Filmmaker's Guide to Africa 2020

2020

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CONTENTS

Welcome to Africa

Africa’s Film and TV Successes

COVID-19 and Film

Incentives and Co-Productions

Locations Africa

Filmmaker’s Guide to Africa

Crew Rates

Production Companies

Showcasing Africa

Fixers Directory

Directory of Advertisers

Credits

04

07

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30

53

54

62

78

79

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Noughts + Crosses © BBC Studios

WELCOME

TO AFRICA

Welcome to another beautiful edition of the Filmmaker’s Guide to Africa. Against all odds and we have

endeavoured to bring you the best guide to African film, television and commercials yet. COVID-19, like

so many other challenges before it, has proven that Africa truly is capable of rising above. Our resilient

filmmakers continue to find innovative solutions to keeping their businesses going despite the global

pandemic. This certainly bodes well for the international community who will soon be coming out of

their lockdown and start shooting on location again. I would particularly like to commend South Africa’s

film professionals for holding on, for continuing, and for staying safe during this difficult year. To all the

producers, agencies and filmmakers wanting to explore our wealth of a continent – welcome, Africa is

open for business!

– Lance Gibbons, Publishing Editor

Image: CARS THAT BUILT THE WORLD – History Channel, shot on location at the Lourensford Wine Estate, Western Cape

Unit Still Photography by Joe Alblas | African Photo Productions © A&ENetworks LLC 2020

FILM CAPE TOWN

Cape Town and Western Cape

is famous for our towering mountains, rolling waves,

bustling cityscapes, arid landscapes, and any other world you could possibly want to create.

Cape Town and the Western Cape have as many locations as you have ideas. Our state-of-the-art facilities

and budget-loving exchange rate will ensure you a seamless journey from script to screen. Over the past

years, the Western Cape has masqueraded as Yemen, Hong Kong, and the island of Corfu which is why we’ve

been the destination of choice for films and series such as Tomb Raider, Maze Runner: The Death Cure,

The Dark Tower, Resident Evil: The Last Chapter, Mad Max: Fury Road, The Brothers Grimsby, Eye in the Sky,

District 9, Mandela: Long Walk to Freedom, Blood Drive, Bloodshot, Rea Sea Diving Resort, Homeland S4,

The Crown S1-2, Outlander S3, Troy: Fall of a City, Black Sails S1-4 and Raised by Wolves.

The moderate climate, highly competitive rates, a skilled and well established commercial and stills industry, as well as worldclass

animation, VFX, and post-production facilities are among the many benefits of shooting in the Cape. Mandated by the City

of Cape Town and the Western Cape government to promote the region’s film and media industry, Wesgro is ideally positioned

to help you turn your ideas into reality. Find out how Wesgro can support you by visiting: www.wesgro.co.za/film, and download

our new e-book offering a look at some of the inspiring locations waiting for you.

Cape Town and the Western Cape

An inspiring place to create

For more information contact: Film and Media Promotion team

+27 (0) 21 487 8600 | film@wesgro.co.za | www.wesgro.co.za/film

www.thecallsheet.co.za

AFRICA’S CINEMATIC SUCCESS 07

THE CINEMATIC

CONTINENT

With incredible landscapes, excellent incentives and the

talent to boot, African countries are welcoming a new

wave of filmmakers and keeping familiar faces coming

back again and again. Filmmaking in Africa has come

a long way in the past few decades. Today, a number of countries are

cinematic powerhouses in their own right, hosting major productions

that debut on the global stage. From Namibia to Nigeria, these are the

countries that continue to put Africa on the filmic map.

South Africa

With its favourable exchange rates, technical expertise, diverse

locations and highly specialised talent pool, film-friendly South Africa

has long been an industry darling. Filming in the three main production

centres – Cape Town, Johannesburg and Durban – is easy and costefficient

with a streamlined permitting process and excellent rebate.

Recent film projects on South African shores include the 2020

action-thriller Monster Hunter, HBO Max’s sci-fi series, Raised by

Wolves, and the sequel to Netflix’s teen rom-com, The Kissing Booth.

But it’s not all happening in South Africa – other African countries are

growing in popularity, ready and rigged up for international service.

Namibia

Namibia is one of the continent’s cinematic gems thanks to its

sprawling desert that’s been dressed up as everything from Mongolia

to Iraq. Its film sector may be small, but the country has managed to

attract blockbusters like Mad Max: Fury Road and Transformers: The Last

Knight – some of the biggest films shot on the African continent in

recent years.

Morocco

Like Namibia, Morocco is regularly listed as one of the top spots for

desert settings, and its 20% international rebate gives it a leg up on the

competition. The colourful country provides international filmmakers

with the opportunity to work with extremely professional production

companies at competitive rates. With incentives like these, it’s no

surprise that Disney’s Aladdin, John Wick: Chapter 3 and Men in Black

International recently filmed in Morocco.

Morocco © Philipp Klausner via Unsplash

Mauritius

Mauritius’s equally attractive film rebate scheme has seen the beautiful

island nation off Africa’s eastern coast welcome an upswing in

international productions. Already a popular Bollywood location (the

supernatural Hindi-language horror, Ezra, is set for release this year),

Mauritius recently hosted its first Hollywood production, the 2019

thriller, Serenity.

East Africa

East Africa is no stranger to big-budget blockbusters, either. From Out

of Africa to The Constant Gardener, Kenya has seen its fair share of big

productions over the past few decades. Next door in Uganda, The Last

King of Scotland and Disney’s 2016 biographical drama, Queen of Katwe,

were filmed on location.

Nigeria

Affectionately dubbed “Nollywood”, Nigeria’s homegrown film industry,

which produces over 1000 films a year, eclipses Hollywood and is

second only to India’s Bollywood. Nigeria is the epicentre of African

filmmaking, generating hundreds of millions of dollars each year and

employing more than one-million people.

The world is finally taking notice of the filmic powerhouse – the

2018 Nollywood drama, Lionheart, was acquired by Netflix, making it

the first Netflix original film produced in Nigeria.

08 COVID-19 AND FILM www.thecallsheet.co.za

The African Photo Productions team observing the COVID-19 protocols at Flash Studios during the production of the FMG 2020 cover image.

EMBRACING THE

POST-PANDEMIC NORM

At the end of 2019, the world as we knew it changed

irrevocably, with the novel coronavirus – better known as

COVID-19 – crippling the world’s economy and locking us

all indoors in one fell swoop. The first to fall victim were

the film festivals and awards ceremonies, followed by the cinemas and

the premieres. Then the film sets, the freelancers, and finally the TV

content producers. Now, almost six months later at the time of writing,

various nations are in the process of placing safety protocols in place,

cautiously coming out of lockdowns and braving the outside world. But

things will never be the same again.

South Africa and COVID-19

Although South Africa’s film industry took a hit with the national

lockdown announced in late March, the government’s pre-emptive

measures were sagacious. Not only has the country had one of the

lowest rates of infection globally, but the South African film industry

began working again in early May 2020 under strict health and safety

regulations known as Level 4 COVID-19 Restrictions. Many production

companies have continued to serve internationals from afar, doing

pre-production work, considering minimalistic shoots that require little

to no travel, and using the latest technology to keep clients impressed

and coming back for more.

USEFUL INFO

The full details of the two COVID-19 protocols can be found on

the respective websites (www.cpasa.tv or www.sasafed.org).

Please note that although every effort has been made to ensure

that all information is accurate, every producer and/or set member

is responsible for ensuring that their production is compliant with

the various COVID-19 regulations. They should also obtain their

own legal advice to ensure total compliance.

TM


COVID-19 AND FILM 09

“

The first to fall victim were

the film festivals and awards

ceremonies, followed by the

cinemas and the premieres.

“

Health and Safety Protocols

The South African government has worked with key industry

organisations to form the film protocols that will govern productions

during, and potentially after, the pandemic. The Commercial Producers

Association’s New Rulebook Guidelines for Commercial Film Production

in South Africa was launched on 4 May 2020, while the South African

Screen Federation – made up of eight member organisations – released

the Screen Sector Workplace Protocols in Respect of COVID-19 just one

day later.

These regulations cover general hygiene practices such as having

compliance officers, sanitising stations, wearing of face masks and

practicing social distancing, as well as having a maximum of 50 people

on set, inclusive of cast members – with no more than 25 production

personnel on the shooting floor at any one time during Level 4

Restrictions. Once they move to Level 3, the maximum number of cast

and crew on set will be raised to 75, followed by 100 at Level 2 and

Level 1 being unrestricted.

AFRICA AND COVID-19

At the time of publishing, most countries in Africa had not yet

opened their borders for film shoots amidst the global pandemic.

International travel to most countries including South Africa,

Morocco and Kenya is still banned until further notice. Mauritius,

although it recently announced that it was successfully fighting

the virus, has still not resumed travel completely.

“Είναι Ελληνικά για μένα.”

IT’S NOT GREEK TO US.

TRANSLATIONS • TRANSCRIPTIONS • VOICE-OVERS

INTERPRETING • SUBTITLING • LOCALISATION & SEO

PROOFREADING • EDITING • COPYWRITING

CONTACT US

+27 (0)21 426 2727

pziets@folio-online.co.za

projects@foliotranslations.com

www.folio-online.co.za

@Folio_Online

facebook.com/folioonline

10 INCENTIVES AND CO-PRODUCTIONS www.thecallsheet.co.za

Image Jakob Owens via Unsplash

INCENTIVES

AND CO-PRODUCTIONS

The continent of Africa has many countries, and each has

its own way of dealing with film productions. A select few,

have over the last few decades, realised the importance of

the entertainment industry and have facilitated international

and local productions through special incentives and rebates. Most

recently, Morocco has begun offering a 20% VAT reduction on goods

and services bought in country, while Royal Air Maroc, the national

carrier, sometimes offering up flight discounts.

South Africa’s Incentive Programme

Together with its world-class infrastructure, incredible locations

and top-notch crew, South Africa also has a South African Film and

Television Production and Post-Production Incentive, and a Foreign

Film and Television Production and Post-Production Incentive.

The programme is run by the Department of Trade and Industry

(the dti), with the Foreign Incentive providing a rebate of up to 25%

of the Qualifying South African Production Expenditure (QSAPE) to a

maximum of R50 million per project. The Post-Production incentive

offers a rebate of up to 20% of the Qualifying South African Post-

Production Expenditure (QSAPPE) of at least R1.5 million. An additional

2.5% of QSAPPE is offered when R10 million or more of the post

budget is spent in SA.

In 2018, the dti updated the incentive programme, stating that

productions should procure a minimum of 20% of qualifying goods

and services from entities that are 51% black-owned by South African

citizens, excluding cast, extras, producers, directors and writers.

Applications should be submitted no earlier than 45 calendar days

prior to principal photography. A CIPC Registration Certificate, a

BEE Certificate/BEE Affidavit, a Shareholders Certificate/Audit

Confirmation Letter and invoices and/or contracts from Black Suppliers

must be provided at claim stage.

South African producer fees, limited to two working producers

and inclusive of all travel, accommodation and living expenses, are

excluded from QSAPE if they exceed less than 10% of the total of

the company’s TPE on the film production, or R1 million in total.

An additional incentive of 5% QSAPE is provided for productions

conducting post-production in SA and using the services of a blackowned

service company.

Co-Production Treaties

Thanks to South Africa’s rapid growth in facilitating new productions,

the country has co-production treaties with several countries – as

ARE YOU ELIGIBLE FOR SA’S

FOREIGN FILM INCENTIVE?

• Your QSAPE should be at least R15 million for shooting on

location in South Africa

• Your QSAPE should be at least R12 million for Level 1

Broad-Based Black Economic Empowerment (B-BBEE)

contributor status service companies when on location in SA

• QSAPPE should be at least R1.5 million for conducting postproduction

activities in SA


INCENTIVES AND CO-PRODUCTIONS 11

well as a Film and Television Co-Production Incentive, which is a

sub-programme of the rebate scheme. It is available to official treaty

co-productions with a QSAPE of at least R2.5 million, while the QSAPE

for documentaries should be at least R500 000.

The incentive provides a rebate of up to 35% of QSAPE and an

additional 5% is offered to productions hiring at least 20% Black

South Africa citizens as heads of departments and procuring at least

30% of the QSAPE from 51% black-owned entities which have been

in operation for at least 12 months. This incentive is capped at R50

million per qualifying project and include feature films, animations,

tele-movies, TV dramas and miniseries, documentaries and docu-series,

and digital content. More information can be found on www.thedti.gov.

za or please call +27 (0)86 184 3384.

Mauritius’ Attractive Rebates

Mauritius has continued to make waves (quite literally) in the film

scene with its attractive film rebates for both locals and international

filmmakers. The rebate, which was launched in 2016, provides between

30-40% on Qualifying Production Expenditure incurred in Mauritius.

It is available to production companies registered in Mauritius, as well

as those with 100% foreign ownership. Notably, it applies to a wide

variety of projects from feature films to television dramas, and from

documentaries to commercials.

The Board of Investment facilitates all shooting permits and

licenses, and applications should be made no later than one month

before principal photography. For more information, visit

www.filminmauritius.com, while more on Morocco’s rebates can be

found with the Marrakech Film Commission on www.m-f-c.org.

R

QSAPE cap:

R50 m

R

QSAPPE of

R10 m

R

QSAPPE of

R15 m

R

FOREIGN PRODUCTION

INCENTIVE 25% OF QSAPE

FOREIGN POST PRODUCTION

INCENTIVE 22.5% OF QSAPPE

FOREIGN POST PRODUCTION

INCENTIVE 25% OF QSAPPE

SA PRODUCTION & CO-PRODUCTION

Image Jakob Owens via Unsplash

QSAPE cap

R50 m

CO-PRODUCTION TREATIES

INCENTIVE 40% OF QSAPE

FOR HIRING 30% BLACK-

OWNED ENTITIES.

South Africa has ten official co-production treaties:

• Canada (1997)

• Italy (2003)

• Germany (2004)

• United Kingdom (2007)

• France (2010)

• Australia (2010)

• New Zealand (2011)

• Ireland (2012)

• The Netherlands (2015)

• Brazil (2018)

PRODUCTION PROTECTION

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Film & entertainment productions are never plain sailing. With millions on the line,

anything that delays production can spell overnight financial ruin. Don’t let anything steal

your success. Get covered with established insurance brokers. CC&A Insurance Brokers

offer insurance packages tailored to your production needs.

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“

From seeing hunky leading man Ryan Reynolds out and about

at local bars in the City Centre, to catching a glimpse of Leo or

even Nic Cage trying to hide from curious reporters, we have

our little slice of Hollywood magic happening right here under

Table Mountain.

“

14

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Cape Town International Convention Centre

Durban Film Office

Wesgro Regional Showcase

Cape Town

Cape West Coast

Cape Overberg

LOCATIONS

AFRICA

Cape Karoo

Cape Winelands

Garden Route and Klein Karoo

Amazing Spaces

Mountain Marina

24

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28

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Image: JIM BUTTON & THE WILD THIRTEEN, shot on location off the Atlantic Seaboard in Cape Town

Unit Still Photography by Joe Alblas | African Photo Productions © Warner Bros. Pictures 2020

14 LOCATIONS A -Z www.thecallsheet.co.za


LOCATIONS A -Z 15

CAPE TOWN INTERNATIONAL CONVENTION CENTRE (CTICC)

Location, location, location… The Cape Town International Convention Centre (CTICC) is well known for hosting successful conferences and

exhibitions, but what you might not know is that the CTICC is also a movie star. Featuring in international and local movies, adverts and series

as airports, train stations, offices, hotels and restaurants, anything is possible. Think big, the CTICC a blank canvas from which to build the

perfect set or areas you could use as a base for your scene. The glass-like structure encompasses 21 000 m² column-free space, subdivisible

exhibition halls, and floors which can take loads of up to 3 tonnes per m². Some fan favourite venues include the top level of the parking lot,

various escalators, open spaces, reception areas and art installations, all with easy access to the marshalling yard allowing for making set-up and

break-down a breeze. With all this available space, it is no surprise that the centre is making waves in the film industry, you bring the vision, we

will connect you to the scene.

