Static Live Magazine July 2020

STATIC LIVE Magazine is Central Florida’s premier publication dedicated to celebrating music and culture. STATIC LIVE provides extensive, detailed community information from fashion to art, entertainment to events through noteworthy interviews, sensational photography and in-depth editorial coverage. STATIC LIVE is the only publication of its kind in Central Florida and reaches all target markets through wide distribution channels. Our staff includes highly accomplished contributors with award-winning backgrounds in music and entertainment; we know how much business is captured from the entertainment market. Our free full color publication can be found throughout Central Florida at key retailers, hotels and restaurants in high traffic areas. Our mission is to highlight the incredible talent, culture and lifestyle in Central Florida. With eye-opening profiles and coverage of the music and art community, STATIC LIVE readers will be positively influenced by our topical content and trending advertisers. STATIC LIVE Magazine is the most effective tool for branding connectivity with consumers in our area.

STATIC LIVE Magazine is Central Florida’s premier publication dedicated to celebrating music and culture. STATIC LIVE provides extensive, detailed community information from fashion to art, entertainment to events through noteworthy interviews, sensational photography and in-depth editorial coverage. STATIC LIVE is the only publication of its kind in Central Florida and reaches all target markets through wide distribution channels. Our staff includes highly accomplished contributors with award-winning backgrounds in music and entertainment; we know how much business is captured from the entertainment market. Our free full color publication can be found throughout Central Florida at key retailers, hotels and restaurants in high traffic areas. Our mission is to highlight the incredible talent, culture and lifestyle in Central Florida. With eye-opening profiles and coverage of the music and art community, STATIC LIVE readers will be positively influenced by our topical content and trending advertisers. STATIC LIVE Magazine is the most effective tool for branding connectivity with consumers in our area.


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COBAIN’S<br />


SEMPER<br />

MUSICA<br />


A Powerful Lesson<br />



Oh My...Goddess<br />

2<br />

Colby<br />

One of the many perks of modeling is international traveling! I have been<br />

able to travel to places like Peru,Mexico and England. One of my favorite<br />

international jobs was shooting for ASOS in London last year. Personally, it<br />

was so exciting using the Tube to get to work and traveling around the city on<br />

my own. I worked with an amazing team at ASOS and was able to do some<br />

exploring as well, like seeing Buckingham Palace and riding the London<br />

Eye. I also got to see the play, Hamilton, live after a day of work, which was<br />

a dream of mine. Modeling has given me the experience to not only travel<br />

around the world, but to meet amazing people I never would have. Thank<br />

you ASOS!<br />

A Day in the Life of a<br />

Gigging Musician<br />

By Adam Floyd<br />

SPLASH! I jump into the deep end of my pool, not bothering to dip a toe first.<br />

Helps me come to full consciousness when I get up, usually around 11 am. I don’t<br />

drink coffee so I use a wake-up swim to get going. Lots to do in the pandemic. Concerts<br />

and festivals, clubs and bars - everybody is booking and I need to prepare for a full<br />

summer schedule after a couple months of isolation. The time off was refreshing. The<br />

opportunity to kick back and chill a little has brought some benefits but living life in<br />

the frenetic world of performance is how I keep sharp.<br />

Once more into the gap! I charge forward with new material. Cover songs to choose<br />

for the bands I front. Pretty standard fare, as all I need is some taste and discernment.<br />

The more challenging part is composing originals. It’s time to get down to it but<br />

creative juices flow to their own rhythm. You can’t force it and expect good results.<br />

I can get some not-so-good songs out of the way though. It cleans out the pipes so<br />

the good stuff can come to the fore. Writer’s block isn’t a big problem since I’ve been<br />

songwriting since I was a boy. The main approach I use is to come up with a melody<br />

over some chords. Then the syllables reveal themselves and I fit in a story for the<br />

lyric content. I also write the other way around. I’ll come up with a story and write a<br />

song to match or express the main idea. Bridges are tough for some but I lean on my<br />

composing education to help me flesh something out.<br />

Wedding gigs have been sparse. I guess people are doing a more intimate ceremony<br />

with smaller events at home to avoid spreading the plague. I feel sure things will<br />

pick up as the world finds the new normal. Love always finds a way. I usually do the<br />

ceremony, not the reception anyway. I’ll play violin or classical guitar during the vows<br />

and that part isn’t going away. Dates are starting to trickle in.<br />

Touring from Florida up to the mountains of Appalachia is great fun and my annual<br />

ritual. Orlando, Daytona and Jacksonville. Savannah, up the coast and across the<br />

Carolinas to Asheville. Through the Gap and into Tri-cities. You get a nice cultural<br />

exchange as drawl and twang overtake the easy coastal vibe. I go with the flow and<br />

give the people what they want wherever I play. Makes no difference to me, I like<br />

it either way. I haven’t played out West in a while so am considering a tour across<br />

Highway 10 to Cali next year. The only question is which band to bring. Coyotes and<br />

Towndogs, my jump-jive act, is smooth and crowds love us. I’d also like to tour my jug<br />

band, The Potlikkers. I’ll have to work out which players want to and are able to tour<br />

for a few months, before I decide which band to bring along. Either way we are sure<br />

to make a SPLASH.<br />

3<br />

Photo Credit: Premiere Photographer Jonni Nicole

“I want to be remembered as iconic<br />

and different” ~ The Weeknd<br />

2<br />

3<br />

6<br />

8<br />

10<br />

12<br />

14<br />

15<br />

16<br />

23<br />

25<br />

26<br />

28<br />

35<br />

36<br />

38<br />

39<br />

Oh My Goddess<br />

A Day in the Life of a Gigging Musician<br />

Looking Forward to The Weeknd<br />

A Powerful Lesson<br />

Musical Activism in <strong>2020</strong><br />

Musician’s Cookbook<br />

A Word from the Throne<br />

Semper Musica<br />

Art Feature - Jamie Pohl<br />

Cobain’s Haunted Guitar<br />

Runway Chronicles<br />

Lights Out in C-Villa<br />

Behind the Mic<br />

Rocktails<br />

Become a Music Critic<br />

Rare Earth Reviews<br />

Snap It<br />

<strong>Static</strong> <strong>Live</strong> Media Group, LLC<br />



927 S. Ridgewood Ave., Suite A5<br />

Edgewater, FL 32132<br />

386-847-2716 www.staticlivemag.com<br />

Sean Impara, Publisher<br />

Billy Chapin, Co-Publisher<br />

Jenny McLain, Editor<br />

Jamie Lee, Graphic Artist<br />

Lindsay Kroman, Graphic Artist<br />


© <strong>2020</strong>, <strong>Static</strong> <strong>Live</strong> Media Group, LLC. All rights<br />

