Ger Lyons - Focus Magazine
Ger Lyons - Focus Magazine
Ger Lyons - Focus Magazine
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OCUS<br />
Victoria’s monthly magazine of people, ideas and culture March 2012<br />
PM 40051145 FOC
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2 March 2012 • FOCUS
contents<br />
March 2012 VOL. 24 NO. 5<br />
18 34 38<br />
4 COLLECTIVE WISDOM<br />
The A-word and other tales of participatory democracy.<br />
Leslie Campbell<br />
8 ROLLING THE DICE IN THE HARBOUR<br />
The long-term environmental consequences<br />
of a mistake made by City Hall are uncertain.<br />
David Broadland<br />
10 POLICING POVERTY IN VICTORIA<br />
In its desire to keep streets safe, has the City spent too much<br />
on ineffective and discriminatory policing?<br />
Gordon O’Connor<br />
14 PRIVACY COMMISSIONER SLAMS SURVEILLANCE PROGRAM<br />
Documents suggest BC Solicitors General and the RCMP<br />
have been misleading the public for years.<br />
Rob Wipond<br />
18 PERFECTLY RENDERED<br />
A physician and reproductive rights advocate<br />
has returned to her first love: art.<br />
Christine Clark<br />
34 THE MYSTERY OF LIFE<br />
John Shields’ journey from priest to union leader to spiritual seeker.<br />
Amy Reiswig<br />
36 DIGGING FOR COPPER IN THE SISTINE CHAPEL<br />
Author Wade Davis will be in Victoria March 7 to talk about efforts<br />
to save the Stikine, Skeena and Nass headwaters.<br />
Briony Penn<br />
38 THE INCREMENTALIST<br />
Saanich Mayor Frank Leonard weighs the pros and cons<br />
of the “big bang” approach to municipal politics.<br />
Aaren Madden<br />
40 CONNIE ISHERWOOD, QC<br />
Ninety-two and still working, she credits genes,<br />
work, family and faith for her longevity and health.<br />
Leslie Campbell<br />
42 THE ART OF DRIVING BUS<br />
We begin our series on the everyday jobs that hold our community together.<br />
Amy Reiswig<br />
44 THE PARACHUTE PROBLEM<br />
Three local events, three ways of looking at what the future might hold.<br />
Gene Miller<br />
46 A BUMPY BEGINNING<br />
Nobody wins when environment and economy are pitted against each other.<br />
Trudy Duivenvoorden Mitic<br />
March 2012 • www.focusonline.ca<br />
editor’s letter 4<br />
readers’ views 6<br />
talk of the town 8<br />
palette 18<br />
arts in march 22<br />
coastlines 34<br />
island interview 38<br />
the survivors 40<br />
on the job 42<br />
urbanities 44<br />
finding balance 46<br />
ON THE FRONT COVER<br />
“Can U Canu” by Mary Conely,<br />
16 x 12 inches, oil on canvas. See<br />
story on page 18.<br />
ON THE BACK COVER<br />
“Opportunity Lost” by Denton<br />
Pendergast, digital photo composite.<br />
Pendergast, proprietor of Victoria's<br />
Rocket Science Design, wanted<br />
to commemorate the beauty of<br />
the Blue Bridge, and says, “Sadly,<br />
we shall not see her like here again!”<br />
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Collective wisdom<br />
LESLIE CAMPBELL<br />
editor’s letter<br />
The A-word and other tales of participatory democracy.<br />
There’s a global movement afoot—participatory democracy—<br />
which empowers people to play a more central role in directly<br />
shaping their communities. You can see it erupting in everything<br />
from communities that engage in participatory budgeting and “conversation<br />
cafés” to the occupy movement. It generally involves large<br />
assemblies of ordinary citizens coming together to learn about and<br />
discuss issues, and eventually decide on action.<br />
While participatory democracy might be a bit cumbersome and<br />
slow, its benefits are numerous and deep: inclusivity and engagement,<br />
higher quality of life, greater transparency, accountability and trust.<br />
When citizens are cut out of decision-making—or debate is shortcircuited—the<br />
decisions made usually backfire in a costly way. The<br />
HST and Juan de Fuca lands sagas are great examples of how topdown<br />
decision-making can squander time, resources and trust. So is<br />
the City of Victoria’s initial decision to forego a referendum on the<br />
Johnson Street Bridge—and its recent rejection of the option citizens<br />
voted for (why bother voting?) around garbage pickup. With such<br />
potentially divisive issues as a deer cull and the $1-billion LRT proposal<br />
on the horizon at the CRD level, a more participatory approach might<br />
prove very helpful.<br />
The government’s best role in this new paradigm is to help create<br />
structures and processes through which the ideas of citizens can be<br />
heard early on, rather than after key decisions are made, as is so<br />
often the case. Thorough discussion would be encouraged by politicians<br />
and bureaucrats, knowing that the best decisions are those arrived<br />
at slowly, almost organically, through dialogue among a broad spectrum<br />
of well-informed citizens.<br />
Recently I witnessed a great example of bottom-up citizen engagement<br />
at “A Conversation about Amalgamation,” instigated by five local<br />
citizens (including Victoria city councillor Shellie Gudgeon) who sensed<br />
Victorians wanted to start conversing about the A-word, even if their<br />
elected representatives didn’t. The energy of the 200 people in the gym<br />
at SJ Willis was palpable. The set-up of 15 or more round tables with<br />
8-10 people apiece, facilitated conversation. At my table, we each took<br />
up to two minutes to address such questions as “What don’t we know?”<br />
and “What can we share?” As one organizer explained, “These questions<br />
were presented in the hopes that the attendees would be able to<br />
transcend dualistic ‘pro/con’ discussions.”<br />
My table mates, and others during the wrap-up, made many astute<br />
comments and I left the gathering feeling both more informed and less<br />
decided about amalgamation than when I went in the door. Though I<br />
can see advantages to consolidating our municipal efforts, especially<br />
on transportation and policing, we don’t know enough about (for example)<br />
Editor: Leslie Campbell Publisher: David Broadland Sales: Bonnie Light<br />
ADVERTISING INQUIRIES: Phone 250-388-7231 Email focuspublish@shaw.ca<br />
EDITORIAL INQUIRIES and letters to the editor: focusedit@shaw.ca<br />
WEBSITE: www.focusonline.ca MAIL: Box 5310, Victoria, V8R 6S4<br />
Copyright © 2012. No portion of this publication may be reproduced in whole or in part without written<br />
permission of the publishers. The views expressed herein are not necessarily those of the publishers of <strong>Focus</strong> <strong>Magazine</strong>.<br />
Canadian Publications Mail Product Sales Agreement No. 40051145.<br />
March 2012 • FOCUS
WHEN CITIZENS ARE CUT OUT of decision-making—<br />
or debate is short-circuited—the decisions made usually<br />
backfire in a costly way.<br />
the costs of amalgamation. But it was a start, and a good one, a breath of<br />
fresh air. Knowing this community can spontaneously engage without<br />
being led or paid, and tackle a complex issue like amalgamation is exciting.<br />
(See http://victoriawave.ca for a description of the event.)<br />
Another event I attended in the past month (sponsored by Vancity,<br />
Transition Victoria, and <strong>Focus</strong>) showed how local citizens are ready to<br />
take action around the question: Why can’t we invest our money in<br />
local enterprises in the same manner we do RRSPs? Small farms and<br />
businesses, affordable rental housing units, and other social needs could<br />
be nurtured through such means. We already have community<br />
micro-lending, but we need more options for people to invest locally<br />
and the tax breaks to encourage them.<br />
The economic resiliency that would flow from such a move is obvious.<br />
Over 200 people came out to learn about the possibilities. Some seemed<br />
ready to invest. Many signed up to be kept informed or get involved<br />
and it looks like at least one fund, initiated by the Community Social<br />
Planning Council, will launch about a year from now.<br />
This event, too, proved to me that Victoria’s citizens are keen to cocreate<br />
this community in a way that is sensible and sustainable, that<br />
serves us all well.<br />
At yet another event, I witnessed over 150 people come together to<br />
strategize how to change the way Victoria City Police engage with<br />
the street community. The Vancouver Island Public Research Group<br />
hosted it, but the citizens in attendance came up with the strategies<br />
through a half-dozen conversation circles. See Gordon O’Connor’s<br />
article in this edition for more background.<br />
Readers will likely be able to tell me of more instances of participatory<br />
democracy at work right here in Victoria. Something I’d<br />
love to see is what’s called “participatory budgeting,” which is used<br />
in over 100 cities world-wide to choose priorities for capital expenditures<br />
in municipal budgets or other public bodies (see<br />
www.participatorybudgeting.org). Toronto Community Housing<br />
has been using the process for eight years. Each year the tenants of<br />
the city’s public housing projects generate and ultimately decide on<br />
ideas for how to apportion the budget—last year it amounted to $9<br />
million divvied up among 150 projects all dreamed up and decided<br />
upon by the tenants. As its website notes: “It’s about more than<br />
sharing power. It’s also about increasing transparency, accountability,<br />
understanding and social inclusion.” People love it.<br />
Given the turbulence of these times, the looming infrastructure<br />
expenses and other competing needs, broadening the decision-making<br />
among more Victorians makes sense. It’s comforting to know there are<br />
tested models.<br />
www.focusonline.ca • March 2012<br />
Leslie Campbell is the editor and founder of <strong>Focus</strong>.<br />
She is thankful to all those who became Supporting<br />
Subscribers last month—and for their encouraging<br />
words. For more information on how you can become<br />
a Supporting Subscriber, please see page 17.<br />
<strong>Focus</strong> presents: Iyengar Yoga<br />
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Shirley Daventry French,founding member of the Iyengar Yoga Centre of Victoria<br />
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Whether you are a first time student or regularly attend classes, Iyengar Yoga is<br />
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“See for yourself, try us out.Your first class is free!” says Boyer.<br />
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a happy disposition.”The 93-year-old lives in Pune, India, and still practises many<br />
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The Iyengar Yoga Centre has 22 well-trained teachers and offers one of the most<br />
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If you are looking for a great short workshop in March,consider a beginners class<br />
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$45.Gabriella is a senior teacher based in Florence,Italy and has studied with B.K.S.<br />
Iyengar yearly for 20 years.“She’s a ton of fun and you work hard,” says Boyer.<br />
Attend the Open House on Saturday April 28th for free classes, chai tea and<br />
cookies. Check the website for details.<br />
Iyengar Yoga Centre Victoria<br />
202-919 Fort Street (above the Blue Fox Café)<br />
250-386-9642 • www.iyengaryogacentre.ca<br />
Visit us on facebook at www.facebook.com/IyengarYogaCentre<br />
5
Re: Hidden surveillance, Feb 2012<br />
Am I the only person who had alarm bells with Rob Wipond’s<br />
article on surveillance? Combine this vehicle surveillance with the<br />
“communication devices” we will soon have on our homes (Smart<br />
Meters), the soon-to-be BC Identity Card, internet providers<br />
giving us updated wireless devices, and we have something frightening<br />
going on. Do the government and the police think we are stupid?<br />
There is no doubt in my mind that everything about us will soon be<br />
known to these agencies. Everything. The computers for these agencies<br />
will be “talking to each other” and gathering data about all of us.<br />
The days of privacy are soon to be a thing of the past unless we rise<br />
up and do something about it. Great article, Rob.<br />
Lia Fraser<br />
I wonder how Rob Wipond will react when Canada begins buying<br />
unmanned drones like the ones being operated along the 49th parallel<br />
by the DEA/Homeland Security?<br />
Nevertheless, I congratulate him and <strong>Focus</strong>, for bringing toxic<br />
sludge like this to the surface, in an attempt to shake us out of our<br />
somnambulant state regarding all things governmental.<br />
Richard Weatherill<br />
Thank you for the investigative reporting and seeing that accountability<br />
is being kept in place with your article on ALPR.<br />
I’m also interested in a tangential item to stay on the radar for<br />
accountability. There has been a trend toward using cameras for traffic<br />
light sensors, to replace the buried inductive loops at intersections.<br />
The loops are failure prone and need to be replaced every few<br />
years when repaving happens, hence the shift to visual camera detection<br />
which pays off after a couple loop re-installs have been avoided.<br />
They’ve sprung up all over the lower mainland. I was curious<br />
about them and made some inquiries through the City of Coquitlam.<br />
The technology makes sense for what it does. However I was<br />
surprised to learn that they don’t process the sensor data at the<br />
intersection only. Each camera sends the data back to the municipal<br />
maintenance facilities.<br />
Apparently, from time to time, the police have asked for intersection<br />
footage. Coquitlam’s traffic department claims not to archive<br />
it, and so they have turned the police away, saying the information<br />
isn’t stored and available.<br />
It is somewhat unsettling that should that policy change in the<br />
future, or it fails to be noticed by those who keep an accountability<br />
watch, you could have location data available for a majority of cars<br />
across the lower mainland. It’s installed and ready to go but for a few<br />
municipal agreement signatures, the caveat being that the image data<br />
would still need to be processed.<br />
Craig Bowers<br />
Editor’s Note: See Rob Wipond’s follow-up in this edition. Also, he<br />
has posted hundreds of pages from his access to information requests<br />
about Automated Licence Plate Recognition at http://robwipond.com/?p=831.<br />
Re: Alarmist distractions, Feb 2012<br />
Thanks to Briony Penn for the excellent deconstruction about the<br />
interests behind the proposed Enbridge Northern Gateway pipeline.<br />
I love how she reframed the conversation so that we all can understand<br />
that the “socialist billionaires” influencing the process are not<br />
readers’ views<br />
the environmentalists but rather the Chinese. The Federal and BC<br />
governments are no longer representing our interests because they<br />
are actually owned by the Chinese government. This explains their<br />
mad rush to sell off all of our resources.<br />
It is up to us to stop the insanity, and we are going to have to put<br />
our money where our mouths are. I’ve written to the main groups<br />
opposing the pipeline asking them if someone will set up a fund so<br />
we can support the First Nations and other groups in the north in<br />
their front-line fight.<br />
Jenny Farkas<br />
Re: Limited transparency, Feb 2012<br />
There is an old story about a man offering a woman a million dollars<br />
for sex. She agrees and when he shows up, he hands her $50. “What<br />
is this?” she asks. “What kind of woman do you take me for?”<br />
“We know what kind of woman,” says he. “Now we are just haggling<br />
over the price.”<br />
That comes to mind with David Broadland’s article on the price<br />
of transparency at Victoria City Hall.<br />
The information sought by <strong>Focus</strong> is so sensitive and so crucial to<br />
be kept secret, that the City refuses to release it.<br />
However, when it has a price tag of $1,070 attached to it, it is a<br />
different matter and the City will now readily sell it. Criteria is price<br />
in Victoria.<br />
Why secret? Does this not affect Victorians and have we not already<br />
paid for the information?<br />
Now you have two councillors talking to the enemy and having<br />
the gall to suggest taxpayers can be trusted with the facts. How<br />
long before they are frozen out of council and staff reports?<br />
It is interesting that we pay spin doctors a half-million dollars a<br />
year to manipulate and massage public information which is the same<br />
amount we pay elected councillors to act as a board of directors<br />
and represent us. Instead they use their flacks to hide from us with<br />
the aid of a compliant media.<br />
Staff and council will efficiently stifle the sham of the Alto motion<br />
for transparency. After all, the mayor has already questioned open<br />
meetings because the press may not report exactly what council wants.<br />
Heaven forefend a free press.<br />
There is another story: Apparently, after his election victory,<br />
Stephen Harper flew to Victoria to consult with City council<br />
6 March 2012 • FOCUS<br />
ILLUSTRATION: KEN CAMPBELL ©IMAGECRAFT STUDIO LTD 2012
about how to shut down opposition. Council<br />
brought out its training manual for him and<br />
he flew back to Ottawa and promptly hired<br />
several hundred more “communications”<br />
people to ensure only group-hug news got<br />
out and the federal government now has the<br />
biggest PR department in Canadian history.<br />
Patrick Murphy<br />
Re: Sale of church lands<br />
The sale to a developer, set to close on<br />
April 1, of St Albans Church and Church Hall<br />
in Oaklands, which has been designated<br />
surplus property by the Anglican Diocese of<br />
British Columbia, raises important questions<br />
for Victoria residents about property owned<br />
by religious institutions.<br />
Is it right that the diocesan council may<br />
sell both church and hall, even though the<br />
hall, long rented to such groups as a preschool<br />
and a children’s dance class, is central<br />
to community life in Oaklands? Or that<br />
Victoria City Council should choose development<br />
over acquiring this largely green<br />
space and maintaining the hall and the public<br />
services it has provided? Will the City save<br />
the sequoia beside the church, probably<br />
the oldest planted tree in Oaklands, from the<br />
bulldozer? Generations of children from all<br />
over Greater Victoria have taken part in activities<br />
in the church hall and on its surrounding<br />
property. Such activities risk being prohibitively<br />
expensive or no longer available to<br />
anyone when this unique public property is<br />
no more.<br />
Given the special tax-status of Victoria<br />
churches and the community services which<br />
they provide, are they not all a kind of public<br />
property? Should the Anglican church be<br />
able to sell any of its long-established churches<br />
and attached property on the open market?<br />
Surely such churches and halls serve as community<br />
centres for all kinds of people.<br />
Is it appropriate that local governments<br />
invariably promote development rather than<br />
the preservation of public space? Why not<br />
involve citizens in deciding the future use of<br />
“surplus” church property in their neighbourhoods?<br />
Does it have to be too late to do<br />
this for Oaklands?<br />
D. Gillian Thompson<br />
LETTERS<br />
Send letters to: focusedit@shaw.ca<br />
Letters that directly address articles<br />
published in <strong>Focus</strong> will be given preference.<br />
www.focusonline.ca • March 2012<br />
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Over the past five years, SureWork has built up a<br />
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7
talk<br />
of the<br />
town<br />
What’s the purpose of federal environmental<br />
regulations as they<br />
pertain to construction projects<br />
like the proposed Northern Gateway pipeline?<br />
Are they intended to protect the environment<br />
from negative impacts caused by construction?<br />
Or are they intended to protect construction<br />
projects from the negative impacts caused<br />
by public concern and scrutiny?<br />
These questions floated to the top of my<br />
mind recently after I posed a series of question<br />
to Transport Canada about the Telus duct relocation<br />
project in Victoria Harbour. It appeared<br />
that a key stipulation of a Canadian<br />
Environmental Assessment Act (CEAA) environmental<br />
assessment had been ignored or<br />
misunderstood by the City of Victoria, and the<br />
regulatory body that was supposed to be enforcing<br />
the law was instead defending the City. Let me<br />
give you some context to set this up. My conversation<br />
with Transport Canada will follow.<br />
Work recently done by Ruskin Construction<br />
under a contract with the City of Victoria<br />
involved dredging a large trench across an area<br />
of Victoria Harbour that has been registered<br />
with the federal Contaminated Sites Inventory.<br />
The trench was dug in order to relocate<br />
communication cables belonging to Telus. The<br />
relocation project had been subject to a CEAA<br />
Environmental Assessment Screening Report<br />
carried out by Transport Canada.<br />
Studies have shown the area that was trenched<br />
is badly contaminated, with at least 19 environmental<br />
toxins present, each at concentrations<br />
that would qualify the site as a “Contaminated<br />
Site” under the BC Contaminated Sites<br />
Regulation Guidelines (see list to right).<br />
The consequences of stirring up those contaminants<br />
was laid out in a report prepared by<br />
Stantec Consulting for the City of Victoria.<br />
Stantec noted, “Both sediments and contaminants<br />
have the potential to affect marine<br />
biota. Increased turbidity may interfere with<br />