CONTACT DETAILS:

CTICC 1: Convention Square, 1 Lower Long Street, Cape Town, 8001, South Africa

CTICC 2: Corner of Heerengracht and Rua Bartholomeu Dias,

Foreshore, Cape Town 8001, South Africa t: +27 21 410 5000 e: sales@cticc.co.za twitter:@CTICC_Official facebook: facebook.com/CTICC

instagram: @official_cticc linked in: cape town international convention centre cticc.co.za/venues

16 DURBAN FILM OFFICE www.thecallsheet.co.za

Anton Lembede Road © King Khay Pictures Dr Goonam Street

Juma Musjid Mosque


DURBAN FILM OFFICE 17

Saldanha Bay

Muthi Market

Botha Hills

Kranskloof Nature Reserve

DURBAN FILM OFFICE

The city of Durban has found its shape in traces of India, Indonesia, Brazil, Zanzibar and Europe. Our colourful history is reflected in the

profusion of Cape-Dutch, Indian, Victorian, Edwardian, Tudor, French Provincial, Neo-Gothic styles and Art Deco architecture. The landscape

from the coast to the country is a gentle transformation from palm trees, beach cafés, steel and glass cities, to rolling hills, meandering

countryside and dramatic mountain passes. The region presents miles of sandy beaches, rocky cliffs, blue water lagoons, and a myriad of rivers,

lakes and exotic promenades.

CONTACT DETAILS:

Durban Film office

41 Margaret Mncadi Avenue, 11 th Floor Rennies House, Durban, 4000

t: +27 (0) 31 311 4243 e: filmdurban@durban.gov.za www.durbanfilmoffice.com

18 WESGRO www.thecallsheet.co.za

WESTERN CAPE:

A RESILIENT DESTINATION

The Western Cape comprises of six regions: Cape Town,

Cape Winelands, Cape West Coast, Cape Karoo, Cape

Overberg, and the Garden Route and Klein Karoo, and all

six are home to unique landscapes, architectural styles and

opportunities for film, TV, commercial and stills production.

Cape Town

This dynamic city is a world-renowned destination that brings

millions of business and leisure travellers to its shores. A wellestablished

film production and service locale, Cape Town is home to

a plethora of service production companies, crew,

cast, and every manner of supplier to the film industry. The

city is characterised by its beaches, mountains, cityscapes, townships

and adaptable infrastructure. One need only

glance at the city’s register of available locations to be inspired by

the creative possibilities. The ongoing drought has only strengthened

the city’s resilience, and by effective community engagement and

a change in daily habits, Cape Town remains steadfastly open for

business.

Cape Town is also home to the first world-class (custom built,

high-tech) Hollywood style film complex in Sub-Saharan Africa.

Film Cape Town was launched in 2018 and offers filmmakers a

wide range of information on bringing productions to the city. More

info at: film.investcapetown.com

Cape Winelands

Verdant valleys and palatial wine farms dot the region, which has

well-developed infrastructure and is easily accessible from the

city. Stellenbosch is a mere 20 minutes’ drive from the CBD, and

the charming town of Franschhoek is only a stone’s throw further.

Cape Town

The Tsitsikamma National Park © CYCKING

Cape Winelands


Film Ad – Call Sheet A4.indd 1

2016/09/12 12:29 PM

Comprising Swartland, Makzikama, Saldanha, Bergrivier, and the Cederberg, KEY INFORMATION

the Cape West Coast region is an emerging location for filming. Filmmakers Municipal properties will require a permit available at the local

are spoilt for choice, as the region contains wild flowers, quaint seaside town council. Rates are dependent on the size of the crew and

towns, wine farms and cellars, culture and heritage attractions, such as the duration of the shoot. For road closures the traffic department

West Coast National Park and the Fossil Park. The Cederburg and Makzikama needs to be involved. Filming in nature reserves and on beaches

mountain ranges feature ancient rock paintings, while the windiest sections requires an ECO guide and environmental impact study with your

of beaches are ideal for shoots that feature adventure sports, such as kite application. When filming on private property or in an estate,

surfing and paragliding. The vast, unspoilt beaches and charming wine and you will need landowners’ permission and permission from the

olive routes provide a unique canvas for filmmakers.

governing body.

Disclaimer: Filming policies do change. Please check with your unit manager, and stay in regular contact with your local production company.

Large beautiful white sands close to the city, make Camps Bay beach one of the Bigger shoots are normally only allowed on the Glen Beach side of Camps

most popular for both filming and tourism. It can look tropical and calm but, can Bay beach – towards the rocks – while smaller shoots can be be done in other

also be home to big surf. Its proximity to Cape Town, as well as its size, light, and areas. Base camp is normally arranged at a private sports club in the area.

beauty, make it one of the most photographed and filmed beaches in Cape Town. The busiest time of year is 15 December - 15 January, and there are some

There are many other beaches in close proximity, and the province is renowned restrictions for bigger beach shoots as it’s a peak tourism period. Please check

for it’s vast coastline.

the website for updates regarding seasonal closures. There are, however, many

other beaches that are available for filming during the peak tourist season.

KEY INFORMATION

The size and nature of the shoot will dictate where the shoot will be allowed.


Comprising Beaufort West, Laingsburg, Leeu-Gamka, Matjiesfontein,

Merweville, Murraysburg, Prince Albert and Seekoegat, the Cape Karoo

offers sweeping landscapes and charming architecture. The Swartberg Pass,

a World Heritage Site, is said to be one of the most scenic mountain passes

in the world. It is untarred, flanked by hand-packed stone walls and leads to

a summit 1 583m above sea level. The 75 000 hectare Karoo National Park

lies within Beaufort West, adjacent to the N1.

KEY INFORMATION

The relevant application forms can be sourced at the local municipal

office in each municipality.


Home to the longest wine route in the world, the Cape Winelands attract KEY INFORMATION

tourists, business travellers and filmmakers alike. Numerous studios are Filmmakers must complete the events application form and submit it in

located in the Cape Winelands, but explore the surrounds and you’ll find person or electronically. Indicate whether road closure is required/ traffic

natural and built locations to whet the appetite of any locations manager. assistance. Regarding municipal open space and parks, an application

The Cape Winelands comprise the Stellenbosch, Drakenstein, Witzenberg, must be made to the Community Services Department. The relevant

Breedevallei and Langeberg municipalities. The region is one of the most municipality will coordinate this process to ensure one point of entry.

scenic and beautiful wine regions in the world, and features Cape Dutch

buildings, world class golf courses, and unsurpassed scenery.


The Cape Overberg stretches from the Hottentots-Holland mountains in KEY INFORMATION

the west, to Swellendam in the east. In the north it reaches as far as the Municipal properties will require a permit available at the local town

Riviersonderend Mountains. One of the most scenic drives in the world, council. Rates are dependent on the size of the crew and duration of the

Clarence drive or locally known as the R44, is a popular setting for especially shoot. For road closures the traffic department needs to be involved.

vehicle commercials. The same goes for the gravel roads through the forests Filming in nature reserves and on beaches requires an ECO guide and

in Elgin Valley Grabouw.

environmental impact study with your application. When filming on

In Gansbaai the presence of wildlife and documentary film crews are almost private property or in an estate, you will need landowners’ permission

constant as it is the home of the great white shark.

and permission from the governing body.

There are a few hot spots in the Overberg that host regular film shoots

and still plenty of hidden gems to be explored. Hermanus, Pringle Bay,

Kleinmond, Gansbaai, Elgin and Botriver are amongst the most popular. As

is picture-perfect Arniston.



WESGRO 19

Cape Agulhas Lighthouse © Christopher Griner

Saldanha Bay

Cape West Coast

Cape Overberg

Filmmakers and location scouts have long been captivated by the Cape

Winelands and its stunning scenery, which is only heightened by the

fact that the Winelands can double for similar-looking locations around

the world.

Cape West Coast

The beauty of the Cape West Coast is in its contrasts. On one hand,

it is a dramatic and imposing region, characterised by rustic farm

cottages, glorious coastlines and infrastructure battered by salty air,

wind and rain; on the other hand, it is imbued with charm, with pristine

beaches, fantastic sunsets and magnificent vistas galore. One has to

see the Cape West Coast to believe it.

Cape Overberg

A hidden gem comprising of rolling hills, mountain ranges, rivers and

an abundance of flora and fauna, the Cape Overberg is a region on the

rise. From Cape Agulhas to Swellendam, and Theewaterskloof to the

Overstrand, there are a wealth of options to explore, and there’s no

better way to discover the region than an old-fashioned film recce.

Cape Karoo

If sweeping, arid landscapes dotted with farming towns, and more

than a sprinkle of quirky attractions pique your interest, then the Cape

Karoo is worth a look. The heat can be intense in the summer, and the

winters can be icy, but this makes for a landscape that is undeniably

unique. Luckily, the elements have been kinder in many parts of the

Cape Karoo, where one will find amiable small towns and rustic scenes

that are sure to inspire.


In recent years, the Garden Route and Klein Karoo was utilised

predominantly by tourists, who flocked to see the breathtaking

Knysna Heads, the sea-scoured cliffs of Mossel Bay, the lush forests

of the Wilderness and every town in between. While the area is still

incredibly popular with the leisure crowd, filmmakers are increasingly

travelling to the region for the purposes of production. Municipalities

are working hard to make the Garden Route and Klein Karoo even more

film friendly through its formulated film office.

(www.grkk-filmoffice.co.za).

Cape Karoo

CREATIVE LOCATIONS

CAPE WEST COAST

CREATIVE

LOCATIONS

CAPE TOWN

AND THE

WESTERN

CAPE

Flickr © Heribert Bechen

Flickr © SA Tourism Flickr © Abspires40

CREATIVE LOCATIONS

CAMPS BAY BEACH

CREATIVE LOCATIONS

CAPE KAROO

CREATIVE LOCATIONS

CAPE WINELANDS

CREATIVE LOCATIONS

CAPE OVERBERG

Visit www.wesgro.co.za/film to download the Creative Locations

ebook. Contact: +27 21 487 8600 | Email: film@wesgro.co.za |

www.locationmanual.com

Flickr © John Hickey-Fry Flickr © HelenSTB

Flickr © Warrenski Flickr © SA Tourism

Flickr © SA Tourism Flickr © SA Tourism

20 LOCATIONS A-Z www.thecallsheet.co.za

CAPE TOWN

Image by JaredPaisley © WesGro


LOCATIONS A-Z 21

CONTACT DETAILS

Wesgro – Film and Media Promotion

t: +27 (0) 21 487 8600 e: film@wesgro.co.za www.wesgro.co.za/film | www.locationmanual.com | film.investcapetown.com


CAPE WEST COAST

Koringberg Bay Boats

© SA Tourism

CONTACT DETAILS

Wesgro – Cape Town and Western Cape Film and Media Promotion



LOCATIONS A-Z 23

CAPE OVERBERG

Overberg Canola Field, South Africa © SA Tourism

Harold Porter Botanical Gardens © SA Tourism

Struisbaai,Western Cape © Christopher Griner

CONTACT DETAILS

Wesgro – Cape Town and Western Cape Film and Media Promotion



CAPE KAROO

Heartland

CONTACT DETAILS




LOCATIONS A-Z 25

CAPE WINELANDS

Vineyards © John Hickey-Fry Babylonstoren, Paarl, Western Cape © HelenSTB

CONTACT DETAILS




GARDEN ROUTE

AND KLEIN KAROO

Knysna

© Michael Mayer

CONTACT DETAILS




LOCATIONS A-Z 27

CREATIVE

LOCATIONS

Wesgro’s Film and Media Promotion unit is

ready and able to support and assist local and

international filmmakers find the best location for

their next production via virtual consultations.

Not only does their Creative Locations Guide offer succinct yet

detailed information on the diversity of locations that Cape Town

and the Western Cape has to offer, but it also provides updated

information on who to contact for permits, red tape surrounding

certain locations, documentation needed for various shoots, and

film bodies working within the various districts. The Creative

Locations guide can be downloaded from Wesgro’s website:

www.wesgro.co.za/film/locations

The Location Manual website (www.locationmanual.com)

is a regularly-updated source of information for location

scouts, location managers, and even producers searching for

specific looks within the Western Cape. This website provides

information on film hotspots, contact details for national and

provincial authorities, local municipalities, private entities and

more. It also has a listing of locations professionals working in

the industry.


t: +27 (0) 21 487 8600 | e: film@wesgro.co.za

www.wesgro.co.za/film | www.locationmanual.com


Amazing Spaces

Luxury spaces. Traditional spaces. Cozy spaces. Rambling spaces. Contemporary spaces. Sea-facing spaces. Wooden spaces. Quiet spaces.

Commercial spaces. Family spaces. Cape Town and Johannesburg spaces. Outdoor spaces. High-rise spaces. Crowded spaces. Rural spaces.

Hard-to-find spaces. For shoots or accommodation… Amazing Spaces.

CONTACT DETAILS

t: +27 21 761 3445 / +27 82 828 5580 e: shoot@amazingspaces.co.za www.amazingspaces.co.za


LOCATIONS A-Z 29

Dawn 777

Inyoni Surf

Everest

Images courtesy by Linda Smal Photography

Sangria

Jacob’s Ladder

YOUR LOCATION AGENCY & THE NEW NORMAL WITH COVID-19

Location Gallery is a team with years of experience in the production, property and photographic sectors. We represent a collection of locations

for the Stills & Film industry such as beach houses, modern & classic homes, those with rustic & eclectic elements as well as commercial venues.

Our enthusiasm for this dynamic industry allows us to assist property owners and production clients in all ways possible to make their shoots

successful, including the new normal for some productions with a remote shooting process while streamlining all shoots to include the

COVID-19 protocols.

CONTACT DETAILS

140 Waterkant Street, Green Point, 8005, Cape Town, South Africa

t: +27 (0)21 418 1714 e: info@locationgallery.co.za www.locationgallery.co.za


LUXURY HOTEL APARTMENTS

MOUNTAIN MARINA

Unrivalled comfort and elegance on the water’s edge, offering a world-class location with Table Mountain as a majestic backdrop. Mountain

Marina is a collection of one, two and three-bedroom apartments, with the penthouses as the premier units. The apartments are fully serviced

and equipped to the highest standard. Each apartment comprises modern, air-conditioned, spacious en-suite bedrooms with separate lounge and

dining areas. Here in the heart of Cape Town, you can enjoy the luxury of your own spacious residence that not only guarantees peace and quiet,

but also complete privacy and independence.

CONTACT DETAILS

t: +27 21 421 3070 f: +27 86 613 5208 e: info@mountainmarina.co.za www.mountainmarina.com

CUT THROUGH THE NOISE.

MAKE YOUR

VOICE HEARD.

Get in touch with us to find out how you can maximise

your reach and connect with new clients through our

20 000+ digital network. Contact Jennifer Dianez on

jennifer@filmeventmedia.co.za or call +27 72 279 9931

and we will tailor a digital campaign specific to your needs.

Follow us on @TheCallsheetSA, @TheCallsheetSA

and @thecallsheetafrica, or visit our website on

www.thecallsheet.co.za for the latest film industry updates.

Image by Ian Dooley via Unsplash

“

After

producing a film in SA

in 2017, I fell in love with the

country and making movies

there. When the opportunity

came up with Redeeming Love,

it was a no-brainer to bring the

project to South Africa and

partner with Vlokkie Gordon,

CJ Jones and Advantage

Entertainment – surrounding the

film with incredible locations and

incredible crew.

