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A poem of a dream of the woods: new writing and illustrations from wild adventuring

by Jackie Kay, children from Spinney Primary School and Elena Arevalo Melville. Poet Jackie Kay joined two classes of children from Spinney Primary School to explore their local woods over 4 days in summer 2015. This collection shares the poems Jackie wrote in response and a small selection from the children’s journals, alongside their drawings of monsters and trees and on-site sketches and work by illustrator Elena Arevalo Melville.

by Jackie Kay, children from Spinney Primary School and Elena Arevalo Melville. Poet Jackie Kay joined two classes of children from Spinney Primary School to explore their local woods over 4 days in summer 2015. This collection shares the poems Jackie wrote in response and a small selection from the children’s journals, alongside their drawings of monsters and trees and on-site sketches and work by illustrator Elena Arevalo Melville.

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With new work by Jackie Kay,

children from The Spinney Primary School

and Elena Arévalo Melville


All children need a place to let their minds roam free, to mix

up language potions, to create and write their own poems. As I

walked into the woods where the children were meeting Jackie, I

thought of many other writers who have found words in the wild

and given, in Jackie’s words, ‘paper wings’ to poems.

This anthology weaves together the landscape of the woods and

the imagination. Although it is rooted in one patch of woodland

in Cambridge, it is a threshold to so many more worlds of

writing and wildness.

/ Helen Taylor, Poetry Advisor


Jackie Kay joined two classes of children from The Spinney

Primary School to explore their woods over four days in summer

2015. The invitation was not to give a masterclass in poetry

writing but to work alongside the children, sharing discoveries

and writing together. The children already knew the woods

well. They had been adventuring there for several weeks with

CCI artist Deb Wilenski and their teachers, Jenny Ryan and Emily

Garrill.

They also knew some of Jackie’s work, especially The world of

trees. In their very first visit Year 1 found places for phrases from

this poem to live in the Spinney, and when Year 3 found them

the following day they were intrigued: Maybe it’s someone’s

dream and they left it in the woods. Maybe it’s a poem of a

dream of the woods.

These four days were extraordinary. The children and Jackie

wrote prolifically together. This collection shares Jackie’s new

poems and a small selection from the children’s journals. They

are illustrated by the children’s drawings of trees and monsters,

alongside on-site sketches and a new Fantastical Map of

Spinney Wild Woods by illustrator Elena Arévalo Melville.



A poem of a dream of the woods

new writing and illustrations from wild adventuring

/ Jackie Kay

/ Children from The Spinney Primary School

/ Elena Arévalo Melville


Contents

Foreword: Jackie Kay

10 Saps and rings and things to say in the forest / Jackie Kay

12 Ink! / Antonia Anderson

13 A poem of a dream of the woods / Micah Green,

Alice Haughton, Hannah Saji, Michael Xu

14 The music department in the woods / Jackie Kay

16 The sound of the woods / Katie Whitehead

17 My tree would say / Elia Doza

18 The tree will say / Noel Thomas

19 Once upon a time / George Stephens




22 I am a twin tree / Lucy Stephens

24 Trunk / Jackie Kay

26 The Y valley / Jackie Kay

30 Secrets / Ashleigh Blythe-Summers

31 Lost and found / Reuben Huggins

32 How to lose myself / Jon-James Day-Simon

33 Abdullah likes this poem / Jackie Kay

34 The wind of the skies / Rocco Watson

35 The lost silver / Micah Green

36 Two stanzas for the Spinney / Jackie Kay


Foreword / Jackie Kay

The woods, spinneys, openings, forests, the magical world of trees and barks

and roots…

As an adult you return to your time in the woods again and again: the dens

you made, the promises, the secrets, the friends, pledges, potions. You half

imagined that you might just end up living there for good – like a child in a

fairytale for days and nights and days. You remember counting the rings of the

trees, finding strange shaped fungi, the fresh smell of new leaves, the crunch

and squish of autumn ones, you remember it vividly, if you are lucky, if you still

possess the tiny golden key that unlocks the door to your childhood

imagination.

