PDF [Download] Stranger Things Worlds Turned Upside Down The Official Behind-the-Scenes Companion FREE EBOOK

christinapn

[PDF] Download Stranger Things: Worlds Turned Upside Down: The Official Behind-the-Scenes Companion Ebook | READ ONLINE
PDF File => https://bestebook.site/?book=1984817426
Download Stranger Things: Worlds Turned Upside Down: The Official Behind-the-Scenes Companion read ebook Online PDF EPUB KINDLE
Stranger Things: Worlds Turned Upside Down: The Official Behind-the-Scenes Companion download ebook PDF EPUB book in english language
[DOWNLOAD] Stranger Things: Worlds Turned Upside Down: The Official Behind-the-Scenes Companion in format PDF
Stranger Things: Worlds Turned Upside Down: The Official Behind-the-Scenes Companion download free of book in format PDF
#book #readonline #ebook #pdf #kindle #epub


Step-By Step To Download this book:

Click The Button "DOWNLOAD"

Sign UP registration to access Stranger Things: Worlds Turned Upside Down: The Official

Behind-the-Scenes Companion & UNLIMITED BOOKS

DOWNLOAD as many books as you like (personal use)

CANCEL the membership at ANY TIME if not satisfied

Join Over 80.000 & Happy Readers.

PDF [Download] Stranger Things: Worlds Turned Upside Down: The Official Behindthe-Scenes

Companion FREE EBOOK


PDF [Download] Stranger Things: Worlds Turned Upside Down: The Official Behind-the-Scenes

Companion FREE EBOOK

PDF [Download]

Stranger Things:

Worlds Turned

Upside Down: The

Official Behind-the-

Scenes Companion

FREE EBOOK

Description

Gina McIntyre is a veteran entertainment journalist who has covered movies, TV, and music for

the Los Angeles Times, The Hollywood Reporter, and Entertainment Weekly. She is the author of

Guillermo del Toroâ€s The Shape of Water: Creating a Fairy Tale for Troubled Times and The

Art of Ready Player One. Her writing has also appeared in Rolling Stone online. She lives with her

husband and daughter in Riverside, Illinois. Matt Duffer and Ross Duffer are film and television

writers, directors, and producers, as well as twin brothers. They are the creators of Stranger

Things, which has won five Emmys as well as awards from the Producers Guild of America and

the American Film Institute. Excerpt. © Reprinted by permission. All rights reserved. UP IN THE

AIR  Itâ€s one of the most eye-popping displays of Elevenâ€s amazing powers: as the

young heroes are pursued by Brenner and his “bad men― through the streets of Hawkins, the

gifted girl stares down a white van coming straight toward Mike and her and sends it soaring

overhead. The vehicle crashes to the street below, blocking the pursuers†path and allowing

the kids to escape. Special effects coordinator Caius Man explains how he helped Eleven make

the van fly:  “From our standpoint, it really wasnâ€t that supremely complicated. A flying

car is a flying car. There were some unusual aspects to that because of the unnatural way they

wanted it to fly, where it lifted sort of straight up and then tipped forward, so it took a little

engineering. But it worked when we did it.  “We actually physically fired a van. We towed

one down the street, and the van had in it two nitrogen cannons, two nitrogen sleeves that fired a

high-density plastic slug out of the bottom of them to push it up into the air. One was just hitting a

little harder than the other, which is what resulted in it going end over end the way it was supposed

to.  “We built a small test in our shop. Basically, we built a plywood van with a couple of

pneumatic cylinders, and we hopped it around the shop a bunch of times and were satisfied that it

was going to function. [The Duffers] wanted to see a full-size version of it to make sure that we

could get it sufficiently high [so that they] could composite the children on the bicycles underneath

it. What we did is, we shot it in the air, and then we had the kids ride down the street with the

camera in the same position. Then we just cropped the two images together. We didnâ€t shoot

the van over kids. That would be insane.  “We took it to a parking lot—a similar van, not

exactly the same van—to a parking lot at Screen Gems, at our studio, and shot it. It launched,

and everybody was excited. It landed exactly where I told them it was going to land, and pretty

much everything was as it should be. On the day, we pointed three cameras at it, and we had a

camera in the middle of the street that was aimed straight at it. It was the POV of the kids, and we


fired it up over the

More magazines by this user
Similar magazines