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<strong>Interiors</strong><br />

PRIVATE COLLECTIONS<br />

Melbourne, Sunday 28 March 2021


Jennifer Gibson<br />

CEO & Head of Valuations<br />

Jennifer.Gibson@gibsonsauctions.com.au<br />

Deanna Baxter<br />

Business Manager<br />

Deanna.Baxter@gibsonsauctions.com.au<br />

Samuel Fricker<br />

Operations & Marketing Manager<br />

Samuel.Fricker@gibsonsauctions.com.au<br />

Simon Gibson<br />

CFO<br />

Simon.Gibson@gibsonsauctions.com.au<br />

Marilla O’Sullivan<br />

Auction Assistant<br />

Marilla.Osullivan@gibsonsauctions.com.au<br />

Juliet Hughes<br />

Account Administrator<br />

Juliet.Hughes@gibsonsauctions.com.au<br />

Ann Roberts<br />

Consultant Specialist<br />

Asian Art<br />

Jon Dwyer<br />

Consultant Specialist<br />

Australian & International Art<br />

Phil Gore<br />

Consultant Specialist<br />

Clocks, Watches & Barometers<br />

ORRONG RD<br />

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII<br />

OSMENT ST<br />

03 9500 2607<br />

gibsonsauctions.com.au<br />

Auction, Viewing and<br />

Payment & Collections<br />

Level 1, 885-889 High St<br />

Armadale, Victoria 3143<br />

HIGH ST<br />

SUTHERLAND RD<br />

KOOYONG RD<br />

LE ST<br />

HAMPDEN RD ASHLEIGH RD<br />

MT PLEASANT GROVE<br />

NEW ST<br />

AUBURN GROVE<br />

DENBIGH RD<br />

NORTHCOTE RD<br />

CHEEL ST


FRONT COVER:<br />

Lot 64 (Detail)<br />

BACK COVER:<br />

Lot 466<br />

<strong>Interiors</strong><br />

PRIVATE COLLECTIONS<br />

Auction<br />

Sunday 28 March 2021, 11.00am<br />

Level 1, 885-889 High Street<br />

Armadale, Victoria 3143<br />

Viewing<br />

Thursday 25 March<br />

Friday 26 March<br />

Saturday 27 March<br />

10.00am – 5.00pm<br />

10.00am – 5.00pm<br />

10.00am – 5.00pm<br />

Auction Code: <strong>GA022</strong><br />

GST<br />

† Lots with this symbol are subject<br />

to GST on the hammer price and the<br />

buyer’s premium.<br />

Buyer’s Premium<br />

Buyer’s Premium is charged at<br />

22% of the hammer price plus GST.<br />

GST is applicable to the buyer’s<br />

premium only, unless otherwise<br />

indicated by the † symbol.<br />

Registration<br />

To register to bid at Gibson's<br />

Auctioneers & Valuers an accredited<br />

form of photo identification is required.<br />

This applies to bidding in person at<br />

the auction, Telephone, Absentee and<br />

Online bidding.<br />

Resale Royalty Scheme<br />

Lots subject to payment of the Artist's<br />

Resale Royalty Scheme will be denoted<br />

by the symbol §. The Australian Resale<br />

Royalty is a flat rate of 5% on the<br />

hammer price (including GST) and is<br />

payable by the seller.<br />

Restricted or Organic Material<br />

♦ Lots with this symbol have been<br />

identified at the time of cataloguing<br />

as containing organic material which<br />

may be subject to export or import<br />

restrictions. The absence of this<br />

symbol is not a guarantee that export<br />

or import restrictions will not apply. See<br />

www.cites.org for further information.<br />

Payments & Collections<br />

By appointment:<br />

gibsonsauctions.com.au/bookings<br />

or 03 9500 2607<br />

Payments & Collections can be made<br />

from: Level 1, 885-889 High Street,<br />

Armadale, Vic 3143<br />

Monday 29 March<br />

Tuesday 30 March<br />

Wednesday 31 March<br />

10am–5pm<br />

10am–5pm<br />

10am–5pm<br />

All goods must be collected and paid<br />

in full by 5pm on Wednesday 31 March<br />

(unless by prior arrangement) to avoid<br />

removal and storage charges.<br />

All payments are to be made in<br />

Australian Dollars (AU$). Please refer to<br />

the methods of payment in the HOW<br />

TO BUY section on the following pages.<br />

Credit card surcharges apply – 1.2%<br />

(incl GST) for Visa and Mastercard and<br />

2% (incl GST) for American Express.


PROPERTIES FROM<br />

1 Property from the Collection<br />

of Alan Bramich<br />

(Lots 1-48)<br />

2 A Private Collection Melbourne<br />

(Lots 49-288)<br />

3 Property of a Private Collector<br />

(Lots 289-404)<br />

4 Rugs and Carpets<br />

(Lots 405-421)<br />

5 A Bellarine Peninsula<br />

Private Collection<br />

(Lots 422-662)<br />

RIGHT:<br />

Lot 55 (Detail)


4<br />

How to Buy<br />

All you need to know about the bidding process at auction<br />

Viewing<br />

Catalogues<br />

Online catalogues can be viewed at<br />

www.gibsonsauctions.com.au approximately three weeks<br />

prior to the auction date.<br />

Complimentary printed catalogues are available at Gibson’s<br />

Auctioneers & Valuers.<br />

Symbols<br />

Occasionally, a symbol is printed next to a lot number,<br />

indicating a special clause associated with the sale of the<br />

item/s. Further information on symbols within our catalogues<br />

can be found on Page 1.<br />

Viewing<br />

Auction viewings are open to the public and usually take place<br />

three or four days prior to the auction date, at the location/s<br />

listed in the auction catalogue and on the website.<br />

Lot Descriptions<br />

Lot Descriptions provide basic catalogue information such<br />

as dimensions, date or age, medium, attribution, provenance<br />

and quantity.<br />

All lots are guaranteed for fourteen (14) days from the<br />

auction date.<br />

Estimates<br />

Estimates are printed in the catalogue beside every lot and<br />

take into account rarity, condition, quality and provenance.<br />

The reserve is the amount at which the item is available for<br />

purchase. The reserve is an undisclosed confidential amount<br />

which is set at, or below the low estimate.<br />

The reserve will never exceed the low estimate at Gibson’s<br />

Auctioneers & Valuers. Many lots are sold without reserve.<br />

Talk to our Specialists<br />

Gibson’s Auctioneers & Valuers are an experienced team of<br />

specialists who are available to discuss items in further detail,<br />

and to offer advice and assistance.<br />

Contact details for relevant specialists can be found on the<br />

inside front cover our auction catalogues and on our website.<br />

Condition Reports<br />

Condition Reports are available on request. Condition Reports<br />

supplement the lot description and provide information on the<br />

condition of an item.<br />

We strongly advise obtaining a condition report if you are<br />

unable to view an item in person prior to the auction.<br />

To request a condition report please email<br />

condition.reports@gibsonsauctions.com.au with the auction<br />

title and lot number/s.<br />

Bidding<br />

Gibson’s Auctioneers & Valuers offer four bidding options:<br />

1. Auction Room Bidding<br />

To bid in person we suggest you arrive early so that you<br />

have sufficient time to register for a bidding number prior<br />

to the auction. If this is your first time bidding with Gibson’s<br />

Auctioneers & Valuers please bring photo identification, such<br />

as a driver’s licence or passport with you.<br />

2. Telephone Bidding<br />

Gibson’s Auctioneers & Valuers offer telephone bidding on all<br />

lots, at all auctions.<br />

Telephone Bidding is a convenient solution if you are unable to<br />

attend an auction in person. A Gibson’s Auctioneers & Valuers<br />

staff member will call you approximately 5 lots in advance and<br />

with your instruction, bid on your behalf at the auction.<br />

Please note: Telephone Bids must be organised at least 24<br />

hours prior to the auction and that occasionally, the number<br />

of telephone bidders available may be restricted when the<br />

auction is offsite.<br />

To organise a Telephone Bid please follow the link<br />

to the Telephone Bidding form on our website:<br />

www.gibsonsauctions.com.au.<br />

Please fill in & return via email to mail@gibsonsauctions.com.au<br />

If this is your first time bidding with Gibson’s Auctioneers &<br />

Valuers, an email address is to be supplied when you submit<br />

your Telephone Bid, along with clear Photo ID verifying<br />

your address.


5<br />

3. Absentee Bids<br />

Absentee Bidding is another convenient solution if you<br />

are unable to attend an auction in person, to speak on the<br />

telephone or if you simply have a strict budget.<br />

An Absentee Bid should be set at the maximum amount<br />

you wish to bid on the lot/s you are interested in purchasing.<br />

Should the lot/s be knocked down at an amount lower than<br />

the bid recorded on your form, the lot will be sold to you for<br />

the lesser hammer price.<br />

Please note Absentee Bids must be received at least 24 hours<br />

prior to the auction to allow time for processing.<br />

To organise an Absentee Bid please follow the link to<br />

the Absentee Bidding form available on our website:<br />

www.gibsonsauctions.com.au.<br />

Please fill in & return via email to mail@gibsonsauctions.com.au<br />

If this is your first time bidding with Gibson’s Auctioneers<br />

& Valuers, an email address is to be supplied when you<br />

submit your Absentee Bid, along with clear Photo ID verifying<br />

your address.<br />

4. Online Bidding<br />

Online bidding allows you to bid via the internet in real<br />

time with a live broadcast of the auction. To bid online visit<br />

our website and follow the ‘Live Bidding’ link under the<br />

‘Auctions’ tab.<br />

Please register for this service at least 24 hours prior to the<br />

auction to ensure you do not miss your lot.<br />

Please note online bidding is powered by Invaluable.com and<br />

so will incur a 5% fee on successful lots.<br />

If you have not bid with Gibson’s Auctioneers & Valuers<br />

previously, a photo ID verifying your address will be<br />

required before you can be approved to bid. Please email to<br />

mail@gibsonsauctions.com.au as soon as practical.<br />

International Bidding<br />

If you are bidding from overseas for the first time, you will be<br />

asked to provide a clear Photo ID verifying your address and<br />

a deposit (set at Gibson’s Auctioneers & Valuers’ discretion)<br />

prior to the auction. The deposit is refundable within 48<br />

hours should you not be successful. If you are successful<br />

the deposit will be deducted from your invoice total. The<br />

remaining balance must be paid preferably by direct deposit.<br />

Bank details are provided in the Payment & Collection section<br />

of this guide.<br />

Payment & Collection<br />

Payments<br />

If you are successful an invoice (AU$) will be emailed or<br />

posted to you immediately after the auction.<br />

You will pay the hammer price, plus the buyer’s premium<br />

(22% plus GST) on each Lot, together with any additional<br />

applicable charges such as GST on hammer.<br />

Payments must be made in full by the final day of Collections<br />

as printed in the catalogue.<br />

Bank Transfer/Direct Deposit is our preferred method<br />

of payment:<br />

Account Name: Gibsons Auctions<br />

Bank:<br />

Bank of Melbourne (A division of St George)<br />

BSB: 193879<br />

Account No: 441701443<br />

Swift Code: SGBLAU2S<br />

Routing Code: 021000021<br />

Bank Address: 197-201 Glenferrie Road, Malvern, Vic, 3144<br />

• Personal, Company and Bank Cheques are not accepted<br />

without prior approval.<br />

• Eftpos (no charge).<br />

• Credit cards: Visa and Mastercard (1.2% inc GST merchant<br />

fee) and American Express (2% inc GST merchant fee).<br />

• Please note that credit card transactions over $5,000<br />

will not be accepted over the telephone unless by prior<br />

arrangement.<br />

• Cash payments up to AU$10,000 can be accepted. For any<br />

amount over this, cash is to be deposited directly into our<br />

account at a Bank of Melbourne/St George branch.<br />

Collections<br />

Gibson’s Auctioneers & Valuers are happy to assist and<br />

provide you with recommended transport companies whether<br />

it be a local, interstate or international delivery.<br />

Storage<br />

All items must be paid for and collected within the collection<br />

times advertised for each individual auction. If items are not<br />

collected within this time-frame, Gibson’s Auctioneers &<br />

Valuers reserve the right to charge removal and storage fees.


