provide irrigation

for cotton production in Uzbekistan and nearby Turkmenistan.

Today, water levels in the Aral are less than

10 percent of what they were 50 years ago. As the Aral

dried up, fisheries and the communities that relied on

them failed. Over time, the sea became over-salinated

and laden with fertilizer and pesticides from the nearby

Organic cotton is a much more sustainable alternative,

but today it is only about one percent of all the

cotton grown worldwide and quite expensive to grow

compared to conventional cotton. It is not without its

downsides, however. Organic cotton still needs large

amounts of water and the clothing made from it may

still be dyed with chemicals and shipped globally, meaning

that there’s still a big carbon footprint with cotton

garments carrying the “organic” tag.

Clothes to Dye For?

Little care was paid to Indonesia’s water infrastructure

when its textile boom began; proper framework for

waste disposal was largely neglected. Clothing manufacturers

dumped their chemicals into the river, making

the Citarum nothing more than a open sewer containing

with lead, mercury, arsenic and a host of other toxins.

Greenpeace tested the discharge from one of these

textile plants along the Citarum and found disturbing

amounts of nonylphenol, an endocrine disruptor, which

can be deadly to aquatic life. Greenpeace also found

the water to be high in alkalinity—equivalent to that of

lye-based drain openers—and had apparently not even

received the most basic of treatment. Greenpeace described

the discharge as “highly caustic, will burn human

skin coming into direct contact with the stream and

will have a severe impact (most likely fatal) on aquatic

life in the immediate vicinity of the discharge area.”

New technologies, such as waterless dye technologies

have been developed, but have not yet been deployed

at most manufacturing sites. The textile industry,

which has been using copious amounts of water to dye

garments for hundreds of years, may be reluctant to

embrace this change. After all, this new technology is

expensive to install and only works on certain fabrics.

Well-Traveled Attire

But as production and labor costs rise in China, clothing

companies are moving to countries where manufacturing

is cheaper; places like Bangladesh, Vietnam,

Pakistan and the Philippines. These countries might not

have the raw materials needed, so they’re often shipped

there from countries like China, the U.S. and India. Once

manufactured, the garments are put in shipping containers

and sent by rail, container ships and eventually

rail and trucks to the retailer. There’s no way to gauge

how much fuel is used to ship clothes worldwide, but 22

billion new clothing items are bought by Americans per

year, with only 2 percent of those clothes being domestically

manufactured. In total, some 90 percent of garments

are transported by container ship each year.

While we don’t know what percentage of cargo garments

comprise on the world’s 9,000 container ships,

we do know that a single ship can produce as much

cancer and asthma-causing pollutants as 50 million



Implications

New York Times, Forever 21 Bankrupcy

Signals Shift in Consumer’s Taste

“EVERY FOREVER 21 SHOPPING BAG HAS

‘JOHN 3:16,’ A REFERENCE TO THE BIBLE

VERSE, PRINTED ON IT.”

Disposable Dress

42

In the first world, shopping has become a way of life, a uncommon for shoppers to wear an item once or twice Made from petrochemicals, polyester and nylon are

get enough old soda bottles. Because the demand is so Some top clothing designers, such as Fisher, Stella

43

weekly pastime and for many an addiction. Shopping before throwing it away for next week’s style, aided by not biodegradable, so they are unsustainable by their

much higher than the supply, some cynical suppliers McCartney and Ralph Lauren are on the leading edge

malls, glossy fashion magazines, catalogs and Internet

the poor quality of many of the clothes causing them to very nature. While the manufacturing of both uses great

are buying unused bottles directly from their manufac-

toward reforming the fashion industry. Eileen Fisher’s

ads bombard us with entertaining opportunities to fall apart after several washes.

amounts of energy, nylon also emits a large amount of

turers to make polyester clothing which they can label eponymous company is already using 84 percent or-

spend money. Feeding this rampant consumerism is the

nitrous oxide, a greenhouse gas, during manufacturing.

recycled.

ganic cotton, 68 percent organic linen and is reducing

“fast fashion” trend, in which clothing is designed to Fashion is all about image, so many retailers have

The impact of one pound of nitrous oxide on global

water use and carbon emissions and working to make

be moved as quickly as possible from catwalk to store. recently made efforts to cultivate a greener image. H&M warming is almost 300 times that of the same amount of

its supply chain sustainable by 2020.