“

- Brittany Yost, Producer on Redeeming Love (PureFlix)

34

36

38

39

41

42

44

45

46

Commercial Services

SA’s Film and TV Service

The Rise of Reality TV

Unit Stills Overview

African Photo Productions

Animation

Post Production

Refinery

Studios

FILMMAKER’S

GUIDE TO

AFRICA

Atlantic Studios

Atlas Studios

Island Studios

Specialist Services

Film Finances

Cellular Dynamics

Wrap Zero

Gear

Crew

48

49

50

51

51

52

53

54

55

Image: Bloodshot © Sony Pictures Entertainment Inc. Unit Still Photography by Graham Bartholomew

34 COMMERCIAL SERVICES www.thecallsheet.co.za

Mercedes-Benz S-Class ‘Return to Chapman’s Peak’ by Net#work BBDO won a Bronze Lion in 2019.

7 Films, Ludus Post Productions and Audio Militia provided production services.

Juice Film had a successful remote test shoot recently and plans a more

extensive one to help then assess how to best serve clients from afar.

COMMERCIAL SERVICE

IN THE AGE OF COVID-19

Following several years of consistent growth and award-winning

projects, South Africa’s commercial service companies are

gearing up for their biggest challenge yet.

Open for business and ready to work: that’s the attitude

South Africa’s commercial service companies have adopted in the face

of the COVID-19 pandemic. It’s not a decision that’s been taken lightly,

but the industry is determined to keep its production doors open and

prepare itself for the future of commercial service. How this future will

look remains to be seen.

Bobby Amm, head of the Commercial Producers Association

(CPASA), says the industry has been hugely impacted by the COVID-19

pandemic and the resulting lockdowns and worldwide travel bans.

“Every company and individual in the industry is affected by this,” he

says. “Social distancing makes shooting very difficult, as do restrictions

on the number of people permitted on set. We have seen a loss of over

R300-million in work that has either been cancelled or postponed.”

It’s a hard knock, but Amm says the industry is up to the challenge

of staying on its feet. “Right now companies are doing all they can

to stay afloat,” she explains. And, although this has been a difficult

period for businesses worldwide, the commercial industry has a silver

lining. The outbreak of the pandemic occurred towards the end of

South Africa’s commercial service season. The CPASA has started a

COVID-19 fund to benefit industry freelancers with contributions from

its members, and on 4 May 2020, business was resumed under Level 4

Restrictions with strict film protocols (see page 8).

Award-winning commercial production company 7 Films is still

going strong, using this opportunity to relaunch their website; Juice

Film is researching and testing innovative systems and solutions to

enable safe shooting in the future; Groundglass is hard at work on

upcoming productions; and Gatehouse Commercials is finding remote

solutions for footage transmission and approval to ready itself for next

season. No production company is wasting this precious time.


COMMERCIAL SERVICES 35

South African Tourism’s latest campaign was done by The Rudeboy Collective

A successful remote directing and streaming test shoot between LA, Miami,

Texas and SA © AFS Productions

JOIN THE PACT!

The Creative Industry Pact for Sustainable Action (The Pact) is an

aspirational agreement to inspire all organisations and companies

in the creative industries, however large or small, and wherever

they may be around the globe, to work towards a more sustainable

future. Visit creativeindustriespact.com/mpipact for more info or to

take the pledge.

Allan Gray’s Fathers Share from Peter Pohorsky of Plank Films won Silver...

Award-winning work on

South African shores

The pandemic’s effects have been far-reaching, also forcing awards

season to take a backseat. The 2020 Cannes Lions – the universal

benchmark of creative excellence – may have been cancelled, but

South Africa didn’t miss its opportunity to shine at the 2019 awards

hosted in Venice.

Among several shortlisted entries and awards, South Africa

brought home one Gold Campaign, two Silver Campaign and one

Bronze Campaign Lions in the Radio and Audio category, and two

Bronze awards in Entertainment Campaigns for Mercedes-Benz and

Edgars – collaborations with 7 Films and Giant Films respectively.

Allan Gray’s heartwarming TV commercial, Father’s Share, directed by

Peter Pohorsky of Plank Films, won Silver and Bronze Lions in the

Film category.

Unmatched Resilience

Every week, directors and producers are proving that COVID-19 hasn’t

curbed creativity; in fact, it’s the opposite. New campaigns include a

30-second mini-film for Toyota South Africa, produced by Your Girlfriend,

urging the country’s drivers to stay at home during the nationwide

lockdown. SA Tourism’s inspirational campaign, produced by The Rudeboy

Collective, implores South Africans to “travel later”, and local production

house Figment Films has collaborated on a brand film for SportsHosts, an

online platform operating in New York and San Francisco.

If there’s anything the current climate proves, it’s that the wins can

(and will) keep coming for a country that refuses to quit in the face of

adversity. As always, the professional crews, state-of-the-art equipment

and hands-on support services that have made South Africa such a

sought-after location are still available at the cost-effective rates that

bring international clients back time and time again.

KAYOS CASTING

DIRECTORS

At Kayos we focus on doing what we do best

- CASTING! That’s why our service will help

you breathe easy and let you focus on doing

what you do best. Our renowned teamwork,

systems and technology, combined with

trusted industry relationships, guarantees a

product which makes everyone look good.

We cast in Cape Town and Joburg!

Hills Building, Buchanan Square, 160 Sir

Lowry Rd, Woodstock Cape Town, 7925

t: +27 21 462 6353 / +27 84 4571341

e: monique@kayos.co.za

w: www.kayos.co.za

36 SA’S FILM AND TV SERVICE www.thecallsheet.co.za

Monster Hunter starring Milla Jovovich, Tony Jaa, T.I., Ron Perlman, Meagan Good, and Diego Boneta is set to release 4 Sept 2020. Image by Coco van Oppens © Sony Pictures 2020

SA’S FILM AND TV SERVICE

LEAPS AHEAD

As more and more big-budget international productions

touch down in film-friendly South Africa, the local film

industry is also quietly gaining momentum.

With a winning blend of world-class production

support and expertise, unmatched natural diversity, a favourable

exchange rate and an English-speaking cast and crew who have

collaborated with filmmakers from around the world, South Africa

has certainly earned its reputation as an industry heavy hitter.

While film and TV service worldwide has been significantly

slowed by the ongoing COVID-19 pandemic, the outbreak

occurred towards the end of South Africa’s film service season.

Local film professionals are using this period for pre-production

and innovation from a distance, encouraged by several months of

successful projects with even more in the pipeline.

Big-budget wins on SA shores

Film Afrika has long been linked to huge international productions

like the long-running Starz series Black Sails. Most recently, the

company serviced British drama series The Widow, which was

released on Amazon Prime in March 2019, and the upcoming

science-fiction series Raised by Wolves, set to premiere on

HBO Max.

On Moonlighting Films’ high-profile checklist is the second

season of HBO/Cinemax’s Warrior, the 2020 action-thriller Monster

Hunter, and Bloodshot – a comic book blockbuster released earlier

this year. The action-comedy Bulletproof 2 and the sequel to

2017’s Escape Room, slated for release in December 2020, both

recently wrapped filming in Cape Town.

Critically-acclaimed series Strike Back, whose first season


SA’S FILM AND TV SERVICE 37

The Watch © BBC America

Bloodshot © Sony Pictures Entertainment Inc. Unit Still Photography by Graham Bartholomew

Moffie - Jamie D Ramsay atop The Buffel filled with troops. Photo by

Daniel Rutland Manners © Portobello Productions

Moffie - Cinematographer Jamie D Ramsay. Photo by

Daniel Rutland Manners © Portobello Productions

began filming in South Africa more than a decade ago, aired its

final episode in April 2020, marking the end of an era for Out of

Africa Entertainment. The company, no stranger to international

productions, also worked on the 2019 Netflix film, The Red Sea

Diving Resort, and The Empty Man, a supernatural horror set for

release this August. Even reality TV had its moment, with the

incredibly popular British dating series, Love Island, heading to Cape

Town’s shores for its first-ever winter series set in an opulent Cape

Winelands villa.

The first season of BBC One’s Noughts + Crosses, which aired

its final episode in April 2020, perfectly showcased South Africa’s

versatility when Cape Town was transformed into the fictional Albion

colony. The city starred again in the 2019 miniseries Good Omens –

a co-production between Amazon Studios and BBC Studios based

on the novel of the same name by Terry Pratchett and Neil Gaiman –

and another Terry Pratchett adaptation, BBC Studios’ The Watch.

Local talent shines bright

Streaming giants Netflix and Showmax have ushered in an exciting

wave of original local series. After its successes with big-budget

productions like The Girl from St Agnes, several more Showmax

original series are in the works, including the scripted comedy Woke

in Progress currently shooting in Johannesburg.

The crime-drama Queen Sono, a joint venture between Diprente and

Netflix, marked the major streaming service’s first script-to-screen

original African series. Production for its second season has been

greenlit, while Netflix’s second African Original, Blood and Water, has

been very well received locally since its online premier in May. Helmed

by award-winning Nosipho Dumisa of Gambit Films, the series was in

SA’s top ten most watched list upon release.

South African talent is also having its moment on an international

stage. Two key episodes of The Professionals, Africa’s biggest coproduction

to date, will be directed by Thabang Moleya, and local film

Losing Lerato won its cast six awards at the 2020 Idyllwild International

Festival of Cinema in California.

Actor Bonnie Mbuli nabbed roles in Syfy series Vagrant Queen and

BBC’s Noughts + Crosses, with 24-year-old newcomer Masali Baduza

starring as leading lady in the latter. Actor Greg Kriek, who has more

than 50 international film credits to his name, will star in feature film

Rogue – a partnership between MultiChoice Group’s M-Net,

Capstone and Mannequin Pictures – alongside another local actor,

Sisanda Henna.

Off the back of these incredible successes and exciting projects for

local film professionals at every level of the production process, South

Africa is poised to bounce back next season bigger and better than

ever before.

38 SPECIAL AND UNIT STILLS www.thecallsheet.co.za

Redeeming Love - Filmed in South Africa just before the COVID-19 lockdown. Special photography by Joe Alblas | African Photo Productions © Pure Flix 2020

SHOOTING STILLS

FOR MOVIES AND BEYOND

With the ever increasing demand for global content

in the world today and the fact that streaming

networks are now making a major contribution to the

entertainment industry, more and more projects now

require to benefit from high-end and immediate publicity in this very

competitive market.

As a motion picture stills photographer working on such projects,

it requires the ability to create a fine array of still imagery for the

exacting hiring producers - from cinematic looking episodic scenes to

powerful portraiture of the key actors to drive advertising campaigns

and enthuse the targeted viewers.

One such company is African Photo Productions, based in Cape

Town and headed up by renowned stills photographer Joe Alblas.

His team work both internationally and locally having found the right

formula to producing their stills deliverables. They have included¬

billboards such as those produced for Unorthodox being recently

displayed in both Berlin and New York’s Times Square for this popular

Netflix Original miniseries.

There are several talented individuals who work

independently as stills photographers who continue to make

valuable contribution to the marketing of numerous projects

filmed on our shores in 2019. One such photographer is Graham

Bartholomew, who has worked on productions like Bloodshoot,

Black Mirror (Episode 3, Season 5), and Cinemax’s Warrior.

Another on set photographer is Coco van Oppens, who

continues to offer stellar unit stills services to clients like BBC,

Sky 1, Amazon Prime, Paramount Pictures, Netflix and Scott Free

Productions among others. Her recent film stills, publicity and

portrait work can be seen on projects like Monster Hunter, The

Crown Season 2, The Wrong Mans and the soon to be released

HBO Max TV series, Raised By Wolves.

Nonetheless, how the demand for stills will be governed

when we finally exit from the COVID-19 pandemic will be

anyone’s guess. One thing is for sure: every project going

forward will still need fine production stills to support all the

marketing material.


SPECIAL AND UNIT STILLS 39

Jane De Wet - playing the lead role of Lexi Summerveld in the

Showmax series The Girl from St. Agnes. Photo by Patrick Toselli

© France Production

Warrior - Photo by Graham Bartholomew © Cinemax

Commercial Service Shoots

In the world of commercial photography, South Africa continues

to attract international jobs. These are often, part and parcel of TVC or

even digital campaigns that require cohesive stills assets to accompany

them. Many of these photographers provide turnkey services on microshoots

for international clients. As the world of advertising continues

to evolve in a rapidly changing consumer habitat, photographic

contributions to the commercial service sector will likely also continue

to adapt to meet the needs of the client.

South African companies providing these services include France

Production, based in the Cape, who have worked locations across

Africa such as Zanzibar, Madagascar, and Mauritius, and have served

dozens of high-profile international companies. Photographers like

the award-winning David Prior, have spent decades honing their craft

in ad land covering anything from automotive to animals, food and

beverages to lifestyle shoots.

Still other creative agencies like Bird on a Wire provide a diverse

range of photographic and other creative services through the people

on their books. Ultimately, whatever the need, SA aims to please and

rarely ever fails to do so when it comes to the art of photography.

“

Being a motion picture

stills photographer requires

the ability to create a fine

array of still imagery for the

exacting hiring producers

- from cinematic looking

episodic scenes to powerful

portraiture of the key

actors to drive advertising

campaigns and enthuse the

targeted viewers.

“

40 REALITY TV www.thecallsheet.co.za

THE RISE OF

REALITY TV

Love Island cast and set. Photography by African Photo Productions © ITV 2020

From Scratch © NV Studios

With an ever-rising demand for content across the

world – particularly as video on demand and

streaming services continue to grow their networks

during and post-pandemic – we have seen a parallel

growth in the demand for reality television content. Today there is a

show that suits just about any person out there, whether you enjoy

home makeovers, competitions, gruesome real life stories, or just your

daily fix of drama.

South Africa has also seen a surge in reality TV productions

both locally and in the international shows that are brought to

South Africa. Sasani Studios, for instance, has been home to both

The Voice SA and The Voice Afrique Francophone thanks to its stellar

infrastructure and recently upgraded facilities. Visual Impact is

a company that not only provides gear but was one of the first

companies to work on reality broadcasts shot in SA with the likes of

I’m A Celebrity…Get Me Out of Here! South African-owned NV Studios

has most recently joined forces with UnLtd Productions in bringing

international food documentary series From Scratch to the small

screen.

Most notably in 2019/2020, however, was the shooting of the

popular series Love Island UK in sunny South Africa for their ‘winter’

season of the show. Joe Alblas from African Photo Productions

worked on this project and says that although it was a bit different to

their usual work, it was nothing the team couldn’t handle. “Working

on a reality show shares a similar dynamic to what an actor or crew

member has to achieve for a stage play in front of a live audience –

being very different to film and TV projects where there is always an

opportunity to achieve success during multiple takes,” he explains.


CREATIVE PROFILE 41

AFRICAN PHOTO PRODUCTIONS

The art of modern filmmaking is the layering of many facets to create what appears to be authentic, however fantastical or removed in time

the story may be. The same is true of motion picture still photography. Our task is not only to capture frames that reflect the essence and

spirit of a scene, but also bring other elements together in post-production to create the same level of enchantment and believability. This

past year we are proud to have again worked on many projects, both internationally and here in South Africa, some of which are showcased

above, making this a collaborative effort by our team who have all recently made a valuable contribution to the publicity and marketing

campaigns of these prestigious projects. As unsure as the future appears, we are embracing the opportunities to innovate, guided by the

COVID-19 code of conduct, to be at the forefront of a re-emerging market. Our services include unit stills, gallery stills, special stills, EPK and

‘B’ roll video behind-the-scenes with in-house data wrangling for processing, appending metadata, colour grading, photo retouching and FTP

uploads for all digital deliverables.