6<br />

Property from the Collection of Alan Bramich<br />

1<br />

A George III string inlaid mahogany bow<br />

front sideboard<br />

92cm high, 130cm wide, 49cm deep<br />

$500–800<br />

2<br />

A George III mahogany inlaid secretaire<br />

bookcase<br />

214cm high, 97cm wide, 52cm deep<br />

$1,200–1,500<br />

3<br />

A George III mahogany and satinwood<br />

hanging corner cabinet<br />

the cabinet door inlaid with a<br />

satinwood conch<br />

118cm high, 72cm wide, 44cm deep<br />

$200–300<br />

4<br />

Two George III style mahogany bedside<br />

commode cabinets<br />

77cm high, 52cm wide, 45cm deep<br />

$200–300<br />

5<br />

A set of four Regency rosewood<br />

dining chairs<br />

with pink silk upholstered cushions<br />

$400–600<br />

6<br />

A George III mahogany tilt top<br />

wine table<br />

72cm high, 52cm diameter<br />

$300–500<br />

7<br />

A George III flame mahogany<br />

linen press<br />

191cm high, 122cm wide, 62cm deep<br />

$500–800<br />

8<br />

A pair of brass mounted glazed two-tier<br />

side tables<br />

58cm high, 48cm wide, 39cm deep<br />

$300–500<br />

9<br />

A collection of cut glass, 18th century<br />

and later<br />

including a George III decanter<br />

the tallest 28cm high<br />

$300–500<br />

1


7<br />

10<br />

11<br />

10<br />

SOPHIA COLSON<br />

(BRITISH, C.1830–C.1890)<br />

Romantic Landscape with Figures<br />

watercolour<br />

13 x 20cm<br />

$200–400<br />

11<br />

SOPHIA COLSON<br />

(BRITISH, C.1830–C.1890)<br />

Classical Landscape<br />

watercolour<br />

13 x 18.5cm<br />

$200–300<br />

12<br />

An English burr elm chest of drawers,<br />

circa 1790<br />

94cm high, 100cm wide, 58.5cm deep<br />

$600–800


8<br />

13<br />

A set of six George III mahogany<br />

dining chairs comprising two carvers<br />

and four chairs<br />

upholstered with red and gold floral<br />

brocade<br />

$800–1,200<br />

14<br />

A pair of marble top brass console<br />

tables<br />

76cm high, 94cm wide, 46cm deep<br />

$500–800<br />

15<br />

A verde marble top coffee table<br />

on a gold painted carved wood base<br />

46cm high, 77.5cm wide, 77.5cm deep<br />

$150–250<br />

16<br />

A collection of two marble busts<br />

and an obelisk<br />

the obelisk 50cm high<br />

$300–500<br />

17<br />

A Georgian tilt top mahogany wine table<br />

69cm high, 62.5cm diameter<br />

$300–500<br />

18<br />

A terracotta bust of Caesar Augustus<br />

63cm high<br />

$100–200<br />

19<br />

A pair of terracotta planters<br />

31cm high, 68cm wide, 41cm deep<br />

$100–200<br />

20<br />

A flat weave kilim rug<br />

with a black and white diamond<br />

on red ground pattern<br />

290 x 154cm<br />

$300–500<br />

21<br />

Three Staffordshire figures<br />

including a figure of Will Watch<br />

the largest figure 33cm high<br />

$200–300<br />

22<br />

A pair of gilt bronze peacock figures<br />

candlestick holders, 19th century<br />

with marble bases<br />

20cm high<br />

$200–300<br />

13


9<br />

23<br />

DARYL CARNAHAN<br />

The Dance 1998<br />

linocut<br />

signed, dated and inscribed on margin:<br />

Daryl Carnahan 1998 Proof<br />

111 x 87.5cm (image size)<br />

$150–250<br />

24<br />

An Anglo Indian Sadeli mosaic inlaid<br />

document box<br />

with a velvet lined interior<br />

7.5cm high, 26cm wide, 16.5cm<br />

$100–200<br />

23


10<br />

25<br />

LOUIS KAHAN (1905-2002)<br />

Fijian Woman and Man 1976<br />

ink on paper<br />

signed, dated and inscribed lower right:<br />

Louis Kahan 1976 Fiji<br />

35 x 40.5cm<br />

$120–180<br />

25<br />

26<br />

A Louis XV style beechwood fauteuil<br />

upholstered in red tapestry brocade<br />

$400–600<br />

27<br />

A collection of sterling silver flatware,<br />

19th century<br />

including six sterling silver kings pattern<br />

knives by Atkin & Oxley, Sheffield, 1833,<br />

seven sterling silver trident forks by<br />

Isaac Callard, London, 1762<br />

total weight of silver excluding the<br />

knives 665gms<br />

$500–800<br />

28<br />

A George III mahogany D-end<br />

extension dining table<br />

with two extension leaves<br />

74cm high, 156.5cm wide, 121cm deep<br />

$500–800<br />

26


11<br />

29<br />

29<br />

A pair of Chinoiserie porcelain table<br />

lamps and shades<br />

79cm high<br />

$300–500<br />

30<br />

A set of eight Richard Ginori fish<br />

decorated plates<br />

together with four side dishes<br />

the plates 26cm<br />

$200–300<br />

31<br />

A pair of Empire Works exotic birds<br />

decorated plates<br />

with a gilt edge and blue painted scale<br />

border<br />

turquoise factory stamp to base<br />

27cm diameter<br />

$100–200<br />

32<br />

A Chinese export ware porcelain drum<br />

jar and cover<br />

with scrolling blue agapanthus<br />

26cm high<br />

$100–200<br />

33<br />

A collection of stemware, early<br />

19th century and later<br />

including two George III wine glasses<br />

the urn 29cm high<br />

$300–500<br />

34<br />

An ebonised and gilded table lamp<br />

with cream shade<br />

49cm high without shade<br />

$100–200<br />

35<br />

A set of Limoges gilt edge plates<br />

and dishes<br />

comprising seven plates, seven dishes<br />

and a large platter<br />

the platter 55cm across the handles<br />

$200–300<br />

36<br />

A collection of three Indian brass<br />

pepper grinders<br />

the tallest 29cm high<br />

$100–200<br />

37<br />

A pair of Staffordshire spaniels<br />

and two Staffordshire figures<br />

the spaniels 21cm high<br />

$100–200


12<br />

38<br />

38<br />

DARYL CARNAHAN<br />

Grey Day 1987<br />

watercolour<br />

signed and dated lower right:<br />

Daryl Carnahan 31/10/87<br />

54 x 74cm<br />

$200–300<br />

39<br />

DARYL CARNAHAN<br />

Two Eves 1986<br />

linocut<br />

signed, dated, titled and editioned on<br />

margin: Daryl Carnahan 1986 TWO<br />

EVES A/P<br />

25.5 x 57.5cm<br />

$100–200<br />

40<br />

DARYL CARNAHAN<br />

Portrait 1988<br />

photograph<br />

signed and dated on margin:<br />

Daryl Carnahan 88<br />

51 x 34.5cm<br />

$80–120<br />

41<br />

DARYL CARNAHAN<br />

Little Buddha 2009<br />

linocut<br />

signed, dated, titled and editioned on<br />

margin: Daryl Carnahan 2009/2011<br />

Little Buddha 1/1<br />

37 x 33cm<br />

$100–200<br />

42<br />

DARYL CARNAHAN<br />

Crouching 1986<br />

colour linocut<br />

signed, dated and editioned on margin:<br />

Daryl Carnahan 1986 A.P.<br />

15 x 15cm<br />

$100–200<br />

43<br />

SALVADOR DALI (1904-1989)<br />

Untitled<br />

lithograph<br />

inscribed and editioned on margin:<br />

S Dali 1/250<br />

35 x 45.5cm<br />

$200–400


13<br />

44<br />

UMETARO AZECHI<br />

(JAPANESE, 1902-1999)<br />

Mountain Man<br />

colour woodcut<br />

signed on margin lower right: U AZECHI<br />

39.5 x 26cm<br />

$200–400<br />

45<br />

TOM FANTL (BORN 1947)<br />

Bather 1974<br />

mixed media<br />

signed and dated lower left:<br />

FANTL 1974<br />

53 x 71cm<br />

$120–180<br />

46<br />

A French carved giltwood marble top<br />

console table, 19th century<br />

95cm high, 92cm wide, 41cm deep<br />

$800–1,200<br />

47<br />

JOHN CANFIELD<br />

Summer Landscape<br />

oil on board<br />

signed lower left: JOHN CANFIELD<br />

14 x 18.5cm<br />

$80–120<br />

48<br />

CHARLES BUSH (1919-1989)<br />

Landscape<br />

watercolour<br />

signed lower right: Bush<br />

26 x 35.5cm<br />

$120–180<br />

44


14<br />

A Private Collection<br />

Melbourne<br />

49<br />

A large Italian silvered bronze figure,<br />

by A. Calendi, 20th century<br />

modelled as a nude on a lion pelt,<br />

cast signature ‘Calendi’ to the base<br />

69cm high<br />

$4,000–6,000<br />

50<br />

A silver mounted cameo glass scent<br />

bottle, late 19th century<br />

carved with a floral design,<br />

hinged silver cover<br />

7cm high<br />

$500–800<br />

51<br />

A silver mounted cameo glass scent<br />

bottle, late 19th century<br />

carved with a floral design<br />

and silver cover<br />

7cm high<br />

$300–500<br />

52<br />

A cameo glass scent bottle,<br />

19th century<br />

in the Webb style, etched and<br />

decorated with white and blue floral<br />

motifs, silver lid<br />

8.5 x 4cm<br />

$500–800<br />

53<br />

An English sterling silver cased glass<br />

scent bottle, 19th century<br />

the case relief decorated with cupids<br />

enclosing a green glass internal vessel<br />

and stopper<br />

7.5cm high<br />

$500–800<br />

49


15<br />

54<br />

ÉMILE GALLÉ<br />

(FRENCH 1846-1904)<br />

‘Tempus Stellae’ a twin-handled<br />

opalescent and enamelled glass vase,<br />

circa 1900<br />

the green glass ground with bands<br />

of opalescence and textured finish,<br />

acid etched with floral design and star<br />

motifs, heightened with enamelling and<br />

gilt highlights, enamel signature to the<br />

underside ‘E Gallé Nancy déposé’<br />

35cm high including stand<br />

NOTE<br />

Gallé was a deeply religious man, and<br />

many of his pieces feature religious<br />

symbols. This vase is relief decorated<br />

with the Latin words “Tempus Stellae,”<br />

meaning “time of the star.” The phrase<br />

is taken from the story of the arrival<br />

of the wisemen in Bethlehem to pay<br />

homage to the Christ child.<br />

$8,000–12,000<br />

54


16<br />

55<br />

55<br />

AFTER RUBENS<br />

Cimone and Efigenia<br />

painted ivory panel<br />

12 x 18.5cm<br />

$2,000–3,000 ♦<br />

56<br />

LUCY YAD DONGEN (DUTCH)<br />

pate de verre mosaic panel<br />

of two canines<br />

64 x 122cm<br />

$3,000–6,000<br />

57<br />

A Venini ‘Opalino’ gold flecked turquoise<br />

art glass vase, 1999<br />

with engraved ‘venini 99’ and editioned<br />

1030/1999 to base<br />

30cm high<br />

$300–500<br />

58<br />

A Zsolnay porcelain pot, 20th century<br />

impressed ‘ZSOLNAY’ and blue<br />

underglaze factory marks to the base<br />

20cm high<br />

$200–300<br />

59<br />

A pair of French gilt metal and moulded<br />

glass candelabra<br />

53cm high<br />

$600–800<br />

60<br />

AFTER DEGAS<br />

Ballerina<br />

painted enamel<br />

15.5 x 10.5cm<br />

$300–500


17<br />

61<br />

From the workshop of Louis Süe (1875<br />

- 1968) & André Mare (1875-1968)<br />

a mahogany desk of rectangular<br />

form with rounded corners, the<br />

frieze with a single long drawer and<br />

carved with typical rounded corners,<br />

on tapering legs<br />

75cm high, 104cm wide, 66cm deep<br />

PROVENANCE<br />

Copeland & De Soos, Sydney<br />

The collection of Sir Tristan<br />

and Lady Antico, Sydney<br />

NOTE<br />

For a similar example see: Florence<br />

Camard, Sue et Mare et la Compagnie<br />

Des Art Francais, publ. by Les Editions<br />

de l’Amateur, pg. 203.<br />

$10,000–15,000<br />

62<br />

A Royal Doulton ‘Venetian’ porcelain<br />

dessert service by John H. Plant<br />

comprising fourteen plates, two square<br />

platters and two bowls, each depicting<br />

a different sunset location in Venice<br />

with a gilded scalloped edge, signed<br />

J.H. Plant, green printed ‘Royal Doulton<br />

England’ factory stamp and the name of<br />

each location hand painted to the back<br />

the largest dish 22cm diameter<br />

$1,000–1,500<br />

63<br />

CAMILLE PISSARRO (1830-1903)<br />

Jeanne Fille de L’Artiste<br />

colour lithograph<br />

initialled in printed text lower right: C. P<br />

editioned on margin: 181/200<br />

21 x 14cm<br />

$500–800<br />

61


18<br />

64<br />

64<br />

A large Clarice Cliff enamelled porcelain Sir Frank Brangwyn<br />

series wall charger, circa 1930s<br />

signed and detailed to verso ‘The Brangwyn panels designed<br />

for the Royal Gallery of the House of Lords 1925, first<br />

exhibited at Olympia 1933, painted by Clarice Cliff from one of<br />

the panels, A.Wilkinson, Royal Staffordshire Pottery, Burslem,<br />

Staffordshire, No. 40’<br />

44cm diameter<br />

NOTE<br />

This charger is part of a series by Clarice Cliff created from<br />

1934-1939, from panels painted by Sir Frank Brangwyn in<br />

1924 to adorn the walls of the Royal Gallery in the House<br />

of Lords in order to commemorate deceased soldiers in<br />

WWI. Though eventually rejected for being full of ‘insistent<br />

motives ill accord with the Waterloo Chamber’ by the Fine Art<br />

Commission of the time, three of the panels were made into<br />

porcelain charger’s by Cliff after being displayed at the Ideal<br />

Home Exhibition, Olympia.<br />

For a similar example see: G. Slater and J. Brough,<br />

Comprehensively Clarice Cliff, 2005,publ. by Thames &<br />

Hudson, fig. 2. pg. 253<br />

$6,000–8,000


19<br />

65<br />

65<br />

A Dame Laura Knight A.R.A. for Clarice Cliff hand painted first<br />

edition porcelain charger, 1934<br />

with maroon factory ‘designed by Laura Knight A.R.A.<br />

produced in Bizarre by Clarice Cliff, Wilkinson Ltd England’<br />

marks, dated and editioned ‘First Edition 1934’ to base<br />

46cm diameter<br />

NOTE<br />

For a pattern example see: G. Slater and J. Brough,<br />

Comprehensively Clarice Cliff, 2005,publ. by Thames &<br />

Hudson, fig. 2 pg.287<br />

$6,000–8,000


20<br />

66<br />

A Clarice Cliff Bizarre jug designed by<br />

Dame Laura Knight, from the Circus<br />

service, designed for the 1934 Art in<br />

Industry Exhibition<br />

painted with a crowd of stylised women,<br />

the rim a border of streamers, maroon<br />

factory mark ‘designed by Laura Knight<br />

A.R.A. produced in Bizarre by Clarice Cliff,<br />

Wilkinson Ltd England’ marks, dated and<br />

editioned ‘First Edition 1934’ to base<br />

28cm high<br />

NOTE<br />

For a similar example see: G. Slater and<br />

J. Brough, Comprehensively Clarice Cliff,<br />

2005, publ. by Thames & Hudson, fig. 2<br />

pg.287<br />

$1,000–1,500<br />

66<br />

67<br />

A Clarice Cliff ‘Summerhouse’ lotus jug,<br />

circa 1930<br />

printed black ‘Fantasque hand painted<br />

Bizarre by Clarice Cliff, NEWPORT<br />

POTTERY ENGLAND’ mark to base<br />

29cm high<br />

$2,000–3,000<br />

68<br />

A Clarice Cliff hand painted conical<br />

sugar caster<br />

of typical form, ‘Handpainted Bizarre<br />

by Clarice Cliff NEWPORT POTTERY’<br />

mark to base<br />

14.5cm high<br />

$400–600<br />

67


21<br />

69<br />

A Clarice Cliff ‘Latona Dahlia’ two handled<br />

lotus jug, circa 1930<br />

Latona hand painted Bizarre by Clarice<br />

Cliff’ signature and ‘NEWPORT POTTERY<br />

ENGLAND’ mark to base<br />

30cm high<br />

NOTE<br />

For a similar example see: G. Slater and<br />

J. Brough, Comprehensively Clarice<br />

Cliff, 2005,publ. by Thames & Hudson,<br />

fig. 7 pg. 47.<br />

$2,000–3,000<br />

69<br />

70<br />

A hand painted ‘Blue Chintz’ Bizarre series<br />

lotus jug by Clarice Cliff<br />

with ‘Fantasque handpainted Bizarre by<br />

Clarice Cliff’ signature and ‘NEWPORT<br />

POTTERY ENGLAND’ mark to base<br />

69cm high<br />

$1,500–2,500<br />

71<br />

Two Clarice Cliff commemorative ware ‘Age<br />

of Jazz’ porcelain figures by Wedgwood,<br />

circa 1996<br />

each printed and inscribed ‘Based on an<br />

original handpainted Bizarre by Clarice Cliff<br />

Wedgwood Made in England 1996’ to both<br />

bases, and ‘PT’ AND ‘JGH’<br />

the largest 20cm high<br />

$200–300<br />

70


22<br />

72<br />

A Clarice Cliff ‘Caprice’ two handled<br />

lotus jug, circa 1930<br />

with ‘Caprice handpainted Bizarre<br />

by Clarice Cliff’ signature and<br />

‘NEWPORT POTTERY’ mark to base<br />

30cm high<br />

NOTE<br />

For a similar example see: G. Slater<br />

and J. Brough, Comprehensively<br />

Clarice Cliff, 2005,publ. by Thames<br />

& Hudson, fig. 1 pg. 224<br />

$2,000–3,000<br />

72<br />

73<br />

A Wedgwood Bizarre by Clarice Cliff<br />

‘Kew’ pattern conical jug, circa 1995<br />

with series and black transfer printed<br />

factory marks to the base<br />

23cm high<br />

$300–500<br />

74<br />

A small Clarice Cliff Bizarre series<br />

commemorative ware jug by<br />

Wedgwood, 2001<br />

with black transfer ‘Bizarre by Clarice<br />

Cliff Wedgwood Earthenware Made in<br />

England 2001’ marks to base<br />

9cm high<br />

$200–300<br />

73


23<br />

75<br />

75<br />

JEAN PELTIERE<br />

(FRENCH, 1907-1984)<br />

Contemplation 1944<br />

oil on board<br />

signed and dated lower right:<br />

J Peltiere 1944<br />

47 x 45cm<br />

$3,000–5,000<br />

76<br />

CHARLES DOUGLAS<br />

RICHARDSON (1853-1932)<br />

A plaster maquette modelled as<br />

stalking lion<br />

signed to the obverse;<br />

‘C. Douglas Richardson’<br />

18cm high, 22cm wide<br />

$600–800<br />

77<br />

AFTER ELISABETH LE BRUN<br />

Portrait<br />

oil on canvas<br />

22 x 17.5cm<br />

$600–800


24


25<br />

78<br />

A large Daum ‘Eucalyptus’ cameo glass<br />

lamp, French, circa 1910<br />

the swirling yellow and red glass body<br />

overlaid with carved opaque gumnuts and<br />

gum leaves with translucent red flowers<br />

signed Daum Nancy, France and Cross of<br />

Lorraine to the top of the shade and the base<br />

73cm high, 42cm diameter<br />

$30,000–50,000<br />

78


26<br />

79<br />

79<br />

JOHN ROGERS<br />

Abstract Still Life 1948<br />

watercolour<br />

signed and dated upper right:<br />