Only about 10 years old, fast fashion is leading the has a sustainability effort called H&M Conscious: a carbon dioxide, the most ubiquitous greenhouse gas.

way in actual disposable clothing and it is particularly “promise to bring you more fashion choices that are

worrisome because it creates demand for and then constantly

good for people, the planet and your wallet.” But what

churns out massive amounts of cheap clothes, of its claims of sustainability? There is some question

ultimately accelerating carbon emissions and global here.

warming.

At $108 for a white organic cotton tank top, Eileen Fisher

is a high-end retailer, out of reach for most consumers.

The vast majority of us shop at the giant fashion

retailers, which have the biggest carbon footprint—and

many of them specialize in fast fashion. Swedish giant

H&M is the current largest clothing retailer in the world

at $20.2 billion in sales (as of January 2015) followed by

Zara, another fast fashion specialist.

The fashion industry by design is constantly changing

with the seasons, but fast fashion can change weekly,

summed up by a sign in H&M, “New stuff is coming in

each and every day. So why not do the same.” It’s not

As stated In its 2014 sustainability report H&M’s CEO

Karl-Johan Persson said, “In order to remain a successful

business, we need to keep growing and at the same

time respect the planetary boundaries.” The intense

consumerism and rate of production needed to grow

these fast fashion retailers does not reflect the fact that

energy is increasingly expensive and resources are limited.

Globalization and the never-ending search for the

lowest labor rates that made those jeans possible has

limits as well.

Crude Duds

It’s estimated that it takes about 70 million barrels of

oil just to produce the virgin polyester used in fabrics

each year. But recycled polyester made from discarded

plastic polymer products is now being considered as a

greener option, as it takes less than half the energy to

produce and helps keep plastic products, like drinking

bottles, out of landfills. But there are downsides to recycled

polyester. Used plastic bottles must still be cleaned

and the labels mechanically removed before made into

polyester fabric. The process is mostly done by hand

and that means these plastic bottles are shipped to

countries with low labor rates, using dirty fossil fuels to

send them there.

Much of what is touted as recycled polyester is actually

greenwashed products. The U.S. still has a very low rate

of plastic recycling, only 6 percent. So clothing manufacturers,

eager to tout their “recycled” clothes, can’t

Even when they’re being laundered by you, your polyester

clothes are harming our waterways. Ecologist

Michael Browne examined sediment along the world’s

shorelines and noticed fibers everywhere. The threads

he found were tiny, synthetic and ubiquitous near

sewage outflows. Eighty-five percent of the microfibers

found along the shoreline were human-made material

and “matched the types of material, such as nylon and

acrylic, used in clothing.”

Going down the drain from our domestic washing machines

Browne estimates that around 1,900 individual

fibers can be washed off a single garment and find their

way into the oceans and on shores everywhere. These

fibers are another pathway for the chemicals in the fabric

to get into the environment.

A Thread of Hope

But as Fisher said in her speech at the Riverkeeper

Ball, hers is just one company. And while part of Eileen

Fisher’s mission is to share its insight with other clothing

manufacturers, one company’s overall impact is still

rather small. But Fisher said: “Because [the fashion

industry is] the second largest polluter in the world I

also think we can be a huge force for change. I have

hope. I know it’s possible to make clean clothes, to do it

a better way.”

But real change in the clothing industry will only come

if the big, affordable brands find a way to make and sell

sustainable clothing. Until then, consumers can help by

changing where they shop and what they buy.



Implications

44 45

The Gaurdian, Stella McCartney calls for

overhaul of ‘incredibly wasteful’ fashion

industry

“A STELLA MCCARTNEY CAMPAIGN SHOT

IN A SCOTTISH LANDFILL SITE TO RAISE

AWARENESS OF WASTE AND OVER-CON-

SUMPTION.”

Slow Fashion: the Answer for a Sustainable Fashion Industry?