reserved. No part of this publication may be<br />

reproduced or transmitted in any form by any<br />

means electronic, mechanical, photocopying,<br />

recording or otherwise without the prior written<br />

permission of the authors.<br />

Making great music since 1999<br />

For scheduling, Contact Sean at (386) 847-2716

By The RelucTanT Genius<br />

6<br />

With so much that is going on in today’s world<br />

it’s nice to know that one of the things we have in<br />

common is the love of music. Recently there’s been<br />

an influx of young talent that has proven that, for<br />

the future, things are well in hand when it comes to<br />

creating new and exciting beats and lyrics.<br />

This month’s featured artist has gained enormous<br />

popularity, so when it comes to making hits<br />

he has quickly climbed up the charts. Over the last 3<br />

to 5 years he’s proven that his words and music are<br />

meant to be shared with the world.<br />

Here’s a little more about The Weeknd and why he<br />

will be at the top of the charts for the foreseeable<br />

future.<br />

The Weeknd, born Abel Tesfaye on February 16,<br />

1990. His parents had moved from Ethopia to<br />

Canada, although his father left the family when he<br />

was a toddler and he was raised in large part by his<br />

grandmother. In a 2015 interview with Vanity Fair, he<br />

described Michael Jackson’s “Don’t Stop ‘til You Get<br />

Enough” as the song that helped him find his voice. He<br />

began recording while in high school. After dropping<br />

out, he continued to pursue his music. He uploaded<br />

several songs to YouTube anonymously and released<br />

House of Balloons, a free download, in 2011. Tesfaye<br />

initially had an air of mystery surrounding him and<br />

used the aliases “Kin Kane” and “The Noise”.<br />

He began a tour of Toronto at a venue called Mod<br />

Club. Drake was in attendance and approached him<br />

about a potential collaboration. He was often the<br />

opening act for Drake and they worked together on<br />

the 2011 album Take Care, featuring several tracks<br />

from House of Balloons. This landed him a deal with<br />

Universal’s Republic Records. His first US tour began<br />

in April of 2012 at Coachella.<br />

Tesfaye has collaborated with many artists, including<br />

Justin Timberlake, Sia, Beyonce, Alicia Keys, Kanye<br />

West, Kendrick Lamar, Lana Del Rey, Daft Punk and<br />

Ariana Grande in addition to frequent collaborator<br />

Drake. In September of 2015, he became the first<br />

male artist to simultaneously hold the top three<br />

spots on the Billboard Hot R&B chart with three<br />

singles that preceded the release of the album.<br />

Tesfaye grew up listening to a variety of music with<br />

an admiration for the era before he was born. His<br />

lyrics often express pain and include subject matters<br />

such as partying and sex. He has launched his own<br />

XO branded merchandise. In 2018, Marvel released<br />

the comic Starboy, based on his chart-topping song<br />

from the multi-platinum album of the same name.<br />

Tesfaye has won three Grammy Awards, eight<br />

Billboard Music Awards, two American Music Awards,<br />

nine Juno Awards, and has been nominated for one<br />

Academy Award. In April, he relaunched XO’s nonmedical<br />

cloth facemasks in an effort to raise money<br />

for MusiCares Coronavirus Relief Fund, a campaign<br />

launched by the Grammys to help musicians affected<br />

by the COVID-19 pandemic, with 100% of the proceeds<br />

from the sale of the masks to be donated to the relief<br />



A Powerful Lesson<br />

By Jenny McLain<br />

On April 5, 1968 American school teacher Jane Elliott first<br />

conducted her now famous “Brown Eyes/Blue Eyes” exercise for her<br />

third grade class. It was the day after Martin Luther King Jr. was<br />

assassinated. She decided after watching the madness that it was<br />

time to try the eye color exercise she had thought about many times<br />

but had not introduced to her students. She created a microcosm<br />

of society in a third grade classroom. The local Iowa newspaper<br />

published the compositions the students had written about the<br />

experience and it put Ms. Elliott on the path of becoming a public<br />

speaker as an antiracism activist.<br />

The third time she held the classroom exercise with her third graders<br />

in 1970, it was filmed and became the documentary “The Eye of the<br />

Storm”. This also inspired a retrospective fifteen years later called “A<br />

Class Divided” on an episode of the PBS series Frontline, revisiting<br />

the students at their High School Reunion. She has conducted the<br />

exercise with college students, which is the subject of the 2001<br />

documentary “The Angry Eye”. In the episode of Frontline, she<br />

conducted the exercise with a group of employees from the Iowa<br />

Department of Corrections, which includes the “debriefing” of the<br />

group at the end of the exercise.<br />

If you are not familiar with it, Jane Elliott taught at a school in<br />

Riceville, Iowa, a town with an exclusively white Christian population.<br />

It must have been difficult for the people there, and especially the<br />

school children, to understand what was going on in other parts<br />

of the United States. She began the day by talking about what<br />

kinds of people are treated differently and why, and she asked<br />

the students if they could understand how it would feel if they were<br />

treated differently based on the color of their skin. They quickly<br />

said they could, but she wanted them to FEEL it. Then she asked<br />

them what was different about them individually that might be used<br />

to separate them into groups. They split the class according to eye<br />

color. Since she, the teacher, has blue eyes, she decided that the<br />

blue eyed people would be on the top first.<br />

The kids with brown eyes were given collars by the kids with blue<br />

eyes so they could be easily identified from a distance and the class<br />

was told that blue eyed people were smarter, cleaner, and more<br />

civilized than brown eyed people. They were given examples of bad<br />

things that people who happened to have brown eyes had done<br />

and good things that were done by people with blue eyes and she<br />

made the argument that they behaved a certain way because of the<br />

color of their eyes. For that day, the blue eyed people would have<br />

5 extra minutes of recess; the brown eyed people could not use the<br />

drinking fountain and had to use paper cups. The blue eyed people<br />

could not play with the brown eyed people at recess, because the<br />

brown eyed people were not as good. The blue eyed people sat at<br />

the front of the room. The kids started owning the situation, treating<br />

their classmates differently, coming up with punishments if the brown<br />

eyed people got out of hand. Ms. Elliott says in the documentary<br />

that the transformation happened within 15 minutes of beginning the<br />

exercise. She called them “ghastly”.<br />

The tables were turned the next day and the brown eyed people<br />

were on top. She again gave examples of bad things done by blue<br />

eyed people and good things done by brown eyed people. The<br />

collars were switched and the same privileges given to the blue<br />

eyed people the day before were given to the brown eyed people.<br />

The expressions on the faces of the children is agonizing; you can<br />

see the frustration of feeling helpless when judged by the color<br />

of their eyes by kids who were their friends the day before and<br />

the euphoria of being considered superior. The kids who wore the<br />

collars did worse during lessons but did better when not wearing<br />

collars, simply because they were treated a certain way.<br />

After the two day exercise, Ms. Elliott talks to the students about<br />

how they felt while wearing the collars. One boy said he felt like a<br />

dog on a leash and another said it was like he had been locked<br />

in a prison. There is a powerful image of one of the blue eyed<br />

kids taking his collar off and tearing at it with his hands and teeth.<br />

In the end, they came together again as a class, with their arms<br />

around each other because they were released from the idea that<br />

they were better or worse based on the color of their eyes, each<br />

understanding the feeling of being judged unfairly. During the<br />

retrospective, they said they continue to feel a certain bond with<br />

each other because of the lessons they learned over those two<br />

days, fifteen years earlier.<br />

Also during the Frontline retrospective, the employees from the Iowa<br />

Department of Corrections talked about the frustration of being<br />

labeled inferior. When asked why they let a few of the people<br />

wearing collars stand up for themselves alone instead of joining<br />

forces they said that if the attention was on those few, it would be<br />

away from them. If those few had been successful, they would have<br />

joined them in the protest, but they felt that resistance was pointless.<br />

I first became aware of the exercise when I was working at Procter<br />

& Gamble, a company that was very focused on teambuilding. My<br />

job was to travel to various locations and conduct training classes<br />

for sales reps who were being issued laptop computers. I had<br />

worked as a district secretary before joining the IT department so<br />

I was familiar with their jobs as sales reps. Most of them were<br />

older and more experienced than me, except that they had never<br />

used a laptop. For the most part, they didn’t want the change that<br />

was being forced on them and they especially didn’t want a young<br />

woman who looked even younger than she was to be a symbol of<br />

the change. But, because of the teambuilding efforts of the company,<br />

we understood our roles and I can honestly say that I always felt<br />

respected, even if not always appreciated. And I was fine with that.<br />

I didn’t understand at the time what an impact it would have on my<br />

life. It gave me confidence in myself, my knowledge, and my abilities.<br />

Imagine how different the world would be if every third grader<br />

were taught this lesson, however harsh. Now lament the fact that<br />

no school today would be allowed to teach it.


“Songs can speak to a movement or an individual or even evoke a sense of community among a group but what does it do if we don’t get out there and DO something<br />

in <strong>2020</strong><br />

By Candice Beu<br />

“Let’s take musicaL<br />

activism to new heights<br />

in <strong>2020</strong> and take some<br />

reaL action rather than<br />

simpLy repeating history.”<br />

with it? With the knowledge we have about the problems our society faces today there also comes a sense of responsibility. We must lean in and meet our<br />

problems with a humility and openness to respond to humanity’s actual needs, responses based in educated actions that back up our words or in this case, our<br />

music. I do believe musical activism in the form of songwriting is a necessary tool.”<br />

