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DESIGN TRUST
CRITICALLY
HOMEMADE
CONTENTS
LEAD CURATOR'S MESSAGE
2
THE COLLECTIVE BRIEF
CURATORIAL THEMES
EXHIBITION FLOORPLAN
PROTOTYPE OBJECTS
ACKNOWLEDGEMENTS
4
6
8
10
52
Lead Curator's Message
There is a drive with each and everyone of us to be human again,
to help each other, restore social connection, have a shared
meal and most importantly, to collaborate. The last months have
been challenging, with Hong Kong going through its third-wave
lockdown, and especially distressing to witness small studios
face challenges, grantees outreach be put on hold and the
countless cancellations of projects, exhibitions and events, all of
which is hurting not just the design community but everyone and
all industries. More than ever, we hope our community platform
can do more by critically reflecting on the past months in the
context of Hong Kong and beyond, and to rebuild our positive
momentum for the future. Since February 2020, with so many
uncertainties, along with my board members and colleagues
of DESIGN TRUST, we have been organically preparing this
community platform to reduce our social distancing "distance",
check in to say hello, and inspire ourselves on the role of critical
making within the home or domestic landscape. Making things
with our hands has become more relevant than ever, and echoes
a basic human desire to be creative and open. Through making
- we can build dialogue and immerse ourselves in our craft, all
while provoking and probing for more.
The "DESIGN TRUST: Critically Homemade” prototype exhibition
launch brings over 70 designer teams and collectives who have
been part of our Hong Kong and international community for
years. This show expresses innovation, reflection, lightness
and hope; hence our DESIGN TRUST "D" has transformed from
its typical dark blue hue to a multi-coloured rainbow of hope.
This rainbow is a message of optimism and resilience that
parallels the intention of this micro-initiative, where small acts
of making, and gestures of generosity expand to more support
within and around communities, whether in our neighbourhood,
our city Hong Kong or its broader region. As the prototypes are
being crafted by these brilliant designers- each object has been
placed under overarching themes, with some prototypes defying
categorisation. The crafted ideas respond directly to our urban
environment, COVID-19 hygiene challenges, home and play
innovations, and emotional cultural objects to intergenerational
collaborations.
The role of our NGO is, in a small way, to activate positivity,
add levity, and be creative under constraints, for our collective
wellbeing has been inspiring to be a part of. These homemade
objects add so much emotion and inspiration, and I invite you
to revel in them, to participate actively. Circular making and
circular giving is the core of this initiative. We hope the spheres
and scales of circularity go beyond its form, value and meaning
in constructive ways to shape our future here in Hong Kong and
beyond, in diverse and culturally inspirational ways.
Marisa Yiu
Co-founder,
Executive Director of Design Trust
2
2020 2
: 70
D
The Learning House
Designed by James Shen, Zang Feng, He Zhe, Anouchka van Driel and Olivia Chen, People’s Architecture Office
3
The Collective Brief
Paper Travels on Virus Days
Designed by Ming Shan Connie Yuen
1.
2.
3.
4.
5.
6.
Design and create a homemade prototype object
You are encouraged to make and fabricate the object in
collaboration with other creatives
The object should be functional and be able to address
and offer solutions to current social, educational and/or
environmental needs
Rethinking the target audience to be intergenerational,
i.e. kids, family, elderly
The functional object should fit on the palm of your
hands (20H x 20W x 20D cm)
How does your object foster play and social wellbeing of
our community?
DESIGN TRUST: Critically Homemade is a three-week self
challenge for each designer or team, from start to finish.
The delivered outcome is an object “prototype”, supplemented
with work-in-progress photos and final object
photos, a 150-word description, and a quick 1 minute
video of designers discussing their work.
4
Marisa Yiu, Lead Curator’s sketches and brainstorm notes, April 2020
1.
2.
3.
4.
5.
20 x 20 x 20
6.
:
150
I Love You but I Need to Keep a Safe Distance
Joel Austin and Kwan Q Li
5
Associated with warmth and life, denoting good fortune
and happiness, red is a colour strongly tied to the culture
and tradition on which Hong Kong had been built. As
previously explored in Design Trust’s Future Studio
flagship programme, heritage is not a static subject, but
a source of inspiration and also an opportunity for the
continuation of a longstanding narrative. Design plays
a significant role in the shaping of visual and cultural
stories, and engineers the chance for the revival of fading
stories perhaps more relevant to today than one could
even imagine.
From thoughtful critiques to pioneering creations, most
have voiced an opinion and formulated a response to the
ongoing COVID-19 pandemic, individuals themselves
adjusting to new regulations around social distancing and
responsible public health practices. Amidst the ambiguity
and uncertainty surrounding current challenges, unifying
expressions may be a useful tool in helping people find
solid ground, and the disposition for creative problemsolving
essential in initiating the shift in collective
perspectives necessary to overcome this shared burden
with renewed optimism and innovation.
COVID-19
The sudden slow-down of the external world in recent
months has been met with a buildup of internal frenzy,
once familiar spaces now tainted with the weight of
unfavorable news. With a moment’s peace, perhaps it is
the act of turning inwards and centering oneself that can
bring the world to a temporary still and spark sensory
comfort or a simple act of a hug. Promoting positive
habits for active reflection and physical attunement,
focus from the burden of prolonged isolation may be
shifted to a radiating hopefulness.
Instinctively associated with the environment, green is
a universally uniting color rooted in nature. Glimpses
of the natural world have become a welcomed sight
for those currently confined within concrete walls,
deep inside the urban jungles of our city. Yet, emerging
from these times is the dichotomy between the revived
fascination with the natural world and an increasing
dependency on man-made comforts. A growing
awareness of irreversible environmental impacts probes
deeper thoughts on the future of making, where design
plays an essential part in shaping our future.
Where daily routines are disrupted, norms are drastically
shifted, not only for individuals but within collective units
of immediate families, and especially within Hong Kong
living conditions. As dynamics in relationships evolve,
boundaries are blurred, perhaps most significantly
for parents who are now tasked with the role of being
educators at home. Designed to spark conversation
and inspire imagination, opportunities for learning
are increasingly infused into play, whether to occupy
little ones for a time being or engineer an occasion to
strengthen bonds across generations.
6
DESIGN TRUST:
Critically Homemade
Prototype Exhibtion
Curatorial Themes
:
Culturally Hong Kong and Beyond
Everyday Challenge of COVID-19
COVID-19
Sensory & Wellness
Environment & Upcycling Futures
Educational & Intergenerational Play
7
Exhibition Floorplan
Despite challenges in 2020, this special
year has also come to represent a great
milestone for Design Trust. With the
launch of our Design Trust Milestone
Portfolio, the Critically Homemade
micro-initiative is a natural extension of
our achievements to date. The Prototype
Exhibition manifests as a dynamic live
archive of Design Trust’s robust past,
as works from the last few years since
2014 appear in functional use, embedded
within the exhibition design.
2020
:
2014
8
A
B
C
D
E
Design Trust
Milestone Portfolio
Milestone portfolio review
of Design Trust’s core
activities, fellowships and
grants from 2014-2020
Dancing Phoenix
Design Trust Futures
Studio 2019
Elaine Yan Ling Ng with
Tai Ping
OMA Pattern
OMA Pedestals
Design Trust Gala 2018
ARCHIVE
Rem Koolhas and David
Gianotten, OMA
Archigram City
Pedestals
Design Trust Gala 2019
ARCHIVE
Sir Peter Cook and Dennis
Crompton, Archigram
1
003
004
005
009
019
020
037
046
052
054
066
074
075
Culturally Hong Kong
and Beyond
Florian Wegenast and
Christine Lew, Studio Florian
and Christine
Adonian Chan, Trilingua
Elaine Yan Ling Ng
Xavier Tsang, BeCandle with
Groundrule Studio
Rony Chan and Ire Tsui,
design*lab
Andrea Palmioli
Kevin Mak and Ken Fung,
@streetsignhk with Lee
Kin Ming, China Bright
Production
Charles Lai, aona architects
Hugh Davies with Yoko
Nakazawa, Joyce Cheng and
Nikki Lam
Peter Yuill and Thierry Chow
Polly Ho, Loom Loop
Movana Chen
Toby Crispy
2A
2B
002
017
022
029
029
033
036
048
050
051
056
058
060
064
065
068
070
Everyday Challenge
of COVID-19
Michael Young, Michael
Young Studio
Joel Austin and Kwan Q Li
Ole Bouman, Design Society
Aurelien Barbry with
Constant HK
Douglas Young, G.O.D.