Wasteful

Fashion

Eleonor Johansson

2010

University of Borås,

Swedish School of Textiles

Consumption



Implications

46

The unsustainable consumption we have today ends expertise and knowledge about design and production Cotton Incorporated approximately 35% of women clean

47

up with products in landfill, when they could be recycled

and when we are actively engaged in, learning about out their closets and 27% do it twice a year. But rather

or reused. But for the fashion waste, it does not or teaching something, we tend to feel more fulfilled, than throwing out the inactive garments or giving them

primarily go to landfill rather it sits, unused in people’s which mean that we need to draw out of a passive state away, they are simply organising and consolidating

wardrobes, where its potential use is wasted while the where our focus tends to be “having” a garment and them in order to make room for new garments to come.

demand for new clothing consumption increases. According

into the more active state of being (engaged and cre-

They where asked what they do with clothes they have

to Pears, research has been revealed that peoative),

doing (sewing, mending) and interacting (with not used in a year, where 65% of the women said they

ple are not only aware of their own wasteful consumption

fashion symbolism). These active states have a require-

hang on to it with the potential to become useful again

but may also feel guilty, dissatisfied and unhappy ment for an evolving set of knowledge and skills so and 34% got ride of it. (www.cottoninc.com, 2005)

as a result of overspending. (Pears, 2006) 34 The fashion

that we do not become bored or frustrated. (Fletcher,

industry is seen as the most wasteful industry given 2008) Fashion waste refers, according to Pears, to gar-

the defining nature of its everchanging fashion. In no ments that are inactive and interpreted as useless even

other industry are goods becoming so obsolete and though they may have the physical potential to maintain

require replacement through excessive consumption their use. As fashion are temporary forces that popularise

in the same way as in fashion. Today most clothes are

certain styles of garment at a particular time, a gar-

not worn out, but get replaced by the latest trend. The ment becomes unfashionable when it is made inactive

consumption of fashion has become a highly accelerated

by those who wish to follow fashion, despite the phys-

process where the rate of the consumption outpaces ical potential for wear. As fashion is often perceived as

the use. As fashion has become more affordable and cyclic, the owner may get to use the garment when it is

people wealthier, people can afford to purchase several revived by a new trend but, as Pears says, the repeated

garments, where previously a single garment would fashion cycle always tend to offer a slightly varied set

have been enough. According to Pears, these consumers

of styles to the original fashion as to stimulate con-

would be satisfied with just an empty bag, since sumption. A garment is then fashion waste when it is

it is the experience of shopping and not the garments outmoded by another version that may be superior in

that are important. (Pears, 2006) According to Fletcher, style, cut, fit or more fashionable and the former version

we need to shift from “blind consumption” to “reflective

is unlikely to have an active role in the wardrobe.

competence” and by that she means, developing (Pears, 2006) According to a research conducted by



Implications

48 49

Brand

Exploration



Implications

50

Through the reading of these articles and field often these brands are just as (if not more) driven

51

research, it’s clear that design has implications by capitol and profit.

on consumer relationships and ultimately climate

change. To illustrate this at it’s best, I worked

decided to explore a “alternative reality” branding

for luxury and second hand design.

Both ends of the design and branding for fashion

spectrum have very recognizable design styles

that create brand recognition in consumers. They

are so distinct that it is sometimes hard to pull

away from the preconceived notion that comes

with these styles. Second-hand stores tend to

have a lot of different graphic elements in their

logos. They use a lot of color and they often use

sans-serif fonts. The style tends to leave

viewers with a “homely” feeling. Stores that are

more cognizant of their environmental impact will

also tend to lean on “organic” visual signifier. Alternatively,

luxury branding has little to no graphic

elements. Some brands will have emblems that are

significant in the establishment of the brand (Hermes,

Louis Vuitton). But most rely on serif fonts,

type only and little to no color. The reserved and

minimal nature of these logos signify luxury to

consumers. This style has cultivated it’s own

perception of quality and craftsman ship. It’s easy

to associate these kind of implications around

quality with care or devotion to design itself. But,

My exploration started by looking into what specific

commonalities these brands shared. What about

their designs needed to be a part of my redesign

and why? What is the best way to convey luxury

without brand recognition from the name itself? I

then started transforming the logos myself. What

can be pulled apart and transformed to change it’s

perceived meaning? The following pages are my

exploration.



Implications

52 53



Implications

originial logo

deconstructing &

reconstructing

54 55

refining

final redesign



Implications

originial logo

explorations into

motifs

utilizing exsiting

brand identifiers

56 57

refining

final redesign



Implications

Conclusion

58 59



Implications

60

This exploration into the ways that design makes

realizations I came to. Putting money where your from pulling creativity out of every era of fashion

61

implications on brand association brought me into

mouth doesn’t always have the biggest effects. instead of just the most recent ones. I challenge

conclusions that were both expected and unexpected.