Rogers 48<br />

22.5 x 17cm<br />

$600–800<br />

80<br />

AFTER MONDRIAN<br />

Untitled<br />

oil on canvas<br />

60 x 60cm<br />

$200–400<br />

81<br />

A Moorcroft Tasmanian Blue Gum vase,<br />

1993<br />

with blue underglazed factory stamp,<br />

diamond date mark and editioned<br />

441/500 to base<br />

19cm high<br />

$1,500–2,500


27<br />

82<br />

FRANÇOIS THÉODORE LEGRAS<br />

(1839-1916)<br />

A gilded ‘Indiana’ tri handled glass vase,<br />

circa 1900<br />

with an etched swirling opaque red and<br />

translucent green poppy design on<br />

frosted ground<br />

marked ‘Indiana’ to the base<br />

13.5cm high<br />

$1,000–1,500<br />

83<br />

FRANÇOIS THÉODORE LEGRAS<br />

(1839-1916)<br />

A small gilded ‘Indiana’ vase, circa 1900<br />

etched with an opaque red poppy<br />

design on a frosted ground<br />

15cm high<br />

$600–800<br />

84<br />

JACQUI STOCKDALE<br />

(BORN 1968)<br />

The Rider 2006<br />

oil on canvas<br />

initialled, dated and titled verso:<br />

JS 2006 The Rider<br />

50.5 x 61cm<br />

$500–800<br />

85<br />

JACQUI STOCKDALE<br />

(BORN 1968)<br />

Janilya 2005<br />

colour photograph<br />

initialled, dated and titled on margin:<br />

JS 2005 Janilya<br />

48.5 x 37cm<br />

$300–500<br />

86<br />

JACQUI STOCKDALE<br />

(BORN 1968)<br />

Ginger Boy on the Obstacle Path<br />

2006<br />

oil on canvas<br />

initialled, dated and titled verso: JS<br />

2006 Ginger Boy on the Obstacle Path<br />

61 x 76.5cm<br />

$500–800<br />

87<br />

A finely etched and gilded Venetian<br />

glass mirror, late 19th century<br />

141cm high, 74cm wide<br />

$3,000–5,000<br />

82<br />

83


28<br />

88<br />

A Loetz ‘Octopus’ glass vase, Bohemia,<br />

late 19th century<br />

of baluster form with gilt highlights<br />

22cm high<br />

$1,200–1,500<br />

89<br />

A Loetz bowl, late 19th century<br />

of square form with iridescent purple<br />

decoration<br />

10cm high<br />

$800–1,200<br />

90<br />

A Venini glass vase, circa 2001<br />

decorated in golden yellow and green<br />

stripe, engraved ‘venini 2001’ to the<br />

base<br />

21cm high<br />

$400–600<br />

88<br />

91<br />

A Loetz silver gilt mounted vase,<br />

Austrian, circa 1900<br />

of lobed form, the iridescent purple<br />

and green feathered favrile glass body<br />

mounted with silver gilt foliate banding<br />

14.5cm high<br />

$2,000–3,000<br />

92<br />

A small Moser gilded and faceted glass<br />

vase, late 19th century<br />

15.5cm high<br />

$100–200<br />

91


29<br />

93<br />

A Sabino opalescent glass 'L'Idole'<br />

lamp, French, circa 1930<br />

in the form of a seated nymph<br />

molded 'L'IDOLE' to the base<br />

signed 'Sabino France' to back of<br />

figure and illuminating chrome base<br />

21cm high<br />

$1,500–2,500<br />

93


30<br />

94<br />

A Japanese two tier lacquer handled<br />

box, late Meiji Period<br />

decorated with gold and red<br />

chrsyanthemums<br />

24cm high, 22cm wide, 23cm deep<br />

$500–800<br />

95<br />

A Japanese black lacquer box<br />

painted with gold cherry blossoms,<br />

early 20th century<br />

7cm high, 12cm wide, 10.5cm deep<br />

$200–300<br />

96<br />

A Japanese carved red lacquer box,<br />

20th century<br />

6cm high, 14cm wide, 10.5cm deep<br />

$200–300<br />

94<br />

97<br />

A Japanese silver inlaid bronze vase<br />

finely etched with goldfish on a wave<br />

pattern<br />

28cm high<br />

$800–1,200<br />

98<br />

Three Japanese bronze tsuba<br />

variously decorated with cranes,<br />

chrysanthemums and Oni<br />

each with impressed character marks<br />

to the reverse<br />

the largest 8 x 8cm<br />

$600–800<br />

99<br />

A small Japanese cloisonné brass vase<br />

finely decorated with chrysanthemums,<br />

peonies and butterflies on a layered<br />

yellow, red and purple ground<br />

12cm high<br />

$600–800<br />

97


31<br />

100<br />

100<br />

A Japanese lacquer tray, 20th century<br />

finely gilded depicting a moonlit wave<br />

scene, with original wooden box<br />

52cm long, 37cm wide<br />

$1,500–2,000<br />

101<br />

A Japanese gilded and mother of pearl<br />

inlaid lacquer box, early 20th century<br />

9cm high, 17cm diameter<br />

$300–500<br />

102<br />

A Japanese style red lacquer covered<br />

wooden bowl<br />

the cover decorated with a koi in gold<br />

and black<br />

13cm high, 23cm diameter<br />

$300–500<br />

103<br />

A Japanese lacquer box,<br />

early 20th century<br />

decorated with chrysanthemums<br />

8cm high, 15cm diameter<br />

$300–500<br />

104<br />

A Japanese peach form orange<br />

lacquer box<br />

13cm high, 16cm diameter<br />

$200–300<br />

105<br />

A Japanese footed lacquer box,<br />

20th century<br />

with gold and silver decoration<br />

20cm high, 18cm diameter<br />

$300–500<br />

106<br />

A Japanese gilded lacquer box,<br />

20th century<br />

14cm high<br />

$200–300<br />

107<br />

Two polished agate carved goldfish<br />

the largest 10cm high<br />

$150–250


32<br />

108<br />

108<br />

A Lalique red crystal serpent pendant<br />

on a silk cord, signed ‘Lalique’<br />

to the back<br />

the pendant 6cm<br />

$1,000–1,500<br />

109<br />

A Lalique opalescent glass serpent<br />

pendant<br />

on a silk cord, signed ‘Lalique’<br />

to the back<br />

the pendant 6cm<br />

$800–1,200<br />

110<br />

A Japanese Furuyaishi style rock<br />

mountain, 20th century<br />

the upright stone form with ridges<br />

resembling a craggy mountain, the<br />

surface with white granite inclusions,<br />

on a conforming stand<br />

18cm high, 67cm wide, 26cm deep<br />

$2,000–3,000<br />

111<br />

A Japanese Furuyaishi style rock<br />

mountain, 20th century<br />

the upright stone form with ridges<br />

resembling a craggy mountain, the<br />

surface with natural pale inclusions,<br />

on a conforming stand<br />

22.5cm high, 52cm wide, 23cm deep<br />

$1,800–2,500<br />

112<br />

A Japanese Furuyaishi style rock<br />

mountain, 20th century<br />

the horizontal stone with ridges<br />

resembling a craggy mountain, the<br />

surface with natural pale inclusions,<br />

on a conforming stand<br />

12cm high, 56cm wide, 25cm deep<br />

$2,000–3,000<br />

110


33<br />

113<br />

A large Japanese gold and black<br />

lacquer layered compartment box,<br />

early 20th century<br />

the five compartments decorated with<br />

sprays of gold bamboo<br />

44cm high, 24cm wide, 24cm deep<br />

$1,200–1,500<br />

113<br />

114<br />

A Japanese satsuma figure of a hawk<br />

and a sparrow<br />

with impressed character mark<br />

to the base<br />

10cm high<br />

$300–500<br />

115<br />

A Chinese gilded jade tree,<br />

20th century<br />

raised on a naturalistic green hard<br />

stone base<br />

19cm high<br />

$300–500<br />

113


34<br />

116<br />

116<br />

A pair of Japanese gilded red lacquer<br />

boxes, Meiji period<br />

with a carved pattern of peaches<br />

16cm high, 23cm wide, 21cm deep<br />

$800–1,200<br />

117<br />

A Japanese lacquer three tier box,<br />

early 20th century<br />

14cm high, 13cm diameter<br />

$400–600<br />

118<br />

A covered ceramic dish by Wienerberger<br />

Keramik Co., Austrian, circa 1920<br />

green glaze with a coil handle, impressed<br />

underglaze mark ‘Weinerberger’ and<br />

editioned 10025 to the base<br />

9cm high<br />

$300–500<br />

119<br />

Two micro mosaic photo frames<br />

the larger blue frame 7.5 x 8.5cm<br />

$300–500<br />

117


35<br />

120<br />

A pair of Japanese banded lacquer<br />

cylindrical Hibachi, 20th century<br />

with original gilded copper inserts<br />

24cm high, 21cm diameter<br />

$800–1,200<br />

121<br />

A polished fluorite crystal orb<br />

10.5cm diameter<br />

$200–300<br />

122<br />

A Chinoiserie black lacquer table clock,<br />

French<br />

comes with original key<br />

editioned 2196/43 and initialled ‘SF’<br />

to verso<br />

29cm diameter<br />

$200–300<br />

123<br />

A pair of ceramic mice by Walter Bosse<br />

for Wiener Werkstatte, Austrian<br />

impressed ‘BOSSE AUSTRIA’ mark to<br />

the base<br />

19.5cm high<br />

$500–800<br />

124<br />

A bronze of a horse and foal figure<br />

group, by Mary Pinsent<br />

signed ‘Mary Pinsent’ and editioned<br />

36/I to the base<br />

30cm high<br />

$300–500<br />

125<br />

A WMF silver plate frame, circa 1920<br />

impressed WMF silver marks to verso<br />

17 x 13cm<br />

$200–300<br />

126<br />

A large ‘Bandiere’ vase by Anzolo Fuga,<br />

Murano<br />

46cm high<br />

NOTE<br />

For a similar illustrated example see:<br />

Rosa Barovier Mentasti, ‘Anzola Fuga,<br />

Murano Glass Artist, Designs for<br />

A.V.E.M.’, p. 73.<br />

$1,500–2,500<br />

127<br />

A large Chinese rosewood stand<br />

15cm high, 58cm wide, 37cm deep<br />

$200–300<br />

128<br />

A ceramic bust of a woman, Italian,<br />

circa 1930<br />

with signature and edition handpainted<br />

to the base<br />

22cm high<br />

$300–500<br />

129<br />

A Venini ‘Calabash’ glass vase designed<br />

by James Carpentier, 1971<br />

engraved ‘venini 2001’ to the base<br />

29cm high<br />

$1,000–1,500<br />

130<br />

A Venini ‘Coccio’ glass vase by<br />

Alessandro Diaz, Murano, 2003<br />

engraved ‘venini 2003’ to base<br />

16cm high<br />

$600–800<br />

120


36<br />

131<br />

A pair of Peoples Republic Period<br />

ceramic busts of children, Chinese,<br />

circa 1950s<br />

stamped mark to the base<br />

41cm high<br />

$600–800<br />

132<br />

A Cia Manna ‘Tamoa’ porcelain figurine<br />

of a Balinese dancer, Italian, 1940-1950<br />

with factory mark, signature, title and<br />

edition N.637 to base<br />

44cm high<br />

$100–200<br />

133<br />

A large painted glass ‘Graal’ vase by<br />

Mark Douglass, Australian, dated 2001<br />

59cm high<br />

$800–1,200<br />

131<br />

134<br />

A Fazzoletto green glass handkerchief<br />

vase by Venini, Italian, 20th century<br />

engraved mark Venini, Italia, 82<br />

34cm high<br />

$1,200–1,500<br />

135<br />

A set of ten Murano glass orbs and<br />

a conforming wooden noughts and<br />

crosses board<br />

the board 33 x 22cm<br />

$400–600<br />

136<br />

An Art Nouveau WMF pierced silver<br />

plate dish, German, late 19th century<br />

with a conforming blue glass liner<br />

12.5cm<br />

$300–500<br />

134


37<br />

137<br />

A Louis Wain style ceramic horse<br />

form censer, 20th century<br />

with horse hair mane and tail<br />

18.5cm high<br />

$300–500<br />

138<br />

A polished agate and rock crystal figure<br />

of an angelfish<br />

21.5cm high<br />

$200–300<br />

139<br />

An ornamental imitation jade (glass?),<br />

plaster and copper flowering tree<br />

in ceramic pot<br />

50cm high<br />

$200–300<br />

140<br />

A seated laughing jade buddha,<br />

Chinese<br />

9cm high<br />

$600–800<br />

144<br />

Two gilded Moser faceted green glass<br />

goblets 19th century<br />

together with a ruby faceted glass<br />

tumbler<br />

the tallest 15cm high<br />

$300–500<br />

145<br />

A set of fourteen Lalique ‘Angel’ etched<br />

wine glasses, 20th century<br />

each bowl etched with the wings<br />

of an angel<br />

20.5cm high<br />

$3,000–5,000<br />

146<br />

A mother of pearl inlaid pedestal in the<br />

Middle Eastern style<br />

105cm high, 37cm wide, 34.5cm deep<br />

$1,500–2,500<br />

147<br />

An intricately carved and pierced<br />

pedestal in the Middle Eastern style<br />

with mother of pearl inlay<br />

82cm high, 38cm wide, 38cm deep<br />

$1,500–2,000<br />

148<br />

A large Venini opaque turquoise vase<br />

with a gold flecked mouth and twin<br />

handles<br />

31cm high<br />

$1,800–2,500<br />

149<br />

A Murano Can vericale blue, green<br />

and yellow striped art glass vase,<br />

circa 1980s<br />

maker’s mark ‘Z’ impressed to base<br />

21cm tall<br />

$500–800<br />

141<br />

An art deco Indian porcelain horse and<br />

rider by Camille Tharaud for Limoges<br />

with green Limoges factory stamp and<br />

blue underglazed signature ‘Tharaud’<br />

to base<br />

24.5cm high<br />

$600–800<br />

142<br />

A cast metal novelty money box,<br />

probably American<br />

modelled as a bird feeding her chicks<br />

15cm high<br />

$600–800<br />

143<br />

A set of four Moser gilded green<br />

faceted stemmed glasses, late<br />

19th century<br />

18.5cm high<br />

$600–800<br />

137


38<br />

150<br />

A Shigeo Shiga bottle vase<br />

25cm high<br />

$1,000–1,500<br />

151<br />

A Japanese cloisonné butterfly vase<br />

with impressed character mark<br />

to the base<br />

26cm high<br />

$500–800<br />

152<br />

A Queen’s Burmese ware comport and<br />

a ‘Jack in the pulpit’ vase, 19th century<br />

the comport 11.5cm high<br />

$400–600<br />

153<br />

Three Queen’s Burmese ware vases,<br />

19th century<br />

each with a typical pink blush to<br />

pale yellow variously hand painted<br />

with swags of oak leaves, ivy<br />

and raspberry bush<br />

the largest 10.5cm high<br />

$600–800<br />

150<br />

154<br />

OKADA KENZO (BORN 1948)<br />

Vase<br />

earthenware<br />

abstract shell pattern, signed ‘KENZO’<br />

to the base<br />

34cm high<br />

$2,000–3,000<br />

155<br />

A Japanese bronze vase, 20th century<br />

of compressed ovoid form decorated<br />

with flowers, impressed character<br />

marks to the base<br />

20cm high<br />

$400–600<br />

154


39<br />

156<br />

QIAN JIAN HUA (CHINESE)<br />

Pregnant Figure<br />

sculpted timber<br />

67cm high<br />

PROVENANCE<br />

Robin Gibson Gallery, Sydney<br />

$800–1,200<br />

157<br />

A Rosenthal porcelain figurine<br />

of two satyr’s<br />

with green factory stamp<br />

‘Rosenthal Selb-Bavaria’ to base<br />

26cm high<br />

$400–600<br />

158<br />

A hand painted gilded blue glass carafe<br />

20cm high<br />

$200–300<br />

159<br />

A Pierrot figured porcelain dish,<br />

probably French, late 19th century<br />

numbered ‘23159’ to base<br />

8cm high<br />

$200–300<br />

160<br />

Two Moorcroft enamel boxes and a<br />

polar bear vase, circa 1990’s<br />

the vase 9cm high<br />

$600–800<br />

156


40<br />

161<br />

A French Art Deco marble top wrought<br />

iron console, circa 1920<br />

85cm high, 86cm wide, 30cm deep<br />

$3,000–5,000<br />

162<br />

An Italian ceramic bust of a girl,<br />

circa 1930<br />

marked B135 123/25K and labelled<br />

‘ITALY’ to the inside of the base<br />

27cm high<br />

$400–600<br />

163<br />

A Viennese terracotta bust of the<br />

Madonna, 20th century<br />

stamped ‘Vienna, Keramos’ and<br />

editioned 861/D.A to base<br />

35cm high<br />

$400–600<br />

161<br />

164<br />

An Art Deco wrought iron and marble<br />

wall shelf, attributed to Edgar Brandt<br />

(French, 1880-1960)<br />

with a central scroll decorated apron<br />

and a curved support with a black<br />

veined marble top<br />

32cm high, 42cm wide, 26cm<br />

$1,000–1,500<br />

164


41<br />

165<br />

A French Art Deco wrought iron hall<br />

stand, in the Edgar Brandt style<br />

with a central arched mirror panel<br />

204cm high, 85cm high, 15cm deep<br />

$6,000–8,000<br />

166<br />

A Lenci Art Deco porcelain figure<br />

of a girl, Italian, circa 1936<br />

marked 1005 and signed ‘Lenci’ to base<br />

28.5cm high<br />

$1,000–1,500<br />

167<br />

A Royal Doulton Polly Peachum<br />

miniature figure, circa 1920<br />

with green factory mark, figure title<br />

and editioned ‘M.23’ to base<br />

6cm high<br />

$300–500<br />

168<br />

A Royal Copenhagen porcelain statue<br />

of Prometheus kissing a nymph, by<br />

Theodor Johan Lundberg<br />

with underglaze monogram for<br />

Lundberg, impressed green factory<br />

mark and editioned 1132 to the interior<br />

47cm high<br />

$1,000–1,500<br />

169<br />

A Belgian Art Nouveau gilt brass planter<br />

box, circa 1920<br />

with a conforming blue glass liner<br />

12cm high, 25cm wide, 8.5cm deep<br />

$400–600<br />

170<br />

A French Art Deco porcelain figure of<br />

Pierrette<br />

hand painted and monogrammed ‘DAX’<br />

to right corner of base<br />

34cm high<br />

$400–600<br />

165


42<br />

171<br />

A chrome Stand lamp by Marcel Breuer,<br />

1925<br />

impressed ‘Marcel Breuer PARIS<br />

EXPOSITION 1925’ circular mark<br />

51cm high<br />

NOTE<br />

This lamp was designed by Marcel<br />

Breuer for the International Exposition<br />

of Modern Industrial and Decorative<br />

Arts, Paris, 1925<br />

$2,000–3,000<br />

172<br />

A William Moorcroft ‘Dawn’ pattern<br />

vase, circa 1930<br />

of baluster form, blue underglaze<br />

signature ‘WM Moorcroft’ and<br />

impressed ‘Moorcroft, Made in England’<br />

21cm high<br />

$1,000–1,500<br />

171<br />

172


43<br />

173<br />

Two Moorcroft enamel vases,<br />

circa 1990<br />

in the moonlit blue and Florian ware<br />

pattern, stamped ‘Moorcroft’ and<br />

initialled SD and JHS to each base<br />

9cm high<br />

$600–800<br />

174<br />

A George V sterling silver mounted<br />

lapis lazuli jewel casket by Hardy<br />

Brothers, London 1933<br />

of rectangular form inset with panels of<br />

translucent Lapis Lazuli<br />

7cm high, 20cm wide, 10cm deep<br />