fish respiration, feeding activity and result in<br />
direct smothering of marine organisms.<br />
Resuspended contaminants may be ingested<br />
and result in bioaccumulation within the food<br />
chain, decreased invertebrate diversity, abundance<br />
and growth and physiological and<br />
behavioural alterations.”<br />
Rolling the dice in the harbour<br />
DAVID BROADLAND<br />
The City of Victoria was given permission<br />
last September by Transport Canada to go<br />
ahead with dredging the trench through the<br />
contaminated site. Transport Canada’s environmental<br />
assessment of the project accepted<br />
recommendations made on behalf of the City<br />
by Stantec that the work could be done without<br />
significant harm to the environment if certain<br />
precautions were taken. But in addition to the<br />
mitigation strategy put forward by Stantec,<br />
Transport Canada stipulated “that the proponent<br />
installs a sediment curtain around the<br />
area to be trenched to ensure suspended sediments<br />
are contained within the immediate<br />
project area.” (Emphasis added.)<br />
On reading Transport Canada’s assessment,<br />
any reasonable person would, I think, come<br />
David Broadland 8 Gordon O’Connor 12 Rob Wipond 14<br />
The long-term environmental consequences of a mistake made by City Hall are uncertain.<br />
Concentrations of contaminants<br />
in surface sediments<br />
under the Johnson Street Bridge<br />
in relation to<br />
B.C. Contaminated Sites<br />
Regulation Guidelines<br />
2-Methylnapthalene 2-5 times<br />
Acenaphthylene 2-5 times<br />
Antimony 2-5 times<br />
Arsenic 1-2 times<br />
Benz(a)anthracene 5-10 times<br />
Benz(o)pyrene 10 times<br />
Benz(o)fluoranthene 10 times<br />
Benzo(ghi)perylene 10 times<br />
Benzo(k)fluoranthene 10 times<br />
Cadmium 1-2 times<br />
Chrysene 10 times<br />
Dibenz(ah)anthracene 10 times<br />
Indeno(1,2,3-c,d)pyrene 10 times<br />
Silver 1-2 times<br />
Copper 1-2 times<br />
Lead 1-2 times<br />
Mercury detected<br />
Napthalene 1-2 times<br />
Phenanthrene 2-5 times<br />
Total PCB concentration 1-2 times<br />
Source: Morrow Environmental Consultants Inc.; Douglas<br />
A. Bright, Ross Wilson; Transport Canada, 2007.<br />
to the conclusion that a legitimate process to<br />
protect the environment was at work. After<br />
all, Transport Canada was demanding that a<br />
significant action, above and beyond what the<br />
City was offering, would have to be included.<br />
As it turned out though, Ruskin Construction<br />
dredged the trench through the contaminated<br />
site without deploying the required sediment<br />
curtains. Headquartered in Prince George,<br />
the company had the lowest of five bids the<br />
City received from companies pre-qualified<br />
to bid on the Telus relocation project.<br />
When asked why sediment curtains were<br />
not used, a spokesperson for the City of Victoria,<br />
Katie Josephson, said an “environmental<br />
monitor” had been on the site and any decision<br />
not to use a sediment curtain would have<br />
been made “under their guidance.”<br />
Josephson told <strong>Focus</strong> the environmental<br />
monitor’s work was done “in consultation<br />
with Transport Canada and according to their<br />
regulations.”<br />
Josephson first identified the “environmental<br />
monitor” as an employee of MMM Group,<br />
the City’s prime consultant on the relocation<br />
project, but two weeks later clarified that Ruskin,<br />
the company that did the dredging, had done<br />
the environmental monitoring.<br />
Adding two of Josephson’s pieces of information<br />
together, we arrive at the startling<br />
conclusion that the company doing the dredging<br />
also made the decision not to use sediment<br />
curtains. (Ruskin Construction did not respond<br />
to a request for information)<br />
Josephson also said, “A silt fence or sediment<br />
curtain is required for work on land as the issue<br />
is to prevent runoff with contaminants from<br />
entering the harbour... No sediment curtain is<br />
required in-water—only mitigation measures.”<br />
(Emphasis added.)<br />
But a spokesperson for Transport Canada,<br />
Sau Sau Liu, contradicted the City’s claims<br />
about what they were expected to do and what<br />
consultation had taken place.<br />
“Transport Canada,” Liu said, “did not<br />
advise the City of Victoria, or any other entity,<br />
to not use the sediment curtains.”<br />
Transport Canada was also at odds with the<br />
City’s interpretation of what “sediment curtains”<br />
and “mitigation” meant.<br />
8 March 2012 • FOCUS
Work on the Telus duct relocation was done without proper environmental mitigation in place.<br />
As Liu explained, “A sediment curtain is a<br />
fine-mesh fabric suspended from floats and<br />
weighted at the bottom to control silt and sediment<br />
from entering or spreading in the water,<br />
and allows suspended particles to settle in a<br />
confined area of water.”<br />
Liu also said, “The mitigation required was<br />
the use of a sediment curtain around the area<br />
to minimize the spread of suspended sediments.”<br />
Liu clarified that “the immediate<br />
project area” stipulated in the environmental<br />
assessment “refers to the area adjacent to where<br />
the work was done.” In other words, the<br />
dredging across the contaminated site should<br />
have involved sediment curtains strung from<br />
one side of the channel to the other, on either<br />
side of the dredged trench. A City employee<br />
had, by mistake or neglect, misinterpreted the<br />
intended mitigation.<br />
Now this sounds like a clear-cut case of<br />
the City failing to abide by the terms of a<br />
CEAA environmental assessment. Fulfilling<br />
the stipulations of that assessment was part<br />
and parcel of a federal contribution agreement<br />
to provide up to $21 million to fund<br />
the new Johnson Street Bridge project. The<br />
funding agreement said failure to abide by<br />
the terms of the environmental assessment<br />
could lead to “default.”<br />
But the studies and the terms of the funding<br />
agreement, so far as they purport to protect<br />
the environment, appear to be a farce.<br />
I suggested to Transport Canada’s Liu<br />
that since her agency had stipulated use of a<br />
sediment curtain to prevent environmental<br />
damage, it followed that, since curtains were<br />
not used, environmental damage would occur.<br />
Liu responded, “No. Transport Canada<br />
and the Department of Fisheries and Oceans<br />
required the proponent to have an environmental<br />
management plan and an approved<br />
environmental monitor on site responsible<br />
to the environmental management plan. The<br />
environmental management plan and use of<br />
an environmental monitor mitigate environmental<br />
damage.”<br />
www.focusonline.ca • March 2012<br />
Just how deployment in the field of the<br />
“environmental management plan,” or even<br />
the “environmental monitor” could physically<br />
replace the missing sediment curtains in<br />
preventing the spread of contaminant-laden<br />
sediments was unclear.<br />
Would Transport Canada follow up to determine<br />
whether any environmental damage was<br />
done? Liu said, “Transport Canada has received<br />
environmental monitoring reports for all works<br />
conducted to date on this project. We are satisfied<br />
with the work to date.”<br />
Although the City claimed Ruskin was<br />
the environmental monitor, Liu said the “environmental<br />
monitoring reports” were provided<br />
by the City of Victoria. And when we asked<br />
Liu what specific actions had been taken by<br />
Transport Canada that allowed them to conclude<br />
“there has been no environmental impact,”<br />
she said, “Transport Canada reviewed the environmental<br />
monitoring reports provided by<br />
the City of Victoria...” But can simply reading<br />
a report prove anything?<br />
It gets worse. Scrutiny of Transport Canada’s<br />
CEAA Environmental Assessment Screening<br />
Report for the Telus Duct Project shows that<br />
much of the report is simply a word-for-word<br />
copying of paragraphs from a report written<br />
for the City by Stantec Consulting. Transport<br />
Canada provides attribution for some of this<br />
copying, but some copied passages are given<br />
no attribution. It boils down to this: the<br />
Environmental Assessment is largely written by<br />
the proponent. Is that how it works for Enbridge’s<br />
Northern Gateway pipeline proposal, too?<br />
It’s not surprising that the City of Victoria<br />
bungled the very first shovels-in-the-ground<br />
operation in building the new Johnson Street<br />
Bridge. It’s harder to understand why Transport<br />
Canada would, at considerable taxpayer<br />
expense, first insist on an action they said<br />
would mitigate environmental damage, then<br />
look the other way once they learned their<br />
instruction had been ignored.<br />
David Broadland is the publisher of <strong>Focus</strong> <strong>Magazine</strong>.<br />
9
Policing poverty in Victoria<br />
GORDON O’CONNOR<br />
talk of the town<br />
In its desire to keep streets safe, has the City spent too much on ineffective and discriminatory policing?<br />
The majority of people in our community<br />
appreciate the role that police play<br />
in society. Excepting the frustration felt<br />
after being stopped for a speeding ticket, most<br />
adults have faith in and feel protected by police.<br />
Statistics Canada reports that 83 percent of<br />
Canadians have a high level of confidence in<br />
law enforcement agencies.<br />
Recently, however, a number of reports<br />
from across the country have demonstrated<br />
that the opposite is true for people experiencing<br />
poverty or homelessness. This inspired<br />
the Vancouver Island Public Interest Research<br />
Group (VIPIRG) to investigate the relationship<br />
between Victoria’s street-involved people<br />
and its police department by interviewing over<br />
100 members of Victoria’s street community.<br />
VIPIRG’s report about this research—Out<br />
of Sight: Policing Poverty in Victoria—found<br />
that street-involved people experience discrimination,<br />
harassment and other abuses of<br />
authority by the police, primarily in relation<br />
to minor infractions in public spaces, rather<br />
than criminal activities.<br />
The survey determined that most streetinvolved<br />
people are dealing with mental health<br />
or disability issues and that police are ill-suited<br />
to effectively handle them. “Interviews point<br />
to deleterious effects of policing on the physical<br />
and mental well-being of members of the<br />
Victoria street community,” said research coordinator<br />
Tamara Herman.<br />
Such findings led VIPIRG to suggest sweeping<br />
changes at the federal, provincial and municipal<br />
levels to reform the relationship between<br />
police and the street community and create<br />
more effective strategies for confronting the<br />
issues presented by urban poverty.<br />
ONE OF THE KEY FINDINGS of VIPIRG’s<br />
study was that health problems are endemic<br />
in Victoria’s street community. Only one of<br />
the 103 participants did not report having a<br />
mental health, chronic disability or addiction<br />
issue, and 52 percent said they were<br />
living with all three. This was juxtaposed<br />
with the fact that 32 percent of respondents<br />
reported having their safer drug use supplies<br />
(for injecting or smoking) confiscated by<br />
police, making it more likely they would<br />
compromise their health.<br />
Victoria police arrest a man on Johnson Street in front of Salvation Army.<br />
A majority of the interviewees spoke of<br />
personal belongings such as photos, identification<br />
cards and sleeping bags being confiscated,<br />
actions by the police that made their difficult<br />
lives even moreso.<br />
Research coordinator Tamara Herman<br />
suggests that “these forms of interaction<br />
contribute to a criminalization of mental illness<br />
that unjustly and unnecessarily undercuts the<br />
health and well-being of street-involved people.”<br />
Heather Hobbs, a community activist with<br />
Harm Reduction Victoria agrees that encounters<br />
between the street community and police<br />
may be exacerbating health issues and social<br />
problems. “Meeting human suffering with<br />
surveillance, harassment and punishment<br />
causes significant stress for people whose only<br />
learned coping mechanism for stress may be<br />
their next hit.” She went on to say that “beating<br />
people down, literally and metaphorically,<br />
when they’re living a life of social exclusion<br />
and neglect serves to further isolate, traumatize,<br />
and dehumanize the very people our<br />
community should be drawing closer.”<br />
Many in the street community perceive<br />
themselves as being discriminated against<br />
based on their social status. “Who is treated<br />
unfairly?” asked one survey participant rhetorically:<br />
“Anybody that’s not in a business suit,<br />
that doesn’t look clean or professional.”<br />
Another remarked, “If you look like a homeless<br />
person [the police] automatically treat<br />
you differently and unfairly.”<br />
VIPIRG researchers queried subjects about<br />
police behaviour in relation to specific aspects<br />
of the BC Police Act’s Code of Professional<br />
Conduct. While 38 percent of respondents<br />
reported having at least one positive interaction<br />
with police over the past five years, a<br />
striking number of people reported witnessing<br />
abuses of authority: 78 percent report witnessing<br />
police search, detainment or arrest without<br />
sufficient cause, while another 48 percent claim<br />
to have experienced that themselves. Eightysix<br />
percent report witnessing incidents of<br />
unnecessary force being used (39 say they’ve<br />
been victims of it themselves). And 83 percent<br />
report witnessing police acting rude, uncivil<br />
or using abusive language (64 percent claim<br />
personal experience).<br />
One interview subject said: “The other day,<br />
[I] was sitting on a bench and the police asked<br />
[me] to move. It took a bit of time so they<br />
threw [me] against a wall and handcuffed [me]<br />
even though [I] was compliant.”<br />
Research from Statistics Canada demonstrated<br />
street-involved people in Victoria are being<br />
approached by police at a frequency dispropor-<br />
10 March 2012 • FOCUS<br />
PHOTO: PETE ROCKWELL
VICTORIA HAS MORE POLICE<br />
per capita than any other Canadian<br />
city and in 2009 it had the highest<br />
per capita police budget of any city<br />
in BC. Policing poverty likely<br />
accounts for a significant portion<br />
of these resources.<br />
tionate to the general population. Sixty-four<br />
percent of respondents had been ticketed in the<br />
past three years and 30 percent had been<br />
arrested—mostly for minor infractions in public<br />
spaces rather than Criminal Code violations.<br />
The most common reasons cited for being<br />
approached or stopped by police were loitering,<br />
sitting, intoxication, trespassing, and using drugs.<br />
There was also specific correlation between<br />
the experience of homelessness and encounters<br />
with police related to the use of space. Of<br />
77 research participants who had been homeless<br />
in the past two years, 83 percent were<br />
approached to move off of public property<br />
(70 percent off private property). One interview<br />
subject said, “It makes my life incredibly<br />
difficult. You have to constantly be on the move<br />
and on the lookout. You can’t sit or stand<br />
anywhere because you’re asked to move on.<br />
They treat you like non-people.”<br />
Herman points to such testimony as evidence<br />
that “‘Safe Streets’ acts and certain municipal<br />
bylaws criminalize the day-to-day activities of<br />
the street community by targeting activities<br />
most residents are able to perform in the privacy<br />
of their homes.”<br />
THESE PROBLEMS RELATED TO “social<br />
profiling” are not unique to Victoria. Reports<br />
from other Canadian cities draw similar conclusions<br />
and the issue has become pervasive<br />
enough to attract attention from national<br />
service agencies. For instance, the Canadian<br />
Mental Health Association has raised concerns<br />
about the “criminalization of mental health”<br />
and the capacity for police to meet the needs<br />
of this population.<br />
“The fact that police have become de facto<br />
‘first responders’ in the mental health system<br />
has a number of implications,” notes the report.<br />
“Traditional policing, with its focus on the<br />
use of force, does not adequately prepare<br />
police to intervene with people with mental<br />
health issues.”<br />
www.focusonline.ca • March 2012<br />
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11
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PHOTO: GARY UTLEY<br />
“ BEATING PEOPLE DOWN, literally and metaphorically, when they’re<br />
living a life of social exclusion and neglect serves to further isolate,<br />
traumatize, and dehumanize the very people our community should<br />
be drawing closer.” —Tamara Herman<br />
The Canada HIV/AIDS network has similar<br />
concerns about interactions between police<br />
and drug users: “Intensive policing…can lead<br />
to a number of behaviours with health and<br />
safety consequences. These include a reluctance<br />
to carry safer drug use supplies, the<br />
unsafe disposal of injecting equipment…the<br />
dispersal of people who use drugs…”<br />
Even some police departments agree that<br />
law enforcement is a poor response to poverty.<br />
Several have gone on record demanding<br />
improvements to social and mental health<br />
services so that police will not have to play<br />
the role of social workers. The report quoted<br />
the 2007 Mayor’s Task Force on Breaking the<br />
Cycle of Mental Illness, Addictions and<br />
Homelessness as stating that “years of enforcement<br />
have not had much impact on the<br />
problems of homelessness and drug use in<br />
downtown Victoria or anywhere else in the<br />
world…enforcement simply moves homeless<br />
residents around so that another set of<br />
businesses and neighbours end up with the<br />
problem.” When finding housing for 60 individuals<br />
who generated many calls was made<br />
a priority through the Victoria Integrated<br />
Community Outreach Team, calls related to<br />
them were reduced by 74 percent.<br />
With such a consensus of opinion and<br />
evidence that policing is an ineffective mechanism<br />
for addressing poverty, and with the<br />
admission of this by the Mayor’s own task<br />
force, it bears asking why the City of Victoria<br />
devotes so many resources to this strategy.<br />
Victoria council spent years in court fighting<br />
to ban camping in city parks and having lost<br />
(twice), their-fall back was to legislate that<br />
temporary shelters be taken down at 7<br />
am. Council passed the infamous chattel<br />
bylaw that instructs police to confiscate<br />
possessions left in public areas and the new<br />
streets and traffic bylaw amendment that<br />
outlaws anyone who sits, squats, kneels or<br />
lays down on a city boulevard. These decisions<br />
make poverty a criminal problem and<br />
put police on the front lines to deal with an<br />
inherently social issue.<br />
Victoria has more police per capita than<br />
any other Canadian city and in 2009 it had<br />
the highest per capita police budget of any<br />
city in BC. Policing poverty likely accounts<br />
for a significant portion of these resources.<br />
VicPD’s own strategic plan makes clear that<br />
the police have aimed at a decrease in public<br />
disorder calls, an increase in drug enforcement<br />
arrests and an increase in “citizens’ feeling<br />
of safety.” This has led to a heavy policing of<br />
the street community, despite the apparent<br />
ineffectiveness of their approach.<br />
“Police argue that they are under-resourced,<br />
but the problem is that resources are being<br />
deployed in an inefficient way,” said City<br />
Councillor Lisa Helps. “If we took money out<br />
of the police budget and put it towards treatment<br />
for mental health, harm reduction and<br />
employment creation, we would watch the<br />
demand for policing go down.”<br />
THE OUT OF SIGHT REPORT CONCLUDES<br />
with recommendations for reform at the federal,<br />
provincial and municipal levels that would<br />
end the practice of regularly stopping, searching<br />
and ticketing street- involved people. It also<br />
suggests changes to hold the Victoria Police<br />
Department accountable to all people regardless<br />
of social status, and urges funding be<br />
redirected from enforcement to mental health<br />
and addiction services.<br />
“We can’t police poverty out of sight and<br />
expect it to disappear,” said Tamara Herman.<br />
“If we want to live in a sustainable community<br />
we need to stop targeting our most<br />
marginalized people and create an environment<br />
that is safer for everyone.”<br />
On February 16, VIPIRG launched its “Safer<br />
for All Campaign” at a public meeting that<br />
drew close to 200 people. One of its first moves<br />
is to get as many people as possible to attend<br />
and speak at a Victoria City Council meeting<br />
on March 8 at 7:30 pm. On their agenda will<br />
be asking the City to rescind bylaws around<br />
confiscating personal possessions and to rethink<br />
its spending on policing.<br />
Out of Sight: Policing Poverty in Victoria<br />
is available for download at www.vipirg.ca.<br />
Gordon O’Connor is a community organizer on<br />
Coast Salish Territories (Victoria, BC) and a member<br />
of the VIPIRG coordinating collective.<br />
12 March 2012 • FOCUS
<strong>Focus</strong> presents: Coast Mountain Expeditions<br />
I’ve just made the three-hour drive from Victoria to<br />
Campbell River, followed by a 10-minute ferry ride<br />