Are you mad? Are you frustrated with the current state<br />

of the world? Are you feeling the need to speak up,<br />

make your voice heard and do your part to bring about<br />

change? A lot of us are feeling this way. So what do we<br />

do with overwhelming anger and upset? How do we use<br />

these emotions more proactively? As civil rights activist,<br />

memoirist and poet Maya Angelou said “You write it.<br />

You paint it. You dance it. You march it. You vote it. You<br />

do everything about it. You talk it. Never stop talking it.”<br />

She explains that we should be angry right now but we<br />

must not let our anger turn bitter. She says “Bitterness<br />

is like cancer. It eats upon the host.” We can’t push it<br />

down or bury it, we have to use its energy productively,<br />

as a propellant forward. Let us not merely burn with an<br />

inner fire that could scorch us and everyone around us<br />

but instead let this momentum fuel our creativity, spark<br />

our inspiration and energize our motivation to repair<br />

our world. Good art rarely comes from happy people.<br />

Art is always an expression of our own questions,<br />

experiences, insights and most often, our pain. So how<br />

can we best use what we have to offer as Artists to move<br />

society forward?<br />

We could sit behind our screens, behind our instruments,<br />

behind our keypads contemplating life from a distance<br />

and channeling our feelings into a song, but I ask<br />

you this…to what end will that song actually create<br />

systemic change? I’m not denying that music can play a<br />

pivotal role in activism. Songs can speak to a movement<br />

or an individual or even evoke a sense of community<br />

among a group but what does it do if we don’t get out<br />

there and DO something with it? With the knowledge we<br />

have about the problems our society faces today there<br />

also comes a sense of responsibility. We must lean in<br />

and meet our problems with a humility and openness<br />

to respond to humanity’s actual needs, responses<br />

based in educated actions that back up our words or<br />

in this case, our music. I do believe musical activism in<br />

the form of songwriting is a necessary tool. However,<br />

currently there are a ton of amazing civil rights/protest<br />

songs that have already been written by relevant<br />

sources. There are so many Artists from all walks of life<br />

who are supporting the Black <strong>Live</strong>s Matter movement<br />

on the worlds stage. Black Comedians, Musicians and<br />

Filmmakers are using their visibility to come out against<br />

injustice hard right now. Hip Hop and R&B’s response<br />

to the death of George Floyd has been prolific. Songs<br />

such as J Cole’s “Be Free”, Kendrick Lamar’s “Alright”,<br />

Beyonce’s “Freedom” (feat. Lamar), Jay Z’s “Spiritual”,<br />

Public Enemy’s “Fight the Power”, “This is America” by<br />

Childish Gambino and “Hands Up” by Daye Jack (feat.<br />

Killer Mike) are all having viral revivals lately. Even<br />

classics like Sam Cooke’s “A Change is Gonna Come”,<br />

Bob Marley’s “Redemption Song” and Marvin Gaye’s<br />

“What’s Goin On” are finding new significance. The<br />

emotional impact and relevance of these songs (and<br />

many more like them) exude the power and credibility<br />

of today’s issues. Getting an unknown “protest song”<br />

heard in this climate may be an uphill battle in an<br />

already flooded market. Perhaps the musical efforts<br />

and artistic skills of the rest of us may be better put to<br />

use elsewhere, for the highest good, for the time being.<br />

Sure it’s awesome to write music and feel like we’ve<br />

done our part, but right now that seems more like the<br />

musical equivalent of saying “my thoughts and prayers<br />

are with you”. Let’s not confuse sitting on a couch<br />

writing a song with getting off the sofa and helping<br />

someone. If we are honest with ourselves there are<br />

probably more selfless ways we could use our talents<br />

to join the cause and impact lives. What if we forged<br />

ahead with a different kind of musical activism instead?<br />

Lets go beyond aspirational or resonant songwriting<br />

and venture into a new kind of ACTION based musical<br />

reform that sets out to work from the ground floor<br />

up, one on one, with real people, people who would<br />

benefit from an interaction with someone who<br />

knows music. If you have a stage and spotlight,<br />

use it wisely to educate and disseminate accurate<br />

information. Create new platforms that shine a light<br />

on silenced voices so that they may bring awareness<br />

and education to others through their stories and<br />

experiences. Offer a price break to help someone<br />

create tracks, record vocals, and produce their own<br />

songs of protest and awareness. Better yet, try<br />

teaching them how they can do that for themselves.<br />

Raise folks up by helping them rise through the<br />

ranks. Give a leg up. Offer a job or opportunity. Be a<br />

connector to booking agents, managers and higher<br />

ups. If you are ‘in the know’ then show someone the<br />

ropes and how to make the real money in some of<br />

the various entertainment industries. Start up music<br />

programs for the young, old or underprivileged in<br />

your area. Support music and art programs that are<br />

already in progress. Anonymously donate to causes<br />

that help the oppressed or to individuals you suspect<br />

may be in need. Personally pay for music therapy<br />

for someone by buying them an instrument and<br />

lessons, getting them a vocal teacher, a producer or<br />

a songwriting coach to work with. If you are artistic<br />

and knowledgeable about racism, culture or social<br />

psychology you could assist others in learning more<br />

about the nuances of equality, privilege and history by<br />

way of writing, music and art. There are so many ways<br />

to aid in advancement, innovation and expression<br />

while addressing the challenges of our time. Art in all<br />

its forms can voice dissatisfaction and dissent within<br />

any oppressive societal regime and it can also offer<br />

fresh solutions, comfort and connectivity through<br />

finding common ground.<br />

Anyone who understands the power of music, who can<br />

direct musical self expression, and support people in<br />

telling their story would be beneficial to the cause.<br />

It’s the perfect time to model non-defensiveness,<br />

humility, and selflessness by being open to learn from<br />

and collaborate with diverse groups of youths and<br />

adults while taking steps towards justice, equality<br />

and healing together. I’m not saying not to write<br />

or perform your own musical expressions, but in<br />

addition to that we could also look for ways to back<br />

up what we sing about. If you are going to create a<br />

sonic experience about current events then perhaps<br />

you can do what songstress Madison McFerrin did<br />

with her evocative “Can You See”. The proceeds from<br />

this acapella masterpiece, which you can find on<br />

bandcamp.com, go 100% towards Breonna Taylor’s<br />

Family GoFundMe. We can all figure out fresh ways<br />

to reach out, donate, address real problems and help<br />

real people. Dive in there, grassroots style, with eyes,<br />

hearts, and minds wide open. Sure, it might be nice<br />

to be seen as the next John Lennon but he already<br />

wrote “Imagine”, so now why don’t we imagine what<br />

else we can do and go do that instead. We can all find<br />

ways to do better by this world, be it interpersonally,<br />

individually or globally. Let’s take musical activism to<br />

new heights in <strong>2020</strong> and take some real action rather<br />

than simply repeating history.<br />

“I did then what I knew how<br />

to do. Now that I know better,<br />

I do better”<br />

-Maya Angelou<br />



Let’s face it – cooking can be troublesome. Most people have very busy<br />

schedules and can’t commit to frequent home cooked meals. Go to work,<br />

participate in an activity, and then cook? No thanks. Getting busy in the<br />

kitchen can be especially daunting for entertainers. Since we get a food/<br />

beverage tab at most venues, we tend to favor that route instead… sometimes<br />

we even enjoy a liquid dinner (I’m looking at you, 8 Bud Lights). Going<br />

forward, the purpose of my articles will be to shed some light on the joys<br />

of sautéing some veggies, perfecting your favorite meats, and entertaining<br />

guests with good old-fashioned FOOD.<br />

Before I begin, I can’t say enough great things about having a stash of glass<br />

or plastic Tupperware to store your creations. Pyrex makes quality, long<br />

lasting storage options in all shapes and sizes. The freezer is your friend and<br />

you should pack it full of everything you make. Always cook more than you<br />

intend to eat in a single night. Why do the work and dishes twice or three<br />

times or more?<br />

Let’s cook! Our first recipe is going to be Red Panang Curry. This is a superfast,<br />

easy, and delicious meal that serves 2 – 4. You can easily double this<br />

recipe and save yourself a bunch for later. Red Panang Curry has a lovely<br />

level of spice and a sweet finish. If you don’t like spicy food, this might<br />

not be the one for you. To reduce the spiciness, simply use less Panang<br />

Curry Paste. I used to order this dish ALL THE TIME from my local Thai<br />

restaurant. During the initial response to the COVID19 crisis, they were<br />

closed indefinitely. I desperately wanted the meal, so I decided to find<br />

some recipes and combine attributes of my favorite ones to create my own<br />

perfectly balanced curry. Not only does this taste amazing, but it’s also a<br />

fraction of the cost of eating out. Support your local Asian food stores and<br />

you will find that they have the best authentic items and usually the best<br />

prices as well.<br />

Cooking Oil<br />


1 Onion (Chopped)<br />

2 Green Bell Peppers (Sliced)<br />

2 Red Chili Peppers (Chopped)<br />

1 4oz can Panang Red Curry Paste<br />

1 13.5oz can coconut milk<br />

1/4 cup fresh basil leaves<br />

1 Head Cauliflower (Riced) or Frozen<br />

1 Tbsp Peanut Butter<br />

2 Cloves Minced Garlic<br />

Optional Chicken (sliced into small bits)<br />

Watch my full cooking video for this recipe on my<br />

Facebook page<br />

“Ian Opalinski Music”<br />

or follow the link:<br />

facebook.com/ianopalinskimusic<br />


Let’s get to work! Heat your oil in a wok or pan on medium high heat.<br />

I prefer to use an avocado oil for this dish, but any cooking oil will work<br />

just fine. Sauté onions for 1 minute. Add peppers and garlic and sauté for<br />

an additional 3 minutes. Stir frequently so the garlic does not burn. Push<br />

your veggies aside because the magic is about to begin. Add curry paste<br />

and peanut butter. Mix these two together and let fry up for a minute.<br />

Now would be a great time to add chopped chicken if you’d like. Mix<br />

everything together and add coconut milk slowly. Enjoy that slow pour<br />

and watch the curry take shape. After stirring once more, bring it to a boil,<br />

then simmer 15 minutes. Garnish your curry with chopped basil leaves. If<br />

you don’t already own a basil plant, get one next time you are at a grocery<br />

store or home improvement store, it will be a good long term return on<br />

investment. Basil rules the world. Chop your cauliflower and rice it using a<br />

food processor or other blender. If you don’t have these, buy yourself some<br />

frozen riced cauliflower. You can also use traditional rice if you please.<br />

Cook in separate pan for 5-10 minutes and taste to make sure it is the<br />

right consistency. Pour a few scoops of curry into a large bowl and use a<br />

separate small plate for the riced cauliflower.