Jing Liu, Emma Silverblatt,
Yuanjun Summer Liu and
Astrid Steegmans, SO-IL
Kaliz Lee
Donn Holohan and Elspeth
Lee, Superposition
Frank Chou, Frank Chou
Design Studio
Li Fu, UV Architecture
Savinee Buranasilapin,
thingsmatter
Fung Ming Chip
Kacey Wong
Nikolas Ettel, Lidia Ratoi,
and Annie Lye
Troy Conrad Therrien,
Violette Van Parys and Julio
Cavallucci
Ming Shan Connie Yuen
Betty Ng, Chi Yan Chan, Jay
Lee, Juan Minguez and Katja
Lam, COLLECTIVE
Sensory & Wellness
Environment &
3 4
Upcycling Futures
5
007
008
014
018
023
024
031
032
040
041
043
047
055
061
062
072
Clara Brito and Margarida
Jardim, with Burel Factory
Soilworm Lai, Stickyline with
Vanissa Law
Yelta Köm and Elif Çak Köm
Diego Caro
Adam Hudec
Alfred Lam, Studio 1618
Evelyn Teploff-Mugii, Claude
Frédéric Gooris and Paulina
Chu
Nelson Chow, NCDA
Otto Ng and Yip Chun Hang,
LAAB
Michael Leung, STUDIO AA
Derek Lee and Geeio Yuen,
MOM AND POP
Jonathan Mak
Ron Wan and Mildred
Cheung, dtby_
Sarah Lee and Yutaka Yano,
SKY YUTAKA
Stanley Wong,
anothermountainman
011
012
013
015
021
025
030
035
042
044
059
063
067
069
071
Manuel Corriea da Silva and
Luanha Tavares de Almeidae
Natasza Minasiewicz
Cyril Lee
Yanki Lee, Enable
Foundation with Pascal
Anson, Pascal Anson Studio
JJ Acuna, JJ Acuna /
Bespoke Studio with Francis
Kirstein
Alyina Ahmed
Evelyn Ting and Paul Tse,
New Office Works
Joshua Ng, Twins Kitchen
UUendy Lau
Kristof Crolla, Yip Fai
Martin Lau and Ling Sum
Evangeline So, L-E-A-D
Raphaël Monnier
Deborah Lam, Une Szeto and
Kay Chan, Good Day Studio
Zoe Siu, ZOEE
Ida Kwei, IDoArtism
Henry Chu, Pill and Pillow
001
006
010
016
026
028
034
038
039
045
049
053
057
073
076
Educational &
Intergenerational
Play
James Shen, Zang Feng,
He Zhe, Anouchka van Driel
and Olivia Chen, People’s
Architecture Office
Julie Progin and Jesse
Mc Lin, Julie & Jesse
Stephen Zimmerer and
Medora Ebersole
Maria Roszkowska, Nicolas
Maigret, disnovation.org
with Pauline Briand, Julien
Maudet, Clémence Seurat
Aron Tsang and Hera Lui,
NAPP Studio
Christopher Choi with Keith
Hui, Esther Fung and Ian
Tam, ioii Studio
Johanna Ho, PHVLO
Kevin Siu, Shuyan Chan and
Bob Pang, AaaM Architects
Lijun Guo, [Guo+Jinwu]
Alan Chan, Alan Chan Design
Fiona Lau, FFIXXED Studio
Jason Chan, COMING-SOON
Maggie Ma, Mark Kingsley,
Kelvin Chan, Luka Ng and
Elsie Kan, DOMAT
Sam Jacob
Kay Chan
9
001 002
THE LEARNING HOUSE
James Shen, Zang Feng, He Zhe,
Anouchka van Driel and Olivia Chen,
People's Architecture Office
James Shen, Zang Feng, He Zhe, Design Trust Feature Grantees
'The Learning House' serves as a metaphor and point of
inspiration within the reality of life during the COVID-19
pandemic. As people remain indoors for their own
safety and that of others, the home becomes the pivot of
life, it becomes the school, the city and the world all in
one.
ANTIBACTERIAL DOOR HANDLES
Michael Young, Michael Young Studio
DTFS 2019 Mentor
In response to the heightened concerns around hygiene,
health and wellness during the ongoing pandemic,
Michael Young has designed door handles out of a
metal which utilises lasers and photonics technology to
develop fluid-repellent, antibacterial surfaces, taking
us a step closer to self-cleaning appliances and more.
Inspired by their award-winning Plugin House design,
the People's Architecture Office has designed a simple
activity kit for kids to construct at home to stimulate
creativity and exercise fine motor skills. Folded up,
The Learning House serves as a little house-shaped
protective box. Unfolded, it reveals a whole world from
the small space of this home, a whole world that one
can colour and make better – something much needed
at this time.
PAO
An innovative example of incorporating biomimicry into
design, the unique surface qualities of the 'Antibacterial
Door Handle' mimics the hydrophobic surface of
lotus leaves. Specifically tailored laser processing of
metal surfaces creates a roughened surface, whereby
miniature pockets of air are created to minimize the
contact area between the surface and a liquid. In this
way, surfaces keep themselves clean without the need
for cleaning products or chemicals, and by repelling
liquids such as water, surfaces are no longer suitable
for bacteria to grow.
Michael Young
10
003 004
HONG KONG BRICK
Florian Wegenast and Christine Lew,
Studio Florian and Christine
Design Trust Seed Grantees, DTFS 2019 Mentees
Reflecting on the current situation in Hong Kong,
Florian Wegenast and Christine Lew have come up with
the 'Hong Kong Brick', a design artifact created from
the construction waste of shops that were taken down
during the COVID-19 crisis. In the process, small gravel,
cement, and glass pieces were collected from different
shops around Hong Kong, broken down into smaller
fragments, then utilized in a terrazzo casting to create a
new brick.
Thinking beyond the immediate crisis, the designers
decided to cast a brick form to also feature the duality
of bricks as the foundation of rebuilding something
new, representing how the past can propel us to create
a positive impact for the future.
Florian Wegenast Christine
Lew Hong Kong Brick
HONG KONG BEIWEI ZANSYU
COOKIE CUTTERS
Adonian Chan, Trilingua
Design Trust Seed Grantee, DTFS 2019 Mentee, 2017 Gala
Co-Creative Director
Type designer Adonian Chan has designed and made
cookie cutters in the style of the uniquely-Hong Kong
Beiwei Zansyu, a font that had defined the city’s visual
culture for decades and he had researched with the
support of Design Trust.
Among designs in the form of Chinese characters, such
as for "peace", and for "energy", pictured are
cookies cut out in the shape of the Chinese character
("evil"). The former DTFS Mentee and Seed Grant
recipient explains that the concept behind this design
is “ to create something more positive, ‘digestible’ and
light-hearted out of something that is conceived as
unfavourable,” putting forth an optimistic perspective
amidst the challenging landscape of the ongoing
pandemic in Hong Kong and beyond.
11
005 006
SIN3 SIN3
POCKET GARDEN
Elaine Yan Ling Ng, The Frabrick Lab
Design Trust Feature Grantee, DTFS 2019 Mentee
Having transformed and developed from a small hand
held device to a mechanical invention, the fan continues
to play an integral role in keeping people cool. 'sin3 sin3'
is an alternative handheld fan, creating a new personal
experience between wellness, luxury and craft, yet
provokes how luxury can be a mindful experience with
material rather than just paying for instant cool air.
'sin3 sin3' is inspired by the word pankha originated
from pankh, the wings of a bird which produce a draft
when flapped. The fan material composition and texture
reflects qualities of wings. It is hand tufted with smart
yarn that reflects its surrounding condition, such as
change of UV and temperature, a textile innovation
inherited from Dancing Phoenix carpet from DTFS 2019,
made in collaboration with Tai Ping Carpet.
sin3 sin3
sin3 sin3 pankha
· 2019
Elaine :
Julie Progin and Jesse Mc Lin,
Julie & Jesse
DTFS 2019 Mentees
‘Pocket Garden’ play set is a miniature re-interpretation
of Julie & Jesse’s Terra Mobiles from DTFS 2019.
The palm-sized whimsical porcelain sculptures are
underpinned with the historical context of Tiger Balm
Gardens with its elements of fantasy and expressions of
classical Chinese gardens.
Identifying a shared longing for nature and travel in
the time of a pandemic, Pocket Garden reflects on
the power of scholar’s rocks to inspire imaginary
journeys into worlds reminiscent of Chinese landscape
paintings. The sculptures foster the spirit of curiosity,
creativity and participation, offering children and adults
alike opportunities of communal play and collective
wandering. With pieces that can be snapped onto Lego®
bricks and wheels, carted around to create gardens
and fantastical sceneries, the set is a catalyst to build
narratives.
Pocket Garden · 2019 Julie
Jesse Terra Mobiles
Pocket Garden
Lego®
12
007 008
TUFA TAO SLIPPERS
Clara Brito and Margarida Jardim, in
collaboration with Burel Factory
Clara Brito, Design Trust Seed Grantee
Clara Brito and Margarida Jardim’s original Tufa
slippers were initially created from the connection
between the Macau-based designer and the Portuguese
based artist, merging their living and working
experiences and heritage between China and Portugal.
Conceived at home during the COVID-19 pandemic
lockdown, the ‘Tufa Tao Slippers’ are an extension
of the 'Tufa Slippers', and made in collaboration with
Portuguese Burel factory. A rethinking of the original
design led to the addition of stress and anxiety reducing
elements, now giving the users the sensory experience
of walking over clouds while having their feet subtly
massaged.
ESCAPISM
Soilworm Lai, Stickyline in collaboration
with Vanissa Law
Soilworm Lai, Design Trust Seed Grantee
"Isolation” refers to the severance of contact and
communication. It is impossible to achieve isolation
entirely between people in today’s society.
However, during the COVID-19 pandemic, the public was
forced to be isolated completely. Everyone spent time
alone in their own way.
As an active critique of the quarantine protocols
enforced during COVID-19, Stickyline presents
‘Escapism’ in collaboration with sound designer
Vanissa Law. Using paper and geometry as the media
to create this interactive sound device, it allows one to
take a short break and to experience true solitude.
Clara Brito Margarida Jardim Tufa Tao
Tufa Tao Tufa
Burel
Stickyline
13
009 010
SENSORY FRAGMENT 2
Xavier Tsang, BeCandle in collaboration
with Groundrule Studio
Xavier Tsang, DTFS 2017-2019 Mentee
Created for Design Trust’s "Heritage is Innovation”
exhibition in 2019, Xavier Tsang created a dried plant
scent diffusing wall composed of 10 plants symbolising
the 10 courts of hell. It has since been well regarded
by visitors and acted as a source of inspiration behind
many of Tsang’s creations. Now, it has been reused and
transformed into a new medium to share a fragrance
collection. In collaboration with Groundrule Studio,
the dried plants had been collected, ground, and
pressed into 50 limited edition candle containers, with
specifically formulated heat-resistant bioplastic. They
will be filled with a candle with a scent alluding to the
“11th court of hell” of our time.
2019 9
Xavier 10
Xavier
Groundrule Studio
50
PERFORMING ARTS SELF-CARE
KITS
Stephen Zimmerer and Medora Ebersole
Stephen Zimmerer, Design Trust Seed Grantee
Stephen Zimmerer’s ‘Performing Arts Self-Care Kits’
are a micro-curriculum that is designed in collaboration
with Stephen’s mother and arts educator, Medora
Ebersole. The curriculum contains eight performing
arts exercises, ranging from creating stick, finger,
and marionette puppets using construction paper,
to creating special effects with ingredients from the
kitchen. The project culminates in the creation of a
miniature puppet theatre built from recycled and found
materials and the design of a theatrical production.
The design process is two-fold - first art education and
graphic design (designed by Stephen and his mother),
and then finally theatrical and scenic design (designed
by the students). During the COVID-19 pandemic, the
Kits were distributed to public schools in Central
Pennsylvania, USA through free lunch programmes
that benefited over 2000 students.