Working with the wonderful children of The Spinney took me back there, put

the tiny key into my writer’s hand. They reminded me how the imagination

works. The Spinney kids made worlds of the trees and worlds within the trees:

they absolutely loved the place. All imaginative play is timeless; being with the

children reaffirmed how vital it is that we have time without screens and

tablets, without so-called learning tools, so that our minds are allowed to

roam free. When our minds are free, the imagination runs along, happily

keeping up.

There were twig ships and dragons, there was the royal castle in the wood,

pathways through nettles. There were chefs in the wood and factories. Jobs

to be done or stolen. There was the daytime world of The Spinney and the

imagined night-time one where the stars would keep dancing in the company

of the trees, guarded by the keepers of the night.


The Spinney triggered memories, and gave us brand new experiences. The

children lost things and found them, made magic potions and drank them, and

created stories to explain the dried up lake that lost its golden fish. And yet

the music still played through the trees, the magical music of the deep dark

bark in the music department in the woods.

It was fabulous to take part in such imaginative play, to join in and create my

own poems and even more fabulous to listen to the outpouring of the poetry

that The Spinney wove. We made poems by mixing ingredients, the language

that dropped naturally from the branches and bubbled up from the roots.

Nettles, charcoal, bark, ivy, and sticky weed: we mixed with earth and soil and

leaves.

Poems arrived out of spells. And we didn’t mind if our words turned to dust,

or sawdust. The poem, we accepted, might take a while to cook. Often children

put their poems in a solid magic cabinet to see the changes that would

ring through. It was wonderful watching the poems being printed in the creative

landscape of the woods and just as wonderful to watch them vanish with

disappearing ink.

We formed a magic circle at the beginning and end of each day, drank our

juice and ate our biscuits and shared our ideas. Everyone had different ideas

about what to do and how to write a poem. Kirsten put it very well: ‘I love the

wild woods, it makes its own decorations in its own mind.’ I wouldn’t have

swapped my time at The Spinney for anything. Here are our poems, woven

together.

/ January 2016


Saps and rings and things to say in the forest

Drink the magic potion

And dream of what was lost

Like the trees dream of saps and rings

And nettles dream of nests

Dream of what became ash

Our loved ones, and what was returned to earth

Like the trees dream of saps and rings

And nettles dream of nests

The last words of the magic forest belonged to Tavi

Who said this – sleep in the magic forest is bliss!


The trees dream of saps and rings

And nettles dream of nests

The long piece of bark lost its tree, said Alice

The bark is treeless, sleepless ones dream on, said Yijin

And the trees will dream of saps and rings

And nettles dream of nests.

/ Jackie Kay (age 54)


Ink!

The breath of a tree monster

The legs of a spider

Mix it up.

Add some enchanted feathers

Put in the bark of a moving tree

Grind up the mushrooms of a fallen tree.

Now you can write!

/ Antonia Anderson (age 8)


A poem of a dream of the woods

High above

In the cold night air

A canopy

In the middle of the forest.

The wind fluttered

The leaves flapped their wings.

Many roots

Waiting for another tree.

Dreaming

Of bony fingers

Like stars sparkling.

/ Micah Green (age 7) / Alice Haughton (age 8)

/ Hannah Saji (age 8) / Michael Xu (age 8)

(using words and phrases from Jackie Kay’s The world of trees)


The music department in the woods

I like the music department in the woods

The way you can hear the air,

The soft music of the trees and the blue bells ring

And the ivy sing, the way the very leaves lift

Their voices, drop their notes and sing,

The percussion of the bark

Inside Kirsten’s circle of trees, the made of wood

Cello and viola, and all the wood instruments,

The single reeds – basset horns and saxophones,

End blows and double reeds, capped.