over to Quadra Island.After driving across the island,<br />
I’ve landed at the Heriot Bay government wharf.<br />
A group of us have gathered around the Chico<br />
Mendes, Coast Mountain Expeditions’ “seabus.”<br />
Everybody’s new to each other, but we’re all on the<br />
same mission so chatter with excitement about what<br />
lies ahead.Today we’ll take the Chico to Coast<br />
Mountain Lodge on Read Island.We learn later the<br />
sturdy little vessel was an icebreaker-crewboat in the<br />
Arctic Ocean near Tuktoyaktuk. It looks strong and<br />
reliable—a fitting metaphor, as it turns out, for the<br />
way Coast Mountain runs its kayaking operations.<br />
Ralph Keller,skipper,guide and company co-founder,<br />
loads our gear and the boat engine rumbles.As Heriot<br />
Bay recedes we’re apprehensive and also enthralled<br />
by the wild and rugged Discovery Islands ahead.Ralph<br />
points to portside where barnacle-encrusted rocks are<br />
awash with swells, and dozens of seals perch—all<br />
watching us. Near Read Island there’s ocean pandemonium<br />
and an enthralling show as splashing dolphins<br />
chase prey towards the trap of a narrow bay.And when<br />
mountains dominate the horizon, Ralph stops the<br />
boat. Drifting on the calm sea, he entertains us with<br />
the area’s history of glaciers,rising ocean levels,bears,<br />
forests and First Peoples.<br />
We’ve arrived when Coast Mountain Lodge comes<br />
into view and two kayak guides greet us at the<br />
dock: Liz and Albert, soon to be friends. Gear goes in<br />
the quad trailer,and we follow Liz over the creek bridge<br />
and along a forested footpath.The lodge is a big<br />
wooden building perched on pilings between the forest<br />
and the sea,and Lannie is pulling off her apron when<br />
she meets us at the path.The guides have joked about<br />
www.focusonline.ca • March 2012<br />
A guest’s eye view: Day One of the adventure<br />
her being the “Mom”—and she is efficient as she<br />
directs us to cabin rooms,promising drinks and cookies<br />
after we change into paddling clothes.<br />
Aromas lure us back to the lodge where a huge<br />
cedar table is set with fresh flowers and heaping plates<br />
of “Welcome Cookies.”The dining room is bright and<br />
homey; the kitchen is piled with garden produce<br />
and bustling with dinner prep already underway.Around<br />
the table we share a little about ourselves and there’s<br />
more info,this time the lay of the land,the composting<br />
outhouse and renewable energy systems.We are joined<br />
by off-duty guides and lucky “wwoofers”here to help<br />
with Lannie’s gardens. It’s laid back—but then,<br />
fortified with the healthy snack,it’s time to go paddling!<br />
Kayaking 101 starts with boat anatomy;then Albert<br />
and Liz explain and demonstrate perfect paddling and<br />
techniques for getting in and out,manoeuvres,sculling,<br />
bracing, and, theoretically, what to do if you tip over.<br />
They fit kayaks for each of us according to age, size<br />
ADVERTISEMENT<br />
Paddling through the wild and rugged Discovery Islands A toast to friendship in the lodge’s dining room<br />
Harbour seals watch kayakers<br />
and ability—and then we’re onto the water to try it<br />
all.The bay is sheltered and the windless sea is perfect<br />
for learning.We practice the basics (easy!) and then<br />
we’re kayaking: exploring the forested shoreline,<br />
enjoying the kayak’s gliding momentum and a panorama<br />
of purple sea stars and red urchins in clear water below.<br />
Too soon, time’s up. But fresh air has piqued our<br />
appetites and we eagerly paddle towards dinner.We’ve<br />
heard about Lannie’s food and it measures up:barbecued<br />
wild salmon,fresh grainy breads,garden vegetables<br />
and flower-bedecked salads… Just when we’re feeling<br />
“called” by the upstairs couches, we are informed<br />
kayak rescues are next and everyone is encouraged to<br />
participate. Somebody promises a sauna and freshly<br />
baked raspberry pie as reward. So, towels in hand, it’s<br />
back to the dock. Everybody does a “wet exit” and a<br />
rescue—some of us with reluctance, some enthusiastic,<br />
all with laughter.We’re bonded and glad of<br />
the experience—and we’ve also learned it’s not all<br />
that easy to tip over a kayak.The hot sauna is magic<br />
under a maple tree by a waterfall in the forest.The<br />
creek pool makes this my best-ever sauna.<br />
Back at the lodge there are pots of tea,warm raspberry<br />
pie, and more laughs.What a great day! When<br />
my head hits the pillow I’m dreaming in no time. Of<br />
tomorrow when, after breakfast, our actual expedition<br />
gets underway. Four more days—and it already<br />
feels like a best-ever adventure.<br />
Coast Mountain Expeditions<br />
& Discovery Islands Lodge<br />
Surge Narrows, BC<br />
250-285-2823<br />
www.CoastMountainExpeditions.com<br />
13
“<br />
Privacy Commissioner slams provincial surveillance program<br />
There’s nothing, in my view, to be alarmed<br />
about,” said Victoria Police Chief Jamie<br />
Graham. He was speaking at February’s<br />
Reboot Privacy and Security Conference in<br />
Victoria, to 200 privacy experts, academics,<br />
and government and corporate executives<br />
from around North America, including Alberta<br />
Privacy Commissioner Jill Clayton and BC<br />
Privacy Commissioner Elizabeth Denham.<br />
Graham was on a panel with Christopher<br />
Parsons, a UVic PhD candidate in political<br />
science and surveillance studies. Parsons<br />
was presenting findings from research done<br />
by him, me and tech expert and civil rights<br />
advocate Kevin McArthur into Automatic<br />
Licence Plate Recognition (findings first revealed<br />
in February’s <strong>Focus</strong>, “Hidden Surveillance”).<br />
Automatic Licence Plate Recognition<br />
(ALPR) involves equipping police cruisers<br />
with cameras and software that can read<br />
thousands of licence plates per hour and<br />
compare those plates to crime “hot lists.”<br />
The program operates as a joint effort between<br />
the RCMP, BC government and local BC<br />
police forces, ostensibly to primarily catch<br />
stolen vehicles, unlicensed drivers, and<br />
prohibited drivers.<br />
ROB WIPOND<br />
Documents suggest BC Solicitors General and the RCMP have been misleading the public for years.<br />
I WANT THAT NON-HIT DATA. I make no bones about it. What would<br />
I do with it? I don’t know what I would do with it. But if I need it, I’d like<br />
to have it.”—Victoria Police Chief Jamie Graham<br />
However, in some other countries, ALPR<br />
captures data about all cars on the road, which<br />
helps create comprehensive intelligence profiles<br />
about innocent people’s behaviours. ALPR<br />
has then been used, for example, to identify<br />
individuals with “suspicious travel tendencies”<br />
and intercept citizens headed to protests.<br />
And during our research, our team found<br />
disturbing evidence that ALPR has already<br />
been used here, and is intended in the near<br />
future to again be used, for tracking and<br />
recording the movements of all citizens.<br />
(Retention of ALPR data about most innocent<br />
citizens has been temporarily suspended after<br />
the Office of the Privacy Commissioner of<br />
Canada expressed concerns.)<br />
After eight months of digging, our research<br />
team had managed to ascertain this and some<br />
other facts about the ALPR program—though<br />
it only took minutes for Graham, at the conference,<br />
to recast or contradict many of them.<br />
We have documents indicating that Victoria<br />
police have purchased an ALPR system—but<br />
Graham said, “We borrow the Mounties’<br />
car.” Sources and documents explained to<br />
us that updated hot lists are put into that<br />
cruiser daily, whereas Graham said weekly.<br />
talk of the town<br />
The BC Privacy Commissioner’s office told<br />
us they’d been “briefed a number of times”<br />
about the ALPR program, while Graham<br />
described that as ongoing discussions with<br />
the Commissioner’s office about ALPR data<br />
retention: “We’re in the middle of kind of<br />
working that out…”<br />
Graham added that he wanted to see open<br />
discussions about ALPR between police and<br />
concerned citizens and “be up front, here’s<br />
what we want, here’s what we’re doing, let’s<br />
work together…” This, even though VicPD<br />
refused to provide anyone to talk with <strong>Focus</strong><br />
about the ALPR program.To top it off, during<br />
the Q&A, I pointed to several such inconsistencies<br />
and asked a question, and Graham<br />
took the opportunity to describe my <strong>Focus</strong><br />
article as “inaccurate” and engage in some<br />
back and forth with me. In reply to my question<br />
as to why he wanted to keep the ALPR<br />
data, he then said, “If what we’re trying to<br />
achieve and what we’re trying to search and<br />
locate require judicial authority, not your okay<br />
but judicial, we get it. If we don’t, we’ll axe it.<br />
Our standard is what the courts say, not by a<br />
marginal journalist.” This comment was<br />
met with a chorus of disapproving “ooo”s.<br />
Graham later said he was being “facetious.”<br />
For the record, <strong>Focus</strong> has not been contacted<br />
by VicPD or the RCMP with corrections to<br />
any supposed inaccuracies in our article about<br />
ALPR. But we invite—indeed encourage—<br />
any corrections or clarifications that the<br />
authorities would like to provide.<br />
“It’s symptomatic of the trend we’ve been<br />
finding, that we get documents and then we<br />
have an interview with someone and we hear<br />
a different story,” observes Parsons afterwards.<br />
“It’s deeply concerning that we can point to<br />
a document, and then we’re told the document<br />
is inaccurate, misleading or out of date.<br />
But a lot of times what people say is not official,<br />
either. It’s frustrating. It actually challenges<br />
a cornerstone of democracy: your right to<br />
know what your government is up to and why.”<br />
In any case, Graham gave general reassurance<br />
to the conference audience. “Right now,<br />
there is a big fear that there’s this database<br />
where all the non-hit data [records of the movements<br />
of cars belonging to innocent people]<br />
…is retained by police for some nefarious<br />
14 March 2012 • FOCUS<br />
PHOTO: PETE ROCKWELL
THE JULY 2009 REVIEW shows Steven Morgan, Director General of the<br />
Audit & Review Branch of the Office of the Privacy Commissioner of<br />
Canada, describing the RCMP’s ALPR program as “a generalized and ubiquitous<br />
form of surveillance” with “real and substantial” privacy risks, and<br />
he repeatedly questions the entire program’s very legality.<br />
purpose,” he said. “That is not true.” Nevertheless,<br />
Graham then explained, like the RCMP has<br />
as well, that such a database is essentially what<br />
he wants to build. “I want that non-hit data.<br />
I make no bones about it. What would I do<br />
with it? I don’t know what I would do with it.<br />
But if I need it, I’d like to have it.”<br />
“Chief Graham professes there is no nefarious<br />
purpose,” comments McArthur, “but even<br />
the most basic documentation on the program,<br />
like the RCMP Privacy Impact Assessment, has<br />
been designated as ‘particularly sensitive,<br />
Protected B’, and pages were redacted [removed]<br />
when it was released to us.”<br />
And indeed, startling documents newly<br />
obtained by <strong>Focus</strong> show the Office of the<br />
Privacy Commissioner of Canada (OPC)<br />
has expressed even more serious concerns than<br />
we have, and also reveal that the BC government<br />
and RCMP seem to have been misleading<br />
the public since day one.<br />
It began in November of 2006. A BC government<br />
press release announced the ALPR<br />
program, and stated “the federal privacy<br />
commissioner has reviewed the technology.”<br />
Soon, the Richmond Review, Burnaby News<br />
Leader, Chilliwack Progress and other news<br />
outlets covered the story, reporting that,<br />
according to then-Solicitor General John Les,<br />
“the system was approved by the federal privacy<br />
commissioner.” In mid-2009, when ALPR<br />
expanded to more BC police forces and RCMP<br />
detachments, the Victoria Times Colonist and<br />
Nanaimo Daily News reported that RCMP<br />
Sgt Warren Nelson told them, “Both federal<br />
and provincial privacy commissioners have<br />
approved the system[.]”<br />
However, the BC Office of the Information<br />
and Privacy Commissioner has never officially<br />
reviewed the ALPR program. And confidential<br />
correspondence from the Office of the<br />
Privacy Commissioner of Canada to the RCMP,<br />
obtained through an access to information<br />
request, contradicts these government and<br />
RCMP claims.<br />
The federal Privacy Commissioner first<br />
received a copy of a “Preliminary Privacy<br />
Impact Assessment” about the RCMP’s ALPR<br />
program in 2005. However, the OPC was<br />
www.focusonline.ca • March 2012<br />
struggling with staff shortages and never<br />
reviewed the document. In 2007, the OPC<br />
finally indicated readiness, and asked the<br />
RCMP for an up-to-date ALPR privacy impact<br />
assessment. But that updated version didn’t<br />
arrive until two years later. The Office of<br />
the Privacy Commissioner of Canada finally<br />
conducted and issued its first review of the<br />
RCMP’s ALPR program on July 15, 2009.<br />
But by that time, the ALPR program had already<br />
spread to numerous police forces and areas<br />
around BC, and the BC government and RCMP<br />
had been telling the public for three years that<br />
the federal Privacy Commissioner had both<br />
“reviewed” and “approved” the program. And<br />
as recently as December of 2011, RCMP officers<br />
leading the ALPR program were still<br />
making such claims.<br />
“Permission was obtained from both the<br />
federal and provincial privacy commissioners<br />
to use [ALPR] as a pilot project [in 2006],”<br />
Sgt Nelson told <strong>Focus</strong>.<br />
“Generally, [the Office of the Privacy<br />
Commissioner of Canada has] been very<br />
supportive,” said RCMP Superintendent<br />
Mike Diack.<br />
Yet in fact, the July 2009 review shows Steven<br />
Morgan, Director General of the Audit &<br />
Review Branch of the Office of the Privacy<br />
Commissioner of Canada, describing the<br />
RCMP’s ALPR program as “a generalized and<br />
ubiquitous form of surveillance” with “real<br />
and substantial” privacy risks, and he repeatedly<br />
questions the entire program’s very legality.<br />
For example, the RCMP has long claimed<br />
licence plate numbers are not personal<br />
information, and so they need not abide<br />
by most privacy laws when tracking<br />
Canadians with ALPR. But Morgan writes,<br />
“Licence plate numbers and images of individuals<br />
captured by ALPR equipped cruisers<br />
would in fact qualify under the [Privacy]<br />
Act as personal information.”<br />
Morgan further expresses concern that<br />
the ALPR program has no clear lines of governance<br />
and accountability within the RCMP,<br />
and no plan to ensure program changes are<br />
legal prior to being implemented. This situation,<br />
he states, contravenes directives issued<br />
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15
“<br />
WHAT THE GOVERNMENT IS NOT DOING in this case, it would appear, is appropriately regulating this, so that we<br />
can get the right balance. When we allow the police to decide what the balance is, it’s police one hundred, citizens zero.<br />
We would have barcodes on our foreheads.”—BC Civil Liberties Association policy director Micheal Vonn<br />
by Treasury Board (Treasury Board is responsible<br />
for ensuring federal government programs<br />
comply with Canadian privacy laws). “[W]e<br />
request that the RCMP explicitly identify<br />
those individuals responsible for ensuring<br />
compliance with applicable policies and legislation<br />
for the ALPR program,” writes Morgan.<br />
Morgan also challenges the RCMP’s right<br />
to gather so much information about citizens<br />
for no clearly defined reasons, adding, “We<br />
therefore request that the RCMP provide<br />
explicit reference to legal authorities (both<br />
federal and provincial) under which the ALPR<br />
program is being conducted.”<br />
Morgan questions how the RCMP will<br />
manage ALPR errors. The RCMP’s own studies<br />
show 8-10 percent of plates are misread. This<br />
could translate into thousands of false records<br />
daily from the Victoria area alone identifying<br />
people’s cars in places where they haven’t<br />
been. Yet these false records would still be<br />
stored automatically in RCMP databases.<br />
Citing subsection 6(2) of the Privacy Act,<br />
Morgan writes, “[W]e ask the RCMP to provide<br />
our office with details of the measures in place<br />
to ensure that records…are accurate.”<br />
Morgan adds that the RCMP has not provided<br />
any procedures for people to access or correct<br />
information about themselves in the database,<br />
even though such access and correction procedures<br />
are requirements under privacy law.<br />
And notable in light of the difficulties our<br />
research team has had obtaining information,<br />
Morgan describes “unease” in the Commissioner’s<br />
office “over the lack of RCMP communication<br />
to the public on this initiative,” and states,<br />
“The public has a right to know about the ALPR<br />
program and its purpose.”<br />
If all this isn’t disturbing enough, the most<br />
startling comments emerge in relation to an<br />
aspect of the ALPR program which has never<br />
been publicly revealed before—aspects possibly<br />
discussed on the two redacted pages in the<br />
Privacy Impact Assessment obtained by <strong>Focus</strong>.<br />
Morgan notes with concern that the RCMP’s<br />
Privacy Impact Assessment discusses “the<br />
collection of a series of additional data elements—<br />
race, ethnic origin, gender, blood type, financial<br />
transactions etc—which do not clearly fit<br />
within the purview of the ALPR program.”<br />
What does collecting information on our<br />
blood types and financial transactions have to<br />
do with catching unlicensed drivers?<br />
“Wow,” says BC Civil Liberties Association<br />
policy director Micheal Vonn, reading and<br />
repeating these “data elements” aloud. “That<br />
is dazzling in terms of its overbreadth…Shocking<br />
on so many different levels, it’s hard to know<br />
where to begin.”<br />
Is this evidence that police are planning to<br />
use the ALPR database as a foundation for a<br />
much more expansive repository of diverse<br />
intelligence information?<br />
Vonn, a lawyer, is more circumspect: “This<br />
is further information to show that the<br />
program is not being used for what the public<br />
is being told.”<br />
Where would they even be getting information<br />
about our blood types or financial<br />
transactions?<br />
“What they’re planning to tap into, I can’t<br />
tell you,” says Vonn. But she points to the<br />
Liberals’ recent privacy legislation changes and<br />
notes, “I can tell you the government of British<br />
Columbia is actively attempting to create huge<br />
data linkages between all kinds of databases<br />
that exist within government programs.”<br />
Vonn isn’t sure what agendas are driving<br />
the ALPR “overbreadth,” but points out<br />
that police, somewhat understandably, always<br />
want as much information as they can get their<br />
hands on. Consequently, she says, it’s government’s<br />
responsibility to ensure this “voracious<br />
appetite” is properly balanced against the<br />
privacy rights of law-abiding citizens.<br />
“What the government is not doing in<br />
this case, it would appear, is appropriately<br />
regulating this, so that we can get the right<br />
balance,” says Vonn. “When we allow the<br />
police to decide what the balance is, it’s police<br />
one hundred, citizens zero. We would have<br />
barcodes on our foreheads.”<br />
I provided the OPC report to federal<br />
Conservative Tony Clement, President of the<br />
Treasury Board, and Liberal Shirley Bond, BC<br />
Minister of Justice, and asked how they’d bring<br />
the ALPR program into compliance with<br />
the law. The Treasury Board stated their responsibility<br />
“does not include an enforcement role.”<br />
The BC Justice Ministry issued no reply.<br />
The OPC’s Morgan summarizes concerns<br />
with an overarching recommendation: “To<br />
the extent that ALPR’s program leaders are<br />
unfamiliar with the requirements of the [Privacy]<br />
Act…we would strongly recommend that the<br />
RCMP engage its internal privacy experts and<br />
legal counsel in assessing the organization’s<br />
obligations for privacy protection.”<br />
Vonn says that’s as close to declaring a<br />
program flatly illegal as the Privacy<br />
Commissioner’s office would ever get in such<br />
a review. This is because the OPC must adjudicate<br />
complaints from the public about<br />
government programs, and so cannot appear<br />
prejudiced. “The advice of ‘please review’ is<br />
as strongly worded as you can get without<br />
prejudging the issue,” says Vonn. “Which is<br />
why it is very, very important to take the recommendations<br />
seriously, because they do indicate<br />
serious problems.”<br />
However, following this rebuke, the RCMP<br />
and OPC held a conference call in January,<br />
2010, which Morgan later summarized in a<br />
letter. “[W]e note that the RCMP asserts that…”<br />
begins Morgan, and what follows is a pointform<br />
list of virtually every major concern the<br />
OPC had expressed, framed in the form of a<br />
dismissal from the RCMP: The ALPR program<br />
does indeed have adequate safeguards and<br />
controls, asserts the RCMP. Everything is<br />
indeed being done “in accordance with applicable<br />
laws.” There is indeed proper governance<br />
and accountability in place. And so on.<br />
“This is clearly the RCMP telling the federal<br />