Stephen Zimmerer
Stephen Medora Ebersole
Stephen
COVID-19
2000
14
011 012
TWO O’S
Manuel Corriea da Silva and
Luanha Tavares de Almeidae
Manuel Corriea da Silva, Design Trust Seed Grantee
FUTURE FOSSILS
Natasza Minasiewicz
Design Trust Seed Grantee
‘TWO O’s' is the result of a design exercise born during
the lockdown imposed by COVID-19 and explores
the extreme scenario where individuals are forced
to survive with what they have at home. To Manuel
Correia da Silva and Luanha Tavares de Almeida, these
circumstances highlight the wasteful use of basic
resources in our society, who aim to raise awareness of
water conservation and encourage a joint effort from all
citizens.
Noting that most of Hong Kong’s daily domestic
freshwater consumption per capita is consumed for
bathing, the solution designed is a device that allows
for the use of a 5L water bottle to be reused as a water
collector container in the shower, allowing for the
collected water to be reused in other situations such as
watering plants, floor cleaning, etc.
TWO O’s
Manuel Correia da Silva Luanha Tavares de Almeida
5
'Future Fossils' seeks to capture the moment of
discovery when pieces of concrete, old tiles or bricks
emerge from among pebbles and shells as if they were
artefacts of our built environment returning in a new
form, amalgamating with nature.
The project highlights the global problem of
construction waste, as well as building methods and
materials that are neither reusable nor degradable.
With some articles suspended in clear resin, viewers
confront construction waste as it might be discovered
by Antarctic expeditions years ahead, solidified in
icebergs. Though a building is demolished as a sum, its
parts live on, becoming Future Fossils.
Clear resin, here, acts as a material device, expressing
waste congealed in time and space for all perpetuity
and posterity. Should these artefacts cast in resin find
their way to new useswhether as a household tile,
bookend or decorative element, for exampletheir
intent will be complete, inanimately reminding us of the
material effects we leave behind.
Future Fossils
15
013 014
A3 WALLET
Cyril Lee
Design Trust Seed Grantee
HOLD
Yelta Köm and Elif Çak Köm
Yelta Kom, Design Trust Seed Grantee
Cyril Lee’s prototype attempts to explore an ideal
upcycling design methodology, identifying that high
carbon footprint is often generated from wastetransportation,
and the mixing of different materials
rendering them no longer down-cyclable.
‘A3 Wallet’ is a full-size, functional DIY wallet
constructed with just a single upcycled plastic folder
and origami techniques. Using one material with no
adhesive of any kind, the wallet remains down-cyclable
at the end of its life cycle. As ‘A3 Wallet’ can be made at
home, it decentralises the recycling and manufacturing
process, reducing the transportation-related carbon
emission to minimum. A full tutorial is available online
and a hard-copy tutorial comes with a pre-cut template
which is also upcycled from local exhibitions.
A3 DIY
A3
‘HOLD’ is a multi-sensorial object designed to provide
the feeling of community through its physical and social
nature. During the pandemic, individuals have lost the
opportunity to hug, or simply touch with one another.
Yelta Kom and Elif Cak Kom sought to create an object
that could help one feel the sense of a warm touch of
another, landing on a design based on the negative
volume of a hand. The design and production process
can take two routes; the first relies on individuals to
produce their own negatives using material that take
imprints from their own hands; the second is a product
made from porcelain, inserted with a microchip with the
ability to communicate with other HOLDs through radio
signals. One’s ‘HOLD’ will become warmer when there
are other HOLDers.
HOLD
Yelta Kom
Elif Cak Kom
HOLD
HOLD HOLD
16
015 016
OPEN LIGHT
Yanki Lee, Enable Foundation in
collaboration with Pascal Anson,
Pascal Anson Studio
Yanki Lee, Design Trust Feature Grantee
‘Open Light’ is a crystal chandelier replica made
from Sellotape, designed by Enable Foundation in
collaboration with Pascal Anson. "There is something
ridiculous about replicating a crystal chandelier with
a cheap material like Sellotape, which is part of the
project’s appeal,” said Pascal Anson, London-based
designer whose work has been developing ways to
teach non-designers to make objects in a DIY manner
through video tutorials and published books.
This project aims to offer inspiration to individuals
to construct their own chandelier with an accessible
material during pandemic lockdowns. Whilst the use
of Sellotape is not sustainable in the usual sense,
the project addresses an important question in
sustainability by asking us how to re-examine what we
see as discarded, every day, or valueless objects.
Open Light Sellotape
Enable Foundation Pascal Anson
Pascal Anson
DIY
POST-GROWTH TOOL KIT
Maria Roszkowska and Nicolas Maigret,
disnovation.org with Pauline Briand,
Julien Maudet, Clémence Seurat
Nicolas Maigret, Maria Roszkowska, Design Trust Seed Grantees
‘Post-Growth Toolkit: Card Game’ is part of a toolkit
for eco-political orientation grounded in the context of
current ecological crises and their multiple geopolitical
and social implications. It is designed to increase
awareness of the multiple root causes of these crises
rather than their mere consequences as a basis
to stimulate and provide a foundation for post-growth
imaginaries, models and practices.
The card game creates a contributory platform to
initiate dialogue, debate, simulation, and even art
generation across various domains from critical theory
to art, hard science, and grassroots activism. The
cards can also be assembled and accessed linearly,
as an illustrated booklet structured in chapters, or
showcased as large posters within exhibition settings.
Post-Growth Took Kit: Card Game
17
017 018
I LOVE YOU BUT I NEED TO KEEP A
SAFE DISTANCE
Joel Austin and Kwan Q Li
Design Trust Seed Grantees
A lack of international consensus and evidence
surrounding healthcare advice can cause fear,
insecurity and mistrust. In response, Joel Austin and
Kwan Q Li have designed a device to ask whether living
within a spectrum can be a new way of embracing
uncertainty.
‘I Love You but I Need to Keep a Safe Distance’ is
a compact measuring device offering four social
distancing metrics that allow users to conform to
ambiguous global hygiene standards. Upcycled from
scrap materials, the all-in-one measuring tape features
extendable lengths of 100, 150, 180 and 200 cm, helping
users to distance themselves according to the health
advice of different governments and organisations.
Joel Austin
I Love You but I Need to Keep a Safe Distance
100150180 200
MEBITATION
Diego Caro
Design Trust Seed Grantee
In Diego Caro’s experience, and like many others, the
current health crisis has brought anxiety, fear of the
future, and turned a home into a place of confinement.
"Sometimes, during this confinement, I wish I had found
some part of that small ecosystem of tranquility and
naive anguish,” says Diego, "When I was a kid, I used to
lock myself up in my room under a blue umbrella and
listened to radio programs in foreign languages. That
umbrella provided me a little space of discovery and
escape, an extra layer of synthetic protection.”
This design is the reinterpretation of a childhood
impression of safety and security. Made during the
strictest confinement, this prototype is an attempt to
propose an instant ME+HABITATION within our homes,
even a space for MEDITATION.
Diego Caro
Diego
ME + HABITATION
18
019 020
COLOURS OF HOPE
Rony Chan and Ire Tsui, design*lab
Design Trust Feature Grantees, DTFS 2019 Mentees
Can we connect our home with hopes through
characters created by decorative shapes?
From design*lab, ‘Colours of Hope’ is a collection of
creative mobile-hanging objects, inspired by colourful
geometrical shapes from interior space, be it patterns,
creatures or any imaginative shapes. Based on the
design system initially developed for the DTFS 2019
House of Haw Par mobile set, Rony Chan and Ire Tsui
have chosen to focus on the 2D geometrical shapes
to explore the project further, as geometrical shapes
allow for a creative combination of forms, colours and
light-weight materials. The prototype is made from diecutting
paper shapes, to demonstrate the diversity of
2D shapes combinations.
design * lab Colours of Hope
·
2019 Rony
Chan Ire Tsui
THE DOMESTIC MONUMENT OF
HUMAN RENAISSANCE
Andrea Palmioli
Design Trust Seed Grantee
In the time of a pandemic, Andrea Palmioli’s ‘The
Domestic Monument of Human Renaissance’ affirms
the ceremonial and behavioural role of design,
configuring the significance of the relations between
man, space, and objects at a micro-urbanistic level.
From a functional perspective, it performs the role
of a facial-mask holder, aiming to postulate the
indissociable bond between the user and its objects.
The symbolic narrative of the monument is enacted
by three elements: the face mask as a referential
interface between the outdoor and indoor, the human
as an absent presence, and the homein this context
conceived as the supreme habitat and ultimate
existential ambition.
Andrea Palmioli The Domestic
Monument of Human Renaissance
–
19
021 022
TAKE-AWAY SHRINE
JJ Acuna, JJ Acuna / Bespoke Studio in
collaboration with Francis Kirstein
JJ Acuna, DTFS 2017 Advisor
In these challenging times, being at home creates the
opportunity to actively centre oneself internally. For
JJ Acuna, this opportunity has realised itself in the
collecting of rocks and crystals from all over, amassing
a robust selection of objects to be brought out and
celebrated with his 'Take-Away Shrine'.
A play on the idea of "Take-Away" meals, this project
creates the possibility of taking one’s collections
anywhere when allowed to leave their homes, and
still actively centre themselves - perhaps necessary
to survive this new reality, where social distancing
measures turn going out into a bizarrely solitary
experience inside and out. The 'Take-Away Shrine'
allows users to celebrate objects collected, and
provides an immediate platform on which they can
display these objects and centre themselves with
a moment's peace at home alone or on a sociallydistanced
hike.
SOCIAL (DI)STANCE TAPE
Ole Bouman, Design Society
Design Trust GBA Advisor
Design is a verb, and not much is needed to make
it work. In this age of partial lockdowns and social
distancing, people are relying more heavily on civic
intelligence to open and reorganize public spaces for
moments of sharing, exchange and co-creation.
"The core of design is that it can inspire inspiration
into any object and give them new meaning," says Ole
Bouman. In this project by Design Society, tape has been
given a new meaning – to create a social distance space
called for during COVID-19. Leveraging the ability for
tape to connect or attach to any object, social distance
space made by tape could be used to separate people
from people, while also helping the public maintain
order and create common topics.
