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<strong>View</strong><br />

Reference magazine<br />

<strong>2012</strong><br />

New university in Abu Dhabi<br />

Hadi Teherani creates a high-tech<br />

oasis of knowledge in the desert<br />

Reykjavík’s new landmark<br />

The Harpa concert hall from<br />

Henning Larsen Architects


Water is our<br />

wellspring.<br />

Published by<br />

<strong>Geberit</strong> International AG,<br />

Corporate Communications,<br />

Schachenstrasse 77, CH-8645 Jona<br />

Editorial team<br />

Brigitte Selden, Martin Kamber<br />

Concept<br />

Linkgroup, Zurich<br />

www.linkgroup.ch<br />

Number of copies<br />

25, 000. Issued: one time annually.<br />

The reproduction of individual articles,<br />

in part or in full, is subject to approval<br />

from the editorial staff.<br />

Photos<br />

Jörg Hempel (cover, pages 32–35),<br />

Werner Huthmacher (pages 4, 6/7, 21),<br />

Zaha Hadid Architects (pages 4, 16),<br />

Nic Lehoux (pages 4, 22–24),<br />

Marcus Bredt (pages 5, 28/29),<br />

Cino Zucchi Architetti and Park Associati (pages 8/9),<br />

Daniele Domenicali (pages 10/11),<br />

Bitexco, Arep/T. Chapuis (pages 12–15),<br />

José Campos (page 17),<br />

Jan Siefke (page 18),<br />

Damir Fabijanić (page 19),<br />

Régis Golay, Federal Studio (page 20),<br />

Tobias Dinesen (page 25),<br />

Adam Mork (pages 26/27),<br />

Roland Halbe (page 38),<br />

Marcus Bredt (page 39),<br />

Yannick Andrea (pages 40/41),<br />

Johan Pretorius (pages 42/43),<br />

Ad Kil/Ro Koster (pages 44/45).<br />

Editorial<br />

“Good design is the essence of many<br />

considerations and valid reasons. That<br />

is why a well-designed product not only<br />

speaks to the senses but especially<br />

impresses the mind.”<br />

<strong>Geberit</strong> products such as the Monolith sanitary modules or the Sigma80<br />

actuator plate are excellent examples of this ability. Through their unique<br />

design language, they communicate both significant benefits and state-<br />

of-the-art technology.<br />

Good design makes a product objectively better. And yet, products from<br />

<strong>Geberit</strong> not only look good – they really are. Because before we launch them<br />

on the market, we do our homework thoroughly. Does the product really<br />

satisfy the needs of our customers? Does it provide a significant improvement<br />

over previous solutions? Does it do justice to the quality standards that the<br />

name <strong>Geberit</strong> represents worldwide? Is it sustainable? And can it be manufactured<br />

in an environmentally friendly manner? Year after year, we invest<br />

heavily in finding convincing answers to these questions, without any compromises<br />

that would detract from quality, functionality and sustainability.<br />

And the effort is worth it because good design creates trust. We are convinced<br />

of this, and so are our customers. The proof lies in the many outstanding inter-<br />

national architecture projects that use <strong>Geberit</strong> products – in front of as well as<br />

behind the wall. In this current issue of our reference magazine “<strong>View</strong> <strong>2012</strong>”<br />

we take you on a journey around the world and introduce you to buildings by<br />

prominent architects who work together with us. Such as Vietnam’s secondtallest<br />

building, Bitexco Financial Tower in Ho Chi Minh City designed by Carlos<br />

Zapata Studio, Chicago (page 12). Or the Aquatics Centre designed by Zaha<br />

Hadid for the <strong>2012</strong> Olympic Games in London (page 16). In Reykjavík, Iceland,<br />

Henning Larsen Architects have built the colorfully dazzling Harpa concert<br />

hall and conference center in the historic harbor district (page 22). And in Abu<br />

Dhabi’s Zayed University, Hadi Teherani has created a high-tech oasis of<br />

knowledge<br />

in the desert (page 32).<br />

Wishing you an enjoyable read.<br />

Albert M. Baehny, Chief Executive Officer (CEO) and Chairman of the Board of Directors<br />

3


1<br />

2<br />

↑ The sports goods manufacturer Adidas had its<br />

new research and development building “Laces” built<br />

on the campus-style company grounds.<br />

↑ Vietnam’s second-tallest<br />

building: the Bitexco Financial<br />

Tower in Ho Chi Minh City.<br />

→ Reykjavík’s new landmark,<br />

the “Harpa,” is located in the<br />

old harbor. The gleaming glass<br />

facade of the new concert hall<br />

reflects a wide variety of lighting<br />

moods.<br />

4<br />

3<br />

↓ Flowing shapes inspired Zaha<br />

Hadid’s architectural concept<br />

for the Aquatics Centre in London.<br />

Content<br />

→ The immense roof landscape<br />

covers the buildings of Zayed<br />

University in Abu Dhabi like a veil.<br />

5<br />

6<br />

↑ The opening has been postponed. However, the check-in<br />

units are already waiting for the future passengers at the new<br />

Berlin Brandenburg airport.<br />

← At the end of August, “<strong>View</strong><br />

<strong>2012</strong>” will also be available<br />

as an app for the iPad. This<br />

digital publication contains<br />

numerous images, videos and<br />

animations and is available<br />

free of charge at the app store.<br />

1<br />

Corporate architecture.<br />

Trend 6<br />

2<br />

Vietnam, the Bitexco<br />

Financial Tower.<br />

Portrait 12<br />

3<br />

The Aquatics Centre<br />

in London.<br />

Panorama 16<br />

4<br />

Harpa concert hall.<br />

Focus Scandinavia 22<br />

5<br />

Berlin Brandenburg.<br />

Focus Airport 28<br />

6<br />

High-tech knowledge<br />

oasis in Abu Dhabi.<br />

Focus University<br />

building 32<br />

Table of contents<br />

Panorama, Palácio de Justiça de Gouveia,<br />

Portugal 17<br />

Panorama, Congress center, China 18<br />

Panorama, Hotel Lone, Croatia 19<br />

Panorama, ICRC logistics center, Switzerland 20<br />

Panorama, Hospital, Belgium 21<br />

Focus Scandinavia, City hall, Denmark 25<br />

Focus Scandinavia, Hotel, Denmark 26<br />

Concept Cars 36<br />

Spectrum Technology 38<br />

Spectrum End user 40<br />

Spectrum Environment 42<br />

Waterways 44<br />

Index of architects/plumbers/<strong>Geberit</strong> 46<br />

4 <strong>View</strong> – Reference magazine <strong>2012</strong> 5


Trend<br />

Lending<br />

distinctive identity<br />

New examples of successful corporate<br />

architecture<br />

Prominent companies<br />

increasingly want buildings<br />

that fit with their brands<br />

architecturally. They have<br />

realized that it is becoming<br />

ever more important to<br />

have a prominent address<br />

so as to be recognized on<br />

the global market. Outstan ding<br />

examples of this trend<br />

have recently been realized<br />

by sporting goods manufacturers<br />

Adidas and Sale-<br />

wa and clothing manufacturer<br />

Diesel.<br />

“Image is not just appearance but rather<br />

what is intrinsic,” says Otl Aicher, one of<br />

the most influential designers in Germany.<br />

In this regard, the design of company buildings<br />

also plays a major role in a company’s<br />

image. Outstanding examples of creative<br />

partnerships between companies and architects<br />

have been around for some time,<br />

such as that of Walter Rathenau, owner of<br />

the electric systems company AEG, and<br />

architect, painter and industrial designer<br />

Peter Behrens, which dates to the beginning<br />

of the 20 th century. In 1907, AEG<br />

named Behrens its artistic consultant. He<br />

was responsible for the design of all products,<br />

graphics, advertising and architecture.<br />

Behrens is considered the world’s first<br />

corporate designer.<br />

Consciously designed “corporate architecture”<br />

is now increasingly a key component<br />

of companies’ corporate identities. A new<br />

trend has recently been emerging in the<br />

field: Above all, companies are opting for<br />

individual corporate architecture concepts<br />

to concentrate their presence in one distinctive<br />

location. They have realized that<br />

for companies and their brands, it is becoming<br />

ever more important to have a<br />

pro minent address that fosters an identity<br />

so as to be recognized on the global market.<br />

Criss-crossed laces<br />

In Herzogenaurach, Germany, set in the<br />

midst of the tranquil countryside, stand the<br />

corporate headquarters of Adidas, one of<br />

the largest and most influential international<br />

sports goods manufacturers. Just as<br />

in the days of company founder Adi Dassler,<br />

shoe and sports fashions are created and<br />

developed here and taken to their market<br />

launch. The campus­like World of Sports<br />

company complex already had several<br />

characteristic buildings. An additional build­<br />

ing was added to the campus in 2011 with<br />

the new “Laces” research and deve lopment<br />

building, which provided workplaces for<br />

“Laces,” Adidas<br />

headquarters,<br />

Herzogenaurach,<br />

Germany (DE)<br />

Building owner: Adidas AG,<br />

Herzogenaurach (DE)<br />

Architect: kadawittfeldarchitektur,<br />

Aachen (DE)<br />

Completed: 6/2011<br />

Plumber: Imtech AG,<br />

Nuremberg office (DE)<br />

<strong>Geberit</strong> know-how<br />

Duofix WC element<br />

Actuator plate Bolero<br />

Electronic urinal flush<br />

control<br />

← Serrated building<br />

shape: Around 1,700<br />

designers, developers,<br />

researchers and marketing<br />

strategists work in<br />

the new Adidas building<br />

“Laces.”<br />

→ The connecting bridges,<br />

the “laces,” gave the<br />

research and development<br />

building its name.<br />

6 <strong>View</strong> – Reference magazine <strong>2012</strong> 7


Trend<br />

around 1,700 designers, developers, researchers<br />

and marketing strategists. Laces<br />

blends into the existing World of Sports<br />

ensemble as a floating counterpart to the<br />

black, recumbent mass of the Adidas Brand<br />

Center. The building was designed by<br />

the kadawittfeldarchitektur firm in Aachen,<br />

which won the 2006 competition for the<br />

project. The objective of their design was to<br />

create a building to fit the brand, in its architecture,<br />

but especially in the working atmosphere<br />

and daily creative tasks. Ultimately,<br />

the process resulted in the concept of a<br />

building laid out in rings with connecting<br />

walkways, i.e. the laces that give the building<br />

its name. A generous atrium forms the<br />

creative center of the complex. “The laces<br />

tie the building together into a multi­layered<br />

office building that is rich in relation­<br />

↑ A large, glassed-in climbing hall is the highlight of the new company headquarters of Salewa.<br />

ships. They facilitate maximum interaction<br />

and allow open communication areas to<br />

emerge,” say the architects of their concept.<br />

The sleek, saw­toothed building appears<br />

to float above the green meadows.<br />

The entry area is raised, allowing the outside<br />

to flow into the interior. The slightly<br />

jagged building shape comes from the long<br />

sides of the building, which are pitched<br />

from their centers, and which lend a dynamic<br />

shape to what is essentially a conventional<br />

office building. This establishes a<br />

continual element of movement and dynamics<br />

in the complex, which is meant to<br />

make employees feel a part of the creative<br />

work process. The outer appearance of<br />

“Laces” is distinguished by its clearly contoured<br />

mirror­like smoothness and elegant<br />

restraint. The smooth facade surfaces are<br />

structured and divided by receding loggias<br />

on the walkways. With “Laces,” the architects<br />

of kadawittfeldarchitektur created<br />

not the usual office building parceled up<br />

into departmental areas, but rather a distinctive<br />

space in which the primarily young<br />

employees from around the world can identify<br />

with the company.<br />

Massif with climbing wall<br />

International sporting goods manufacturer<br />

Salewa, based in Bolzano, Italy, has also<br />

built a new company headquarters. The<br />

project was designed by the Milanese architecture<br />

team Cino Zucchi Architetti and<br />

Park Associati. Enclosing over 350,000 cubic<br />

meters of building space, it is one of the<br />

largest construction projects in South Tyrol.<br />

Like a mountain, the building stretches<br />

along the landscape of the Bolzano Valley,<br />

its tower thrusting 50 meters into the air.<br />

The architects differentiated the building<br />

facades by using perforated blue­grayshaded<br />

aluminum panels on the south side<br />

and a curtain of glass on the north and east<br />

sides. The building is intended to serve not<br />

only as a new office complex but also to<br />

promote communication and interaction<br />

between Salewa and its sports­minded<br />

customers through its mountainscape architecture,<br />

explain the architects about<br />

their design. Besides offices for staff and<br />

management, the building also contains a<br />

conference hall, a research center, a fully<br />

automated warehouse and offers a colorful,<br />

diverse visitor program. The exhibition<br />

hall, the Factory Shop, a cafeteria, a public<br />

parking facility and a customer service<br />

Salewa headquarters, Bozen (IT)<br />

Building owner: Salewa SpA, Bolzano (IT)<br />

Architects: Cino Zucchi and Park Associati, Milan (IT)<br />

Completed: 9/2011<br />

Awards: 2nd place US Award 2011, “Architecture” category<br />

Plumber: Gaetano Paolin Impianti, Padova (IT)<br />

<strong>Geberit</strong> know-how<br />

Duofix WC element<br />

Duofix bidet element<br />

Duofix washbasin element<br />

PE piping system<br />

Pneumatic urinal flush controls and lavatory tap<br />

↑ The building stretches along the landscape of the Bolzano Valley like a mountain.<br />

8 <strong>View</strong> – Reference magazine <strong>2012</strong> 9


Trend<br />

Diesel headquarters, Breganze (IT)<br />

Building owner: Diesel SpA, Breganze (IT)<br />

Architect: Pierpaolo Ricatti Architetto, Vicenza (IT)<br />

Completed: 7/2011<br />

Plumber: Campesan F.lli, Mason Vicentino (IT)<br />

<strong>Geberit</strong> know-how<br />

Mepla piping system<br />

Silent-db20 piping system<br />

Kombifix concealed cistern<br />

↑ A transparent, horizontally structured building: the new headquarters of the Diesel Group.<br />

center are visitor draws. The highlight, however,<br />

is a 2,000­square­meter, glassed­in<br />

climbing hall with a view to the mountains.<br />

Creative city<br />

Diesel, the international fashion company<br />

with more than 5,000 stores worldwide,<br />

is headquartered in Breganze, Italy, near<br />

the town of Vicenza. Because the Diesel<br />

Group’s different areas were spread across<br />

different locations, a new, central headquarters<br />

was commissioned in 2006. Vincenza­based<br />

architect Pierpaolo Ricatti<br />

was commissioned for the project. Today, a<br />

transparent, horizontally structured building<br />

stands on a 90,000­square­meter parcel<br />

and opens onto the surrounding countryside<br />

through large glass surfaces.<br />

Through the complex completed in 2011,<br />

Ricatti created a type of creative city in<br />

which all areas are housed under one roof:<br />

offices, warehouses, material and sample<br />

collections storage facility, showroom,<br />

company museum, auditorium and foyer<br />

for events, kindergarten, cafeteria, fitness<br />

center for indoor and outdoor sports,<br />

parking garage and research center. Part<br />

of Diesel’s agenda in offering its employees<br />

an architecturally innovative workplace<br />

includes meeting high sustainability standards,<br />

such as the resource­efficient use of<br />

water and energy. The new headquarters is<br />

intended to communicate to the outside<br />

world the company’s sustainability strategy<br />

and particularly its environmental<br />

awareness. Innovative workplaces with<br />

unique benefits are in turn a way for a company<br />

to recruit skilled employees. ←<br />

↑ In addition to the creation of architecturally innovative workplaces, the fulfillment of high sustainability standards was also given priority during building.<br />

