Gabriel Tendai Choto 'Kumba'
Illustrated catalogue to accompany the solo exhibition 'Kumba' by Gabriel Tendai Choto at Anima Mundi
Illustrated catalogue to accompany the solo exhibition 'Kumba' by Gabriel Tendai Choto at Anima Mundi
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<strong>Gabriel</strong> <strong>Tendai</strong> <strong>Choto</strong> . Kumba
“A people without the knowledge of their past history, origin and culture is like a tree without roots”<br />
Marcus Garvey
Anima Mundi are delighted to present<br />
‘Kumba’ by <strong>Gabriel</strong> <strong>Tendai</strong> <strong>Choto</strong>.<br />
‘Kumba’ (the Shona word for ‘home’) is a<br />
collection of works, made leading up to<br />
the birth of his first daughter, exploring<br />
personal diaspora and identity.<br />
Combining the twin disciplines of<br />
printmaking and painting, primarily<br />
in oil on paper, through his singular<br />
technique, <strong>Choto</strong> seeks new pathways<br />
into the painted image by taking cues<br />
from the surface quality produced by<br />
the printmaking process. His evolving,<br />
experimental practice involves layering<br />
painted areas of naturalism over the<br />
delicate compositional architecture of<br />
etching, resulting in paintings where<br />
physical presence and absence imply a<br />
metaphoric liminal state.<br />
Extraordinarily sensitive and intimate,<br />
these images depict varied moments of<br />
contemplation and self examination. To aid<br />
navigation they could perhaps be divided<br />
in to three simplified sections. The first,<br />
a series of works derived from old family<br />
photographs, piece together ephemeral<br />
snippets of nostalgia where family and<br />
friendship provide a firm rootedness. The<br />
second, a series of self portraits, where<br />
through constructed situations the artist<br />
explores, examines and enforces his own<br />
broadening identity. The third group<br />
of works which depict images of<br />
people currently living in Africa, in<br />
circumstances very different to those<br />
that <strong>Choto</strong> now finds himself in. When<br />
combined, each chapter illustrates a<br />
profoundly moving, cultural straddling<br />
where one is aware of the duel states of<br />
connection and separation peculiar to the<br />
diasporic condition.<br />
<strong>Choto</strong> was born in 1995 in Harare,<br />
Zimbabwe and moved to England when<br />
he was 5 years old. He was raised by<br />
his mother in Bradford, Yorkshire and<br />
currently lives and works in London,<br />
England. After completing his Diploma in<br />
Art and Design at Leeds Arts University<br />
(formerly Leeds College of Art) in 2012,<br />
<strong>Choto</strong> gained a BAFA in Drawing from<br />
Camberwell College of Art (UAL), London,<br />
in 2014 and more recently completed an<br />
MFA at Central St Martins, London, UK.<br />
Selected group exhibitions include FBA<br />
Futures, Mall Galleries, London, UK (2018);<br />
Flock, GX Gallery, London, UK (2017);<br />
Blxckout Revolution: The Exhibition, 198<br />
Gallery, London, UK (2017); BAME, Hotel<br />
Elephant Gallery, London, UK (2016); and<br />
Long Live the New Flesh, Tower Gallery,<br />
London, UK (2015). In 2018, <strong>Choto</strong> was<br />
selected for the Clyde & Co Art Award.<br />
‘Kumba’ is <strong>Choto</strong>’s first solo exhibition at<br />
Anima Mundi.<br />
2
Rebeccaca<br />
oil paint and etching on paper, 225 x 150 mm<br />
3
4
Rebecca ca<br />
oil paint and etching on paper, 751 x 465 mm<br />
5
Westernised Re-Birth<br />
oil paint and etching on paper, 594 x 841 mm<br />
6
7
8
Totem & I<br />
oil paint, gold leaf and etching on paper, 594 x 841 mm<br />
9
In A Quiet Place<br />
oil paint and etching on paper, 465 x 741 mm<br />
10
11
12
Kuzorora<br />
oil paint and etching on paper, 594 x 841 mm<br />
13
Kutamba Mumvura<br />
oil paint and etching on paper, 226 x 307 mm<br />
14
Tranquility<br />
oil paint and etching on paper, 240 x 305 mm<br />
15
Kumunda<br />
oil paint and etching on paper, 305 x 245 mm<br />
16
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18
Ivie<br />
oil paint, gold leaf and etching on paper, 485 x 305 mm<br />
19
Labourer<br />
oil paint and etching on paper, 240 x 300 mm<br />
20
Child Labourer<br />
oil paint and etching on paper, 240 x 300 mm<br />
21
No Congo, No Phone<br />
oil paint and etching on paper, 240 x 300 mm<br />
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24
Abafana Abathathu Abancane<br />
oil paint and etching on paper, 710 x 483 mm<br />
25
“Sometimes we feel we straddle two cultures; at other times, that we fall between two stools.”<br />
Salman Rushdie, ‘Imaginary Homelands: Essays and Criticism 1981-1991’
Published by Anima Mundi to coincide with <strong>Gabriel</strong> <strong>Tendai</strong> <strong>Choto</strong> ‘Kumba’<br />
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or<br />
by any means electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publishers<br />
Anima Mundi . Street-an-Pol . St. Ives . Cornwall . +44 (0)1736 793121 . mail@animamundigallery.com . www.animamundigallery.com
www.animamundigallery.com