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J'AIME OCTOBER 2020

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It also helped that the cast members, grateful to be<br />

back doing what they love, offered their services free<br />

of charge. They were all from the Lichfield, Alrewas<br />

and Whittington areas so didn’t have far to travel.<br />

“I got in touch with Woodhouse Farm and Garden<br />

because I used to get my fruit and veg from them and<br />

I knew they had a lovely outdoor space,” said Chris.<br />

“Thankfully they liked the idea of what we wanted<br />

to do.<br />

“We’d already planned the production but we had<br />

to adapt it to make it work outdoors and to make<br />

it socially distant for the performers. It was a real<br />

challenge to make sure the actors wouldn’t get too<br />

close to one another.<br />

“Then there was also the challenge of making<br />

sure the actors could project to reach an outdoor<br />

audience that was spread out over a larger area than<br />

you’d usually expect.”<br />

They may have had to stand apart but working<br />

under such difficult circumstances seems to have<br />

brought the team together.<br />

“When resources are limited you’re forced to be<br />

creative,” said Chris. “Creativity comes out of<br />

difficult circumstances. It’s meant even more to us as<br />

a company and a cast. It also meant so much to us to<br />

sell out, that was amazing.”<br />

The audience feedback was very positive after each<br />

performance, with people feeling incredibly grateful<br />

to be able to get out of the house to watch some live<br />

theatre.<br />

Chris, 24, and Martin, 34, met through their mutual<br />

love of the arts and<br />

their connection with<br />

the Lichfield Garrick<br />

where Chris has<br />

performed on stage<br />

and Martin works.<br />

Chris, from Lichfield,<br />

and Martin, from<br />

Rugeley, staged<br />

their first Let Me In<br />

production in April<br />

2019.<br />

Choosing the shows<br />

falls to Chris while<br />

Martin focuses<br />

on making things<br />

work logistically,<br />

often for venues not<br />

traditionally used for<br />

theatre.<br />

Wherever possible<br />

they try to use a local pool of performers and Chris<br />

says he likes the idea of subverting stereotypes, hence<br />

the all-female Lord of the Flies based on a book with<br />

only male characters.<br />

Let Me In works on a profit share basis, with any<br />

profits from shows divided between everyone<br />

involved.<br />

“There was no profit from Lord of the Flies, but as<br />

a company we were happy with that and knew that<br />

would be the case at the beginning,” said Chris.<br />

“We all have other jobs too and do this because of<br />

a passion for it rather than because it’s a vehicle for<br />

making money.”<br />

The next production, People, Places and Things by<br />

Duncan MacMillan, is a play exploring the mind<br />

of a young actor who struggles with addiction and<br />

depression.<br />

It will run from November 17 to 21 in a specially<br />

constructed pop-up venue in the Lichfield area.<br />

Chris said: “We’re lucky in a sense that we can adapt<br />

to the situation presented by Covid-19 because we’re<br />

not based in one place and we’re not restricted to<br />

performing in a theatre.<br />

“We can create our production space wherever we<br />

need to, as that’s something we were already used to.<br />

“If we need to use an old abandoned building for<br />

a performance then we will. We’ve adapted to the<br />

circumstances and we’ll carry on doing that.”<br />

To find out more about Let Me In and forthcoming<br />

productions visit letmeinpresents.co.uk or<br />

facebook.com/letmeinpresents<br />

THE COMPANY USED<br />

LOCALLY-BASED<br />

ACTORS FOR THEIR<br />

SOCAILLY-DISTANCED<br />

PERFORMANCE<br />

41

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