<strong>Geberit</strong> actuator plate Bolero<br />

<strong>Geberit</strong> concealed cisterns have been in use worldwide for over 40 years. Once the cistern is installed, only its<br />

actuator plate is visible. In addition to reliable functionality, design therefore also plays an important role.<br />

Through a great many design solutions with different finishes and shapes, <strong>Geberit</strong> offers architects and interior<br />

designers a large selection and considerable creative freedom. Such as in the bathrooms of the new “Laces”<br />

building on the Adidas campus, where <strong>Geberit</strong> Bolero actuator plates were installed. The actuator plate won over<br />

the architects of kadawittfeldarchitektur with its sleek, linear design that fits in perfectly with the purist<br />

design of the research and development building. Bolero is available in a total of 13 different colors, including<br />

chrome-plated, bright chrome-plated and matt chrome-plated. It has two buttons that release either a large<br />

or small volume of water, thus enabling a resource-efficient use of water.<br />

10 <strong>View</strong> – Reference magazine <strong>2012</strong> 11


Portrait<br />

↑ The river still bears the city’s former name: view of the Saigon River and the city’s new emblem.<br />

Surrounded by the Saigon River,<br />

the “lotus flower” reaches to the sky.<br />

With the construction of the Bitexco<br />

Financial Tower, Ho Chi Minh City has<br />

acquired an icon. Mission accom-<br />

plished, says Erwin V. Ciar of the Bitexco<br />

Group.<br />

Bitexco Financial Tower,<br />

Ho Chi Minh City (VN)<br />

Building ownership: Bitexco Group of Companies,<br />

Ho Chi Minh City (VN)<br />

Architects: Carlos Zapata Studio, Chicago (USA),<br />

and Arep/J.-M. Duthilleul, E. Tricaud, Paris (FR)<br />

Inauguration: 4/2011<br />

Plumber: Hyup Jin Vina Construction Co. Ltd,<br />

Ho Chi Minh City (VN)<br />

<strong>Geberit</strong> know-how<br />

Actuator plate Samba<br />

Duofix installation system Sigma concealed<br />

cistern 12 cm (UP300)<br />

PE-HD piping system<br />

“The Tower<br />

exerts an<br />

enormous<br />

fascination”<br />

Bitexco Financial Tower,<br />

Ho Chi Minh City, Vietnam<br />

Mr. Ciar, the southern Vietnamese metro polis<br />

of Ho Chi Minh City has not previ ­<br />

ously attracted much attention in architectural<br />

circles. What has the Bitexco<br />

Financial Tower changed in this respect?<br />

It has increased the attention<br />

paid to our city since planning<br />

commenced. This effect was<br />

strengthened even more with<br />

its inauguration. The Tower<br />

exerts an enormous fascination<br />

that reaches far beyond the<br />

limits of Ho Chi Minh City and<br />

even Vietnam itself.<br />

How can you tell that?<br />

Well, the tower has become a<br />

tourist attraction, for example.<br />

Our government has even developed<br />

special visitor programs<br />

for it. Even though it is no longer<br />

the highest building in the coun-<br />

↑ The lotus flower: a strong symbol sketched<br />

for the first time.<br />

try at 262.5 meters, it certainly<br />

remains one of the most impressive<br />

and one of the most<br />

photographed buildings.<br />

Have you counted the times that the<br />

word “iconic” has been used to describe<br />

the Bitexco Financial Tower?<br />

Especially the fact that the CNN<br />

travel website has ranked it as<br />

the fifth “most iconic building” in<br />

the world stays with me. It is<br />

true that this word is used often –<br />

and rightfully so, I believe.<br />

The Tower is above all an icon because<br />

of its symbolic, distinctive design.<br />

What considerations were behind this?<br />

The architects from Carlos<br />

Zapata Studio who were responsible<br />

for the design gave our<br />

ideas a form that symbolizes<br />

12 <strong>View</strong> – Reference magazine <strong>2012</strong> 13<br />


Portrait<br />

↑ Fanfare opening of the Bitexco Financial Tower.<br />

Bitexco Group of Companies<br />

Established in 1985, the company group has its<br />

roots in the textile industry. In 1997, it began<br />

its meteoric rise to become the leading multiindustrial<br />

company of Vietnam, with currently<br />

over 1,100 employees and subsidiaries in Hanoi,<br />

Ho Chi Minh City and Thai Binh. In addition to<br />

the real-estate and structural development<br />

division, the Bitexco Group is currently active<br />

in the areas of electricity, infrastructure, mining<br />

and foodstuffs. In addition to the Bitexco<br />

Financial Tower, their most important projects<br />

include the JW Marriott Hotel, the “Manor<br />

Residences” and the “The Garden” shopping<br />

center (all in Hanoi) as well as the residential<br />

building “Nguyen Cu Trinh” in Ho Chi Minh City.<br />

→ www.bitexco.com.vn<br />

Erwin V. Ciar, Deputy Director Bitexco Projects<br />

“It is not the highest building in<br />

Vietnam, but definitely the most<br />

impressive one.”<br />

the good that develops from the<br />

roots of Vietnamese culture<br />

and tradition. The lotus flower<br />

is a powerful symbol of this.<br />

If you look at the design of the architecture<br />

closely, you will see that it is a flower that<br />

is just beginning to bloom.<br />

Believe me, the shape of a lotus<br />

flower in bloom would have by<br />

far exceeded the spatial dimensions<br />

of our plans (laughs).<br />

However, your remark is right<br />

on target. The Vietnamese<br />

economy has been in the process<br />

of opening up for some time<br />

now. We at Bitexco want to go<br />

forwards along this path.<br />

To what extent was the realization of<br />

this prestigious project a milestone for<br />

the Bitexco Group?<br />

With this building, we have<br />

proven that we can measure up<br />

to international standards.<br />

All decisions, from the commissioning<br />

of world-renowned<br />

architects to the selection of<br />

the best products, had this<br />

objective in mind. It is therefore<br />

no coincidence that we decided<br />

to use <strong>Geberit</strong> products.<br />

Is the motto of internationality behind<br />

the usage of the BFT?<br />

It is indeed. Office and commercial<br />

spaces are oriented to-<br />

wards an international clientele.<br />

We are very pleased with the<br />

response, with regard<br />

to both quantity and quality.<br />

The presence of companies<br />

such as Adidas, Ernst & Young<br />

or Samsung proves us right.<br />

How do you regard the development<br />

of the Vietnamese real estate market<br />

outside the large urban centers?<br />

Vietnam as a whole is making<br />

a leap forwards. We at Bitexco<br />

are not only active in locations<br />

such as Ho Chi Minh City or<br />

Hanoi, but equally in creating<br />

master plans for residential<br />

construction and infrastructure<br />

projects in rural areas, for example<br />

in Lao Cai.<br />

Will Ho Chi Minh City still remain an<br />

attraction for fans of unusual architecture?<br />

I certainly hope so. We are currently<br />

working on a further largescale<br />

project in the middle of<br />

the city in which the symbolism<br />

is at least as important as that<br />

of the Tower. “The ONE” consists<br />

of two towers. Connected to each<br />

other by a podium, they embody<br />

the Vietnamese myth of two dragons.<br />

←<br />

→ In “District 1,” the central area of<br />

Ho Chi Minh City, old meets (more and more)<br />

new.<br />

“Doi Moi”<br />

The Vietnamese economy is growing at a disproportionate<br />

rate of 7 percent annually on<br />

average. This is due to a policy of liberalization<br />

known as “Doi Moi” that has been implemented<br />

by the Communist Party since 1986. This<br />

focuses on the modernization of infrastructure.<br />

14 <strong>View</strong> – Reference magazine <strong>2012</strong> 15


Panorama<br />

↑ Everything flows: For the design of the Aquatics Centre, Zaha Hadid was inspired by the riverscape of the Olympic Park.<br />

Flowing gesture<br />

Aquatics Centre, London, Great Britain<br />

Among the first buildings on the grounds<br />

of the <strong>2012</strong> Olympic Games in London to be<br />

completed is the Aquatics Centre designed<br />

by Zaha Hadid Architects. The complex is<br />

situated at the southeast end of the Olympic<br />

grounds bordering the Stratford section<br />

of London and is separated from the<br />

other Olympic sites by a canal of the<br />

Thames River. Several bridges link the<br />

building to the Olympic Park on the opposite<br />

shore. In her architectural concept,<br />

Zaha Hadid was inspired by the flowing<br />

movement of the water, borrowing from the<br />

riverscape of the Olympic Park.<br />

The curved, parabola­shaped roof line of<br />

the Aquatics Centre extends the public<br />

space to the southeast and turns crosswise<br />

toward the pedestrian bridge. The<br />

Chris Pain, plumber, Pipetech<br />

building contains three pools that form a<br />

large podium under the roof and bridge.<br />

Inside the building, the ceiling, walls and<br />

windows also undulate. Even the curvature<br />

of the diving platforms follows the building’s<br />

flowing gestures. For the Olympic Games,<br />

a compromise had to be found for the<br />

grandstands in order to increase the seating<br />

capacity to 17,500. After the Games, the<br />

extension structures required for the increased<br />

capacity will be removed and the<br />

number of seats will be reduced to 2,000.<br />

Curving glass facades will later replace the<br />

extensions, which will make the pools and<br />

interior of the stadium largely visible from<br />

the exterior. ←<br />

→ www.london<strong>2012</strong>.com<br />

Aquatics Centre, London (UK)<br />

“The most difficult bit was the curved top of the building so for the<br />

heating pipes we used <strong>Geberit</strong> Mapress which enabled us to customize<br />

the bends in order to adapt to its shape. An impressive 130 customized<br />

bends had to be fitted.”<br />

Building owner: International Olympic Committee,<br />

Geneva (CH)<br />

Architect: Zaha Hadid Architects, London (UK)<br />

Completed: spring, 2011<br />

Plumber: Pipetech, Hants (UK)<br />

<strong>Geberit</strong> know-how<br />

Duofix installation system<br />

PE piping system<br />

Mapress carbon steel piping system<br />

Mapress copper piping system<br />

Mapress copper gas piping system<br />

↑ Even the diving platforms have<br />

a flowing curvature.<br />

Panorama<br />

Snow-white palace<br />

Palácio da Justiça, Gouveia, Portugal<br />

Palácio de Justiça de Gouveia (PT)<br />

Building owner: Instituto de Gestão<br />

Financeira e Infra-Estruturas da<br />

Justiça, Gouveia (PT)<br />

Architects: Barbosa & Guimarães,<br />

Matosinhos (PT)<br />

Completed: spring, 2011<br />

Plumber: Canoviseu – Serviços<br />

em Canalizações, Ltda, Santo<br />

Evos (PT)<br />

<strong>Geberit</strong> know-how<br />

Pluvia roof drainage system<br />

The Portuguese mountain town of Gouveia<br />

lies in the Serra da Estrela mountains in the<br />

northeast of the country. With the new<br />

court building, the city of 4,000 has obtained<br />

a structure that is awe­inspiring for<br />

its massive, snow­white, concrete facade.<br />

But thanks to the urban concept of José<br />

António Barbosa and Pedro Lopes Guimarães,<br />

the building and the town’s historic<br />

center are harmoniously connected to one<br />

another. The two young architects from<br />

the coastal city of Matosinhos won the<br />

2002 design competition with their unusual<br />

building, which is not modeled after anything<br />

in the region.<br />

Four massive blocks stand on a base made<br />

of light granite that is two meters high in<br />

some places and houses the parking garage.<br />

A wide ramp runs along the west side<br />

up onto the base; a stairway leads visitors<br />

back down on the east side. The four blocks<br />

hold the cores for the elevators, emergency<br />

stairways and the technical infrastructure.<br />

The words “domus iustitiae” (house of<br />

justice) are inscribed on the building’s long<br />

sides, an inscription found on all Portuguese<br />

court buildings. A wide, freestanding<br />

↑ Snow crystals inspired the architects to design the expressive facade of the Palace of Justice.<br />

staircase leads to the courtroom on the<br />

clearly organized upper level. Grouped<br />

around the courtroom in a U shape are<br />

judges’ chambers, attorneys’ offices and<br />

ancillary rooms such as kitchenettes and<br />

restrooms. The courtroom also stands out<br />

from the other rooms through its materials<br />

and is completely paneled in Brazilian sucupira<br />

hardwood, while the walls of the surrounding<br />

offices are clad in marble. The<br />

Serra da Estrela is the highest mountain<br />

range on the Portuguese mainland and<br />

its only ski area, which, say the architects<br />

of their concept, is why they thought of<br />

snow when they were invited to participate<br />

in the competition. The inspiration for the<br />

expressive design of the white facade, they<br />

say, was drawn from snow crystals. ←<br />

→ www.cm-gouveia.pt<br />

João Simões, Technical Advisor,<br />

<strong>Geberit</strong> Market Portugal<br />

“The new court building<br />

enhances the beautiful old<br />

town of Gouveia with an<br />

outstanding, symbolic<br />

complex. During construction,<br />

high quality standards<br />

for architecture and technology<br />

had to be met, which<br />

is why the <strong>Geberit</strong> Pluvia<br />

roof drainage system was<br />

installed. It was an exciting<br />

challenge for me, to support<br />

the project and be there<br />

for the plumber to answer<br />

technical questions and<br />

help solve problems.”<br />

16 <strong>View</strong> – Reference magazine <strong>2012</strong> 17


Panorama<br />

↑ The six high-rise buildings are grouped around a central building, on the roof of which a park has been laid out.<br />

