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DESIGN Anytime - Enrico Taglietti

To connect with audiences who cannot physically make it to Canberra during the festival, DESIGN Canberra is curating a DESIGN Anytime program. This new program includes self-guided tours of iconic architecture and contemporary design throughout Canberra. This will promote and celebrate Canberra as a global city of design every day of the year. This zine was created for the 2020 DESIGN Canberra festival, as a curated collection of highlights of Enrico Taglietti’s architectural career in Canberra. This design experience can be enjoyed as a series of leisurely reflections over a week or an exciting day trip through the city.

To connect with audiences who cannot physically make it to Canberra during the festival, DESIGN Canberra is curating a DESIGN Anytime program. This new program includes self-guided tours of iconic architecture and contemporary design throughout Canberra. This will promote and celebrate Canberra as a global city of design every day of the year.
This zine was created for the 2020 DESIGN Canberra festival, as a curated collection of highlights of Enrico Taglietti’s architectural career in Canberra. This design experience can be enjoyed as a series of leisurely reflections over a week or an exciting day trip through the city.

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<strong>Enrico</strong> <strong>Taglietti</strong><br />

Self-guided architectural tour<br />

One city<br />

200+ events<br />

9—29 November<br />

DesignCanberraFestival.com.au<br />

<strong>DESIGN</strong><br />

<strong>Anytime</strong>


Introduction<br />

<strong>DESIGN</strong> Canberra celebrates and promotes<br />

Canberra as a global city of design. It is an<br />

annual festival that has been running seven<br />

years strong.<br />

The festival is presented by Craft ACT: Craft + Design Centre, a respected<br />

and nearly 50-year-old membership organisation which represents the<br />

Canberra region’s designers, artists and craftspeople at every stage of<br />

their careers. Craft ACT is home to a community of glass artists, furniture<br />

makers, textiles artists, ceramic artists and jewellers, and collaborates<br />

with designers and architects across many disciplines.<br />

CANBERRA<br />

<strong>DESIGN</strong><br />

FESTIVAL<br />

Front cover: McKeown House.<br />

Photo: Philip Goad.<br />

Back cover: The Apostolic<br />

Nunciature Canberra, Architect Dr<br />

Encirco <strong>Taglietti</strong>. Photo: From the<br />

collection of the NAA. 2


H1<br />

Heading<br />

H2 Heading<br />

The self-guided Quote –“It was tour the biggest job ever built in<br />

To connect with audiences<br />

Australia<br />

who<br />

at<br />

cannot<br />

the time<br />

physically<br />

– a million square feet – it<br />

make it to Canberra during the festival, <strong>DESIGN</strong><br />

Canberra is curating was a <strong>DESIGN</strong> a city not <strong>Anytime</strong> a building! program. And I’m much more<br />

This new program includes interested self-guided in the tours building of iconic as part of the city,<br />

architecture and contemporary design throughout<br />

in the urban forms of things, than I am in the<br />

Canberra. This will promote and celebrate Canberra as<br />

a global city of design individual every day of gem.” the year.<br />

This zine was created for the 2020 <strong>DESIGN</strong> Canberra<br />

festival, as a curated collection of highlights of <strong>Enrico</strong><br />

<strong>Taglietti</strong>’s architectural career in Canberra. This design<br />

experience can be enjoyed as a series of leisurely<br />

reflections over a week or an exciting day trip through<br />

the city.<br />

3<br />

Guidelines and etiquette<br />

When taking this self-guided tour please be respectful<br />

of the occupants of Body the buildings. – Design Canberra By using celebrates this zine and promotes Canberra<br />

you agree to comply as with a global the city following of design. housekeeping It is an annual program that has<br />

rules:<br />

been running six years strong. The festival is presented by<br />

Craft ACT: Craft + Design Centre, a respected and nearly<br />

• View private property from the street or footpath.<br />

50-year- old membership organisation which represents the<br />

Do not step onto private property at any time.<br />

Canberra region’s designers, artists and craftspeople at every<br />

• Do not take photographs stage of their of house careers. interiors Craft or ACT the is home to a community<br />

buidling owners of and glass occupants artists, furniture and respect makers, their textiles artists, ceramic<br />

property. artists and jewellers, and collaborates with designers and<br />

architectsacross many disciplines.<br />

Access. Body –Access details


<strong>Enrico</strong> <strong>Taglietti</strong><br />

<strong>Enrico</strong> <strong>Taglietti</strong> is recognised as an important architect and a leading<br />

practitioner of the late 20th century organic style of architecture. Since<br />

his arrival in Australia in the 1950s, <strong>Taglietti</strong> designed many houses,<br />