$2,500–3,500<br />

175<br />

An Italian porcelain plaque of Madonna<br />

of the Prayer<br />

titled and signed ‘Madonna Della<br />

Preghiera Di Nori’ to back<br />

30cm high<br />

$200–300<br />

173<br />

176<br />

A Fraureuth porcelain covered bowl,<br />

German<br />

surmounted by a boy holding a ball<br />

with green factory mark and ‘Fraureuth<br />

Kunstabteilung’ stamped to base<br />

editioned 23/687 536 to base<br />

24cm high<br />

$800–1,200<br />

174


44<br />

177<br />

A bronze figure of a horse by Pierre<br />

Jules Mêne (1810–1879)<br />

converted to an Australian agricultural<br />

trophy, circa 1900, on a rouge marble<br />

base inscribed ‘Gascoyne Pastoralists<br />

Association Trophy presented to D.N.<br />

MCCLEOD ESQ. for largest number<br />

of points gained for awards at annual<br />

show 1906’<br />

46cm high<br />

$4,000–6,000<br />

178<br />

A 1924 British Empire Exhibition bronze<br />

commemorative medallion<br />

in a red leather box<br />

7.7cm diameter<br />

$200–300<br />

179<br />

A Royal Copenhagen figure of a satyr<br />

and goat<br />

stamped ‘Royal Copenhagen Denmark’<br />

factory mark and numbered 737<br />

to base<br />

initialled FN to base<br />

21cm high<br />

$300–500<br />

180<br />

A German porcelain figurine of Pierrot<br />

15cm high<br />

$300–500<br />

181<br />

A porcelain box in the form of<br />

embracing Pierrot & Pierrette, French,<br />

early 20th century<br />

25cm high<br />

$200–300<br />

182<br />

A Royal Copenhagen figure of a satyr<br />

and a parrot<br />

stamped ‘Royal Copenhagen Denmark’<br />

in green and numbered 752 to base<br />

initialled hax to base<br />

18cm high<br />

$400–600<br />

183<br />

An Art Deco alabaster and coral box by<br />

Hardy Brothers Ltd, England<br />

the coral finely carved and inlaid in a<br />

geometric design<br />

with gilt washed hinge<br />

6cm high, 13cm wide, 10cm deep<br />

$300–500<br />

184<br />

A Rosenthal porcelain figure of a satyr<br />

peering at a crocodile, 1918<br />

signed ‘Ferd Lieberman’ to back<br />

with green underglazed factory mark<br />

‘Rosenthal Kunst-Abteilung’ and<br />

stamped with ‘1914 1918’ and iron<br />

cross to base<br />

36cm high<br />

$600–800<br />

177


45<br />

185<br />

185<br />

A pair of patinated bronze equestrian<br />

cavalier figures, German, 19th century<br />

each modelled as a horseman astride a<br />

rearing horse<br />

27cm high<br />

$4,000–6,000<br />

186<br />

A George V sterling silver mounted<br />

tortoiseshell box, Finnigans, New Bond<br />

Street, London 1913<br />

of rectangular form with classical<br />

gadrooned borders<br />

8cm high, 23cm wide, 18cm deep<br />

PROVENANCE<br />

Romayne Munro (née Hordern) of<br />

Point Piper and Milton Park, Bowral.<br />

NOTE<br />

Benjamin Finnigan opened a workshop<br />

in Newton Street Mill, and a Finnigans<br />

shop in 15 Market Street, both in<br />

Manchester. Finnigans was originally<br />

known for the manufacturing of high<br />

quality dressing cases and travelling<br />

trunks.<br />

Benjamin Finnigan registered marks<br />

with both Chester and London assay<br />

offices in 1830.<br />

When Benjamin died in 1868 he was<br />

succeeded by his son William Finnigan,<br />

who embodied the second generation<br />

of the family’s firm.<br />

In 1879, William opened a Finnigans<br />

shop at New Bond Street, London.<br />

Relatively quickly, American millionaires<br />

such as the Vanderbilts, the<br />

Rockefellers and the Fords joined the<br />

house’s customer base.<br />

Interestingly, opposite to Finnigans on<br />

New Bond Street was the firm Asprey.<br />

The two houses enjoyed a friendly and<br />

highly competitive rivalry benefiting<br />

both companies.<br />

At this time while still specializing in<br />

leather and saddlery, they diverged and<br />

started selling clocks, watches, and<br />

silverware.<br />

Finnigans Ltd registered marks at the<br />

London, Sheffield, Chester and Dublin<br />

offices in 1901, and subsequently with<br />

the Birmingham Assay office in 1904.<br />

The company thrived untiI 1968 when<br />

Finnigans closed its New Bond Street<br />

store in London. It continued to run as a<br />

family business until it shut down its last<br />

store in 1988. The family were bought<br />

out around this time by a company<br />

called Hoopers.<br />

Today, Finnigans Ltd now belongs to<br />

the Luvanis company, who specialise in<br />

reviving dormant brands.<br />

$800–1,200 ♦<br />

187<br />

A 1911 George V Coronation<br />

Official Silver Medal, by Sir (Edgar)<br />

Bertram Mackennal<br />

The Official medal issued to<br />

commemorate the coronation of<br />

King George V<br />

Obverse: Crowned bust of King George<br />

V with legend George V Crowned<br />

June 22, 1911<br />

Reverse: Crowned bust of Queen Mary<br />

with legend Queen Mary June 22, 1911<br />

within a red leather box<br />

8.5 x 8.5cm<br />

$100–200


46<br />

188


47<br />

188<br />

A French Art Deco wrought iron hall<br />

stand, circa 1920<br />

with a central mirror panel<br />

182cm high, 121cm wide, 25cm deep<br />

$2,000–3,000<br />

189<br />

A pair of French art deco wrought iron<br />

marble top console tables and mirrors<br />

166cm high, 81cm wide, 40cm deep<br />

$4,000–6,000<br />

190<br />

An Art Deco bronze figure of a dancer,<br />

after the original by Chiparus<br />

on a black marble base, foundry mark<br />

and replica signature ‘DH Chiparus’ to<br />

back of the bronze base<br />

65cm high<br />

$2,000–3,000<br />

189


48<br />

191<br />

A glazed Goldscheider Keramik style<br />

pottery bust of a schoolboy, Austrian,<br />

circa 1900<br />

37cm high, 36cm wide, 20cm deep<br />

PROVENANCE<br />

John Hawkins Antiques<br />

$1,500–2,500<br />

192<br />

A large Royal Dux figure of an Arab<br />

riding a camel, circa 1925<br />

applied triangle mark and incised<br />

model number to base<br />

60cm high<br />

$1,500–2,500<br />

191<br />

193<br />

A French lustre glazed terracotta<br />

Delaunay jug<br />

with black underglazed signature<br />

‘DELAUNAY’ to side<br />

32cm high<br />

$400–600<br />

192 193


49<br />

194<br />

194<br />

JOHN ROGERS<br />

Domain Road, South Yarra 1948<br />

watercolour<br />

signed, dated and titled lower left:<br />

Rogers 48 Domain Road South Yarra<br />

18 x 23.5cm<br />

$400–600<br />

195<br />

A patinated cast iron Boston terrier<br />

door stop<br />

25cm high, 24cm wide<br />

$1,000–1,500<br />

196<br />

A pair of micro-mosaic picture frames,<br />

19th century<br />

each decorated with a conforming<br />

floral design<br />

3.8 x 4.8cm<br />

$300–500<br />

195


50<br />

197<br />

A Rosenthal Studio Line porcelain<br />

plaque<br />

The Andy Warhol Collection<br />

Wandbild Flowers<br />

limited edition tile: 01/49<br />

48.5 x 48.5cm<br />

$2,000–3,000<br />

198<br />

A Rosenthal Studio Line porcelain<br />

plaque<br />

The Andy Warhol Collection<br />

Campbell’s Soup<br />

limited edition tile: 25/49<br />

48.5 x 48.5cm<br />

$2,000–3,000<br />

199<br />

A Rosenthal Studio Line porcelain<br />

plaque<br />

The Andy Warhol Collection<br />

Wandbild Flowers<br />

limited edition tile: 03/49<br />

48.5 x 48.5cm<br />

$2,000–3,000<br />

197<br />

200<br />

A Rosenthal Studio Line porcelain<br />

plaque<br />

The Andy Warhol Collection<br />

Wandbild Marilyn<br />

limited edition tile: 16/49<br />

48.5 x 48.5cm<br />

$2,000–3,000<br />

201<br />

A faceted blue glass vase designed by<br />

Josef Hoffman for Moser<br />

21cm high<br />

$1,000–1,500<br />

202<br />

Two Moorcroft enamel covered jarlets,<br />

circa 1990<br />

in the moonlit blue and plums pattern,<br />

stamped ‘Moorcroft’ to each base<br />

5.5cm high<br />

$400–600<br />

198


51<br />

203<br />

A large carved elm sculpture of a horse,<br />

late 19th century<br />

90cm high<br />

$1,200–1,500<br />

204<br />

A pair of large majolica jardinières,<br />

probably Longwy, late 19th century<br />

42cm high, 35cm diameter<br />

$2,000–3,000<br />

205<br />

A Moorcroft enamels ‘Polar Bear’<br />

covered jarlet, late 20th century<br />

with original box, marked Moorcroft,<br />

Made In England, C99<br />

7cm high<br />

$200–300<br />

206<br />

FRANK MALERBA<br />

Construction<br />

painted and welded steel<br />

signed with initials and editioned to<br />

base: FM 5/6<br />

40cm high, 32cm wide, 16.5cm deep<br />

$300-500<br />

203<br />

204


52<br />

207<br />

A French Art Deco wrought iron hall<br />

stand, circa 1920<br />

186cm high, 79cm wide, 26cm deep<br />

$1,500–2,500<br />

208<br />

A Mt. Washington glass peach blow<br />

double gourd vase, 19th century<br />

graduated pale pink to pale yellow,<br />

painted with a swirling peony motif<br />

23cm high<br />

$1,500–2,500<br />

209<br />

A large polished green fluorite<br />

crystal orb<br />

23cm diameter<br />

$500–800<br />

207


53<br />

210<br />

An Art Deco ebonised wood and sipo<br />

bookshelf by Ruhlmann<br />

with chrome fittings to base<br />

87cm high, 249.5cm wide, 45cm deep<br />

$4,000–6,000<br />

211<br />

A pair of Moorcroft enamel miniature<br />

covered jars, circa 1990<br />

in the eventide pattern and blue poppy<br />

pattern, stamped ‘Moorcroft’ and<br />

initialled ‘JOT’ and ‘JH’ to each base<br />

7cm high<br />

$400–600<br />

212<br />

A Chinoiserie style porcelain figure<br />

modelled as a semi-draped<br />

female nude<br />

30cm high<br />

$200–300<br />

213<br />

A Doulton Rembrandt ware portrait<br />

vase, circa 1900<br />

decorated with a portrait<br />

of Nicolas Poussin<br />

signed ‘DOULTON’ to the base<br />

32cm tall<br />

$800–1,200<br />

214<br />

A Chinese silver splashed blue<br />

glass vase<br />

25cm high<br />

$500–800<br />

215<br />

A Crystal Lalique ‘Yasna’ vase<br />

the frosted square form body with<br />

gilded rim, factory signature ‘Lalique<br />

France’ etched to base<br />

20cm high<br />

$1,000–1,500<br />

216<br />

A large chequer board eggshell<br />

lacquer tray, 20th century<br />

3cm high, 70cm wide, 35cm deep<br />

$200–300<br />

217<br />

A Wedgwood limited edition<br />

‘Fairyland Magic’ cabinet plate<br />

titled ‘Imps and Fairies on a Bridge<br />

and Treehouse’ and editioned 566a<br />

to the back<br />

printed factory marks<br />

20cm diameter<br />

$100–200<br />

210


54<br />

218<br />

218<br />

EUROPEAN SCHOOL<br />

Interior Design<br />

gouache and watercolour<br />

30.5 x 97cm<br />

$600–800<br />

219<br />

A French Art Deco marble top wrought<br />

iron console, circa 1920<br />

99cm high, 131cm wide, 30cm<br />

$2,000–3,000<br />

220<br />

Two micro mosaic floral decorated<br />

picture frames, late 19th century<br />

each with a repeating daisy pattern on<br />

a blue ground<br />

the arched frame 19.5 x 15cm,<br />

the horseshoe 12 x 10.5cm<br />

$300–500<br />

219


55<br />

221<br />

A French Art Deco mirror, in the Edgar<br />

Brandt style, circa 1920<br />

56 x 40cm<br />

$1,000–1,500<br />

222<br />

A pair of French brass and enamel opera<br />

glasses<br />

with mother of pearl eye pieces and<br />

original case<br />

6.3 x 10.4cm<br />

$300–500<br />

223<br />

A pair of mother of pearl opera glasses<br />

by J.R. Rowland, Melbourne<br />

9.2 x 10.4cm<br />

$300–500<br />

221<br />

224<br />

A French Art Deco marble top wrought<br />

iron console and mirror, circa 1925<br />

the console 93cm high, 58cm wide,<br />

35cm deep<br />

$4,000–6,000<br />

225<br />

Two Moorcroft enamel pill boxes,<br />

circa 1990<br />

one decorated in the moonlit blue<br />

pattern, the other with anemone<br />

5.5cm diameter<br />

$400–600<br />

226<br />

A small pierced enamel trinket box<br />

2.3cm high, 8.2cm wide, 5.2cm deep<br />

$100–200<br />

224


56<br />

235<br />

Tissot manual wind wristwatch,<br />

circa 1940s<br />

grey dial with gold numbers and hands<br />

to a 9ct gold case<br />

$200–300<br />

236<br />

Jewelex manual wind wristwatch,<br />

circa 1940s<br />

gold dial with Roman numerals to a 9ct<br />

gold case<br />

$200–300<br />

227<br />

237<br />

A Ernest Borel kaleidoscope<br />

wristwatch, circa 1950s<br />

rolled gold case<br />

$100–200<br />

227<br />

An Anglo Indian Vizagapatam silver and<br />

ivory inlaid box, late 19th century<br />

6cm high, 12.5cm wide, 10cm deep<br />

$600–800<br />

228<br />

A pair of brass mounted ivory opera<br />

glasses, 19th century<br />

5.4 x 10cm<br />

$200–300<br />

229<br />

A brass and ivory magnifying<br />

glass,19th century<br />

the curved handle carved with a dogs<br />

head<br />

20cm long<br />

$100–200<br />

230<br />

An Lord Elgin manual wind wristwatch,<br />

circa 1940s<br />

black dial with gold batons and hands<br />

roll gold and steel case<br />

2 x 2cm<br />

$60–80<br />

231<br />

An Bulova Accutron wristwatch,<br />

circa 1940s<br />

gold dial with gold batons<br />

date at three to a 14ct gold case<br />

$300–400<br />

232<br />

Ritex Deluxe manual wind wristwatch,<br />

circa 1940s<br />

gold dial with Arabic numerals to a 9ct<br />

gold case<br />

$200–300<br />

233<br />

Benrus manual wind wristwatch,<br />

circa 1940s<br />

silver dial, gold Arabic numbers to a<br />

14ct gold case<br />

$200–300<br />

234<br />

Ernest Borel kaleidoscope wrist watch,<br />

circa 1950s<br />

rolled gold case<br />

$100–200<br />

238<br />

Gents’ manual wind wrist watch,<br />

circa 1940s<br />

gold dial with numbers and batons to a<br />

9ct gold case<br />

$160–200<br />

239<br />

A collection of leather and simulated<br />

snake skin watch bands<br />

$100–200<br />

240<br />

A pair of circular enamel framed portrait<br />

miniatures<br />

each with a printed image of a<br />

clergyman<br />

11cm diameter<br />

$400–600<br />

241<br />

Two Italian floral decorated oval micro<br />

mosaic picture frames<br />

6.8 x 5.5cm<br />

$200–300<br />

242<br />

A Continental silver Art Nouveau style<br />

picture frame, 20th century<br />

with a relief decorated fairy design<br />

9.3 x 5.8cm<br />

$300–500


57<br />

243<br />

An Art Deco wrought iron vitrine, French<br />

210cm high, 99.5cm wide, 50cm deep<br />

$2,000–3,000<br />

244<br />

An Art Deco display cabinet by Brot,<br />

German, circa 1930<br />

175cm high, 80cm wide, 40cm deep<br />

$2,500–3,500<br />

245<br />

An Art Deco Le Verre Francais glass<br />

hanging light, circa 1920<br />

the opaque mottled purple glass cut in<br />

a star pattern, with etched ‘Le Verre -<br />

Francais’ signature to outer rim<br />

35.5cm diameter<br />

$500–800<br />

246<br />

A pair of carved amethyst crystal<br />

spheres<br />

20cm diameter<br />

$1,500–2,500<br />

247<br />

Two Royal Copenhagen figurines of<br />

seated Balinese women by Dahl Jensen<br />

with green ‘DJ Copenhagen Denmark’<br />

factory marks, editioned 1136 and<br />

1238 and green underglaze initials<br />

to base<br />

22cm high<br />

$500–800<br />

248<br />

An Art Deco bronze display cabinet<br />

180cm high, 120cm wide, 35cm deep<br />

$2,500–3,500<br />

249<br />

A bronze figure of a stallion<br />

by Mary Pinsent<br />

29cm high<br />

$200–300<br />

243


58<br />

250<br />

250<br />

AN ART DECO DIAMOND COCKTAIL<br />

BRACELET<br />

Featuring open-centred mixed cut<br />

diamond set links, diamond set joiners,<br />

all totalling approximately 4.50cts;<br />

mounted in platinum. French hallmarks.<br />

Weight 18.2g. Length 17.5cms.<br />

$5,000–8,000<br />

251<br />

AN EMERALD AND DIAMOND<br />

CLUSTER RING<br />

Centrally set faceted oval cut emerald<br />

of 1.20cts, surrounded by a floral round<br />

brilliant cut diamond surround totalling<br />

0.80cts; 18ct white and yellow gold.<br />

Weight 9.4g. Ring size O.<br />

$1,800–2,500<br />

252<br />

AN AQUAMARINE, DIAMOND AND<br />

SAPPHIRE CLUSTER RING<br />

Featuring a faceted oval cut<br />

aquamarine of approximately 2.80cts,<br />

flanked by two faceted round cut<br />

sapphires, diamond set surround and<br />

shoulders; 18ct white gold. Weight<br />

7.00g. Ring size N.<br />

$1,200–1,500<br />

253<br />

A GARNET AND DIAMOND SYNTHETIC<br />

PENDANT NECKLACE<br />

Featuring a pavé set pendant<br />

comprising green garnets, coloured<br />

and white round brilliant cut diamonds<br />

totalling approximately 0.90cts<br />

surrounding a synthetic centre stone,<br />

suspended from a belcher link chain<br />

with green garnet set spacers; 18ct<br />

gold. Total weight 34.3g.<br />

$2,000–3,000<br />

254<br />

A TANZANITE AND PERIDOT RING<br />

Featuring a faceted marquise cut<br />

Tanzanite of 4.30cts, flanked by oval<br />

chequerboard cut peridots; mounted<br />

in 18ct white gold. Weight 7.2g.<br />

Ring size L.<br />

$1,500–2,500<br />

255<br />

A PAIR OF DIAMOND AND GARNET<br />

TASSEL EARRINGS<br />

Featuring a diamond set cage and<br />

bale suspending rows of garnet beads<br />

terminating to a gold bead, approximate<br />

total diamond weight 2.50cts, garnets<br />

totalling 52.20cts; 18ct rose gold. Total<br />

weight 24.2g. Length of drop 9cms.<br />

$2,000–3,000


59<br />

256<br />

256<br />

AN ART DECO-STYLE EMERALD<br />

AND DIAMOND PLAQUE RING<br />