Semper Musica<br />

By Jamie Lee<br />

It’s fitting that the most mundane and least visible<br />

component of any stage denotes the truly powerful nature<br />

of a band’s least heralded but most important member.<br />

For most it is easy to assume that the drummer is simply<br />

sitting on a stool in the corner, appendages flapping away,<br />

adding onomatopoeia to otherwise musical moments<br />

provided by the REAL MUSICIANS—we’ve all heard the<br />

jokes. (What do you call a drummer without a girlfriend?<br />

Homeless)<br />

Well, Ladies and Gentlemen, it is my duty to help set the<br />

public straight and help rehabilitate the image of music’s<br />

most important position. We’ll start the reeducation with<br />

simple semantics. A drummer doesn’t sit on a chair, stool,<br />

or bench although all work in a pinch. The place where a<br />

drummer rests his or her booty is called a THRONE. The<br />

drummer presides over any given evening with a list of<br />

demands that can be difficult to balance. To righteously<br />

command such a position is an immense responsibility.<br />

Before we dive deeper we must make it clear that<br />

restaurants, bars, night clubs, and all other venues hire<br />

live musicians to create an enjoyable atmosphere for their<br />

patrons. More enjoyment experienced by patrons equals<br />

more time and money spent at the venue. A drummer is<br />

in the perfect position to either facilitate or hinder that<br />

dynamic. If the drummer is kind and just they will play at<br />

an appropriate volume that allows for free communication<br />

between all people in the building. If people have to shout<br />

to each other across the table or—even worse—the bar,<br />

overall enjoyment is decreased. In this way drummers<br />

affect tips for bartenders, servers, busboys and gals, and<br />

even the rest of the band. Time after time this idea has been<br />

reinforced by nervous managers looking for reassurance<br />

that I’ll be quieter than I look.<br />

To play at an appropriate volume is a choice to place other’s<br />

enjoyment over our own.<br />


To continue, it is important that we shed light on the true<br />

social/musical role of the drummer. The most ancient<br />

responsibility of the drum THRONE is the inducement of<br />

dance. Dance is the natural effect of drumming and has<br />

been since the first caveman started banging away at a log<br />

in rhythm.<br />

However, the drummer’s setting dictates the level of kinetic<br />

ecstasy that is possible. Unabashed dance is becoming<br />

a thing of the past, at least in bars and restaurants.<br />

Furthermore, prospects for dancing are reduced when<br />

dining is the main purpose of an outing.<br />

However, if a drummer does a good job at reading the<br />

crowd even the table hiding in the back of the room will<br />

be toe tapping or least chewing in time. We drummers<br />

create a hypnotic pulse that bodies can’t deny. We can gain<br />

acceptance from even the most motion resistant, fun averse<br />

folks. I’ve seen the transformation many times. A quiet<br />

room of hungry statues loosens into their humanity after<br />

30 minutes of good grooves and ultimately makes their way<br />

to band stand for some rhythmic wiggling. By the second<br />

set bodies are pulsing next to each other and drinks are<br />

flowing—someone’s night is going to end well.<br />

Again, the drum THRONE is able to directly affect the<br />

enjoyment of an entire room for the night and may turn<br />

your first date into a second.<br />

Drummers in their natural habitat are loud creatures.<br />

Holding drumsticks is an invitation to hit something<br />

HARD. To say there isn’t tension between what we<br />

drummers would LIKE to do and what we SHOULD<br />

do would be a lie. I am always ready to break into a selfindulgent,<br />

chop-laden tangent like an unhinged, impulsive<br />

tweet. But, I respect the THRONE and choose to use my<br />

powers for the greater good.<br />

The next time you find yourself enjoying a night out take<br />

note of the drummer and how they are making your night<br />

better.<br />

With our nation’s Independence Day around the corner,<br />

I wanted to talk about our country’s providers of security,<br />

the blanket of freedom we all live under - the United<br />

States Military. I want to bring to light a non-traditional<br />

part that most do not know about and only happened as<br />

of last year. You have heard of the Marine Corps Band;<br />

however - they have added an MOS (Military Occupational<br />

Specialty - their daily job) of vocalist to be signed<br />

on contracts in 2019. There have been vocalists in the<br />

past but, last year a woman named Megan Lynn Browning<br />

was the first to sign a Marine Corps contract with the<br />

MOS ‘vocalist’ attached.<br />

Lance Corporal Megan Lynn Browning has been a professional<br />

singer since 2008, and has been a US Marine<br />

since 2018. She was trying everything to supplement her<br />

music career - working in amusement parks, etc but, it<br />

wasn’t fulfilling her as a complete person or giving her<br />

the monetary means to be a success. She wanted more<br />

and so she moved on to the Marine Corps. (Read all<br />

about Megan Lynn Browning on her blogSemperVocalis.<br />

com)<br />

The Corps offered a Musician Enlistment Option Program<br />

and, by no means are these talented people who<br />

qualify any less of a Marine. First, you must audition and<br />

qualify for a placement in the music program. Once you<br />

are qualified for the program, you will then be required<br />

to pass the Initial Strength Test - basic enlistment protocol<br />

and then enter into the Delayed Entry Program,<br />

during which, your recruiter will prepare you for recruit<br />

training. You will then attend 13 weeks of recruit training<br />

- you know-‘boot camp’ at Marine Corps Recruit<br />

Depot Parris Island or San Diego, this is based on where<br />

you live in the country, east or west, simple right? After<br />

surviving and graduating boot camp, you will attend<br />

your schooling, as Marines do, only in this case it is the<br />

Naval School of Music where you will receive advanced<br />

musical training; instrumental, vocal (if applicable) as<br />

well as academics, all before you are assigned to one of<br />

the 10 Marine Corps bands.<br />

You see, music is truly everywhere and I am thankful<br />

that they are starting to recognize that just because you<br />

do not play an instrument, a voice is just as powerful in<br />

the music community. You may think that this is a cushy<br />

job for the Marine Corps however, they are still required<br />

to hold the same physical and mental standards as any<br />

Marine. I feel that the integration of music into<br />

our military is vital to our<br />

nation’s security. I mean, has<br />

anyone ever heard of Bob<br />

Hope? The USO? For 200<br />

hundred years the Marine<br />

Corps (and the other<br />

branches) have had music<br />

within their elite walls,<br />

following in the<br />

footsteps of<br />

legendaryMarine<br />

musicians like John<br />

Philip<br />

Sousa to jazz musician<br />

and Ellis Marsalis whom<br />

was referred<br />

by the mayor of New<br />

Orleans, Mayor LaToya<br />

Cantrell, “He was the<br />

prototype of what we<br />

mean when we talk about<br />

New Orleans jazz.”<br />

Musicality brings hope,<br />

a reminder, a feeling of<br />

belonging, our freedom<br />

fighters need talented people<br />

around them to make sure<br />

in the thick of it they<br />

remember what they are<br />

fighting for and to instill the<br />

hope needed for them to<br />

return home safely. Music<br />

can heal and in the current<br />

situation that our nation<br />

faces the military are<br />

not the only ones in<br />

need ofthe power<br />

of music.<br />

Semper Musica


THE ART OF<br />

Jamie Pohl<br />

By Bartholomew Betelguese III<br />

I think at one time or another all of us have doodled on a piece of paper,<br />

most likely starting at an early age and then progressing. Human beings<br />

have always liked to create art with just a simple pen and paper, or<br />

charcoal and wall, or feather and paper, or pencil and paper, perhaps paint<br />

and paper and so on. It’s one thing we all have in common; at one time<br />

or another, we like to doodle. This month’s artist not only created some<br />

unique pieces of art while doodling, but he was also talented in many<br />

other aspects of the arts. We here at <strong>Static</strong> <strong>Live</strong> are not only proud to show<br />

off Jamie.‘s works of art, but we were also happy to know and have worked<br />

with him during the last 10 years. As you can see in the pictures before<br />

you, he was a creative soul and an inspiration to all that knew him.<br />

“The flame that burns twice as bright burns half as long” Lao Tzu<br />

Here’s a little bit more about Jamie ...<br />

Jamie Allyn Pohl was born November 18th, 1975 in New Brunswick,<br />

New Jersey. As a young boy, Jamie’s interests were piqued by many<br />

things. He was a Cub Scout and played soccer for Tom’s River Youth<br />

Soccer. At the age of six, Jamie’s grandmother bought him an acoustic<br />

guitar for $19.95. As a result, Jamie fell in love with music and began<br />

taking lessons right away.<br />

Besides guitar, Jamie took an interest in other musical instruments. In<br />

elementary school, he played saxophone and would virtually play any<br />

instrument he got his hands on. Jamie was also an incredible artist and<br />

created a comic strip called “Mushroom Pirates” for his little brother<br />

Drew.<br />

Jamie and his family moved to Florida in 1989. He attended Flagler<br />

Palm Coast High School from which he graduated in 1994. While at<br />

FPCHS, Jamie played bass in the jazz band and took part in forming<br />

the band “Young Men of Jazz”. He also performed in and designed<br />

for the musical productions of “Bye Bye Birdie” and “Fiddler on the<br />

Roof” when he wasn’t out skateboarding.<br />

Jamie’s interest in music and the arts kept growing as he attended<br />

FCC Jacksonville on scholarship. He soon left there to attend Full Sail<br />

University in pursuit of a degree in music production and<br />

recording in early 2000.<br />

After graduating from Full Sail, Jamie started playing bass in<br />

different rock bands throughout Central Florida. He was<br />

always noticed for his high energy and playing style and was<br />

never overlooked. With his distinctive sound, you could<br />

hear many of Jamie’s musical influences at the strike of a<br />

note.<br />

In 2002, Jamie became one of the original partners that<br />

started Manta Ray Records, Radio and Studio. During that<br />

time, Jamie used his talents and skills inside the studio<br />

recording and producing different bands and hip-hop artists.<br />

In Loving Memory<br />

1975- <strong>2020</strong><br />

In early 2005, Jamie crossed paths with a band known as Breaking<br />

Ground. They were looking for a bass player. At the suggestion of the<br />

band’s lead singer, the group met up with Jamie, hung out and played<br />

a few songs together; it didn’t take long for them to realize it was a<br />

perfect fit.<br />



Jamie Pohl<br />

continued<br />

By mid-2005, Jamie and the guys were ready to hit<br />

the studio and record their first album. It was during<br />

that time that the band changed its name from<br />

Breaking Ground to Orange Avenue. Jamie is one of<br />

the founding members of Orange Avenue and their<br />

affiliated record label, Lovelamp Records.<br />

Jamie and the band went on to release their first<br />

record in 2006 followed by another full-length album<br />

and 2 EP’s up until 2014. Jamie played hundreds of<br />

shows to thousands of fans while touring the country<br />

with Orange Avenue. In his spare time, Jamie could<br />

be found drawing, sketching, making funny videos,<br />

listening to podcasts, watching YouTube, hanging with<br />

friends and talking up any one of his many fans.<br />

Jamie inspired and touched many lives through his<br />

amazing talents, generous spirit and artful personality.<br />

His untimely death on May 20th, <strong>2020</strong> was a shock to<br />

all who knew and loved him. He is so very missed.<br />


20<br />





22<br />



If your daughter gets married and doesn’t invite autistic spectrum… but he was also a g<br />