Joe Alblas | Casey Crafford | Anika Molnár | Raquel Fernandes | Jan du Toit

CONTACT DETAILS

m: +27 (0)83 338 7800 t: +27 (0)21 438 2773 e: joe@africanphoto.co.za www.africanphoto.co.za

42 ANIMATION www.thecallsheet.co.za

Jungle Beat

AFRICAN ANIMATION

IN THE GLOBAL SPOTLIGHT

Animation on the African continent is having a bit of a

moment. We’ve got some incredibly talented studios creating

stunning 2D and 3D work for the global stage, and we’ve got

international studios like Disney, Nickelodeon and Cartoon

Network collaborating and funding more African-produced work. Cartoon

Network two years ago launched the Africa Creative Lab to shine a

spotlight on the innovative, creators of local short-form content to the

channel and its digital platforms.

Companies like Sunrise Productions, Triggerfish, Mind’s Eye Creative

and Priest are forging ahead in sectors ranging from web series and

Christmas specials, to children’s broadcast content, commercials,

and even virtual reality. And with events like the annual Cape Town

International Animation Festival, Animation SA’s regular delegations

to Annecy in France, and other festivals and events like Fupitoons

and DISCOP that have initiatives designed to draw attention to

animated content, there is no doubt that this industry will continue

to grow and flourish.

Although the Cape Town International Animation Festival (CTIAF)

had to be postponed to 2021 in the wake of the COVID-19 outbreak, it

remains one of the main events on the African animation calendar. Now

in its ninth year, Festival Director Dianne Makings shares her thoughts

on CTIAF: “Today is the most exciting time to be in the African animation

industry. We can’t wait to gather our international and South African

delegates to explore how we bring undiscovered African stories alive

through colourful narratives. We showcase Africa’s animation talent

under one roof and uniquely understand the challenges, needs and

opportunities of the African animation industry.”

In terms of successes, Triggerfish Animation Studio’s partnership with

international producers Magic Light Pictures has yielded several beautiful

3D animated shorts. The most recent of these is The Snail and the Whale,

with prior award-winning shorts including Revolting Rhymes and Zog.

Their latest production can be viewed in South Africa on Showmax.

Munki and Trunk


ANIMATIONL 43

Zog

Bru & Boegie - Movie Poster

Sunrise Productions has continued to see growth and success in

international distribution over the years. They recently announcing the

eighth season of their award-winning non-dialogue pre-school show,

Jungle Beat. The series will be distributed worldwide by Ireland’s Monster

Entertainment. Most excitingly, they will premier Jungle Beat: The Movie

in June 2020 - a feat of note. Monster Entertainment has distributed

previous seasons of the show to broadcasters in over 150 countries, as

well as on 45 airlines.

Commercial and other animated service work continues to be a source

of bread and butter for this small but growing sector. Companies like Black

Ginger, Lung Animation, and Tulips and Chimneys continue to ride the tip

of this wave with clients consistently searching out their stellar services.

Throughout the continent there are those raising the bar in animation

– both in terms of quality product and in terms of original IP. Nigeria in

particular is one country outside of South Africa that is seeing more talent

coming out of this sector, while East Africa, too, has a small yet burgeoning

animation industry. Even South Africa is seeing a rise in small partnerships,

collaborations and innovation.

Overall, despite many challenges, setbacks and barriers to entry over

the years, Africa is now having a moment where its animation talent and

expertise is finally being recognised globally, potential is sparking. What we

do with this opportunity is up to us.

The Snail and the Whale

44 POST PRODUCTION www.thecallsheet.co.za

Noughts + Crosses(left and right images) © BBC Studios

BUMPER YEAR FOR POST

The post production industry in South Africa has reported

steady growth in the 2019/2020 film season, with many

new players joining the industry, and many others raising

the bar in what is possible in the digital realm of motion

pictures. According to Lauren van Rensburg, who heads up Refinery,

this was one of their best years to date. The company is one of

the largest post houses in the country, and covering a range of

services from DIT and dailies to VFX and sound. They have worked

on jobs in advertising, film and TV like Maze Runner: The Death

Curse, The Giver, Action Park, Serenity, Five Fingers for Marseilles,

Samson, and Warrior.

“With the demand for content growing at such a rapid rate, the

stabilisation of our rebates and the investments being made here by

Netflix EMEA, we are seeing enormous growth,” she explains.

This is underpinned by the ever-growing talent pool of creatives

and technical whizzes working in these fields across audio and

visual post-production sectors. Companies like Sound and Motion

Studios, Rhapsody Recording, The Workroom and others have

enjoyed success in both large and small international and local

projects like Blood and Water, Queen Sono, 8, Riding with Sugar, and

Poppie Nongena, Warrior, Noughts + Crosses, DC Titans, and Dr Who,

while still other visual post-production houses like Priest have

branched into parallel sectors like animation and fine art curation in

addition to their stellar post work.

Although naturally the lockdown landscape has posed some

challenges to doing certain facets of their jobs, the majority of

post-production houses have had at least some – if not all – of the

infrastructure to work remotely to some extent and have simply

continued to plug on.

“I sincerely believe that the South African landscape has

incredible creative and technical talent across the board. Everyone

– from the editors and colourists, to the visual effects artists and

sound designers – is delivering some outstanding quality work,”

Lauren says with conviction. “In the next few years, I see SA

becoming not only a top shooting destination, but certainly a top

post destination as well!”

Warrior © Cinemax

“

With the demand for content

growing at such a rapid rate, the

stabilisation of our rebates and

the investments being made here

by Netflix EMEA, we are seeing

enormous growth.

“


PRODUCTION COMPANIES A-Z 45

REFINERY

The Refinery Post and VFX is a full service post production facility based in Cape Town. Our experience and filmography show cases an

extensive list of both local and international productions. We pride ourselves on maintaining a world-class infrastructure delivered by

exceptional creative and technical talent.

CONTACT DETAILS

1 Port Road, V&A Waterfront, Cape Town, South Africa

t: +27 21 469 2820 e: capetown@refinery.co.za www.refinery.co.za

46 STUDIOS www.thecallsheet.co.za

Sound and Motion Studios worked on the Netflix Original series from Gambit Films, Blood & Water. Photo by Neo Baepi © Netflix/Gambit Films

STUDIOS

FIT FOR ANY PRODUCTION

Africa offers up some unprecedented and world-class studios

that can stand up against any international studio standard.

Not only are these spaces fit with the latest camera and

sound technology, but there are a variety to suit any

size production, from the outlandish and epic to the hyper-micro,

two-man shoot.

South African in particular offers up some incredible film studios

that bring international productions to our shores time and again.

Perhaps the best known of these is Cape Town Film Studios, which has

been home-away-from-home for series like Black Sails and Outlander

in the past and more recently, Origin, Warrior Seasons 1 and 2, Monster

Hunter, Good Omens, Inside Man 2 and Ridley Scott’s much-anticipated

TNT series, Raised by Wolves.

Since their inception, the studios have been committed to

becoming a hub for big-budget productions that will ultimately feed

into the Cape’s film economy in a massive way. The studios include

sound stages, production offices, artist support, workshops, backlot

sets, ships, water tanks, an exterior green wall, a data centre, a backup

energy centre and even hazardous waste facilities and a studio garden.

Impressive doesn’t even begin to describe the operation.

“In terms of technology, South Africa is actually ahead of the curve

in many respects,” says Kate Beyda, Senior Vice-President of Physical

Production at Warner Bros. “Those sound stages at Cape Town Film

Studios are incredibly advanced, and beyond anything I have seen

before.”

For those who do not have CTFS kind of money, there are a

plethora of beautiful daylight, photographic, and even smaller film

studios operating in the city of Cape Town and beyond. These include

Roodebloem Studios, Flash Photo, Panavision’s Island Studios, Global

Access, Salt River Studios, and many others.

One mid-size studio that has consistently been growing its offering

and making a name for itself in both local and international circles has

been Atlantic Studios. A cutting-edge film and television studio facility,

it has eight stages of flexible soundproof studio space, including a giant

green screen studio, a large back lot and extensive parking.

Johannesburg, too, has continued to see success in studio-hosted

productions thanks to its position as a television broadcast hub. Spaces

like Atlas Studios, Urban Brew, Sasani Studios and others provide

versatile, reliable studios for regular productions like local soapies, as

well as additional productions along the way.

Beyond South Africa, most of the film friendly countries in Africa

like Egypt, Algeria, Tunisia, Kenya, Uganda, Nigeria, Namibia, Mauritius

and Ghana – to name a few – offer smaller studio spaces with limited

production equipment. Morocco is the only other country with

professional studios for large-scale productions: Atlas Corporation

Studios. The company has facilitated many international productions


STUDIOS 47

One of Atlantic Studios’ stages © Atlantic Studios

Cape Town Film Studios’ ships, originally made for Black Sails © Getty Images

Q & A

MORWESI RAMONYAI,

DIRECTOR AND

GAUTENG

REPRESENTATIVE

OF WRAPZERO

Describe WrapZERO in one sentence.

A consultancy focused on making sustainability in film and

media production practical, measurable, locally achievable and

globally relevant.

The Voice South Africa is shot in Sasani Studios.

including the latest instalment of Mission Impossible, as well as Game of

Thrones and Disney’s Aladdin.

When it comes to sound studios and audio post-production, these,

too, are comparable with their international counterparts. Companies

like Fine Tune Studios, The Workroom, Rhapsody Recording and

many others are top notch and sometimes work on international

productions that may not even shoot in SA. One such company is

Sound and Motion Studios, which is also home to the South African

Film Orchestra. In recent years, this award-winning company works

with productions like Netflix African Original series Blood & Water and

Queen Sono.

TOP FILM AND TV

STUDIOS IN SA

• Atlantic Film Studios, Cape Town, Western Cape

• Atlas Studios, Johannesburg, Gauteng

• Cape Town Film Studios, Cape Town, Western Cape

• Fleet Street Studios, Randburg, Gauteng

• Garden Route Film Studios, George, Western Cape

• Global Access, Johannesburg, Gauteng

• Media Film Service, Cape Town and Johannesburg

• Overberg Film Studios, Kleinmond, Western Cape

• Q Studios, Johannesburg, Gauteng

• Salt River Film Studios, Cape Town, Western Cape

• Sasani Studios, Johannesburg, Gauteng

• Sky Rink Studios, Johannesburg, Gauteng

• Studio 26, Durbanville Hills, Western Cape

• Telemedia Studios, Sandton, Gauteng

• Urban Brew Studios, Randburg, Gauteng

Why are you passionate about

sustainability in film?

As an all-women team with proven experience in the practice

of sustainability, we have seen and been part of a widespread

shift to effective and responsible practices in a number of

different industries. These are always motivated by a culture

shift, and media is the ultimate driver of cultural change and

shifting mindsets. The industry is also made up of innovative

people who have great influence and reach. With experienced

support and well-informed guidance, the industry can make

great strides and achieve a positive impact.

What are the top 3 things studios should

consider when greening their space?

1. Use resources with care – responsible water, energy and

waste management

2. Sustainable spending – put your budget where it matters

3. Share your story – communicate with productions to

share lessons learnt, how you can support greening their

activities and provide accurate data to support their

reporting requirements

What are the top 3 things production companies

should do to become more sustainable?

1. Consider your impact – Make informed decisions and

evaluate effectiveness as you go, taking unintended

consequences into consideration.

2. Sign the Creative Industries Pact – This also commits you

to practical, measurable and incrementally more effective

strategies and supporting actions along with reporting,

which is also applied to your own operations.

3. Celebrate your success - Share your experience with

industry to encourage widespread change.

Where can people find out more or start their

journey in sustainable film production?

Visit www.wrapzero.co.za for contact details, useful industry

links, including information on The Pact, and to download

Guidelines For Sustainability In The Film Industry (The first local

guidelines for sustainability in film, compiled for the KwaZulu-

Natal Film Commission by WrapZERO in 2019). We work

throughout the region, with representatives based in Cape

Town, Johannesburg and Kampala (Uganda).

48 STUDIOS www.thecallsheet.co.za

STUDIO SPECIFICATIONS

Studio Name Floor Area Height Access

Studio 4 500m 2 8m to ceiling H: 3m / W: 4m

Studio 8 500m 2 8m to ceiling H: 3m / W: 4m

Studio 9 1 200m 2 8m to ceiling H: 3m / W: 4m

ATLANTIC STUDIOS

Atlantic Studios is 11 000m 2 and boasts ten stages of dynamic soundproof production space, designed by media industry pioneers to service

both Television and Film as well as Advertising. Custom facilities include soundproof studios, a giant green screen studio, 4K cinema area, a

large back lot, specialised studio set rentals, workshops, production offices, costume and dressing-rooms, and a thriving hub of creative onsite

tenants. It’s accessibility - just 30 minutes from Cape Town International airport and 20 minutes from the city centre - making it the ideal

base for the international and local Film and Television industry.

CONTACT DETAILS

7 Montague Drive, Montague Gardens, Milnerton, Cape Town.

Sakkie Ferreira: +27 (0)82 606 0616 | Luhann Groenewald: +27 (0)60 991 5392

t: +27 (0)21 201 3960 e: info@atlanticstudios.co.za www.atlanticstudios.co.za


STUDIOS 49

ATLAS STUDIOS

Atlas Studios is at the forefront of

contemporary Johannesburg, an urban

development highly sought-after for its

multipurpose spaces. Centrally located with all

necessary amenities, there are 3 sound studios

and 1 daylight studio, the latter available for

events, photoshoots, conference meetings and

screenings. Also available for rent are the onsite

offices, perfect for post-production, with

included Wi-Fi, security and secure parking.

Corner Frost Avenue and Owl Street,

Milpark, Johannesburg, South Africa

t: +27 (0)11 482 7111

e: info@atlasstudios.co.za

www.atlasstudios.co.za

FLASH PHOTO

Flash Photo offers lighting, digital and video

rental equipment. Our selection of three

studios creates a wide variety of options for

shoots. Our leading brands include Profoto,

Arri, Briese, Westcott, Manfrotto, Phase One,

Sony, Nikon and Canon.

Flash Photo is COVID-19 compliant.

140 Waterkant Street, Greenpoint, 8005

t: +27 (0)21 418 0618

e: info@flashphoto.co.za

www.flashphoto.co.za

ISLAND STUDIOS

With stages in major cities around the

world, Island Studios provides full-service

stages befit with catering, drive-in access,

and full hair and makeup facilities. Cape

Island and Gold Island, in Cape Town

and Johannesburg respectively, are ideal

locations for any commercial, music video,

digital campaign, or stills shoot.

t: +27 21 529 4200(CPT)

+27 11 314 5700(JHB)

info@islandstudios.net

50 SPECIALIST SERVICES www.thecallsheet.co.za

OUTSTANDING

SPECIALIST SERVICES

There’s nothing like knowing that all bases are covered, that

every aspect of a production is running smoothly. This is

often where South Africa’s specialist service providers to

the film industry excel. From transportation and accounting

to props and special effects, some specialist services provide on-set

solutions, while still others offer up travel necessities.

Companies like Mountain Marina offer a collection of luxury

apartments and penthouses adjacent to the V&A Waterfront in

Cape Town, where cast and crew can enjoy their downtime in

comfort and elegance.

Productions are safeguarded through Film Finances South Africa’s

world class bonding and film guarantee services. They have worked

with high-end international projects across the world, with services

that can be customised and scaled to any production size. Still others

like CC&A Insurance Brokers, as the name suggests, provide film and

entertainment insurance packages, with over 30 years of experience

in showbiz. Their packages cover anything from a film producer to the

drones on a production.

There are even services we don’t often even consider, like

translation, interpretation and subtitling. Folio Translation

provides a wide selection of services like this, but also does

proofreading, transcriptions, voice overs, copywriting and even

search engine optimisation.