Privacy Commissioner that it doesn’t want<br />
to do what it’s being requested to do,” interprets<br />
Vonn. “[The RCMP] have not<br />
implemented the changes. They have not<br />
addressed the concerns.”<br />
Yet with that, the OPC parked its file. Their<br />
office has little authority to do anything more<br />
unless someone complains about the ALPR<br />
program. But how, asks Vonn, do we complain<br />
about a surveillance program about which we<br />
can learn almost nothing? So Parsons, McArthur<br />
and I have decided that precisely that question<br />
itself will be the starting point for a letter to our<br />
federal and provincial privacy commissioners.<br />
Rob Wipond has been a freelance writer and<br />
investigative journalist for over two decades. Last<br />
year he was a finalist in the Western <strong>Magazine</strong><br />
Awards for his <strong>Focus</strong> column, and previously won<br />
for business writing.<br />
16 March 2012 • FOCUS
www.focusonline.ca • March 2012<br />
A Notice to FOCUS Readers<br />
If you would like to support MORE INVESTIGATIVE<br />
JOURNALISM in our city, please consider becoming a<br />
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to <strong>Focus</strong> <strong>Magazine</strong>) for $33.60 (includes tax) to PO Box<br />
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If you would like every edition of FOCUS delivered to<br />
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FOCUS will continue to be available at the usual pickup<br />
locations around the city. To find a location near<br />
you, go to www.focusonline.ca and look for “Where to<br />
find a print copy of FOCUS.”<br />
17
PHOTO: TONY BOUNSALL<br />
18<br />
Creative<br />
Coast palette18 the arts in march22 coastlines 34<br />
Perfectly rendered<br />
CHRISTINE CLARK<br />
A physician and reproductive rights advocate has returned to her first love: art.<br />
Mary Conley<br />
Growing up in St Andrew’s by the Sea in New Brunswick, population<br />
1500, Mary Conley always wanted to go to art school,<br />
but says, “I didn’t even know where they had them.” She says<br />
that the public schools didn’t offer arts programming back then in the<br />
late ‘50’s. Instead, after graduating from high school, this daughter of<br />
a lobster wholesaler and his wife (a retired telephone operator),<br />
won a scholarship to the University of New Brunswick to study science<br />
and began what would eventually develop into a long and storied<br />
career in medicine as a champion of human rights, and in particular,<br />
women’s reproductive rights.<br />
In her home studio, a clean spacious room on the main floor of an<br />
old mansion where Mary now lives with her husband and collaborator,<br />
retired fisherman and sculptor David Gray, you can see the birds coming<br />
and going at the feeder right outside of one of the many large whitesilled<br />
windows. The bright light softens everything, but the room has<br />
an almost clinical atmosphere in spite of its purpose, which is to<br />
make art. There are papers on the table in profusion and a work in<br />
progress on an easel, but there are none of the usual tell-tale signs of<br />
an artist at work, at least not glaringly so: no accidental paint on the<br />
carpet or on the walls, no smell of turps, no rotting brushes in tubs of<br />
water. Nothing black or dirty or grimy.<br />
Is this apparent need for cleanliness somehow a reflection of her<br />
career in medicine? I ask her about that career, and am transported<br />
back several decades. Probably it’s difficult to imagine, especially for<br />
people born after 1970 or so, but contraception was actually illegal<br />
in Canada until 1969. That year, under Pierre Trudeau’s Liberal government,<br />
safe medical abortion became legally available, but only<br />
under strict conditions: abortions had to be performed in a hospital<br />
setting and only after a panel of three, predominantly male, doctors<br />
had reviewed the circumstances of the pregnancy and had decided<br />
whether the case for abortion was morally allowable.<br />
“Owl” 14 x 14 inches, pastel<br />
March 2012 • FOCUS
www.focusonline.ca • March 2012<br />
“Lili” 12 x 12 inches, oil on canvas<br />
Mary Conley says “women were desperate. They took a lot of risks.<br />
They died.” And so, in protest and because they felt it was right, certain<br />
doctors began to take on the risk; people like Dr Conley and Dr Henry<br />
Morgentaler, a survivor of Auschwitz and Dachau, with whom she<br />
trained in 1980 and who spent 10 months in a Canadian prison during<br />
the mid ‘70’s for providing women with safe abortions outside of a<br />
hospital setting.<br />
And the danger for doctors was not confined to the threat of prosecution.<br />
Referring to a period during the 1990s when an American,<br />
James Kopp, subsequently convicted for killing a doctor in New<br />
York state, was suspected of shooting and injuring three Canadian<br />
doctors as well, Conley explains that, “They began shooting doctors.<br />
[I had] seven years of terror wondering if I was going to be shot. The<br />
government even offered me a flak jacket, but they were using highpowered<br />
rifles and a flak jacket doesn’t prevent you from being killed.<br />
My friends told me to quit so that I wouldn’t get shot, but I said no. I<br />
would have been a coward.”<br />
She goes on to say, “Anyone can have an unwanted pregnancy. Women<br />
with AIDS, prostitutes, drug addicts. Women with cancer. Women with<br />
disabilities. And what happens to…[unwanted] children? Why did they<br />
close all the orphanages when birth control became legalized? No woman<br />
ever came back and said that having an abortion was a bad thing.”<br />
It’s very difficult to reconcile Mary’s career as an award-winning<br />
doctor (she won the Nobel Prize in 1984 as a member of Physicians<br />
for Social Responsibility, among other distinctions) with her work as<br />
an artist, other than to say that this is an incredibly passionate<br />
woman with her feet firmly grounded in the highly regimented world<br />
of science. (As a young woman, she worked as a medical researcher for<br />
four years in the chemistry lab at UBC, earning money to complete her<br />
medical degree, and she describes this experience as profoundly influential.)<br />
It’s a most awkward combination to dissect and quite challenging<br />
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19
“Bald Eagle” 16 x 12 inches, pastel<br />
20 March 2012 • FOCUS
to understand, possibly because she herself hasn’t as yet reconciled the<br />
two, at least not in her art. As a doctor she was, without a doubt,<br />
extremely brave; a ground-breaker and not at all averse to risk. As an<br />
artist, an endeavour she committed herself to after her retirement in<br />
2003, she is rational, orderly and careful.<br />
About her approach to art-making she says, “I can’t do anything<br />
that’s messy. It doesn’t appeal to me. I see art as clean and neat. I don’t<br />
like things that are messy. It’s not my personality. If something is worth<br />
doing, it’s worth doing well.” Her approach has earned her a good few<br />
awards from art shows, including the Sooke Fine Arts (people’s choice)<br />
and a number of Federation of Canadian Artists juried shows both in<br />
Victoria and Vancouver.<br />
Conley, who works in pastels, oil and watercolour, considers herself<br />
to be an academic artist. She explains that “to learn new things is the<br />
most exciting thing about painting.” A self-described “workshop junkie,”<br />
she has taken classes in calligraphy, sign painting, airbrushing, watercolour,<br />
oils, pastels, silk-screening, batik, greeting card and book making<br />
to name just a few. She sees herself essentially as a student. “I consider<br />
the people I take workshops from to be better than myself. I’ve tried<br />
to do it on my own and it was a big mess.”<br />
This is what she says, but the truth is that Mary is extremely talented.<br />
Better, I think, than she knows. I would like to see her so-called messes.<br />
Messes can be very revealing, very honest, and isn’t that, too, what art<br />
is supposed to be?<br />
For now you can see Mary Conley’s perfectly rendered, perfectly<br />
beautiful, photo-realist portraits of children and birds at Morris Gallery.<br />
Who knows what’s coming next?<br />
Mary Conley’s work is on exhibit at Morris Gallery, and she is one<br />
of the featured artists at its 12th Anniversary Reception, March 2, 7-<br />
9pm, on Alpha St at 428 Burnside Rd E. See http://www.morrisgallery.ca<br />
and http://www.artworksbymaryconley.com.<br />
www.focusonline.ca • March 2012<br />
“Blue Raptor” 12 x 16 inches, pastel<br />
Christine Clark is a Victoria-based artist. See her blog<br />
at http://artinvictoria.com.<br />
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553 Hillside Ave<br />
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10 am - 5 pm Tues - Sat<br />
250.721.5530<br />
www.designsourcewarehouse.com<br />
21
Gloria Snider (left) and Lorene Cammiade, in Rabbit Hole<br />
March 8-24<br />
RABBIT HOLE<br />
Langham Court Theatre<br />
THE UNIVERSE WORKS IN STRANGE WAYS; THIS INTERVIEW<br />
is just one example. I’m at Langham Court Theatre, speaking to director<br />
Sylvia Rhodes about the company’s latest production, Rabbit Hole.<br />
She’s explaining that David Lindsay-Abaire’s Pulitzer-winning play tells<br />
us of how a family deals with the sudden death of their four-year-old<br />
son, two weeks to the day after my own parents lost their own boy—<br />
my brother—at far too young an age. It’s an assignment I was given<br />
two months earlier, long before this fog of grief settled upon my family.<br />
I’m not sure if the powers-that-be are flipping me the bird or offering<br />
me a challenge.<br />
Perhaps it’s a bit of both. As I’m reminded in my conversation with<br />
Rhodes, grief is universal; it’s something that almost all of us will have<br />
to overcome at some point. And a play like Lindsay-Abaire’s accomplished<br />
work can maybe help us along the way.<br />
“This particular play, it illuminates an event that most of us have to<br />
cope with in our lives at least once,” she says. “It sounds like a real<br />
downer, but it deals with it so honestly and with such wit. It’s also funny.<br />
A play that can make you leave the theatre laughing or crying or making<br />
you think—that, to me, is the best kind of theatre.”<br />
While a play like this can be a tough (but rewarding) experience for<br />
the audience, it’s also a difficult one for the cast, which in this case<br />
includes newcomers Kate Harter and Malcolm McLaren as well as<br />
Lorene Cammiade (The Memory of Water) and The Laramie Project’s<br />
Eric Holmgren and Gloria Snider.<br />
“Of all the plays I’ve directed, this one draws on the actors’ emotional<br />
reactions more than any other play,” says Rhodes, who has been involved<br />
with Langham Court Theatre on and off since 1965 as both a performer<br />
and, more recently, a director. “I have to be able to ask them to put<br />
themselves in a place where they may not necessarily want to go, which<br />
has happened in rehearsals. I have tried to help them get there, and<br />
sometimes it’s emotional for me too.”<br />
But Rhodes says that just because the play isn’t a light one doesn’t<br />
mean we should avoid it—or that we won’t be entertained or even<br />
delighted at points. “I say people will enjoy it, and it seems an inappropriate<br />
word to use about a play with that sort of subject, but it’s something<br />
that we all have to deal with,” she says. “I think that’s why we read<br />
books, that’s why we go to the theatre. It’s to show us our lives and<br />
help us to deal with them and realize that we’re not alone.”<br />
Wise words, Sylvia. I’ll see you at the theatre.<br />
Rabbit Hole runs Mar 8-24 at Langham Court Theatre, 805<br />
Langham Ct, with a special preview performance Mar 7. Tickets<br />
$17/$19, or two for $20 on the preview. Visit www.langhamtheatre.ca<br />
or call 250-384-2142 for tickets and times. —Amanda Farrell-Low<br />
22 March 2012 • FOCUS<br />
PHOTO: DAVID LOWES / ART STUDIO 21
the arts in march<br />
Continuing to March 25<br />
GIVE A DUCK<br />
Two locations<br />
Fired Up! Studio creates clay duck figurines,<br />
allowing folks to “adopt” and paint them, then<br />
fire them in their kiln. $15 to adopt a duck,<br />
with $5 to the Swan Lake Nature Sanctuary.<br />
Ducks on display at 3870 Swan Lake Rd<br />
and 1636 Cedar Hill X-Rd. 250-818-4543,<br />
www.firedupceramics.ca.<br />
Continuing to April 2<br />
TED GRANT<br />
Maltwood Gallery<br />
Known as the “Father of Canadian<br />
Photojournalism,” Grant is the only photographer<br />
to hold both Gold and Silver medals<br />
for Photographic Excellence from the National<br />
Film Board of Canada. This exhibit portrays<br />
young men and women medical interns in<br />
classrooms, operating rooms and rural clinics.<br />
Reception 4-5pm Mar 6, the McPherson Library,<br />
Room A003. 250-381-7618, www.uvac.uvic.ca.<br />
March 1<br />
ANNE SCHAEFER CONCERT<br />
Alix Goolden Hall<br />
Award-winning singer/songwriter Anne<br />
Schaefer launches “The Waiting Room” with<br />
fellow musicians Sean Drabitt, Kelby MacNayr,<br />
Sara Marreiros, Brooke Maxwell, Adrian<br />
Dolan,and Zavallennahh Huscroft. $20; VJS<br />
and UJAM $18; Seniors/Students $15. Doors<br />
7:30pm. Tickets: Larsen’s Music, Lyle’s Place.<br />
250-896-9096, www.anneschaefer.com.<br />
March 1-3<br />
THE BARRA MACNEILS<br />
Royal Theatre<br />
The Victoria Symphony fuses Celtic and<br />
classical for this concert with music, dancing<br />
and storytelling. 2pm Mar 1 and 8pm Mar 2-<br />
3, 805 Broughton St, $11-$66. 250-386-6121,<br />
www.victoriasymphony.ca.<br />
March 1-3<br />
GUYS AND DOLLS<br />
McPherson Playhouse<br />
Presented by St Michaels University School.<br />
7:30pm Mar 1-3, 2pm March 3, 3 Centennial<br />
Sq, $24.75. 250-386-6121, www.smus.ca.<br />
March 2<br />
TANIA GILL QUARTET<br />
Hermann’s Jazz Club<br />
Canadian jazz pianist and composer Tania<br />
Gill. 8pm, 753 View St, $17.50. 250-386-6121,<br />
www.victoriajazz.ca.<br />
March 2<br />
CRUSH<br />
The Metro Studio<br />
Spoken-word artist Missie Peters collaborates<br />
with soprano Taylor Pardell, baritone<br />
Alan MacDonald, saxophonist Gordon Clements<br />
and pianist Michael Drislane for a night of<br />
poetry, song and dance. Cocktails 7pm, performance<br />
8pm, 1411 Quadra St. 250-386-6121,<br />
www.saltwaterinc.ca.<br />
www.focusonline.ca • March 2012<br />
March 2-3<br />
SALT FESTIVAL<br />
UVic/Open Space<br />
This contemporary music festival features<br />
local and international artists, including the<br />
UVic Orchestra, Ensemble Nikel, <strong>Ger</strong>man<br />
percussionist Olaf Tzschoppe, Sonic Lab and<br />
more. 8pm Mar 2, University Centre Auditorium,<br />
$17.30/13.50; 4pm through evening on Mar<br />
3, 510 Fort St. $25 for all-day pass. 250-<br />
383-8833, www.openspace.ca/SALT.<br />
March 2-31<br />
LYNDA MCKEWAN: SOLO<br />
Gallery 1580<br />
Lynda McKewan’s colour-focused geometric<br />
abstracts. Opening reception Mar 10, 1-5pm.<br />
Gallery hours: Tues, Thurs, Fri, Sat, 11am-4pm,<br />
1580 Cook St, 250-415-5480.<br />
March 3-29<br />
LEAVING CHARLIE: WILL GORDON<br />
Martin Batchelor Gallery<br />
Mixed media work. Opens 7pm March 3,<br />
712 Cormorant St. 250-385-7919.<br />
March 4<br />
LINDEN SINGERS<br />
First Met United Church<br />
“Northern Lights Northern Echoes” features<br />
music from Scandinavia and Canada. 3pm,<br />
932 Balmoral Rd, $17/$20. 250-652-9851,<br />
www.lindensingers.ca.<br />
March 4<br />
WIZARD OF OZ<br />
Metro Studio<br />
A collaboration between Kathryn Popham’s<br />
acclaimed Erewhon Theatre and Kaleidoscope.<br />
2pm, 1411 Quadra St. 250-386-6121,<br />
www.kaleidoscope.bc.ca.<br />
March 4<br />
STRIKE FORCE 4<br />
Royal Theatre<br />
A kid-oriented percussive journey with<br />
the Victoria Symphony. 2:30pm, 805 Broughton<br />
St, $11-$30. www.victoriasypmhony.ca,<br />
250-386-6121.<br />
March 4<br />
PHYLLIS SEROTA<br />
Congregation Emanu-El<br />
Artist and author Phyllis Serota reads from<br />
her new memoir, “Painting My Life.” 2pm,<br />
1461 Blanshard St. 250-382-0615,<br />
www.congregationemanu-el.ca.<br />
March 4-28<br />
FEDERATION OF CDN ARTISTS<br />
Goward House<br />
The Victoria Chapter of the FCA showcases<br />
original art, cards and prints at their juried<br />
spring show. Reception 1:30-3:30pm Mar 4,<br />
2495 Arbutus Rd, www.victoriafca.com.<br />
March 4, 18<br />
SUNDAY PAINT-IN<br />
BC School of Art Therapy<br />
A place for aspiring artists to try their<br />
hand at art. All ages welcome; materials<br />
provided. 2-4pm, 125 Skinner St, by donation.<br />
250-598-6434, www.bcsat.com.<br />
23
“FREEDOM” LUKE RAMSEY, INK ON PAPER<br />
March 3-17<br />
LUKE RAMSEY: COMPATIBLES<br />
Madrona Gallery<br />
This Pender Island artist is recognized internationally for his art and design work, with<br />
exhibitions from L.A. to Berlin. Luke describes his work as “Organized chaos—a play with<br />
paradoxical themes.” The content is influenced by a beautifully strange cosmos of organisms<br />
and comedy; the approach is fluid and not forced. “Compatibles” inspires a meditative<br />
contentment in the moment, just in the way the drawings are made, and celebrates acceptance<br />
and change in any compatible relationship, whether it be simple and complex, or<br />
improvised and free.” Opening reception with artist March 3, 1-4pm and 7-10pm. 606 View St.<br />
250-380-4660, www.madronagallery.com.<br />
“THE LIGHTHOUSE” (DETAIL) CAITLIN AMBERY, 36 X 48 INCHES, ACRYLIC ON CANVAS<br />
Throughout March<br />
NEW WORKS<br />
Victoria Emerging Art Gallery<br />
VEAG welcomes the spring with new work by Caitlin Ambery (3rd place winner of VEA<br />
Awards 2010), Tom McCabe, Carollyne Yardley, Liam Hannah Lloyd and Mandy Auger. The<br />
gallery is also facilitating a fun beginners workshop on “accidental art”: Splatter, Drip & Splotch—<br />
An Adventure in Aqueous Media & Quirky Characters, Mar 11, 3pm-5pm. $25 including all<br />
materials and refreshments. Wed-Fri and Sun: 12pm-4pm; Sat: 11am-6pm, Tues by appointment.<br />
977 A Fort St, 778-430-5585, www.victoriaemergingart.com.<br />
24<br />
(TOP) “POLARIS” (DETAIL) BLU SMITH, 54 X 60 INCHES, MIXED MEDIA<br />
“TIDAL POOLS” RON PARKER, 20 X 30 INCHES, ACRYLIC ON CANVAS<br />
March 17-23<br />
RON PARKER & BLU SMITH<br />
The Avenue Gallery<br />
The Avenue Gallery introduces “Artistic Pairings,” a series of mini-shows featuring two or<br />
three artists showcasing up to six pieces. These week-long events will take place in March,<br />
April, May, September and October. On the opening Saturday of each show, the artists will talk<br />
about and/or demonstrate their process. The gallery is planning to feature a wine pairing for<br />
each event to stimulate repartee. This month’s artists’ reception, with abstract painter Blu Smith<br />
and Ron Parker, with his stylized, “essentialist” landscapes, is on Mar 17, 1-4pm. 2184 Oak<br />
Bay Ave. 250-598-2184, www.theavenuegallery.com.<br />
“MORNING CALM” JEFFREY J. BORON, 24 X 36 INCHES, OIL ON CANVAS<br />
March 29-April 15<br />
JEFFREY J. BORON & LINNY D. VINE<br />
Art Gallery of Greater Victoria<br />
Boron and Vine present their first co-exhibit since 2008, this one featuring en plein air<br />
works from their travels around the province. Linny D. Vine’s distinctive contemporary<br />
paintings are known for their joyful energy that celebrate the wonderful character and joyous<br />
imperfectness of life. Jeffrey Boron’s paintings are recognized for their strong sense of light<br />
and confident brush strokes. Reception 2pm Mar 31, 1040 Moss St, 250-384-4101,<br />
www.linnydvine.com, www.jeffreyboron.com.<br />
March 2012 • FOCUS
Discover the<br />
Legacy Art Gallery<br />
www.focusonline.ca • March 2012<br />
Divergence:<br />
Insight into Studio Practices<br />
of UVic’s Art Educators<br />
February 29 to April 14, 2012<br />
Opal Ice by Bill Zuk<br />
630 Yates St. | 250-381-7645 | Hours 10 a.m. to 4 p.m. Wed to Sat | uvac.uvic.ca<br />
Deryk Houston<br />
“Blackbirds, Stooked Wheat & Prayers”<br />
February 27 - April 7<br />
Reception Thursday, March 1, 7 - 9pm<br />
www.eclecticgallery.ca<br />
2170 Oak Bay Avenue • 250.590.8095<br />
25<br />
“Time for Rest” Deryk Houston, 11 x 14 inches, acrylic on canvas
www.victoriaemergingart.com<br />
Phone/Fax: 778 430 5585 info@victoriaemergingart.com<br />
Victoria Emerging Art Gallery 977 A Fort Street Victoria, B.C., V8V 3K3<br />
Celebrating Local Artists<br />
Fine Art, Jewelry,<br />
Gifts & Crafts<br />
Featuring Kristi Bridgeman’s<br />
award-winning illustrations<br />
from PK Page’s Uirapurú<br />
Gemstones & Findings<br />
2000 Fernwood Road<br />
250.361.3372 • www.shesaidgallery.ca<br />
Unique handcrafted gifts<br />
Pottery classes for all levels<br />
Earth & Fire Pottery Studio<br />
1820 Government Street<br />
250-380-7227<br />
March 10<br />
QRISTINA & QUINN: ST PATRICK’S CELTIC CEILIDH<br />
Fairfield United Church<br />
QRISTINA (yes, with a “Q”) and her younger<br />
brother, Quinn, are a formidable musical<br />
duo. At just 21 and 16 years old, respectively,<br />
the Bachands have two critically acclaimed<br />
CDs, Relative Minors and Family. They have<br />
also won a host of prestigious folk and Celtic<br />
music awards, including the Irish Music Award<br />
for Top Traditional Group in multiple venues,<br />
and just weeks ago, they were honoured with<br />
the Irish Music Award for Top Duo. For their<br />
March 10 Ceilidh, they’ll be joined by piping<br />
champion Zac Leger and Juno-nominated<br />
multi-instrumentalist and co-producer of<br />
their album, Adrian Dolan, as well as other<br />
special guests.<br />
Both siblings began classical violin studies<br />
at an early age. After seeing a concert with the<br />
outrageous Canadian Celtic group, Barrage,<br />
however, Qristina was immediately hooked<br />
on all things Celtic. “It was really exciting, and<br />