schools, churches and commercial buildings in Canberra, Sydney and<br />

Melbourne. The powerful, sculptural forms of <strong>Taglietti</strong>’s architecture are<br />

a recognisable feature of Canberra’s architectural landscape.<br />

There are a number of important and recurring themes present in<br />

<strong>Taglietti</strong>’s architecture. His buildings place great importance on arrival,<br />

where the qualities of a building are revealed subtly after moving<br />

through a space or series of spaces. The idea of interlocking internal<br />

volumes is central to many of his houses, with the interconnected<br />

and overlapping volumes creating interest and spatial drama. Details<br />

like battered and stepped or curved walls and window reveals create<br />

attractive sculptural forms. The use of deep, overhanging timber lined<br />

eaves with timber boarded fascias for shelter and protection from the<br />

harsh Australian light is one of his most recognisable elements.<br />

In March 2007 <strong>Enrico</strong> was awarded Australia’s most prestigious<br />

architecture prize—the Royal Australian Institute of Architects (RAIA)<br />

Gold Medal for Architecture.<br />

Photo: Dr ET outside the Canberra Town House. Photo: Dpt<br />

of Immigration & Multicultural & Indigenous Affairs, From the<br />

collection of the NAA.<br />

4


Travel Route<br />

Scan the QR code or click on<br />

this link to access the map<br />

A. War Memorial Annex<br />

B. Giralang Primary School<br />

C. Paterson House<br />

D. High Commission for the Islamic Republic of Pakistan<br />

E. Chancellery of Italy<br />

F. Apostolic Nunciature<br />

4 Callan Street, Mitchell<br />

Atalumba Close, Giralang<br />

7 Juad Place, Aranda<br />

4 Perth Avenue, Yarralumla<br />

12 Grey Street, Deakin<br />

2 Vancouver Street, Red Hill


War Memorial<br />

Annex<br />

1977-1978<br />

ADDRESS. 4 Callan Street, Mitchell<br />

War Memorial Annex. Photo: Darren Bradley.<br />

6


Completed in 1979, the Australian War Memorial Annex is a large,<br />

utilitarian building. Its purpose is to provide a repository and conservation<br />

facilities for items in the War Memorial’s collection.<br />

The building is immediately recognisable as a <strong>Taglietti</strong> work, with its use<br />

of overlapping roof planes and deep overhanging eaves and interior<br />

detailing.<br />

It’s best described by <strong>Taglietti</strong> himself: “They do not do anything, they do<br />

not mean anything, but why not create something beautiful and allow<br />

space to go out and come in from any angle when you can do it for the<br />

same cost as something ugly.The façades of the apartment blocks are<br />

of particular interest. They are carefully composed to produce abstract,<br />

balanced patterns across the development.”<br />

7


8


Giralang Primary<br />

School<br />

1975<br />

Giralang Primary School was designed by <strong>Taglietti</strong><br />

in 1975, with the vision of fostering an enriching<br />

learning environment filled with fun and creativity.<br />

The building reflects the educational philosophy<br />

that was introduced to Canberra in the 1970s.<br />

It is a complex plan based on a cross with<br />

interconnected teaching areas centred on the<br />

library and its courtyard. Inside, angled and curved<br />

subdivisions create an extraordinary series of<br />

spaces. This complexity is apparent as you view<br />

the exterior of the building with its steeply pitched<br />

roofs, buttressed brick gable ends, deep horizontal<br />

fascias and playful details.<br />

Giralang Primary School is <strong>Taglietti</strong>’s most highly<br />

regarded building, receiving the Canberra Medallion<br />

in 1977 and the Twenty-Five Year Award in 2001<br />

from the ACT Chapter of the Australian Institute of<br />

Architects.<br />

9<br />

ADDRESS. Atalumba Close, Giralang<br />

Architect: Dr <strong>Taglietti</strong>. Giralang Primary School. Photo:<br />

From the collection of the NAA.


10


Paterson House<br />

1970<br />

The Paterson House was commissioned in 1967 by<br />

geophysicist Mervyn Paterson and his wife Katalin<br />

Paterson. It is regarded as one of <strong>Taglietti</strong>’s most<br />

important residential works.<br />

The house is one of <strong>Taglietti</strong>’s most private, with a<br />

fortress-like, windowless street facade of grey cement<br />

brick and stained timber fascia. Complex, interlocking<br />

volumes inside the house create a series of intricate,<br />

connected spaces with each room having views of the<br />

surrounding bushland. The large, flat roofs have deep<br />

fascias of timber boarding and the roof plane visible<br />

from the street appears to float over the large masonry<br />

mass.<br />

The home was awarded the Twenty-Five Year Award in<br />

2006 from the ACT Chapter of the Australian Institute<br />

of Architects.<br />

11<br />

ADDRESS. 7 Juad Place, Aranda<br />

Paterson House, Photo: Anthony Basheer.