An island between<br />

glass facades<br />

Congress center, Hangzhou, China<br />

Building in China these days also means<br />

thinking and designing in large­scale dimensions.<br />

One recent example of this<br />

trend is in Hangzhou, the capital of Zhejiang<br />

Province. Six high­rise buildings are grouped<br />

around a smaller central building, on the<br />

roof of which a green paradise has been<br />

planted. It stands like an island between<br />

the towers’ reflecting glass facades.<br />

The approximately 20,000­square­meter<br />

ensemble is the new international congress<br />

center of Hangzhou, also housing the city<br />

government’s administrative offices. The<br />

impressive facade’s concept and planning<br />

are the product of Psyall Ruge Architekten.<br />

Further support and planning was handled<br />

by Peter Ruge Architekten, who carried out<br />

the project in cooperation with the Chinese<br />

architect Wang Xiaosong and engineers<br />

from Schlaich Bergermann und Partner.<br />

After many years of planning and construction,<br />

the complex was completed in<br />

2011. Seen from a distance, the facade<br />

appears voluminous but then dissolves<br />

into a network of structures and levels as<br />

one approaches, explain the architects.<br />

“The structures of a tea plantation with its<br />

differently oriented and overlapping structures<br />

of cultivation pathways and planting<br />

grids form a typical regional image in<br />

Zheijang Province, a major tea­producing<br />

area in China.” The facade picks up on this<br />

image and develops a structure that envelopes<br />

the building like a multi­layered<br />

fabric, emphasizing its plasticity. ←<br />

→ www.hangzhou.gov.cn<br />

Zhou Shu Cong, Technical Advisor,<br />

<strong>Geberit</strong> Market China<br />

“The Pluvia roof drainage<br />

system stands for durability,<br />

very high quality and safety.<br />

These aspects convinced<br />

the congress center developers<br />

as did the comprehensive<br />

product guarantee<br />

that the name <strong>Geberit</strong><br />

represents.”<br />

Congress center, Hangzhou (CN)<br />

Building owner: Hangzhou (CN) city government<br />

Architect: Peter Ruge Architekten, Berlin (DE),<br />

in cooperation with Prof. Wang Xiaosong,<br />

Hangzhou (CN), Psyall Ruge Architekten DBH<br />

GmbH, Hangzhou, and Schlaich Bergermann<br />

und Partner, Stuttgart (DE)<br />

Completed: spring, 2011<br />

Plumber: Zhejiang Construction Group Co., Ltd,<br />

Hangzhou (CN)<br />

<strong>Geberit</strong> know-how<br />

Pluvia roof drainage system<br />

Panorama<br />

Cruise ship on<br />

the beach<br />

Hotel Lone, Rovinj, Croatia<br />

The medieval town of Rovinj is among<br />

the most picturesque cities on the Istrian<br />

peninsula and a jewel of the Adriatic. On<br />

the small beach of Lone, within sight of<br />

the old town, 3LHD Architects have completed<br />

Croatia’s first Design Hotel. 3LHD<br />

Architects’ sources of inspiration included<br />

passing cruise ships and the terraced<br />

structure of neighboring Eden Hotel. With<br />

its sweeping rows of terraces, the Hotel<br />

Lone looks like a pleasure ship surrounded<br />

by the forest.<br />

Dominating, horizontal lines define the<br />

curved facade. The white balustrades together<br />

with the dark, recessed exterior<br />

facades create a dynamic interplay of light<br />

and shadow. The hotel offers 236 rooms<br />

and 12 suites as well as three restaurants<br />

and large conference facilities with four<br />

conference rooms, meeting rooms and a<br />

VIP lounge. The architects explain that<br />

they used a Y­shaped floor plan to provide<br />

the building a functional organization and<br />

at the same time allow beautiful views from<br />

all rooms. A six­story central atrium with<br />

lobby rises from the center of the Y. This<br />

area, with its rippling balconies and their<br />

white balustrades carrying the design of<br />

the building’s exterior over into the interior,<br />

is lit from above. For the interior design,<br />

the renowned Zagreb architects worked<br />

with other creative professionals from<br />

Croatia, such as furniture designers from<br />

Numen/For Use, fashion designers from<br />

I­GLE and various artists. The lobby is done<br />

in white and beige­gold. The furnishings<br />

underscore the flowing character of the<br />

room and are done in color­contrasting<br />

warm, dark tones. The overall design of the<br />

hotel is based on the contrasts between<br />

black, white and wood. ←<br />

→ www.lonehotel.com<br />

Mladen Petrović, Technical Advisor, <strong>Geberit</strong> Adriatic Region<br />

Hotel Lone, Rovinj, Croatia (SI)<br />

Building owner: Maistra d.d., Rovinj (SI)<br />

Architects: 3LHD, Zagreb (SI)<br />

Completed: 7/2011<br />

Plumber: Zagrebgradnja d.o.o., Zagreb (SI)<br />

<strong>Geberit</strong> know-how<br />

Electronic urinal flush control and<br />

lavatory tap<br />

Waste fitting<br />

Duofix installation system<br />

Mepla piping system<br />

PE piping system<br />

Pluvia roof drainage system<br />

Silent-db20 piping system<br />

Duofix concealed cistern<br />

↑ The eye-catching central<br />

feature in Hotel Lone is the sixstory<br />

atrium with the lobby.<br />

← Dominating, horizontal lines<br />

define the curved facade of<br />

the Design Hotel.<br />

“It was important to the developers that reliable,<br />

high-quality products be used in the Design Hotel.<br />

That is why a wide range of <strong>Geberit</strong> products<br />

was used to satisfy the demand for high quality.”<br />

18 <strong>View</strong> – Reference magazine <strong>2012</strong> 19


Panorama<br />

Folded facade<br />

The ICRC logistics center, Geneva,<br />

Switzerland<br />

↑ White tarpaulins form the outer skin of the logistics center.<br />

The logistics hub of the International<br />

Committee of the Red Cross (ICRC) is a<br />

highly sensitive contact point for the global<br />

humanitarian organization. The facility is<br />

primarily used to store medications but<br />

also orthopedic devices and food that are<br />

sent out to the charity’s various locations<br />

from the logistics and management department,<br />

also housed at the same location.<br />

The stipulated variety of uses and the flow<br />

of people, vehicles and goods created a<br />

list of special requirements for the building.<br />

The Geneva architects from group8 devised<br />

an impressive solution for the complex<br />

construction project in an unpretentious<br />

building block whose unusual facade<br />

nevertheless gave the building high symbolic<br />

value. The boxy construction measures<br />

66 by 67 meters and is 15 meters high.<br />

Zones designated for different uses are<br />

packed closely together.<br />

With its outer skin of white tarpaulins<br />

wrapped esthetically around the structure,<br />

the building visually stands out from the<br />

neighboring neutral, industrial buildings.<br />

The material symbolizes both the building’s<br />

function as a logistics hub and the work of<br />

the ICRC in conflict zones: The tarpaulins<br />

invoke both the aid convoy vehicles and<br />

refugee tents. But the architects point out<br />

that concerns for sustainability also led<br />

them to select this amply available, environmentally<br />

and user­friendly material. The<br />

building also contains small “hanging” gardens<br />

that are protected from the surrounding<br />

industrial area and are intended<br />

as relaxation areas, as well as an atrium designed<br />

for social gatherings to promote<br />

team spirit. ←<br />

→ www.icrc.org<br />

ICRC logistics center, Geneva (CH)<br />

Building owner: Comité international de<br />

la Croix-Rouge (CICR/IKRK), Geneva (CH)<br />

Architect: group8, Geneva (CH)<br />

Completed: summer 2011<br />

Plumber: Bert’eau SA, Carouge (CH)<br />

<strong>Geberit</strong> know-how<br />

Duofix WC element<br />

Duofix urinal element<br />

Silent-db20 roof drainage system<br />

Silent-db20 drainage system<br />

PE drainage system<br />

Electronic urinal flush control<br />

Norbert Cuhat, Technical Advisor,<br />

<strong>Geberit</strong> Market Switzerland<br />

“This building houses important<br />

archives that are<br />

protected by the strictest<br />

of safety precautions. The<br />

use of high-quality material<br />

was of essential importance<br />

during construction. That<br />

is why the developer chose<br />

<strong>Geberit</strong> products. Decisive<br />

were the durability and<br />

environmental friendliness<br />

of the products as well<br />

as their low maintenance<br />

requirements.”<br />

Panorama<br />

↑ A homogeneous facade and courtyards each with a different design: the AZ Groeninge hospital by Baumschlager Eberle.<br />

Small town<br />

with houses<br />

and gardens<br />

AZ Groeninge hospital,<br />

Kortrijk, Belgium<br />

A large­scale project in the Belgian town of<br />

Kortrijk has been completed. In 2011, the<br />

AZ Groeninge hospital was finished after<br />

several years of construction work. This<br />

huge building has a footprint of 144,000<br />

square meters (just over 1.5 million square<br />

feet) and despite its size blends harmoniously<br />

and discreetly into the park­like landscape.<br />

The renowned Austrian architects<br />

Baumschlager Eberle have achieved this<br />

by the use of a traditional typology, the<br />

courtyard structure. They divided the entire<br />

complex into five connected blocks that<br />

serve as both visual and operational units.<br />

Philippe Van Maele, plumber<br />

The entire facility is defined by its courtyards,<br />

each with its own design, which, according<br />

to the architects, are intended to<br />

counter anonymity and create identifying<br />

architectural elements. The courtyards also<br />

serve to merge the building with the landscape.<br />

It was also important to the architects to<br />

generate the maximum degree of normality<br />

with the architecture. The two­story reception<br />

hall is characterized by spatial clarity<br />

and generous proportions. Walking through<br />

the building, one continuously notices the<br />

“We have been working with <strong>Geberit</strong> for a long time. When we<br />

started this project, there was no question as to whether we would<br />

use <strong>Geberit</strong> products, as they offer us plumbers safety, quality<br />