JJ Acuna
Ole Bouman
Design Society
COVID-19
20
023 024
DUSTS CATCHER
Adam Hudec
Design Trust Seed Grantee
DISTANCE CANDLE HOLDER
Alfred Lam, Studio 1618
Friend of Design Trust
The COVID-19 pandemic has revealed that urban
areas suffering from high levels of air pollution are
most affected by the spread of the virus, as airborne
dusts are known to carry chemical and biological
contaminants, including viruses that can float in the air
for hours, days or even weeks. Yet, the toxicity of the air
we breathe is virtually invisible to our senses.
Adam Hudec addresses this with ‘Dusts Catcher’,
which collects airborne dust on nanomembrane
when inserted into the opening of a fully recyclable
folded paper contraption. Placed outdoors, the buildup
of particulate matter materializes and transforms
otherwise invisible airborne dusts into visible and
tangible artistic objects. Wanting to encourage
participation in the further understanding of human
impact on the environment, the device can be delivered
via post to local communities.
Adam Hudec Dusts Catcher
Light in weight, smooth in texture and bold in form,
the ‘Distance Candle Holder’ features a set of two
hexagonal ceramic bases, divided with a translucent
onyx separator, the illuminated veins in the material
rendering each candle holder unique.
Alfred Lam’s prototype echoes the social conditions
normalised by COVID-19, representing the ‘social
distancing’ that many are experiencing, but in particular
emphasises the emotions evoked by these experiences.
The flicker of the candlelight on the translucent divider
resembles hope, energy and glow, a touch of poetic
feeling to soften the hostility in our way of life today. The
'Distance Candle Holder' is a reminder that everyone
should cherish their loved ones.
Distance Candle Holder
Alfred Lam
Distance Candle Holder
21
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RAMEL
Alyina Ahmed
Friend of Design Trust
TACTILE FAMILY
Aron Tsang and Hera Lui, NAPP Studio
Aron Tsang, DTFS 2018 Mentee
Ramel, a material made out of desert sand, clay and
natural binders is currently being developed as a
sustainable material substitute. Desert sand is a
natural resource that is abundant, but commonly
not used in construction due to its fine and rounded
grains. Natural binders and homemade systems are
being tested to create a strong material comparable to
concrete.
With the intention of showing the versatility of the
material and its ability to be used to create functional
everyday objects entirely at home, Alyina Ahmed has
constructed an incense burner, coaster/paper weight,
chopstick holder, and multifunctional piece, all created
using moulds that are commonly found in households
such as container lids, foam blocks and wooden pieces.
The COVID-19 pandemic has unveiled certain
underlying discomforts, from family confrontations
to stress issues. Aron Tsang and Hera Lui aspire to
alleviate these emotional tensions with ‘TACTILE
FAMILY’, promoting the importance of textural tactility
in emotional perception.
Inspired by sensory toys used for children’s therapy,
this design features a series of gadgets with varying
textures, such as silicone rubber, wood, stone, and
steel. Designed to trigger feelings and shift our focus
back to our bodies and tactility, the objects can also
be used as aids for meditation. The appearance of the
figures is designed based on habits which generate
satisfaction, creating a visual stimulation that links with
its given textures.
Ramel
Alyina Ahmed /
Aron Tsang Hera Lui TACTILE
FAMILY
22
027 028
MEGAPHONE
Aurelien Barbry in collaboration with
Constant HK
Friends of Design Trust
An iconic, simple and domestic tool, the megaphone
allows anyone to magnify their voice when calling
someone at a distance, joining in group songs or getting
kids home for dinner from the height of a balcony. It is
as much a practical tool as it is an interactive object that
allows for intergenerational play.
HOXY
Christopher Choi with Keith Hui, in
collaboration with Esther Fung and
Ian Tam, ioii Studio
Christopher Choi, DTFS 2018 Mentee
In today’s technologically advanced society, tablets are
replacing quality family time at gatherings and meals.
In Hong Kong, even the excitement of using origami to
transform chopstick wrappers into chopstick holders
during dim sum is being replaced with a fight for screen
time.
Constant HK presents a cardboard megaphone,
featuring a custom, dynamic "hybrid” pattern inspired
by wood structure and sound waves an abstract
expression with a nudge to the playful purpose of the
megaphone itself.
A counterpart to the cardboard megaphone is one made
in birch wood as an iconic "home" object that fits the
rest of an interior’s warm expression.
Constant HK
Made out of off-cut wood from timber shops, ‘HOXY’
is a meal time-friendly 4-module building block set
to bring back pre-meal family time: table space can
be customised by interlocking different modular
combinations to enable children and parents to
build their own chopstick holders, trees, animals
or imaginary towers, bringing back tangible play
experiences to family mealtimes.
HOXY
23
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THE 3D PRINTED (SUPERMAN)
FACE MASK
Douglas Young, G.O.D.
DTFS 2019 Mentor
As face masks essentially cover half of the user’s
face, individuals become less recognisable than they
normally would be. Douglas Young presents a prototype
concept for printed face masks. Through 3D scanning
and printing, the user can create a copy of their actual
face as face mask. Not only does the plastic face
mask blocks viruses, upon wearing it, you could still
distinguish the user’s face and features. "I think design
is a coordinated response to a set of problems," says
Douglas, "The COVID-19 situation has brought about a
new set of problems for humankind. As a designer, it
offers me immense design possibilities and creative
ideas so this is the positive side that I am seeing from
this human catastrophe."
3D
THE THINGS WE TOUCH
Evelyn Ting and Paul Tse, New Office Works
Design Trust Seed Grantees
The ongoing pandemic has fundamentally altered how
people associate with their surroundings, particularly
the things we touch. Small bottles of hand sanitizers
have become a staple handing off every bag and in every
pocket. With individuals going through several bottles
a month, the proposed design by New Office Works is a
playful documentation of one’s hand sanitizer usage -
the transformation of empty bottles of various shapes
and sizes into functional objects. The traces of its use
has been rendered into the repurposed bottles, creases
and ridges left by each squeeze highlighted in the matte
white finishing of what is now a miniature vase for
flowers.
New Office Works
24
031 032
MIND-TRIP
Evelyn Teploff-Mugii
Friend of Design Trust
‘Mind-Trip’ is constructed from a wooden box unit
with interior configurations reminiscent of the "shoji"
lattice-formed window frames in traditional Japanese
architecture. Designed as a vehicle of happiness, Evelyn
Teploff offers an alternative experience for our desire
to travel in the ongoing pandemic.
"Dreaming about or planning for a journey is a
therapeutic act. Studies claim travel is linked to
enhanced empathy, energy, focus and creativity.
Anticipating a trip in the future also is shown to reap
similar benefits and bring us happiness," says Evelyn,
"This is a window into what I see in Kanazawa a
dreamy city I call home steeped in history and beauty.
Lose yourself in thought and envision a visit to Japan."
Mind-Trip
“ ” Evelyn Teploff
Evelyn
SWEAT [SIMPLE WORKOUT
EXERCISES AND TRAINING]
Frédéric Gooris and Paulina Chu
Friends of Design Trust
The pandemic has disrupted billions of lives, placing
over a third of the world’s population under some form
of lockdown. With leaving home being outlawed, closed
gyms and no equipment at home, Frederic Gooris and
his family has designed a set of eco gym equipment
made by family, for family.
‘SWEAT [Simple Workout Exercises And Training]’ is
primarily made of bamboo, inspired by its symbol of
longevity and due to its durability, strength, flexibility,
and resilience. It survives in the harshest conditions, is
flexible in stormy weather, and stands tall against fierce
winds – a wonderful reminder nothing lasts forever,
including this pandemic.
Frederic Gooris
SWEAT
25
033 034
SO-AP: RINSE AND REPEAT
Jing Liu, Emma Silverblatt, Yuanjun
Summer Liu and Astrid Steegmans, SO-IL
Friends of Design Trust
"Because the world has slowed down, we also had the
luxury to reorganise our office archive, to learn about
and reflect upon what we have done," says SO-IL. From
SO-IL is a collection of soaps, created from their archive
of model moulds. Thinking of the small gestures like
hand washing called for at this time, ‘SO-AP: Rinse
and Repeat’ demonstrates the designers’ desire to
repurpose their visions for the current needs of society
– to protect individuals themselves, protect people
they love, and also protect strangers that are loved by
others. These soaps explore the experience of what it
feels to hold a building in our hands, to use it every day
intimately.
SO-IL.
SO-AP: Rinse and Repeat
THE HAPPY HUG BRACELET
WATCH
Johanna Ho, PHVLO
Design Trust Seed Grantee
Collaborating with her daughters, Johanna Ho
presents the concept of a bracelet making kit that
family members of all ages can take part in, designed
to remind the wearer to reach out to other family
members and friends through a simple text or call in
these trying and lonely times. With the goal of bringing
loved ones together even under the restrictions of the
ongoing pandemic, the completed bracelet is embedded
with a flower shaped alarm that lights up during certain
times of the day, making one think of close ones who
may not be nearby. Through technology, love and care
is felt through the sporadic reminder of this bracelet,
instilling strong hope among all.
Johanna Ho
26
035 036
GREEN KINTSUGI
Joshua Ng, Twins Kitchen
Friend of Design Trust
SECONDHAND
Kaliz Lee
Friend of Design Trust
Kintsugi, also known as Kintsukuroi, refers to golden
repair in Japanese - it is the traditional Japanese art of
repairing or upcycling broken pottery. In the practice
of this ancient technique, broken pieces of pottery
are reassembled with lacquer and dusted with gold,
resulting in beautifully unique pieces enhanced by its
metallic scars. Instead of using gold, Joshua Ng uses
green fungus to fill in the cracks of broken pottery.
Inspired by the green fungus emerging from the cracks
and gaps on hiking trails, the metaphor extends to the
idea that nature is the best concoction to fix our broken
humanity.
Kintsugi Kintsukuroi
Joshua Ng
Masks, goggles, face shields, gloves, air purifier
necklace... from the beginning of the COVID pandemic,
there has not been much that the people of Hong
Kong would not be willing to wear in order to protect
themselves from the virus. Upon these observations,
Kaliz Lee has designed another accessory to add to
the list of gear for individuals to use to avoid having
direct contact with the outside world. With adhesives,
‘SecondHand’ can be stuck to any grocery item, and
users will then have an instant “shopping bag” to wear
over their shoulders.