Featuring an emerald cut emerald of<br />

approximately 4.85cts, within a pierced<br />

mount set with pear shaped and round<br />

brilliant cut diamonds totalling 1.80cts;<br />

18ct white gold. Weight 6.9g.<br />

$4,000–6,000<br />

257<br />

257<br />

AN ART-DECO STYLE EMERALD<br />

AND DIAMOND PLAQUE RING<br />

Featuring a faceted oval shaped<br />

emerald of approximately 5.60cts,<br />

within a diamond set plaque; 18ct gold.<br />

Weight 6.8g. Ring size J.<br />

NOTE<br />

Emerald has surface reaching<br />

inclusions and shows sign of colour<br />

enhancement via wax filling.<br />

$5,000–8,000<br />

258<br />

A PAIR OF ART DECO-STYLE<br />

EMERALD, DIAMOND AND ONYX<br />

EARRINGS<br />

Featuring a round brilliant cut diamond<br />

and black onyx drop, terminating to<br />

a pear shaped faceted emerald, total<br />

diamond weight 0.44cts, total emerald<br />

weight approximately 3.40cts; 18ct<br />

white gold. Weight 6.2g.<br />

$6,000–8,000<br />

258


60<br />

259<br />

259<br />

A PAIR OF CARVED JADE EARRINGS<br />

Featuring carved floral-motif drops,<br />

suspended from a 14ct gold mount.<br />

Length 7cms. Total weight 18.2g.<br />

$3,000–5,000<br />

260<br />

A GREEN GARNET, TOURMALINE<br />

AND DIAMOND RING<br />

Set with a faceted pear shaped<br />

green garnet of approximately<br />

5.00cts, flanked by pear shaped pink<br />

tourmalines, bordered by round brilliant<br />

cut diamonds; 18ct white and yellow<br />

gold. Weight 5.1g. Ring size L.<br />

$1,400–1,800<br />

261<br />

A MORGANITE AND DIAMOND<br />

COCKTAIL RING<br />

Featuring a faceted oval cut morganite<br />

totalling 13.10cts, flanked by two round<br />

brilliant cut diamonds totalling 0.75cts<br />

with further diamond detail to the<br />

shoulders; 18ct rose gold. Weight 7.3g.<br />

Ring size O.<br />

$3,500–5,000<br />

262<br />

A BIWA PEARL AND DIAMOND<br />

CHOKER<br />

Featuring multi-stands of Biwa pearls<br />

closing to a diamond set barrel clasp<br />

totalling 0.40cts; 14ct gold. Length<br />

26cms.<br />

$700–900


61<br />

263<br />

A ‘CAMELIA’ RING BY CHANEL<br />

Featuring two carved ceramic camelias,<br />

black and white, diamond set shoulders,<br />

cross-over design; 18ct white gold.<br />

Fully hallmarked No: T31663 050 AU<br />

750 BAUMER. Ring size K.<br />

$2,000–3,000<br />

264<br />

A TUTTI FRUTTI GEM SET BRACELET<br />

Featuring black onyx bordered panels<br />

set with carved emeralds, rubies,<br />

faceted sapphires and round brilliant<br />

cut diamonds totalling approximately<br />

3.10cts; 18ct gold. Italian hallmarks.<br />

Weight 137.1g. Length 19cms.<br />

$7,000–9,000<br />

263<br />

265<br />

AN AMETRINE PENDANT<br />

Featuring a large faceted rectangular<br />

cut ametrine totalling 57.25cts, round<br />

brilliant cut diamond set bale; 18ct<br />

white gold. Weight 27.7g.<br />

$1,500–2,000<br />

264


62<br />

266<br />

266<br />

AN AQUAMARINE AND DIAMOND<br />

COCKTAIL RING<br />

Featuring an octagonal emerald cut<br />

aquamarine totalling 11.75cts, mounted<br />

within a rub-over setting, surrounded<br />

by round brilliant cut diamonds totalling<br />

1.10cts; platinum and 18ct gold. Weight<br />

11.6g. Ring size Q.<br />

$4,000–6,000<br />

267<br />

A TANZANITE AND DIAMOND DRESS<br />

RING<br />

Featuring a fancy oval faceted Tanzanite<br />

of 9.15cts, shouldered by round brilliant<br />

cut diamonds totalling 0.42cts; 18ct<br />

white gold. Weight 7.2g. Ring size T.<br />

$2,800–3,500<br />

268<br />

A PAIR OF PERIDOT AND WHITE<br />

STONE EARRINGS<br />

Featuring a faceted pear shaped<br />

peridot within a pierced stone set<br />

mount; 9ct white gold.<br />

$400–600<br />

269<br />

A TOPAZ COCKTAIL BRACELET<br />

Comprising a double row of cabochon<br />

cut blue topaz totalling 121.50cts,<br />

spaced by round brilliant cut diamonds<br />

totalling 0.60cts; mounted in 18ct white<br />

gold. Weight 41.5g. Length 17cms.<br />

$1,800–2,500<br />

270<br />

A TANZANITE AND DIAMOND RING<br />

Featuring a faceted oval shaped<br />

Tanzanite totalling 2.25cts within a<br />

milligrain mount with baguette cut<br />

diamond set shoulders totalling<br />

0.25cts; 18ct white gold. Weight 3.8g.<br />

Ring size M.<br />

$1,200–1,500<br />

271<br />

A DIAMOND SET KEY PENDANT<br />

Tiffany-style key pendant set<br />

throughout with round brilliant cut<br />

diamonds totalling 1.40cts, on a white<br />

gold trace chain; 18ct white gold. Total<br />

weight 9.7g.<br />

$1,500–2,500


63<br />

272<br />

273<br />

272<br />

A TANZANITE AND DIAMOND<br />

DRESS RING<br />

Featuring an oval chequerboard cut<br />

Tanzanite of approximately 7.50cts,<br />

flanked by two round brilliant cut<br />

diamonds totalling 0.30cts; 18ct white<br />

gold. Weight 5.9g. Ring size M.<br />

$4,000–6,000<br />

273<br />

A SAPPHIRE AND DIAMOND<br />

DRESS RING<br />

Featuring a deep blue oval faceted<br />

sapphire of 1.35cts, tapered baguette<br />

cut sapphire shoulders, surrounded by<br />

a round brilliant cut diamond border<br />

totalling 0.80cts; 18ct white gold.<br />

Weight 5.7g. Ring size N.<br />

$1,000–2,000<br />

274<br />

A BULGARI B.ZERO RING<br />

Spring form, stamped Bvlgari to outer<br />

sides of the band, diameter 9.6mm, fully<br />

hallmarked to inside of band; 18ct white<br />

gold. Ring size L. Weight 11g.<br />

$1,500–2,000<br />

275<br />

A MULTI-COLOURED SAPPHIRE<br />

AND DIAMOND RING<br />

Designed as a flower, set with free-form<br />

faceted blue, pink and yellow sapphires<br />

totalling 8.60cts, bordered by round<br />

brilliant cut diamonds totalling 0.50cts;<br />

18ct gold. Weight 5.6g. Ring size M.<br />

$1,000–1,500<br />

276<br />

A LOOSE TANZANITE<br />

Faceted oval cut Tanzanite totalling<br />

16.22cts, purplish deep blue,<br />

measuring 6.1 x 13 x 10.5mm<br />

positive weight of 16.22ct.<br />

$3,000–5,000<br />

277<br />

AN OPAL, DIAMOND AND SAPPHIRE<br />

RING<br />

Featuring a sugarloaf cabochon cut<br />

light crystal opal totalling 3.60cts,<br />

flanked by carre cut sapphires<br />

and surround by round brilliant cut<br />

diamonds totalling 0.52cts; 18ct white<br />

gold. Weight 3.5g. Ring size N.<br />

$1,500–2,500


64<br />

278<br />

278<br />

AN INDIAN GEM SET NECKLACE<br />

Of elaborate design, set throughout<br />

with emeralds, rubies and diamonds,<br />

intricate enamelled barrel links, gem set<br />

enamelled clusters; 22ct gold. Weight<br />

63 grams. Length 42cms.<br />

$3,000–5,000<br />

279<br />

A PAIR OF YELLOW DIAMOND HOOP<br />

EARRINGS<br />

Featuring square princess cut irradiated<br />

yellow diamonds set to the outside<br />

and inside of verso of hoop, totaling<br />

approximately 5.00cts; 18ct gold. Total<br />

weight 18.7g.<br />

$3,000–5,000<br />

280<br />

AN INDIAN GEM SET NECKLET<br />

Featuring an embellished frontal piece<br />

with enamel detail, on a beaded necklet<br />

assessed as chrysophrase and red<br />

jasper; 23ct gold. Weight 31.2g.<br />

$500–800<br />

279


65<br />

281<br />

282<br />

281<br />

A VINTAGE AMETHYST BROOCH<br />

Featuring a faceted oval shaped<br />

amethyst set within a foliate design,<br />

stamped Wager to verso.<br />

$400–600<br />

282<br />

AN ‘ANGEL’ CORAL BROOCH<br />

Featuring a piece of coral carved in<br />

the form of a feather; sterling silver pin.<br />

Weight 11.8g.<br />

$600–800<br />

283<br />

A DIAMOND AND RUBY BAND RING<br />

Set with oval faceted rubies totalling<br />

2.30cts, bordered and spaced by round<br />

brilliant cut diamonds; mounted in<br />

platinum. Weight 8.4g. Ring size N.<br />

$1,500–2,500<br />

284<br />

AN AMBER BANGLE<br />

Featuring a polished amber piece cut<br />

en-cabochon, mounted within a floral<br />

and foliate silver mount.<br />

$140–180<br />

285<br />

A PAIR OF SILVER CUFFLINKS<br />

Featuring enamelled panels with a<br />

horses head, bullet backs; silver. Total<br />

weight 5.7g.<br />

$120–150<br />

286<br />

AN ARTS AND CRAFTS SILVER STONE<br />

SET BROOCH<br />

2.2 x 2.2cm<br />

$100–200<br />

287<br />

A CARVED IVORY BROOCH OF AN<br />

AFRICAN WOMAN<br />

8.2 x 5.5cm<br />

$100–200<br />

288<br />

A CARVED IVORY BROOCH OF A<br />

CUPID, 19TH CENTURY<br />

2.5 x 3.8cm<br />

$100–200<br />

283


66<br />

Property of a Private Collector<br />

289<br />

YOUNG TIMOTHY<br />

DEMPSEY TJUNGURRAYI<br />

(BORN CIRCA 1941)<br />

Rainbow Serpents 1988<br />

acrylic on canvas<br />

signed and inscribed verso: YOUNG<br />

TIMOTHY DEMPSEY Rainbow Serpents<br />

indicating men carrying tall load of<br />

rainbow serpents, symbols + weapons<br />

door items (sic) to hide the most sacred<br />

parts. TINGAI for use for the initiation<br />

of young males. VERY IMPORTANT<br />

SACRED Rainbow Painting, Young<br />

Timothy well known from the Central<br />

desert because the Artist Dempsey is<br />

not prolific.<br />

124 x 77cm<br />

$800–1,200<br />

290<br />

CLIFFORD POSSUM<br />

TJAPALTJARRI<br />

(CIRCA 1933-2002)<br />

Bush Tucker Dreaming 1984<br />

synthetic polymer paint on canvas<br />

signed and dated verso:<br />

CLIFFORD POSSUM 1984<br />

cat no: FW12284<br />

127 x 81.5cm<br />

PROVENANCE<br />

Fireworks Gallery, Brisbane<br />

$3,000–5,000<br />

289


67<br />

290


68<br />

291 292<br />

291<br />

KATHLEEN PETYARRE<br />

(CIRCA 1935 - 2018)<br />

Women’s Camp Sites and<br />

Collecting Yams circa 2003<br />

synthetic polymer paint on canvas<br />

signed and inscribed verso:<br />

Kathleen Petyarre, NO48<br />

88.5 x 59cm<br />

$1,000–1,500<br />

292<br />

EFFIE ROSLYN SERICO<br />

(BORN 1950)<br />

Care of the Earth 2006<br />

synthetic polymer paint on canvas<br />

signed and dated verso:<br />

Effie Serico 2006<br />

70 x 112cm<br />

$500–700<br />

293<br />

CHRISTY McKINLESS<br />

Maranoa River<br />

synthetic polymer paint on canvas<br />

signed and titled verso:<br />

C McKinless MARANOA RIVER<br />

cat no: CM002<br />

83 x 43.5cm<br />

$200–500<br />

294<br />

SHARON DODD<br />

Porcupine Dreaming 2001<br />

synthetic polymer paint on canvas<br />

signed and titled verso:<br />

Sharon Dodd Porcupine Dreaming<br />

42 x 81cm<br />

$400–600<br />

295<br />

SHARON DODD<br />

Rainbow Snake<br />

synthetic polymer paint on canvas<br />

signed and titled verso:<br />

Sharon Dodd Rainbow Snake<br />

39 x 39cm<br />

$250–350<br />

296<br />

SHARON DODD<br />

Carpet Snakes<br />

synthetic polymer paint on canvas<br />

signed and titled verso:<br />

Sharon Dodd Carpet Snakes<br />

cat no. SDC001<br />

40.5 x 61.5cm<br />

$300–500


69<br />

297<br />

TWO BOB TJUNGURRAYI<br />

(CIRCA 1938-2000)<br />

Tingari Circle<br />

synthetic polymer paint on canvas<br />

signed and inscribed verso: TWO BOB<br />

Property Papunya Tula Artists PTA<br />

180 x 89.5cm<br />

$2,000–4,000<br />

298<br />

POLLY WHEELER NAPARULA<br />

(BORN 1946)<br />

New Growth<br />

synthetic polymer paint on canvas<br />

signed verso: Polly<br />

41.5 x 24.5cm<br />

$200–400<br />

299<br />

BARBARA MUNDRABY BUNGAN<br />

Turtle<br />

synthetic polymer paint on canvas<br />

signed lower left: BUNGAN<br />

signed verso:<br />

BARBARA Mundraby Bungan<br />

30 x 30cm<br />

$150–250<br />

300<br />

BARBARA (BUNGAN) MUNDRABY<br />

Reef Creation (Cairns)<br />

synthetic polyer paint on canvas<br />

signed lower left: BUNGAN<br />

signed and titled verso: Barbara<br />

Mundraby Bungan Reef Creations<br />

(Cairns)<br />

45.5 x 45.5cm<br />

$200–400<br />

301<br />

JOY NAKAMARRA<br />

(BORN CIRCA 1956)<br />

Women’s Stories circa 2001<br />

synthetic polymer paint on canvas<br />

signed and titled verso: JOY<br />

NAKAMARRA WOMEN’S STORIES<br />

30 x 30cm<br />

$150–250<br />

297


70<br />

302 303<br />

302<br />

LORNA FENCER NAPARRULA<br />

(CIRCA 1920-2006)<br />

Tanami Desert<br />

synthetic polymer paint on canvas<br />

signed verso:<br />

LORNA FENCER NAPURRULA<br />

80.5 x 60cm<br />

$500–800<br />

303<br />

MINNIE PWERLE (1922-2006)<br />

Melons 2005<br />

synthetic polymer paint on canvas<br />

signed, dated and titled verso:<br />

MINNIE PWERLE 2005 melons<br />

cat no: 24812<br />

70 x 50cm<br />

$700–1,000<br />

304


71<br />

304<br />

JANELLE STOCKMAN<br />

NAPALJARRI (1976-2014)<br />

Untitled<br />

synthetic polymer paint on canvas<br />

signed verso: Janelle Stockman<br />

26 x 26cm<br />

$250–350<br />

305<br />

JOSIE PETRICK KEMERRE<br />

(BORN 1955)<br />

Desert Bush Flowers After Rain<br />

synthetic polymer paint on canvas<br />

signed verso: Josie Petrick Kemmerre<br />

cat no: AAC1557<br />

101 x 50cm<br />

$400–600<br />

306<br />

MARIE WARREN (BORN 1968)<br />

Seven Sisters 2004<br />

synthetic polymer paint on canvas<br />

signed, dated and titled verso: Marie<br />

Warren 2004 Seven Sisters 2004<br />

43 x 45cm<br />

$300–500<br />

307<br />

COLIN WIGHTMAN<br />

Snake Dreaming<br />

synthetic polymer paint on canvas<br />

signed verso: COLIN WIGHTMAN<br />

cat no: CW0082<br />

91 x 182cm<br />

$500–800<br />

308<br />

COLIN WIGHTMAN<br />

Echidna Dreaming 2006<br />

synthetic polymer paint on canvas<br />

signed lower right: Colin Wightman<br />

signed verso: COLIN WIGHTMAN<br />

91.5 x 61cm<br />

$400–600<br />

305


72<br />

309<br />

309<br />

YOUNG TIMOTHY<br />

DEMPSEY TJUNGURRAYI<br />

(BORN CIRCA 191)<br />

Ceremony Dreaming 1988<br />

acrylic on canvas<br />

inscribed verso: YOUNG TIMOTHY<br />

DEMPSEY, Ceremony Dreaming<br />

cat no 0688342YTD<br />

85 x 70cm<br />

$600–900<br />

310<br />

CLIFFORD POSSUM<br />

TJAPALTJARRI<br />

(CIRCA 1933-2002) WITH<br />

COLLABORATIVE ARTISTS<br />

Dawn of Time<br />

synthetic polymer paint on canvas<br />

triptych<br />

one panel signed verso:<br />

C POSSUM Clifford Possum<br />

40.5 x 152cm (each)<br />

$2,000–4,000


73<br />

310


74<br />

311<br />

ADA BIRD PETYARRE<br />

(CIRCA 1930-2004)<br />

Mountain Devil Lizard Dreaming<br />

1997<br />

synthetic polymer paint on canvas<br />

signed and dated verso:<br />

ADA BIRD 1997<br />

inscribed verso:<br />

ADA BIRD PETYARE 1997<br />

cat no: AAC2079<br />

81 x 81cm<br />

$500–800<br />

312<br />

ADA BIRD PETYARRE<br />

(CIRCA 1930-2004)<br />

Mountain Devil Lizard Dreaming<br />

2000<br />

synthetic polymer paint on canvas<br />

signed and dated verso:<br />

ADA BIRD April 2000<br />

cat no: PS5880<br />

31 x 31cm<br />

$400–600<br />

311<br />

313<br />

CLIFFORD POSSUM<br />

TJAPALTJARRI<br />

(CIRCA 1933-2002)<br />

Secret Men’s Business 1995<br />

synthetic polymer paint on canvas<br />

signed and dated verso:<br />

CLIFFORD POSSUM 1995<br />

cat no: AAC1650<br />

125 x 95.5cm<br />

$2,000–3,000<br />

314<br />

GRAHAM TJAPARULLA<br />

(BORN 1975)<br />

Western Desert 2005<br />

synthetic polymer paint on canvas<br />

signed verso: GRAHAM T<br />

inscribed and dated verso: GT04,05<br />

59 x 60.5cm<br />

$300–500<br />

312


75<br />

313


76<br />

315<br />

315<br />

WALALA TJAPALTJARRI<br />

(BORN 1960s)<br />

My Country 1999<br />

sythetic polymer paint on canvas<br />

signed verso: Walala<br />

inscribed and dated verso:<br />

Walala Tjapaltjarri 1999<br />

91.5 x 91.5cm<br />

$1,200–1,500<br />

316<br />

WALALA TJAPALTJARRI<br />

(BORN 1960s)<br />

Untitled<br />

synthetic polymer paint on canvas<br />

signed verso: WALALA<br />

cat no. AFA89811315<br />

90 x 121.5cm<br />

$1,000–1,500


77<br />

316


78<br />

317<br />

318


79<br />

317<br />

GEORGE YAPA TJANGALA<br />

(CIRCA 1925-1989)<br />

Rockpools<br />

inscribed verso: George Yapa<br />

TJANGALA Papunya Tula Artists<br />

Pty Ltd<br />

cat no. GY0102061<br />

60.5 x 91.5cm<br />

$1,000–1,500<br />

318<br />

ANDREW SPENCER<br />

TJAPALTJARRI (BORN 1955)<br />

Tingari Dreaming circa 1996<br />

synthetic polymer paint on canvas<br />

signed, dated and inscribed verso:<br />

Andrew Spencer TJAPALTJARRI Born<br />

in 1955 at Central Mt Wedge Pintubi<br />

He is the community President and<br />

a policeman at Kintore approx 1996<br />

catalogue no: AAC0989<br />

66 x 127cm<br />

$500–800<br />

319<br />

TURKEY TOLSON TJUPURRULA<br />

(1938-2001)<br />

Spears circa 1994<br />

synthetic polymer paint on canvas<br />

inscribed verso:<br />

Turkey Tolsen Tjupurrula<br />

90.5 x 45cm<br />

$1,200–2,000<br />

320<br />

GRAHAM TJAPARULLA<br />

(BORN 1975)<br />

Tinjarri Cycle, Men’s Business<br />

synthetic polymer paint on canvas<br />

signed and inscribed verso:<br />

Graham Graham Tjaparulla<br />

67 x 60.5cm<br />

$300–500<br />

319


80<br />

321<br />

ANDREW SPENCER TJAPALTJARRI<br />

(BORN 1955)<br />

Ceremonial Dreaming 2005<br />

synthetic polymer paint on canvas<br />

signed verso: ANDREW SPENCER<br />

cat no: AST200509<br />

46.5 x 152.5cm<br />

$400–600<br />

322<br />

LINDSAY BIRD MPETYANE<br />

(BORN CIRCA 1935)<br />

Rainbow Serpent Dreaming<br />

Circa 1988<br />

synthetic polymer paint on canvas<br />

signed, dated and inscribed verso:<br />

LINDSAY BIRD PETYARRE MULGOA BORE<br />

NT approx 1988<br />

cat no. AAC15<br />

58 x 129.5cm<br />

$500–700<br />

323<br />

LINDSAY BIRD MPETYANE<br />

(BORN CIRCA 1935)<br />

Untitled Circa 2002<br />

synthetic polymer paint on canvas<br />

signed verso: LINDSAY<br />