and durability.”<br />

AZ Groeninge hospital, Kortrijk (BE)<br />

Building owner: AZ Groeninge v.z.w., Kortrijk (BE)<br />

Architect: Baumschlager Eberle, Lochau (AT)<br />

Completed: 5/2011<br />

Plumber: Philippe Van Maele, Varsenare (BE)<br />

<strong>Geberit</strong> know-how<br />

Duofix installation system<br />

Mepla piping system<br />

PE piping system<br />

Pluvia roof drainage system<br />

Electronic urinal flush control and lavatory tap<br />

Pneumatic urinal flush control and lavatory tap<br />

building’s links to its environment. The arrangement<br />

of the imposing facility around<br />

the courtyards creates compelling sequences<br />

of rooms with alternating moods<br />

and a pleasant environment for patients and<br />

staff. The homogeneous facade with its<br />

columns symbolizes relief from the burden<br />

of illness. The clinic, surrounded by green,<br />

gives the impression of a multifaceted,<br />

urban structure resembling a small town<br />

with houses and gardens, “introverted but<br />

not hermetic – open but not exposed.” ←<br />

→ www.azgroeninge.be<br />

20 <strong>View</strong> – Reference magazine <strong>2012</strong> 21


Focus Scandinavia<br />

Glittering<br />

crystal in the<br />

old harbor<br />

Harpa Reykjavík concert hall<br />

and conference centre, Iceland<br />

Harpa Reykjavík concert hall and conference centre,<br />

Iceland (IS)<br />

Owner: Iceland and the city of Reykjavík (IS)<br />

Architects: Henning Larsen Architects HLA,<br />

Copenhagen (DK), and Batteríið Architects, Hafnarfjörður (IS)<br />

Facade design: Studio Olafur Eliasson, Berlin (DE),<br />

Copenhagen (DK)<br />

Acoustics: Artec Consultants Inc, New York (USA)<br />

Opened: 8/2011<br />

Plumber: ÍAV, Reykjavík (IS)<br />

<strong>Geberit</strong> know-how<br />

Duofix installation system<br />

Mapress piping system<br />

← A look at the<br />

entrance foyer of<br />

the Harpa.<br />

↑ Harpa, Reykjavík’s new concert hall. The colors<br />

of the glass facade change according to the weather.<br />

↓ Structure of the double glass facade.<br />

Reykjavík has a new landmark:<br />

the Harpa concert<br />

hall and conference center.<br />

The angular building with<br />

its gleaming glass facade<br />

situated in the harbor<br />

reflects a wide variety of<br />

lighting atmospheres<br />

depending on the weather<br />

conditions.<br />

In August 2011, a new city symbol whose<br />

glittering facade dominates the old harbor<br />

was inaugurated in Iceland’s capital. The<br />

new complex is a concert and conference<br />

building and is home to both the Iceland<br />

Symphonic Orchestra and the Icelandic<br />

Opera. However, its completion was uncertain<br />

for a long time. Construction on the<br />

symbol of Icelandic art and culture was<br />

started by a private investor group in 2007.<br />

But the financial crisis in 2008 brought the<br />

project to an almost immediate halt. The<br />

building shell became public property and<br />

was finally taken over by the government.<br />

The design of the sculpture­like building is<br />

a joint effort of the Danish architecture firm<br />

Henning Larsen and the Icelandic Batteríið<br />

Architects, who won the 2005 design competition.<br />

The name Harpa was also chosen<br />

in a competition to find an Icelandic name<br />

that could be easily pronounced in other<br />

languages. From the 4,000 entries, the<br />

woman’s name Harpa (which means “harp”<br />

in English) was finally selected.<br />

Block-shaped spaces with sloping edges<br />

The 43­meter­tall building consists of two<br />

block­shaped spaces with sloping edges,<br />

slightly offset from one another. Inside<br />

are a large, 1,800­seat concert hall painted<br />

in lava red, three smaller concert spaces<br />

and a conference center with interpreter<br />

booths for up to nine languages. The US<br />

engineering firm Artec Consultants Inc. in<br />

New York is responsible for the acoustics of<br />

the concert halls, having developed a fully<br />

automated system that optimizes the<br />

sound of all types of music using, among<br />

other things, felt­covered walls and baffles.<br />

22 <strong>View</strong> – Reference magazine <strong>2012</strong> 23


Focus Scandinavia Focus Scandinavia<br />

↑ The large concert hall for 1,800 visitors was painted in lava red.<br />

The 28,000­square­meter building also<br />

houses a hotel, a bar and a rooftop restaurant<br />

with a view over Reykjavík and Tjörnin<br />

(The Pond).<br />

The striking, sparkling double facade was<br />

designed by Icelandic artist Olafur Eliasson,<br />

who was inspired by the different<br />

moods of light of his island country. The<br />

glass facade envelopes the building and<br />

transforms it into an architectural attraction<br />

and spectacle. The facade is made of<br />

more than 8,000 hexagonal­shaped glass<br />

blocks set in steel frames, which refract<br />

the daylight and reflect it in different colors<br />

and pastel tones.<br />

Yellow, green and orange color<br />

effect glass<br />

As in much of his work, Eliasson has also<br />

combined natural beauty with technical so­<br />

phistication in the angular building complex.<br />

While the architects focused on the<br />

rough, swooping coastal cliffs for the building’s<br />

shape, the artist based the glass<br />

blocks on the basalt columns omnipresent<br />

in the treeless, volcanic Icelandic landscape.<br />

Thus, no one piece of glass is like<br />

any other. Together, however, they create<br />

a multifaceted mirror and light­refracting<br />

effect. To achieve the glimmering ambiance,<br />

special laminated safety glass containing<br />

what is called dichroic glass was<br />

used. This color effect glass absorbs certain<br />

light wavelengths while it reflects others<br />

so that the color of the glass changes<br />

depending on the weather and viewing angle.<br />

Yellow, orange and green glass was<br />

used in Harpa. These colors can be seen<br />

by looking directly through the glass, while<br />

their complementary colors can be seen in<br />

the reflection. ←<br />

↑ A box-shaped building with a lattice facade: the city hall of Viborg.<br />

Curving lattice facade<br />

Viborg city hall, Denmark<br />

Viborg, the second-largest<br />

city of Denmark, has a<br />

new city hall. The building<br />

was designed by Henning<br />

Larsen Architects, who<br />

also designed the “Harpa”<br />

in Reykjavík. The city hall<br />

is one of the first public<br />

buildings in Denmark that<br />

fulfills the requirements<br />

of a green building.<br />

In addition to the opening of the “Harpa”<br />

in August 2011, the internationally active<br />

Danish architectural firm Henning Larsen<br />

Architects was able to hand over a further<br />

building to the public in the same month:<br />

the new city hall in Viborg, Jutland. The fusion<br />

of Viborg with five other municipalities<br />

required the establishment of a new city<br />

administration. The building therefore also<br />

symbolizes the merging of the municipalities,<br />

which combined to create a large city.<br />

Like an accordion<br />

The architects built the six­story city hall on<br />

a green hill on the outskirts of the city center<br />

of the second­largest city in Denmark.<br />

The building, which consists of two lowlying<br />

wings, was erected on former barracks<br />

grounds and houses around 900 employees<br />

of the city administration. A white,<br />

box­shaped building consisting of three<br />

blocks rises from a darkened wing base.<br />

With its filigree lattice structure, the facade<br />

resembles an accordion and lends the<br />

complex a certain lightness.<br />

According to the architects, the new building<br />

creates a new urban location that is<br />

shaped by the interaction between the<br />

architecture and the surrounding park.<br />

The large atrium, the heart of the city hall,<br />

promotes communication between the administration<br />

and the citizens. In addition,<br />

the community hall, which is adjoined by<br />

the foyer, cafeteria and meeting rooms,<br />

City hall, Viborg (DK)<br />

Building owner: Viborg city administration (DK)<br />

Architects: Henning Larsen Architects,<br />

Copenhagen (DK)<br />

Completed: 8/2011<br />

Plumbers: Brøndum VVS A/S, Viborg (DK)<br />

<strong>Geberit</strong> know-how<br />

Pluvia roof drainage system<br />

remains flexible and can be converted into<br />

a conference center. The city hall of Viborg<br />

is one of the first public buildings in Denmark<br />

to meet the strict conditions of lowenergy<br />

class 1, the highest sustainability<br />

standard, and thus all the requirements for<br />

a green building. The rules for the low­energy<br />

class set by the Danish Ministry of Economics<br />

are based on the ambitious concept<br />

for keeping the resource requirements<br />

in buildings to a minimum. It is obligatory<br />

for all new buildings. Among other things,<br />

the code of practice sets out clear requirements<br />

for the use of rainwater as well as for<br />

the durability and safety of products used<br />

in this area. ←<br />

<strong>Geberit</strong> Pluvia roof drainage system<br />

The Pluvia roof drainage system from <strong>Geberit</strong><br />

is an intelligent negative pressure suction<br />

system. With the example of the city hall in<br />

Viborg, Pluvia was able to contribute significantly<br />

to the fulfillment of the strict sustainability<br />

requirements of the Danish low-energy<br />

class 1 for rainwater use.<br />

24 <strong>View</strong> – Reference magazine <strong>2012</strong> 25


Focus Scandinavia<br />

Leaning towers<br />

Hotel Bella Sky, Copenhagen, Denmark Hotel Bella Sky, Copenhagen,<br />

Denmark (DK)<br />

↑ 3XN Architects have designed the Hotel Bella Sky, which consists of two leaning towers.<br />

Building owner: Bella Center A/S,<br />

Copenhagen (DK)<br />

Architects: 3XN Architects,<br />

Copenhagen (DK)<br />

Completed: 5/2011<br />

Plumbers: ENCO A/S, Glostrup<br />

(DK); Basen A/S, Glostrup (DK)<br />

<strong>Geberit</strong> know-how<br />

PE Sovent fitting d 160 for waste<br />

water discharge stack<br />

Mepla piping system<br />

Pluvia roof drainage system<br />

Mapress stainless steel piping<br />

system<br />

Concealed cistern<br />

The Hotel Bella Sky in<br />

Copenhagen is currently the<br />

largest hotel in Scandinavia.<br />

The 76-meter-tall landmark<br />

boasts a special feature:<br />

To ensure hotel guests the<br />

best view possible, the<br />

two towers incline at an<br />

impressive 15-degree angle.<br />

The Hotel Bella Sky in Copenhagen marks<br />

the opening of the largest hotel in Scandinavia.<br />

The building, consisting of two<br />

leaning towers, was designed by 3XN Architects.<br />

The Copenhagen firm, which<br />

numbers among Denmark’s most creative,<br />

feels obligated to uphold the Scandinavian<br />

building tradition of clarity and functionality.<br />

The architecture firm, founded in<br />

1986, can in the meanwhile point to a whole<br />

series of renowned buildings, including a<br />

museum in Liverpool, the music building in<br />

Amsterdam and the Danish Embassy in<br />

Berlin, some of which have won various<br />

architecture awards.<br />

↑ The Copenhagen architects also designed the interior of the hotel and were inspired by the bright Scandinavian style<br />

of interior design.<br />

Landmark on the skyline<br />

The Hotel Bella Sky is part of the expansion<br />

of the existing Bella Convention and Congress<br />

Center, constructed in Ørestad on<br />

Amager Island. Ørestad is the newest district<br />

of the Danish capital and one of the<br />

fastest­growing and most economically<br />

important regions in Scandinavia. With its<br />

two 76­meter­tall towers, the hotel soars<br />

into the sky and is an impressive addition to<br />

the Copenhagen skyline. The landmark<br />

boasts a special feature: To offer the best<br />

possible view in all rooms, the two towers<br />

of the hotel lean in opposite directions at an<br />

impressive 15­degree angle. By comparison,<br />

the leaning tower of Pisa inclines a<br />

“mere” 11 degrees. Some rooms offer not<br />

only a phenomenal view into the distance<br />

but also straight down, so that one appears<br />

to be floating over the landscape. The hotel<br />

contains a total of 817 guest rooms and 30<br />

conference rooms. The top floor houses<br />

the publicly accessible Sky Bar, from which<br />

the view literally lays the city at guests’ feet.<br />

The angle of the towers gives the building’s<br />

exterior varying unusual shapes. Depending<br />

on one’s location when viewing the<br />

complex, it sometimes looks like an X and<br />

sometimes like a Y. The facade is made up<br />

of windows shaped like various polygons,<br />

from triangular to rhomboid. The Hotel<br />

Bella Sky can be seen from almost everywhere<br />

in Copenhagen and its striking silhouette<br />

has already made it a landmark of<br />

the new city district. ←<br />

<strong>Geberit</strong> PE Sovent d 160<br />

The flow-optimized <strong>Geberit</strong> PE Sovent fittings<br />

facilitate an optimal layout of waste water discharge<br />

stacks in high-rises. They prevent hydraulic<br />

closings in the discharge stacks, which<br />

on the one hand increases the capacity of this<br />

pipe by a factor of up to 4 and at the same time<br />

makes it unnecessary to install a separate ventilation<br />

pipe. Unlike with roof drainage systems,<br />

for instance, negative pressure in a building’s<br />

discharge pipes is to be avoided, as this essentially<br />

clears out the traps, making them ineffective.<br />

For this reason, conventional discharge<br />

stacks without <strong>Geberit</strong> Sovent are equipped<br />

with an air bleed.<br />

With the <strong>Geberit</strong> PE Sovent d 160, hydraulic<br />

know-how from <strong>Geberit</strong> is now also available for<br />

discharge stacks with a diameter of 160 mm.<br />

This size discharge stack enables drainage of<br />

waste water from up to 200 residential units<br />

and is especially installed in high-rise hotels,<br />

residential and office buildings, such as in the<br />

76-meter-tall Hotel Bella Sky in Copenhagen.<br />

26 <strong>View</strong> – Reference magazine <strong>2012</strong> 27


Focus Airport<br />

↑ <strong>View</strong> of the airport from the west: The main hall rises up from the center, its roof spanning the different areas and thus linking surface and air transportation.<br />

Maximum<br />

transparency<br />

The Berlin Brandenburg Airport, Germany<br />

A large glass hall is the centerpiece of the new<br />

Berlin Brandenburg Airport, symbolizing openness<br />

and generosity. Inside, the building captivates with<br />

its clearly laid out, orthogonal organization and comfortable<br />

proportions. The new airport was designed<br />

by the Hamburg, Germany, firm of von Gerkan, Marg<br />

und Partner, which collaborated with JSK Architekten<br />

to realize the construction.<br />

The new capital city airport, which also<br />

bears the name “Willy Brandt,” initially received<br />

much praise until the drama of the<br />

postponed opening dampened all high­flying<br />

expectations. The new airport is to replace<br />

the current Berlin airports Tegel and<br />

Schönefeld, the latter of which is being<br />

used in part for the new facility. The groundbreaking<br />

ceremony took place on September<br />

6, 2006, and the airport was scheduled<br />

to celebrate the start of operations in summer<br />

<strong>2012</strong>. But problems with fire protection<br />

technology forced a delay in the opening.<br />

Now airline passengers will be handled at<br />

the new facility starting March 17, 2013. At<br />

peak hours, up to 6,500 passengers will<br />

take off or land every hour.<br />

The new airport consists of a passenger<br />

terminal and the Airport City, located in the<br />

center of the parallel take­off and landing<br />

runway system. Maintenance areas are located<br />

to the west of the airport and service<br />

and cargo facilities lie east of the facility. All<br />

together, the new airport covers 3,600<br />

acres, the equivalent of approximately<br />

2,000 soccer fields. The Hamburg architecture<br />

firm von Gerkan, Marg und Partner<br />

(gmp) is responsible for the design of the<br />

airport. In 1965, 30­year­old Meinhard von<br />

Gerkan, working with Volkwin Marg and<br />

Klaus Nickels, won the competition to design<br />

the Tegel airport. Now the same architect,<br />

who meanwhile operates multiple<br />

large offices and heads up construction<br />

projects worldwide, is building the new<br />

airport in the same city – in cooperation<br />

with JSK Architekten of Frankfurt/Main at<br />

the customer’s request.<br />

Two architectural identities<br />

The design of the airport building is based<br />

on the idea that the airport’s two partners,<br />

the states of Berlin and Brandenburg,<br />

should both be reflected in the overall<br />

concept and in the buildings themselves.<br />

Thus, two areas were created, each with<br />

its own architectural identity. The large,<br />

glass­enclosed main hall symbolizes the<br />

capital’s openness and generosity. Its dimensions<br />

set it entirely apart from the<br />

neighboring buildings. The colonnades of<br />

the two lower connecting buildings are intended<br />

to invoke Potsdam and the park at<br />

Sanssouci.<br />

The architectural center of the airport is<br />

the 240­by­240­meter main hall, which is<br />

Berlin Brandenburg Airport<br />

Building owner: Flughafen Berlin-Schönefeld<br />

GmbH (FBS), since <strong>2012</strong> Flughafen Berlin<br />

Brandenburg (FBB) (DE)<br />

Architects: gmp Generalplanungsgesellschaft<br />

mbH, Hamburg (DE), and JSK International,<br />

Frankfurt/Main (DE)<br />

Scheduled opening: 3/2013<br />

Plumber: Imtech, Berlin (DE)<br />

<strong>Geberit</strong> know-how<br />

Actuator plate Sigma50, special edition<br />

Duofix WC element<br />

Various Duofix washbasin elements<br />

Duofix urinal element<br />

Duofix WC element, barrier-free, for supports<br />

and handles<br />

Duofix elements for sink<br />

28 <strong>View</strong> – Reference magazine <strong>2012</strong> 29


Focus Airport<br />

↑ In the large main hall, eight check-in units are available to passengers. These “islands” are paneled in walnut.<br />