Kaliz Lee
SecondHand
27
037 038
STREETSIGN-FASHIONED
Kevin Mak and Ken Fung, @streetsignhk
in collaboration with Lee Kin Ming, China
Bright Production
Friends of Design Trust
A sad truth is that traditional Hong Kong signboards
are disappearing beauties, and despite the efforts
by @streetsignhk to preserve, promote, and educate
around the cultural, historic, and aesthetic value
of signboards, certain signboards inevitably face
demolition under the current signboard control system.
@streetsignhk has created an ice mold for homemade
cocktails, with characters provided by Mr. Lee Kinming,
a digitised font based on handwritten characters
by signboard calligrapher Mr. Lee Hon. The melting
of the ice acts as an analogy to the disappearing of the
signboard streetscape in Hong Kong, in the hopes of
raising attention and initiating discussion around their
cause – especially when many are confined to their
homes and with shops facing threats of closure during
the COVID-19 period.
"CAN" PLAY
Kevin Siu, Shuyan Chan and Bob Pang,
AaaM Architects
Bob Pang, Design Trust Seed Grantee
Families and children have occasionally been put in
lockdown during COVID-19, where stress and anxiety
can easily build up. While the introduction of digital
devices for children could be an easy solution, they are
proven to be unhealthy to their long-term development,
calling for an alternative, universally accessible, low
cost and tactile-based solution.
'"CAN" play' is an open-end adaptive toy system in
which sustainability and play are combined to unleash
children’s unlimited creativity. AaaM Architects’
concept provides a means for the reuse of aluminium
cans, which become basic building "blocks" for kids
while a system of joints is developed to allow flexible
adaption and multi-directional connection. The design
encourages the idea of learning by failing, while also
facilitating collaboration and creative expression.
@streetsignhk
@streetsignhk
"CAN" play
AaaM Architects
28
039 040
WOODEN LOCK
Guo Lijun, [Guo+Jinwu]
Friend of Design Trust
INCENSE HOLDER
Nelson Chow, NC Design & Architecture
Friend of Design Trust
Both a furniture designer and a father, Guo Lijun has
been prompted to think about how to design products
that meet the needs of children. Observant in the time
spent with his son, Guo has found games and toys to be
very useful in training children’s different abilities, also
noting how the effective participation of parents plays
an important role in driving children’s learning.
Emerging from these reflections are a collection
of children's furniture and toy products that can be
assembled easily like puzzles, such as the wooden lock
prototype. This series of objects is designed to inspire
the collaboration of both children and adults in the
active building of the final product.
The ongoing pandemic has kept many in their homes,
giving many an opportunity to slow down and reflect. As
the burning of incense has long been used as a method
to promote relaxation and create a sense of calmness,
Nelson Chow has designed an incense holder, available
in 4 different colours, each emblematic of different
emotions.
Charcoal black represents strength, power, and
resolution; to keep one grounded and empower them
to navigate through troubled times. Cream white
represents light, purity and goodness; to cleanse one’s
mind and to let go. Moss green is balance, harmony
and renewal; to renew and restore depleted energy.
Soft yellow is happiness, clarity and joy; to strengthen
positive energy and encourage optimism.
Nelson Chow 4
29
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NULL & INFINITY
Otto Ng and Yip Chun Hang, LAAB
Friends of Design Trust
The new norm of social distancing during COVID-19 has
compelled everyone to rethink the meaning of human
connections. 'Null and Infinity' explores different scales
of social distancing - individuals, communities, and the
city - by producing infinite loops of the viewer and the
viewed through masks made by one-way-mirror-films.
By subtracting facial features, individuals interact
with others without being filtered by our prejudices;
alternatively, the visual surprise created by the masks
encourages social interactions by producing a fun and
exploratory experience without compromising physical
distance. As the world experiences social isolation, this
homemade prototype prompts reflection about social
connection, while also acting as a critical reminder
of every individual as an "inter-being" - the interconstitution
of "the" and "the other".
Null & Infinity
DANCING WITH NATURE –
A HEALING METRONOME
UUendy Lau
Friend of Design Trust
In times of crisis and massive change, people may
find themselves overwhelmed with growing fear and
anxiety, hindering attention and productivity as negative
thoughts dominate and routines become disrupted.
Designed to serve as a therapeutic object, ‘Dancing
with Nature’ is a healing metronome that demonstrates
an alternative pace of thinking and performs as
an empowering probe that encourages users to
reconsider their existing relationships with the natural
environment, exploring new contexts for users to reexperience
or reconnect with nature. Through an
engaging process of observation, imagination and
immersion, this prototype initiates a speculative
dialogue between humans and the environment that
inquires the curious juxtaposition of dynamic motions
and rhythms choreographed by the respective subjects.
30
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IN DUST
Michael Leung, STUDIO AA
Design Trust Feature Grantee, DTFS 2019 Mentee
A lot of change has come about in everyone’s lives this
year, as has reflection around staying safe, connecting
with others, and seeing the world without going outside.
Despite a lot more alone-time, there is not a feeling of
being at ease. "While I was lighting an incense, looking
at the ash fall, I wanted to make a container, collecting
the weight of time," says Michael Leung.
‘IN DUST’ is an incense burner inspired by wooden
boxes used as sake carriers in Japan. Users can decide
whether they want to see the incense burn, or simply
look at its smoke rising. The ashes from burnt incense
are collected in the box over time, allowing one to feel
its weight over time.
Michael Leung
IN DUST
BAMBUSA
Kristof Crolla, Yip Fai Martin Lau and
Ling Sum Evangeline So, L-E-A-D
Friends of Design Trust
Confined from their beloved prototyping playgrounds,
L-E-A-D dreams up future architecture opportunities,
experimenting with the materials they have lying
around in the studio.
‘BAMBUSA’ is a small vase; a conceptual, architectural,
tectonic scale model that demonstrates the soft, tactile
qualities of its materiality and the graceful nature of its
enclosed space. Its conception and fabrication strike a
balance between mathematical precision, geometric
purity, poetic curvature, and craftsmanship. The model
uses a bundle of straight bamboo sticks, dynamically
twisted into an elegant form, to embrace a fragile glass
test tube holding a leafy green bamboo twig.
Pure and simple, ‘BAMBUSA’ heralds a near future
in which full-scale bamboo experimentation will
again push the boundaries of a built environment
that capitalises on opportunities from ecologically
sustainable natural construction materials.
L-E-A-D
BAMBUSA
BAMBUSA
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WHAT GOES DOWN
MUST COME UP
Alan Chan, Alan Chan Design
Friend of Design Trust, 2009 HKAoD Event Creative Director
In the face of a world turned upside down, there is a
hope that all are brave enough to take the first step
out of our comfort zone rather than standing still.
Sometimes, what is known is a pitfall but what is not
seen is the road uphill, just a few steps ahead.
From Alan Chan, this pair of shoes in black and white
signifies the binaries in life that go toe to toe. Not
everything one loses is at a loss, sometimes there is an
upside in the end. When force is exerted in the opposite
direction, the same force pushes us forward. When
there is no backing down, the only way up is forward.
‘WHAT GOES DOWN MUST COME UP’ is a reminder of
strength in all the directions life takes you. This is a
special collaboration between Alan Chan and Andrew
Kayla created uniqely for "Design Trust: Critically
Homemade".
WHAT
GOES DOWN MUST COME UP
Andrew Kayla
:
AS TIME GOES BY,
HISTORY IS FANTASISED
Charles Lai, aona architects
Friend of Design Trust
‘As Time Goes By, History Is Fantasised’ is a snow
globe depicting the first colonial building in Kowloon.
Its castle-like facade was a loud proclamation of its
European identity, one that matched its role as one of
the first colonial foot-holds in Hong Kong, contrasting
the Chinese style yamen ( ) of the Kowloon Walled
City.
Little is known about the story behind what was likely
a police station during the late 1800s. The snow globe
explores the duality between history and fantasy –
as the viewer gazes at the falling glitter, the passage
of time is materialised and compressed within the
snow globe, while the building’s lost history is being
fantasised in the viewer’s mind.
As Time Goes By, History Is Fantisised
1800
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INCOMPLETE INCENSE PLATE
UNDER/EXPOSED
Derek Lee and Geeio Yuen, MOM AND POP
Friends of Design Trust
Creating a silent universe.
Through all the chaos and uncertainty in the past year,
it can be assumed that many are in need of an escape
from all the emotional strain endured; everyone is
in need of a sanctuary to escape to, a space to calm
oneself.
Proposed by MOM &POP is the ‘Incomplete Incense
Plate’, designed to appeal to both the user’s senses and
mind, ideally to be crafted with brass to achieve the best
finish. "Scent is an important part of life, a sense that
ignites different feelings and meanings," says Derek
Lee, "Let's light up the incense, and let us observe the
world outside through the crack of this three-quartered
circle."
MOM POP
Derek Lee
Donn Holohan and Elspeth Lee,
Superposition
Donn Holohan, Design Trust Seed Grantee
The pandemic has resulted in a dramatic shrinkage of
our lifestyles and environments, leading most to spend
more time at home than ever before. Underexposed
seeks to find a way of slowing down and viewing
our everyday surroundings in a more mindful and
considered way. Designed by Superposition, the making
of a pinhole camera came from a desire to step away
from their screens, and to reframe the idea of both
camera and image as objects in and of themselves. In
contrast to digital and smartphone photography, the
process of pinhole photography is not instantaneous; a
degree of patience is required - both in the length of the
exposure and in the development processes, and the
results are not always successful or predictable.
Under/Exposed
Superposition
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HAND BRAIDED SANITIZER
POUCH
Fiona Lau, FFIXXED Studio
Friend of Design Trust
Since the beginning of the pandemic, there has been
a spike in awareness surrounding good public health
practice, and a new norm is to be armed with sanitizing
supplies when venturing out. At FFIXXED Studios,
Fiona Lau has explored D.I.Y., handmade techniques
to develop a hand braided pouch from wax cotton,
designed to carry hand sanitizers and hand cream.
Adapted from a water bottle pouch they had released
for their new season collection, this pouch resembles
a smaller iteration of its predecessor and features
tassel braiding, to assist in a more creative and 'hands
on' way of combating the current situation surrounding
COVID-19.