Supporting the talent pool is crucial to any project, and what

better way to do that than with seasoned casting directors. Services

such as those of Kayos Casting Directors are sought after in both

commercial and film service. Although social distancing has proven to

be a challenge for casting directors, many companies are innovating

and trying new methods of screening talent before they are chosen for

a project. This will likely continue indefinitely as the world adapts to a

new norm.

Still others are using technology to unite the industry sectors.

Companies like Talent Scan is able to process data for talent on

productions to assist productions in payroll management, like other like

ArtDept have created a platform for the many crew working in the art

department to showcase their abilities and portfolios.


SPECIALIST SERVICES 51

All images coutesy of Moonlighting Films - Jim Button & The Wild Thirteen filmed in Cape Town.

Unit Still Photography by Joe Alblas | African Photo Productions © Warner Bros. Pictures 2020

As people across the world race towards a more digital economy,

it is inevitable that the fourth industrial revolution will change the way

many specialist service providers do business. The only way companies

will survive, says Mario Jansen of Talent Scan, is to stay on the pulse

of the latest trends. “Directors prefer to look more and more at extras

options on iPads, agents are making more and more use of online

booking platforms, and I’m hearing about various apps in development,”

he explains.

There are so many working parts to a production that it’s impossible

to name them all. One thing is certain: they know their job best, and

with them on your side, your project will be covered from the minute

you land in SA, to the moment you leave.

“

This is often where South Africa’s

specialist service providers to

the film industry excel. From

transportation and accounting to

props and special effects, some

specialist services provide on-set

solutions, while still others offer up

travel necessities.

“

FILM FINANCES

SOUTH AFRICA

Film Finances SA forms part of the global

company Film Finances Inc., the world leader

in the provision of completion guarantees

for the film and television industry. Our team

of industry specialists assist producers to

ensure productions are delivered on time

and on budget, giving peace of mind and

assurance to financiers, distributors and

government agencies that their investment is

safeguarded. Our service can be customised

to cater for low-end to high-end projects.

t: +27 11 513 3563 / +27 82 411 4088

e: jane@filmfinances.co.za

w: www.filmfinances.com

© www.freepik.com (Snowy)

52 SPECIALIST SERVICES A-Z www.thecallsheet.co.za

Cellular Dynamics

SA’s premier short-term mobile and data rental provider.

For the last 18 years, Cellular Dynamics has been a communications service provider for the film industry. We’ve held fast to the belief that

service excellence is the only way to do business. Our incredible range of smartphones and Wireless internet solutions are all available on a

short-term rental basis. We also offer redundancy by using all three major mobile networks in South Africa to ensure maximum coverage.

Talk to us about your specific needs and we will find an innovative solution to match your budget.

CONTACT DETAILS

t: +27 (0)21 447 0641 e: info@cellulardynamics.tv www.cellulardynamics.tv


SPECIALIST SERVICES A-Z 53

WRAPZERO

WrapZERO is a consultancy focusing on sustainability in film and TV production.

Working across departments, we identify and implement practical and realistic ways of going green on set, in the production office and in

workshops for productions of all sizes and scope. Our support is practical and professional with proven results. The aim is always to reduce

negative impact (carbon emissions and wasted resources) and increase positive impact (efficiency, cost savings and social benefits). Our work

is benchmarked against international standards. For service providers and studios, we help align operations with sustainable business goals

and calculate carbon footprints.

CONTACT DETAILS

Liesl Hattingh, Managing Director

t: +27 (0)64 686 2434 e: info@wrapzero.co.za www.wrapzero.co.za

54 GEAR www.thecallsheet.co.za

Millennium DXL2 © Panavision

TOP NOTCH GEAR

Exotic, faraway places might be the norm on the African continent,

but that doesn’t mean that a producer doesn’t have access to the

fines camera gear, lighting and other equipment they need for

a production. In fact, South Africa has developed an arsenal of

some of the best equipment available on the international market.

Companies like Panavision and Panalux have a robust presence in this

sector, and have partnered with several key local businesses to further

supply the demand for good quality equipment that can withstand the

very diverse climates found in each of the 54+ countries that occupy this

space. Still other resellers and rental companies like Media Film Service

and Cine Photo Tools have agreements with major international camera

manufacturers like Black Magic, RED and ARRI, with most providing advice

on the best equipment to use, camera and other crew and technicians to

assist on set, and other services to ensure principal photography runs as

smoothly as possible (from a tech perspective, anyway).

Camera Trends

Although workhorses like the ARRI Alexa or the Sony FS7 continue to

maintain a place as some of the most popular cameras for locals or even for

mid-budget filmmakers, one of the biggest trends to hit the camera market

in 2020 was the integration of 4K or even 6K technology into smartphone

tech. This have given birth to what will arguably make filmmaking one

of the most accessible of careers in coming years as demand for video

content grows proportionally.

Cameras like the Panasonic S1H and Blackmagic Pocket Cinema

Camera 6K are leading the way with 6K for dedicated video cameras, with

the supposedly still-imminent Sharp 8K Video Camera taking the first

prosumer foray into 8K. Watch this space as this sector is more than likely

to take off in Africa – particularly with one of the greatest populations of

smartphone users in the world.

Then, when it comes to cinematic cameras, Panavision once again

wows us with their Millennium DXL2, the first modular electronic camera.

This is an unprecedented step towards flexibility in design, allowing you to

customise the body shape, design, and function.

Cameras would be nothing without their corresponding lenses, and

Panavision goes over and above to please in this department with their

array of large format lenses made available for African productions. These

include the Primo 70 series, Ultra Panatar, Primo Artiste and X, Sphero 65,

Ultra Vista and the H series, to name a few.

Going the Extra Green Mile

Panalux has gone beyond cameras to provide sustainable equipment

that not only saves dollars in the long run, but also reduces our carbon

footprint. At BSC Expo 2020 early in 2020, the company unveiled new

lighting solutions alongside the new h40 hybrid generator from Panalux

Power. The Sonara 4:4 is a variable-white 4’x4’ LED soft light offering

all-new, high-CRI, high-TLCI flagship soft source that reproduces a broad

spectrum of white light with full green/magenta control. With these

products and others, Panalux is looking ahead to the future of the film

industry while responding to critical climate issues confronting the planet.

“The innovative LED array in the new Panalux Sonara 4:4 provides

cinematographers with the highest level of creative control,” says Technical

Director David Amphlett, “allowing them to tune the output along the

widest range of white points, with subtle hue adjustment and precise

control of green/magenta levels.” As a result, this renders skin tones exactly

as a cinematographer intends.

Sonara 44 © Panavision/Panalux


SOUTH AFRICAN CREW 55

INCREDIBLE CREW

South Africa is renowned for its hard workers, and none are

more prevalent than on the many big-budget film sets that

abound during peak season. There are professional cast and

crew members across the film career spectrum, with many

honing their skills in film schools, through internship or mentorships,

and even on-the-job training programmes. SA crew are frequently

contracted to work overseas such as Dubai or Eastern Europe, to bring

their top notch skills to international productions.

CallaCrew is the leading crew agency in South Africa with the largest

crew listing. Their online portal connects producers with the precise

skills they need in country (and beyond). They also provide guidelines to

crew costs, which is a valuable service during pre-production. A sample

costing guideline can be found below. Although this changes annually

by 10%, most crew have not worked much due to the pandemic, and

producers should contact CallaCrew to find out if rates will change

during the 2019/2020 season.

COSTING GUIDELINES FROM CALLACREW

DESIGNATION

DAILY RATES

WEEKLY RATES (BASED ON A 6-DAY WEEK)

Minimum Maximum Minimum Maximum

ART DEPARTMENT

Production Designer R 2 500.00 R 6 300.00 R 18 000.00 R 40 000.00

Art Director R 2 500.00 R 6 300.00 R 15 000.00 R 40 000.00

Set Dresser R 1 500.00 R 4 000.00 R 12 000.00 R 18 000.00

CAMERA DEPARTMENT

D.O.P./Lighting Cameraman R 4 500.00 R 11 000.00 R 25 000.00 R 55 000.00

Camera Operator R 2 800.00 R 8 500.00 R 15 000.00 R 45 000.00

Steadicam Operator R 3 000.00 R 5 500.00 R 17 500.00 R 30 000.00

Data Wrangler R 2 000.00 R 3 500.00 R 9 000.00 R 15 000.00

Drone Operator R 3 000.00 R 8 500.00

CASTING DEPARTMENT

Cast Coordinator R 1 500.00 R 2 800.00 R 7 500.00 R 15 000.00

Extras Coordinator R 1 200.00 R 1 800.00 R 6 000.00 R 9 000.00

COSTUME/WARDROBE DEPARTMENT

Costume Designer R 2 500.00 R 5 500.00 R 12 000.00 R 30 000.00

Wardrobe R 2 200.00 R 4 500.00 R 10 000.00 R 24 000.00

Wardrobe Assistant R 1 500.00 R 2 200.00 R 7 500.00 R 12 000.00

DIRECTOR DEPARTMENT

1st Assistant Director R 2 500.00 R 6 500.00 R 10 000.00 R 40 000.00

2nd Assistant Director R 1 500.00 R 2 500.00 R 7 000.00 R 15 000.00

GRIP DEPARTMENT

Grip R 2 200.00 R 3 300.00 R 10 000.00 R 24 000.00

LIGHTING DEPARTMENT

Gaffer R 2 000.00 R 4 000.00 R 12 000.00 R 24 000.00

Spark R 1 000.00 R 1 800.00 R 6 000.00 R 9 000.00

LOCATIONS DEPARTMENT

Location Manager R 2 400.00 R 4 000.00 R 12 000.00 R 24 000.00

MAKE-UP AND HAIR DEPARTMENT

Make-Up/Hair R 2 000.00 R 4 500.00 R 7 500.00 R 21 000.00

PRODUCTION DEPARTMENT

Line Producer R 3 000.00 R 4 500.00 R 10 000.00 R 23 000.00

Production Manager R 1 800.00 R 3 500.00 R 9 000.00 R 20 000.00

UNIT DEPARTMENT

Unit Manager R 1 800.00 R 3 200.00 R 9 900.00 R 20 000.00

Unit Assistant R 1 200.00 R 2 500.00 R 6 500.00 R 12 000.00

Please note: This information is correct as of March 2020. Please note that the above rates are a guideline only and will be dependent on crew availability. Minimum and maximum rates

are based on levels of experience. In order to consider a varied range of candidates, please make provision for more than the minimum rate. Gear is negotiated separately and on a job-tojob

basis. It is not accounted for in the above rates. For more information, contact CallaCrew on www.callacrew.co.za.

“

With the demand for content growing at such a rapid rate, the stabilisation

of our rebates and the investments being made here by Netflix EMEA,

we are seeing enormous growth. I sincerely believe the South African

landscape has incredible creative and technical talent across the board.

Everyone – from the editors and colourists, to the visual effects artists and

sound designers – is delivering some outstanding quality work.

“

- Lauren van Rensburg, General Manager at Refinery

PRODUCTION

COMPANIES

Blue Sky Films

Can-Can Films

Ginger Pictures

Happy Cat

Trilogy

56

57

58

59

60

Image: GRANT – History Channel, shot on location at the Rustenburg Wine Estate, Western Cape

Unit Still Photography by Joe Alblas | African Photo Productions © A&E Networks LLC 2020

58 PRODUCTION COMPANIES A-Z www.thecallsheet.co.za

BLUE SKY FILMS AFRICA

Blue Sky Films has over two decades’ history of film production in East and Central Africa. We facilitate and produce Television commercials, reality shows,

documentaries, music videos, still photography shoots, feature films and all film related work. We have facilitated several Award Winning Feature Films

which include –The Lion King, Tomb Raider, The Cradle of Life featuring Angelina Jolie, The Constant Gardener featuring Ralph Fiennes and Rachel Weisz,

The Boy Who Harnessed The Wind - Ejiofor Chiwetel Directorial debut among many other. We provide complete production services and facilities for

overseas crew, including locations, casting, art department, film licenses, work permit, crews, equipment, customs, transport, catering and accommodation.

CONTACT DETAILS

Mario Zvan (Executive Producer) / Jim Shamoon (Executive Producer) t: +254 72 233 6840 / +254 72 275 5893

e: mario@blueskyafrica.com / info@blueskyafrica.com www.blueskyafrica.com


66 PRODUCTION COMPANIES A-Z PRODUCTION COMPANIES www.thecallsheet.co.za

A-Z 59

CAN-CAN FILMS

Under the dynamic leadership of Di Britz, one of South Africa’s most experienced commercials producers, Can-Can offers local expertise and

an CAN-CAN innovative approach FILMS to facilitating International Commercials in Cape Town, Southern and East Africa and the Indian Ocean Islands. Please

visit Under our the website dynamic for leadership more information of Di Britz, on our one unique of South service. Africa’s most experienced commercials producers, Can-Can offers local expertise

and an innovative approach to facilitating International Commercials in Cape Town, Southern and East Africa and the Indian Ocean Islands.

Please visit our website for more information on our unique service.

CONTACT DETAILS

Di Britz (Executive Producer)

m: +27 83 227 3041 e: di@can-canfilms.co.za www.can-canfilms.co.za


GINGER PICTURES

Ginger Pictures is your production partner for all your shoots in South Africa and Africa. When you shoot in over 20 African countries like us, you

cannot help but give your projects an adventurous touch. But adventure doesn’t have to be risky. With us, you’ll get the best crew and gear that

each country has to offer. Over the years, we have built an extensive network all over the continent and the Indian Ocean Islands. With Ginger

Pictures, give this special flavor and zest to your projects!

CONTACT DETAILS

139 Wilson Street, Northcliff, Johannesburg, 2195, South Africa

Julie Ah-Fa (Producer) t: +27 76 030 7284 e: julie@gingerpictures.tv www.gingerpictures.tv


PRODUCTION COMPANIES A-Z 61

HAPPY CAT FILMS

Happy Cat Films is one of the top production companies in South Africa. Our collective experience stretches across commercials, stills photography,

feature films, documentaries and all types of TV programming. We work with you, as part of your team, always thinking creatively and strategically.

We are Cape Town-based but shoot all over Africa, offering a boutique hands-on approach to filming.

CONTACT DETAILS

t: +27 (0)21 422 2795 m: +27 (0)82 497 75 36 e: rachel@happycatfilms.co.za www.happycatfilms.co.za


TRILOGY CREATIVE STUDIOS

Trilogy Creative Studios is a Cape Town-based production company focused on international docudramas, television shows and feature films.

Deryck Broom, Anthonie Scholtz and Gareth Ahrens have a ‘hands on’ approach to film production and their ability to manage time, budgets,

crew, cast and the craft have ensured many shows return for Season 2, and 3 and 4...

Trilogy has built strong relationships with suppliers in the industry from gear houses, to locations and agents; creating a core team that is

dependable, creative and a pleasure to work alongside.

CONTACT DETAILS

Studio 104, Newlands Quarter, 2 Main Street, Newlands, 7725, Cape Town, South Africa

m: +27 82 890 1999 t: +27 21 685 9372 e: deryck@thetrilogy.co.za www.thetrilogy.co.za

A UNIQUE

CULINARY EXPERIENCE

CREATES OPPORTUNITIES

Supporting the

food industry is

in our hands

I-Cook Channel presents a unique culinary experience where viewers will

have the opportunity, through live streaming, to cook with SA’s top chefs

using the ingredients of their signature dish delivered to their home.

Join us in supporting South Africa’s chefs.

