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Description

Mastering Kilns & Firing offers a wealth of knowledge. Oesterritter's dedication both to processes

and the community-building they inspire are apparent in her competent writing and echoed in the

beautiful guest artist galleries. This text should be a staple of any clay workerâ€s library. -

Elenor Wilson, editor, Studio Potter JournalPotters who are ready to explore new atmospheric

firing techniques will find Mastering Kilns & Firing to be an indispensable guide. Lindsay introduces

each type of firing from an approachable, collaborative perspective with inspiring examples of

contemporary work by a variety of artists. She guides readers so they not only learn the basics

needed to achieve success, but also feel empowered to experiment, explore, and have fun.

- Jessica Knapp, editor, Ceramics MonthlyLindsay, a master of deep, rich surfaces, has written

a personal, professional, and all-around practical guide to kilns and firing. Her years of teaching

and experience as a maker are obvious in this book. It will save you countless hours on your own

ceramic journey.- Simon Levin, potter, kiln builder, and Fulbright ScholarLindsay has

produced a gorgeous and invaluable book for people with all levels of interest and skill. Clear

prose and excellent presentation make this book a page-turner; I repeatedly found myself

wondering what exquisite beauty and careful explanation lay ahead. - Bill Griffith, educator,

administrator, and artist, Arrowmont School of Arts and CraftsBased on her many years of

experience as an educator and as a professional potter, Lindsay gives the reader well-informed

insight regarding what to consider, how to prepare, and those all-important health and safety

concerns when working with kilns and firing. - Robert Sanderson, co-editor, The Log Book,

International Wood-fired Ceramics PublicationAccessible and readable, this book brings clarity

and refreshing insight into the often-cumbersome process of wood- and alternative-firings. It is well

organized and richly illustrated, covering all the bases. - Peter R. Beasecker, potter and

professor of art, Syracuse University Read more Lindsay Oesterritter is the director of

Objective Clay, co-founder and organizer of National Clay Week, and a full-time studio potter.

Lindsay earned her MFA from Utah State University in Logan, Utah, held the position of Assistant

Professor of Ceramics at Western Kentucky University (2009–2015), and earned Associate

Professor in 2015. Lindsay was a resident artist at Arrowmont School of Arts and Crafts in

Gatlinburg and in Australia at Strathnairn Arts Association. She lectures and exhibits nationally

and internationally, most frequently on wood firing techniques and kiln construction/design, and is

continually inspired by the craft community. View her work and workshop schedule at:


loceramics.com Read mo

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