27 meters tall. The building houses the<br />

central functions related to check­in and<br />

baggage handling as well as retail stores<br />

and restaurants. Here, too, all passenger<br />

flows from both surface and air transportation<br />

run together, as well as those from<br />

passenger drop­off and the train station.<br />

By constructing the glass facade with filigree<br />

components, the architects succeeded<br />

in lending the hall maximum<br />

transparency. The roof of the hall spans<br />

the various areas, from passenger dropoff<br />

to departure concourse, thus linking<br />

surface and air transportation. The hall<br />

roof is a lightweight construction with a<br />

span of about 44 square meters, consisting<br />

of a space framework. In an interview*,<br />

Hans Joachim Paap and Hubert Nienhoff,<br />

the head project architects from gmp, explained<br />

the concept behind the roof construction.<br />

The element is intended to be<br />

readable, say the architects, via directional<br />

lighting as well, which is softened by a<br />

membrane stretched over the support grid<br />

between the support columns. Clear, bright<br />

light shines through the column capitals.<br />

The roof is meant to seem as if it were floating,<br />

an illusion which is created by its trans­<br />

lucent appearance from below, which<br />

gives it depth and reveals a bit of the construction<br />

elements.<br />

Clear, orthogonal structure<br />

The airport complex is structured orthogonally.<br />

A sweeping architectural gesture was<br />

passed over in favor of a simple appearance.<br />

The needs of the user were given<br />

priority, not the need to draw attention<br />

to an extravagant, representational construction.<br />

To create the overall spatial effect,<br />

the architects placed more importance<br />

on a high­quality design in material<br />

selection and the development of details.<br />

The clearly laid out, orthogonal arrangement<br />

of the entire complex is continued in<br />

the interior of the terminal through clear<br />

organization. Despite its extraordinary dimensions,<br />

the main hall is characterized<br />

by comfortable proportions and a simple<br />

layout. Departing passengers can easily<br />

get their bearings. There are eight checkin<br />

units for their use with 112 counters,<br />

which will later be expanded to 132. These<br />

so­called “islands” are paneled in warm<br />

walnut, setting a pleasant counterpoint<br />

to the airy, transparent hall. The wood<br />

paneling follows passengers on the hall’s<br />

back wall as they make their way to one of<br />

the security checkpoints and the Market<br />

Place with shops and restaurants on the<br />

other side. From the Market Place, passengers<br />

then enter the connected, 715­meterlong<br />

main departure concourse. They are<br />

directed from the main hall in the upper<br />

level of the concourse to their gates via<br />

stairs. The waiting areas offer views overlooking<br />

the airfield through large windows.<br />

←<br />

* See “Bauwelt” (22/<strong>2012</strong>)<br />

<strong>Geberit</strong> actuator plate Sigma50, special edition<br />

for Berlin Brandenburg Airport<br />

No other actuator plate from <strong>Geberit</strong> offers<br />

nearly as much design freedom as the Sigma50.<br />

It is suitable for use with all Sigma concealed<br />

cisterns with dual flush. The Sigma50 is offered<br />

in a total of nine different models, including<br />

one customizable to the customer’s wishes.<br />

This model offers customers the possibility of<br />

choosing the material and color for the inlay.<br />

Everything has been carefully prepared for this<br />

option: An easily understandable dimensioned<br />

drawing enables any carpenter, mason, glass<br />

or plastics specialist to prepare a precisely<br />

fitted inlay. And the die-cast zinc frame is pre -<br />

pared with an adhesive so that once the inlay<br />

is cut to fit, it can be easily and permanently<br />

fixed in place.<br />

This option to design a plate entirely according<br />

to the customer’s wishes together with the plate’s<br />

streamlined, functional design is a perfect fit<br />

with the airport’s architecture, convincing the<br />

architects from von Gerkan, Marg und Partner<br />

to choose <strong>Geberit</strong> products. The Sigma50 was<br />

coated with the same high-pressure laminate<br />

(HPL) as the urinal and WC partitions in the WC<br />

facilities, and colored to match the anthracite<br />

fixtures. In this way, the color concept was<br />

continued throughout the building, enabling<br />

the architects to satisfy their requirement of<br />

creating high-quality design in the selection of<br />

materials and development of details in this<br />

area as well. A total of 650 Sigma50 units were<br />

manufactured for the Berlin Brandenburg<br />

Airport and installed in both the VIP and stand-<br />

ard areas of the passenger terminal.<br />

30 <strong>View</strong> – Reference magazine <strong>2012</strong> 31


Focus University building<br />

Desert sand<br />

and veils<br />

Zayed University in Abu Dhabi<br />

Recently, Hadi Teherani<br />

and his team at BRT Architects<br />

in Hamburg have<br />

designed and constructed<br />

a number of striking,<br />

sculptural, large-scale<br />

buildings at significant<br />

locations. One of the latest<br />

examples is in Abu Dhabi.<br />

Zayed University is a<br />

high-tech oasis of knowledge<br />

encased in impos-<br />

ing architecture.<br />

← The roof covers the individual<br />

buildings of Zayed University like<br />

a veil.<br />

Striking, futuristic and built to the highest<br />

technical standards, Zayed University,<br />

named after its founder, Sheikh Zayed bin<br />

Sultan Al Nahyan, was designed to meet<br />

the highest demands in all respects. This<br />

unusual complex was designed by a team<br />

from BRT Architects in Hamburg, headed<br />

by Hadi Teherani. The work of this architectural<br />

artist from Teheran is characterized<br />

by his holistic approach. He also works<br />

as a product and interior designer to create<br />

all­round, complex architectural living<br />

environments. In all his projects, Teherani<br />

focuses not exclusively on the architectural<br />

space, but also on a harmoniously designed<br />

space with a coherent atmosphere<br />

that can be experienced with all senses<br />

down to the last detail.<br />

Seamless feature roof<br />

For Zayed University, Hadi Teherani created<br />

a large­volume, sculptural solitaire with<br />

dimensions that make the observer think<br />

Zayed University, Abu Dhabi (UAE)<br />

Building owner: Mubadala, Abu Dhabi (UAE)<br />

Architects: Bothe, Richter, Teherani BRT<br />

Architects, Hamburg (DE)<br />

Completed: 8/2011<br />

Awards: Dubai Cityscape Award <strong>2012</strong>, category<br />

“Industry Choice Award”<br />

Plumber: Al Habtoor Specon LLC, Dubai (UAE)<br />

<strong>Geberit</strong> know-how<br />

Duofix installation system Sigma concealed<br />

cistern 12 cm (UP320)<br />

Duofix installation system Kappa concealed<br />

cistern 15 cm (UP200)<br />

Actuator plate Kappa<br />

Lavatory tap type 185<br />

the architects decided to test the limits of<br />

what is statically feasible. The design combines<br />

futuristic architecture, engineering<br />

ingenuity and traditional elements. The<br />

symmetrically designed complex is divided<br />

into two halves, one for the women’s<br />

campus and one for the men’s campus. The<br />

two areas are connected by a promenade<br />

that leads to the large, central square in the<br />

center of the university. The unifying element<br />

of the building ensemble is the seamless,<br />

almost floating feature roof that was<br />

inspired by the flowing form of the abaya,<br />

a traditional Arab head covering for women.<br />

Around 6,000 students have been studying<br />

at the campus, which covers an area of 80<br />

hectares (nearly 200 acres), since autumn<br />

2011. In addition to lecture halls, research<br />

and computer rooms, the campus includes<br />

administration offices, a cafeteria, a sports<br />

complex, a conference center and a library<br />

covering 18,000 square meters (nearly<br />

194,000 square feet). ←<br />

33


Focus University building<br />

Interview with Hadi Teherani about<br />

the construction of Zayed University<br />

Sculptural<br />

solitaire<br />

Why did this project appeal to you?<br />

The university is of great cultural and<br />

political importance for the entire region.<br />

It is the first institution of its kind for<br />

male and female students on the same<br />

campus, if not yet in the same rooms.<br />

One aspect of this project was also the<br />

development potential of this society<br />

as well as new ideas, new products and<br />

not least of all the local importance of<br />

the country after the energy revolution.<br />

What was your inspiration in designing its roof?<br />

The traditional veil inspired us. This is a<br />

veil that doesn’t shape the body, but softly<br />

wraps around it. Another source of inspiration<br />

was the desert sand with its dunes<br />

wandering with the winds. In this way, it is<br />

possible to draw the main functions of the<br />

university together to create an organic<br />

form. A roof with this shape that spans<br />

several building complexes as well as the<br />

space between them has never been con -<br />

structed before. With its unique dynamics,<br />

it is not simply an architectural element,<br />

but also meshes with the paths and<br />

squares to create an urban space.<br />

← Futuristic architecture is combined<br />

with engineering ingenuity<br />

and traditional Arab elements.<br />

→ 6,000 students study on the<br />

80-hectare campus.<br />

What were your greatest challenges during<br />

the construction of the complex?<br />

The greatest technical challenges were<br />

the climate, the huge dimensions of<br />

the construction and the speed at which<br />

it had to progress. The roof also covers<br />

a library of more than 500,000 books, and<br />

the conference center houses the largest<br />

theater in Abu Dhabi, while the cafeterias<br />

can seat 2,600 people. In total, the site<br />

comprises an area of 100,000 square<br />

meters (almost 1.1 million square feet).<br />

It was not easy to work with such building<br />

dimensions with 7,500 construction<br />

workers, 320 site managers and temperatures<br />

of 50 degrees Celsius (120 ° F)<br />

without anything going wrong. But the end<br />

result – a shady oasis of scholarship –<br />

made all our efforts worthwhile. This was<br />

what motivated us all.<br />

Was sustainability a priority in building<br />

Zayed University?<br />

Yes, environmental protection and<br />

sustainability were important aspects<br />

in the design of the university. The<br />

form of the building, ventilation and<br />

lighting, the shading elements on the front<br />

of the facades and the shading effect<br />

of the roof that spans the entire unit are<br />

all expressions of this focus. The landscaping<br />

with its areas of water and<br />

vegetation was also integrated into the<br />

concept. ←<br />

<strong>Geberit</strong> lavatory tap type 185<br />

During the construction of Zayed University, a great deal of attention<br />

was also paid to good design, quality, durability and sustainability in<br />

selecting products. For this reason, electronic <strong>Geberit</strong> lavatory taps type<br />

185 were installed in the bathrooms, as they combine these qualities in<br />

one product. Due to their economical energy and water consumption,<br />

the taps were also awarded the WELL label in 2011. The main feature of<br />

the taps is the hygienic touchless activation of the water flow by the user.<br />

This is based on an infrared, two-beam recognition feature that can be<br />

individually adjusted. With its additional functions such as a water-saving<br />

program, energy saving mode and a hygienic flush program, the electronic<br />

washbasin tap can be easily adapted to the user’s needs. The taps are<br />

easy to clean and resistant to moisture and dirt. Power can be supplied<br />

either conventionally from the power supply network or a long-lasting<br />

battery. Since the beginning of <strong>2012</strong>, the taps have also featured an<br />

internal generator that supplies the taps with electricity in a sustainable<br />

manner. Like a small hydroelectric power station, the generator uses<br />

the pressure of the tap water to generate the required electricity and<br />

makes the electronic washbasin taps independent of other power sources.<br />

For further information: <strong>Geberit</strong> Product Magazine “NEW” <strong>2012</strong><br />

→ www.geberit.com<br />

↑ <strong>Geberit</strong> lavatory tap type 185.<br />

34 <strong>View</strong> – Reference magazine <strong>2012</strong> 35


Concept Cars<br />

Courage<br />

to create the<br />

invisible<br />

Interview with industrial<br />

designer Christoph Behling<br />

Interdisciplinary teams at <strong>Geberit</strong> develop<br />

design studies that serve as the basis for<br />

new products. One of these is the “floating<br />

plate,” without which the Sigma40 actuator<br />

plate with the integrated odor extraction<br />

unit would not be possible and which served<br />

as a source of inspiration for the Sigma50<br />

and Sigma60.<br />

Curriculum vitae<br />

Christoph Behling (42) studied at the Art Academy<br />

in Stuttgart under the direction of Richard<br />

Sapper Industrial Design. He quickly made a<br />

name for himself as a watch designer as well<br />

as a designer of sustainable products, such<br />

as solar boats. Behling is considered one of<br />

Europe’s most renowned industrial designers.<br />

His work has won numerous international<br />

awards.<br />

↑ Design sketch by Christoph Behling for the Sigma40.<br />

Mr. Behling, you have been working as a designer<br />

for <strong>Geberit</strong> for several years. How are design studies<br />

originated at <strong>Geberit</strong>?<br />

The development cycle for new products<br />

at <strong>Geberit</strong> is relatively long, and it generally<br />

takes two to three years before<br />

production begins. For me as a designer,<br />

these processes mean that the design<br />

studies I am currently working on have<br />

to be visionary, so that the products look<br />

contemporary enough when they are<br />

launched on the market. For this reason,<br />

I also constantly work with interdisciplinary<br />

teams on so-called “concept cars.”<br />

The focus here is not only on new products,<br />

but on details such as a new actuator<br />

or enhanced ergonomic design. The<br />

starting point is, however, always a new<br />

design. You could say that good design<br />

is developed around a problem. Over time,<br />

a large pool of design concepts has<br />

evolved in this way, and we can always<br />

use this to find new inspiration.<br />

The “floating plate” also originated from this pool.<br />

What is so special about it?<br />

The plate, which appears to float a few<br />

centimeters in front of the wall, was a flash<br />

of <strong>Geberit</strong> genius – a cistern concealed<br />

behind the wall, in front an almost invisible<br />

plate. The “floating plate” is perfectly in<br />

keeping with <strong>Geberit</strong>’s goal of supplying<br />

uncompromising functionality combined<br />

with aesthetics. The aim was to create a<br />

product that exudes lightness and iden-<br />

tity. Everything that was unnecessary had<br />

to disappear. All that remains is a floating<br />

plate.<br />

What inspires you in your work with <strong>Geberit</strong>?<br />

Here, there is still a vision – to combine<br />

technology, infrastructure and aesthetics<br />

to create the bathroom of the future.<br />

And all this happens with the courage to<br />

create the invisible. The floating plate<br />

is a good example of this concept. The<br />

technology and the construction, i.e.,<br />

the know-how behind these, are invisible.<br />

You don’t even suspect that it is there.<br />

At <strong>Geberit</strong>, innovation doesn’t stop at the<br />

exterior. You could say that we work from<br />

the inside outwards. Our solutions aren’t<br />

just superficially cosmetic. That is the<br />

unique characteristic of this company.<br />

What does that mean for your work as a designer?<br />

<strong>Geberit</strong> products don’t scream: “Look<br />

at me, I’m different.” For this reason, I have<br />

to work very discreetly. They are made<br />

modestly, but as perfectly as possible,<br />

which is also something you can see.<br />

Every product is made with the same love<br />

and patience. The quality of <strong>Geberit</strong><br />

products cannot be found in mass-produced<br />

items. Take the metal treatment<br />

of the Sigma60 actuator plate as an<br />

example. You can hardly find anything<br />

to match it today.<br />

At first, the floating plate was simply a design<br />

draft without any specific function. How did it<br />

evolve to become a new product?<br />

The function came a few years later with<br />

the development of odor extraction. I<br />

was really enthusiastic when I first saw<br />

the new idea of simply drawing off<br />

unpleasant odors into the bowl. In the<br />

technical department, we all discussed<br />

the form this function needed. We already<br />

had the right design for it with the floating<br />

plate, as it had the functional requirements<br />

and the form that also expressed<br />

lightness and airiness. With this as a<br />

basis, we developed the Sigma40 with<br />

the integrated odor extraction unit,<br />

which was launched in 2011.<br />

What part did you play in the development<br />

of the floating plate?<br />

It was my task to create the Sigma40<br />

on the basis of the floating design, in<br />

other words, to make the visible invisible.<br />

Very subtile, very fine, but with a very<br />

high quality standard. The skill of the plate<br />

design is in ensuring its invisibility. It is<br />

every architect’s and interior designer’s<br />

dream to have a plate that is as invisible<br />

and as light as possible. This is particularly<br />

important in the bathroom, where there<br />

are a number of interior design features,<br />

that the plate merge into the background.<br />

It will be available in <strong>2012</strong> with a glass<br />

surface as well. Why?<br />

Well, the plate is also available with a<br />

glass surface in white, umber and black.<br />

Ten years ago, the products were all made<br />

of plastic. Today, glass has replaced<br />

plastic, because glass is available today<br />

in much higher qualities than before.<br />

It no longer scratches and is increasingly<br />

popular with architects. Glass is be coming<br />

more dominant as a design element.<br />

This is already evident in facades and<br />

interior fittings. Glass stands for dematerialization.<br />

It is light and floating and<br />

blends easily into different decors. It is<br />

therefore ideal for a plate such as the<br />

Sigma40.<br />

Did you design the Sigma50 and Sigma60<br />

actuator plates on this basis as well?<br />

Yes, and the Sigma60 actuator plate best<br />

exemplifies that “floating” effect. It is<br />

reduced to the absolute minimum. The<br />

little that is left is marked by clarity and<br />

understatement. Its design is not loud but<br />

restrained. It doesn’t encroach on our<br />

living environment. It is a product with a<br />

long service life. Being a <strong>Geberit</strong> designer<br />

also means not following short-lived<br />

trends. The plate is an object that has to<br />

be discovered and wants to be discovered.<br />

Achieving simplicity is generally the<br />

most difficult task, as it can quickly steer<br />

towards banality. This is the high art of<br />

design, and that is exactly in keeping with<br />

<strong>Geberit</strong>. After all, people today no longer<br />

want shrill, cheap, trendy solutions. ←<br />

↑ Design study of the “floating<br />

plate”: As the result of a nonvisible<br />

fastening, it appears<br />

to float a few centimeters in<br />

front of the wall.<br />

1<br />

2<br />

3<br />

1 The Sigma40 with integrated<br />

odor extraction has also<br />

been available with a glass<br />

plate since <strong>2012</strong>.<br />

2 Actuator plate Sigma50.<br />

3 The actuator plate Sigma60<br />

is reduced to a minimum.<br />

36 <strong>View</strong> – Reference magazine <strong>2012</strong> 37


Spectrum Technology<br />

↑ Generous glass surfaces give rhythm to the building structures of the Ecole Nonnewisen.<br />