fun, and upbeat,” she explains. As Qristina<br />
honed her skills with fiddle lessons and sessions<br />
with the Victoria Fiddle Society, Quinn eventually<br />
put away his violin, and took up the<br />
guitar to accompany her.<br />
Quinn has since proven to be a Celtic guitar<br />
prodigy. He’s just been invited to perform in<br />
two shows with award-winning fiddler Natalie<br />
MacMaster. And for years—since he was 13—<br />
he has accompanied renowned Canadian Celtic<br />
fiddler Ashley MacIsaac. Young Quinn has<br />
learned a lot in his travels with MacIsaac. The<br />
fiddler has helped him to coax unique and<br />
original sounds from his guitar, and has shown<br />
him a thing or two about showmanship: “He’s<br />
got the biggest stage presence of anybody that<br />
the arts in march<br />
Qristina & Quinn Bachand<br />
I’ve ever played with before,” says Quinn. “He<br />
knows how to work a crowd.”<br />
Not that Qristina doesn’t. Rather than<br />
bombast and lightning, however, hers is a<br />
gracious, sweeter style of performing, with a<br />
greater emphasis on melodies. She is a delight<br />
to watch, playing with obvious joy and passion<br />
for her craft, easily carrying the audience along<br />
with her. “[Performing] is a good feeling, for<br />
sure,” she explains. “It’s sort of like when<br />
you’re off [the stage] you’re like ‘when can I<br />
get back on,’ cause that was really fun!’”<br />
Quinn is Qristina’s mirror opposite on stage.<br />
With his dark, curly locks and his intense,<br />
introspective performance style, he is a young<br />
Bob Dylan, doing with music what Dylan did<br />
with poetry. They have a unique chemistry on<br />
stage. Once, Quinn even tuned one of Qristina’s<br />
strings in the middle of a piece! Says Quinn,<br />
“We grew up together and our minds are somewhat<br />
in the same place.”<br />
The Bachands are delighted to be performing<br />
again at Fairfield United Church. Qristina has<br />
fond memories of jamming in the Church basement<br />
with the Victoria Fiddle Society. “It’s a<br />
place where we grew up,” she explains. But<br />
now, they’re coming home to play on the<br />
big stage!<br />
Fairfield United Church is at Fairfield and<br />
Moss St. The show starts at 7:30pm. Tickets<br />
at Ivy’s, Long & McQuade, Larsen Music, and<br />
Ditch Records. The duo also performs Mar 17<br />
at Six Mile Pub (1:30) and the Roadhouse Bar<br />
& Grill (6pm). See www.qbachand.com.<br />
—Lisa Szeker-Madden<br />
26 March 2012 • FOCUS
March 6<br />
MONIQUE MOJICA<br />
University of Victoria<br />
Toronto-based Mojica, a Rappahannock<br />
and Kuna performer and playwright, who is<br />
considered to be one of Canada’s most noted<br />
aboriginal performance voices, will lecture on:<br />
“Scoring the Body Through Guna Aesthetic<br />
Principles: Indigenous Dramatic Arts in Theory,<br />
Process and Practice.” 7pm, David Strong<br />
Building’s Room C122, free. 250-721-6222,<br />
www.finearts.uvic.ca.<br />
March 6-10<br />
FOUR CATS<br />
Red Art Gallery<br />
Works from students of the 4Cats Art<br />
Studio, a professional art studio for artists<br />
aged 4-10 who draw inspiration from the<br />
masters. 2033 Oak Bay Ave, 250-881-0462,<br />
www.redartgallery.ca.<br />
March 7-31<br />
SPRING SALON<br />
View Art Gallery<br />
Works by gallery artists. 104-860 View St,<br />
250-213-1162, www.viewartgallery.ca.<br />
March 8<br />
INTERNATIONAL WOMEN’S DAY<br />
LUNCHEON<br />
St John’s Hall<br />
Speaker Maureen Maloney, QC, the first<br />
female Dean of Law in the province speaks.<br />
Funds support Bridges for Women’s programming.<br />
Registration 11am, lunch, 11:45,<br />
925 Balmoral Rd, $50. 250-285-7410,<br />
www.bridgesforwomen.ca.<br />
March 8-11<br />
VICTORIA FRENCH FEST<br />
Various venues<br />
This 15th annual celebration of all things<br />
Francophone features performances by magician<br />
Alain Choquette and clown Ben Labaroutte,<br />
plus a Radio-Canada stage, traditional francophone<br />
food and more. 250-388-7350,<br />
www.francocentre.com.<br />
March 9-10<br />
LINES BALLET<br />
Royal Theatre<br />
Dance Victoria presents Alonzo King’s<br />
acclaimed San Francisco-based contemporary<br />
ballet company. 7:30pm, 805 Broughton St,<br />
$25-72. 250-386-6121, www.dancevictoria.ca.<br />
March 10<br />
THE WYF OF BATHE<br />
Intrepid Theatre Club<br />
Julian Cervello (“Canterbury Cocktails”)<br />
further delves into Chaucer’s “Canterbury<br />
Tales” and flexes his Middle English muscles.<br />
8pm, 2-1609 Blanshard St, $10/$15, Q&A to<br />
follow. www.scrumpyproductions.com.<br />
March 12<br />
VICTORIA SYMPHONY<br />
Royal Theatre<br />
Pianist Anton Kureti (conducted by his<br />
son Julian) and the Symphony perform<br />
Schubert, Beethoven and Mozart. 8pm, 805<br />
Broughton St, $11-$66. 250-386-6121<br />
www.victoriasymphony.ca.<br />
www.focusonline.ca • March 2012<br />
March 12-25<br />
SPARK FESTIVAL<br />
Belfry Theatre<br />
This year’s festival of upcoming and innovative<br />
theatre features works such as Toronto<br />
playwright Michael Redhill’s accolade-ridden<br />
“Goodness;” local performer Ingrid Hansen<br />
and SNAFU Dance’s “Kitt and Jane” (the<br />
Belfry’s Incubator Project); the latest from<br />
Shane Koyczan, the engaging spoken-word<br />
artist; Anita Majumdar’s “Fish Eyes,” a comical<br />
tale of cultural appropriation; plus readings<br />
of Matthew Payne’s Joan Mans tribute<br />
“My Memory’s Not So Good;” plus workshops,<br />
mini-plays, and more. 1291 Gladstone<br />
Ave. 250-385-6815, www.sparkfestival.ca.<br />
March 16<br />
ERIC ST-LAURENT TRIO<br />
Hermann’s Jazz Club<br />
The Jazz Society presents award-winning<br />
Montreal guitarist Eric St-Laurent, with bassist<br />
Jordan O’Connor and percussionist Michel<br />
DeQuevedo. 8pm, 753 View St, $17.50.<br />
250-386-6121, www.jazzvictoria.ca.<br />
March 16-18<br />
CLAYWORKS<br />
Mary Winspear Centre<br />
Annual show and sale featuring works by<br />
local ceramic artists. 5-9pm Mar 16, 10am-<br />
4pm Mar 17-18, 2243 Beacon Ave (Sidney),<br />
free. 250-656-0275, www.marywinspear.ca.<br />
March 16-18<br />
MURDER AT THE<br />
HOWARD JOHNSON’S<br />
Mary Winspear Centre<br />
The Peninsula Players’ 60th season brings<br />
us this tale of a love triangle, a motel, and<br />
murder. 7:30pm Mar 16-17, 2pm Mar 18,<br />
2243 Beacon Ave (Sidney), $15/$18. 250-<br />
656-0275, www.marywinspear.ca.<br />
March 16-April 28<br />
TRIMPIN’S (CANONX+4:33=100)<br />
Open Space<br />
Seattle-based sculptor/composer/inventor<br />
Trimpin, known for his stunning, functional<br />
sound-art pieces, creates a new interactive<br />
installation constructed with help from Dr<br />
Andrew Schloss and UVic students. Opens<br />
7pm Mar 16, artist talk 2pm Mar 17, 510 Fort<br />
St. 250-383-8833, www.openspace.ca.<br />
March 17<br />
EMILY CARR STRING QUARTET<br />
Lutheran Church of the Cross<br />
Performing compositions by Shostakovich,<br />
Mozart and Ravel. 8pm, 3787 Cedar Hill<br />
Rd, $15/$20. www.emilycarrstringquartet.com,<br />
250-477-6222.<br />
March 17<br />
ONE WORLD 2012<br />
Royal Theatre<br />
Music and dance performed by UWC<br />
Pearson College’s international students. 2pm<br />
and 8pm, 805 Broughton St, $15-$23. 250-<br />
386-6121, www.pearsoncollege.ca.<br />
GALLERY<br />
JHG<br />
1580<br />
Introducing LYNDA McKEWAN<br />
“SOLO”<br />
March 6 - 31<br />
Opening Saturday, March 10, 1 - 5pm<br />
Gallery hours: 11 - 4 pm Tues, Thur, Fri, Sat<br />
1580 Cook Street 250.415.5480<br />
Old School Woodworks<br />
one-of-a-kind furniture • artistic kitchens & built-ins<br />
commissions welcome<br />
Tues-Fri 12-5 Sat 12-4<br />
www.oldschoolwoodworks.com<br />
2031 Oak Bay Ave 250-896-8073<br />
27<br />
“Red Squares” by Lynda McKewan, 48 x 64 inches, acrylic on canvas
“GIJALORDI” EMILY MURRAY<br />
March 10-April 17<br />
GIJALORDI: THE KINGFISHER STORY<br />
Alcheringa Gallery<br />
Gijalordi explores the local Kingfisher story relating to the formation of the Tully River in<br />
Queensland, Australia. This suite of 18 works was developed from a printmaking workshop<br />
at Girringun Art Centre as a means of providing practical support to the artists after many<br />
suffered devastating losses in the wake of Severe Tropical Cyclone Yasi in February 2011.<br />
Partial proceeds will benefit Girringun Art Centre. Opening reception on Mar 10, 2pm-5pm.<br />
665 Fort St, 250-383-8224, www.alcheringa-gallery.com.<br />
“COMMUNITY” DERYK HOUSTON, 36 X 36 INCHES, ACRYLIC ON CANVAS<br />
February 27-April 7<br />
BLACKBIRDS, STOOKED WHEAT AND PRAYERS<br />
Eclectic Gallery<br />
Deryk Houston has completed large scale ground art projects in Iraq, Canada, and Scotland<br />
in support of children’s rights. Much of his work is about the Earth and creating conditions for<br />
seeds to grow—a metaphor for the search for peace. Houston’s work was featured in the<br />
National Film Board of Canada documentary, “From Baghdad to Peace Country” and has been<br />
exhibited in the former Soviet Union, Scotland, Iraq, and the US, and is in the collection of the<br />
Canadian War Museum in Ottawa. Artist’s reception Mar 1, 7-9pm. 2170 Oak Bay Ave.<br />
250-590-8095, www.eclecticgallery.ca.<br />
28<br />
“I WANT TO BE A SHINING EXAMPLE” MARK LAVER, OIL ON CANVAS<br />
Throughout March<br />
MARK LAVER: SHINING EXAMPLES<br />
Legacy Gallery<br />
Dark, wet Vancouver Island nights receive a painterly treatment in Mark Laver’s intimate “Night<br />
Paintings” and ambitious “Rural Disasters.” Be it urban parks after midnight, trailer park fires,<br />
nocturnal car crashes or rural highways, the exhibit reveals a battle between the psychological<br />
and narrative power of nocturnal imagery and the allure of oil paint itself. Smeared, swirled, glazed<br />
and dripped, the luscious materiality of paint is as much the subject of these paintings as the landscape<br />
Laver calls home. At 630 Yates St, 250-381-7645, www.legacygallery.ca and www.uvac.uvic.ca.<br />
“HEAVY METAL” GLEN MELVILLE, 16 X 16 INCHES, ACRYLIC ON CANVAS<br />
March 13-31<br />
GLEN MELVILLE AND FRIENDS<br />
Red Art Gallery<br />
Glen Melville is a talented artist from South Africa who brings a mysterious mood to his<br />
precisely executed paintings. Whether an abandoned truck in the desert, or an object<br />
evoking nostalgic memories, he imparts a stunning level of intrigue to his subjects. New works<br />
by other gallery artists include clay sculptor Leonard Butt, and painters Carolyn Kowalyk and<br />
Marion Evamy. All have won major awards at the Sidney Fine Art Show. Opening reception<br />
Mar 15, 6-8pm. View works online at www.redartgallery.ca. 2033 Oak Bay Ave. 250-881-0462.<br />
Open Tues-Sat, noon-4pm or by appointment.<br />
March 2012 • FOCUS
“Smoker”, ink on paper<br />
Luke Ramsey<br />
Compatibles<br />
www.focusonline.ca • March 2012<br />
March 3 – 17<br />
Opening reception: Saturday,March 3<br />
1- 4 pm and 7 - 10 pm<br />
Artist will be in attendance<br />
606 View Street<br />
250.380.4660 • www.madronagallery.com<br />
Introducing<br />
Doreen Schneider – jeweller<br />
2184 OAK BAY AVENUE VICTORIA<br />
www.theavenuegallery.com 250-598-2184<br />
29<br />
“Cosmic Nova” pendant by Doreen Schneider, amethyst, sage agate, chocolate pearls
Projection image from Four Seasons<br />
March 16, 17, 18<br />
BALLET VICTORIA: VIVALDI’S 4 SEASONS—WEST COAST STYLE<br />
McPherson Theatre<br />
IN THE BIG HUMAN ANT COLONY, CULTURAL WORKERS HAVE<br />
the privilege of calling the dance of life. This is the mandate of Ballet<br />
Victoria, which is local artists interpreting the world story for<br />
local audiences.<br />
Dancer, choreographer and artistic director Paul Destrooper calls<br />
his mission Art Eco as he integrates small city with international art,<br />
the microcosm with the macrocosm. Destrooper’s choreography focuses<br />
on ballet as an “Art of Light”—shaping light with movement to reflect<br />
musicality and trigger emotion. He “writes with light” to illuminate<br />
significant moments as dancers become one with music that speaks<br />
to the one story we all share.<br />
In the post-modernist age, the conventions of classical ballet are<br />
sometimes eclipsed by the sensation of the new. The intention of Ballet<br />
Victoria is to make the transition, combining classical dance with the<br />
storytelling of its interpretive sister genres.<br />
Since Destrooper is a fine storyteller, this has become the trademark<br />
of his company. He takes narrative risks while remaining secure in the<br />
discipline of traditional technique.<br />
The ballet’s Equinox celebration is an extravagant artistic collaboration.<br />
Pianist Sarah Hagen and choreographer Sandrine Cassini<br />
explore Chopin’s Preludes for emotional resonance, while Destrooper<br />
and his dancers discover the universal themes in Vivaldi’s Four Seasons.<br />
Destrooper has found in Vivaldi’s quest a relevant interpretation for<br />
our coastal community.<br />
The deep structure of mythology is the life cycle. Before the industrial<br />
revolution and the age of technology disturbed our eco–patterns,<br />
Coastal First Nations articulated archetypes that remain with us in their<br />
music, dance and visual art. This is the language of the new ballet.<br />
Raven, the Trickster, will guide audiences through a fresh understanding<br />
of Vivaldi’s passionate music as the creation story is told<br />
through the moon rituals of fall, winter, spring and summer. With<br />
the help of the Honourable Steven L. Point, Chief Tony Hunt and family,<br />
and Alcheringa Gallery, the universal narrative will maintain its integrity.<br />
The “set designers” are First Nations artists—Tom Hunt, Dylan<br />
Thomas, Rande Cook and lessLIE—whose work will frame the dance.<br />
Vivaldi is alleged to have written the sonnets that accompanied his Four<br />
Seasons, and Ballet Victoria has commissioned new poetry, which will<br />
be read by the Lieutenant Governor.<br />
The dancers will move inside lighting designed by Adam Wilkinson<br />
and costumes created by Jane Wood. The Diemahler Quartet will interpret<br />
Vivaldi’s composition. With music, painting, poetry and dance,<br />
together they will improvise a unique retelling of the story of the life<br />
cycle—West Coast style.<br />
Ballet Victoria’s production of Vivaldi’s Four Seasons will be<br />
presented in Duncan on March 10, and at the McPherson Theatre<br />
March 16, 17, 18. —Linda Rogers<br />
March 17<br />
HOLLY ARNTZEN & FRIENDS<br />
Hermann’s Jazz Club<br />
Celebrate a Green St Paddy's day with<br />
Holly Arntzen, Kevin Wright and David Sinclair.<br />
8pm (doors at 6), $12 at door. Kids welcome.<br />
753 View St. www.ArtistResponseTeam.com,<br />
250-388-9166.<br />
March 18-19<br />
WORLD STORYTELLING FESTIVAL<br />
Two locations<br />
The Victoria Storytellers’ Guild, Arbutus<br />
Singers, Choirkids, and the City of Victoria celebrate<br />
trees in story and song. Concerts 2pm<br />
and 7pm Mar 18, 932 Balmoral Rd, by donation.<br />
Stories, 7:30pm Mar 19, 1831 Fern St,<br />
$5. 250-386-7802, www.victoriastorytellers.org.<br />
March 19<br />
PEN IN HAND READINGS<br />
Cook St Village Serious Coffee<br />
Open mic sign-up 7:15pm, readings (TBA)<br />
7:30pm-9pm, 230 Cook St. $3. 250-590-8010.<br />
March 20<br />
ENSEMBLE MADE IN CANADA<br />
Mary Winspear Centre<br />
Violinists Elissa Lee and Sharon Wei, cellist<br />
Rachel Mercer and pianist Angela Park form<br />
this award-winning Canadian piano quartet.<br />
7:30pm, 2243 Beacon Ave, Sidney, $19.50.<br />
250-656-0275, www.marywinspear.ca.<br />
March 20-21<br />
JOSEPHINA<br />
Metro Studio<br />
The Chaliwaté Company has come from<br />
Belgium to perform this reality-bending play<br />
about a man and a woman in love—or not.<br />
8pm, 1411 Quadra St, $18-$31. 250-590-<br />
6291, www.intrepidtheatre.com.<br />
March 20-25<br />
VICTORIA SKETCH CLUB<br />
Glenlyon Norfolk School<br />
This is the 103rd annual show and sale for<br />
this local sketch group, and features recent works<br />
from members of the collective. Opens 7pm Mar<br />
20, 1701 Beach Dr, www.victoriasketchclub.ca.<br />
March 21<br />
ALLAN MCCOLLUM<br />
University of Victoria<br />
This New York-based artist’s work examines<br />
how we attach personal meaning to objects<br />
in a mass-market world. 8pm in Room A162<br />
of the Visual Arts Building. 250-721-6222,<br />
www.finearts.uvic.ca.<br />
March 24<br />
DIEMAHLER STRING QUARTET<br />
St Mary the Virgin<br />
Pablo Diemecke’s chamber series continues<br />
with excerpts from Spanish and Italian operas.<br />
2:30pm, 1701 Elgin Rd, $22.50/$25. 250-<br />
386-6121, www.diemahlerenterprises.com.<br />
the arts in march<br />
March 24-25<br />
JANINA PLAYS RAVEL<br />
Royal Theatre<br />
Pianist Janina Fialkowska joins Vic Symphony<br />
to perform Ravel’s “Concerto in G” and other<br />
works. 8pm Mar 24, 2:30pm Mar 25, 805<br />
Broughton St, $11-$66. 250-386-6121,<br />
www.victoriasymphony.ca.<br />
March 24-25, March 31-April 1<br />
HMS PINAFORE<br />
Mary Winspear/Oak Bay High<br />
The Victoria Gilbert & Sullivan Society<br />
joins with the Civic Orchestra to present<br />
“The Lass That Loved a Sailor.” 50 singers<br />
and a 50-piece orchestra. 2pm Mar 24-25,<br />
2243 Beacon Ave (Sidney); 2pm Mar 31-<br />
Apr 1, 2151 Cranmore Rd, $25/$27.<br />
www.gilbertandsullivanvictoria.ca.<br />
March 25<br />
L’ORCHESTRE D’HOMMES<br />
PERFORMS TOM WAITS<br />
Metro Studio<br />
Quebec City’s “One Man Band Band” offers<br />
its carnivalesque take on works by the gravelly-voiced<br />
American singer-songwriter. 8pm,<br />
1411 Quadra St, $27/$35. 250-590-6291,<br />
www.intrepidtheatre.com.<br />
March 25<br />
JAZZ, THE GALLERY<br />
Art Gallery of Greater Victoria<br />
Joey Smith and friends get into the swing<br />
of things. 2pm, 1040 Moss St, $30.<br />
www.aggv.ca, 250-384-4171.<br />
March 28<br />
IN PARADISUM<br />
UVic Farquhar Auditorium<br />
Giuseppe Pietraroia conducts the Victoria<br />
Choral Society and orchestra as they perform<br />
Gabriel Fauré and Maurice Duruflé’s<br />
“Requiems.” 8pm, 3100 Finnerty Rd, $20/$32.<br />
250-721-8480, www.victoriachoralsociety.ca.<br />
March 28<br />
UNDERWATER PHOTOGRAPHY<br />
Maritime Museum<br />
Writer and underwater photographer Barb<br />
Roy. 7pm, 28 Bastion Sq, $10/$12, 12 and<br />
under free. 250-385-4222, www.mmbc.bc.ca.<br />
March 28<br />
EVENING WITH SALLY ARMSTRONG<br />
First Metropolitan Church<br />
Author and activist Sally Armstrong speaks<br />
about the resilience of the women of Afghanistan.<br />
Proceeds in support of Canadian Women<br />
for Women in Afghanistan. 7pm, 932 Balmoral,<br />
$15. 250-727-9891, www.cw4afghan.ca.<br />
March 28, 30<br />
ELEPHANT PRESENTATION<br />
Two locations<br />
Dag Goering and Maria Coffey’s multimedia<br />
presentation explores their work in aid<br />
of elephants in Africa and Asia. Mar 28,<br />
Camosun’s Gibson Auditorium; Mar 30, 2243<br />
Beacon Ave (Sidney). Both at 7:30pm, by donation.<br />
250-995-3003, www.hiddenplaces.net.<br />
30 March 2012 • FOCUS
Traditional “Shoji” room dividers, available in eight<br />
different styles and materials, including bamboo!<br />
A practical and stylish addition to your home.<br />
Best of Both Worlds Imports<br />
2713 Quadra Street • 250-386-8325<br />
www.bestofbothworldsimports.com<br />
The BlendTec Blender, a commercial quality home<br />
blender makes bread dough, ice cream, soups,<br />
smoothies, fresh juice and more. Easy to clean.<br />
Triangle Healing Products<br />
770 Spruce Avenue<br />
www.trianglehealing.com • 250-370-1818<br />
Folding Commercial Garment Rack<br />
Custom closets and organizing accessories.<br />
All Organized Storage Ltd<br />
3370 Tennyson Avenue (near UpTown)<br />
Showroom hours: Tues–Fri, 11–5; Sat 11–3 pm<br />
www.AllOrganizedStorage.ca • 250-590-6328<br />
great finds for your home<br />
One-of-a-kind furniture, artistic kitchens and<br />
built-ins. Commissions welcome.<br />
Old School Woodworks<br />
2031 Oak Bay Avenue<br />
250-896-8073<br />
www.oldschoolwoodworks.com<br />
Come and have a look at our<br />
extensive selection of furniture,<br />
home décor, and garden items.<br />
Design Source Warehouse<br />
553 Hillside Ave • 250-721-5530<br />
www.designsourcewarehouse.com<br />
Healthy, safe and toxin free. Make natural soaps<br />
with do-it-yourself soap-making kits. Fun and<br />
informative 2-hour workshops also available.<br />
The Good Planet Company<br />
764 Fort Street • 250-590-3500<br />
www.goodplanet.com<br />
www.focusonline.ca • March 2012 31
Get your feet<br />
sandal-ready<br />
NEW laser therapy<br />
effectively treats toenail fungus<br />
Toenail fungus affects 10% of the population and is very<br />
hard to get rid of, even using potentially harmful drugs.<br />
Now a new laser treatment designed especially for<br />
eradicating it is fast, safe, painless and 80% curative.<br />
Dr Bill Mirchoff & Dr Gregg Congdon<br />
350 - 1641 Hillside Ave<br />
250-592-0224<br />
Learn more at<br />
www.drgreggcongdon.com/apps/blog<br />
March 29-April 15<br />
JEFFREY J BORON & LINNY D VINE<br />
Art Gallery of Greater Victoria<br />
Boron and Vine present their first co-exhibit<br />
since 2008, this one featuring en plein air<br />
works from their travels around the province.<br />
Reception 2pm Mar 31, 1040 Moss St, 250-<br />
384-4101, www.linnydvine.com.<br />
March 30<br />
YEAR END SHOW & SALE<br />
Victoria College of Art<br />
Live music, treats, and, of course, art by<br />
serious art students at this 39th annual event.<br />
7pm, 1625 Bank St, free. 15% of art sales<br />
support the Community Arts Council of Greater<br />
Victoria. 250-598-5422, www.vca.ca.<br />
March 30-31<br />
BROADWAY SPECTACULAR<br />
Royal Theatre<br />
Students from the Canadian College of<br />
Performing Arts collaborate with Vic Symphony<br />
on Broadway classics. 8pm, 805 Broughton<br />
St, $11-$66. www.victoriasymphony.ca,<br />
250-386-6121.<br />
March 30-31<br />
GIFTS FOR MYSELF AND OTHERS<br />
DaVinci Centre<br />
The Island Artisan Association’s juried<br />