FFIXXED Studios
Fiona Lau
STERILISING LAMP
Frank Chou, Frank Chou Design Studio
Friend of Design Trust
Observing that existing household disinfection methods
all require habit formation and personal initiative,
Frank Chou has realised a need for the "unconscious
design" of products for daily disinfecting necessities
whereby users need not be "trained". Based on these
considerations, the ‘Sterilising Lamp’ combines a tray
with an ultraviolet lamp in an elegant design.
Users can place daily articles carrying large amounts
of external pollutants, from mobile phones to keys,
onto the tray at the end of the day, and then press the
cover body to activate the ultraviolet lamp. With the
ultraviolet light source placed on the bottom surface of
the tray, the reflective coating inside the cover ensures
360-degree blind-spot-free disinfection of its contents.
After 60 seconds, the cover automatically bounces up
to reveal its now disinfected necessities, convenient for
users to find and use.
Frank
Chou
Sterilising Lamp
60
360
34
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SAMURAI CHOPSTICKS
Li Fu, UV Architecture
Friend of Design Trust
Prior to COVID-19, the use of serving chopsticks in
Chinese cuisine already proved to be a hassle to many;
guests at the same table make little effort to use them,
and if used, the chopsticks were often placed messily
back on the table. The ongoing pandemic simply
emphasises the necessity of a solution to promote
public hygiene in shared spaces.
Li Fu proposes ‘Samurai Chopsticks’, a prototype
to encourage the proper etiquette around the use
of serving chopsticks. In this design, magnets are
implanted into serving chopsticks and wrapped in
an iron sheet. Carefully balanced, the rotation of a
turntable would cause the chopsticks to vibrate slightly
like Samurai’s swords , reminding all to use it, and put
it back after use. It will be a brave Samurai to guard
people from the virus.
INK AND ARCHITECTURE
Hugh Davies in collaboration with Yoko
Nakazawa, Joyce Cheng, and Nikki Lam
Hugh Davies, M+ / Design Trust Research Fellow
‘Ink and Architecture’ combines the aesthetics of
historic Chinese seal stamps with the architecture
of contemporary Hong Kong. The series of works
features architectural miniatures of renowned Hong
Kong buildings that serve as decorative handles for
traditional seal stamps.
In collaboration with Melbourne-based artists and
researchers from Chinese, British, Japanese and Hong
Kong backgrounds, Hugh Davies has co-designed
stamp impressions that appear beneath each of the
model buildings. The decorative seal stamps reflect
the customs of seal stamp designs but are abstracted
and ambiguous, provoking multiple interpretations
and meanings. Created in Melbourne, Australia during
a period of restrictive lockdown, and with awareness
of the dramatic change occurring in Hong Kong, this
series of works is created in a spirit of collaborative
craft that is both playful and irreverent beneath difficult
conditions.
Hugh Davies
35
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ALRIGHT
Jason Chan, COMING-SOON
Friend of Design Trust
DUALITY INDIVISIBLE
Thierry Chow and Peter Yuill
Friends of Design Trust
Through their project ‘Alright’, COMING-SOON hopes
to activate an imagination that extends beyond the
constraints of physical space, especially when space is
limited. Alright is a three-dimensional puzzle, within
which each component is designed in the form of
simple shapes and constructed from simple materials.
By design, these components can be put together in
limitless constructions, allowing users to exercise their
creative freedom to the broadest extent. Combined with
elements of light, shadow, and reflection, this prototype
allows participants of all ages to piece together their
own installations and realize the space, color, or even
painting of their imaginations.
Alright COMING-SOON
‘Duality Indivisible’ is a collaborative idea that emerged
from the similarities in Peter and Thierry’s work
- Peter’s artwork focuses on the questioning and
discovery of the meaning of life, and Thierry’s expertise
in Feng Shui design heavily focuses on helping one find
meaning in life through their environment. The two find
duality through concepts geometry, numerology, and
symbols, all essentials for one to find the meaning of
life. Resulting is the creation of an art piece symbolising
the importance of balance, achieved through the use
of circles, and specifically the interwovenness of the
circles, which is unified with a metallic colour. Wanting
to bring each artists’ ideas into physical reality, this is an
auspicious object that can be placed in an environment
to create good energy - the energy of duality indivisible.
Duality Indivisible Peter Yuill
Thierry Chow Peter
Thierry
36
055 056
DO NOT CROSS
Jonathan Mak
DTFS 2018 Mentee
BREATHE COLOR
Savinee Buranasilapin, thingsmatter
Friend of Design Trust
Following social distancing precautions during the
COVID-19 pandemic, many have had to adjust to working
from home. Having formed a leg-crossing habit during
earlier periods of working from home, Jonathan Mak
has designed a device that prevents one from crossing
their legs when sitting for a prolonged period of time.
Very much a homemade concept, the prototype involves
the adaptation of simple at-home materials, including
two rubber bands and a pair of slippers. In developing
the prototype into a more "designed" and distributable
final object, instructional graphics have been printed on
thick cardboard, produced with the help of Flip & Roll
press, a print studio based in Hong Kong.
Pandemic shutdowns have accelerated life trajectories
by erasing calendars. Young professionals have lived
like retirees: house-bound and listless, eyes glued
to the screen where actuarial tables are updated in
real time. Fashion is forgotten, rendered as irrelevant
as whatever day this is. In Thailand, where extended
families often live together, the young are incarcerated
with elderly relatives. Improbable traditions are
transmitted in confinement, like dressing in bright
colours corresponding to each weekday. Rooted in
Hindu Astrology, this quaint custom turns out to be
a weapon against dementia: it forces us to interact
with time, acknowledging that while nothing seems to
change, today is Wednesday. Green!
Flip & Roll
thingsmatter's polychrome facemasks register time,
by marking the day of the week, and by connecting
generations. Sunday is red, Monday is yellow, Tuesday
is pink, Wednesday is green, Thursday is orange, Friday
is blue, and Saturday is purple.
thingsmatter
37
057 058
USELESS CORNER
Maggie Ma, Mark Kingsley, Kelvin Chan,
Luka Ng and Elsie Kan, DOMAT
Friends of Design Trust
The ‘Useless Corner’ questions the shift from face to
face education to online learning experience, through
which DOMAT hopes to emphasize that there is life
beyond the screen.
During this time of social distancing, education online
has omitted the sense of touch and smell. By not
assigning the design with a specified use, the 'Useless
Corner' has the potential to be interpreted in unlimited
ways - it could be a book stand, a book end, paper
weight The combination of these 8 pieces forms a
"Useless Frame", and can even serve as an indoor
climbing frame for young children unable to go out
during the lockdown as a means to continue their
physical development.
Useless Corner
DOMAT
Useless Corner
- 8
MOOD INDICATOR
Fung Ming Chip
Friend of Design Trust
The uncertainty and unpredictability of the ongoing
COVID pandemic has injected great amounts of stress
in the daily life of many individuals, and has confined
most to small spaces, in close proximity to the same
people for long periods of time. While all are in the
process of adjusting to this new norm, Fung Ming Chip
has designed a "thermometer for engaging," a visual
indicator of the user’s different states of mental health
across time. The ‘Mood Indicator’ is designed for people
stuck at home during the COVID-19 period to express
their mood everyday at four levels: 1) I’m fine, welcome;
2) I’m not so good; 3) Give me space; 4) Back off.
COVID-19
1
2 3 4
38
059 060
LOW-TECH TOPOLOGY OPTIMISED
BAMBOO FRAME FOR MYANMAR
Raphaël Monnier
Design Trust Feature Grantee
While computational design tools are made globally
accessible, real-world applications are limited by their
complexity. Topology optimisation generates optimum
shapes in response to specific sets of conditions
and parameters, though often requiring technology
that is unaffordable in emerging countries. During
the isolation period confined in his office in Yangon,
Raphaël Monnier developed a proposal that explores
how computational design and vernacular architecture,
when combined, can have a higher social impact.
Resolving the discrepancy between the complexity of
design and affordability of construction by using locally
found materials and low-cost simple construction
techniques to better integrate digital fabrication into
ordinary real-world workflows. The output of this
project is a booklet that will present new ideas for
bamboo affordable housing units in Myanmar.
COVID-19 SCULPTURE SERIES
Kacey Wong
DTFS 2018 Advisor
At the beginning of the COVID-19 pandemic, people
around the world rushed to supermarkets to grab
everyday essential items upon the news of an imminent
lockdown. Ordinary household items such as hand
sanitizer, food, and even toilet paper became highly
sought-after treasure; the price of surgical masks
suddenly skyrocketed beyond imagination.
The idea behind Kacey Wong’s sculpture series is to
create a jewelry-like time capsule, achieved by casting
essential household items into resin. Each sculpture is
casted in multiple layers, with virus-looking coloured
dots meticulously drawn in between each layer. The
rough resin is then cut into a diamond shape and highly
polished to reveal its content, "encapsulating" the
shopping absurdity during the pandemic, reminding all
not to take ordinary household items for granted.
Raphaël Monnier
39
061 062
YEAH, BUT IT’LL BE FINE
LIGHT MOTIONS
Ron Wan and Mildred Cheng, dtby_ in
collaboration with past dtby_ designers
Ron Wan, Mildred Cheng, Design Trust Seed Grantees
The future is inner space. dtby_ has curated and created
a sonic experience to uplift and promote positive
change, having found it important to look forward and
inwards, and to stay strong mentally and physically
during these difficult and unpredictable times. Together
with their creative partners, dtby_ has produced ‘Yeah,
But It’ll Be Fine’, a compilation of music and sounds to
soothe and complement daily tasks, and also a sonic
gateway to new hobbies, actions, and creative solutions.
Devotees to positive change can scan and stream or
download and supplement as much as desired; the user
experience becomes more intense as the compilation
progresses. Participants are encouraged to begin
chronologically, paired first with tasks that are low in
energy, then advised to broaden by selecting chapters
best matching their daily routines or desired new
hobbies.
dtby_
dtby_ Yeah, But It’ll
Be Fine
Sarah Lee and Yutaka Yano, SKY YUTAKA
Design Trust Seed Grantees
In times of reduced social interaction and social
separation there are benefits for spatial devices that
promote interaction and makes the user feel connected
with their loved ones. Sarah Lee and Yutaka Yano
propose a conceptual IOT lighting device that allows
family members and friends to send smiles and
messages to each other in the forms of lighting signals
and patterns, in effect allowing loved ones who are
physically separated to remain interconnected. In this
installation, a pair of lighting devices are connected via
digital network, each with a Computer Vision sensor
that detects the smiles – and potentially other emotions
– of users and sends them to its counterpart device in
the form of lighting signals and patterns.
