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20 | October 7, 2020 | MALIBU SURFSIDE NEWS LIFE & ARTS

malibusurfsidenews.com

Guerin Swing

comes full circle

POSTED TO malibusurfsidenews.com

3

DAYS AGO

From street art to

high-end design

and back, he’s

making the most

of the strange new

order.

SCOTT STEEPLETON, Editor

For all its heartache,

the pandemic has led a lot

of people to turn their attention

inward, to assess

where they are and perhaps

chart a new course to

where and who they want

to be.

Guerin Swing, a wellknown

name in the Malibu

arts scene, is doing just

that as he explained during

a recent interview with

Malibu Surfside News.

Whether it’s creating

unforgettable corporate

spaces, doing commission

artwork for private clients

including rockers Tommy

Lee and Slash, or helping

a company with branding,

the 50-year-old Beverly

Hills native, who’s been

steeped in art since the

fourth grade at The Buckley

School in Sherman

Oaks, has been successful

as can be in just about everything

he does. (A painting

of fish he did early on

made it all the way to the

White House.)

A hyperactive boy who

painted all day, couldn’t

sit still and didn’t fit in,

Swing eventually excelled

in all the arts. He landed

a job as the assistant art

director for Screamers,

an L.A. rock magazine in

1987. He moved into street

art, commercial art and

later design and decorative

painting, the latter being

quite lucrative ventures.

Along the way, he’s

done off-road motorcycling,

modeling and surfing,

including helping kids

with special needs and

disabilities catch waves

through a Ventura-based

nonprofit called A Walk on

Water.

He’s also worked with

some of street art’s biggest

names, including his new

collaboration with Kelly

“RISK” Graval on paintings

featuring the Hindu

deity Ganesh (an image

that Swing has used for

decades).

All this requires energy,

and Swing’s would put

that of people half his age

to shame.

The father of three —

4-year-old Seven, 16-yearold

Scout, and 29-year-old

Charlie McMullen — has

also been known as a

workaholic.

“If you asked, ‘Want to

go to the North Shore and

go surf for a week?’ I’m

like, yes,” he said at the

North Hollywood home of

Guerin Design Inc.

“At the same time, (I’d

be) sick to my stomach.”

Strange as it may seem,

the lockdown changed all

that.

“All we hear is, ‘Don’t

leave the house! You’re

having a time out!’ I’m

like, now what?”

Swing with a print of Robbie Conal’s “Gag me with a coat hanger.” It was a gift from

Conal’s guerilla volunteers after a chance meeting late one night in Hollywood when

Swing was just 18.SCOTT STEEPLETON/SURFSIDE NEWS PHOTOS

The answer for the design

business was to cut

back on decorative painting

and doing more FF&E:

furniture, fixtures and

equipment.

For Guerin Swing the

artist, the answer was coming

full circle, in a sense,

to the imagery, if not the

shenanigans, of his earlier

days.

“I’ve kind of just taken

my regular style that I’ve

been doing and put both

my street art and a more

contemporary, personal art

together and look what’s

happened.”

What’s happened? He’s

busy as can be in a way

that doesn’t bring on the

previous anxiety.

“It’s actually been the

greatest thing that’s ever

happened to me, to actually

have time to have a

time out, or do something

that you’ve always wanted

to do.”

Think fine art with a

graffiti bent — and without

the politics of, say, a

Plastic Jesus or Sabo, two

L.A. artists whose sensibilities

run liberal and

conservative, respectively.

“I’ll be honest. I believe

in both sides. We’re so divided

right now, especially

on social media — especially

on Facebook — you

see one side that’s saying,

‘I like this guy’ and the

other side is just attacking

him,” Swing explained.

“So what I’ve seen, and

I’m kind of illiterate on

this, is that … you’re not

really talking about the political

agendas.”

“When you talk about

Republicans and Democrats,

I like both,” he said.

He chuckles at people’s

assumptions of him.

“People always say to

me, ‘Oh, you’re an artist,

so you must be a Democrat,”

he said. “Then I’m

like, well, I like guns. ‘Oh,

he must be a Republican.’

I like a little bit of everything.

And I think from

talking to a lot of people,

that’s the way it is.”

“The reason I stay away

from political stuff is I just

don’t think I’m personally

informed enough to go and

put my mark everywhere.”

He may stay away from

political art, but Swing

has respect for some of

the biggest names in the

genre, including his favorite,

Robbie Conal,

who started papering Los

Angeles with his guerilla

art in the 1980s. Swing

bumped into Conal’s volunteer

army late one night

and was hooked.

Such is his passion for

Conal’s work that on the

wall in the main hallway

at Guerin Design hangs a

print of Conal’s “Gag me

with a coat hanger,” featuring

the likeness of former

Supreme Court Justice

William Rhenquist in the

artist’s signature gnarled

style.

“I got this when I was

18,” Swing said pointing

to the piece. “I was walking

in Hollywood and they

were putting them up. I

was walking on Franklin

and I’m like, ‘Hey, what

are you guys doing?’ I

knew about “Contra Diction”

(a 1988 Conal piece

featuring President Reagan)

and I was like, ‘Can

I have one of those? Can I

help you guys?’”

They obliged and gave

him one.

While the message at the

time escaped him — “I was

a kid. I didn’t even know

who William Rhenquist

was,” he said, the Guerin

Swing of 2020 takes in

“Gag me” and says, “This

guy’s tracking.”

Impressed as he was

with Conal’s work way

back when, Swing didn’t

go the route of using a lot

of words in his art. “I am

the worst speller,” he said

with a laugh. “I’m not

worried about the message,

I’m worried about

technique. I’d make the

C like bitchin’, then I’m

like A, O and then I’m

like, ‘Oh, God … I spelled

‘coat’ wrong!”

Nor did he take any great

interest in doing the spraypaint

graffiti art that a lot

of his friends were doing.

“I’ll be honest with

you. I looked at graffiti

as a waste,” Swing said,

knowing how some would

take offense to that way of

thinking. “To me, it’s like,

you’re going to take spray

paint, spend long-term

doing art that potentially

could be buffed over?”

Instead, he’d use quarts

of paint to “attack” billboards

— and his favorite

target was any featuring

Angelyne, of which there

were many.

“Angelyne, back then,

Please see SWING, 23

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