18 x 31.5cm<br />

$300–500<br />

324<br />

JIMMY RABUNJA<br />

Waterhole<br />

acrylic on canvas<br />

signed verso: JIMMY RABUNJA<br />

34.5 x 54cm<br />

$300–500<br />

325<br />

DOUGLAS KWARLPE ABBOTT<br />

(BORN 1948)<br />

Haast Bluff 2001<br />

watercolour<br />

signed, dated and inscribed lower left:<br />

DOUGLAS KWARLPE ABBOTT 01 NT<br />

35.5 x 47cm<br />

$300–500<br />

321


81<br />

326<br />

326<br />

MICHAEL NELSON<br />

TJAKAMARRA (1945-2020)<br />

Line Map 2001<br />

synthetic polymer paint on canvas<br />

signed verso: MICHAEL NELSON<br />

cat no: AAC2049<br />

121 x 147cm<br />

$1,200–1,800<br />

327<br />

COLLEEN WALLACE<br />

NUNGURRAYI<br />

Aweyle Yam<br />

synthetic polymer paint on canvas<br />

signed and titled verso:<br />

Colleen Wallace Aweyle Yam<br />

29 x 29cm<br />

$150–250<br />

328<br />

BARBARA KENDA (BORN 1966)<br />

Bush Potato 2000<br />

oil on canvas<br />

signed, dated and titled verso:<br />

BARBARA KENDA 2000 BUSH POTATO<br />

33 x 51.5cm<br />

$200–500<br />

329<br />

ARTIST UNKNOWN<br />

Yadaki Dreaming 2005<br />

synthetic polymer paint on canvas<br />

inscribed verso: yadaki dreaming<br />

62 x 45cm<br />

$200–400<br />

330<br />

EDDIE BLITNER (BORN 1961)<br />

Rain Boy Spirit Rifi<br />

oil on canvas<br />

signed and inscribed verso: Eddie<br />

Blitner Rain boy spirit, Rifi fish<br />

163 x 68.5cm<br />

$200–500<br />

331<br />

PETER OVERS (BORN 1976)<br />

Emu Footprints 2001<br />

synthetic polymer paint on canvas<br />

signed and dated verso:<br />

Peter Overs 2001<br />

60.5 x 50cm<br />

$300–500


82<br />

332 334<br />

332<br />

ADA BIRD PETYARRE<br />

(CIRCA 1930-2004)<br />

Spear Dreaming<br />

synthetic polymer paint on canvas<br />

signed verso: ADA BIRD<br />

96 x 65.5cm<br />

$500–800<br />

333<br />

ANNIE HUNTER PETYARRE<br />

(BORN 1965)<br />

Body Paint<br />

synthentic polymer paint on canvas<br />

signed and titled verso:<br />

Annie Petyarre Body Paint<br />

28.5 x 27.5cm<br />

$120–180<br />

334<br />

AGNES LANE BROWN<br />

Rain Dreaming<br />

acrylic on canvas<br />

signed and inscribed verso: Agnes<br />

Lane Brown, When its rain the lake gets<br />

lot of the water and the ducks came<br />

and maker eggs and they come from<br />

everywhere. Sometime the frog came’s<br />

out the round, Where are little bit of Rain<br />

fall the lake Surprise of water.<br />

stamped verso: ALI-CURUNG<br />

ARLEHEYARENGE NT WOMENS<br />

CENTRE 2014/05<br />

96 x 67cm<br />

$600–900<br />

335<br />

ADA BIRD PETYARRE<br />

(CIRCA 1930-2004)<br />

AND JUNE BIRD NGALE<br />

Bush Myths 1992<br />

synthetic polymer paint on canvas<br />

signed and inscribed verso: Ada<br />

Bird and June Bird, MULGOA BORE<br />

NORTHERN TERRITORY, TRADITIONAL<br />

CORROBOREE BODY PAINT<br />

inscribed verso:<br />

AAC 2137 TOOAC 1004<br />

76.5 x 124cm<br />

$700–1,200


83<br />

335


84<br />

336<br />

LINDSAY BIRD MPETYANE<br />

(1935-1945)<br />

Story of Tjankana Circa 1988<br />

synthetic polymer paint<br />

signed and titled verso: LINDSAY,<br />

LINDSAY BIRD PETYARRE MULGOA<br />

BORE NT STORY OF TJANKANA<br />

approx 1988<br />

cat no: AAC1313<br />

130 x 74cm<br />

$400–600<br />

337<br />

SHANE HANSEN YONDEE<br />

(BORN 1964)<br />

Story and Journey circa 2005<br />

acrylic on canvas<br />

signed and titled verso: DONE BY<br />

YONDEE STORY + JOURNEY<br />

80 x 80cm<br />

$300–500<br />

338<br />

SHANE HANSEN YONDEE<br />

(BORN 1964)<br />

Kangaroo Eyes circa 2005<br />

acrylic on canvas<br />

signed and titled verso: DONE BY<br />

YONDEE KANGAROO EYES<br />

79.5 x 80cm<br />

$300–500<br />

339<br />

JOHANNES KATAKARINGA<br />

(BORN 1956)<br />

Central Australia circa 2000<br />

watercolour<br />

signed lower right:<br />

JOHANNES KATAKARINGA<br />

25 x 36.5cm<br />

$300–500<br />

336


85<br />

340<br />

340<br />

DOUGLAS KWARPLE ABBOTT<br />

(BORN 1948)<br />

Hermannsburg 1997<br />

watercolour<br />

signed, dated and inscribed lower right:<br />

DOUGLAS KWARPLE ABBOTT<br />

21 x 33.5cm<br />

$300–500<br />

341<br />

DOUGLAS KWARLPE ABBOTT<br />

(BORN 1948)<br />

The Olgas Central Desert 2001<br />

watercolour<br />

signed, dated and inscribed lower right:<br />

DOUGLAS KWARLPE ABBOTT NT01<br />

35 x 47.5cm<br />

$300–500<br />

342<br />

SHANE HANSEN YONDEE<br />

(BORN 1964)<br />

Sunset Dreaming<br />

Rainbow Serpent<br />

Wagul Dreaming<br />

Gnamma Holes<br />

Kangaroo Tracks<br />

Witchetty Grubs<br />

Boomerang Dreaming<br />

seven acrylic on canvas<br />

each signed and titled verso:<br />

YONDEE (with title)<br />

40 x 40cm (each)<br />

$200–400<br />

343<br />

SHANE HANSEN YONDEE<br />

(BORN 1964)<br />

Big Country Burning<br />

sythetic polymer paint on canvas<br />

inscribed verso: DONE BY YONDEE,<br />

BIG COUNTRY BURNING. THIS IS THE<br />

ANCIENT METHOD OF CLEANING THE<br />

LAND AND BRINGING FOOD BACK. IF<br />

YOU FOCUS ON THE PAINTING AND<br />

THEN WALK TOWARDS IT IT WILL<br />

HEAT UP<br />

101.5 x 101.5cm<br />

$300–600<br />

344<br />

BARBARA CHARLES<br />

NAPALJARRI<br />

(BORN CIRCA 1959)<br />

Goanna Dreaming<br />

synthetic polymer paint on canvas<br />

signed verso:<br />

BARBARA CHARLES NABALDJARI<br />

70 x 49.5cm<br />

$400–600


86<br />

345<br />

HELEN FERRANDO<br />

ARANTANUWI<br />

Bird Pukumani pole, Tiwi Islands<br />

natural earth pigments on carved wood<br />

175cm high<br />

$500–800<br />

346<br />

BEDE TUNGALUM (BORN 1952)<br />

Bird, Tiwi Islands<br />

natural earth pigments on carved wood<br />

60.5cm high<br />

$250–450<br />

347<br />

HELEN FERRANDO<br />

ARANTANUWI<br />

Pukumani pole, Tiwi Islands<br />

natural earth pigments on carved wood<br />

inscribed on base: FTCSK<br />

164cm high<br />

$500–800<br />

348<br />

JOHN PATRICK KELANTUMAMA<br />

(BORN 1952)<br />

Pukumani pole, Tiwi Islands<br />

natural earth pigments on carved wood<br />

62cm high<br />

$300–500<br />

349<br />

JOHN PATRICK KELANTUMAMA<br />

(BORN 1952)<br />

Bird, Tiwi Islands<br />

natural earth pigments on carved wood<br />

71cm high<br />

$300–500<br />

345<br />

346


87<br />

350<br />

SIMEON PORTAMINNI<br />

Head, Tiwi Islands<br />

natural earth pigments on carved wood<br />

47cm high<br />

$200–400<br />

351<br />

WILLAM PARMBUCK<br />

(BORN 1955)<br />

Bird, Tiwi Islands<br />

carved and painted wood<br />

42cm high<br />

$200–400<br />

352<br />

WILLAM PAMBUCK (BORN 1955)<br />

Bird, Tiwi Islands<br />

carved and painted wood<br />

72cm high<br />

$300–500<br />

353<br />

WILLIAM PARMBUCK<br />

(BORN 1955)<br />

Water Creatures 1998<br />

acrylic on canvas<br />

signed lower right and centre left:<br />

W PARMBUK, William PARMBUCK<br />

60.5 x 76cm<br />

$300–600<br />

354<br />

Tiwi Island bird<br />

carved and painted wood<br />

35.5cm high<br />

$120–180<br />

350 351 352


88<br />

355<br />

355<br />

LADDIE TIMBERRY<br />

(LA PEROUSE MAN)<br />

(1941-2019)<br />

Wooden shield<br />

carved and incised wood<br />

signed, inscribed and dated:<br />

Laddie Timberry 1989 Australia<br />

55cm, 23.5cm, 6cm<br />

$300–600<br />

356<br />

Sepik River ancestral spirit figure,<br />

New Guinea<br />

carved and painted and coloured wood<br />

with shells and textile decoration<br />

34cm high<br />

$300–600<br />

357<br />

Shark tooth sword, New Guinea<br />

carved wood with shark teeth<br />

and textile<br />

76cm high, 7.5cm wide, 3.5cm deep<br />

$120–180<br />

358<br />

South Pacific wall mask<br />

carved and incised wood<br />

99cm high, 15cm wide, 4.5cm deep<br />

$250–450<br />

359<br />

South Pacific wall mask<br />

carved, painted and incised wood<br />

99cm high, 15cm wide, 7cm deep<br />

$300–500<br />

360<br />

South Pacific ceremonial mask<br />

carved, incised and painted wood<br />

102cm high<br />

$120–180<br />

361<br />

CHRISTY McKINLESS<br />

Maranoa Shield Design<br />

synthetic polymer on canvas<br />

signed and titled verso:<br />

Christy McKinless,<br />

MARANOA SHIELD DESIGN<br />

cat no: CM0010<br />

39.5 x 39.5cm<br />

$200–400<br />

356


357 358 359<br />

89


90<br />

362<br />

362<br />

Western Samoan bailer<br />

carved wood<br />

12.5cm high, 42cm wide, 14cm deep<br />

$150–250<br />

363<br />

JOHN PATRICK KELANTMAMA<br />

(BORN 1952)<br />

Pukumani pole, Tiwi Islands<br />

natural earth pigments on carved wood<br />

80.5cm high<br />

$300–600<br />

364<br />

TIWI ISLAND<br />

Pukumani pole<br />

natural earth pigments on carved wood<br />

70cm high<br />

$300–500<br />

363 364


91<br />

365<br />

A small and large Samoan kava<br />

bowls<br />

carved wood<br />

8cm high, 20cm wide (small),<br />

17cm high, 44cm diameter (large)<br />

$200–400<br />

366<br />

Indonesian figural ceremonial pole<br />

carved wood<br />

103cm high<br />

$200–500<br />

367<br />

New Guinea standing ceremonial<br />

mask figure<br />

together with a South Pacific utensil<br />

carved, incised and painted wood<br />

45cm high (mask), 40cm (utensil)<br />

$100–200<br />

368<br />

Central Sepik River ceremonial<br />

shield<br />

with crocodile and face decoration<br />

carved and incised wood<br />

90cm high, 45cm wide, 11cm deep<br />

$200–400<br />

369<br />

Western Samoan drum and sticks<br />

carved and incised wood<br />

10cm high, 30.5cm wide,<br />

8cm deep (drum), 30cm long (sticks)<br />

$120–180<br />

365<br />

366


92<br />

370<br />

Tapa Cloth, Western Samoa,<br />

20th century<br />

84 x 91cm<br />

$200–400<br />

371<br />

Tapa Cloth, Fijian, 20th century<br />

88 x 57.5cm<br />

$200–400<br />

372<br />

Tapa Cloth, Tongan, 20th century<br />

73 x 70cm<br />

$200–400<br />

370<br />

373<br />

SAM PALMI (FIJIAN)<br />

Natives Sailing 2005<br />

watercolour and gouache on tapa cloth<br />

signed and inscribed lower left:<br />

Sam Palmi Fiji<br />

22.5 x 29cm<br />

$150–250<br />

374<br />

A collection of indigenous<br />

artefacts<br />

comprising a boomerang by<br />

Reggie Ryan, a pair of hitting sticks<br />

and a bird sculpture<br />

carved and painted wood<br />

45cm long (boomerang), 20cm long<br />

(sticks), 6cm high (bird)<br />

$120–180<br />

375<br />

Didgeridoo<br />

carved and painted wood<br />

128.5cm high<br />

$120–180<br />

376<br />

A large carved wooden figure<br />

of a reclining Buddha<br />

26cm high, 78cm wide, 21cm deep<br />

$300–500<br />

371


93<br />

377<br />

377<br />

KEVIN (PRO) HART (1928-2006)<br />

Digging the Dunny 1982<br />

colour etching<br />

signed and dated in plate lower left and<br />

right: PRO HART 82<br />

signed, dated, titled and inscribed<br />

on margin: Pro Hart 82 DIGGING THE<br />

DUNNY, To PAUL<br />

12 x 13cm<br />

$100–300<br />

378<br />

ROBERT YOUNG (BORN 1954)<br />

The Suprematist 1979<br />

lithograph<br />

signed, titled and editioned on margin:<br />

Robert Young The Suprematist 27/36<br />

34 x 27cm<br />

$200–400<br />

379<br />

ROBERT YOUNG<br />

Throwaway Bix 1971<br />

oil on wood<br />

30 x 21.5cm<br />

PROVENANCE<br />

The Redfern Gallery, London,<br />

November 1971<br />

EXHIBITED<br />

Vancouver Art Gallery, Canada, Robert<br />

Young Exhibition, March 6-13 1974<br />

$200–400<br />

380<br />

DONALD EVANS<br />

(AMERICAN,1945–1977)<br />

Amis et Amants 1974<br />

colour lithograph<br />

signed, inscribed and editioned lower<br />

centre: for Paul from Donald, 101/500<br />

30 x 21.5cm<br />

$200–300<br />

381<br />

JOHN D THIESSEN<br />

Pencil Pine Creek Tasmania<br />

and Hobart Sunset<br />

two gouache<br />

inscribed and titled verso:<br />

John D Thiessen Pencil Pink Creek<br />

Tasmania, Hobart Sunset<br />

5.5 x 9.5cm<br />

$200–400<br />

382<br />

JOHN D THIESSEN<br />

King Parrot Male<br />

and Eastern Rosella Female<br />

two gouache<br />

each signed with initials lower left<br />

and right: J T<br />

9.5 x 5.5cm<br />

$200–40


94<br />

383<br />

383<br />

BLAIR McNAMARA (BORN 1964)<br />

Tropical Beach 1992<br />

oil on board<br />

signed and dated lower right:<br />

Blair Mk 92<br />

77 x 124cm<br />

$500–900<br />

384<br />

ARTIST UNKNOWN<br />

Untitled Abstract<br />

oil on canvas<br />

107 x 97.5cm<br />

$200–400<br />

385<br />

LEIGH CHILLER<br />

Abstract Figures 1994<br />

oil on canvas<br />

signed and dated lower right:<br />

L Chiller 94<br />

signed and dated verso: L Chiller 94<br />

121.5 x 101cm<br />

$120–200<br />

386<br />

PAUL WILLIAM WHITE<br />

(BORN 1944)<br />

Joy For Living: Waterfall National<br />

Park (Somersby Falls) 2003<br />

oil on canvas<br />

signed with initials (twice), dated and<br />

titled lower right and centre: P W W.<br />

P W W 2003 SACRED WATERFALL<br />

HEALING PLACE<br />

signed, dated and titled verso: PAUL<br />

WILLIAM WHITE 1987 JOY FOR<br />

LIVING: WATERFALL, NATIONAL PARK<br />

(SOMERSBY FALLS)<br />

151 x 122cm<br />

$200–400<br />

387<br />

PAUL WILLIAM WHITE<br />

Night Bridge 1984<br />

oil on canvas<br />

diptych<br />

one panel signed, dated and titled<br />

verso: PAUL WILLIAM WHITE 1984<br />

NIGHT BRIDGE<br />

123 x 152.5cm<br />

$300–600<br />

388<br />

PAUL WILLIAM WHITE<br />

(BORN 1944)<br />

Snow Forest, Tasmania, 1983<br />

oil on canvas<br />

signed with initials and dated lower<br />

right: PWW 83<br />

signed, dated and titled verso:<br />

PAUL WILLIAM WHITE 1983<br />

SNOW FOREST TASMANIA<br />

122 x 152.5cm<br />

$200–400


95<br />

389<br />

389<br />

NEWTON HAYDN STUBBING<br />

(1921-1983)<br />

Owls Farm, Milden 1971<br />

oil on board<br />

signed, dated and titled lower right:<br />

Stubbing 71 Owls Farm, Milden<br />

inscribed verso: Tony Studding 1971<br />

20.5 x 25.5cm<br />

$400–600<br />

390<br />

Lewis Spencer, Myths & Legends, eight<br />

volumes, Ballantyne Press, England<br />

first published July 1914, reprinted<br />

1916-1919<br />

$60–100<br />

391<br />

CARTE DES CÔTES DE FRANCE<br />

ET D’ESPAGNE<br />

Par N Bellin Ingenieur de la Marine<br />

colour engraving<br />

22.5 x 28cm<br />

$100–200<br />

392<br />

Works of Lord Byron, six volumes,<br />

published Leipsick, Germany 1818<br />

together with Kathleen Raine, Yeats<br />

The Tarot and the Golden Dawn,<br />

published 1972<br />

and The Tasmanian Journals and<br />

Papers of George Augustus Robinson<br />

1829-1834, published 1966<br />

$80–100<br />

393<br />

A collection of art reference books<br />

with titles featuring Gary Shead, Sidney<br />

Nolan, Auguste Rodin and Paul Gaugin<br />

$80–120<br />

394<br />

John Evelyn, Diary and<br />

Correspondence, four volumes,<br />

published London 1906<br />

together with five additional volumes of<br />

Encylopedia and Dictionary Quotations<br />

$80–120<br />

395<br />

All collection of reference books<br />

Harmsworths Universal Encyclopedia,<br />

eight volumes<br />

Imperial Dictionary of Universal<br />

Biography, fourteen volumes<br />

Journal of Nicolas Baudin, one volume,<br />

published 1974<br />

The Pageant of Nature, British Wildlife,<br />

two volumes, published 1923<br />

$80–120<br />

396<br />

W & G Audsley, Polychromatic<br />

Decoration as Applied to Buildings in<br />

the Mediaeval Styles, published Henry<br />

Sotheran & Co, London 1882<br />

$80–120<br />

397<br />

ARTIST UNKNOWN<br />

Head Studies<br />

oil and collage on canvas<br />

122 x 137cm<br />

$300–500


96<br />

400<br />

ADAM RISH (BORN 1953)<br />

Invitation to Dance 1979<br />

etching<br />

signed, dated, titled and editioned on<br />

margin: A Rish 79 invitation to dance<br />

12/25<br />

29 x 19.5cm<br />

$100–200<br />

401<br />

TONY WOODS (1940-2017)<br />

Coming or Going 1978<br />

lithograph<br />

signed, dated, titled and editioned on<br />

margin: Woods 78 coming or going 1/1<br />

62.5 x 51cm<br />

$200–400<br />

402<br />

TONY WOODS (1940-2017)<br />

Nov 15th<br />

etching<br />

signed, titled, editioned and inscribed<br />

on margin: Woods Nov 15th 1/2 To Paul<br />

61 x 44.5cm<br />

$100–300<br />

398<br />

398<br />

ADAM RISH (BORN 1953)<br />

A Room with a View 1979<br />

colour lithograph<br />

signed, dated, titled and editioned on<br />

margin: A Rish 79 A Room with a View<br />

10/20<br />

60.5 x 45cm<br />

$160–280<br />

399<br />

ADAM RISH (BORN 1953)<br />

Entertaining Mr Sloane 1981<br />

etching<br />

signed, dated, titled, editioned and<br />

inscribed on margin: Adam Rish 81<br />

Entertaining Mr Sloane 10/50 for Paul<br />

best wishes A Rish<br />

50 x 33.5cm<br />

$100–200<br />

403<br />

TONY WOODS (1940-2017)<br />

Portrait 1972<br />

watercolour<br />

signed and dated lower left:<br />

WOODS 1972<br />

28 x 12.5cm<br />

$200–400<br />

404<br />

PATRICK PROCTOR (1936-2003)<br />

Coleridge, Ancient Mariner<br />

etching<br />

signed with initials, editioned and<br />

inscribed on margin: PP AP Given to<br />

Paul White by Patrick Proctor 16 Feb,<br />

1972 in exchange for an illustrated<br />

copy of Fontain’s Fables by Gustave<br />

Dore, Coleridge - The Ancient Mariner<br />

22.5 x 15cm<br />

$100–200


97<br />

Rugs and Carpets<br />

405<br />

A Persian Lurestan hall runner, Iran<br />

woollen weft pile in tones of red and<br />

cream with tribal tree of life motifs<br />

398 x 136cm<br />