Sarah Lee
Yutaka Yano IOT
40
063 064
CHOCOLATE BAR SOAP
Deborah Lam, Une Szeto and Kay Chan,
Good Day Society
Kay Chan, DTFS 2018 Mentee
Soap waste has become a worldwide environmental
problem, the amount sent to the landfill every year is
measured in tons. The designers at good day society
understand that convenience is essential to promote
environmental protection, and their solution is the
‘Chocolate Bar Soap’. The chocolate bar shaped
handmade soap allows individuals to take only their
required cubes of soap to avoid excessive consumption
of soap, avoiding unnecessary wastage. Only one cube
is required for each use, thus the volume is small and
easy to carry, and people need not worry about how
to handle any remaining unused soap. Considering
the destructive properties that chemicals impose on
nature, these handmade soaps are made primarily
from vegetable oil, so no harm will come to the
environment.
WE CAN JUMP THIS HIGH
Nikolas Ettel, Lidia Ratoi, and Annie Lye
Nikolas Ettel, Design Trust Seed Grantee
Within 24 hours of announcing precautionary
measures around COVID-19, the Leisure & Cultural
Services Department (LCSD) barricaded all public
parks and sporting equipment in public spaces with
red-and-white plastic bands throughout Hong Kong; a
visual manifestation of safety measures for engineered
pandemic restrictions.
‘We Can Jump This High’ takes inspiration from these
restrictions by questioning the form and function
of barricade tapes and translating it into a tangible
object of play. The final product is a jumping rope, cast
out of coloured-concrete. Its deliberate weight and
impracticality highlights the multi-layered dimensions
of the original tape, which is lightweight, malleable, and
socially-significant. In comparison, our casted object is
heavy, dense, and an object of "play" that encourages
social-cohesion. The jumping rope object intends to
spark a playful discourse about our current challenging
times.
COVID-19 24
We Can Jump This High
41
065 066
42
COSMIC TELEPHONE
Troy Conrad Therrien, Violette Van Parys
and Julio Cavallucci
Troy Conrad Therrien, Design Trust Feature Grantee
Caves, circles, pyramids, temples, basilicas, cathedrals,
mosques... the architecture that seems to have always
gotten our attention is all about getting their attention.
Spirits, gods, God, angels, demons, djinn... whatever
you call them, they are The Dead, possibly our dead.
The oldest cultures know the necessity of tending to
ancestors. Strangers wearing hazmat suits dumping
our kin into the ground without family, without funerals,
without rites isn’t right. For the 2020 Architectural
Association Summer School, Troy Conrad Therrien
and Violette Van Parys approached it through the seed
of sacred space: the altar. Student, Julio Cavallucci
fashioned his out of old magazines and mirrored
cardboard. Synthesising modernist form with Mexican
syncretism in an altar for a recently rebuilt taxi stand,
he later discovered it was calling his name all along.
After installing, he found the altar originally displaced
by the polished steel architecture of the stand: a spitting
image of the one he designed from scratch. Collage with
Christmas lights or cosmic telephone?
2020
Julio Cavallucci
Cosmic Telephone
"D" EMBROIDERED CANTON SILK
Polly Ho, Loom Loop
Design Trust Seed Grantee, DTFS 2019 Mentee
Polly Ho has long been exploring the 400-year-old
traditions of Canton silk practices with the support
of Design Trust, continually impressed with the ecofriendly,
artisan dying techniques of plant-based dye,
river mud and solar power. Once hugely popular, the
fabric is rarely seen today except in traditional Chinese
costumes, often only worn during special occasions.
In her efforts of rejuvenating and conserving a fabric
considered to be representative of traditional culture
and craftsmanship, Polly has produced a sample of
canton silk, embroidered with Design Trust’s "D" Logo.
Polly Ho 400
Polly
D
067 068
"BACK TO BASIC" FOOD BASKET
Zoe Siu, ZOEE
Friend of Design Trust
PAPER TRAVELS ON VIRUS DAYS
Ming Shan Connie Yuen
Friend of Design Trust
Over recent months, the ban on dining-in at restaurants
has generated a lot of waste of disposable takeaway
containers, contributing greatly to the problem of
plastic-waste pollution. To address this issue, Zoe Siu
takes inspiration from traditional wabi-sabi style food
packaging, often made of natural materials, which is
grounded in the principle of accepting impermanence
and the incomplete. Wanting to explore the practicality,
elegance, and simplicity of this traditional Japanese
aesthetic approach, a bamboo and grass-made
container is being developed as an alternative to singleuse
plastics. In the meantime, Zoe has designed a
bamboo food container that can be woven at home - an
encouraged act during the COVID-19 outbreak.
/
COVID-19
The world of mapping has changed a lot in recent
decades with digitalisation, but many of these maps
only prioritise practical information. Maps are powerful
tools, but the process of making a map can almost be
meditative in sorting out what one thinks, feels, sees,
hears, and even desires in a place.
One thing many people miss during COVID-19 is
travelling, but these circumstances shouldn’t suppress
wanderlust or curiosity. Connie Yuen suggests mapmaking
to help fill the void left by travel restrictions and
social distancing, to reconnect with the community, and
to keep everyone’s creativity activated. Conventional
cartography skills are not required here. Instead of
focusing on how to get from point A to B, this can be a
poetic, personal storytelling of the place the creator is
most familiar with, told through their unique lens.
Connie Yuen
A B
43
069 070
ARCHICERAMIC IPHONE STAND
Ida Kwei, IDoArtism
Friend of Design Trust
Designed and developed by Ida Kwei in 2018, the
‘ArchiCeramic iPhone Stand’ is intended to exemplify
the interjection of architectural design into ceramic art
in the form of a functional prototype. Small enough to
fit into the palm of a hand, the phone stand not only has
the capability to hold any iPhone model in both portrait
and landscape orientations, but has been designed to
ensure comfortable viewing of the phone screen with its
slightly tilted back support. Elevated and fitted with an
opening for the phone’s charging cable, the stand, newly
upgraded with nature, also features a small storage
space for carrying the user’s favorite items, such as a
mini plant.
ArchiCeramic iPhone StandIda Kwei2018
iPhone
RUB ME FOR 20 SECONDS
Betty Ng, Chi Yan Chan, Jay Lee, Juan
Minguez and Katja Lam, COLLECTIVE
Friends of Design Trust
Combining the desire to be touched and maintaining the
utmost care for hygiene, COLLECTIVE’s ‘Rub me for 20
seconds’ is the antidote for those suffering from "skin
hunger". The piece addresses the touch deprivation
millions are suffering from due to the pandemic
lockdown, together with the symptoms of touch
paranoia, while at the same time fulfilling the ultimate
public health effort of hand washing.
'Rub me for 20 seconds' contrives to substitute a
fragment of human touch to the current critical act and
excessive need of hand-washing. It encompasses the
dichotomy of soap as gentle and soothing, particularly
in the form of a hand, yet destructive for microorganism
and viruses.
From a "Found" porcelain hand mould, a "Daily" rubber
glove; and a "New" silicone mould of their own hand,
this series recreates each object as a new piece of hand
soap.
COLLECTIVE Rub me for 20 seconds
Rub me for 20 seconds
44
071 072
BLOW-WATER
Henry Chu, Pill and Pillow
Friend of Design Trust
With an aim to upcycle materials found at home, Henry
Chu has come up with the idea of creating musical
instruments from used plastic bottles. 'blow-water'
is his new instrument prototype, constructed from a
standard clarinet mouthpiece and reed, taken from his
own clarinet. Attached to a used water bottle with the
bottom removed, the two parts are fixed together using
bandage tape.
During the COVID-19 pandemic, with social distancing
many are spending more time at home with their loved
ones. The creation of homemade musical instruments
allows people at home to exercise their creativity
collectively, spreading a message of hope through
these newly formed unique family-orchestras.
Henry Chu
COVID-19
WHEN I SEE MOUNTAINS, THEY
ARE MOUNTAINS
Stanley Wong, anothermountainman
DTFS 2017-2018 Mentor
'when i see mountains, they are mountains’ is a hand
bound photo book by Stanley Wong. In the transition
to the new normal of COVID-19, people have had
to adjust to a different pace of living. Rather than
going out, individuals have to attain peace-of-mind
in their hearts, to enjoy the world, no matter the
constraints and hurdles faced. This photo art book on
‘mountains’ are not real mountains, but a collection
of 20 photos of the city, capturing water marks on
walls, a wire fence, a wood bench, a plastic water
hose... "when i see mountains, they are mountains." -
anothermountainman
45
073 074
WORLD OF INTERIORS
Sam Jacob
DTFS 2017-2018 Mentor
IMAGINED GEOGRAPHIES
Movana Chen
Friend of Design Trust
A world that no longer has an exterior: A continuous
planetary surface of interiority. From sheltering in
our domestic spaces this year, to the extremities of the
wildernesses that were once beyond that are now so
close - the peak of Everest, with its adventure-tourist
queues, 4G and litter, to the depth of the Mariana Trench
full of cosmetic microbeads. Is our current reality the
full realisation, the final flip, in the great reversal of
human habit from an exterior to endless worlds of
interiors.
4G
In Hong-Kong based artist Movana Chen's ongoing
series ‘Imagined Geographies’, roads, languages, music
and stories are interwoven, allowing for the idea of
national borders, rules and language to be reconfigured
and presented as free-floating and intertwined.
Through the action of shredding and then knitting
diverse maps, dictionaries and sheet music from places
Movana has visited, an alternative way of exploring and
understanding the world is formed. These personal
works represent new movement, deep connections
and enriched melodies. ’Imagined Geographies #3’ is
currently represented by Flowers Gallery.
Movana Chen
Movana
46
075 076
HELLO Y
Toby Crispy
Design Trust Seed Grantee
"Walking silently down the street with my mask on, the
tufts of wild grass I encounter on street corners have
been a reminder that Earth’s great and mighty human
beings, at times, are incomparable to the unrelenting
will of the small exhibits of life often overlooked,"
reflects Toby Crispy, "more joyful and lively times lie
ahead, but right now is a precious period for rest and
reflection, to recentre ourselves."