High Commission<br />

for the Islamic<br />

Republic<br />

of Pakistan<br />

2013<br />

The High Commission of Pakistan is one of <strong>Taglietti</strong>’s<br />

final works, completed in 2013.<br />

The building is a modern interpretation of Pakistan’s<br />

Mughal-inspired building style, demonstrating<br />

symmetry and balance, but displays <strong>Taglietti</strong>’s<br />

recognisable themes and details.<br />

The use of stepped and curved walls and window<br />

reveals achieves a balance between privacy and<br />

human interaction and creates attractive sculptural<br />

forms. The dramatic cantilevered portico and deep roof<br />

overhangs provide sun protection and are themselves<br />

a sculptural element.<br />

The mural on the exterior wall by Shehzar Abro depicts<br />

two early leaders of Pakistan – Muhammad Ali Jinnah<br />

and Allama Iqbal.<br />

ADDRESS. 2 Vancouver Street, Red Hill<br />

High Commission for the Islamic Republic of Pakistan,<br />

Photo: Pam Saunders.


Chancellery<br />

of Italy<br />

1967 - 1974<br />

Shortly after arriving in Australia in 1955, <strong>Taglietti</strong><br />

was invited by the Italian Government to choose<br />

a site for their embassy in Canberra. <strong>Taglietti</strong><br />

would go on to prepare the working drawings for<br />

the Ambassador’s residence which was designed<br />

by the Italian State Department of Works in Milan.<br />

He supervised the building’s construction in time<br />

for a visit by the Italian President.<br />

In 1974 <strong>Taglietti</strong> designed the embassy’s<br />

Chancellery, located next door to the residence.<br />

The Chancellery consists of two buildings. The<br />

entry building, visible from Grey Street, is a<br />

rectangular, reinforced concrete building, with<br />

protruding spandrels and piers on battered bases.<br />

The rear block, visible from Adelaide Avenue,<br />

displays <strong>Taglietti</strong>’s horizontal lines and splayed<br />

profiles on a deep overhanging roof and concrete<br />

balustrades.<br />

ADDRESS. 12 Grey Street, Deakin<br />

Embassy of Italy. Photo: Craft ACT.


Apostolic<br />

Nunciature<br />

1977<br />

Completed in 1977, the Apostolic Nunciature is the physical<br />

presence of the Catholic Church in Australia, containing a<br />

residence, living areas for the diplomatic representatives<br />

of the Holy See, offices and a small chapel. <strong>Taglietti</strong> has<br />

commented that the design process for the building posed<br />

many questions, forcing him to reflect upon the relationship<br />

between the functional use of a space and its symbolic<br />

purpose.<br />

While <strong>Taglietti</strong>’s earlier buildings were characterised by<br />

deep, spreading roof overhangs with banded fascias, the<br />

Apostolic Nunciature achieves a pronounced horizontality<br />

courtesy of massed, red-tiled roofs. They appear to float over<br />

the building form. This horizontal emphasis is relieved by a<br />

cantilevered porte-cochere with a large cross displayed on<br />

the building. The spreading, massed roofs produce an effect<br />

similar to Frank Lloyd Wright’s Prairie Houses.<br />

A feature of <strong>Taglietti</strong>’s work is the integration of building<br />

and site through the use of hard landscape elements such<br />

as retaining walls and fences. By using the same materials as<br />

the building, it has the effect of extending the composition<br />

of the building beyond its own boundaries.<br />

This design was a recipient of the Australian Institute of<br />

Architects Certificate of Merit in 1978 and 1980 and earned<br />

<strong>Taglietti</strong> a Papal Knighthood of St Gregory the Great. It is also<br />

on the Commonwealth Heritage List.<br />

ADDRESS. 2 Vancouver Street, Red Hill<br />

Apostolic Nunciature. Photo: 5 Foot Photography.


PROUDLY PRESENTED BY<br />

GOVERNMENT PARTNERS<br />

Craft ACT Craft and Design Centre is<br />

supported by the ACT Government, the Visual<br />

Arts and Craft Strategy - an initiative of the<br />

Australian, State and Territory Governments,<br />

and the Australia Council for the Arts - the<br />

Australian Governments arts funding and<br />

advisory body.<br />

PLATINUM PARTNERS<br />

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