spring show. 12pm-8pm Mar 30, 10am-6pm<br />
Mar 31, 195 Bay St. www.islandartisans.ca.<br />
March 31<br />
VAGINA MONOLOGUES<br />
Isabelle Reader Theatre<br />
V-Day Langford presents Eve Ensler’s awardwinning<br />
play. 7pm, 1026 Goldstream Ave,<br />
$20/$15, with door and silent auction proceeds<br />
going to support the Pacific Centre Family Services<br />
Assoc’s Stopping the Violence Against Women<br />
program. www.facebook.com/vdaylangford,<br />
250-361-8212.<br />
Throughout March<br />
DIVERGENCE: INSIGHTS INTO<br />
STUDIO PRACTICES<br />
Legacy Art Gallery<br />
From the studios of 19 UVic art education<br />
instructors comes a rich and diverse exhibition<br />
of images and objects that range through<br />
traditional and newer media. This exhibition<br />
invites visitors to experience the dynamic interaction<br />
between teaching and studio practice.<br />
630 Yates St, 250-381-7645, uvac.uvic.ca.<br />
Throughout March<br />
ENCOUNTERS<br />
Dales Gallery<br />
Author Maria Coffey and photographer<br />
Dag Goering have travelled the world in<br />
search of connections with people and places.<br />
See their travels represented visually in this<br />
show. 537 Fisgard St. 250-383-1552,<br />
www.dalesgallery.ca.<br />
Throughout March<br />
FIVE SHOWS<br />
Arts Centre, Cedar Hill<br />
Community Arts Council Gallery: To Mar<br />
12: John and Yoko Bed-In Photos by <strong>Ger</strong>ry<br />
Deiter (reception 11am Mar 3). Mar 15-24:<br />
solo show by Nancy Murphy (reception 7pm<br />
Mar 15). Mar 26-31: Victoria Art College’s<br />
third year painters (reception 7pm Mar 26).<br />
Gallery Cafe: To Mar 10: School District 61<br />
Youth Exhibition (reception 11am Mar 3). Mar<br />
19-31: Pagone Praparattanapan (reception<br />
March 22). 3220 Cedar Hill Rd, 250-475-<br />
7123, www.cacgv.ca.<br />
Throughout March<br />
FIVE SHOWS<br />
AGGV<br />
“Throwdown,” Five BC artists work in a<br />
wide variety of media, to May 6. “The Enduring<br />
Arts of China,” decorative elements and motifs<br />
that have been passed down by Chinese artists<br />
for centuries, to May 6. “Victoria Collects," an<br />
exhibition of over 60 major pieces on loan<br />
from the private collections of Victorians,<br />
including the “Salish Weave Collection,” to<br />
May 6. “Emily Carr: On the Edge of Nowhere,”<br />
semi-permanent Emily Carr exhibit. All, 1040<br />
Moss St. 250-384-4171, www.aggv.ca.<br />
Throughout March<br />
VICTORIA FOLK MUSIC SOCIETY<br />
Norway House<br />
Mar 4: Rio Ramaya Band. Mar 11: Ivonne<br />
Hernandez and Jeremy Walsh. Mar 18: The<br />
Sweet Lowdown. Mar 25: Anjopa. Open mic,<br />
7:30pm, 1110 Hillside Ave, followed by the<br />
featured concert. $5. www.victoriafolkmusic.ca,<br />
250-475-1355.<br />
Throughout March<br />
UVIC SCHOOL OF MUSIC<br />
Philip T. Young Recital Hall<br />
Concerts by students and faculty throughout<br />
the month. See www.finearts.uvic.ca/music/events<br />
for details.<br />
Tuesdays in March<br />
SIN CITY<br />
Victoria Event Centre<br />
This improvised serial tells the story of a travelling<br />
sideshow in the 1930s dustbowl. Featuring<br />
Morgan Cranny, Kristen Van Ritzen, Wes Borg.<br />
8pm every Tues, 1415 Broad St, $12/$15. 250-<br />
480-3709, www.sincityimprov.com.<br />
Wednesdays in March<br />
LENTEN LUNCHTIME CONCERTS<br />
St Mary the Virgin<br />
Mar 7, 14: University Strings. Mar 21:<br />
Bach Birthday Celebration. Mar 28: soprano<br />
Marnie Setka-Mooney plus mezzo-sopranos<br />
Kim Greenwood and Sara Weicker-Partridge.<br />
12:10pm, 1701 Elgin Rd, by donation.<br />
250-598-2212.<br />
32 March 2012 • FOCUS
<strong>Focus</strong> presents: All Organized Storage<br />
Victorians who yearn to get organized can<br />
now easily check out just how beautiful that<br />
can look and feel at All Organized Storage’s<br />
showroom and store on Tennyson Avenue.Staff are<br />
currently making room for new spring stock so<br />
selected items are 20-40 percent off.<br />
Since 1997,Janet Young,the owner of All Organized<br />
Storage,has established herself as Victoria’s “organization<br />
authority.” She believes that adequate,<br />
functional storage is the key to reducing clutter in<br />
the home.Her expertise and comprehensive product Janet Young<br />
lines will help anyone convert a kitchen, laundry,<br />
bathroom,bedroom or garage/workshop into an attractive,high-functioning oasis—<br />
providing them with a sense of peace and order,not to mention saving them precious<br />
time because things can be found quickly.<br />
Janet is the only custom closet and storage provider in Victoria who is also a<br />
Trained Professional Organizer.And over her 14 years in business she has developed<br />
extensive premium quality organizing systems—from locally manufactured<br />
environmental wood storage,melamine,slatted wood shelving,to a modern adjustable<br />
<strong>Ger</strong>man-made modular organization system.<br />
Though the closet organizing systems are still the foundation of her business,<br />
Janet is now carrying many organizing “accessories” (watch for the spring catalogue<br />
in April).For instance,for kitchens,she offers a number of solutions to increase<br />
storage and accessibility, including a number of different types of rollout shelving.<br />
Utensil organizers, drawer trays, behind-the-door pantry organizers, and stacking<br />
shelves are other simple ways to retrofit your kitchen.<br />
For bathrooms, unique shelving solutions, towel rods, and shower caddies are<br />
offered.And home handymen will be able to keep their garage or workshop tidy<br />
Custom made cherry wood storage unit with fudge stain.<br />
www.focusonline.ca • March 2012<br />
Organizing store offers inspiration to get organized<br />
Photo:Tony Bounsall<br />
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33
PHOTO: TONY BOUNSALL<br />
How do you approach mystery? Do you suspend disbelief and<br />
assert with Hamlet that “There are more things in heaven and<br />
earth, Horatio,/Than are dreamt of in your philosophy”? Or is<br />
your instinct to look behind the curtain—seek out the facts, test and<br />
prove? The seeming divide between faith and science has been the subject<br />
of debate for centuries, and their dynamic tension has led to rich exploration<br />
in many disciplines. In The Priest Who Left his Religion: In Pursuit<br />
of Cosmic Spirituality (Influence Publishing, Sept. 2011), Victoria’s<br />
John Shields—a former Catholic priest turned social worker and union<br />
activist—shares his own exploration and conclusions around “the potential<br />
of reuniting science and spirit into a unified way of knowing.”<br />
The mystery of life<br />
AMY REISWIG<br />
John Shields’ journey from priest to union leader to spiritual seeker.<br />
John Shields<br />
coastlines<br />
More than a memoir, Shields’ book is a spiritual autobiography,<br />
a memoir of the soul that goes beyond “Here’s what I’ve done in my<br />
life, why and with whom.” We move through his narrative of life in<br />
the church, his dizzying array of secular work experience (Victoria<br />
Family and Children’s Service, Victoria Day Care Information Services,<br />
Vancouver Island University, Leadership Victoria, the BC Government<br />
Employees Union, The Haven, the Centre for Earth and Spirit, among<br />
others) to, finally, his spiritual reawakening. What becomes apparent<br />
is that the book unfolds two stories: Shields’ and the readers’ own as<br />
they react to his ideas, some of which offer bold challenges to<br />
mainstream thinking.<br />
The first part of the 230-page book chronicles Shields’ experience<br />
of institutional religion: his childhood as the only son of Irish Catholic<br />
parents in New York, Brooklyn Prep education, seminary studies and<br />
eventual ordination in 1965. Backdropping Shields’ theological studies<br />
and work was the civil rights movement, Kennedy’s brief presidency,<br />
the Vietnam War and, most importantly for his spiritual development,<br />
Vatican II. It was a time of profound national and global questioning,<br />
and the potential for grand change was everywhere. Shields was particularly<br />
excited by advances in areas like archaeology and textual criticism<br />
that reoriented Biblical interpretation and, therefore, the role of the<br />
church itself. This, alongside a growing involvement in social justice,<br />
meant Shields’ life was brimming with a sense of sacred purpose.<br />
However, Shields writes that when Pope Paul VI “rejected every<br />
insight that emerged at the Council,” he felt profound disillusionment,<br />
abandonment and betrayal. The silencing of theologians—including<br />
Shields’ own removal from his teaching and preaching duties—and the<br />
general suppression of new scholarship and ideas “shattered my sense<br />
of spirituality,” Shields writes. He left the priesthood. “I was leaving<br />
a failed relationship with the church…but I believed that my church<br />
had left me.”<br />
This sense of betrayal was shared by those who longed for meaningful<br />
church reform, and Shields identifies them as a main audience.<br />
“It’s that group in the middle who have left religion but haven’t yet<br />
found anything else,” the bespectacled, avuncular and enthusiastic<br />
Shields tells me over morning coffee in Cook Street Village. “I’ve crossed<br />
that threshold and I want to report back. I’m like a pioneer who has<br />
gone over the mountains into a beautiful valley and want to tell people:<br />
‘Hey, there’s something really magnificent! Let’s go there.’”<br />
But what is over the mountain of disbelief? Shields reveals years of<br />
grief and confusion, of learning how to live, love and work in the secular<br />
world, and it becomes clear that even defining the term “spirituality”<br />
is a tricky task that can turn people away. For instance, over his 25 years<br />
in union work and, eventually, as president of the BCGEU (the John<br />
T. Shields building stands named in his honour), he came to see working<br />
on behalf of others and integrating one’s inner values with outer action<br />
as a spiritual endeavour. He explains “spirituality” to me as “a level of<br />
quality, of value, of relationship—being in harmony with the deeper<br />
nature of the universe.”<br />
Which leads to another question: what is the nature of the universe?<br />
Which is where the second story begins—that of what the reader believes.<br />
34 March 2012 • FOCUS
“<br />
I’M LIKE A PIONEER WHO HAS GONE OVER the<br />
mountains into a beautiful valley and want to tell<br />
people: ‘Hey, there’s something really magnificent!<br />
Let’s go there.’” —John Shields<br />
Shields became fascinated with “secular science,” and in it found the<br />
basis for a new cosmology and spirituality. Citing various thinkers and<br />
research initiatives, like NASA’s Cosmic Background Explorer (COBE),<br />
Shields discusses evidence for the Big Bang, the expansion/evolution<br />
of the universe and the idea<br />
that all things are essentially<br />
made of the same stuff. He<br />
writes: “What shines out from<br />
all the work done on the new<br />
story is that everything in the<br />
universe is interconnected.”<br />
Influenced by Joseph<br />
Campbell, Shields sees story<br />
as key to how we perceive<br />
our world and, therefore,<br />
how we act within it. And<br />
his version of the story is<br />
science pointing to a universe<br />
that is “not dead matter, but<br />
a living consciousness.”<br />
Seeing the universe as<br />
conscious and “spirit-filled,”<br />
where everything is interconnected,<br />
purposeful energy,<br />
means how we act matters profoundly because we are co-creating the<br />
universe every day, which leads to Shields’ fervent call for an Earth-based<br />
spirituality recognizing our connection to nature. It also means that<br />
boundaries between life and death, body and spirit become fluid, and<br />
Shields mentions using copper dowsing rods to communicate with his<br />
first wife after she died from cancer.<br />
“I know these ideas are controversial and that people will be twittering<br />
me,” Shields laughs. “But being in the conversation of challenge<br />
is why I wrote the book. I didn’t see anyone else saying these things.”<br />
The Priest Who Left His Religion therefore opens a space for readers<br />
to do some self-questioning on the nature of mystery, which Einstein<br />
says is “the source of all true art and all science”: What do I think of<br />
these ideas? Why do I have the reactions I do? What are my beliefs,<br />
fears, assumptions, and in what are they rooted?<br />
While Shields is clearly seeking converts to his new cosmology and<br />
nature-focused world view, he also invites us simply to look through<br />
his lens and enter the dialogue. As Einstein also says, and Shields quotes<br />
him: “The most beautiful thing we can experience is the mysterious.”<br />
www.focusonline.ca • March 2012<br />
Writer and editor (and lapsed Catholic) Amy Reiswig<br />
thinks believing in what can’t be seen or proven makes<br />
life much more interesting.<br />
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35
“<br />
Digging for copper in the Sistine Chapel<br />
This isn’t a souvenir coffee table book that the mining companies<br />
will take back home under their arms,” says Wade Davis about<br />
his new book, The Sacred Headwaters: The Fight to Save tbe<br />
Stikine, Skeena and Nass (Greystone, Oct. 2011).<br />
The book could be a souvenir if you just look at the pictures—they’re<br />
stunning, not surprisingly, as this is one of the most drop-dead beautiful<br />
places in the world. The watershed of these three rivers forms<br />
an essentially roadless wilderness three times the size of Switzerland,<br />
bounded by the Alaskan border to the west, the grand canyon of the<br />
Stikine to the north, Highway 16 to the south, and the Tatlatui<br />
Range to the east. The headwaters themselves are just south of the<br />
Spatsizi Plateau, which was designated an ecological reserve for<br />
being the “Serenghetti of the north,” because of its abundant wildlife,<br />
including mountain goats, moose, deer, and black and grizzly bears,<br />
all represented in these fabulous plateaux smothered in wildflowers.<br />
But the opening 30-page essay on the battle for this land—and what’s<br />
at stake—delivers a punch that would discourage any mining company<br />
executive from putting the book on his coffee table. With this book,<br />
Davis has stepped up another notch in a long, successful career of<br />
campaigner for, and storyteller of, the biosphere and ethnosphere<br />
(the term he coined for the landscape shaped by indigenous cultures).<br />
Fight is the operative word of the book’s title, for what has passed and<br />
what’s to come. This isn’t just the sacred headwaters and home of the<br />
Talhtan First Nation. It’s Davis’ home too, and he’s fighting hard for it.<br />
The very, very, few of us lucky enough to have spent any time<br />
there can rarely communicate the emotional impact these places have<br />
on us. Like veterans coming home from the war, we don’t know where<br />
to start and the experience is too far from the daily lives of urban<br />
Canadians to find a connection—and increasingly so. With 90 percent<br />
of Canadians living in cities and over half the population having no<br />
cultural connection to the wild and the lure of the north, Davis iden-<br />
BRIONY PENN<br />
coastlines<br />
Author Wade Davis will be in Victoria March 7 to talk about efforts to save the Stikine, Skeena and Nass headwaters.<br />
Wade Davis<br />
PHOTO: RYAN HILL<br />
tifies the increasing challenge to reach an audience, let alone evoke<br />
their outrage at the rape and plunder going on in the north in the name<br />
of our urban energy and consumer needs.<br />
Davis’ intention was to use the emotional power of the photographs<br />
in the coffee table format, coupled with the words of Tahltan elders,<br />
to speak to the place. And they do—Carr Clifton, Paul Colangelo, Davis<br />
himself and the other photographers of the International League of<br />
Conservation Photographers who donated their time and images to<br />
the cause have created a powerful tribute. The Tahltan elders Rhoda<br />
Quock, August Brown, Peter Jakesta, Dempsey Bob and others provide<br />
equally strong words to accompany the images, words that ring true<br />
against the clutter and noise of our modern lives.<br />
But what saves the book from being just another captioned photo<br />
essay of a rich watershed inhabited by “wise elders” about to be pulverized<br />
(and God knows we have had too many of those in BC) is Davis’<br />
essay. He has waded (no pun intended) into the taboo topic of how<br />
decisions over land and resources are currently negotiated, with tiny<br />
besieged aboriginal communities conveniently left alone to fend against<br />
the world’s largest energy and mining companies.<br />
Davis’ mesmerizing essay is a day-by-day factual account of how<br />
individuals and families in these small communities are ripped apart<br />
by the massive machinery of globalization. It’s an important contribution<br />
to the national discourse about energy policy, aboriginal affairs,<br />
and land use decision-making in the north.<br />
I questioned Davis about why he took on a subject few have wanted<br />
to touch. “Simple,” he said, “I believe that non-native Canadian understanding<br />
of First Nations is still stuck between the left’s idealized,<br />
untouchable noble savage and the right’s hateful images as featured in<br />
Disrobing the Aboriginal Industry. When in reality, we are just talking<br />
about the lives of people, some good, some less so, some with deep<br />
connections to the land, others who are simply opportunistic. The question<br />
is not mines or no mines, but rather how many, at what pace in<br />
what places and for whose benefit? There is a lot of talk about<br />
consultation and accommodation. But consultation with whom, and<br />
accommodation for whose benefit? And what if these areas have global<br />
importance?” The situation, according to Davis, appears to ultimately<br />
benefit only the companies who can move full steam ahead without<br />
the weight of full public review.<br />
The story of the ascendancy of Chief Jerry Asp, described by the<br />
Vancouver Sun as “government’s pro-development poster boy” reads<br />
like a textbook case study of complicit opportunism between Asp, the<br />
mining and energy companies, and government. The circumstances<br />
that led to the 2005 occupation of the band office in Telegraph Creek<br />
by 35 Tahltan elders, like Bobby and Roy Quock, who felt they were<br />
being misrepresented and their land getting trashed for a pittance, are<br />
now being repeated with the Gitksaan elders and the Enbridge deal.<br />
In delving into the impacts of the 1999 Corbiere Decision that enabled<br />
all tribal members, not just those living on reserves, to vote in elections<br />
and the upheaval between resident and non-resident band members<br />
this has created, Davis has written a story that white urban people<br />
can understand. By drawing out these “complications” against the back-<br />
36 March 2012 • FOCUS
“ THERE IS A LOT OF TALK about consultation and<br />
accommodation. But consultation with whom, and<br />
accommodation for whose benefit? —Wade Davis<br />
drop of the involvement of behemoth Shell Oil, Imperial Metals and<br />
Fortune Minerals—all comprised of armies of professionals and shareholders<br />
that will never set foot on these landscapes—on top of the $130<br />
million dollar federal subsidy for a transmission line to the mine, he<br />
reveals our own complicity in the process.<br />
A poignant moment in Davis’ account occurs when the elders participating<br />
in that 2005 occupation, speaking only in Talhtan, demonstrate<br />
their legitimate authority to speak on behalf of their nation. Asp doesn’t<br />
speak or understand his own language, which made his last bid to represent<br />
his nation, spoken in English, futile. Another memorable moment<br />
is when a geologist flies into the area and Davis overhears her speaking<br />
in amazement at the incredible beauty and richness of the wildlife. The<br />
un-noble savage and the<br />
un-evil corporate geologist<br />
metaphorically bump<br />
into each other in the<br />
general store of Telegraph<br />
Creek, and there’s the story.<br />
It isn’t easy to write about<br />
this stuff and not get<br />
trapped in cultural quick<br />
sand, which is why few<br />
non-natives or natives are<br />
doing it, especially in coffee<br />
table books. But Davis does,<br />
because these are his friends<br />
and this is his home.<br />
Davis asks the questions:<br />
If these scarce and endangered<br />
landscapes have<br />
extraordinary value to all humanity, is it appropriate that we leave<br />
their defence to a handful of courageous locals? What should the<br />
nature of Canada’s involvement be? Should we be digging for copper<br />
in the Sistine Chapel?<br />
And he is saying, unequivocally, that in this pivotal time, when questions<br />
about energy policy are coming to the fore, and resource scarcity<br />
is putting power back into the hands of the resource holders, we resource<br />
holders should be standing up and screaming from the top of our lungs:<br />
“These places are too valuable to destroy.”<br />
Wade Davis will be speaking on The Sacred Headwaters 7 pm<br />
Wednesday, March 7 at the Royal BC Museum. $15 per person, 10<br />
percent member discount. Tickets at www.royalbcmuseum.bc.ca or<br />
at the RBCM box office.<br />
www.focusonline.ca • March 2012<br />
Briony Penn PhD is a naturalist, journalist, artist and<br />
award-winning environmental educator. She is the<br />
author of The Kids Book of Geography (Kids Can Press)<br />
and a A Year on the Wild Side.<br />
Jim loved to coach, not just because he loved<br />
soccer, but because he believed sports could<br />
teach important lessons. To continue those<br />
lessons, Jim placed a bequest to fund camp<br />
