Crop assingment

Clarendon

OV
Clarendons have a bold, solid structure, similar in letter structure
to the “modern” serif typefaces popular in the nineteenth century
for body text (for instance showing an ‘R’ with a curled leg and
ball terminals on the ‘a’ and ‘c’), but bolder and with less contrast
in stroke weight

Helvetica is a neo-grotesque or realist design,
one influenced by the famous 19th
century typeface Akzidenz-Grotesk and
other German and Swiss designs.
Helvetica

R
W

Baskerville

Baskerville is a serif typeface designed in the
1750s by John Baskerville (1706–1775) in Birmingham,
England, and cut into metal by
punchcutter John Handy.
D

Antique Olive

Antique Olive is a humanist sans-serif typeface
(“antique” being equivalent to sans-serif in
French typographic conventions).
O

It was designed in the early 1960s by
French typographer Roger Excoffon, an
art director and former consultant to the
Marseilles based Fonderie Olive.

H

J
Goudy

Goudy Old Style is an old-style serif typeface
S
originally created by Frederic W. Goudy for American
Type Founders (ATF) in 1915.

FUTURA

Futura is a geometric sans-serif typeface
designed by Paul Renner and
released in 1927. It was designed as
a contribution on the New Frankfurt-project.
It is based on geometric
shapes, especially the circle, similar in
spirit to the Bauhaus design style of the
period. It was developed as a typeface
by the Bauer Type Foundry, in competition
with Ludwig & Mayer’s seminal

M

Didot

Didot is a group of typefaces named
after the famous French printing and
type producing Didot family. The
classification is known as modern, or
Didone.
Didot is described as neoclassical, and evocative
of the Age of Enlightenment.

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