During the COVID-19 pandemic, Toby Crispy has been
embellishing old clothes with glimpses of embroidered
greenery. A simple Y-shape stitch embodies an everrepeating
form in nature, almost as if permeating the
fragrance of fresh leaves upon application.
Toby Crispy
Y
Toby Crispy
Y
BAKE YOUR CUTLERY: EDIBLE
FORK AND SPOON
Kay Chan
DTFS 2018 Mentee
During this global pandemic, restaurant takeaway has
become a safe option for many who are stuck at home
or at the office, and restaurants often provide plastic
cutlery for their customers. However, convenience
comes at a cost; Like many disposed plastic items,
non-biodegradable utensils negatively impact the
environment. Kay Chan has realised how important it
is to be able to provide environmentally sustainable
cutlery as an alternative to traditional ones, taking
into account the impossibility of fast-food restaurants
to replace the cheap option of single-use plastics.
Her mission is to create compostable utensils made
from edible ingredients, flour and water, which will be
yummy, easy to make, affordable, and sustainable.
Kay Chan
47
ACKNOWLEDGING OUR DESIGN TRUST CRITICALL
LEAD CURATOR Marisa Yiu (Hong Kong) PARTICIPATING
van Driel, Olivia Chen (Beijing); Michael Young (Hong
Adonian Chan (Hong Kong); Elaine Yan Ling Ng (Hong Kon
Margarida Jardim (Zhuhai, Macau, Lisbon); Soilworm La
Stephen Zimmerer (Pennsylvania); Manuel Corriea da
Minasiewicz (Hong Kong); Cyril Lee (Hong Kong); Yelta
Kong), Pascal Anson (London); Maria Roszkowska, Nico
Seurat (Paris); Joel Austin, Kwan Q Li (Hong Kong); Die
Andrea Palmioli (Hong Kong); JJ Acuna (Hong Kong); Ole
Hong Kong); Alfred Lam (Hong Kong); Alyina Ahmed (Dub
Barbry (New York City); Christopher Choi, Esther Fung,
Kong); Evelyn Ting, Paul Tse (Hong Kong); Evelyn Teploff
Kong); Jing Liu, Emma Silverblatt, Yuanjun Summer Liu
Kong); Joshua Ng (Hong Kong); Kaliz Lee (Hong Kong);
Siu, Shuyan Chan, Bob Pang (Hong Kong); Lijun Guo (Beij
(Hong Kong); UUendy Lau (Hong Kong); Michael Leung (H
Evangeline So (Hong Kong); Alan Chan (Hong Kong); C
Kong); Donn Holohan, Elspeth Lee (Hong Kong); Fiona La
Beijing, Los Angeles); Hugh Davies, Yoko Nakazawa, Jo
Kong); Peter Yuill, Thierry Chow (Hong Kong); Jonatha
Maggie Ma, Mark Kingsley, Kelvin Chan, Luka Ng, Elsie K
Monnier (Yangon); Kacey Wong (Hong Kong); Ron Wan, Mil
Kong); Deborah Lam, Une Szeto, Kay Chan (Hong Kong);
Conrad Therrien (New York City, Paris), Violette Van Pary
(Hong Kong); Zoe Siu (Hong Kong); Ming Shan Connie Yue
Chan, Jay Lee, Juan Minguez, Katja Lam (Hong Kong); H
Jacob (London, Chicago); Movana Chen (Hong Kong); Tob
House Hong Kong DESIGN TRUST CHAMPIONS kapok, C
VSFG, COLOURLIVING PROJECT ADVISORS Aric Chen, E
Wong, William To, Zoë Ryan, Bastian Wong, Aaron Lau
Feliciano-Chon INTERNATIONAL MEDIA PARTNER Deze
Y HOMEMADE DESIGNERS AND COLLABORATORS
DESIGNERS James Shen, Zang Feng, He Zhe, Anouchka
Kong); Florian Wegenast, Christine Lew (Hong Kong);
g); Jesse Mc Lin, Julie Progin (Hong Kong); Clara Brito,
i, Vanissa Law (Hong Kong); Xavier Tsang (Hong Kong);
Silva, Luanha Tavares de Almeidae (Macau); Natasza
Köm, Elif Çak Köm (Berlin, Istanbul); Yanki Lee (Hong
las Maigret, Pauline Briand, Julien Maudet, Clemence
go Caro (Hong Kong); Rony Chan, Ire Tsui (Hong Kong);
Bouman (Shenzhen, Amsterdam); Adam Hudec (Vienna,
ai, London); Aron Tsang, Hera Lui (Hong Kong); Aurelien
Ian Tam, Keith Hui (Hong Kong); Douglas Young (Hong
-Mugii (Kanazawa); Frédéric Gooris, Paulina Chu (Hong
, Astrid Steegmans (New York City); Johanna Ho (Hong
Kevin Mak, Ken Fung, Lee Kin Ming (Hong Kong); Kevin
ing); Nelson Chow (Hong Kong); Otto Ng, Yip Chun Hang
ong Kong); Kristof Crolla, Yip Fai Martin Lau, Ling Sum
harles Lai (Hong Kong); Derek Lee, Geeio Yuen (Hong
u (Shanghai); Frank Chou (Shanghai); Li Fu (Shenzhen,
yce Cheng , Nikki Lam (Melbourne); Jason Chan (Hong
n Mak (Hong Kong); Savinee Buranasilapin (Bangkok);
an (Hong Kong); Fung Ming Chip (Hong Kong); Raphaël
dred Cheung (Hong Kong); Sarah Lee, Yutaka Yano (Hong
Nikolas Ettel, Lidia Ratoi, Annie Lye (Hong Kong); Troy
(New York City), Julio Cavallucci (Mexico City); Polly Ho
n (Hong Kong); Ida Kwei (Hong Kong); Betty Ng, Chi Yan
enry Chu (Hong Kong); Stanley Wong (Hong Kong); Sam
y Law (Hong Kong) EXHIBITION VENUE PARTNER Soho
hinachem Group, ZS Hospitality Group, WOMANBOSS,
va Franch, Keith Tam, Lars Nittve, Marc Cansier, Shin
, Arthur Kuipers, Adnan Abbasi, Winnie Hu, Catherine
en SOCIAL ENTERPRISE COLLABORATOR Cookie Smiles
Acknowledgements
Lead Organiser
Exhibition Venue Partner
Design Trust Champions 2020
Design Trust brand ambassador, manufacturing and retail partner in support of future prototype development. All proceeds will
go towards the ongoing funding of Design Trust seed grants in relation to the COVID-19 challenges and provide immediate support
to social/design programmes that will benefit the wider community.
Design Trust Leaders 2020
Design Trust Influencers 2020
International Media Partner
Joyce Tam, Stephen Cheng,
David Au, Tai Ping, Kamsen Lau,
William Lim, Michael Ling,
Jennifer C. Liu, Merlin Swire,
Selina Kong
Evan Chow, Stefan Rihs,
Inna Highfield, Geoffrey Chuang,
Ivan Pun, Yenn Wong, Angela Chow,
Justin Ng, Aron Harilela,
Jackson Chow, Jo Soo Tang
Annual patron pledge 2020-2021 continues to support Design Trust's granting programmes
For more information, please visit http://designtrust.hk/give-to-give-more/
Dezeen
Social Enterprise Collaborator
Cookie Smiles
2020-2021
designtrust.hk/
http://designtrust.hk/design-trust-critically-homemade
designtrust
52
#designtrusthk #designtrust #designtrust2020
#designtrustcriticallyhomemade #criticallyhomemade
#givetogivemore #maketogivemore #creativityinthetimeofcovid
Design Trust Mission Statement
In 2007, Hong Kong Ambassadors of Design (HKAoD)
was founded with the aim to encourage, promote,
support and advance the study and development of
all areas of design. In 2014, Ambassadors of Design
founded DESIGN TRUST, a grant funding platform
with related educational programmes to promote,
encourage, support and advance design competency
for the benefit of the public. DESIGN TRUST supports
creative projects regionally and internationally that
develop expertise, build research initiatives and
content related to Hong Kong and the Greater Bay Area.
The mission statement of Ambassadors of Design
and DESIGN TRUST is to provide an active longterm,
intelligent and meaningful platform to fund and
advocate the process of design, debate and creative
sharing. Ambassadors of Design and DESIGN TRUST
support innovative, thought-provoking projects in
various design disciplines including, but not limited to,
graphics, media, wearable technologies, architecture
and the urban environment.
2007
2014
Design Trust 2020 Benefit Committee
2020
Alan Lo, Marisa Yiu, Ivan Pun, Alfred Lam, David Au, Desiree Au,
Geoffrey Chuang, Inna Rodchenko-Highfield, Jason Basmajian,
Jonathan Cheung, Joyce Tam, Nathan Clements-Gillespie, Sean
Fitzpatrick, Shera Law, Stefan Rihs
DESIGN TRUST: Critically Homemade Prototype Exhibition, Event
Management & Curatorial Team
DESIGN TRUST: Marisa Yiu (Lead Curator / Creative Direction),
Joyce Li (Assistant Director, Programmes, Media & Events),
Cindy Tai (Manager, Production); Naomi Altman (Curatorial
support, Editorial); Melissa Kong (Event support), Rosalia Leung
(Exhibition design); Former coordinators / Interns: Gabriella Lai,
Kate Lok; Communications / PR Support: PLUG PR; Exhibition
Venue Partner SOHO HOUSE Hong Kong. Special thanks to
Laurent Sola, Alice Lam, Alex Zenovic, Eleanor Dench
Board of Directors
Kamsen Lau (Chairman 2020-)
Alan Lo (Chairman 2008-2020)
Joyce Tam
Ivan Pun
Gabriela Kennedy
Denise Lau
Co-Founder/Executive Director
Marisa Yiu
Design Trustees
Victor Lo
Jennifer Liu
Daryl Ng
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Yama Chan
Adrian Cheng
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Yvette Ho
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Vanessa Cheung
Janice Chan-Choy
Angelina Kwan
Charmaine Li
Lumen Kinoshita
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Ariel Shtarkman
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Jonathan Cheung
Chinachem Group
International Advisory Council
Eva Franch
Beatrice Leanza
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Rodman Primack
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·
Greater Bay Area Design Council
Arnault Castel
William To
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Aric Chen
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Tat Lam
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53
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