If your daughter<br />

you to the<br />

gets<br />

wedding,<br />

married and<br />

it doesn’t<br />

doesn’t<br />

mean<br />

invite<br />

you’re autistic not spectrum… her music<br />

but he<br />

and<br />

was<br />

art<br />

also<br />

and<br />

a genius,<br />

blessed<br />

gifted<br />

with<br />

in<br />

good<br />

you to the father. wedding, If your it doesn’t son-in-law mean is you’re murdered, not her even music though and you art and most blessed important with good guitar looks. just Now sold his for a bra<br />

father. If your never son-in-law met him, is murdered, do you have even though a right you to mourn? most important If that guitar and just we must sold for ask a brain-buster ourselves why? price<br />

never met same him, do son-in-law you have creates a right to a mourn? haunted If that guitar, and one we must that’s ask ourselves why?<br />

same son-in-law appraised creates for a more haunted than guitar, two one million that’s dollars, are you First of all, what is the history of this g<br />

appraised automatically for more than precluded two million dollars, from writing are you about First of it? all, I ask what is really the history knows of for this sure. guitar? Is Nobody it akin to Th<br />

automatically precluded from writing about it? I ask really knows for sure. Is it akin to The Red Violin?<br />

these questions because all of these things happened Many rumors have circulated since Kur<br />

these questions because all of these things happened Many rumors have circulated since Kurt’s passing. Is it<br />

to Hank Harrison.<br />

haunted by his spirit? Is it cursed? Bu<br />

to Hank Harrison.<br />

haunted by his spirit? Is it cursed? But whatever the<br />

legend of your choice, the intrigue grow<br />

legend of your choice, the intrigue grows.<br />

In 1993, while<br />

In 1993,<br />

between<br />

while<br />

gigs,<br />

between<br />

Kurt Cobain<br />

gigs,<br />

popped<br />

Kurt Cobain<br />

into<br />

popped into<br />

Voltage Guitar Voltage at 7529 Guitar West at Sunset 7529 West Blvd., Sunset Hollywood Blvd., During Hollywood the MTV During Unplugged the show MTV in Unplugged New York, Kurt show in N<br />

— they are — no they longer are selling no longer from selling that shop from — and that sang shop and — played and a sang song and on this played guitar a called song The on this Man guitar c<br />

purchased purchased a 1959 Martin a 1959 Dreadnaught Martin Dreadnaught D-18E, one Who D-18E, Sold one the World, Who considered Sold the World, by many considered to be a by<br />

of only 302 of copies only 302 ever copies made. This ever was made. not the This fancy was not reference the fancy to the famed reference dark to spirited the famed billionaire dark David spirited b<br />

model like model the one like David the Crosby one David gifted Crosby to Phil Lesh gifted Geffen to Phil and Lesh the conflict Geffen between and the them. conflict between them.<br />

of the Grateful of the Dead Grateful for playing Dead on for his playing 1972 solo on his 1972 solo<br />

album, but it has a really nice folksy boom to it, and Cobain was probably murdered, but we won’t go<br />

album, but it has a really nice folksy boom to it, and Cobain was probably murdered, but<br />

somebody did a great job installing the Bartolini into that here, except to say that, like the Kennedy<br />

somebody did a great job installing the<br />

3AV sound hole pickup. This was the guitar Kurt was assassination, Bartolini into that here, except to say that, like<br />

the case is still in full flight decades<br />

seen playing<br />

3AV<br />

on<br />

sound<br />

a famous<br />

hole<br />

and<br />

pickup.<br />

controversial<br />

This was<br />

MTV<br />

the<br />

<strong>Live</strong><br />

guitar after Kurt the death. was assassination, the case is still in full<br />

Kurt, like Elvis and John Lennon, upset<br />

Acoustic show seen playing which was on recorded a famous at and Sony controversial studios the MTV Hollywood <strong>Live</strong> apple-cart after the setting death. an Kurt, unprecedented like Elvis and John<br />

in New York Acoustic City, November show which 18, 1993. was Almost recorded three at Sony standard studios for rebellion the Hollywood and causing apple-cart fans setting and an u<br />

decades later, in New on June York 18th City, <strong>2020</strong>, November that same guitar 18, 1993. sold Almost criminologists three alike standard to dig deeper for into rebellion the whys and causi<br />

for more decades than 6 million later, clams on June before 18th an <strong>2020</strong>, astonished that same wherefores guitar sold of showbiz criminologists and the details alike to of dig his death. deeper into<br />

audience for of antiquarians, more than rock-and-roll 6 million clams journalists, before fans an But astonished money, angels wherefores and bad of karma showbiz aren’t and the only the detail<br />

and extended family. The price broke a world record things propelling this auction through the roof. There<br />

audience of antiquarians, rock-and-roll journalists, fans But money, angels and bad karma a<br />

for acoustic guitars and set an all time standard for is a cast of characters backstage fit to drive an oldschool<br />

Shakespearian director to the madhouse. Let’s<br />

and extended family. The price broke a world record things propelling this auction through<br />

haunted musical instruments of any kind.<br />

for acoustic guitars and set an all time start standard with Hank’s for is a cast of characters backstage fit to<br />

Harrison’s daughter, Courtney Love.<br />

haunted musical instruments of any kind.<br />

school Shakespearian director to the m<br />

Any astute hipster might mention Charlie Parker’s Everybody knows Courtney operates from somewhere<br />

Selmer alto sax as a similar treasure but there are too left of center. When start Hank’s with Hank’s granddaughter, Harrison’s Frances daughter, C<br />

many to mention, Any astute one in hipster every junkie might pawn mention shop in Charlie Bean, Parker’s married Isaiah Everybody Silva in knows 2014 Courtney freaked operates fro<br />

every jazz Selmer town. Or alto you sax might as want a similar to mention treasure Harpo but there out, she are pretended too left to of be center. supportive When but Hank’s she didn’t granddau<br />

Marx’ famous many harp, to which mention, went one auction in every for a junkie bunch pawn like competition…from shop in Bean, future married babies? Isaiah Maybe Silva she in just 2014 Co<br />

of money every many jazz years town. ago Or in an you estate might sale. want But to I mention couldn’t Harpo deal with out, the concept she pretended of grandparenthood! to be supportive<br />

doubt anything Marx’ is famous going to harp, surpass which Cobain’s went on haunted auction for a bunch like competition…from future babies?<br />

Martin… unless another long lost Stradivarius comes But what the heck! Why would one more rock star in<br />

of money many years ago in an estate sale. But I couldn’t deal with the concept of grand<br />

on the market.<br />

the family make a difference?<br />

doubt anything is going to surpass Cobain’s Isaiah, haunted who’s band the Eeries, a millennial grunge-like<br />

Martin… unless another long lost Stradivarius<br />

Cobain, lead singer for Nirvana, had a habit of sitting group out comes But what the heck! Why would one m<br />

of Fullerton, California, was making waves<br />

down before on the a performance market. and communing with his in Hollywood. Courtney the family didn’t make see a difference?<br />

way to control<br />

angels. He called them angels, but actually they were them. Love’s hipster Isaiah, cadres who’s thought band the the Eeries Eeries, were a millenn<br />

spirits of various Cobain, types. lead People singer who for knew Nirvana, him in had high a habit poseurs of sitting and the cool group suburban out of kids Fullerton, thought they California, were was<br />

school think down he might’ve before been a performance autistic suffering and communing from all the with rage. his Anyway, in Hollywood. Isaiah and Hank’s Courtney granddaughter didn’t see a<br />

Aspberger angels. syndrome He called or at least them somewhere angels, but in actually the got they along were swimmingly. them. It must Love’s have hipster been a cadres love match thought t<br />

spirits of various types. People who knew him in high poseurs and the cool suburban kids tho<br />

school think he might’ve been autistic or suffering from all the rage. Anyway, Isaiah and Hank’s