For some time, Esch­sur­Alzette, the second­largest<br />

town in Luxembourg, has been<br />

redefining its economic and urban future.<br />

As part of this development, a school complex<br />

has been created for 270 preschool<br />

and elementary school children in the district<br />

of Nonnewisen, which is home to<br />

around 1,500 inhabitants. The new school<br />

facility was designed by the architecture<br />

firm Auer+Weber in Stuttgart in collaboration<br />

with the Atelier d’Architecture BENG in<br />

Esch­sur­Alzette. The schoolyard, which is<br />

open to the public outside school hours,<br />

forms the “green hub” between the school<br />

and the sports facilities and opens onto the<br />

Parc de Centenaire opposite it on the south<br />

side. Despite the building’s relatively large<br />

size, the architects managed to create a<br />

scale and proportion that is appropriate for<br />

the preschool and elementary school children,<br />

thus making it easier for them to find<br />

their way around. The individual buildings<br />

are combined to create an artistic ensemble<br />

by means of the structure of the generously<br />

dimensioned glass elements and<br />

closed facade sections made of concrete<br />

blocks.<br />

Certified fire protection system<br />

from <strong>Geberit</strong><br />

Fire protection is naturally also required by<br />

today’s standards for school buildings. In<br />

addition to standard solutions, <strong>Geberit</strong><br />

also supplies solutions customized to individual<br />

situations for special architectural<br />

challenges. This is also true of the school in<br />

Esch­sur­Alzette, in which <strong>Geberit</strong> products<br />

that ensure all­round fire protection<br />

were used. The best way to ensure comprehensive<br />

fire protection is with a system<br />

solution, i.e. by using individual components<br />

coordinated to optimize fire protection<br />

characteristics. All components relevant<br />

to fire protection are included in the<br />

system. The installed Mapress drinking<br />

water pipes were protected by special pipe<br />

jacketing. The Silent­db20 drainage pipes<br />

are protected by fire protection sleeves<br />

that prevent fire from spreading to other<br />

rooms. The cavities in the walls containing<br />

the GIS installation system are filled with<br />

mineral wool, lending them insulating and<br />

fire­protecting properties. Even the Pluvia<br />

roof outlet was equipped with a fire protection<br />

sleeve. ←<br />

Situational<br />

solutions<br />

Fire protection is<br />

the top priority<br />

Ecole Nonnewisen, Esch-sur-Alzette (LU)<br />

Building owner: Ville d’Esch-sur-Alzette (LU)<br />

Architect: Auer+Weber+Assoziierte GmbH,<br />

Stuttgart (DE); Atelier d’Architecture BENG,<br />

Esch-sur-Alzette (LU)<br />

Completed: 4/<strong>2012</strong><br />

Sanitary engineers: Goblet Lavandier &<br />

Associés, Luxembourg (LU)<br />

Plumber: MBW Technique du Bâtiment SA,<br />

Luxembourg (LU)<br />

<strong>Geberit</strong> know-how<br />

Pluvia roof drainage system<br />

Silent-db20 drainage system<br />

Mapress stainless steel piping system<br />

GIS installation system<br />

Duofix installation system<br />

Comprehensive fire protection<br />

The fire behavior of <strong>Geberit</strong> products and<br />

systems is tested in collaboration with external<br />

testing institutes. <strong>Geberit</strong>’s Building Physics<br />

division holds seminars on the principles of fire<br />

protection and demonstrates for its own development<br />

engineers and designers the effectiveness<br />

of the fire protection measures. It tests<br />

and evaluates prototypes and mass-produced<br />

products. In addition, it carries out fire tests<br />

appropriate to building material classes and fire<br />

resistance, taking into consideration the<br />

different fire protection requirements in various<br />

countries. All <strong>Geberit</strong> products have been subjected<br />

to fire testing.<br />

Spectrum Technology<br />

↑ National object of prestige: The new stadium in Warsaw is in the national colors of red and white.<br />

A red-and-white giant<br />

<strong>Geberit</strong> drinking water competence<br />

in the Warsaw national stadium<br />

The new national stadium is a striking feature<br />

on the urban landscape of Warsaw that<br />

can be seen for miles. The venue of the<br />

opening game of the <strong>2012</strong> UEFA European<br />

Football Championship is around two kilometers<br />

away from the banks of the Vistula<br />

River in a park with large open spaces,<br />

sports facilities and trees. The stadium is at<br />

the center of a new, large­scale “sport<br />

park” that was created to revitalize the entire<br />

area. The state­of­the­art, multifunctional<br />

arena was built on the foundations of<br />

the Dziesięciolecia Stadium that was built in<br />

1955 from the rubble left after World War II.<br />

An international architecture competition<br />

was advertised for the new construction in<br />

2007 that was won by the global architecture<br />

group GMP (von Gerkan, Marg and<br />

Partners) in collaboration with J.S.K. Architekci<br />

and Schlaich Bergermann und Partner.<br />

The complex incorporating the Polish<br />

national colors of red and white with a facade<br />

of meshed metal baffle seats 55,000<br />

fans. The interwoven facade elements<br />

also create a fascinating play of light and<br />

shade when the incoming light is weak.<br />

Apart from its color scheme, another striking<br />

detail of the building is its roof. The unusual<br />

roof cable construction is supported<br />

on a free­floating “needle.” The “needle,”<br />

with its lower tip suspended 30 meters<br />

above the playing field, is kept in the air by<br />

a clever, closable tent roof construction.<br />

Geared to sustainability<br />

Sustainability was a main priority in building<br />

the stadium. One example is the water<br />

supply: The toilets and urinals are flushed<br />

with rainwater. As a company that is strictly<br />

committed to sustainability, <strong>Geberit</strong> was<br />

able to win the contract for the concealed<br />

systems for the 2,100 toilets and urinals.<br />

The durability and safety of the products<br />

were equally convincing arguments, as was<br />

the special vandalism protection provided<br />

by the screwed actuator plates made of<br />

stainless steel.<br />

<strong>Geberit</strong> sanitary flushings were used for<br />

the flushing systems. They guarantee the<br />

safety of the fresh water by regularly flushing<br />

the water in the pipes, thereby preventing<br />

possible microbial contamination of the<br />

drinking water. Water must be able to flow<br />

and circulate so that it is constantly replaced.<br />

For this reason, <strong>Geberit</strong> developped<br />

the sanitary flushing that ensures<br />

that stagnation times are minimized and<br />

freshness is maintained by regular, auto­<br />

National stadium, Warsaw (PL)<br />

Building owner: Narodowe Centrum Sportu Sp. Z.o.o. (PL)<br />

Architects: von Gerkan, Marg and Partners (gmp),<br />

Hamburg (DE); in collaboration with J.S.K. Architekci<br />

Sp. Z.o.o., Warsaw (PL); Schlaich Bergermann und<br />

Partner, Stuttgart (DE)<br />

Opened: 1/<strong>2012</strong><br />

Plumber: Imtech, Hamburg (DE)<br />

<strong>Geberit</strong> know-how<br />

Duofix installation system<br />

Electronic urinal flush control and lavatory tap<br />

Sanitary flushing<br />

matic replacement of the drinking water.<br />

The <strong>Geberit</strong> sanitary flushings can be easily<br />

programmed and adapted to the different<br />

uses of the sanitary installations. They can<br />

be integrated into the building service management<br />

system and therefore controlled<br />

and monitored from a central point. ←<br />

For perfect drinking water<br />

<strong>Geberit</strong> regards keeping drinking water in<br />

hygienically perfect condition by providing<br />

suitable, certified products as an ongoing<br />

challenge and task. To achieve this goal, the<br />

company uses only high-quality materials.<br />

Another risk for drinking water contamination<br />

is the transport and storage of pipes and<br />

fittings without protective caps, which can<br />

result in contamination of the insides of the<br />

pipes. During the production of pipes and<br />

fittings, <strong>Geberit</strong> ensures that they are in<br />

hygienically perfect condition when they leave<br />

the plant. The <strong>Geberit</strong> Mapress and Mepla<br />

piping systems, which are suitable for drinking<br />

water pipes, are equipped with protection<br />

plugs to prevent the ingress of dirt and foreign<br />

bodies. The plant also places protective caps,<br />

which can be reused for closing off installed<br />

system components, on fittings. When the<br />

drinking water installation is filled with water<br />

for the first time, <strong>Geberit</strong> hygiene filters retain<br />

any microorganisms. This ensures that only microbiologically<br />

perfect drinking water is used<br />

to fill the system for the first time.<br />

38 <strong>View</strong> – Reference magazine <strong>2012</strong> 39


Spectrum End user<br />

Stimulus<br />

for the senses<br />

Schloss Schauenstein in Fürstenau (CH)<br />

↑ Schloss Schauenstein’s hotel rooms are named after the four elements. <strong>View</strong> of the “Feuer” (fire) room.<br />

Schloss Schauenstein<br />

in Fürstenau long ago lost<br />

its secret status as the<br />

best dining experience in<br />

Switzerland. The exquisite<br />

hotel/restaurant is under<br />

the direction of 3-star chef<br />

Andreas Caminada. Of<br />

central importance to the<br />

top chef from the Swiss<br />

canton of Graubünden are<br />

his guests and their wellbeing,<br />

and not just in his<br />

culinary art. The harmonious<br />

furnishings and atmosphere<br />

of the hotel also<br />

play a part. A very special<br />

wellness oasis to which<br />

<strong>Geberit</strong> AquaClean also<br />

contribute.<br />

The Schloss Schauenstein restaurant in<br />

Fürstenau figures among the top 30 entries<br />

on the “World’s 50 Best Restaurants” list.<br />

Since 2003, it has been run by top chef<br />

Andreas Caminada, a native of the Swiss<br />

canton of Graubünden, who only two years<br />

after the opening was touted as the discovery<br />

of the year. In 2008, “Gault Millau”<br />

crowned Caminada as Switzerland’s Chef<br />

of the Year, and again in 2010, also awarding<br />

him a nearly perfect score of 19 out of 20<br />

points. The same year, “Guide Michelin”<br />

honored Caminada as the first Germanspeaking<br />

Swiss chef to earn three stars.<br />

The 34­year­old is considered one of the<br />

top talents among Swiss chefs. And his restaurant<br />

in the castellated Domleschg Valley<br />

is known far and wide. Meanwhile, the wait<br />

time for one of the coveted tables is many<br />

months.<br />

Focus on guests’ well-being<br />

When Andreas Caminada and his thenpartner<br />

Sieglinde Zottmaier saw Schloss<br />

Schauenstein for the first time in March<br />

2003, they knew immediately that they<br />

could achieve their dream here. “We wanted<br />

to offer something that did not yet exist,<br />

something holistic – and we therefore<br />

wanted to use all the rooms in the castle,”<br />

says Andreas Caminada. They used a sensitive<br />

touch to transform the historic building<br />

into a hotel/restaurant with a special<br />

flair. In the beginning, they had only four<br />

employees and did everything themselves,<br />

recalls the master chef. Today,<br />

Caminada has 27 employees who attend<br />

to the needs of the hotel and restaurant<br />

guests, who meanwhile travel from as far as<br />

Tokyo and New York to experience Caminada’s<br />

culinary craft. “It is very important to<br />

us that our establishment not appear snobbish<br />

or elitist, but rather very personal.<br />

The guests and their well­being are the<br />

center of our focus. They should feel at<br />

home and let themselves be completely<br />

pampered,” explains Caminada.<br />

This includes the charming interior design<br />

of the six hotel rooms, each of which has<br />

a different layout, window size and ceiling<br />

height and accordingly is appointed in its<br />

own individual style. “We didn’t want to<br />

reduce the rooms to a standard. Moreover,<br />

it was important to me to find a good symbiosis<br />

between old and new,” says Cami­<br />

<strong>Geberit</strong> AquaClean 8000plus<br />

In accordance with its own vision, <strong>Geberit</strong><br />

wants to use innovative solutions in sanitary<br />

technology to improve people’s quality of<br />

life for the long term and in a sustainable manner.<br />

<strong>Geberit</strong> has launched a new generation of<br />

toilets on the market under the name AquaClean.<br />

With the <strong>Geberit</strong> AquaClean shower toilet,<br />

available in models 4000, 5000plus, 8000<br />

and 8000plus, paper is no longer needed to<br />

clean. Rather a warm jet of water cleans,<br />

touch-free and hygienically. The AquaClean<br />

8000plus model, installed in Schloss<br />

Schauenstein’s guest rooms and restaurant<br />

restrooms,also spoils you with a special<br />

treatment. All functions can be individually<br />

regulated, from the position of the spray arm<br />

to the water temperature and intensity to the<br />

dryer. Thanks to a storable user profile, each<br />

user need set all functions only once and<br />

can retrieve them with the remote control.<br />

AquaClean 8000plus is available as a wallhung<br />

or floor-standing model, with or without<br />

visible cistern. Together with the Monolith<br />

sanitary module, it offers the ideal combination<br />

for a harmonious fit with every ambiance.<br />

Schloss Schauenstein,<br />

Fürstenau (CH)<br />

Plumber: Domenig Mark,<br />

Scharans (CH)<br />

<strong>Geberit</strong> know-how<br />

AquaClean 8000plus<br />

Monolith sanitary module for WCs<br />

↑ Schloss Schauenstein in Fürstenau: exquisite cuisine<br />

from Andreas Caminada.<br />

← The hotel room bathrooms are equipped with the<br />

<strong>Geberit</strong> AquaClean 8000plus and the Monolith sanitary<br />

module.<br />

nada, who today still handles decorating<br />

the rooms himself and loves to rummage<br />

around furniture stores for beautiful accessories.<br />

Four rooms are named after the<br />

elements of fire, earth, air and water. Two<br />

bear the names of the trees visible through<br />

their windows, a linden and a chestnut.<br />

When furnishing the guest rooms, Caminada<br />

combined modern design with antique<br />

furniture from the castle.<br />

<strong>Geberit</strong> AquaClean and Monolith<br />

Schloss Schauenstein is meant to “stimulate<br />

the senses” in every way. This is the recurring<br />

theme throughout the establishment<br />

and can also be found in the smallest<br />

details in the cuisine. Right up to the homelike<br />

design of the bathrooms. “We also want<br />

only the best for personal hygiene. That is<br />

why we have installed the <strong>Geberit</strong> Aqua­<br />

Clean shower toilet for our guests,” says<br />

Caminada. The AquaClean together with<br />

the clean design of the Monolith sanitary<br />

module fits perfectly into the bathrooms –<br />

and does its part in making Schloss<br />

Schauenstein a very special wellness oasis.<br />

→ www.schauenstein.ch<br />

40 <strong>View</strong> – Reference magazine <strong>2012</strong> 41


Spectrum Environment<br />

↑ Unusual stylistic elements and a “green” building: The Mauritius Commercial Bank fascinates with its elliptic shape and the consistent implementation<br />