JJ will conduct the jazz band of the wood,

The orchestra that does everyone good,

In the pit, in the deep basin

And even the resin will weep for good reason

At the beauty of the music of the woods…

And afterwards nettle tea, or peppermint, you choose,

Left to brew for five minutes

Your imagination stews for longer than peppermint.

You think of the way the branches played their bows

The way the bark hit those notes.

/ Jackie Kay


The sound of the woods

The sound of the woods.

Listen to the sound of the trees

All the trees make a different sound.

Vines hang down

Litter lies on the floor

Toads leap around

The bottles go crunch

Children go wild

As they are released in the wild wood.

Listen to the sound of the trees.

/ Katie Whitehead (age 8)


My tree would say

My tree would say he is afraid

My tree is afraid because of the wind

I would say to my tree I am cold

Animal is howling

If I was an old lady I would say to this tree:

‘Look how lovely this tree is

It’s lovely because of the bright leaves.’

/ Elia Doza (age 6)


The tree will say

The tree will say: ‘I will wake

I will move and I will go

And go, go home.’

I will play

I will remember playing.

/ Noel Thomas (age 6)


Once upon a time

Once upon a time,

When the lake wasn’t dry,

Fish filled it

Reeds grew in it

Swans swam in it

Herrings fished in it

And those memories, now, today

Keep the lake going day by day by day.

/ George Stephens (age 8)




I am a twin tree

I like standing in the wood. I am a twin tree.

I like my twin tree. She is nice.

I am a girl too.

I like patterns but my sister likes things that are smooth.

I do not like smooth because it makes me fall asleep.

I don’t have a bed. Instead I sleep standing up with my sister.

I hope I never get cut down.

I hope the children come back soon.

I like the children.

I want to be bigger.

I don’t want to run away from the Wild Wood.

I don’t want to move school.

I like the Wild Wood.

I like the Wild Wood.


I like coming out and looking

At the smoke from the fire dying down.

I soar up then glide down.

Nobody knows about me, nobody except you.

Only you know about me.

I liked going in the Wild Wood.

When I was a child and I was six.

Most things were taller than me.

I was really happy in the Wild Wood. It was nice.

I made a bug house with my friends.

I caught a baby worm but it wriggled away.

I still miss that worm.

I liked holding it. It tickled me.

I like squiggly worms.

/ Lucy Stephens (age 6)


Trunk

The tree trunk is the colour

Of an African elephant’s legs:

It has the feel of a cheese grater.

Years later

I remembered them –

The lost children of the woods –

And their names came back to me:

Avia, Cheng Cheng, Aisha, Pavel, Billy P.

By then I was an old woman,

My legs like those trunks, swollen

And all of my secrets locked away

In the old wooden trunk

From India in my living room,

Downstairs, where I hardly go anymore.

And my old heart is a wooden chest.

And my old feet are rooted to this place.

/ Jackie Kay



The Y valley

The long tree boat will soon set sail – bye-bye! –

Only to places beginning with Y

Y is its shape – and that’s the reason why

All the places have to begin with Y!

So off it goes with a good wind behind it:

To Yemen, Yass, Yalta, Yuba City,

To York, Yellow Knife, Yangtze

To Yellow Stone Park, Yellandu! Phew.

To Yala, Yukon, Yamba, Yichang,

To Youngstown, Yushu, Yushkozero,

To Yelwa, Yabrud, Young Range, Yubari

And finally, you guessed it, to the Y Valley!


Where absolutely everybody stops to ask Y.

Where every answer begins with because…

(Y is only interested in Y

Not in what, when, how, X or Z.)

The long tree boat searches for kindred, roots,

Friends in the forest of trees:

Barking family members, branches,

Who hold out their spindly arms in winter.

Explorers find crucial things to take on water.

Y are we going where we’re going asks Yana.

Because we need to KNOW says Elia Doza.

We’re going to find the soft land across the water.