from the start because Frances gave her new beau her<br />

father’s already famous Martin guitar as a token of her<br />

love, and part of her dowry, when they got engaged in<br />

2014.<br />

Was it the fact that Frances would no longer be under<br />

Courtney’s control, or that Kurt’s guitar (estimated even<br />

then to be worth a fortune) would now be beyond<br />

her reach? Perhaps both… In any case, Courtney<br />

descended into a long-term and unrelenting rage<br />

which only intensified when the marriage collapsed<br />

after three years, leaving Silva with the guitar and<br />

Courtney, still fuming, demanding it’s return.<br />

Despite all protests, the Martin was officially granted<br />

to Silva under the terms of the divorce, apparently<br />

causing Courtney to increase her efforts to redeem the<br />

guitar whatever the cost.<br />

Even though ownership was ruled no longer in dispute,<br />

the court stipulated that Silva’s continued ownership of<br />

the Martin was contingent on his leaving the residence<br />

he had shared with Frances Cobain. However, Silva did<br />

not comply. Courtney saw this as a slap in the face to<br />

her real estate fantasies.<br />

Flash forward to June 2016. A black Escalade, with<br />

tinted windows, pulls up outside Isaiah’s West<br />

Hollywood home late at night. Three men exit the<br />

car and enter the home via the front door (we must<br />

assume they were supplied with a key by somebody!)<br />

and proceeded to bang on Isaiah’s bedroom door,<br />

claiming to be police. As soon as Isaiah recognized<br />

Lutfi (controversial bodyguard of Britney Spears and<br />

Courtney’s current manager), he realized they weren’t<br />

police and had probably been sent by Courtney.<br />

The trio, Osama (Sam) Lutfi, Ross Butler (remember<br />

Ross the Intern from the Jay Leno Show?) and Yan<br />

Yukhtman (a local thug), dragged Silva to the car all the<br />

while yelling and threatening to kill him in a hideous<br />

manner if he didn’t tell them the whereabouts of the<br />

guitar. It was then that the real police arrived, thanks to<br />

a visiting friend who called 911, and Isaiah was set free.<br />

(Rumors persist that the friend who called the cops was<br />

in fact Silva’s mother.) Fearing for his life, he agreed<br />

to the Lutfi scenario that it was all a prank, but filed a<br />

criminal complaint a few days later. This is the basis of<br />

the ongoing criminal lawsuit.<br />

However, this wasn’t the only event of intimidation<br />

recorded in the ongoing saga. Silva’s ex wife and baby<br />

mama, Jessica Sullivan, was also accosted by thugs of<br />

a similar ilk, long before the Black Cadillac incident.<br />

According to the complaint filed in Los Angeles<br />

County, Courtney and Lutfi engaged in “stalking and<br />

emotional distress.” Following failed attempts to bribe<br />

Sullivan to take Frances’ side in the divorce, the duo<br />

resorted to a barrage of abuse. Text messages, phone<br />

calls and face-to-face verbal confrontation ensued,<br />

mostly filled with foul language and sexist comments,<br />

including death threats to Sullivan and Silva if the guitar<br />

wasn’t returned to Courtney. Comments like: ‘your<br />

daughter will be orphaned’ that led Sullivan to fear for<br />

her life. Some of the harassments were infantile, like<br />

advertising her dog as “free” on Craigslist, listing her<br />

private phone number.<br />

So who will buy Kurt’s Axe? Will it be an already<br />

famous musician? An up-and-coming star who wants<br />

to see his name in lights? A famous restaurant/<br />

casino conglomerate well known for rock-and-roll<br />

memorabilia? An eccentric private collector? A<br />

museum in some far-off land? Will fraudulent clones be<br />

made and offered for sale? Will it be heard once more<br />

by adoring fans or forever be silenced as a monument<br />

to what might have been?<br />

It’s June <strong>2020</strong> and a beautiful day on Canal<br />

Street, downtown New Smyrna Beach.<br />

Usually known for its local hustle and bustle...<br />

but today three worlds will collide. Three<br />

very different lives are coming together to<br />

create an unbelievable fantasy of a future in<br />

the fashion world.<br />

It’s a big day for Premiere Model Management,<br />

the 27 year old local model agency. We are<br />

polishing the windows and modern glass<br />

furniture in the old brick, open beam wood<br />

ceiling loft, at 137 Canal Street, above the<br />

iconic Jason’s corner restaurant. The agency<br />

must look beautiful for our big casting. Today<br />

we are expecting one of the world’s top<br />

modeling agencies Elite Model Management,<br />

who is coming all the way to little New Smyrna<br />

Beach to see our top 25 models, and consider<br />

them for representation around the world.<br />

We purchase fresh flowers, water bottles, and<br />

mints to have out, get the clipboards ready<br />

for the models to sign in, lights and music on<br />

to create the ideal atmosphere in hopes this<br />

global firm will offer a contract to one of our<br />

local hopefuls!<br />

It’s also a big day for the new faces.. the day<br />

most have been dreaming of. A chance for a<br />

personal interview with the star makers of<br />

our industry. It’s like graduating from college<br />

with a finance degree and being requested<br />

for a personal interview with top Wall Street<br />

investors. An opportunity that only knocks<br />

once if you are lucky. The new faces are from<br />

14- 22 years young, all tall, beautiful, lanky<br />

figures, with the most beautiful faces and<br />

fresh skin. Each one of them is getting ready<br />

at home in their sleek black outfits and heels,<br />

and applying only mascara, and lip gloss to<br />

the most gorgeous sculpted faces you have<br />

ever seen. Each model is on their way to be<br />

early to the office and meet someone for<br />

5 minutes that can possibly make dreams<br />

come true!<br />

For the third component, Elite Director of<br />

new faces and CEO of the conglomeration<br />

have decided to drive up from Miami, to our<br />

little town in search of the next Supermodel.<br />

It’s imperative for these top world agencies<br />

to always find the fresh new faces to develop<br />

and groom to 10k earning daily booking<br />

rate models. They have seen a proven track<br />

record with Premieres models, and are happy<br />

to make the trip. They sit inside the cafe with<br />

myself and my daughter, who is in college<br />

and training to run the agency in the future,<br />

and watch the new beauties walk by as they<br />

sip their cappuccino. A huge window seat in<br />

the cafe ,perfect place to admire the beauties<br />

strutting by to Premiere’s front door to attend<br />

the casting. “wow”, they say, “You have so<br />

many gorgeous new faces! How do you find<br />

them?”. I tell them I am blessed beyond<br />

belief of a flow of referrals and incoming new<br />

prospects.<br />

The casting is about to start, and all three<br />

parts of a future have come together to find<br />

a new future star. This is how it all happens.<br />

What a day we had, super successful, and<br />

three contracts offered out of the 25 hopefuls.<br />

What a fantastic day of business on the Canal<br />

Street NSB.<br />


Lights Out<br />

in C-ViLLa<br />

By Randy Pepper<br />

On March the 11th my wife and I were on our way<br />

to Asheville, North Carolina for a Guitar Show and a<br />

weekend away. When we got 30 miles from Asheville<br />

I received a call from the show promoter saying<br />

that the show had been canceled due to the current<br />

Coronavirus. We went on and checked into our<br />

hotel and the next morning got up and we had an<br />

impromptu guitar show with about 30 dealers getting<br />

together in a small conference hall. We made the best<br />

of what we had, knowing that this virus could go on<br />

for months and months and could kill us as retailers.<br />

But some others didn’t have the luxury of a last minute<br />

Guitar Show to make some very needed cash to ride<br />

the storm out, Guitar shops and music stores all over<br />

the country have now shuttered their doors because<br />

of the virus and many didn’t know how to adjust to<br />

selling online to ride the storm out or they just said<br />

“this is the last straw” and ended up closing.<br />

Guitar sales have suffered the last few years (as well<br />

as most music retail) as the decline of the rock star<br />

persona has shifted to DJs and rappers, making most<br />

musical instruments a thing of the past. Then the<br />

C19 virus came and many thought this would be the<br />

end for many shops, including the Guitar Center,<br />

since they have been in deep debt for a while. They<br />

have survived but many other small shops have not,<br />

and every day we see a new store closing. Plus, many<br />

more stores are saying they cannot survive any longer<br />

and are throwing in the towel. I’m not saying it was<br />

just music related places there were affected by the<br />

coronavirus; there are many other forms of retail that<br />

did not survive as well. You see, many places were<br />

considered essential but unfortunately music was not<br />

one of them. So while pawn shops and hobby stores<br />

were able to stay open, guitar shops and music stores<br />

were not. Local places like Z music in Flagler Beach<br />

closed their doors, as well as McCabe music in Santa<br />

Monica California both citing the pandemic as the<br />

cause or the final blow. This makes it very important<br />

to support your local small independent music shops<br />

during this time because unfortunately the virus is still<br />

out there and the longer it lives, the closer we are to the<br />

end of brick and mortar music retail.<br />

Randy Pepper is the owner of the Guitar Attic in Holly Hill<br />

and a freelance guitarist for hire.