But, putting money where your mouth is and

myself everyday to only things that already exist in

At the beginning of ideating thesis topics, I had

turning that into civic action can.

the world. To avoid buying new as much

done mental gymnastics with my own relationship

as possible.

with consumerism. Breaking away from habits and

The design exploration was to show how much

marketing that perpetuates mass consumption is an

design can impact our own perceptions. When I There are still miles to go before we can begin to

ongoing battle. I, as much as the next person, can

analyzed the different design elements that made think people making very serious changes in

investigate the negative trail of fahion and consumerism

up each brand the commonalities became clear. relation to their consumption. But we are not far.

as much as I want but that still doesn’t make

Both the high end and the low end business are If we can open our eyes to the reality of that state

it less a part of our society or something that I ultimately

trying to make you feel some kind of way about of our ecosystems, we can begin to make positive

have to contribute to regularly. These bigger

them. I wanted to explore what it would feel like if changes. I hope that these articles can begin the

systems can’t be changed without big change. And

we swapped those brand perceptions. What would mental gymnastics for someone else and enact

my investigation or personal efforts can not change

it mean for second hand items to feel high quality?

a personal transformation with their relationship

that alone. But, I wanted this collection of articles

For second hand items to hold as much value? with consumerism and fashion.

to be a starting place for others who are not all

There is a perception that because something is

cognizant of their actions and the preconscious. I

used it’s not as good. I think if Amazon, Target and

want people to walk away questioning their current

IKEA has taught us anything is that new doesn’t always

actions and potentially putting that into change.

mean quality. Swapping two brands, one with

high perceived value and one with low perceived

value portrayed this juxtaposition.

The articles presented give varying perspective on

the same issues with the same goals. I specifically

picked these articles to show the complexity at

hand and to portray all the ways to tackle this

problem. From changing where you’re shopping

to civic action this is not one easy answer to this

problem. And this problem, is only one of many

problems in this bigger perpetuating system.

Through my research this was one of the biggest

I often fantasize about what a world would look like

where fast fashion labels aren’t pushing new

designs out weekly and we aren’t so revolved

changing trends to dictate our creativity. There

could be endless creativity if we only allowed

ourself to shop from clothing that already existed

in the world. The individuality that could spark



Implications

62

pg. 18-23

https://www.gucci.com/us/ vironment-relationships-an-

pg 43

63

en/st/stories/people-events/

nie-leonard

article/pre-fall-2018-vogue-

25-ways-shoppable# pg 19

Credits

(article)

“Purchasing Designer

Labels: The Role of

Reference Goups”

Uchenna Cyril Eze

Crystal Hui Hui Chin

& Chai Har Lee

Asian Journal of Business

Research, 2(2), 52.

pg 19

(image)

“In Family”

Vogue Magazine

https://www.gucci.com/us/

en/st/stories/people-events/

article/pre-fall-2018-vogue-

25-ways-shoppable#

pg. 24-25

(image)

“In Family”

Vogue Magazine

pg. 28-31

(article)

“As Consumerism

Spreads, Earth Suffer,

Study says.”

Hillary Maywell

https://www.nationalgeographic.com/environment/2004/01/consumerism-earth-suffers/

pg. 32-35

(article)

“Overconsumption is

costing us the earth and

human happiness.”

Celia Cole

https://www.theguardian.

com/environment/2010/

jun/21/overconsumption-en-

(image)

“Bag Lady”

Diego Lawler,

Tyler Truglio,

Ginger Caranto,

Isabel Conley,

& Cameron Durham

https://sohomemory.org/soho-as-muse-the-soho-shift

pg. 38-42

(article)

“Fast Fashion Is the

Second Dirtiest Industry in

the World, Next to Big Oil”

Glynis Sweeny

https://www.ecowatch.com/

fast-fashion-is-the-seconddirtiest-industry-in-the-worldnext-to-big--1882083445.

html

(image)

“A/W 2017”

Harley Weir

& Urs Fischer for Stella

McCartney

https://www.theguardian.

com/environment/2017/

nov/28/stella-mccartney-calls-for-overhaul-of-incredibly-wasteful-fashion-industry

pg. 43-47

(article)

“Slow fashion: the answer

for a sustainable fashion

industry?”

Eleonor Johansson

http://www.diva-portal.org/

smash/record.jsf?pid=diva2%3A1312116&dswid=EBSCOhost



64

Implications

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