By accessing this consumer market, you will not only grow your

brand but also create a stainable revenue stream for SA Chefs

Wendy Navarra: 082 894 5617 | wendy@sachefmag.co.za

Heidi Kuyper: 062 095 3909 | heidi@sachefmag.co.za

BACKGROUND IMAGE BY MAE MU VIA UNSPLASH | LAPTOP IMAGE BY MAARTEN VAN DEN HEUVEL VIA UNSPLASH

“

With

a winning blend of world-class production support and expertise,

unmatched natural diversity, a favourable exchange rate and an Englishspeaking

cast and crew who have collaborated with filmmakers from

around the world, South Africa has certainly earned its reputation as an

industry heavy hitter.

“

SHOWCASING

AFRICA

Map of South Africa

Gauteng

KwaZulu-Natal

Western Cape

Kenya

Mauritius

Morocco

Namibia

Nigeria

66

68

70

72

74

75

76

77

78

Image by Harshil Gudka via Unsplash

66 SHOWCASING AFRICA www.thecallsheet.co.za

SUNSHINE HOURS

In the southern hemisphere, October to March

are the sunniest months, receiving over 300

hours of sunlight per month, while the north

offers the most sunshine between April and

September. South Africa’s Gauteng has the added

advantage of dry and bright winters, as does the

southern desert climate of Morocco. Most coastal

areas often have winter rainfall, while interiors

receive some summer rainfall.

USA: 14 HRS

$

EXCHANGE RATE

US Dollar Euro Pound Sterling Chinese Yuan UAE Dirham

1 Egyptian Pound (EGP) 0.064 0.058 0.052 0.45 0.23

1 Kenyan Shilling (KES) 0.0093 0.0085 0.0076 0.067 0.034

1 Mauritian Rupee (MUR) 0.025 0.023 0.020 0.18 0.092

1 Moroccan Dirham (MAD) 0.10 0.093 0.082 0.73 0.37

1 Namibian Dollar (NAD) 0.067 0.061 0.055 0.48 0.25

1 Nigerian Naira (NGN) 0.0026 0.0023 0.0021 0.018 0.0094

1 South African Rand (ZAR) 0.057 0.052 0.046 0.41 0.21

Waterfalls

Correct as of 27 May 2020

Rock

Formations

CASTING DEMOGRAPHICS

Acacia Trees

Africa comprises 54 nations representing over

3 000 ethnic groups – not to mention

international diaspora who have settled in

various places over the course of history

(Chinese, Indian, Southwest Asian, European,

etc.). In South Africa alone, there is a wealth

of faces to choose from: African American,

Mixed Race, Indian, Mediterranean, Caucasian,

European and Asian. With such a melting pot

of ethnicities, a casing director can find almost

any look.

Sunny Skies

in Winter

Desert

Salt Pans

NORTHERN CAPE

Africa

Moonscapes

JHB: 2 HRS

White Sandy

Beaches

Rock

Formations

WESTERN CAPE

Key:

Kenya

Morocco

Mauritius

Namibia

Nigeria

South Africa

European

feel

Dunes

2 500km

of coastline

Art

Deco

Vineyards

Studios

Wheat

fields


SHOWCASING AFRICA 67

UK: 11 HRS

DUBAI: 8 HRS

LIMPOPO

Baobab

Trees

CHINA: 14 HRS

Wildlife

GAUTENG

Palace

NORTH WEST

Studios

Markets

African feel

Savanna

MPUMALANGA

Desert

Savanna

JHB: 1 HR

Townships

FREE STATE

Wheat fields

and apple orchards

KWAZULU-NATAL

Tropical

Forest

Rolling

Hills

Coastal

Skyscrapers

Sunny Skies

in Winter

DURBAN: 2 HRS

Mountain

Range

Art

Deco

Acacia Trees

EASTERN CAPE

Wildlife

Pristine

Beaches

Forest

THE

WORLD

IN ONE CONTINENT

68 SHOWCASING AFRICA: GAUTENG www.thecallsheet.co.za

All images by Tembinkosi Sikupela via Unsplash

GAUTENG: LOCAL

PRODUCTION POWERHOUSE

Gauteng is home to a thriving South African film and

television industry, the majority of which is located in

its capital of Johannesburg. In the past 20 years, many

local films and series produced in this province have

made it to the international stage – the most renowned of these

being the Academy Award-winning Tsotsi (2005), directed by Gavin

Hood, and Neil Blomkamp’s District 9.

There are over 30 commercial cinemas in Gauteng, and the

South African Broadcasting Corporation’s headquarters are based

here. The National Film and Video Foundation is also based in

Johannesburg, as are many large-scale studios like Sasani Studios,

which facilitates local soapies and reality shows. As a result, the

province has vibrant local film and television production sectors.

Local films to come from Gauteng include Vaya, Happiness is a Four

Letter Word, and a new romcom currently in production,

Seriously Single.

Gauteng is also sought for its varied and beautiful locations,

both natural and urban, upscale and township looks. These range

from the industrial landscapes of Johannesburg, to gold mines,

small towns, nature reserves and botanical gardens, monuments,

historical buildings and the majestic Magaliesberg mountain range.

Marvel’s Avengers: Age of Ultron was shot in downtown Joburg

a few years ago. The Gauteng Film Commission assists local and

international producers with obtaining permits for their shoots.

Thanks to Johannesburg – also known as the City of Gold –

having a sophisticated and reliable economy and well-developed

infrastructure, many leading advertising agencies and production

houses have African headquarters or offices here. Naturally this

means that Gauteng is equipped with a large talent pool, efficient

crew, and oodles of production equipment, studios and locations to

make any endeavour or collaboration in this industry a success.

Contacts

Gauteng Film Commission

Head Office: 56 Main Street, Johannesburg, 2108

Tel: +27 (0)11 833 0409

General Info: info@gautengfilm.org.za

Locations: priscillak@gautengfilm.org.za

Project Support: ktabane@gautengfilm.org.za

Web: www.gautengfilm.org.za

National Film and Video Foundation

Head Office: 87 Central Street, Houghton, Johannesburg, 2198

Tel: +27 (0)11 483 0880

Email: info@nfvf.co.za

Web: www.nfvf.co.za


SHOWCASING AFRICA: GAUTENG 69

All images by Shashank Kumar via Unsplash

All images by SibusisoMati via Unsplash

IN A NUTSHELL

TYPE OF LOCATIONS AND LOOKS

INDUSTRY IN NUMBERS

55%

Gauteng’s contribution to

SA’s film industry GDP is

around 55%, according to

a 2017 NFVF report.

80%

An estimated 80% of

production companies

in SA are based

in Gauteng.

Agricultural farmlands

Art Deco, Victorian and

Edwardian architecture

Gold mines

Green suburbs

Gritty streets,

townships and alleys

Industrial landscapes

Modernist and

urban looks

Nature reserves

POPULAR FILM LOCATIONS

• FNB Soccer Stadium

(Soccer City)

• Maboneng Precinct

• Magaliesberg Mountains

• Maropeng

• Nan Hua Temple

(Bronkhorstspruit)

• Newtown Precinct

• Tswaing Crater

• Turbine Hall

CLIMATE

Sunshine Hours:

250 – 300hrs/month

Rainfall in mm:

30 – 70mm/month

AIR ACCESS

• OR Tambo International

Airport

• Lanseria Airport for intercity

connections

MAJOR LOCAL PRODUCTIONS

FROM GAUTENG

• Happiness Is A

Four-Letter Word

• Tell Me Sweet Something

• Ayanda

• Necktie Youth

• Hear Me Move

• Kalushi

• Safe Bet

• Sink

• Taking Earth

• Cuckold

• Seriously Single

All images by Tembinkosi Sikupela via Unsplash

70 SHOWCASING AFRICA: KWAZULU-NATAL www.thecallsheet.co.za

Image by Tatenda Mapigoti via Unsplash

KZN RISING:

AN EVER- GROWING FILM HUB

KwaZulu-Natal has a rich filmic history dating back over a hundred

years. Its capital of Durban was the first city in South Africa to

erect a permanent building for the screening of motion pictures

– the Electric Theatre in 1909. So it comes as no surprise that

the region has a deep appreciation for the medium despite its small film

sector. Films like Zulu and Zulu Dawn rank amongst the most successful

international films made in Africa.

Fastforward to the 21st century and Durban has played host to many

local and international film productions that have gone on to be either

box-office hits or snapped up for the global festival circuit. Successful films

made in the city include, amongst many others, Izulu Lami, Otello Burning,

Keeping up with the Kandasamys, White Wedding, the Spud series, More Than

Just A Game and Deep End, the latter of which has been on the circuit in 26

cinemas around SA.

The Durban Film Office’s statistics over 15 years illustrate the steady

growth of the industry. Its permit office works with an average of 150

productions per annum and issues in the region of 250 film permits

annually. Since 2003 the Durban Film Office has assisted over 3 000

productions to film in eThekwini locations. This, in turn, has created

employment of over 30 000 crew days over the last 17 years. A key aspect

of the strategy is to promote a service culture in the c ity and increase

these numbers over the next 5 years. Another is to create a film hub with

high-calibre studio spaces, as well as upskilling locals to take their place in

the industry – particularly with two regular soap operas based in KZN (Uzalo

and Imbewu).

Durban’s colourful history is reflected in the profusion of Cape-Dutch,

Indian, Victorian, Edwardian, Tudor, French Provincial, Neo-Gothic styles and

Art Deco architecture, while KZN’s landscape from the coast to the country

is a gentle transformation from palm trees, beach cafés, steel and glass

cities, to rolling hills, meandering countryside and dramatic mountain passes.

The region presents miles of sandy beaches, rocky cliffs, blue water lagoons,

and a myriad of rivers, lakes and imposing waterfalls – the most well-known

of these, Howick Falls, is the second highest waterfall in the world.

Contacts

Durban Film Office

Head Office: 11th Floor, Rennies House,

41 Margeret Mncadi Avenue, Durban, 4000

Tel: +27 (0)31 311 4243

Acting Film Coordinator / Permits Officer:

Musa Ntuli bongumusa.ntuli@durban.gov.za

Web: www.durbanfilmoffice.co.za

KwaZulu-Natal Film Commission

Head Office: 115 Musgrave Road, Berea, Durban, 4001

Tel: +27 (0)31 325 0200

Email: info@kwazulunatalfilm.co.za

Web: www.kwazulunatalfilm.co.za

South Coast Tourism

Head Office: 16 Bisset Street, Port Shepstone, 4240

Tel: +27 (0)39 682 7944

CEO: Justin Mackrory ceo@tourismsouthcoast.co.za

GM Marketing and Events: Kay Robertson

marketing@tourismsouthcoast.co.za

Web: www.tourismsouthcoast.co.za


SHOWCASING AFRICA: KWAZULU-NATAL 71

Q & A

IN A NUTSHELL

ANTOINETTE MONTY,

SENIOR MANAGER

OF THE DURBAN

FILM OFFICE

Has 2019/2020 been successful for

KZN and Durban’s film industry?

Prior to the COVID-19 pandemic, Durban was experience a

steady growth in local and international productions in the

city. The Durban Film Office had been evaluating our internal

processes and policies to improve our services to the industry

to accommodate this growth.

How has Durban Film Office been innovating,

particularly during the lockdown?

The Durban Film Office has been working on an economic

recovery plan to mitigate the impacts of the COVID-19

pandemic. The plan includes developing industry guidelines

for operation to enable production activity to continue in this

new environment, as well as the development of a Production

Hub Incentive Policy and Film Services Marketing Strategy.

We plan to have this in operation by the end of 2020.

What three things do you see informing the

future of film and TV for Durban?

Without a doubt, the pandemic has thrust the global

industry into a new world of content production and delivery

models. For the foreseeable future, we will need to focus

on encouraging production activities that can be run in a

controlled environment. Smaller, more coordinated production

teams, remote handling of some work streams, increased

use of technology, and, for local productions, a greater move

towards made-for-TV content.

INDUSTRY IN NUMBERS

R16.4 million

Keeping Up With The

Kandasamys made R16.4m,

the highest grossing local

film of 2017.


• Durban Harbour

• Durban International

Convention Centre

• Howick Falls

• iSimangaliso Wetland Park

PERMITS

3 000

Since 2003, the Durban Film

Office has assisted over

3 000 productions to film in

eThekwini locations.

• Moses Mabhida Stadium

• Suncoast Casino

• The Zulu Kingdom

• uKhahlamba-Drakensberg

Mountains

Film permits are required for the region and can be applied

for online. The Durban Film Office and KZN Film Commission

facilitate production in the region.


Art Deco and Neo-

Gothic architecture

Battlefields, museums

and old fortifications

Blue flag beaches

Cape Dutch and French

Provincial architecture

Indian architecture

and looks

Jungle and forest looks

Lagoons, rivers,

lakes, waterfalls

National Parks and

game reserves (wildlife)

CLIMATE

AIR ACCESS

Sunshine Hours:


Rainfall in mm:

50 – 100mm/month

• King Shaka International

Airport

• Prince Mangosuthu

Buthelezi Airport

RECENT PRODUCTIONS SHOT

IN KWAZULU-NATAL

• Imbewu

• Keeping Up With The

Kandasamys

• Roots Miniseries

• uZalo

Anton Lembede Street © Durban Film Office

72 SHOWCASING AFRICA: WESTERN CAPE, SOUTH AFRICA www.thecallsheet.co.za

FirstMan © Film Afrika(Charlie Sperring)

CAPE TOWN AND THE WESTERN CAPE

NOWHERE BETTER

TO FILM

There is no place more beautiful or diverse than Cape Town

and the Western Cape. From the pristine white beaches along

the Cape West Coast, to the untouched plains of the Cape

Karoo - quaint cityscapes and informal settlements bursting

with colour and culture – the energy radiating from our many locations

is pulpable.

Boasting an abundance of scenes to suit any script, coupled with

a world-class film offering, there simply is nowhere better to visit, do

business and shoot your next production than Cape Town and the

Western Cape.

Join us in building a resilient destination. Agile, adaptable and at the

forefront of technical innovation in Africa – our province prides itself as

being an industry leader in film best practice.

Accompanying the worldwide COVID-19 pandemic, were new habits

& regulations based on reduced close-contact and tighter travel and

hygiene restrictions. Adapting to the zeitgeist of the new low touch

economy, our local film industry quickly implemented technical solutions,

accompanied by clearly defined hygiene regulations as advised by global

stakeholders such as the World Health Organisation, and our regional

regulations to be implemented on set.

Incorporating environmentally friendly best practices, coupled

with high tech production solutions - we welcome you to our city and

province, a truly inspiring destination to create.

Visit our dedicated COVID-19 Content Centre for the latest news,

FAQs and business innovation at: www.supportbusiness.co.za or send your

queries to film@wesgro.co.za

Wesgro Film and Media Promotion Unit

Wesgro, the government agency that promotes the economy of Cape

Town and the Western Cape, wants to help you uncover opportunities in

the film and media sector.

Utilizing its network of relationships with stakeholders along the film

and media supply chain, the Wesgro Film and Media Promotion Unit help

local and international film crews create world-class film, commercials,

animation and gaming productions in the Western Cape. Adopting a

technical approach, the unit also promotes the film sector via local and

international virtual festivals and events.

The Unit provides the following services, many available

via virtual consultations:

• Assisting local and international film companies who want to produce

content in the Western Cape.

• Assisting local and international film companies seeking

distribution and co-production opportunities.

• Hosting B2B knowledge sharing sessions, exporter development

programmes and masterclasses.


SHOWCASING AFRICA: WESTERN CAPE, SOUTH AFRICA 73

• Co-ordinating annual inbound and outbound missions to build the

local sector and to promote the Western Cape.

• Offering guidance on policy and regulatory matters.

• Communicating with and lobbying regional and national regulatory

and professional bodies.

• Mentoring projects.

• Providing investment advice.

• Marketing the City of Cape Town and the Western Cape as a

preferred film and media production destination.

Why film in Cape Town and the Western Cape?