Behind the Mic: Riggs<br />

95.7 the Hog, Daytona Beach<br />

Just prior to starting in radio in the ‘90s, I listened<br />

to Atlanta radio on a daily commute to the gridlocked<br />

extended city. I was a writer/ producer for a<br />

television production house and loved the job but<br />

did little else. I had been dateless for over a year<br />

following a bad live-in breakup, a key factor here.<br />

I had seen Prince live from the front row a year<br />

before, the most I’ve ever paid for a concert ticket. It<br />

was worth every penny. So when my morning commute<br />

soundtrack told me that Prince was playing<br />

a private show and they had tickets, I knew I had<br />

to make it happen. It was a morning radio dating<br />

game, and Trixie selected me over the other single<br />

dude callers. It was on. I was ecstatic! I won a blind<br />

date to see Prince in a tiny club and then go on the<br />

radio show after to discuss the details. Such a simple<br />

formula, it seemed.<br />

I worked all my contacts to help make this a special<br />

night for my blind date. The crown jewel was a limo<br />

company that I had produced some commercials for<br />

offered to give me transportation for the night. So<br />

I stocked that bitch with champagne and pizza, ‘cuz<br />

I’ve got CLASS. I dressed to impress, black suit and<br />

shoes, open collar and a fistful of flowers. It’s probably<br />

fair to point you now to the picture of me on this<br />

page as I was working a “unique” look at that time<br />

in my life. After only two conversations, there she<br />

was: Trixie. Attractive, intelligent. Perhaps it’s also<br />

important to point out that I picked her up from her<br />

parents’ house. That may explain some things later. I<br />

was a nervous blabbering nerd as I poured her some<br />

bubbly and offered her a choice of pepperoni or<br />

veggie, ‘cuz again… CLASS.<br />

As the driver navigated Atlanta traffic, we talked<br />

about our favorite Prince songs and more. It was<br />

exciting and enlightening. As the limo exited the<br />

interstate, her champagne flute slid from its holder<br />

spilled on her shirt and the seat. I quickly attempted<br />

damage control but I could tell she was off-put.<br />

I apologized profusely as we rolled into what was a<br />

jammed parking lot, a line hundreds of people long<br />

snaking around the venue. She seemed even more<br />

annoyed at the potential wait in the cold.<br />

I saw the eyes of our driver and his partner in the<br />

rear view as he shook his head and headed past the<br />

barricaded area and into the backstage lot. An attendant<br />

stopped the car and he spoke briefly to them,<br />

then waved us around. My limo pals opened the rear<br />

door and we stepped out, approached by a man with<br />

a headset and clipboard. Now I know things are<br />

getting official. And just then, the driver leaned in<br />

toward my ear and murmured something… I asked<br />

him to repeat what he said and he quietly whispered<br />

back, “I told them you were Kenny G”. Before<br />

I could process those words that just slammed<br />

into my gut, the headset dude steps up and says,<br />

“Great to meet you, Mr. G” and shook hands with<br />

me and Trixie. Yup…. “Mister G”! That’s who I now<br />

was expected to be on this night. We were whisked<br />

through the backstage door and into the private VIP<br />

balcony. I quickly realized that if I said I wasn’t who<br />

they think I was, we would be bounced. And that is<br />

a bad impression on a first date. And perhaps they<br />

would find a picture of Kenny G and realize I look<br />

nothing like him, which also would end with us<br />

missing the show. Another important note that this<br />

was pre-smartphone, so there was no instant google<br />

image search. Ahhh, the simpler times. So since I<br />

am non-confrontational by nature, I rolled with it. I<br />

was Kenny G.<br />

A line formed outside this VIP area over the next 30<br />

minutes, many of them women who were coming in<br />

and getting wind of the “celebrity” in their midst.<br />

I was terrified of being exposed, scared of losing<br />

this dream date, and generally nervous about the<br />

whole scene. But I channeled the energy into meeting<br />

some of my “admirers”, several very attractive<br />

women who told me which album of mine was their<br />

favorite, and I signed several autographs. I went<br />

with a “K” and a tailing squiggle. It seemed the best<br />

way to get through this uncomfortable situation.<br />

Thankfully, I worked at Turtles Records for a dozen<br />

years and was well-versed in Kenny G album knowledge.<br />

There was even one beautiful woman who told<br />

me what my music did to her during private hours<br />

and handed me a hotel key card. I was overwhelmed<br />

with nerves, excitement, and a desperate need to<br />

see Prince. I thought certainly there was no way all<br />

these people are looking at and talking to me and<br />

were convinced that I was the saxophone legend.<br />

Apparently I was mistaken. Then it all went south.<br />

The headset/clipboard man returned and gently<br />

interrupted, “Excuse me, Mr. G; The Artist would<br />

like you to join him for the encore.” Again, ZERO<br />

exaggeration or enhancement in this story. It happened.<br />

And I felt cold. I felt like the human embodiment<br />

of the scene from THE SHINING when the<br />

blood pours from the elevator doors. It seemed all<br />

the blood had rushed out of my body and I was an<br />

empty shell. I fumblingly told him that Trixie needed<br />

to leave before the end of the show and turned to<br />

her to get confirmation of this hasty lie that would<br />

prevent me from having to jam with the greatest<br />

musician of my time. But she was gone. Really gone,<br />

like no sign of her, no one recalling seeing her, nothing.<br />

Was she a mirage of my shitty dating world?<br />

Did she bail after I got the hotel key? Perhaps the<br />

ladies room? I checked the latter, but no dice. I had<br />

nothing other than her home phone number and<br />

with cell technology as huge and clunky as it was,<br />

there was no accessing her whereabouts. I managed<br />

to delay answering my headset/clipboard<br />

friend long enough to race around the club looking<br />

for her.<br />

So now I am alone as the show begins. My mind<br />

races between thinking of an escape plan and not<br />

wanting to abandon this poor girl who, for all I<br />

knew, could be trapped in a stairwell or something.<br />

Also, Prince was awesome. Just killing it,<br />

long ripping guitar solos, dancing, singing his ass<br />

off, deep cuts, hits, it was an amazing set. And<br />

the entire time I am thinking, “I’ve never played<br />

a saxophone, I don’t own one, I am about to puke<br />

from nerves, I cannot possibly carry this charade<br />

that I didn’t create all the way to the damn<br />

stage.” So I called the limo guys between songs<br />

but no answer. I now knew I had to leave before<br />

the last song. But Prince doesn’t like to tell<br />

you the set is ending. And all of a sudden in the<br />

middle of a song, I see him walk off stage. Panic<br />

set in. I hustled to the door we entered through,<br />

right next to the stage. Headset/Clipboard was<br />

there and I made no eye contact as I scurried for<br />

the exit, hoping he would figure that I was just<br />

headed out to get my horn out of my trunk. My<br />

giant cell rang and I answered to hear my limo<br />

pals telling my they were out back and that Trixie<br />

had her mom pick her up. I grabbed the door of<br />

the white stretch and ducked in the back seat and<br />

closed the door. Whew! Safe. Then I fixed my<br />

gaze on what was in front of me… Prince and 2<br />

women, sitting opposite of me in the limo.<br />

28<br />


CONTINUED...Behind the Mic: Riggs<br />

The Weeknd Crossword<br />

6<br />

10<br />

The following Tuesday morning I received a call from<br />

the morning host asking me to come to the studio,<br />

that Trixie was ripping me apart and they wanted my<br />

side. I jumped out of work and headed to Atlanta. I<br />

got a flat. I arrived late to the radio station frazzled,<br />

nervous, dirty and sweaty with an audience of 20-30<br />

loyal listeners who were in-studio looking on. The<br />

morning hosts laughed hysterically at the details of<br />

this absurd story and one took particular sympathy<br />

on me as Trixie (she made up that name, go figure)<br />

divulged her plan to ditch me as soon as she saw me. I<br />

was cotton-mouthed dehydrated, nervous as hell and<br />

embarrassed beyond reason. But the details of the<br />

story served as radio gold. So good, in fact, that they<br />

used it on their “Best Of ” shows for 3 years after. I got<br />

to relive it over and over.<br />

3<br />

1<br />

9<br />

5<br />

7 8<br />

2<br />

4<br />

He spoke a gentle “Hello” and I freaked out,<br />

immediately apologizing and grabbing for the<br />

door handle. I climbed out and saw my driver<br />

waving his arms, just one car ahead. As the driver<br />

and his pal laughed hysterically at the exploits<br />

they presented, I hopped through the details, but<br />

defaulted every minute or two to the stunning<br />

feeling of being that close to Prince. How did his<br />

security just let me jump into his car? Did they<br />

think I was Kenny G? When he headed back into<br />

the venue for the encore was he to be disappointed<br />

at the lack of a jazz sax icon? Why were these<br />

limo guys who set me up such dicks? Whatever. I<br />

just wanted to hide and process it all.<br />

I made a vow from the moment I got my first morning<br />

show that applies today to The Morning HOG<br />

show… NO dating game bits. So apologies to Kenny<br />

G for the bad impersonation, to the lady with the hotel<br />

key that I never used, to the late, great Prince, and<br />

to Trixie, whom I hope thinks of me every time she<br />

hears a Prince song.<br />

CHEERS!<br />


The Morning HOG / 95.7 The HOG,<br />

Weekdays 5-10 AM<br />

& SATURDAY NIGHT LOUD 9- midnight<br />

@saturdayloud on Twitter<br />

The Morning Hog on FB<br />

Riggs@TheHOG.com<br />

ACROSS<br />

1.What is his birth name?<br />

2.Because his grandmother was<br />

an Ethiopian native, __________<br />

was the first language he learned<br />

when he was a kid.<br />

3.What was name of his secondalbum?<br />

4.How many number one<br />

singles came from his second<br />

album?<br />

5.In a 2015 September<br />

photoshoot for GQ, he<br />

modeled a preview of<br />

Kanye West’s new<br />

collection of what?<br />

DOWN<br />

6.What day of the week did his Trilogy<br />

album hit stores?<br />

7.The 2015 Victoria’s Secret Fashion<br />

Show in NYC featured musical guests;<br />

The Weeknd, Lady Gaga, and… ?<br />

8.What was the first song he up<br />

loaded to YouTube in 2011?<br />

9.What hairstyle describes his<br />

do?<br />

10.Who is the featured artist<br />

on his song “Sidewalks”?<br />



By Bekka A. James<br />

1.1987 - The Grateful Dead’s “__________”<br />

LP was released.<br />

2.In 1976 – who purchased Buddy Holly’s<br />

entire publishing catalog from Norman Petty?<br />

3.For his 54th birthday, Lionel Richie receives<br />

a special gift: a star on the Hollywood<br />

Walk of Fame in what year?<br />

4.In 2001The Cult return with their seventh<br />

studio album, and first new recording in<br />

seven years, what is the title?<br />

5.1969 David Bowie records “<br />

-_____________,” which he wrote after seeing<br />

the 1968 Stanley Kubrick movie 2001: A<br />

Space Odyssey.<br />

6.In 1987, Tiffany starts her Mall Tour at<br />

the Bergen Mall in Paramus, New Jersey,<br />

performing what in November will be her #1<br />

hit, “I Think We’re Alone Now,” How old was<br />

she?<br />

7.In 2019, Dave Bartholomew, who cowrote<br />

many of Fats Domino’s hits,<br />

dies at what age?<br />

34<br />

8.In 2006, Kevin Richardson of what band<br />

leaves the group to pursue other interests?<br />

9.In 1992, Barenaked Ladies release their<br />

debut studio album?<br />

10.In 1996, what bass player for Pennywise<br />

dies from a self-inflicted gunshot wound at<br />

age 28?<br />

11.In 1985, What concerts take place in<br />

Philadelphia and London to raise money for<br />

the hungry in Africa? The Beach Boys, The<br />

Four Tops, Paul McCartney, Tina Turner,<br />

Elton John, David Bowie, The Who, Queen,<br />

Eric Clapton and Bob Dylan all take part.<br />

12.In what year was Glee star Cory Monteith<br />

is found dead in a Vancouver hotel room<br />

after accidentally ingesting a toxic combination<br />

of heroin and alcohol?<br />

13.In what year was a US patent is granted<br />

to inventor Guglielmo Marconi for transmitting<br />

electrical signals, leading to the invention<br />

of radio?<br />

14.In 1973, who released Pat Garrett &<br />

Billy The Kid, the soundtrack album for the<br />

Sam Peckinpah-directed movie of the same<br />

name?<br />

The 4th of <strong>July</strong> kickoff probably started already since the<br />