scholarships in his will.<br />
Thanks to Coach Bindley, a few more kids will<br />
reach their goals. Include your favourite cause<br />
in your will or estate plan. Contact a charitable<br />
organization, lawyer, financial advisor or local<br />
LEAVE A LEGACY program to learn how.<br />
Consider a gift in your will for your favourite charities.<br />
Joy 250-415-6089 Natasha 250-721-6001<br />
www.leavealegacy.ca/vi<br />
37
this<br />
place<br />
Saanich Mayor Frank Leonard weighs the pros and cons of the “big bang” approach to municipal politics.<br />
Frank Leonard is an incrementalist. The mayor of Saanich since<br />
1996 and councillor for ten years previous illustrates what that<br />
means by way of reminiscence. “I was appointed chairman of the<br />
environment committee of the CRD in 1988. A day later, the recycling<br />
depot burned down. I was off to a great start,” he chuckles. At first,<br />
volunteers were handing out white pails. “Incrementally,” he says, “we<br />
added recycling programs, including the blue box.”<br />
Soon he was attending conferences, explaining to others how they<br />
had succeeded in a mere five years. Step one? “Get it as a line item in<br />
the budget, even if it’s small. Then you grow it. I find, in government<br />
and bureaucracy, I can make more progress incrementally than by saying<br />
‘I need this great big spending project all right now.’ It’s affordable. You<br />
have more win-wins, as opposed to winners and losers,” he reasons.<br />
It’s a philosophy borne from a combined interest in business and<br />
politics reaching back to childhood: he remembers debating the Vietnam<br />
War in cub scouts and, at the tender age of six, being fascinated by<br />
the minority Pearson government repeatedly falling to Diefenbaker’s<br />
challenges. He entered the family business, a Kal Tire dealership, while<br />
studying history at UVic part time. Now he’s on faculty at UVic as a<br />
business instructor. His family moved to the region in 1969, when he<br />
was 15 years old. In winters back then, he skated on Panama Flats, a<br />
green patch that he’s proud to have recently brought into the extensive<br />
stock of agricultural and park land under the municipality’s purview.<br />
Things like that make Leonard’s rough days worthwhile. For affirmation,<br />
he sometimes has coffee amid the bustle of families at Saanich<br />
Commonwealth Place, or drives past the Mount View Heights building<br />
site. Fifteen years in the making thus far, the vast project will combine<br />
housing and care for seniors, those with low incomes, and supportive<br />
housing for the homeless. A state-of-the-art safety building and fire<br />
dispatch now providing service to seven additional municipalities is<br />
another recent win for Saanich.<br />
In many ways, the municipality (which is five times the size of Victoria<br />
and has 30,000 more residents) is sitting pretty—a side effect of which<br />
is frequent calls for amalgamation. “If the provincial government wants<br />
to expropriate Saanich and make it part of Victoria, that’s their decision,”<br />
he says with nonchalance tinted by certainty that it isn’t likely<br />
to happen: “I haven’t met a provincial government who wants to do<br />
that,” he says. Victoria often argues it takes on a disproportionate share<br />
of burdens on behalf of the region ranging from infrastructure to homelessness,<br />
but Leonard is having none of it. “My answer always is, to<br />
whomever the mayor of Victoria is, deal with your circumstances.<br />
We are dealing with ours.”<br />
Leonard always has. Though his mentor Frank Carson cautioned<br />
it would be bad for business, Leonard was elected to the CRD board<br />
in 1987 and chaired it from 1990 to ’95. Carson was right. There<br />
was a group in the early ’90s advocating for LRT. Leonard regales,<br />
“Since I sold tires, [they] figured I was biased against LRT, so they set<br />
up couches on Herald Street [near the dealership] and had a sit-in one<br />
day.” Not good for business.<br />
island interview 38 the survivors 40 on the job 42 urbanities 44 finding balance 46<br />
The incrementalist<br />
AAREN MADDEN<br />
PHOTO: TONY BOUNSALL<br />
Frank Leonard<br />
Now Leonard mentors local business owners new to municipal politics<br />
on how to draw the line between making a living and serving<br />
constituents. Ultimately, he chose to devote himself to public service.<br />
“I became a full-time mayor two days after we took the sign down on<br />
the family business,” he recalls.<br />
LRT, sewage treatment and traffic were issues that loomed large<br />
back in the day, Leonard remembers. (The more things change…) In<br />
his tenure, he has seen the far-reaching consequences of decisions in<br />
all of those areas.<br />
Take McKenzie Road, for instance. On second thought, don’t—<br />
you’ll be stuck in traffic for ages. Leonard explains how McKenzie<br />
Road became the traffic bane of the region, and why that’s not likely<br />
to change any time soon. “History is an interpretation of past events,”<br />
38 March 2012 • FOCUS
“ MOST PEOPLE WOULD REFER TO THEIR TAX BILL as<br />
a big bang if [the LRT plan] happens all at once. But I am a<br />
pragmatist; I am an incrementalist.” —Frank Leonard<br />
he prefaces, “and my interpretation was that<br />
an interchange was planned for McKenzie and<br />
Admirals at the time of the Island Highway<br />
upgrading, but it would have involved taking<br />
land from the southeast corner of Cuthbert<br />
Holmes Park.” Andrew Petter, the cabinet<br />
minister at the time, did not want to do that,<br />
so Helmcken and Millstream were upgraded<br />
instead. “I remember vividly Moe [Sihota] and<br />
Rick [Kasper, MLAs] on bulldozers, turning<br />
sod for their two interchanges and saying, ‘it<br />
should have been in Saanich,’” says Leonard.<br />
It became a federal election issue, but, he<br />
explains, “I’m an old-fashioned guy and I figure<br />
the mayor is supposed to stick to local issues<br />
and not get involved in federal politics.<br />
Unfortunately, people took it to mean we<br />
weren’t in favour of an interchange at McKenzie<br />
and Admirals. We’d welcome it,” he assures.<br />
So why not press for it? It has since become<br />
contentious, because rather than building<br />
capacity for cars, current political winds blow<br />
toward an environmentally-motivated focus<br />
on public transit. Philosophically, that makes<br />
sense to Leonard, but in practice, a problem<br />
still needs fixing.<br />
While all of those single-occupant vehicles<br />
idle in traffic, there is growing advocacy for a<br />
near-billion-dollar LRT project. “The plan<br />
that’s on the table now is quite a big bang,”<br />
Leonard observes. “Most people would refer<br />
to their tax bill as a big bang if [the LRT plan]<br />
happens all at once,” he adds. “But I am a pragmatist;<br />
I am an incrementalist,” he reiterates.<br />
“If you are a purist, you find it very frustrating<br />
and inadequate,” he concedes. “I get<br />
accused of not having vision.” It comes down<br />
to whether you believe something is better than<br />
nothing, he explains. In the case of McKenzie,<br />
that something could have been a simple redesign.<br />
In the case of LRT, it could be gradual growth<br />
combining the existing E & N line with busways<br />
that could, in future, give way to train lines. It<br />
needn’t be a “big bang.” “We can afford this<br />
right now, and it will help alleviate some of the<br />
problems, and it doesn’t eliminate the ultimate<br />
goal of LRT,” he reasons.<br />
In an effort to resolve some of these issues,<br />
he is “approaching getting local control of<br />
www.focusonline.ca • March 2012<br />
transportation the same way.” It would be<br />
more democratic for the communities served<br />
by transit to vote on routes and rates as opposed<br />
to the seven commission members (of which<br />
he is one) who do now. Though it’s a common<br />
goal right now, the path and the end result<br />
look different to many. “We have to be very<br />
careful we don’t end up with something like<br />
[Vancouver’s TransLink], which is a private<br />
board making decisions about transportation,”<br />
he warns. His suggestion to Minister of<br />
Transportation and Infrastructure Blair Lekstrom<br />
is “simply draw a line through Victoria Region<br />
Transit Commission, insert Capital Regional<br />
District, and we’ve got the first step.”<br />
Sometimes, with some issues, Leonard<br />
admits, a big bang approach might be valid.<br />
When he chaired the CRD, the east coast interceptor<br />
pipe was put in to prevent sewage<br />
pollution on beaches. Leonard recalls Denise<br />
Savoie, a “mere” citizen at the time, taking the<br />
CRD to court to try and stop it. “If it was built,”<br />
he explains of her view, “it would only delay<br />
what was really needed, which was sewage<br />
treatment. She might have been right,” he<br />
concludes. In this case, to put it too simply, a<br />
small fix only prolonged the inevitable.<br />
Still, for Leonard, the smaller steps generally<br />
make the most sense. Similar lessons have<br />
run parallel in his personal life. He has realized<br />
in retrospect that when his children Daniel<br />
(32) and Michelle (29) were kids, he spent<br />
far too much time focused on business and<br />
civic duties. Now, in addition to being a proud<br />
grandfather, he and his wife, former Saanich<br />
councillor Jackie Ngai, have a two-year-old<br />
son, Atticus. This gift of a second chance is<br />
reflected in Leonard’s perspective on home<br />
and work, and his closing advice to me is,<br />
“Don’t put off good days for future years.<br />
You might not get them. Just make sure this<br />
is a good day.”<br />
Aaren Madden is taking<br />
Mayor Leonard’s advice to<br />
heart by penciling more tea<br />
parties and lego building<br />
sessions into her schedule.<br />
“<br />
Gail Lane<br />
Registered Massage Therapist<br />
I love Gail’s approach which is<br />
uplifting and caring.I especially<br />
love the deep tissue work.With<br />
her kind determination, she is<br />
able to open up the free flow<br />
of energy in my body.”<br />
—Marina Caroulias<br />
Pacific Pain Treatment Clinic<br />
Sutton Building • 617-1207 Douglas St<br />
250.384.3511<br />
www.pacificpaintreatment.com<br />
“I do for your investments<br />
what health clubs<br />
do for your body”<br />
www.davidnicholsontoday.com<br />
250-380-7505<br />
david@queensbury.com<br />
Purple Garden<br />
Chinese Restaurant<br />
Voted for best “All You Can Eat” restaurant<br />
in 2009 and 2010 Best Best in in City City<br />
138-1551 Cedar Hill X Rd<br />
(Behind McDonald’s on Shelbourne St)<br />
250-477-8866 www.purplegarden.ca<br />
E L E L<br />
www.aypsite.org<br />
EASY LESSONS FOR ECSTATIC LIVING<br />
39
Connie (Holmes) Isherwood greets me<br />
graciously from behind her large desk<br />
in her legal office in a heritage building<br />
on Fort Street. Framed by a big bay window<br />
behind her, she seems but much the same<br />
as when I first met her—which hails back to<br />
the heyday of the Women’s Business Network<br />
over 20 years ago. Her hair is still strawberry<br />
blonde; her nails carefully polished.<br />
Now 92, Connie is the oldest practising<br />
female lawyer in BC. Daily, she drives from<br />
Sooke to work in the circa 1887 building.<br />
She tells me her recently departed husband<br />
Foster Isherwood restored this building—<br />
along with the one next door—many years<br />
ago. In her inner office, everything seems<br />
orderly and calm. Despite Fort Street a few<br />
metres away, it’s also quiet—except for the<br />
secretary typing correspondence on a typewriter.<br />
Connie informs me they only use<br />
computers for research.<br />
Connie is not interested in retirement. She<br />
loves the problem-solving (she was nicknamed<br />
“Sherlock Holmes” at law school)<br />
Connie Isherwood, QC<br />
LESLIE CAMPBELL<br />
Ninety-two and still working, she credits genes, work, family and faith for her longevity and health.<br />
With adopted children Charles and George in 1969<br />
and using her skills to help people. For some<br />
families she has served three generations;<br />
she’s sometimes been able to tell clients about<br />
the grandparents they never knew.<br />
She also appreciates the variety afforded<br />
by her practice of general civil law: “In law,<br />
every client who comes in has some different<br />
problem—no two are alike and everyone<br />
thinks their problem is the worst problem in<br />
the world and you must deal with it right<br />
away, so you never have a chance to wonder<br />
what you’re going to do next.”<br />
Yet when Connie Holmes was growing up<br />
in Nanaimo, she never thought she’d become<br />
a lawyer, let alone one who would practice<br />
for over six decades. Instead she dreamed of<br />
music and performing. She sang and played<br />
the piano and drums. In her early 20s, she<br />
tells me, she toured with an all-girl dance<br />
band across the Western provinces. “That<br />
was really quite fun,” admits Connie, who<br />
still loves listening to Big Band music.<br />
In her mid 20s, she started working for<br />
Victoria lawyer Ernest Tait in Victoria. He<br />
Isherwood in 2012<br />
the survivors<br />
must have been impressed by the young<br />
woman’s intellect and temperament, because<br />
he was soon encouraging her to go to university<br />
for a law degree. At first she said, “No<br />
I don’t want to do that”—she still had “a<br />
hankering to go into show business”—but<br />
she gradually fell under the spell of the idea.<br />
She spent two years working on getting<br />
prerequisites from Victoria College and did<br />
her first year of law school at UBC by correspondence<br />
while working for Tait. During<br />
the two years she spent on campus at UBC,<br />
lectures were held in army huts. Her law<br />
class had 208 students—200 of them men.<br />
“Now,” reports Connie happily, “it’s more<br />
like 50/50.”<br />
At school she excelled—she was the first<br />
woman to win the Law Society’s gold medal—<br />
and in 1951 she was called to the bar, returning<br />
to Victoria to work for Mr Tait out of his<br />
office in the Stobbart Building on Yates (an<br />
area now occupied by St Andrews Square).<br />
“At that time,” says Connie, “there was a real<br />
estate boom going on. The war was over, the<br />
40 March 2012 • FOCUS<br />
PHOTO: LESLIE CAMPBELL
“<br />
IN LAW, EVERY CLIENT WHO COMES IN has some<br />
different problem—no two are alike and everyone<br />
thinks their problem is the worst problem in the world<br />
and you must deal with it right away, so you never have<br />
a chance to wonder what you’re going to do next.”<br />
—Connie Isherwood<br />
fellows were coming back, starting families and buying homes...there<br />
was considerable building, so real estate transactions were a good<br />
deal of the practice at that time. And always estates, always family<br />
disputes of some kind.”<br />
Tait was her mentor, encouraging her and introducing her to many<br />
colleagues. “He was a very sound and solid lawyer who didn’t get<br />
ruffled or upset about things and had a good philosophy about helping<br />
people,” says Connie, who could also be describing herself.<br />
Tait died in 1953 and Connie took over the practice on her own.<br />
A decade later, she married a former classmate, and in 1964, they<br />
merged their respective law firms into Holmes & Isherwood.<br />
Over the ensuing years, Connie has rarely taken time off. After<br />
adopting her two children, she allows, “I think I might have taken a<br />
few days off.” These days she works about half-time—she is 92 after<br />
all. A widow since November, Connie now lives with her son in the<br />
Sooke house her husband built. She thinks she’ll move into town soon<br />
to avoid the long commute.<br />
Besides work and family, Connie points to “the value of faith as<br />
the basis for life, work, and friendship.” In her case, that means<br />
the Anglican Church, for which she has served as chancellor for BC<br />
for 25 years.<br />
An early member of the Women’s Business Network, she is also a<br />
long-time supporter of the arts, particularly the Victoria Symphony,<br />
the Sooke Philharmonic Orchestra, and the Asian Arts Society. She’s<br />
also active in the Canadian Scottish Regiment, something she got<br />
involved with originally because of her then-young son. “As time went<br />
on my son grew out of cadets, but I have stayed with them,” she<br />
chuckles. This year is the 100th anniversary of the regiment so there<br />
are big plans afoot for summer celebrations.<br />
While she credits her good health, at least in part, to her genes,<br />
Connie feels that keeping active, both in body and mind, are the main<br />
keys to a happy elderhood. She truly believes “work is therapeutic.”<br />
And her legal training has helped her learn not to worry: “In law there<br />
are many things to think about, but you have to be objective and not<br />
let it affect you personally.” She calmly does her best and doesn’t<br />
stress about things: “If you can organize your life and feel as if you’ve<br />
done as much as you can in one day, then carry on the next day; that’s<br />
a good plan to follow.”<br />
Before I leave, I ask if I can take a photo, and Connie quickly<br />
gets up and starts pushing around the furniture to make room in front<br />
of a bookcase. As she gamely tries different poses, I recall her early<br />
aspirations as a performer—and how that pull was satisfied by “the<br />
many roles given to me in my years in law.”<br />
Leslie Campbell invites readers to send in profiles or suggestions of interesting<br />
elders they know to focusedit@shaw.ca.<br />
www.focusonline.ca • March 2012<br />
Better Hearing is Precision Science<br />
Dr. Erin Wright, Au.D Robbyn Brodie, M.Sc.,Aud(c) Alison Love, M.Sc.,Aud(c)<br />
Audiologist Audiologist Audiologist<br />
Our clinics’ team of audiologists have extensive, specialized<br />
training in programming hearing aids, and access to a variety<br />
of brands and products to ensure unbiased, tailored solutions<br />
for each client.<br />
B<br />
roadmead<br />
hearing clinic<br />
#104-4420 Chatterton Way<br />
In the Broadmead Office Park<br />
250-479-2969<br />
www.broadmeadhearing.com<br />
Oak Bay<br />
hearing clinic<br />
1932 Oak Bay Avenue<br />
Near Oak Bay & Foul Bay<br />
250-479-2921<br />
Registered under the College of Speech and Hearing Health Professionals of B.C.<br />
41
Salts<br />
Made Here<br />
Eco Fashion and<br />
Fitness clothing<br />
designed and<br />
produced locally<br />
561 Johnson St, Unit 105 (Paperbox Arcade by Baggins)<br />
www.SaltsClothing.com<br />
When you think about the people<br />
who hold our community together<br />
through the work they do, where<br />
better to start than with those behind the wheel<br />
at BC Transit. Bus drivers ferry thousands of<br />
us—on average over 90,000 per weekday—<br />
to and fro on our daily adventures, be it for<br />
work, play, family events, medical appointments,<br />
job interviews, you name it. Whether<br />
going up the peninsula, through the heart of<br />
downtown or braving the crawl to the western<br />
communities, bus drivers are the pilots we trust,<br />
perhaps unconsciously, to get us to where we<br />
need to go safely, on schedule and with a smile.<br />
Given the ever-changing obstacle course that<br />
is their asphalt workplace, this sounds a lot<br />
easier than it really is.<br />
Originally from Vancouver, Cathy Baker<br />
has been driving for BC Transit since January<br />
of 2008, after having driven university<br />
passenger vans and the equivalent of<br />
HandyDART buses in Ontario, as well as<br />
non-driving community work.<br />
She recognizes that bus driving is a bit of a<br />
career stereotype-breaker for women and that<br />
“People have the impression that you need to<br />
be a big burly man to handle a city bus,” she<br />
says, shaking her head. “Not at all. What it<br />
takes are intelligent people with a high level<br />
of awareness. It’s a very zen job,” she notes.<br />
The art of driving bus<br />
AMY REISWIG<br />
on the job<br />
We begin our series on the everyday jobs that hold our community together.<br />
Cathy Baker<br />
“You have to be really present, able to roll with<br />
anything. The smaller your ego, the easier it’ll<br />
be to drive a bus,” she explains, since major<br />
aspects of your work change every day—route,<br />
schedule, passengers, traffic, weather.<br />
While Baker drives a variety of routes,<br />
including the 15, 4, 28, 30 and 31, on this<br />
rainy Sunday morning she’s driving the 14<br />
and the 11, from 10:05 to 17:59.<br />
The assumption that there are fewer people<br />
on the road is bogus, she says, swinging assertively<br />
onto Douglas. No matter what day of the week,<br />
bus drivers provide a greener alternative to<br />
car snarl and must deal safely with unpredictable<br />
drivers, cyclists and pedestrians.<br />
“There’s a bus driver joke that says if you aren’t<br />
drinking enough milk, go stand behind a bus.<br />
Clearly there must be a calcium ray coming<br />
out of the back lights, because as soon as I put<br />
my turn signal on, people’s skulls get thicker.”<br />
Witnesses to (and skilful avoiders of) some<br />
scary driving, Baker explains that bus drivers<br />
save people’s lives without anyone knowing.<br />
“I don’t watch TV, so one time after a near<br />
miss, when a passenger came up and asked<br />
‘Have you seen Canada’s Worst Driver?’ I<br />
didn’t know that was a TV show, so I just said:<br />
‘Every day.’”<br />
In addition to avoiding and even preventing<br />
traffic carnage, bus drivers are a kind of commu-<br />
42 March 2012 • FOCUS<br />
PHOTO: AMY REISWIG
nity monitor, called upon to be tour guides,<br />
disciplinarians, crowd controllers and sometimes<br />
even extra eyes and ears for the police,<br />
looking out for suicidal teens, wandering<br />
