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Grove City Messenger - March 7th, 2021

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PAGE 16 - GROVE CITY MESSENGER - <strong>March</strong> 7, <strong>2021</strong><br />

With so many awful people living among<br />

us on this planet, it is no wonder why those<br />

who are seeking an escape through film,<br />

television, or literature shun fictionalized<br />

works that feature morally reprehensible<br />

topics or morally reprehensible characters.<br />

And while I do respect their point of view,<br />

and even agree with it to a certain extent, I<br />

also feel that those who disengage completely<br />

are shutting themselves out of<br />

opportunities for complex discourse with<br />

real-world implications or depriving themselves<br />

of immersive art through rich text<br />

and fascinating on-screen performances.<br />

For example, one such work that is currently<br />

being debated to the entertainment<br />

sphere is “I Care a Lot,” a film that touches<br />

upon the exploitation of senior citizens or<br />

those deemed “unfit in mind,” made possible<br />

by the collusion between government<br />

institutions and corporate and criminal<br />

enterprises. When it debuted last week on<br />

Netflix, it sparked a frenzied discourse as it<br />

arrived with a strange intersection of current,<br />

real-world events — one where interest<br />

in court-appointed conservatorship is at<br />

an all-time high due to articles and documentaries<br />

related to the case involving<br />

Britney Spears and one where society is<br />

reckoning with how little oversight is given<br />

to some facilities housing our country’s<br />

elders. In addition to this discourse, which<br />

has been eye-opening, informative, and<br />

enraging and depressing, the film also critiques<br />

the #GirlBoss mindset, reminding<br />

those that just because a woman is in a<br />

powerful position does not mean she is not<br />

abusing, or cannot abuse, her authority<br />

just as much as any #BoyBoss.<br />

But while “I Care a Lot” wants to delve<br />

into these topics, it does not go too far into<br />

its murky depth; instead, it prefers to skim<br />

the waters, pointing out things here and<br />

there in favor of a more entertaining and<br />

fast-paced movie. And to be sure, it is just<br />

that, but I also think it would have been<br />

better served had it remained focus on a<br />

singular plot rather than lose it halfway<br />

through for more entertainment value.<br />

In the film, the fabulous Rosamund Pike<br />

(or Amazing Amy from “Gone Girl”) plays<br />

Marla Grayson, a court-appointed<br />

guardian who specialized in elder care.<br />

Working legally through the system but<br />

with the assistance of shady doctors and<br />

nursing home executives, she finds seniors<br />

who either have no family or family members<br />

willing to take them in, puts them into<br />

an assisted living facility and proceeds to<br />

drain them of every asset they have<br />

acquired throughout their lives.<br />

Having amassed a small fortunate (but<br />

not enough, it is never enough) through her<br />

business venture, Marla and her work/nonwork<br />

partner, Fran (Eiza Gonzalez), set off<br />

to find their next mark, er, ward after their<br />

latest unexpectedly dies. Upon the recommendation<br />

of a shady doctor, they establish<br />

a route in the life path of Jennifer Peterson<br />

(the equally fabulous Dianne Wiest) who<br />

In Entertainment<br />

www.columbusmessenger.com<br />

Viewers can loathe and like the main character in “I Care a Lot”<br />

they caustically refer to as a “cherry.” A<br />

cherry, they gush to the doctor who is set to<br />

declare Jennifer as a ward due to a dubiously<br />

diagnosis of “rapid mental decline,” is<br />

someone who has no living spouse, no living<br />

children, and no living relatives to get<br />

in their way. So, with all of this information<br />

on her status, and with a healthy bank<br />

account to her name, they believe Jennifer<br />

is ripe for the picking. They soon discover<br />

they should have picked another mark.<br />

In a surprising turn of events for Marla<br />

and Fran, the whole “no living relative”<br />

turns out to be a mistake — and quite a big<br />

one. This long-held secret, or so we are led<br />

to believe at first, puts them on the path of<br />

some hardcore people, led by the fearsome<br />

Roman Lunyov (Peter Dinklage). At first,<br />

Roman respects their hustle and asks<br />

Marla to release Jennifer from her care<br />

immediately. Stubborn to a fault and<br />

unwilling to heed to the threats of any man<br />

(it also doesn’t help that he denied her<br />

request for millions of dollars to do so), she<br />

digs in, uncaring of anything but her need<br />

for more money and control. Later, as she<br />

is caught in their own tightly spun web, she<br />

laments that they are not playing fair. And<br />

while you hate to agree with her on anything,<br />

you kinda do from a viewer’s perspective.<br />

While Marla meets Roman, the film,<br />

once a cutting look at the shady side of<br />

elder care, turns into an adventure-thriller<br />

complete with rapid-fire montages set<br />

The Reel Deal<br />

Dedra Cordle<br />

against electro-music. It makes for a complete<br />

tonal shift and one cannot help but to<br />

think of Marla’s comment about wanting<br />

her rival to play by her rules. Just think of<br />

how great it could have been had Jennifer’s<br />

friends, all senior citizens like her, banded<br />

together to fight Marla and the system<br />

through legal and dubiously legal means.<br />

But instead of that twist, we get something<br />

altogether interesting but inconsistent<br />

with the rest of the film.<br />

But despite the complaints about the<br />

drifting plot, “I Care a Lot” is an engaging<br />

film with some terrific performances, most<br />

notable from Pike. With her sharp, blonde<br />

bob, power suits, killer heels and outward<br />

projection of false kindness, Marla is an<br />

unabashedly deceitful human, not caring<br />

about who she hurts and how it hurts them<br />

as long as she gets her slice of the sweet<br />

life. Pike plays her so subtly and serenely<br />

menacing and it is so, dare I say, fun to<br />

watch. While in the real world, you would<br />

(hopefully) loathe a person like this, but in<br />

a fictionalized setting it’s just a delight to<br />

be able to catch a performance like this and<br />

to be able read the discourse on a multifaceted<br />

character and a multi-faceted topic.<br />

Grade: B<br />

Dedra Cordle is a <strong>Messenger</strong> staff writer<br />

and columnist.<br />

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