4th falls on a Saturday but, even through this year is going<br />

to be a bit different for the music and firework loving<br />

people of the United States. One way we can get through<br />

it is to tell the crazy 4th of <strong>July</strong> stories of the past and do<br />

it over cocktails of the same color as the flag.<br />

A stellar 4th of <strong>July</strong> was in Las Vegas, Nevada. I was<br />

working as a cocktail waitress at the Hard Rock Casino<br />

pool (yes, we wore purple bikinis to work... I really<br />

miss that 6 pack I had...) anyway, being a holiday and<br />

Las Vegas, the Hard Rock was packed and full of celebrities.<br />

I was lucky enough to be catering to the nu band<br />

Korn. They were in town for their Ballroom Blitz Tour<br />

to support their ninth studio album, which they said was<br />

“recreating their early sound.”<br />

The pools are open from 10am-6pm and Korn did the<br />

celeb thing and got a cabana, food, alcohol, and more<br />

alcohol later, mostly silver Patron being drunk by James<br />

‘Munky’ Shaffer co-founder and guitarist of the band and<br />

my new best friend. There was talk of all the places they<br />

have been and all the wild concerts they have played and<br />

a small mention that I had not seen them live and “poof ”<br />

four VIP tickets (box seats) to the show and backstage<br />

passes.<br />

After the work day and a quick change of wardrobe we<br />

found ourselves (my date Jeff, the cabana boy for the<br />

day, Jeremy and his date, and me) at the Pearl Concert<br />

Theatre at the Palms Resort. We were greeted by clipboard<br />

man and normal, ‘halt who goes there?’ But, after<br />

looking at his notes he raised his head and changed his<br />

expression and tone of his voice, welcoming us and stating<br />

that we were special guests of the band.<br />

Buffet tables with anything you wanted and all the alcohol<br />

you could drink. We had some dinner and drinks<br />

and chatted with the band, took our seats in our very<br />

own box, (well, Jeff and I did, but Jeremy and his lady<br />

stood stage-right the whole concert.<br />

We could have but chose to have the box to ourselves if<br />

you know what I mean...)<br />

Opening acts included 2 Cent, Big Jay Oakerson, Dimmu<br />

Borgir, Rise to Remain, and Shihad, and then Korn<br />

hit the stage and killed it! I remember looking at Jeff and<br />

saying, “I have no idea how Munky is even playing- as<br />

much tequila as I served him today; it’s a wonder he can<br />

stand, let alone shred that guitar!”<br />

The whole day was super killer and it was one one of the<br />

best 4th of <strong>July</strong> holiday weekends ever! So cheers to you<br />

and your yours this holiday and cheers to Munky and all<br />

of Korn, remember to raise your glasses after you make<br />

the delish red, white, & blue beauty to our nation’s Independence<br />

Day and have a fabulous 4th of <strong>July</strong><br />

The layered look of this vodka-based spritzer is perfect<br />

on the fourth.<br />

Pro tip: Pour each element over the back of a spoon so<br />

they don’t mix.<br />



QUEUR<br />






Lightly mix the vodka and lemon soda in a cocktail shaker<br />

with ice and set aside. In a tall glass, add the grenadine<br />

slowly to the bottom.<br />

Fill the glass with crushed ice. Strain the vodka soda<br />

mixture over the back of a bar spoon, followed by the<br />

blue curacao. Garnish with fresh mint, lemon rind star<br />

and berries (optional).<br />



1. 1987 - The Grateful Dead’s “__________” LP was released. “In The Dark”<br />

2. In 1976 – who purchased Buddy Holly’s entire publishing catalog from Norman Petty?<br />

Paul McCartney<br />

3. For his 54th birthday, Lionel Richie receives a special gift: a star on the Hollywood Walk of Fame in what year?<br />

2003<br />

4. In 2001The Cult return with their seventh studio album, and first new recording in seven years, what is the title?<br />

Beyond Good and Evil<br />

5. 1969 David Bowie records “ -_____________,” which he wrote after seeing the 1968 Stanley Kubrick movie 2001: A<br />

Space Odyssey. “Space Oddity”<br />

6. In 1987, Tiffany starts her Mall Tour at the Bergen Mall in Paramus, New Jersey, performing what in November will be<br />

her #1 hit, “I Think We’re Alone Now,” How old was she? 15<br />

7. In 2019, Dave Bartholomew, who co-wrote many of Fats Domino’s hits, dies at what age? 100<br />

8. In 2006, Kevin Richardson of what band leaves the group to pursue other interests? Backstreet<br />

Boys<br />

9. In 1992, Barenaked Ladies release their debut studio album? Gordon<br />

10. In 1996, what bass player for Pennywise dies from a self-inflicted gunshot wound at age 28? Jason<br />

Thirsk<br />

11. In 1985, What concerts take place in Philadelphia and London to raise money for the hungry in Africa? The Beach<br />

Boys, The Four Tops, Paul McCartney, Tina Turner, Elton John, David Bowie, The Who, Queen, Eric Clapton and Bob Dylan all<br />

take part. The <strong>Live</strong> Aid<br />

12. In what year was Glee star Cory Monteith is found dead in a Vancouver hotel room after accidentally ingesting a<br />

toxic combination of heroin and alcohol? 2013<br />

13. In what year was a US patent is granted to inventor Guglielmo Marconi for transmitting electrical signals, leading<br />

to the invention of radio? 1897<br />

14. In 1973, who released Pat Garrett & Billy The Kid, the soundtrack album for the Sam Peckinpah-directed movie of<br />

the same name? Bob Dylan<br />

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overkill by chris rajotte<br />

teD nugent by the reluctant genius<br />


Darren Dowler (Paul revere anD the raiDers)<br />

by ranDy PePPer<br />


jeff Pilson (foreigner) by ranDy PePPer<br />


RUN-D.M.C - “Tougher Than Leather”<br />



LABEL - Profile Records<br />

RELEASE DATE – May 17, 1988<br />

PRODUCERS – (RUN-D.M.C.) Davy D., Rick Rubin INFLUENCES<br />

– (Guitar Track) David Shulman (Artist)<br />

I believe that we all have had certain musical tracks that<br />

take us back in time when we hear them. To me, these<br />

“Flashback Tracks” hold a very special place in our hearts<br />

by tapping into those deep-rooted moments. One of<br />

my personal favorite Flashback Tracks is RUN-D.M.C.’s<br />

“Tougher Than Leather”.<br />

Released May 17, 1988, on Profile Records, it is considered<br />

by many to be a very underrated album. The blend of<br />

heavy guitar riffs mixed with ‘70s funk style has always<br />

been my favorite aspect of this track. Daniel Shulman<br />

nails the optimum tone for the mix, in my opinion. There<br />

is also the fact that Rick Rubin co-produced this title<br />

track. Rick Rubin, over the years, has become one of my<br />

personal all-time favorite producers. His musical insight<br />

can be heard on a multitude of recordings covering artists<br />

such as Slayer, Johnny Cash, Beastie Boys and countless<br />

others.<br />

If one has not yet heard this track, do yourself a favor and<br />

listen to it today!<br />

R<br />

RE – Metal Album of the Month:<br />

**SLIPKNOT** “We Are Not Your Kind”<br />

Release Date – August 9, 2019 (6th Studio Release)<br />

Label – Roadrunner Records Producer – Greg Edelman/<br />

Slipknot<br />

Albums:<br />

1. Slipknot (1999)<br />

2. Iowa (2001)<br />

3. Vol. 3: (The Subliminal Verses) (2004)<br />

4. All Hope Is Gone (2008)<br />

5. .5 The Grey Chapter (2014)<br />

6. We Are Not Your Kind (2019)<br />

Powerful, precise and on point is how I would describe<br />

Slipknot’s latest album “We Are Not Your Kind”. Cory<br />

Taylor and Slipknot, along with Greg Edelman, have<br />

produced a heavy LP full of tightly honed arrangements.<br />

There is no mistaking the diversity and depth displayed<br />

on this album, the 6th studio release for these tried and<br />

true counterculture counts of chaos.<br />

Tracks such as “Nero Forte” along with “Critical Darling”<br />

perked my ears up and are definitely worth checking out.<br />

As a side note, kudos to Slipknot for releasing “We Are<br />

Not Your Kind” on August 9th, which also happens to be<br />

my date of birth.<br />

blake anD jessica abbey<br />

by the reluctant genius<br />

russ Pahl by the reluctant genius<br />

snaP<br />

it<br />

38<br />


WED/THURS 5-9 PM<br />

FRI/SAT 6-10 PM<br />

SUN 2-6 PM<br />

<strong>Live</strong> Music<br />

JULY <strong>2020</strong><br />

1st – Laree app<br />

2nd – HannaH WiLson<br />

3rd – casey picou<br />

4tH – tHe cycLones<br />

5tH – tHe vibe<br />

8tH – Laree app<br />

9tH – corey sHenk<br />

10tH – jonny odis<br />

11tH – mudd rooster<br />

12tH - are friends eLectric<br />

15tH – Laree app<br />

16tH – casey picou<br />

17tH – reed foLey<br />

18tH – tHe WaverLys<br />

19tH – jay paski<br />

22nd – Laree app<br />

23rd – corey sHenk<br />

24tH – bradford buckLey<br />

25tH – off tHe road trio<br />

26tH – are friends eLetric<br />

29tH – Laree app<br />

30tH - cHuck moreL<br />

31st - jeff WHite

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