english cameo glass in the corning museum of glass

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CONTENTS Preface 7 Introduction 11 The Early Years 17 Stevens & Williams 31 Thomas Webb & Sons 33 A Woodall Miscellany 42 Epilogue 56 Further Reading 58 Notes on the Illustrations 59 Notes 63
FIG. 1. The Portland Vase.
Page 1 and 2: ENGLISH CAMEO GLASS THE CORNING MUS
Page 3 and 4: Cover: Moorish Bathers. England, Am
Page 8 and 9: THIS SHORT BOOK has two objectives:
Page 10 and 11: FIG. 3. The Stourbridge area. Roman
Page 12 and 13: FIG. 4. Vase (unfinished) carved by
Page 14: covered at the upper left. The plaq
Page 17 and 18: The hand tools were very simple. Ac
Page 20 and 21: FIG. 13. John Northwood's drawing o
Page 23 and 24: The three tazzas are decorated with
Page 26: .mi gwtwri; itrntu yr-rrrrnvrrri CA
Page 29 and 30: The Portland Vase continued to fasc
Page 32 and 33: IN SPITE OF Richardson's outstandin
Page 34 and 35: FIG. 28. The Great Tazza, carved by
Page 36: Ivory," for example, was gilded, pa
Page 39 and 40: George and Thomas Woodall left scho
Page 41 and 42: On January 20, 1912, a local newspa
Page 43: A WOODALL MISCELLANY FIG. 38. Georg
Page 47 and 48: 11 m m FIG. 42. A Maid of Athens, b
Page 50 and 51: FIG. 45. Moorish Bathers, by George
Page 52 and 53: FIG. 47. George Woodall's Andromach
Page 55 and 56:
FIG. 50. The Dancing Girl, carved b
Page 57 and 58:
EPILOGUE
Page 59 and 60:
FURTHER READING Beard, Geoffrey W.
Page 61 and 62:
12. Replica of the Portland Vase. W
Page 63 and 64:
38. George Woodall in his studio. P
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english cameo glass in the corning museum of glass

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