of resource-saving concepts.<br />

An ellipse that is<br />

something else<br />

Mauritius Commercial Bank, Mauritius<br />

The new headquarters of<br />

the Mauritius Commercial<br />

Bank has attracted a great<br />

deal of interest. On the one<br />

hand, this is because of<br />

its unusual architecture. On<br />

the other hand, the building<br />

meets high sustainability<br />

standards and has been<br />

awarded the GREEN STAR<br />

and the BREEAM label.<br />

Five hours by plane from Johannesburg in<br />

South Africa, in the middle of the Indian<br />

Ocean, lies the island of Mauritius: tropical<br />

climate with an average temperature of<br />

23.3 degrees Celsius, dry winters and wet<br />

summers. The heating of buildings is of no<br />

interest in this region. The question is far<br />

more, how one can provide resource­saving<br />

cooling. One answer to this is provided by a<br />

new building that already stands out in its<br />

surroundings simply by its unusual architecture:<br />

the new headquarters of the Mauritius<br />

Commercial Bank. The project, which<br />

was implemented in 2011, was conceived by<br />

the architect Jean François Koenig.<br />

Energy thanks to its own solar park<br />

The unique Green Building takes into account<br />

all aspects of sustainable building<br />

and meets high social and economic standards.<br />

“In addition to saving energy and water,<br />

these also involve acoustic insulation<br />

and fire protection, safety, waste disposal<br />

and quality of life,” explains Jean François<br />

Koenig, who studied architecture in London<br />

and who has had an office of his own on<br />

Mauritius since 1987.<br />

The building is conceived in such a way that<br />

it uses around one third less energy than<br />

conventional buildings. The elliptical shell<br />

Mauritius Commercial Bank<br />

Headquarters<br />

Building owner: Mauritius<br />

Commercial Bank Ltd (MU),<br />

Architect: Jean François Koenig,<br />

Montagne Longue (MU)<br />

Completion: 2011<br />

Sanitary engineer: Arup Sigma Ltd,<br />

Port Louis (MU); Proburo Ltd, Port<br />

Louis (MU)<br />

Plumber: Plumbelec Co. Ltd,<br />

Curepipe (MU)<br />

<strong>Geberit</strong> know-how<br />

GIS installation system<br />

Electronic urinal flush control<br />

and lavatory tap<br />

P-trap<br />

PE-HD piping system<br />

Pluvia roof drainage system<br />

Mepla piping system<br />

→ Five glass rings pass around<br />

the ellipse and bring light into the<br />

central building section.<br />

is made of concrete, aluminium plates and<br />

an additional insulation layer, which together<br />

make up a good insulation layer. Daylight<br />

comes into the building not only through<br />

the front and rear facades, but also through<br />

five glass rings that penetrate the ellipse all<br />

around. The glass of the rings is made of<br />

energy­friendly dark glass, which protects<br />

the rooms against overheating.<br />

Economical handling of drinking water<br />

Workplaces for 1,100 employees are located<br />

in the 40­metre­high banking complex,<br />

along with two large auditoriums, training<br />

rooms and a canteen. The building’s own<br />

solar park provides the majority of the required<br />

energy. And wherever it is expedient,<br />

rainwater and grey water are used instead<br />

of drinking water.<br />

The rainwater is collected on the roof, channelled<br />

into four large water tanks and used<br />

instead of drinking water for toilet flushes,<br />

for example. Drinking water itself is available<br />

only for washing hands and in the kitchen.<br />

And there, the taps are equipped with electronics,<br />

which prevent unnecessary water<br />

consumption. And the drinking water is itself<br />

not lost, but is also collected instead in tanks<br />

and cleaned with a filter. The grey water that<br />

results from this is used for cleaning the<br />

building, for the garden and various other<br />

things.<br />

As a result of the consistent implementation<br />

of resource­saving concepts, the building<br />

was awarded the Australian sustainability<br />

label GREEN STAR. Furthermore, it is the<br />

first building in the Southern Hemisphere<br />

which is in possession of a BREEAM Certificate<br />

(The Building Research Establishment<br />

Environmental Assessment Method). ←<br />

Interview with the architect Jean François Koenig on<br />

the importance of <strong>Geberit</strong> products for the water supply<br />

in the Mauritius Commercial Bank<br />

<strong>Geberit</strong> also<br />

supported<br />

us with its vast<br />

know-how<br />

Is there a shortage of drinking water in Mauritius?<br />

In the last few years, rainfalls have<br />

not been sufficient to refill the public<br />

reserves. The situation is currently<br />

so tense that the government is rationing<br />

the water supply for several hours per<br />

day. However, we made sure during the<br />

construction that the building could<br />

cover its own water needs to a great extent.<br />

What contribution did <strong>Geberit</strong> make?<br />

The toilet and urinal flush systems, which<br />

work entirely with rainwater, and the<br />

garden water system, building and floor<br />

cleaning systems and car wash, which<br />

are supplied with grey water, allow for a<br />

self-supply system that is hardly dependent<br />

on the state supply of drinking water.<br />

<strong>Geberit</strong> not only provided us with products<br />

and top technology, but also supported<br />

us with its vast know-how in the realization<br />

of our complex water supply system.<br />

What impressed you most of all?<br />

We have placed very large water tanks<br />

in the four building bases, which allow us<br />

to store the required amounts of rainwater.<br />

In my opinion, we would not have been<br />

able to direct the water so efficiently from<br />

the complex and curved roof construction<br />

into the tanks without the Pluvia system. ←<br />

42 <strong>View</strong> – Reference magazine <strong>2012</strong> 43


Waterways<br />

The<br />

invisible<br />

bridge<br />

Architecture, submerged<br />

The West Brabant Water Line in the south of the Netherlands is a series of fortifications<br />

dating from the 17 th century that served as a barrier in wars against the Spanish<br />

and the French. In the event of an attack, the land in front of the dikes could be<br />

flooded. Over the last 200 years, however, the landscape, which has been named<br />

a Unesco World Heritage Site, has deteriorated visibly, until recently one of the<br />

defense structures, the star-shaped “Fort de Roovere” fortress, was reconstructed<br />

as a cultural heritage and local recreation area. To make the facility accessible to<br />

visitors, a conventional bridge over the moat would have been sufficient. But, for the<br />

Dutch and Belgian project architects Ro Koster and Ad Kil, such a solution would<br />

have been a literal paradox: A bridge over the defensive dikes, not to mention in the<br />

direction from which the enemy once came, seemed to them to be in absolute<br />

contradiction with the spirit of the place. So Koster and Kil simply hid the bridge<br />

from sight. As Moses led his people through the parted Red Sea, so too, visitors<br />

now cross from one shore to the other directly through the moat, their feet still dry.<br />

Almost level with the surface, the narrow, 1.10-meter-deep “Moses Bridge” cuts<br />

through the water and the embankment of the dike. Seen from a distance, the<br />

walkway appears to be nothing more than a line on the surface of the water. Only<br />

see the upper bodies of the people crossing the bridge can be seen. The construction<br />

is made possible by waterproof liners that cover the wooden structure. A concrete<br />

foundation also safeguards against buoyancy. Overflows removed by some distance<br />

in the moat ensure that the water level near the bridge always remains constant,<br />