And to the new land we will bring:

A rotting old bicycle, a soggy ball, a small frog,

A marshmallow, shells, a toaster, a leaf,

Some charcoal and a bath to fill with water.

What’ll we miss asks Oliver?

I’ll miss the rainbow tree, its pitter-patter

Answer Lucy, Ellie and Yana together!

I want to take a banana, says Eva’s twin Ana.

And so off we set sail again

On the boat of many questions

Hoping we’ll definitely see sea-lions,

Irrawaddy dolphins, red-lipped batfish,


Jumbo octopus, living rocks, secret caves,

The magic box, a bearded vulture, aging stones

A Gobi gerboa, giant oarfish, Pacu fish

And, at the bottom of the sea, a sole buried wish.

Safe to say, we return to the Y valley always:

A dip and a flip away, a skip and a jump away.

It is endless, the way one Y leads to another,

The way everybody asks y, y, Y

The livelong day, sun up to moon swoop;

Birds take flight like questions in the sky.

We take it all in with our bold-beady eyes.

Whoops. We’re off again, must hurry – bye!

/ Jackie Kay


Secrets

A secret den

And when you are inside

You will see a secret chair

And when you turn around

You will see a bathroom

And you can see a secret bath

When you go into the kitchen

You will see a secret button

If you go into the secret bedroom

You can see a secret bed

When you go into the attic

You will see a secret box.

/ Ashleigh Blythe-Summers (age 6)


Lost and found

I am lost in words

Without the lake.

It was just a

Little make

Of the wood

Then I found

A golden ore

And when you find that

The wood comes back to play.

The trees come back

With their roots

And then I look

Into the lake

And all the water

Comes running home

Like you and I.

/ Reuben Huggins (age 8)


How to lose myself

Myself

In the lake

Then the lake had no water

All by myself.

/ Jon-James Day-Simon (age 9)


Abdullah likes this poem

Abdullah likes this poem

That is shy to be read.

He watched it open its paper wings

And spin, landing on his head.

Abdullah buried his head in his hands,

But still the poem fluttered like a butterfly

Across his ears, in front of his dark eyes.

Around the room Abdullah was in.

By now Abdullah had fallen in

Love with words, with birds that are poems

And poems that are birds – and so

The little poem flew anew blushing, singing.

/ Jackie Kay


The wind of the skies

Leaves are blowing

The pond is resting

Across the beautiful woods

I always wonder what I could do

In the wind of the skies.

/ Rocco Watson (age 8)


The lost silver

Beneath the fallen tree

Struck by lightening

There lies something silver

It was lost by me and found by me

Then its power turns the woods into winter

With deep white snow

As the swallow calls its final call

The silver returns to its place.

/ Micah Green (age 7)


Two stanzas for the Spinney

In the Royal Castle of the wood

The Princess Gatekeepers wait

For the things that ordinary people wait for

For peace not evil, for good luck not bad,

And for life to change for good or ill

And not just stay the same.

Meanwhile Rehan and Viren

Keepers of the night, guarders of the night stars

Hear the who whit who woo of

The wise-eyed old wise owls

Who bring the dawn to the night, dish out fate

As the Princess Gatekeepers wait out of sight.

/ Jackie Kay



How we got here:

Cambridge Curiosity and Imagination works in local wild spaces,

leading projects of wild adventuring for people of all ages. This work is

supported by Arts Council England and Cambridgeshire County Council,

and as a social enterprise we raise money from trusts and foundations.

Thanks to a generous donation from Linda Baston-Pitt and her

colleagues we have been working with The Spinney Primary School

since 2014 to establish Spinney Wild Woods as a space for imagination

and curiosity. We have led projects with three different classes, hosted

a number of events and a wild exhibition.

The poems and creative work collected here are drawn from our

project in spring and summer 2015, when we worked with Year 1 and

Year 3. Every child’s contribution was important and we would like to

thank them all.