• Lowest annual operating costs when benchmarked against Toronto,

New York, Madrid, Mexico, Paris, Hong Kong and London

(fDi Benchmark, 2018)

• World-class studio facilities

• Fiber optic internet connection available in most parts of the city,

facilitating efficient virtual production

• Competent, experienced and technically proficient crew and

production professionals

• Diverse landscapes, creating ‘a world in one set’

• Favourable climate and light

• A menu of production incentives positioning South Africa and the

Western Cape as a preferred destination for international

production teams

• Specialised services available, including set designers, set builders,

stunts, special effects and costumes, among others

• English widely spoken, and time zone aligned with Europe

• Excellent transport, banking and ICT infrastructure

• Vast tourism and hospitality options, including accommodation,

logistics companies and catering services, among others

• Excellent post-production facilities

• Lengthy daylight hours in summer (average of 15 hours:

5:30am to 20:00pm)

• High standards of copyright protection.

Boasting a breadth and depth of second to none locations supported

by world-class industry service providers, there quite simply is nowhere

better!

IN A NUTSHELL

INDUSTRY IN NUMBERS

25%

The Western Cape’s contribution

to SA’s film industry GDP is

around 25%, according to a 2017

NFVF report.

15 hours

The Cape has an average of 15

hours of daylight in summer,

from 5:30am to 8pm.


• Artscape Theatre

• Atlantis dunes

• Bo-Kaap

• Cape Karoo and

Klein Karoo

• Cape Overberg

40%

It is up to 40% cheaper to make

films in the Western Cape than it

is in Europe and the USA, and up

to 20% cheaper than in Australia.

195%

In 2014, film products exported

from the Western Cape’s

exports increased by 195%.

• Cape Town City Centre

• Cape Town Stadium

• Cape West Coast

• Garden Route

• Winelands

• Robben Island


Blue flag beaches

Cape Dutch mansions

and vineyards

Cottages and wildflowers

Deserts and sand dunes

Markets and alleys

Modern architecture

and urban looks

National parks and game

reserves (wildlife)

Rugged mountains

Contacts

Wesgro

Tel: +27 21 4878600

Email: film@wesgro.co.za

Web: www.wesgro.co.za/film

#wesgrofilm

CLIMATE

Sunshine Hours:


AIR ACCESS

• Cape Town

International Airport

Rainfall in mm:

20 – 80mm/month

• George Airport for Garden

Route connections

FOREIGN PRODUCTIONS

SHOT IN THE WESTERN CAPE

• Tomb Raider

• Dr Who

• Good Omens

• The Dark Tower

• Black Mirror

• The Watch

• Maze Runner: The Death Cure

• Warrior

Black Sails © Film Afrika

74 SHOWCASING AFRICA: KENYA www.thecallsheet.co.za

KENYA’S

WILDLIFE EXPLOITS

A

country with a long and rich history in facilitating film

productions, Kenya was the prime location for Bob

Rafelson’s Mountains of the Moon (1989) and has since

served as location for several Hollywood blockbusters,

including the sequel to Tomb Raider. In 2002, the Academy awardwinning

German film Nowhere in Africa was shot on location in

Baringo, Bogoria and Mount Kenya, while in 2005, the box office

hit The Constant Gardener was shot on location in Loiyangalani, a

small town located on the south-eastern coast of Lake Turkana.

More often than not, however, Kenya has remained a great

destination for wildlife productions. Many award-winning wildlife

series have been shot on location in Kenya by BBC Natural

History, Discovery, Survival and others. The Maasai Mara continues

to be the backdrop for BBC’s popular Big Cat Diary. Kenya’s readily

accessible wildlife, spectacular landscapes and traditional cultures,

make it the perfect cinematic setting for a range of productions,

including Out of Africa, the real-life murder mystery White

Mischief, and, more recently, To Walk with the Lions, the biopic of

famed conservationist George Adamson.

The Kenya Film Commission can assist with permit and other

production information, while companies like Blue Sky Africa

provide valuable production services to internationals.

Contacts

Kenya Film Commission

Head Office: P.O. Box 76417-00508 Jumuia Place,

Lenana Road, Nairobi, Kenya.

Tel: +254 020 271 4073 / 4

Mobile: +254 729 407 497 / +254 733 650 068

Email: info@filmingkenya.com

Nyali Beach, Mombassa, Kenya © Sylvia Szekely via Unsplash

IN A NUTSHELL

POPULAR FILMS

SHOT IN KENYA

• Inception

• Tomb Raider: The Cradle

of Life

• Out of Africa

• Paradise: Love

• The First Grader


PANAVISION EXTENDS ITS AFRICAN PRESENCE

In 2019, Panavision announced a greater presence across

East Africa through its partnership with Kenya Grip & Sparks

Lighting Ltd in Nairobi. Now a larger variety of gear and

equipment can be found in the region. Kenya’s film sector is

growing rapidly and by reaching out to local producers and

establishing partnerships like these, Panavision is illustrating

that there are exciting professional opportunities available for

filmmakers in Kenya.

“The African film industry is a young, up-and-coming market.

With more equipment available, productions can take advantage

of the stunning scenery and magnificent locations that have not

yet been shared with the world. Africa is the next big location

for shoots,” James Barth, Regional Director of Panavision told

Callsheet Africa.

Bustling city streets

Snow-capped mountains

Beautiful beaches

PERMITS

Dormant volcanoes

Fishing villages

The Department of Film Services (DFS) of Kenya licenses all local and foreign

crews undertaking filming in the country. In order to obtain a license, one copy

of the script and a story synopsis must be sent to the Film Licensing officer.

For documentaries the licenses are issued within minutes of application and

for feature films and dramas within two days of application.


SHOWCASING AFRICA: MAURITIUS 75

MAGNIFICENT

MAURITIUS

Image by Boris Baldinger via Unsplash

IN A NUTSHELL


Image by Jorg Angeli via Unsplash

When we think of idyllic beach escapes, Mauritius is

second to none. It is a beautiful island paradise with

incredible wildlife and turquoise oceans as far as the

eye can see. But that’s not the only reason people are

visiting. Mauritius offers up some very attractive rebates of up to 40% for

productions of all shapes and sizes. Although it has long been a favourite

amongst Bollywood’s elite since the 70s (it is even known as mini-India),

it was only two years ago that Hollywood set foot on the island with the

production Serenity starring Matthew McConaughey and Anne Hathaway.

Another reason why filmmakers are flocking to Mauritius is its

convenience. Thanks to its tourism infrastructure, it is accessible from

nearly anywhere in the world by air. Its climate during cooler months is also

sought after thanks to the temperate conditions.

More and more South African production service companies are

setting up offices in Mauritius, too – pointing towards a coming boom in

the island’s film industry very soon. One such company is Two Oceans

Production, which first shot on Mauritius in 2001. In 2014, after the

introduction off the rebate scheme, TOP saw a natural progression towards

setting up shop there, and building further connections with local cast,

crew and suppliers.

Contacts

Mauritius Film Development Corporation

Director: Sachin Jootun / sjootun@mauritiusfilm.mu

Head Office: M6 Hugh Otter Barry Street, Floreal, Republic of Mauritius

Tel: +230 696 3137 / +230 698 6013

Email: mauritiusfilm@intnet.mu

Web: www.mauritiusfilm.mu / www.filminmauritius.com

• Aventure Du Sucre

• Bagatelle Mall Of Mauritius

• Belle Mare

• Central Market

• Chamarel –

7 Coloured Earths

Bustling city streets

Volcanic and other

rock formations

Beautiful beaches and

ocean life

CLIMATE

Sun hours in Nairobi:

250-280hrs/month

Rainfall in mm: 880mm

to 1 550mm/year

• Fort Adelaide

• Le Caudan Waterfront

• Salt Marshes

• Sir Seewoosagur

Ramgoolam Botanic Garden


PERMITS

Luxury resorts

Colonial and

modern architecture

AIR ACCESS

• Sir Seewoosagur Ramgoolam


• Sir Gaëtan Duval Airport

The Mauritius Film Development Corporation licenses all local and

foreign crews undertaking filming in the country. Send your permit

applications at least one month ahead of principal photography dates.

All relevant documentation and applications forms are available on

www.mauritiusfilm.mu.

76 SHOWCASING AFRICA: MOROCCO www.thecallsheet.co.za

MOROCCO:

A FILMMAKER’S OASIS

Morocco is an exotic land in Northern Africa steeped in

Berber, Arab and European cultural influences. It is blessed

with a diversity of locations ranging from ancient souks

(marketplaces) to modern luxury, from beautiful surferfriendly

beaches to mighty desert landscapes. Morocco’s reputation as a

safe and hospitable country makes it a popular location for filming North

African and Middle Eastern looks. Films hosted here in its colourful filmic

history include Game of Thrones, Aladdin, American Sniper, Black Hawk Down,

Gladiator, Lawrence of Arabia, Kundun, The Bourne Ultimatum, and Babel to

name but a few. Morocco is a hugely popular international filming location

and one of the top spots in the world for desert settings. Nearly 40 foreign

productions shot in Morocco in 2014 spending a collective USD120

million – more than the previous five years combined. Morocco offers

a VAT exemption for goods and services bought by foreign production

companies, and the local crew are experienced and well-versed in bigbudget

productions.

Tom Cruise’s Mission: Impossible – Rogue Nation was a high-profile

production that closed part of the bustling Casablanca-Agadir highway for

key action sequences involving car and motorcycle chases. Morocco also

stood in for Afghanistan in Todd Phillips’s War Dogs.

The BBC has been a regular visitor with productions like family

adventure Atlantis and biblical drama The Ark. Political miniseries

The Honourable Woman decided on a Morocco shoot when Jordan

became a security risk during their specific shoot window. American

shows have included Tut, set during the short reign of the Egyptian

pharaoh Tutankhamun.

Morocco faces international competition from places like Malta, Croatia

and the United Arab Emirates, but is already an established favourite.

“Wherever one shoots, the important thing is to find good local creative

and technical talent, and an honest and fair service company. Morocco has

all that and more.” says Jules Hussey, Producer on The Ark.

Contacts

Moroccan National Tourist Office

Tel: +212 (0)53 727 8300

Web: www.tourisme.gov.ma / www.visitmorocco.com

Image by Toa Heftiba via Unsplash

IN A NUTSHELL

INDUSTRY IN NUMBERS

16

Morocco has co-production

treaties with 16 countries, 6 of

which are in Africa

1 372

Total production permits issued

in 2016 – comprising 713 foreign

permits and 641 local permits.


Agricultural (olive, citrus,

vineyards, wheat)

Ancient villages

Middle Eastern/Arab

Mountain ranges

and gorges

Moroccan Centre for Cinematography

Head Office: Avenue El Majd, BP 421, Rabat

Tel: +212 (0)53 728 9200

Email: contact@ccm.ma

Web: www.ccm.ma

Arid, Desert landscapes

Coastal towns

Roman ruins

Narrow streets and

vibrant markets

Whitewashed and blue

buildings

Rivers and lakes

PERMITS

FOREIGN PRODUCTIONS

SHOT IN MOROCCO

Films shoots require permits obtained through the Moroccan

Cinematographic Centre. Crew travelling from Western countries can

enter visa-free for up to 90 days. Morocco offers a 20% cash rebate to

productions running for 18 working days and spending at least US$1 million.

• The Night Manager

• Vikings

• Homeland

• Aladdin

• Aquaman

• Mission: Impossible –

• Rogue Nation

• Game of Thrones


SHOWCASING AFRICA: NAMIBIA 77

NAMIBIA:

DRAMATIC BACKDROPS

Namibia is Africa’s best kept cinematic secret. Known for

being the country of wide-open spaces, boasting a varied

geographical landscape and the most sought-after Namib

Desert, are reason enough to visit. But it is also an ideal

filming location. Blockbusters such as The Mummy, the latest instalment of

Transformers and even Academy Award-winning Mad Max: Fury Road are

prime examples. Namibia is home to the world’s highest sand dunes, the

largest single piece of meteor on earth weighing 66 tonnes, the world’s

oldest desert and the world’s second largest canyon.

Namibia is also the fifth largest country in Africa – larger than Spain

and Germany combined. In 2011, Ron Fricke and Mark Magidson released

their 5-years-in-the-making collaborative project Samsara – a visually

breath-taking documentary. Other films that form part of Namibia’s rich

film history include Flight of the Phoenix and The Prisoner. Naturally, one of

the key locations are Namibia’s dunes and desert – doubling for the likes

of Afghanistan, Iraq or Iran. Stunningly desolate looking, but conveniently

situated just 30 minutes from impressive hotels and lodgings, shooting

here is a breeze. The dunes are just the tip of the proverbial iceberg of

locations, says Guy Nockels, Executive Producer at Namib Films. “There’s

so much more, from the Fish Canyon in the south to the flood plains of the

Zambezi region in the north. Plus the clay pans of Deadvlei and Sossusvlei

attract commercials, music videos and small sections of feature films.” There

are also plenty of private game reserves offering amazing scenery and

wildlife shoot opportunities up close for filmmakers, he adds.

Contacts

Namibia Film Commission

Postal Address: P.O. Box 40715, Ausspannplatz, Windhoek

Tel: +264 (0)61 381 900

Email: info@nfc.na

Web: www.nfc.na

IN A NUTSHELL

INDUSTRY IN NUMBERS

17

Namibia has over 17 national

reserves and game parks.

5 243

Namibia is home to 5243+ species of

plants, birds and mammal species and is

great for shooting wildlife.


• Kalahari Sandveld

• Kavango and Caprivi

• Kolmannskoppe

• Namib Desert

CLIMATE

Sun hours in Windhoek:

280-300hrs/month

Rainfall in mm:

20-50mm/month

• Namib Escarpment

• Okavango and the

Zambezi River

• Sossusvlei


Coastal plains

and riverbeds

National Parks

(for wildlife)

Remote cultural villages

Rocky escarpments

and formations

AIR ACCESS

• Windhoek Hosea Kutako


• Commercial airports

(inter-city connections)

FOREIGN PRODUCTIONS SHOT IN

NAMIBIA

• Divas Hit the Road

• Mad Max: Fury Road

• The Mummy (2017)

• The Prisoner

• Transformers: The Last Knight

• Flight of the Phoenix

PERMITS

All productions should contact the Namibian Film Commission at least three

weeks before arrival and apply for film permits. All foreign crew members

working in country must have a valid temporary work permit.

Image by Alan J Hendry via Unsplash

78 SHOWCASING AFRICA: NIGERIA www.thecallsheet.co.za

NIGERIA:

CONTENT PRODUCTION GIANT

Nollywood – the film industry in Nigeria – is in fact the second

largest movie industry globally. In terms of output the

country produces around 2 500 films annually, far surpassing

Hollywood and second only to India’s Bollywood.

Most films and television series are in Yoruba, Hausa, Igbo and English,

the most widely spoken languages in Nigeria. The cultural balance and

diversity of Nigeria make Nollywood different from the other movie

industries across the world. But beyond this, although perhaps rough

around the edges when it comes to global standards, Nigeria has a welldeveloped

film economy that creates regular income for many. The industry

currently employs over 1 million people, making it one of Nigeria’s largest

employers after agriculture. Its capacity to employ a large number of people

has been applauded by the World Bank, acknowledging the job creation

potential of Nollywood.

Nigeria’s box office is also vibrant, raking in N4.3 billion in 2017, and

forecast to grow to an estimated N6.4 billion by 2022. Out of this industry

has grown one of Africa’s most well-known television networks, EbonyLife,

with personality and CEO Mo Abudu at the helm. Not only has this

company led the way in female-run entertainment on the continent, but it

has also broken through to the international stage with films like Fifty. In

2019, Abudu confirmed a collaborative production underway with Sony

Pictures, which will bring an original African TV series to life in

coming years.