a precautionary architectural measure that is also a true experience. ←<br />

→ www.ro-ad.org<br />

→ www.westbrabantsewaterlinie.nl


Index of architects/plumbers Index <strong>Geberit</strong><br />

Trend, pages 6–11<br />

Adidas “Laces”<br />

Architects<br />

kadawittfeldarchitektur GmbH<br />

Aureliusstrasse 2<br />

D-52064 Aachen<br />

T +49 241 946 90 0<br />

F +49 241 946 90 20<br />

→ www.kadawittfeldarchitektur.de<br />

Plumber<br />

Imtech AG<br />

Nuremberg office<br />

Ötterichweg 7<br />

D-90411 Nürnberg<br />

T +49 911 99 41 50<br />

F +49 911 42 72 45<br />

→ www.imtech.de<br />

Salewa headquarters<br />

Architects<br />

Cino Zucchi Architetti<br />

Via Revere, 8<br />

I-<strong>2012</strong>3 Milano<br />

T +39 02 4801 6130<br />

F +39 02 4801 6137<br />

→ www.zucchiarchitetti.com<br />

Park Associati<br />

Via Carlo Goldoni, 1<br />

I-<strong>2012</strong>9 Milano<br />

T +39 02 7639 6734<br />

F +39 02 7639 0644<br />

→ www.parkassociati.it<br />

Plumber<br />

Gaetano Paolin Impianti<br />

Via Cile, 10 – Z.I. Sud<br />

I-35127 Padova<br />

T +39 049 87 00 500<br />

F +39 049 87 00 648<br />

→ www.gaetanopaolin.com<br />

Diesel headquarters<br />

Architects<br />

Studio Ricatti<br />

Corso Palladio, 25<br />

I-36100 Vicenza<br />

T +39 04 4432 3923<br />

F +39 04 4432 3923<br />

→ www.studioricatti.com<br />

Plumber<br />

Campesan F.lli di Campesan<br />

Davide e Luca snc<br />

Via Palazzon, 96<br />

I-36064 Mason Vicentino (VI)<br />

T +39 04 24 75 292<br />

F +39 04 24 75 292<br />

Portrait, pages 12–15<br />

Bitexco Financial Tower<br />

Architects<br />

Carlos Zapata Studio<br />

520 Broadway Street, 8th Floor<br />

USA-New York, NY 10012<br />

T +1 212 966 9292<br />

F +1 212 966 9242<br />

→ www.cz-studio.com<br />

Plumber<br />

Hyup Jin Vina Construction<br />

Co. Ltd<br />

4th Floor, 248 Phan Xich Long St.<br />

Ward 2<br />

Phu Nhuan District<br />

VN-Ho Chi Minh City<br />

T +84 08 3517 4841<br />

Panorama, pages 16–21<br />

Aquatics Centre<br />

Architects<br />

Zaha Hadid Architects<br />

Studio London<br />

10 Bowling Green Lane<br />

UK-London EC 1R OBQ<br />

T +44 20 7253 5147<br />

F +44 20 7251 8322<br />

→ www.zaha-hadid.com<br />

Plumber<br />

Pipetech<br />

Pipeline Technology Limited<br />

6 Albany Business Centre<br />

Wickham Road<br />

Fareham<br />

UK-Hants PO17 5BD<br />

T +44 1329 23 48 88<br />

F +44 1329 2317 17<br />

→ www.pipetech.co.uk<br />

Palácio de Justiça de Gouveia<br />

Architects<br />

Barbosa & Guimarães<br />

Rua Brito Capelo n. 1023<br />

P-4450-077 Matosinhos<br />

T +351 229 363 022<br />

F +351 229 363 024<br />

→ www.barbosa-guimaraes.com<br />

Plumber<br />

Canoviseu – Serviços em<br />

Canalizações, Lda<br />

Rua Nova 5 Pinheiro<br />

P-3505-294 Santo Evos – Viseu<br />

T +351 966 286 529<br />

F +351 232 931 468<br />

Hangzhou Conference Center<br />

Architects<br />

Peter Ruge Architekten<br />

German office<br />

Rheinstrasse 5<br />

D-12159 Berlin<br />

T +49 30 850 799 20<br />

→ www.peter-ruge.de<br />

Schlaich Bergermann und<br />

Partner, Stuttgart spg gmbh<br />

Schwabstrasse 43<br />

D-70197 Stuttgart<br />

T +49 711 648 71-0<br />

F +49 711 648 71-66<br />

→ www.sbp.de<br />

Plumber<br />

Zhejiang Construction<br />

Group Co., Ltd<br />

No. 20 Wensan Road<br />

CN-Hangzhou City Zhejiang<br />

T+ 86 571 88 23 8882<br />

→ www.cnzgc.com<br />

Hotel Lone<br />

Architects<br />

3LHD<br />

N. Božidarevića 13/4<br />

HR-10 000 Zagreb<br />

T +385 1 232 0200<br />

F +385 1 232 0100<br />

→ www.3lhd.com<br />

Plumber<br />

Zagrebgradnja d.o.o.<br />

V Ravnice 6<br />

HR-10000 Zagreb<br />

T +385 1 235 17 00<br />

F +385 1 235 17 29<br />

→ www.zagrebgradnja.hr<br />

ICRC logistics center<br />

Architects<br />

group8<br />

Philibert-de-Sauvage 37<br />

CH-1219 Châtelaine, Genève<br />

T +41 22 560 88 88<br />

F +41 22 560 88 00<br />

→ www.group8.ch<br />

Plumber<br />

Bert’eau SA<br />

8bis Rue Baylon<br />

CH-1227 Carouge<br />

T +41 22 735 33 34<br />

F +41 22 786 53 71<br />

→ www.berteau.ch<br />

Hospital AZ Groeninge<br />

Architects<br />

Baumschlager Eberle<br />

Lindauer Strasse 31<br />

A-6911 Lochau<br />

T +43 5574 43079-0<br />

F +43 5574 43079-30<br />

→ www.baumschlager-eberle.com<br />

Plumber<br />

Philippe Van Maele<br />

Schoolstraat 12<br />

B-8490 Varsenare<br />

T +32 50 38 85 44<br />

Focus, pages 22–35<br />

Harpa<br />

Architects<br />

Henning Larsen Architects<br />

Vesterbrogade 76<br />

DK-1620 Copenhagen V<br />

T +45 82 33 30 00<br />

→ www.henninglarsen.com<br />

Plumber<br />

ÍAV<br />

Höfðabakka 9<br />

IS-110 Reykjavík<br />

T +354 530 4200<br />

F +354 530 4205<br />

→ www.iav.is<br />

City hall Viborg<br />

Architects<br />

Henning Larsen Architects<br />

Vesterbrogade 76<br />

DK-1620 Copenhagen V<br />

T +45 82 33 30 00<br />

→ www.henninglarsen.com<br />

Plumber<br />

Brøndum VVS A/S<br />

Falkevej 14<br />

DK-8800 Viborg<br />

T +45 86 62 36 66<br />

→ www.brondum.dk<br />

Hotel Bella Sky<br />

Architects<br />

3XN Architects<br />

Strandgade 73<br />

DK-1401 Copenhagen K<br />

T +45 70 26 26 48<br />

F +45 70 26 26 49<br />

→ www.3xn.dk<br />

Plumbers<br />

ENCO A/S<br />

Erhvervsvej 18<br />

DK-2600 Glostrup<br />

T +45 4343 3777<br />

F +45 4343 4777<br />

→ www.enco.dk<br />

Basen A/S<br />

Farverland 3<br />

DK-2600 Glostrup<br />

T +45 4343 3200<br />

→ www.basen-as.dk<br />

Berlin Brandenburg Airport<br />

Architects<br />

gmp<br />

Architects von Gerkan, Marg<br />

und Partner<br />

Elbchaussee 139<br />

D-22763 Hamburg<br />

T +49 40 88 151-0<br />

F +49 40 88 151-177<br />

→ www.gmp-architekten.de<br />

JSK international Architekten<br />

und Ingenieure GmbH<br />

Hainer Weg 50<br />

D-60599 Frankfurt a. M.<br />

T +49 69 60 91 09-361<br />

F +49 69 60 91 09-369<br />

→ www.jsk.de<br />

Plumber<br />

Imtech<br />

Head Office Berlin<br />

Mittelbuschweg 20<br />

D-12055 Berlin<br />

T +49 30 68375 0<br />

F +49 30 685 10 09<br />

→ www.imtech.de<br />

Zayed University<br />

Architects<br />

BRT Architekten LLP<br />

Elbberg 1<br />

D-22767 Hamburg<br />

T +49 40 248 42-0<br />

F +49 40 248 42 222<br />

→ www.brt.de<br />

Plumber<br />

Al Habtoor Specon LLC<br />

Business Avenue Building<br />

7th Floor, Suite #712, Deira<br />

P.O. Box 87134<br />

UAE-Dubai,<br />

T +971 4 29 40 420<br />

F +971 4 29 53 856<br />

→ www.habtoorspecon.com<br />

Spectrum Technology,<br />

fire protection, page 38<br />

Ecole Nonnewisen,<br />

Esch-sur-Alzette<br />

Architects<br />

Auer+Weber+Assoziierte<br />

Haussmannstrasse 103 A<br />

D-70188 Stuttgart<br />

T +49 711 268 404 0<br />

F +49 711 268 404 88<br />

→ www.auer-weber.de<br />

Beng Architectes Associés<br />

12, Avenue du RockʼnʼRoll<br />

L-4361 Esch-sur-Alzette<br />

T +352 54 94 30<br />

F +352 54 94 33<br />

→ www.beng.lu<br />

Sanitary engineer<br />

Goblet Lavandier & Associés<br />

17, Rue Jean-Pierre Sauvage<br />

L-2514 Luxembourg<br />

T +352 43 66 76 1<br />

F +352 43 62 64<br />

→ www.golav.lu<br />

Plumber<br />

MBW<br />

Technique du Bâtiment S.A.<br />

Avenue du X Septembre 145<br />

L-2551 Luxembourg<br />

T +352 26 38 92 01<br />

F +352 26 38 92 02<br />

→ www.mbw.lu<br />

Spectrum Technology,<br />

drinking water, page 39<br />

Warsaw national stadium<br />

Architects<br />

gmp (see Berlin Brandenburg<br />

Airport, page 22–35)<br />

J.S.K. Architekci Sp. Z.o.o.<br />

Ul. Domaniewska 50b<br />

PL-02-672 Warszawa<br />

T +48 22 385 47 00<br />

F +48 22 385 47 01<br />

→ www.jskarchitekci.pl<br />

Plumber<br />

Imtech Deutschland<br />

GmbH & Co. KG<br />

Hammer Strasse 32<br />

Imtech-Haus<br />

D-22041 Hamburg<br />

T +49 40 69 49 0<br />

F +49 40 69 49 2722<br />

→ www. imtech.de<br />

Spectrum End user,<br />

pages 40/41<br />

Schloss Schauenstein<br />

Plumber<br />

Domenig Mark<br />

Sanitär-Heizungen<br />

Pitgogna 11<br />

CH-7412 Scharans<br />

T +41 81 651 20 72<br />

F +41 81 651 20 72<br />

Spectrum Environment,<br />

pages 42/43<br />

Mauritius Commercial Bank<br />

Architect<br />

Koenig Associates<br />

Jean François Koenig<br />

Royal Road, Les Mariannes<br />

MU-Montagne Longue<br />

T + 230 245 3819<br />

Sanitary engineering<br />

Arup Sigma Ltd<br />

19 Church Street<br />

MU-Port Louis<br />

T +230 206 0592<br />

→ www.arup.com<br />

Proburo Ltd<br />

9, Bernardin de Saint-Pierre<br />

Avenue<br />

MU-Port Louis<br />

T +230 427 3939<br />

Plumber<br />

Plumbelec Co. Ltd<br />

Jean-Pierre Labat<br />

1, General Charles de<br />

Gaulle Street<br />

MU-Curepipe<br />

T +230 670 9490<br />

F +230 670 9496<br />

Australia<br />

<strong>Geberit</strong> Pty Ltd<br />

Unit 8a<br />

6–8 Byfield Street<br />

North Ryde NSW 2113<br />

T +61 2 9889 7866<br />

F +61 2 9889 7855<br />

→ www.geberit.com.au<br />

Austria<br />

<strong>Geberit</strong> Vertriebs<br />

GmbH & Co. KG<br />

Gebertstrasse 1<br />

3140 Pottenbrunn/St. Pölten<br />

T +43 2742 4010<br />

F +43 2742 40150<br />

→ www.geberit.at<br />

Belgium<br />

<strong>Geberit</strong> nv<br />

Beaulieustraat 6<br />

1830 Machelen<br />

T +32 2 252 01 11<br />

F +32 2 251 0867<br />

→ www.geberit.be<br />

Bosnia and Herzegovina<br />

<strong>Geberit</strong> prodaja d.o.o.<br />

Representative Office BIH<br />

Aleja lipa br. 56<br />

71000 Sarajevo<br />

T +387 33 64 68 06<br />

F +387 33 64 68 06<br />

→ www.geberit.ba<br />

China<br />

<strong>Geberit</strong> Shanghai<br />

No. 1515, Huiping Road<br />

Nanxiang High Technology<br />

Development Zone<br />

201802 Shanghai<br />

T +86 21 6185 3188<br />

F +86 21 69178235<br />

→ www.geberit.com.cn<br />

Croatia<br />

<strong>Geberit</strong> prodaja d.o.o.<br />

Representative Office Croatia<br />

Kutnjački put 11<br />

10110 Zagreb<br />

T +385 1 38 678 00<br />

F +385 1 38 678 01<br />

→ www.geberit.hr<br />

Czech Republic<br />

<strong>Geberit</strong> spol. s r.o.<br />

Moravanská 85<br />

61900 Brno<br />

T +420 54721 2335<br />

F +420 54721 2340<br />

→ www.geberit.cz<br />

Denmark<br />

<strong>Geberit</strong> A/S<br />

Lægårdsvej 26<br />

8520 Lystrup<br />

T +45 8674 1086<br />

F +45 8674 1098<br />

→ www.geberit.dk<br />

Egypt<br />

<strong>Geberit</strong> International<br />

Sales AG<br />

Representative Office Egypt<br />

4 Ghana Street<br />

Heliopolis – Cairo<br />

T +20 2 22 598 343 ext. 4<br />

→ www.international.<br />

geberit.com<br />

Finland<br />

<strong>Geberit</strong> Oy<br />

Tahkotie 1<br />

01530 Vantaa<br />

T +358-9 867 8450<br />

F +358-9 8678 4577<br />

→ www.geberit.fi<br />

France<br />

<strong>Geberit</strong> s.a.r.l.<br />

23/25, rue de Villeneuve<br />

B.P. 20432<br />

94583 Rungis Cedex<br />

T +33 825 801 603<br />

F +33 825 801 604<br />

→ www.geberit.fr<br />

Germany<br />

<strong>Geberit</strong> Vertriebs GmbH<br />

Theuerbachstrasse 1<br />

88630 Pfullendorf<br />

T +49 7552 934-0<br />

F: +49 7552 934-300<br />

→ www.geberit.de<br />

Golf Region<br />

<strong>Geberit</strong> International Sales AG<br />

Dubai Branch<br />

1501B Swiss Tower<br />

Jumeirah Lakes Towers<br />

P.O. Box 282317<br />

Dubai UAE<br />

Dubai<br />

T +971 4 447 0914<br />

F +971 4 447 0915<br />

→ www.geberit.ae<br />

Qatar<br />

T +974 4 495 4605<br />

F +974 4 495 4600<br />

→ www.geberit.ae<br />

Kuwait<br />

T +965 6 672 8102<br />

F +965 2 225 1902<br />

→ www.geberit.ae<br />

Saudi Arabia<br />

T +966 2 668 3468<br />

F +966 2 668 8107<br />

→ www.geberit.com.sa<br />

Great Britain/Ireland<br />

<strong>Geberit</strong> Sales Ltd<br />

<strong>Geberit</strong> House<br />

Academy Drive<br />

Warwick<br />

Warwickshire CV34 6QZ<br />

T +44 1926 516 800<br />

F +44 1926 516 809<br />

→ www.geberit.co.uk<br />

Hungary<br />

<strong>Geberit</strong> Kft<br />

Alíz u. 2<br />

1117 Budapest<br />

T +36 1 204 41 87<br />

F +36 1 204 41 90<br />

→ www.geberit.hu<br />

India<br />

<strong>Geberit</strong> Plumbing Technology<br />

India Private Limited<br />

Laxman Complex, No. 07<br />

6 th «A» Main, 4 th Block<br />

Goraguntepalya Ring Road<br />

Bangalore 560 022<br />

T +91 80 3925 1122<br />

F +91 80 3925 113<br />

→ www.geberit.in<br />

Israel<br />

<strong>Geberit</strong> International Sales AG<br />

Representative Office Israel<br />

The Israel Building Center<br />

60952 Kibbutz Gaash<br />

T +972 9 886 6625<br />

F +972 9 886 6627<br />

→ www.geberit.co.il<br />

Italy<br />

<strong>Geberit</strong> Marketing e<br />

Distribuzione SA<br />

Via Gerre 4<br />

CH-6928 Manno<br />

T +41 91 611 92 92<br />

F +41 91 611 93 93<br />

→ www.geberit.it<br />

Luxembourg<br />

<strong>Geberit</strong> b.v. Luxembourg<br />

61, avenue de la Libération<br />

3850 Schifflange<br />

T +352 54 52 26<br />

F +352 54 54 91<br />

→ www.geberit.lu<br />

Netherlands<br />

<strong>Geberit</strong> B.V.<br />

Fultonbaan 15<br />

3439 Nieuwegein<br />

T +31 3060 57700<br />

F +31 3060 53392<br />

→ www.geberit.nl<br />

Norway<br />

<strong>Geberit</strong> AS<br />

Luhrtoppen 2<br />

1470 Lørenskog<br />

T +47 67 97 82 00<br />

F +47 67 97 82 01<br />

→ www.geberit.no<br />

Poland<br />

<strong>Geberit</strong> Sp.z o.o.<br />

ul. Postępu 1<br />

02-676 Warsaw<br />

T +48 22 376 0102<br />

F +48 22 843 4765<br />

→ www.geberit.com.pl<br />

Portugal<br />

<strong>Geberit</strong> Tecnologia Sanitária,<br />

S.A.<br />

Urb. Pólo Tecnológico<br />

de Lisboa à Estr. do Paço<br />

do Lumiar, Lt. 6–2º A<br />

1600-542 Lisboa<br />

T +351 21 781 5100<br />

F +351 21 793 0738<br />

→ www.geberit.pt<br />

Romania<br />

<strong>Geberit</strong> International<br />

Sales AG – Romania Branch<br />

Splaiul Unirii 86, Et. 3<br />

040038 Bucharest<br />

T +40 21 330 30 80<br />

F +40 21 330 31 61<br />

→ www.geberit.ro<br />

Russian Federation<br />

<strong>Geberit</strong> International<br />

Sales AG – Moscow Branch<br />

ul. Krasnoproletarskaya<br />

16 bld. 3, entrance 8<br />

office 1– 5<br />

127473 Moscow<br />

T +7 495 783 83 30<br />

F +7 495 783 83 31<br />

→ www.geberit.ru<br />

Serbia, Montenegro,<br />

Macedonia<br />

<strong>Geberit</strong> prodaja d.o.o.<br />

Representative Office Serbia,<br />

Montenegro and Macedonia<br />

Vojvode Skopljanca 24<br />

11000 Belgrade<br />

T +381 11 30 96 430<br />

F +381 11 30 96 431<br />

→ www.geberit.rs<br />

Singapore/Thailand<br />

<strong>Geberit</strong> South East Asia Private<br />

Limited<br />

59 Jalan Pemimpin<br />

# 01-01 L&Y Building<br />

577218 Singapore<br />

T +65 6250 4011<br />

F +65 6250 4211<br />

→ www.geberit.com.sg<br />

Slovakia<br />

<strong>Geberit</strong> Slovensko s.r.o.<br />

Karadžičova 10<br />

82108 Bratislava<br />

T +421 2 4920 3071<br />

F +421 2 4920 3072<br />

→ www.geberit.sk<br />

Slovenia<br />

<strong>Geberit</strong> prodaja d.o.o.<br />

Smolnik 17<br />

2342 Ruše<br />

T +386 1 586 22 00<br />

F +386 1 586 22 19<br />

→ www.geberit.si<br />

South Africa<br />

<strong>Geberit</strong> Southern Africa (Pty.)<br />

Ltd<br />

17–15 th Street<br />

Eastgate Gardens<br />

Commercial Park<br />

Sandton<br />

T +27 11 444 5070<br />

F +27 11 444 5992<br />

→ www.geberit.co.za<br />

South Korea<br />

<strong>Geberit</strong> Korea<br />

#301 JS B/D 213-5 Nonhyun-<br />

Dong, Gangnam-Gu<br />

135-010 Seoul<br />

T +82 2 543 4166~7<br />

F +82 2 543 4123<br />

→ www.geberit.co.kr<br />

Spain<br />

<strong>Geberit</strong> S.A.U.<br />

La Selva, 10, Edificio In Blau<br />

Parque de Negocios<br />

«Mas Blau»<br />

08820 El Prat de Llobregat<br />

(Barcelona)<br />

T +34 902 170 635<br />

F +34 93 478 34 71<br />

→ www.geberit.es<br />

Sweden<br />

<strong>Geberit</strong> AB<br />

Kantyxegatan 25<br />

213 76 Malmö<br />

T +46 40 680 8930<br />

F +46 40 185 439<br />

→ www.geberit.se<br />

Switzerland<br />

<strong>Geberit</strong> Vertriebs AG<br />

Schachenstrasse 77<br />

8645 Jona<br />

T +41 55 221 61 11<br />

F +41 55 212 42 69<br />

→ www.geberit.ch<br />

Turkey<br />

<strong>Geberit</strong> Tesisat Sistemleri<br />

Ticaret Ltd<br />

Koşuyolu Cad. No. 33<br />

34718 Kadıkōy/Istanbul<br />

T +90 216 340 82 73<br />

F +90 216 340 82 79<br />

→ www.geberit.com.tr<br />

Ukraine and Belarus<br />

<strong>Geberit</strong> International<br />

Sales AG<br />

Representative Office<br />

Ukraine & Belarus<br />

Moskovskij, av. 9, office 303<br />

04073 Kiev<br />

T +380 44 492 97 41<br />

F +380 44 492 97 40<br />

→ www.geberit.ua<br />

→ www.geberit.by<br />

USA<br />

The Chicago Faucet Company<br />

2100 S. Clearwater Drive<br />

IL-60018 Des Plaines<br />

T +1 847 803 5000<br />

F +1 847 803 4499<br />

→ www.chicagofaucets.com<br />

Other <strong>Geberit</strong> markets<br />

<strong>Geberit</strong> International<br />

Sales AG<br />

Neue Jonastrasse 59<br />

CH-8640 Rapperswil<br />

T +41 55 221 62 00<br />

F +41 55 221 67 50<br />

→ www.international.geberit.com<br />

46 <strong>View</strong> – Reference magazine <strong>2012</strong> 47


CHe/08.12 995.354.00.1 © by <strong>Geberit</strong> Vertriebs AG

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