Year 1: Megan Birch, Ashleigh Blythe-Summers, Sofia Bukhari, Yusu

Chen, Zachary Cooper, Avia Doza, Elia Doza, Oliver Hardy, Andrei

Karpovych, Roland Kreiter, Martin Kulesha, Pavel Lomonosov, Timofei

Lomonosov, Ana Makljenovic, Eva Makljenovic, Yana Manolova, Ellie

Mosbach, Billy Murphy, Majd Najib, Hancheng Pan, William Petchell,

Jake Plumb, Layl Raydan-Watkins, Aisha Saleem, Lucy Stephens, Noel

Thomas, Adam Wallman, Thomas Widdowson, Eryk Wojtowicz, Kelvin

Xue

Year 3: Antonia Anderson, Gabriel Baines, Lucie Barnshaw, Viren

Bathula, Kabir Botre, Sevgi Cellik, Jon-James Day-Simon, Louise Dennis,

Mervat El-Akkad, Charles Eschle, Emily Fallon, Rehan Fernando, Micah

Green, Alice Haughton, Reuben Huggins, Abdullah Hussain, Jakob Kanz,

Lilly King, Ivan Kulesha, Kirsten Limb, Harvey Linney, Yijin Liu, Octavian

Marinas, Summer Midgley, Jack Pearce, Hannah Saji, Muhammad

Ahmad Sami, George Stephens, Rocco Watson, Kate Whitehead,

Michael Xu

The children’s explorations can be seen in more detail in our project

diary pages:

www.cambridgecandi.org.uk/projects/footprints/wild-exchange


This publication has been made possible by the generous support of

My Cambridge, one of fifty Cultural Education Partnerships across

England, enabling young people ‘to confidently construct their own

cultural lives, drawing on and feeling connected to the city in which

they live’:

The work that The Spinney Primary School children have undertaken

with Cambridge Curiosity and Imagination beautifully illustrates one

approach to making this possible. The children’s sense of profound

connection to the Spinney Wild Woods which has been developed

through playing, drawing, writing and imagining, has created

memories that will stay with them for a lifetime.

/ Rachel Snape (Head Teacher)

With thanks to:

Mary Jane Drummond and Helen Taylor for their skillful editing and

guidance; Rachel Snape, Headteacher of The Spinney Primary School,

for sharing the Spinney Wild Wood with us so generously; Jenny Ryan

and Emily Garrill, Year 1 and Year 3 teachers at The Spinney Primary

School, for inviting us into their classrooms so wholeheartedly.

Graphic design and illustrations / Elena Arévalo Melville

including trees and monsters by Antonia Anderson, Louise Dennis,

Rehan Fernando, Abdullah Hussain, Yijin Liu, Octavian Marinas,

Hannah Saji, George Stephens, Michael Xu

Design concept and editing / Deb Wilenski


I have been working with young children in wild places for over

ten years and I haven’t yet met a child who doesn’t love trees.

They climb in them, shelter under them, invite branches and

leaves into games, lie dreaming in them. The children’s trees in

this book are all drawn from memory. I was struck by the detail

and intimate knowledge each carries. They had noticed so much

even in the midst of fast and dramatic play, as kingdoms fell and

monsters rose from mud.

Children need trees and trees need children. We are very happy

to contribute the voices in this publication to the work of The

Charter for Trees, helping to maintain its pledge to be rooted in

the stories, experiences and memories of young people.

/ Deb Wilenski, CCI artist

www.treecharter.uk


ISBN: 978-0-9926259-4-8

Published by Cambridge Curiosity and Imagination

www.cambridgecandi.org.uk

© Cambridge Curiosity and Imagination, 2016

A Fantastical Map of Spinney Wild Woods

©Elena Arévalo Melville 2015

All rights reserved.

No part of this book may be reproduced or

transmitted in any form without prior written

authorization.

CCI would like to thank Jackie Kay for permission to

reproduce her poems.

CCI is a company limited by guarantee.

Registered in England no.06301716.

Registered Charity no.1126253.


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