$1,500–2,500<br />

405


98<br />

406<br />

A Persian carpet, Iran<br />

woollen pile with heart motifs and a<br />

central sunburst medallion in tones of<br />

blues and reds on a cream ground<br />

300 x 200cm<br />

$2,200–2,800<br />

406


99<br />

407<br />

A Persian Tabriz carpet, Iran, circa 1950s<br />

in tones of red and cream on a rich blue<br />

ground with an intricate Minakani design<br />

332 x 252cm<br />

$5,000–8,000<br />

407


100<br />

408<br />

A Persian Kashan carpet, Iran<br />

woollen pile with floral palmettes in<br />

tones of gold and green on a deep<br />

blue ground<br />

352 x 266cm<br />

$2,800–3,500<br />

408


101<br />

409<br />

A Persian Kashan carpet, Iran,<br />

20th century<br />

woollen pile with the floral palmets<br />

design of a central medallion in tones<br />

of green and gold on a cream ground<br />

419 x 303cm<br />

$3,000–5,000<br />

409


102<br />

410<br />

A Persian Kashan carpet, Iran<br />

with traditional shah abbasi floral motifs<br />

and a central medallion in tones of red<br />

and cream, signed and inscribed by the<br />

master weaver Edalatmand studio<br />

384 x 301cm<br />

$2,500–3,500<br />

411<br />

A Persian Tabriz carpet, Iran<br />

the central field with arabesque design<br />

in tones of cream and reds on a blue<br />

ground<br />

312 x 200cm<br />

$1,500–2,500<br />

412<br />

A Persian Yazd carpet, Iran<br />

with a central medallion in tones of blue<br />

and red on a cream ground, signed and<br />

inscribed by a master weaver<br />

320 x 200cm<br />

$2,000–3,000<br />

413<br />

A Persian Kashan carpet, Iran<br />

with a shah abbasi floral medallion in<br />

tones of gold and greens on a cream<br />

ground<br />

312 x 212cm<br />

$1,500–1,800<br />

414<br />

A Persian Bakhtiari carpet, Iran<br />

the woollen pile with a tribal garden<br />

panel design in rich red and cream<br />

tones<br />

308 x 210cm<br />

$1,200–1,500<br />

415<br />

A Persian Songor kolyaie rug, Iran<br />

the woollen pile with a geometrical<br />

central medallion in soft red and blue<br />

tones<br />

324 x 158cm<br />

$1,000–1,500<br />

416<br />

A Persian Touserkan rug, Iran<br />

the woollen pile with a bold geometrical<br />

central medallion in colours of green<br />

302 x150cm<br />

$1,000–1,500<br />

417<br />

A vintage Persian tribal Malayer rug, Iran<br />

the woollen pile in rich dark brown and<br />

cream tones<br />

315 x 160cm<br />

$1,000–1,500<br />

418<br />

A Persian Sarouk carpet, Iran<br />

the floral field in tones of rich burgundy<br />

reds and French blue corner medallions<br />

213 x 133 cm<br />

$1,200–1,500<br />

419<br />

A Persian Bakhtiar rug, circa 1960s<br />

the hand spun woollen rug with garden<br />

diamond motifs in rich tones of blue<br />

and red<br />

184.5 x 127cm<br />

$1,000–1,500<br />

420<br />

A tribal Persian Herati Hamedan carpet<br />

with a pattern of floral motifs in tones of<br />

red on a cream ground<br />

141 x 106.5cm<br />

$300–500<br />

421<br />

A Persian Bidjar rug<br />

the woollen pile with a central medallion<br />

in rich red and cream tones<br />

187 x 115cm<br />

$1,500–2,000


103<br />

410


104<br />

A Bellarine Peninsula Private Collection<br />

422<br />

An Irish Chippendale style carved open<br />

arm library chair, late 18th century<br />

together with a small conforming<br />

Chippendale style single drawer side<br />

table, the chair with down-swept<br />

arm supports and carved scroll feet,<br />

upholstered in green silk<br />

the side table 53cm high, 27cm wide,<br />

27cm deep<br />

$3,000–4,000<br />

423<br />

A George III style wingback armchair,<br />

circa 1900<br />

with mahogany ball and claw feet and<br />

silk upholstery by Colefax and Fowler<br />

$500–800<br />

424<br />

A Sheraton style Chinoiserie painted<br />

green armchair, 19th century<br />

$300–500<br />

425<br />

A Louis XVI transitional style fruitwood<br />

book cabinet, French, circa 1770<br />

110cm high, 92cm wide, 46cm deep<br />

$400–600<br />

426<br />

An English carved mahogany dining<br />

chair, late 18th/early 19th century<br />

$100–200<br />

427<br />

A Hepplewhite style mahogany dining<br />

chair, 19th century<br />

with a pierced shield back upholstered<br />

in green silk<br />

$100–200<br />

428<br />

A George III oak fall front writing bureau,<br />

circa 1790<br />

97.5cm high, 76cm wide, 48cm deep<br />

$500–800<br />

422


105<br />

429<br />

429<br />

CIRCLE OF PIETER MUILIER<br />

(DUTCH, 17TH CENTURY)<br />

Figures in a Classical Wooded<br />

Landscape<br />

oil on canvas<br />

76 x 99.5cm<br />

PROVENANCE<br />

Mossgreen, A Private Toorak Collection<br />

of International Art and Antiques,<br />

Melbourne, September 2011, Lot 118<br />

$2,000–4,000<br />

430<br />

An Arts & Crafts bobbin turned Sussex<br />

corner chair, late 19th century<br />

with blue and white floral upholstery<br />

70cm high<br />

$200–300<br />

431<br />

A Louis XVI style gilt bronze mounted<br />

walnut occasional table, 19th century<br />

with a gallery edge and central drawer<br />

78cm high, 47cm long, 33cm deep<br />

$300–500<br />

432<br />

A Louis XVI style gilt metal mounted<br />

marble top walnut pedestal,<br />

19th century<br />

84cm high, 30.5cm wide, 30.5cm deep<br />

$200–300<br />

433<br />

A Louis XV style mahogany pedestal,<br />

19th century<br />

108cm high, 32cm wide, 32cm deep<br />

$200–300<br />

434<br />

A French provincial caned beech arm<br />

chair, 19th century<br />

with a black leather upholstered seat<br />

$150–250<br />

435<br />

A Regency black lacquer tray on stand,<br />

19th century<br />

painted with grape vines, on a later<br />

ebonised black and gold painted stand,<br />

impressed ‘LONDON’ with a crown mark<br />

to back of tray<br />

54cm high, 82cm long, 68cm wide<br />

$400–600


106<br />

440<br />

A framed French black lace mourning<br />

fan in shaped fan box, 19th century<br />

the frame 30 x 46cm<br />

$120–150<br />

441<br />

A hand painted fan, French,<br />

19th century<br />

decorated with a nocturnal garden<br />

scene<br />

within a velvet lined conforming glazed<br />

and gilded case<br />

29 x 55cm (case size)<br />

$200–300<br />

442<br />

An embroidered woolwork panel,<br />

19th century<br />

depicting a Scottish couple<br />

housed within a later birdseye maple<br />

frame<br />

34 x 27cm (panel size)<br />

42 x 35.5cm (frame size)<br />

$120–180<br />

443<br />

ARTIST UNKNOWN<br />

Two Girls and Spaniel and Portrait<br />

of a Lady<br />

two pencil and chalk on paper<br />

60 x 50cm (oval, image size)<br />

$700–1,000<br />

436<br />

436<br />

FRENCH SCHOOL<br />

(LATE 18TH CENTURY)<br />

Portrait of Girl with Flowers<br />

in her hair<br />

pastel on paper on canvas<br />

60 x 49cm<br />

$1,000–1,200<br />

437<br />

A collection of seven glass paper<br />

weights and dumps, 19th century<br />

and later<br />

the largest 8cm high<br />

$600–800<br />

438<br />

A Wong Lee porcelain monkey<br />

candlestick holder, 20th century<br />

with iron red character and factory mark<br />

for ‘Wong Lee 1895’ and editioned ‘671’<br />

to base<br />

21cm high<br />

$200–300<br />

439<br />

A framed segment of Jouy-en Joy<br />

blue and white cotton toile, French,<br />

early 19th century<br />

depicting a Dutch dam and windmill<br />

23.5 x 31cm (image size)<br />

53.5 x 59.5cm (frame size)<br />

$200–300<br />

444<br />

A pair of George III cut crystal<br />

decanters<br />

23.5cm high<br />

$150–250<br />

445<br />

A collection of four English salt glaze<br />

jugs, 19th century<br />

comprising a large green jug decorated<br />

in high relief with a Bacchanalian scene,<br />

a powder blue jugs decorated with ears<br />

of wheat, a cream pewter lidded jug and<br />

a blue and white jug relief decorated<br />

with birds and vines with a pewter cover<br />

the largest 22cm high<br />

$800–1,200


107<br />

446<br />

A gilt framed portrait miniature of a lady,<br />

French, circa 1820<br />

wearing a blue dress with a lace bodice,<br />

within an oval frame<br />

6cm high<br />

$400–600<br />

447<br />

A Louis XVI style painted canapé,<br />

French, 19th century<br />

with a foliate carved crest rail,<br />

upholstered in pale aqua ‘Snow Tree’<br />

fabric by Colefax & Fowler<br />

$500–800<br />

448<br />

A portrait miniature of Robert Burns,<br />

after the original by Alexander Nasmyth<br />

painted with a portrait of the poet in<br />

a black coat and white jabot within an<br />

oval 9 carat gold frame<br />

5.5cm long<br />

$500–800<br />

449<br />

A pair of portrait miniatures,<br />

19th century<br />

painted as a lady in a lace bonnet and a<br />

gentleman in a brown coat, each within<br />

an ebonised wooden frame<br />

3.5cm high<br />

$200–300<br />

450<br />

Four 19th century green wine glasses<br />

12cm high<br />

$100–200<br />

451<br />

A Georgian style gilded and ebonised<br />

wood wall shelf<br />

44cm high<br />

$200–300<br />

446<br />

447


108<br />

452<br />

452<br />

AUSTRALIAN SCHOOL<br />

(ATTRIBUTED TO LINDSAY<br />

BERNARD HALL)<br />

Studio Nude<br />

oil on canvas<br />

87 x 70.5cm<br />

$600–1,000<br />

453<br />

EUROPEAN SCHOOL<br />

Portrait of a Lady<br />

hand coloured photograph<br />

37.5 x 30cm (oval)<br />

$100–200<br />

454<br />

ENGLISH SCHOOL<br />

Portrait of a Young Girl with<br />

Flowers in a Classical Landscape<br />

oil on canvas<br />

28 x 23cm<br />

$300–500


109<br />

455<br />

A silver mounted tortoiseshell and silver<br />

pique snuff box, English, 18th century<br />

2cm high, 8cm diameter<br />

$600–800 ♦<br />

456<br />

A George IV rosewood chest of<br />

drawers, first half 19th century<br />

with an arrangement of three short and<br />

three long drawers with cross-banded<br />

decoration<br />

101cm high, 107cm wide, 54cm deep<br />

$1,000–1,500<br />

455<br />

456


110<br />

457<br />

FRENCH SCHOOL (CIRCA 1860)<br />

Portrait of an Officer<br />

oil on canvas<br />

56.5 x 47cm<br />

$1,000–1,500<br />

458<br />

Two Victorian mahogany dining chairs<br />

$100–200<br />

459<br />

A Royal Worcester gilded cabinet<br />

plate together with an Imari decorated<br />

cabinet plate, 19th century<br />

numbered 421 to back<br />

the largest plate 23cm diameter<br />

$300–500<br />

460<br />

ENGLISH SCHOOL<br />

Sheep in a Winter Landscape<br />

oil on canvas<br />

34 x 50cm<br />

$200–400<br />

457<br />

461<br />

A William IV rosewood fold-over card<br />

table<br />

the hinged swivel top opening to a<br />

baize lined interior<br />

75cm high, 91cm wide unfolded,<br />

91cm deep<br />

$600–800<br />

462<br />

ARTIST UNKNOWN<br />

(EARLY 18TH CENTURY)<br />

Portrait of a Young Lady<br />

oil on canvas<br />

73 x 54cm<br />

$200–400<br />

461


111<br />

463<br />

463<br />

ENGLISH SCHOOL<br />

(LATE 19TH CENTURY)<br />

Portrait of a Seated Gentleman<br />

and his Hound<br />

oil on canvas<br />

60 x 49.5cm<br />

$2,000–3,000<br />

464<br />

EUROPEAN SCHOOL<br />

(CIRCA 1930)<br />

At the Bar<br />

oil on board<br />

47 x 38cm<br />

$200–400<br />

465<br />

ÉMILE DE LA MONTAGNE<br />

(BELGIAN, 1873-1956)<br />

The Forest 1923<br />

pastel, charcoal and chalk on paper<br />

signed and dated lower right:<br />

Emile De La Montagne 1923<br />

45 x 71cm<br />

$600–900


112<br />

467<br />

A bronze pheasant inkwell by Le Blanc,<br />

Paris, 20th century<br />

on a grey stepped circular marble base,<br />

Barbedienne factory mark<br />

15cm high<br />

$300–500<br />

468<br />

A portrait miniature attributed to<br />

Charles Guillaume Alexandre Bourgeois,<br />

French, circa 1800<br />

profile portrait of a gentleman in a black<br />

coat<br />

signed ‘Bourgeois 1800’ lower right<br />

4cm diameter<br />

$800–1,200<br />

469<br />

A portrait miniature of a gentleman,<br />

18th century<br />

finely painted with a gentleman in a<br />

taupe coat and white jabot, within an<br />

oval paste mounted frame<br />

3.7cm x 3cm<br />

PROVENANCE<br />

A Gentleman’s Collection – Mr Neil<br />

Robertson, Leonard Joel, Melbourne,<br />

December 2, 2018, lot 507<br />

$800–1,200<br />

466<br />

466<br />

W. A. BREAKSPEARE (1856-1914)<br />

An Interval in the Studio<br />

oil on board<br />

signed lower right: W. A. Breakspeare<br />

inscribed and titled on margin:<br />

W. A BREAKSPEARE RI AN INTERVAL<br />

IN THE STUDIO<br />

23 x 14cm<br />

PROVENANCE<br />

The British Galleries, Haymarket, London<br />

$1,500–2,500<br />

467


113<br />

470<br />

A gilt framed portrait miniature of a lady,<br />

19th century<br />

the figure painted in supplicant pose<br />

and inscribed verso ‘La Duchesse de la<br />

Balliere’, within an ornate pierced and<br />

carved giltwood frame<br />

the miniature 8cm high<br />

$600–800<br />

471<br />

An Italian carved giltwood verde marble<br />

console table, 19th century<br />

with painted cartouche to the frieze,<br />

raised on foliate decorated scroll<br />

carved legs<br />

69cm high, 108cm wide, 55cm deep<br />

$1,000–1,500<br />

470<br />

471


114<br />

472<br />

472<br />

ENGLISH SCHOOL<br />

Portrait of a Gentleman<br />

oil on canvas<br />

75 x 61cm<br />

$500–800<br />

473<br />

ENGLISH SCHOOL<br />

(LATE 19TH CENTURY)<br />

Portrait of a Seated Gentleman<br />

oil on canvas<br />

28 x 23cm<br />

$500–800<br />

474<br />

ARTIST UNKNOWN<br />

Portrait of a Girl in Yellow Dress<br />

watercolour<br />

33 x 24cm<br />

$200–400


115<br />

475 476<br />

475<br />

A seed pearl mounted portrait miniature<br />

brooch, 19th century<br />

showing a portrait of Julia Tatham<br />

wearing a red dress and lace head scarf<br />

4.5cm diameter<br />

PROVENANCE<br />

Estate of George Richmond thence by<br />

descent<br />

A fine small-scale portrait of Julia<br />

Tatham, daughter of<br />

Charles Heathcote Tatham (1772-<br />

1842), painted by George<br />

Richmond<br />

NOTE<br />

About 1826 George Richmond fell<br />

in love with Julia (1811-1881), the<br />

beautiful fourteen-year-old sister of<br />

the Tatham brothers, whose father<br />

had engaged Richmond to give her<br />

drawing lessons. Although old Tatham<br />

had encouraged the romance, his<br />

diminishing fortune brought a change<br />

of mind when a rich and elderly suitor<br />

expressed interest in Julia. Learning of<br />

this, the young couple – encouraged<br />

by Palmer, who loaned Richmond £40<br />

– eloped to Gretna Green, where they<br />

were married on 24 January 1831. Back<br />

in London, Richmond set up home at<br />

27 Northumberland Street, New Road,<br />

sending Julia to stay for the time being<br />

with Palmer’s father at Shoreham.<br />

Meanwhile John Linnell persuaded<br />

Tatham that Richmond had a promising<br />

future. Tatham forgave them, and<br />

within three weeks George and Julia<br />

were reunited: their marriage proved<br />

to be long and happy. They had fifteen<br />

children, of whom ten survived infancy;<br />

with this growing family Richmond<br />

needed a reliable income, and he spent<br />

most of his remaining working life<br />

painting portraits.<br />

The miniature shows Julia at a young<br />

age and would have been painted<br />

sometime during the very early years of<br />

their long and happy relationship.<br />

$2,000–3,000<br />

476<br />

A Victorian 9ct gold mounted ivory<br />

portrait miniature of a gentleman,<br />

19th century<br />

painted with a portrait of a gentleman<br />

in a black coat and cravat with a finely<br />

chased oval gold frame<br />

6cm high<br />

$1,000–2,000<br />

477<br />

ENGLISH SCHOOL<br />

(MID 19TH CENTURY)<br />

oval miniature of a Gentleman<br />

dressed in a black morning coat and a<br />

black jabot<br />

13 x 9.5cm (oval)<br />

$200–300<br />

478<br />

A portrait miniature of a young man,<br />

19th century<br />

painted with a young gentleman in a<br />

black coat and cravat, within a hinged<br />

leather case<br />

the portrait 8cm long<br />

$300–500<br />

479<br />

A portrait miniature of a gentleman<br />

in a Moroccan leather case, probably<br />

American, circa 1890<br />

painted wearing a black coat and vest<br />

with a white collar, in a silk lined leather<br />

case<br />

the portrait 3.5cm high<br />

$200–300


116<br />

480<br />

An English mahogany half tester bed,<br />

19th century<br />

220cm high, 239cm long, 153cm deep<br />

$500–800<br />

481<br />

A Chinese lavender glaze peach form<br />

wine pot<br />

10.5cm high<br />

$100–200<br />

482<br />

Two horn snuff mulls, English,<br />

18th/19th century<br />

comprising a ribbed table snuff box<br />

with a rose gold banding and shield to<br />

the hinged lid, and a brass mounted<br />

polished horn box<br />

the polished horn box 5cm wide,<br />

10cm high<br />

$500–800<br />

483<br />

A George IV sterling silver fish server by<br />

Thomas Jenkinson, London 1815<br />

together with a sterling silver mounted<br />

miniature hip flask<br />

the server 125 grams, 28cm long<br />

$200–300<br />

484<br />

A Japanese tortoiseshell cigar case,<br />

late19th century<br />

with gilded decoration of a crane and<br />

bamboo<br />