seniors, stolen vehicles.<br />
As a single mom with three kids, Baker says<br />
the combination of excitement and solitude<br />
suits her lifestyle. The schedule offers flexibility,<br />
and what might seem like boring stretches<br />
of isolation means: “Hey—I can have a thought<br />
to myself, just hang out with an idea.” So what<br />
occupies her mind while driving? “Memorizing<br />
song lyrics”—Baker sings with the Gettin’<br />
Higher choir—“and writing music. Like these<br />
windshield wipers,” she says, pointing to long<br />
blades sweeping the rain-sprinkled windshield.<br />
“They can be a great instigation for rhythmic<br />
possibilities.” Pause. “You work with what<br />
you’ve got,” she laughs.<br />
In fact, Baker tells of a huge artistic talent<br />
pool among BC Transit drivers: one of the<br />
members of Cookeilidh drives, as well as Joyce<br />
“the Voice,” lead singer of The Soul Shakers.<br />
Plus there are potters, painters, dancers, athletes,<br />
PhDs. With over 500 bus drivers across the<br />
Victoria system, “If there’s a life circumstance<br />
or skill set you can imagine,” Baker says, “there’s<br />
a driver who has that.” And artistic bus driver<br />
talent isn’t the only hidden surprise Baker<br />
reveals. “This key,” she says holding up a small<br />
silver object as if it was one of Tolkien’s rings<br />
of power, “opens bathrooms all across the city.”<br />
As I prepare to get off, I ask if the Victoria<br />
tradition of riders saying “thank you” as they<br />
disembark matters to drivers. “A little kindness<br />
goes a long way,” she affirms. “Therefore<br />
it’s incumbent on me to initiate that. I want<br />
to be a little bit of light for everyone who<br />
walks by me.” With a clear sense of service to<br />
the “public” that makes up public transit,<br />
Baker philosophically observes: “This job<br />
gives you a more realistic view of who makes<br />
up your community. In so many professions,<br />
you experience a smaller segment, a skewed<br />
vision of who makes up the city. This job makes<br />
me realize that we’re all just people trying to<br />
get somewhere.”<br />
“I’m not a counsellor, parole officer, police<br />
officer or therapist,” she says. “I’m just a bus<br />
driver.” As it turns out, that’s a lot more<br />
than I think many of us expect or appreciate.<br />
Without a driver's licence, writer, editor, pedestrian,<br />
cyclist and transit rider Amy Reiswig figures<br />
that, by now, bus drivers have driven her the equivalent<br />
of at least a few times around the globe.<br />
www.focusonline.ca • March 2012<br />
<strong>Focus</strong> presents: Victoria Hospice<br />
Four-legged Hospice volunteers<br />
Who can resist the attention of a little furry<br />
animal with a happy disposition? That<br />
is how Victoria Hospice volunteer Jim<br />
Thomson describes his five-and-a-half-year-old Papillon<br />
dog Theo, an official member of Victoria Hospice’s<br />
Pet Therapy program.<br />
Victoria Hospice provides a comprehensive program<br />
of quality end-of-life care for their patients.The emotional<br />
comfort of hospice patients is equally as important<br />
as the physical comfort, and that’s where the Pet<br />
Therapy volunteers come in.<br />
Once a patient has agreed<br />
to a pet visit, Jim says they<br />
always “perk up” when he<br />
comes in the room with Theo.<br />
As for the people-oriented Theo,<br />
he loves the attention, loves<br />
to be cuddled and will even<br />
give little kisses if allowed.<br />
Toni Burnett has been a<br />
Hospice Pet Therapy volunteer<br />
for 12 years, the first 10 years<br />
with Kara, and now with 18month-old<br />
Ming,both dogs Shih Tzu and Bichon crosses.<br />
She laughs when she says,“Everybody knows the dog’s<br />
name; you’re just attached to the animal!” Kara was<br />
so well loved at Hospice that several families of patients<br />
who were very near the end of their lives asked for a<br />
final visit from the friendly dog. In each instance,<br />
Toni says Kara quietly licked and nuzzled the hand of<br />
the dying patient.<br />
Jim describes a patient who had been unresponsive<br />
for a couple of days.When Theo hopped up on<br />
her bed and started licking her hand,she started smiling.<br />
Tony Burnett, Ming,Theo, and Jim Thomson<br />
“ I think all animal lovers know<br />
how soothing the companionship<br />
of a pet can be.For someone<br />
facing death, an hour spent<br />
petting a little dog like Ming or<br />
Theo can be just as important<br />
as some other therapies.”<br />
ADVERTISEMENT<br />
Something had changed and the patient seemed<br />
aware of this offer of comfort from the little dog.Toni<br />
says the patients appreciate that an animal does not<br />
judge. “It will look at you and agree with what you<br />
say.The patient does not have to talk.They can just<br />
lie there and stroke the animal.”<br />
The presence of Theo or Ming is not only comforting<br />
to the patients, but it often prompts them to recall<br />
happy memories of their own pets, conversations<br />
which Jim and Toni happily encourage.Tom Arnold,<br />
Victoria Hospice Major Gifts<br />
Officer, says that sometimes<br />
visits by Pet Therapy dogs will<br />
inspire patients to have their<br />
own dogs visit them, which is<br />
something that Victoria Hospice<br />
encourages and facilitates.<br />
Corporate and Community<br />
Relations Officer Tamara Dean<br />
is also a fan of the Pet Therapy<br />
program. “I think all animal<br />
—Tamara Dean lovers know how soothing the<br />
companionship of a pet can be.<br />
For someone facing death, an hour spent petting a<br />
little dog like Ming or Theo can be just as important<br />
as some other therapies. Of course pet therapy isn’t<br />
covered by the health care system, which is why<br />
Victoria Hospice is so lucky to have volunteers like<br />
Toni and Jim, and so many donors who make such<br />
programs possible.”<br />
Victoria Hospice<br />
250-952-5720<br />
Give online at www.VictoriaHospice.org<br />
43<br />
Photo:Tony Bounsall
You wake from the dream dislocated,<br />
exhausted, a sweaty mess. It was a scifi<br />
doozy: a narrow wisp of silver-grey<br />
dust, manifest and purposeful, blows in between<br />
the bedroom window and the window-frame,<br />
floats toward your sleeping form, settles on<br />
your face; and within seconds, a tracery of<br />
grey veins begins to spread across your cheeks,<br />
moving toward your eyes, nostrils, lips....<br />
Aaaarrggghhhh!<br />
Hoping to smooth the corduroy in your<br />
nervous system, you go to the darkened bathroom<br />
and root around in the medicine cabinet<br />
to find the Atarax. Your jumpy fingers grope<br />
for the pill bottle and you turn on the light.<br />
There it is, behind the lip cream. Waiting for<br />
the water to run cold, you glance in the mirror.<br />
Faint but visible, is a spreading web of grey<br />
lines marching across your cheeks, moving<br />
toward your eyes, nostrils, lips....<br />
Aaaarrrggghhhh!<br />
This nightmare setup parallels a Monday<br />
afternoon event at the end of January that left<br />
me drowning in worry and mentally sketching<br />
an escape route to Zeballos.<br />
Agent of all this anxiety was Nicole Foss,<br />
co-editor of the blog site The Automatic Earth,<br />
who delivered a doom appetizer to about threedozen<br />
of us in the small gym of the Vic West<br />
Community Centre—a windowless, hermetic<br />
cube that felt increasingly like the express<br />
elevator to hell, the longer she went on with<br />
her more-than-two-hour threnody.<br />
The parachute problem<br />
GENE MILLER<br />
Three local events, three ways of looking at what the future might hold.<br />
Foss, an energy industry consultant, peakoiler<br />
and economic analyst, believes that the<br />
“recovery” (global, American, Canadian) is a<br />
complete illusion—nothing but whistling in<br />
the dark. She predicts a catastrophic loss by<br />
Canadian real estate of up to 90 percent of its<br />
value, especially in the bubble markets of<br />
Vancouver and Victoria; makes a persuasive<br />
case for the collapse of global wealth; anticipates<br />
deflation triggered by numerous causes<br />
including Europe’s insuperable economic<br />
woes; and patiently ticks off the “knock-on”<br />
consequences including paralysis of the credit<br />
market, production and demand slowdowns,<br />
increasing joblessness, collapse of global trade,<br />
shredding of the social safety net as we know<br />
it—in all, a Dark Age for the latter days.<br />
We will survive, she comfortingly concludes,<br />
by functioning within “hundred-mile economies”<br />
(my phrase) featuring regional food production,<br />
the exchange of skills, abandonment of<br />
the consumption economy and a shift to the<br />
production of essentials, greater levels of mutuality<br />
and community, and so on—all the features,<br />
in other words, described in the growing body<br />
of transition towns literature, or maybe somewhat<br />
less brutish and more cooperative versions<br />
of the post-apocalyptic barter economies<br />
portrayed in Mad Max Beyond Thunderdome<br />
or Waterworld.<br />
Her advice? Eliminate debt. Save. Go to<br />
cash. Stay liquid. Make only very short-term<br />
investments. Stock up on tools, supplies, a<br />
urbanities<br />
range of functional items, and things you can<br />
trade. Grow food if you can. Learn a range of<br />
practical skills. Plan for your safety and security<br />
(“When I say this to US audiences, they<br />
think I mean guns,” she quips).<br />
She believes the hammer will drop in the<br />
next two to five years, following which there<br />
will be a years-long regime of worse-than-‘30’s<br />
Depression-era conditions. Foss, in a surreally<br />
matter-of-fact voice, given the catastrophic<br />
content, reminds us that all of this has happened<br />
many times before in many places, and that it<br />
will happen again. She finishes on a nearly<br />
chipper note, words to this effect: Stay in a<br />
constructive, positive head space. Make an<br />
effort to understand the financial situation to<br />
develop your sense of urgency so you can build<br />
a different world. If you know you’re going<br />
off the cliff, Foss argues, better to have your<br />
parachute securely strapped on than to be<br />
scrambling for it in free fall.<br />
Cliff? Parachute? Future-proofing ourselves,<br />
our families, our communities? I’m 68, a frail<br />
pensioner. My palsied hands are shaking. I’m<br />
saddled with debt, have no marketable skills.<br />
When the marauding mob comes to take my<br />
few remaining cans of tuna fish (or worse, my<br />
can opener), what can I do—shoo them away<br />
with a broom? Foss’ snapshot of a crappy nearfuture<br />
left me depressed and cursing myself<br />
for all the failures and bad choices of my long<br />
life. Future-proofing? I’m a war baby! Happiness<br />
and the satisfaction of all my needs, not the<br />
breadline, is my birthright! It’s right there,<br />
written into my Contract With History!<br />
Aaaarrrggghhhh!<br />
Cue the pioneers. In a movie-like highcamera<br />
cutaway, a mere 26 hours after Foss’<br />
last words dissolve against the high gym ceiling,<br />
an overflow crowd of more than 200 people—<br />
a fairly good embodiment of the usual cast of<br />
shoppers at the Moss Street Saturday Market<br />
(the “do well by doing good” crowd, as someone<br />
near me muttered)—fills the Ambrosia<br />
Conference Centre downtown to listen to a<br />
peppy speaker panel make the case for local<br />
investment. The event, a barn-burner by Victoria<br />
standards and relevantly titled “Invest Your<br />
Money In Local Change,” was sponsored<br />
jointly by Transition Victoria, Vancity Savings<br />
and <strong>Focus</strong> <strong>Magazine</strong>.<br />
It was as if Foss’ bracing advice, minus her<br />
overt sense of urgency or her arguments about<br />
collapse, had found incarnation. Honestly,<br />
you couldn’t ask for a more constructive and<br />
hopeful group. The panel of speakers, invoking<br />
44 March 2012 • FOCUS
CLIFF? PARACHUTE? Future-proofing ourselves, our families, our<br />
communities? I’m 68, a frail pensioner. My palsied hands are shaking. I’m<br />
saddled with debt, have no marketable skills. When the marauding mob<br />
comes to take my few remaining cans of tuna fish (or worse, my can<br />
opener), what can I do—shoo them away with a broom?<br />
images not of cataclysm, but community<br />
empowerment, took ten minutes or less each<br />
(thank you, panel) to focus on constructive,<br />
homegrown economic possibilities. A basic<br />
message during the evening: why not use<br />
RRSP and other eligible funds to achieve positive<br />
local impacts? Speakers included Stephen<br />
Whipp promoting local investment; the enterprising<br />
Lisa Helps, founder of a local<br />
micro-lending initiative, small-time creator<br />
of affordable housing and a new Victoria City<br />
Councillor, discussing her work and ideas<br />
for community self-improvement; Vancity<br />
community business banking representative<br />
Rebecca Pearson profiling Vancity’s extraordinary<br />
business relationships with the<br />
communities it serves; John Ehrlich, manager<br />
of Duncan-area Alderlea farms which serves<br />
some of the food needs of 200 “shareholder”<br />
families; and Rupert Downing from the<br />
Community Council.<br />
The localizing idea is breaking out all over<br />
(locally)—people articulating and creatively<br />
acting on the niggling worry that most of us<br />
harbour privately: that there’s far too much<br />
system stress in our current social arrangements,<br />
and that if there’s a really serious judder,<br />
leave alone collapse, better to be constructively<br />
prepared rather than shocked and<br />
paralyzed. A recent commenter on social critic<br />
James Kunstler’s blog writes:<br />
“James, your amusingly serious words in<br />
your books Geography of Nowhere and The<br />
Long Emergency (among others) have been<br />
buzzing in my head for years and I have urged<br />
many to read them. My numerous years of<br />
thinking about how to go from sprawl to a<br />
sustainable social, economic, and environmental<br />
reality is beginning to take shape. On<br />
February 18 our (Los Angeles) group will hold<br />
an advisory meeting to start laying our nonprofit<br />
organizational foundation to take the first step,<br />
“The Holigent Seed Project,” toward a local<br />
to global transition program that could prepare<br />
communities to survive and thrive in the<br />
approaching collapse.” (See www.holigent.org)<br />
www.focusonline.ca • March 2012<br />
It’s not hard to discern in this web of ideas<br />
for renewal an outline of how things might<br />
play out in the future. And even if things don’t<br />
blow up, what’s the matter with local, anyway?<br />
Two days later in the same week, I stood in<br />
a very different geography, again in the company<br />
of 200—the business suit and $40 haircut<br />
crowd—noshing on teriyaki chicken skewers,<br />
mini-wontons and other finger food at the<br />
Colliers annual commercial real estate market<br />
survey reception, held at the Grand Pacific.<br />
After introductory remarks from Dave<br />
Ganong, Colliers’ manager in Victoria, John<br />
McLernon, eminence grise of Colliers<br />
International, told us in his keynote remarks<br />
that everything was basically all right. He has<br />
lived a long life in business and seen it all—<br />
bubbles, booms and busts. While he never<br />
invoked oceanic imagery, I was put in a trancelike<br />
calm as he spoke: cap rates get a little worse,<br />
cap rates get a little better, vacancies trend up<br />
or down, markets swell or contract. Yes, he<br />
remarked in passing, there were the rocky<br />
shoals of European debt...but the ship sails on.<br />
As Colliers managers came to the podium<br />
to deliver informative reports on apartment<br />
investment, industrial, commercial, office<br />
and other segments of the market, reality<br />
slipped for a moment and I saw the entire<br />
event as ritual—Pope John, Cardinal David<br />
and the cowled acolytes of commercial real<br />
estate intoning the ceremonial lines, us hopefuls<br />
in the cheap seats ritually mumbling our<br />
prayers. The message of this tableau: “The<br />
Church endures.”<br />
And after three bad nights of Nicole Fossinduced<br />
weltschmerz and despair, I went home<br />
and slept like a baby.<br />
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45
Like most people, I’d never heard<br />
of Klaus Schwab, a <strong>Ger</strong>manborn<br />
business professor and<br />
founder of the decades-old World<br />
Economic Forum for the ultra-rich<br />
and powerful. That is, I’d never heard<br />
of him until he opened his mouth at<br />
the Forum’s annual gathering in the<br />
Swiss Alps last January to announce<br />
to his exclusive audience: “Capitalism,<br />
in its current form, no longer fits the<br />
world around us.”<br />
Sounding like a man who’d been<br />
doing some heavy pondering, he<br />
spoke of the growing inequities within<br />
and between countries and suggested<br />
the time had come to “embrace a<br />
much more holistic, inclusive and<br />
qualitative approach to economic<br />
development…A global transformation<br />
is urgently needed and it must<br />
start with reinstating a global sense<br />
of social responsibility.”<br />
No doubt Schwab’s words were<br />
influenced by the current sombre<br />
situation in Europe but I found them<br />
courageously spoken nonetheless.<br />
It’s time to see and do things differently,<br />
and if the change must come from the top, then the occasion of<br />
Schwab’s speech has the potential to be game-changing.<br />
For decades we’ve been told that a healthy economy is based on<br />
growth. Unless we created more, bought more, sold more, used<br />
more and did more than the sum total of the previous year’s enterprise,<br />
the economy would falter and the lifestyle we’ve come to take for<br />
granted would surely deteriorate. Throughout all that industriousness<br />
we never stopped to consider the impossibility of perpetual growth as<br />
plotted on a graph. It didn’t occur to us that bad things in life often give<br />
the economy its biggest boost—that social strife, wars, earthquakes,<br />
and environmental disasters such as the oil spill in the Gulf of<br />
Mexico and, closer to home, the fuel carelessly decanted into Goldstream<br />
River, all contribute robustly to the GNP.<br />
That’s one of the biggest blind spots with a growth-based economy.<br />
The concerns over negative long-term repercussions—even those<br />
known to be imminent—don’t stand a chance against the boon of<br />
immediate and often short-term jobs. And the environment typically<br />
bears much of the strain because mostly it’s still being positioned<br />
by our governments and old-order corporations as an obstacle to<br />
growth and prosperity: “If you want a job, you must allow access to<br />
the mine/forest/deep blue sea.”<br />
But now this tack is being challenged in high circles, at least in<br />
theory. Schwab declared to his peers that the time has come to<br />
The folly of perpetual growth<br />
TRUDY DUIVENVOORDEN MITIC<br />
Nobody wins when the environment and economy are pitted against each other.<br />
finding balance<br />
shift the economic emphasis from<br />
growth to quality. To also assess<br />
future growth on the basis of sustainability<br />
today and impact on the<br />
environment down the road.<br />
David Suzuki has long pointed<br />
out that nobody wins when the<br />
environment and economy are<br />
pitted against each other. Jeffrey<br />
Sachs, a leading international<br />
economic advisor, proposes a bold<br />
new perspective for future prosperity<br />
in his new book, The Price<br />
of Civilization (Random House,<br />
2011): “As individuals we need to<br />
regain the balance of our own lives<br />
between work and leisure, saving<br />
and consumption, self-interest and<br />
compassion, individualism and<br />
leadership. As a society we need to<br />
establish the right relationship of<br />
markets, politics and civil society<br />
to address the complex challenges<br />
of the twenty-first century.”<br />
How do we get started in a new<br />
direction? Make conscientious<br />
consumer choices. Run our businesses<br />
on a smaller ecological footprint and<br />
incorporate more than just profit into the model for success. Support<br />
local innovation and demand that our governments do as well. We have<br />
companies in town working on some amazing technology, including<br />
the development of a whole new generation of solar-powered outdoor<br />
lighting that’s in demand around the world. I’d rather see them getting<br />
financial assistance than the traditional auto industry.<br />
Think locally. Support people who make and grow real things.<br />
Champion projects that bolster both the economy and our finite environment.<br />
(Imagine what could have been accomplished if the millions<br />
spent on the ill-designed McTavish Road Interchange had instead been<br />
applied to developing a transit system using the rail corridor between<br />
Langford and downtown Victoria.)<br />
Quality of life no longer equals quantity of stuff; if it ever did. Now,<br />
if we could only convince our politicians.<br />
Trudy Duivenvoorden Mitic is overcoming her<br />
aversion to writing to politicians on issues that matter.<br />
The power really can be with the people.<br />
46 March 2012 • FOCUS<br />
ILLUSTRATION: APRIL CAVERHILL
BEST OF BOTH WORLDS<br />
Import & Design Emporium<br />
2713 QUADRA (AT HILLSIDE) 250.386.8325<br />
www.bestofbothworldsimports.com<br />
www.focusonline.ca • March 2012<br />
Dana Craft, Chartered Financial Planner<br />
Megson FitzPatrick Craft Financial Services Inc.<br />
Phone: 250.940.9043<br />
Fax: 250.595.7076<br />
email: dcraft@megsonfitzpatrick.com<br />
website: www.danacraft.com<br />
47
ILLUSTRATION: DENTON PENDERGAST<br />
opportunity lost