Contacts

Nigerian Film Corporation

Office: 218T, Liberty Dam Road, P.O.Box 693, Jos, Plateau State

Tel: +234 (0) 809 514 0664

Email: contact@nigerianfilms.gov.ng

Web: www.nigerianfilms.gov.ng

Image by Muhammadtaha Ibrahim via Unsplash

IN A NUTSHELL

INDUSTRY IN NUMBERS

2

Nollywood is the 2 nd largest

film producer in the world.

$70 000

The average cost of

producing a local film.

1926

The year the first feature film,

Palaver, was made in Nigeria

₦239 billion

The arts, entertainment and recreation

sector’s contribution to GDP

30 days

Average time it takes to produce a

film in Nollywood

40

Netflix has acquired the rights to 40

Nigerian films as of March 2020.


Beaches in the south

Business districts

Deserts and savannahs

Floating shanty town

High-rise buildings

National parks and

game reserves

Rugged plateaus

Tropical rainforests

Image by Temitayo Aina via Unsplash

PERMITS

All foreign crew require temporary work permits. Applications usually take

about 10 days to approve. Film crews should also be accredited through the

Nigerian Film Corporation and all shoots require a designated liaison officer.

Requests must be submitted 28 days before scheduled shoot dates.

CLIMATE

Sun hours in Lagos:


Rainfall in mm:

1 – 350mm/month

AIR ACCESS

• Murtala Muhammed


• 10 international airports


SPECIALIST SERVICES A-Z 79

CAPE DIRECT

Cape Direct is a service company for

international film productions wishing to to

take advantage of the variety of locations,

high calibre crew, quality equipment, and

favourable exchange rate in South Africa.

We were named Co-Producers of a Grand

Prix Award at Cannes Lions for Fox Sports

and have a portfolio of prestigious clients.

Image by Shotlist via Unsplash

23 Grebe Crescent,

Flamingo Vlei,

Cape Town

t: +27 (0)82 550 6911

e: production@capedirect.com |

dianne@capedirect.com

www.capedirect.com

HOT SOURCE

Sourcing, supply and delivery of hard drives,

other digital media and technical consumables

to the film, stills and television industry.

Genevieve le Cordeur

t: +27 (0)21 447 8857 | +27 (0)82 335 3973

f: +27 (0)86 697 1082

e: gen@hotsource.tv

www.hotsource.tv

VIP Security & special event

Armed Tactical Response Unit

K9 Unit & armed escorts

Risk management consulting

Mobile operations unit with

fully fitted CCTV control room

Higher Education Sector

Campus Security

Tactical Response Teams

BBBEE level 1

The Specialists in Security

Pro Events is the leading specialist in professional

and personal security solutions for the

Film Production, VIP Protection and

Special Events Industry.

PR

events

Tel: +27 (0) 72 549 1162 & +27 (0) 21 425 2170

www.proevents-sa.co.za

reception@provents-sa.co.za

80 FIXERS DIRECTORY www.thecallsheet.co.za

FIXERS: A-Z DIRECTORY

NAME COMPANY TEL EMAIL/WEBSITE REGION

Antonio Forjaz Mahla Filmes +258 843 172 010 pipasforjaz@gmail.com

Mozambique

www.mahlafilmes.com

Appalachia Productions Appalachia Productions +27 82 557 6321 mcmahon@icon.co.za Africa

Bernd Curschmann Lemon Reel Film Services +264 811 227 717 info@lemonreel.com

Africa and abroad

www.lemonreel.com

Brad Logan BLM Productions +27 83 232 1758 brad@blmsa.co.za Western Cape

Bruce Thackwell

Bruce Thackwell and

Associates

Derrick Kibisi Talking Film Production +256 790 912 494

+256 755 902 991

Desale Mitiku

Grand Holidays Ethiopia

Travel and Tours

+27 82 800 9569 scouts@yebo.co.za South Africa,

Zimbabwe, Zambia

+251 116 183 163

+251 911 428 006

info@talkingfilmproducion.com

dkibisi@talkingfilmproduction.com

www.talkingfilmproduction.com

desale@grandholidaysethiopia.com

www.grandholidaysethiopia.com

Guy Nockels Magic Touch Films +264 64 463 371 info@magictouchfilms.com

www.magictouchfilms.com

Helen Atty Two Seas TV +27 21 801 0986

helen@twoseas.cc

+27 82 728 9818

Image Mundi Image Mundi +27 72 630 1105 alec@imagemundi.com

www.imagemundi.com

James H.E. Cutting Cutting Loose Productions +44 791 435 2249

+212 699 394 860

cuttinglooseproductions@gmail.com

cuttingadash@gmail.com

www.cuttinglooseproductions.com

Uganda, Rwanda, East

and Central Africa

Ethiopia

Namibia, Mozambique

and Southern Africa

Western Cape

Africa

Morocco

Janice Beatty African Environments +255 784 506 600 janiceb@africanenvironments.com Tanzania

Jason Merle Banana Boys +27 73 747 9311 bananaboyz@mweb.co.za Mauritius, KwaZulu-Natal

Jean-Marie Sabin Wild Side Productions +254 722 324 176 contact@wildside-productions.com

Kenya, East and Central Africa

onsafariafrica@gmail.com

www.wildside-productions.com

Jo Higgs Freelance +27 21 462 3213 info@gotrolley.com Western Cape

Karen Brooks Freelance +27 83 259 6324 karenvbrooks@gmail.com Gauteng

Karim El Amri Moraction +212 661 588 459 karim@moraction.com

Morocco

info@moraction.com

www.moraction.com

Katherine Leach-Lewis Up a Gum Tree Productions +27 83 296 3900 katherine@upagumtree.co.za

Western Cape

www.upagumtree.co.za

Khalil Lougmani Magic Pictures +212 37 296 786 info@magicpictures-morocco.com

Morocco

www.magicpictures-morocco.com

Mahacine Mokdad Freelance +212 679 286 797 mahacinemokdad@gmail.com

Morocco

www.mahacinemokdad.me

Margie McMahon Freelance 082 557 6321 mcmahon@icon.co.za

Africa

www.margiemcmahon.co.za

Mario Zvan Blue Sky Films +254 722 336 840 mario@blueskyafrica.com

Kenya, East and Central Africa

www.blueskyafrica.com

Mickey Fonseca Mahla Filmes +258 827 116 080 friedmozkitos@gmail.com

www.mahlafilmes.com

Mozambique

Mimi Abe Blay Asmah BlasTours +233 302 404 460

+233 208 232 463

info@blastours.com

www.blastours.com

Morgeez Production Morgeez Production +27 733 717 802 production@morgeez.com

www.morgeez.com

Morten Nielsen Freelance +27 723 764 405 locations4africa@gmail.com

www.locations4africa.com

Neil Bowden Freelance +27 846 745 674 neil1@telkomsa.net

Peter Currey Freelance +27 828 929 997 peter@sitewise.co.za

www.locationssa.co.za

Peter P Gudo

Nigma Pictures

Entertainment

+258 20 031 409

+258 845 448 348

Reda Fakhar Fixers in Morocco +212 537 263 346

+212 610 467 009

info@nigmamz.com

www.nigmamz.com

www.nigmapictures.info

info@fixer-morocco.com

www.fixer-morocco.com

Ghana

Gauteng

Western Cape

Extensive experience in

Northern Cape

Mozambique

Morocco

Richard Moerdyk FIXERFILM +27 833 019 032 richard@fixerfilm.com

Western Cape

www.fixerfilm.com

Rick Matthews Big Banana Films +27 824 436 307 rick@bigbanana.co.za

Gauteng

www.bigbanana.co.za

Sajid Darr Viewfinders Kenya Ltd +254 717 305 750 info@viewfindersltd.com

Kenya, East Africa

www.viewfindersltd.com

Susan Puren Freelance +27 824 166 193 susan.puren@gmail.com Gauteng

Tania Jenkins AfriScreen Films +27 217 885 777 production@afriscreen.com Western Cape

Tamer Abbas Egypt Productions LLC +20 224 153 830 info@egyptproductions.com Egypt

Vanessa Yelseth Time Frame +27 117 821 152

vanessa@timeframetv.com

Gauteng

+27 836 803 441

Yvette Oosthuizen Freelance +27 828 290 896 yvette@wildblue.co.za Western Cape


A-Z DIRECTORY: CATEGORIES 81

A-Z DIRECTORY:

COMPANY TEL EMAIL WEBSITE PAGE

African Photo Productions +27 83 338 7800 joe@africanphoto.co.za www.africanphoto.co.za 41

Amazing Spaces +27 21 761 3445 shoot@amazingspaces.co.za www.amazingspaces.co.za 28

Atlantic Studios +27 21 201 3960 info@atlanticstudios.co.za www.atlanticstudios.co.za 48

Atlas Studios +27 11 482 7111 info@atlasstudios.co.za www.atlasstudios.co.za 49

Blue Sky Films +254 72 233 6840 info@blueskyafrica.com www.blueskyafrica.com 58

Can-Can Films +27 83 227 3041 di@can-canfilms.co.za www.can-canfilms.co.za 59

Cape Direct +27 82 550 6911 production@capedirect.com www.capedirect.com 79

CC&A Insurance Brokers +27 31 716 6000 gillianl@ccainsurance.co.za www.ccainsurance.co.za 11

Cellular Dynamics +27 21 447 0641 info@cellulardynamics.tv www.cellulardynamics.tv 52

City of Cape Town -

F/LM Cape Town

+27 21 417 4035 info@filmcapetown.com filmcapetown.com 05

CTICC +27 21 421 3070 info@cticc.co.za www.cticc.co.za 14-15

Durban Film Office +27 31 311 4243 filmdurban@durban.gov.za www.durbanfilmoffice.com 16-17

Film Finances +27 11 513 3563 jane@filmfinances.co.za www.filmfinances.com 51

Flash Photo +27 21 418 0618 info@flashphoto.co.za www.flashphoto.co.za 49

Folio Translation

Consultants

+27 21 426 2727 projects@foliotranslations.com www.folio-online.co.za 09

Gauteng Film Commission +27 11 833 0409 info@gautengfilm.org.za www.gautengfilm.org.za 69

Ginger Pictures +27 11 431 0240 julie@gingerpictures.tv www.gingerpictures.tv 60

Happy Cat Films +27 21 422 2795 rachel@happycatfilms.co.za www.happycatfilms.co.za 61

Hot Source +27 21 447 8857 gen@hotsource.tv www.hotsource.tv 79

Kayos Casting Directors +27 21 462 6353 monique@kayos.co.za www.kayos.co.za 35

KwaZulu-Natal Film

Commission

+27 31 325 0200 marketing@kwazulunatalfilm.co.za www.kznfilm.co.za IFC-01

Location Gallery +27 21 418 1714 info@locationgallery.co.za www.locationgallery.co.za 29

Mindshare World | Rolex +27 21 815 6700 Nada.Carlisle@mindshareworld.com www.mindshareworld.com OBC

Mountain Marina +27 21 421 3070 info@mountainmarina.co.za www.mountainmarina.co.za 30

Panalux Island Studios +27 21 529 4200 info@islandstudios.co.za info@islandstudios.net 49

Panavision 021 529 4200 nicholas.doble@panavision.za.com www.panavision.com 02

Panalux +27 21 529 4200 michele.starnaud@panalux.co.za www.panalux.biz 02, 49

Pro Events +27 21 425 2170 reception@proevents-sa.co.za www.proevents-sa.co.za 79

Royale International +27 86 176 1253 customerservices@royaleafrica.com www.royaleafrica.com 07

The Refinery +27 21 469 2820 capetown@refinery.co.za www.refinery.co.za 45

Trilogy Creative Studios +27 21 685 9372 info@thetrilogy.co.za www.thetrilogy.co.za 62

Tsogo Sun +27 82 347 5851 moira.sinclair@tsogosun.com www.tsogosun.com IBC

Wesgro Film & Media

Promotion

+27 21 487 4844 film@wesgro.co.za www.wesgro.co.za/film 06, 18-27,

72-73

WrapZERO +27 64 686 2434 info@wrapzero.co.za www.wrapzero.co.za 53

82 CREDITS www.thecallsheet.co.za

CREDITS

The Filmmaker's Guide to Africa (fmg) is an annual African film industry

marketing publication targeted at an international audience, as well as to

the desks of decision makers through Southern Africa. As a marketing

resource and information guide, it makes a strong financial and strategic

case for shooting in Africa by detailing incentives, rebates and subsidies,

exploring regional features, locations, and logistics and creating a thorough

overview of the infrastructure and experience that Africa has to offer.

fmg is Africa’s premier marketing tool for film on the continent.

PUBLISHER Lance Gibbons

STRATEGIC DIRECTOR Kathy English Brower

EDITOR Kim Crowie

HEAD OF DESIGN Liam Abrahams

PRODUCTION & DIGITAL Cindy Jarvis

BUSINESS DEVELOPMENT MANAGERS

Jennifer Dianez, Nassa Basadien

EDITORIAL CONTRIBUTIONS

Lesley Marchant, Musawenkosi Gebuza, Lauren van

Rensburg, Joe Alblas, Antoinette Monty, Morwesi Ramonyai

COVER IMAGE Carol Babalwa Mtshiselwa – SAFTA 2020

winner for Best Achievement in Make-Up and Hairstyling

for a Feature Film – Knuckle City.

Photography by: Joe Alblas, assisted by

Anika Molnár and post production by

Raquel Fernandes | African PhotoProductions.

Shot on Location: Flash Studios with Profoto lighting gear

and Nikon Z7 camera system.

Make-Up and Styling by: Christa Schoeman

Please note that all the current COVID-19 protocols

were adhered to.

PHOTOGRAPHIC CONTRIBUTIONS Thank you to all

the photographers, governments, organisations and

advertisers who contributed, especially Joe Alblas.

joe@africanphoto.co.za / www.africanphoto.co.za

PUBLISHED BY Film & Event Media

COPYRIGHT ©Filmmaker’s Guide to Africa. The copyright,

including the right of reproduction in any form, of all material

in the Filmmaker’s Guide to Africa is expressly reserved in

terms of section 12 (7) of the South African Copyright Act.

ISBN NUMBER 978-0-620-88270-5

FOR ADVERTISING QUERIES Filmmaker’s Guide to Africa

Please contact: +27 21 674 0646

ALSO ONLINE

Visit the Callsheet (www.thecallsheet.co.za) to access Film & Event Media’s

film-related products including the Filmmaker's Guide to Africa (fmg) – the

annual African film-industry marketing and information resource, and the

Callsheet – an award-winning bi-monthly trade publication for the African

film industry, which covers the commercials, features, stills, television,

animation, new media, and corporate video markets.

For advertising queries for the Filmmaker's Guide to Africa and the range

of publications and online products available from Film & Event Media,

please contact: admin@filmeventmedia.co.za

Film & Event Media is dedicated to growing and developing

the film, business events and culinary industries in Africa.

Our publications include three bi-monthly trade magazines:

Event Africa, Callsheet Africa and SA Chef Media. We

publish two annual guides, the Filmmaker’s Guide to Africa and

the Event Planner’s Guide to Africa. We also provide bespoke

publishing solutions and digital marketing services.

2 Dingle Avenue, Kenilworth, 7708

Tel: +27 21 674 0646 | www.thecallsheet.co.za

DISCLAIMER Opinions expressed in the Filmmaker’s Guide to Africa do not

necessarily represent the official viewpoint of the editor or the publisher, while

inclusion of adverts/advertising features does not imply endorsement of any

business, product or service. Copyright of this material is reserved. While every

effort has been made to ensure the accuracy of the information contained in

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or responsible for any act or omission committed by any person, including a

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no responsibility for any liability arising out of any reliance that a reader of this

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Filmmaker's Guide to Africa 2020

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