10cm long<br />

$200–300 ♦<br />

485<br />

A malachite handled pierced ivory<br />

letter opener<br />

the page turner 30cm<br />

$200–300<br />

486<br />

A collection of carved Pacific Island<br />

tribal tortoiseshell and shell discs<br />

together with two polished slices<br />

of agate<br />

the largest shell disc 10cm diameter<br />

$100–200 ♦<br />

480


117<br />

487<br />

ENGLISH SCHOOL<br />

(MID 19TH CENTURY)<br />

Girls in the Garden<br />

watercolour<br />

33.5 x 27.5cm (image size)<br />

54 x 43cm (frame size)<br />

$800–1,200<br />

488<br />

A Moser gilded acorn embossed glass<br />

trinket box, 19th century<br />

7cm high<br />

$300–500<br />

489<br />

A collection of Georgian mother of<br />

pearl gaming chips<br />

finely etched with temple, fish and<br />

marine motifs, together with a mabé<br />

pearl shell<br />

the largest chip 5.5cm long<br />

$100–200<br />

490<br />

A Murano glass table lamp<br />

with a barley twist column and white<br />

silk shade<br />

the base 37cm high<br />

$100–200<br />

491<br />

A 19th century conch shell and a small<br />

collection of sea shells<br />

the conch 14.5cm<br />

$300–500<br />

492<br />

A small gilt bronze figural epergne,<br />

French, 19th century<br />

with a green vaseline glass flute<br />

25cm high<br />

$150–250<br />

493<br />

A large Bohemian gilded overlaid glass<br />

table lamp<br />

65cm high<br />

$300–500<br />

494<br />

A pair of Regency cold painted bronze<br />

candlesticks in the form of Nubian<br />

blackamoors, Austrian<br />

26cm high<br />

$1,000–1,300<br />

495<br />

A treen ware twine box and a<br />

footed bowl, 19th century<br />

the footed bowl 15cm high<br />

$300–500<br />

496<br />

A black Haddonstone desk<br />

ornament of a reclining lion<br />

15cm high<br />

$100–200<br />

487<br />

488


118<br />

497<br />

497<br />

A Victorian silver mounted ruby glass<br />

double ended scent bottle<br />

13cm long<br />

$400–600<br />

498<br />

A red lithyalin glass flask by Friedrich<br />

Hegmann<br />

11cm<br />

$100–200<br />

499<br />

A Bohemia red and white overlaid glass<br />

scent bottle, 19th century<br />

24cm high<br />

$150–250<br />

500<br />

A French lapis blue enamel and brass<br />

chatelaine, second empire, circa 1860<br />

with a series of chains holding various<br />

ladies necessities including a cut glass<br />

perfume bottle<br />

21cm long<br />

$400–600<br />

501<br />

A late Georgian cut crystal bonbon<br />

dish, circa 1830<br />

15.5cm high<br />

$200–300<br />

502<br />

A Moroccan mother of pearl inlaid<br />

jewel box<br />

6cm high, 30cm wide, 20cm deep<br />

$200–300<br />

503<br />

A small pietra dura panel and a polished<br />

agate lidded pot, late 19th century<br />

the panel 13.5 x 9cm,<br />

the pot 10cm high<br />

$200–300<br />

504<br />

A glass ball pocket watch and<br />

chatelaine, French, 1860<br />

together with a sterling silver Swiss<br />

lady’s pocket watch<br />

the ball watch and chain 11.5cm<br />

$300–500<br />

505<br />

A small Rosenthal gilded porcelain<br />

dragonfly<br />

with green factory mark, impressed<br />

‘O.KOCH’ and 318 to base<br />

10cm high<br />

$100–200<br />

506<br />

A collection of Victorian and<br />

Georgian objects of virtue,<br />

19th century<br />

comprising a small enamelled<br />

compass pendant in the form<br />

of a butterfly, a miniature bust<br />

of Tsar Nicholas II, a brass rams<br />

head vesta case, a sterling silver<br />

decanter label, by Elizabeth Morley,<br />

London, circa 1850 and a set of<br />

Georgian etched mother of pearl<br />

gaming chips<br />

the chips 3.5cm long<br />

$300–500<br />

507<br />

A pair of George III gilded Bristol Blue<br />

spirit decanters, circa 1790<br />

24cm high<br />

$400–600<br />

508<br />

A classical bronze and marble bust of<br />

Diana, late 19th century<br />

25cm high<br />

$200–300<br />

498


119<br />

509<br />

A German porcelain gilt metal mounted<br />

lidded box, 19th century<br />

finely painted and gilt with floral<br />

swagged cartouche<br />

6cm high, 12cm wide, 10cm deep<br />

$500–800<br />

510<br />

A lac burgaute box and a carved<br />

tortoiseshell box<br />

the lac burgaute box 7cm diameter<br />

$120–150 ♦<br />

509<br />

511<br />

A Viennese enamel perfume dispenser<br />

modelled as a wine barrel, 19th century<br />

finely decorated with classical scenes<br />

and Bacchanalian motifs, the barrel<br />

supported by two figures modelled<br />

as Silenus<br />

15cm high<br />

$1,000–1,500<br />

512<br />

A small Regency bronze pastille burner<br />

and metal figure of a hunting dog<br />

with butterfly handles and an acorn<br />

finial<br />

the burner 11cm high<br />

$200–300<br />

513<br />

A novelty slipper pin cushion with five<br />

various pins together with a Victorian<br />

gilt metal posy holder<br />

the slipper 5.5cm long<br />

$500–800<br />

511


120<br />

514<br />

A WMF silver plate jewellery box,<br />

German, circa 1900<br />

13cm high, 13cm wide, 9cm deep<br />

$700–900<br />

515<br />

An English sterling silver cat form vesta<br />

case, circa 1980<br />

with lid and strike to base<br />

4cm high<br />

$100–200<br />

516<br />

An Art Nouveau bronze seal decorated<br />

with a Borzoi head, French, circa 1890<br />

11cm long<br />

$200–300<br />

517<br />

A pair of gilt bronze portrait profile<br />

paperweights, 19th century<br />

11.5cm high<br />

$300–500<br />

514<br />

518<br />

An engraved silver egg form scent<br />

flask, early 19th century<br />

with and internal glass stoppered bottle<br />

and engraved<br />

5cm long<br />

$400–600<br />

519<br />

An 18 carat gold retracting mechanical<br />

pencil pendant<br />

with applied gold filigree and seed<br />

pearls<br />

total weight 9.1gms, 5cm long when<br />

closed<br />

$100–200<br />

518<br />

519


121<br />

527<br />

A French brass mounted marble top<br />

occasional table, late 19th century<br />

107cm high<br />

$150–250<br />

528<br />

A carved mahogany serving table,<br />

English, circa 1860<br />

108cm high, 160cm wide, 55cm deep<br />

$400–600<br />

520<br />

A gold mounted double ended cut<br />

glass scent bottle, late 18th century<br />

with a fitted shagreen leather case,<br />

signed ‘E.Williams’ to the silk interior<br />

9.5cm long<br />

$600–800<br />

526<br />

A Louis XV style glazed mahogany<br />

display cabinet<br />

190cm high, 65cm wide, 35cm deep<br />

$400–600<br />

520<br />

529<br />

A George III mahogany window seat,<br />

circa 1790<br />

69cm high, 112cm wide, 37cm deep<br />

$300–500<br />

521<br />

A French silver gilt etui in a mother<br />

of pearl and brass inlaid ebony case,<br />

19th century<br />

12cm long<br />

$300–500<br />

522<br />

An ornate carved and gessoed<br />

gilt wood frame, Italian,<br />

19th century<br />

69 x 60cm<br />

$300–500<br />

523<br />

A Louis XVI style carved walnut<br />

armchair, 19th century<br />

$200–300<br />

524<br />

A Chesterfield two seat buttoned<br />

leather sofa<br />

length of back 129cm<br />

$800–1,200<br />

525<br />

A Louis XV style carved giltwood salon<br />

chair, 19th century<br />

$100–200<br />

521


122<br />

530<br />

A carved continental pine jewel box,<br />

early 20th century<br />

surmounted with birds<br />

21cm high<br />

$200–300<br />

531<br />

A Louis XVI style linen upholstered<br />

French painted bergère<br />

$400–600<br />

532<br />

A French bronze plaque of a female<br />

profile, 19th century<br />

inscribed ‘E. Montaguy’,<br />

within a circular giltwood frame<br />

17cm diameter<br />

$200–300<br />

530<br />

533<br />

A Victorian gilt bronze figural inkstand<br />

modelled as a boy with a wheat sheaf<br />

crossing a bridge, raised on an oval<br />

black marble base<br />

16.5cm high<br />

$400–600<br />

534<br />

A Louis XV style bronze mounted black<br />

glazed tazza<br />

24cm high<br />

$200–300<br />

535<br />

A small Satsuma figural porcelain<br />

table lamp<br />

modelled as a child and a man with a<br />

pigeon, white silk shade<br />

27.5cm high<br />

$200–300<br />

533


123<br />

536 537<br />

536<br />

A portrait miniature of a lady signed<br />

‘Lingry’, late 19th century<br />

wearing a pale blue lace dress and<br />

flowers to her hair, inscribed verso ‘Mde<br />

de Marly’<br />

$200–300<br />

537<br />

A gilt mounted portrait miniature on<br />

porcelain, 19th century<br />

painted with a portrait of a lady in a<br />

red and white dress with a blue sash,<br />

inscribed verso Henriette de Bourbon<br />

Conty by Goyer<br />

8.5cm high<br />

$400–600<br />

538<br />

A gold speckled red glass ovoid<br />

paperweight<br />

10cm<br />

$100–200<br />

539<br />

Two framed miniature portraits of<br />

ladies, late 19th/20th century<br />

oval, one showing a lady in a green<br />

dress with a lace collar, the other<br />

painted with a lady in a rose decorated<br />

bodice<br />

the largest 9.5cm<br />

$300–500<br />

540<br />

A small collection of papier maché and<br />

lacquer, 19th century<br />

comprising a papier maché box<br />

decorated with kittens, a small<br />

Chinoiserie lacquer tray and a lacquer<br />

painted bodkin case with tortoiseshell<br />

interior<br />

the bodkin case 12cm long<br />

$100–200 ♦<br />

541<br />

EUROPEAN SCHOOL<br />

Young Lady with Lamb<br />

colour engraving<br />

18.5 x 13.5cm (oval)<br />

$80–150<br />

542<br />

ENGLISH SCHOOL<br />

Young Boy with Dog<br />

printed engraving on cloth<br />

9.5cm diameter<br />

$100–200<br />

543<br />

EUROPEAN SCHOOL<br />

Greek Goddess with Cherub<br />

engraving<br />

25 x 30cm (oval)<br />

$200–300<br />

544<br />

An Orrefors crystal decanter<br />

engraved ‘orrefors’ and editioned<br />

2508-111 to base<br />

27cm high<br />

$100–200


124<br />

545<br />

546<br />

545<br />

A painted papier maché tobacco box,<br />

19th century<br />

decorated with a risqué scene of a<br />

couple<br />

3cm high, 12.5cm long, 7cm deep<br />

$150–250<br />

546<br />

An Austrian malachite inlaid and<br />

enamelled silver gilt card and snuff box,<br />

circa 1880<br />

the dual hinged cover finely chased and<br />

gilt throughout with a central enamel<br />

oval picture of three figures, gilt wash<br />

interior and marked 800<br />

9cm long, 6cm wide<br />

$600–800<br />

547<br />

Three 19th century calling card cases<br />

comprising two tortoiseshell and<br />

mother-of-pearl inlaid cases and an<br />

Anglo Indian Sadeli mosaic inlaid card<br />

case<br />

11cm high, 8cm wide<br />

$500–800 ♦<br />

548<br />

A Staffordshire pearlware bust of Sir<br />

Isaac Newton, in the style of Enoch<br />

Wood, circa 1800<br />

the bust naturalistically modelled on a<br />

raised integral plinth<br />

25cm high<br />

$200–300<br />

549<br />

A carved marble bowl filled with various<br />

slices of agates and polished semi<br />

precious stones, together with a slate<br />

carving of two elephants<br />

the piece of slate 14cm long<br />

$100–200<br />

550<br />

A large gilded black lacquer tray and a<br />

small toleware tray, 19th century<br />

the largest 71cm long<br />

$200–300<br />

551<br />

A vintage Richard Ginori Antico Doccia<br />

Italian desert set<br />

comprising eighteen pieces, with gilded<br />

edges and painted with fruit<br />

with green underglazed factory mark,<br />

editioned D-5<br />

the largest plate 20cm diameter<br />

$200–300<br />

552<br />

A Wemyss ware porcelain tyg mug<br />

painted with roses, circa 1910<br />

with a green underglazed and an<br />

impressed factory mark to base<br />

10.5cm high<br />

$150–250<br />

553<br />

A pair of Louis XVI style gilt bronze<br />

mounted white alabaster candlesticks,<br />

French, circa 1840<br />

23cm high<br />

$400–600


125<br />

554<br />

An Austrian black and gold enamel card<br />

case, first half 20th century<br />

8 x 5.5cm<br />

$200–300<br />

555<br />

A continental silver and enamel<br />

cigarette case,19th century<br />

decorated with the image of a hunting<br />

dog, impressed 800 mark<br />

total weight of silver 690gms,<br />

1.5cm high, 7.5cm wide, 5cm deep<br />

$150–250<br />

556<br />

A Meiji period round ivory box etched<br />

with tigers and ink drawings of insects,<br />

Japanese, 1868<br />

3cm high, 7cm diameter<br />

$100–200<br />

557<br />

A Murano Sommerso pink,<br />

blue and green art glass vase<br />

25.5cm high<br />

$200–300<br />

558<br />

An engraved brass tazza set with<br />

abanded agate cabochons, Scottish<br />

19th century<br />

with scrolling floriate decoration of<br />

broonie’s between the stones<br />

9cm high<br />

$200–300<br />

559<br />

A Tunbridge ware mother of pearl inlaid<br />

writing box, late 19th century<br />

with fitted interior and original inkwells<br />

16cm high, 35cm wide, 22cm deep<br />

$200–300<br />

560<br />

A Chinese enamelled porcelain<br />

snuff bottle<br />

decorated with a grasshopper to each<br />

side, three-character mark reading ‘Gu<br />

Yie Xuan’ to the base<br />

8cm high<br />

$400–600<br />

561<br />

A Victorian red velvet and gilt metal<br />

photo album together with a book of<br />

heliotypes of Paris, circa 1917<br />

21 x 27cm<br />

$80–100<br />

562<br />

A collection of Australian antique price<br />

guides and collecting books<br />

comprising eleven books<br />

$100–200<br />

563<br />

A collection of antique silver, porcelain,<br />

furniture and design referencing books<br />

comprising twenty two books<br />

$100–200<br />

554<br />

564<br />

A collection of reference books on<br />

British and European porcelain<br />

$100–200<br />

555<br />

565<br />

Seven books on British furniture<br />

$50–100


126<br />

566<br />

566<br />

A collection of five horn cups,<br />

1831 and later<br />

two with a silver mount and one carved<br />

with a tavern scene<br />

11.5cm high<br />

$400–600<br />

567<br />

An English oak refectory table,<br />

18th century<br />

80cm high, 241cm wide, 75cm deep<br />

$2,500–3,500<br />

568<br />

A large Irish Chippendale style<br />

mahogany open arm library chair,<br />

circa 1765<br />

with richly carved Rococo motifs to the<br />

knees and scrolled cabriole feet<br />

$1,500–2,500<br />

567


127<br />

569<br />

ENGLISH SCHOOL<br />

(EARLY 19TH CENTURY)<br />

A Beggar Performing with his Dog<br />

oil on canvas<br />

59 x 48.5cm<br />

$600–800<br />

570<br />

ENGLISH SCHOOL<br />

(EARLY 19TH CENTURY)<br />

Boy Taking a Bird’s Nest<br />

colour engraving on glass<br />

inscribed with printed text on margin<br />

32 x 25cm<br />

$800–1,200<br />

569<br />

571<br />

JAMES WATSON FECIT<br />

Lady Frances Bridges 1768<br />

steel engraving<br />

inscribed in printed text on margin:<br />

F COATES, R.A. PINXT<br />

45 x 35cm (image size)<br />

76 x 62cm (frame size)<br />

$200–300<br />

572<br />

S ROYMIEL (FRENCH)<br />

Still Life with Apples<br />

watercolour<br />

signed lower left: S Roymiel<br />

19 x 28cm<br />

$200–400<br />

573<br />

ARTIST UNKNOWN<br />

Portrait of a Young Man<br />

in a Blue Coat<br />

pastel<br />

20 x 16cm (oval)<br />

$250–350<br />

574<br />

ATTRIBUTED TO<br />

JOHN HENRY MOLE<br />

Self Portrait (possibly)<br />

oil on board<br />

26 x 19.5cm (oval, image size)<br />

44 x 36cm (frame size)<br />

$300–500


128<br />

575<br />

A Moore Brothers figural candelabra,<br />

19th century<br />

modelled as two branch candlestick<br />

with a seated putti<br />

22.5cm high<br />

$200–300<br />

576<br />

A sterling silver gilt guilloche enamel<br />

card case, first half 20th century<br />

with a yellow enamel hinged cover,<br />

engraved to the interior ‘K.BATTLE’ and<br />

marked 925<br />

8 x 6cm<br />

$300–500<br />

577<br />

A 9 carat gold Prince of Wales feather<br />

fleur-de-lys propelling pencil<br />

total weight 3.9gms<br />

6cm long<br />

$100–200<br />

578<br />

A cold painted bronze animalier<br />

inkwell in the form of a Border Collie,<br />

19th century<br />

8cm high<br />

$400–600<br />

579<br />

A bronze figure of a little girl,<br />

19th century<br />

21.5cm high<br />

$200–300<br />

580<br />

A Chantilly soft paste porcelain<br />

pot à jus, circa 1790<br />

together with an 18th century<br />

blue and white mug<br />

the pot 8cm, the mug 8.5cm high<br />

PROVENANCE<br />

Bernard Gomes, Paris<br />

$200–300<br />

581<br />

A pair of bronze busts ‘Laughing Infant,<br />

Crying Infant’ after the originals by F.<br />

Clamard, circa 1890<br />

16.5cm high<br />

$300–500<br />

582<br />

A Belgian gilded porcelain vase,<br />

by J Valentinelli, circa 1884<br />

titled and dated ‘Place du marché a<br />

Malinsen 1884’, signed ‘J Valentinelli’,<br />

red factory mark to base<br />

21cm high<br />

$100–200<br />

583<br />

A pair of Bohemia red overlay gilded<br />

flasks, 19th century<br />

24cm high<br />

$100–200<br />

584<br />

A Royal Worcester Blush Ivory pot<br />

pourri vase and a basket circa 1900<br />

with puce factory marks to the base of<br />

both pieces<br />

the pot pourri 22cm high<br />

$300–500<br />

585<br />

A pair of Japanese pierced ivory brush<br />

pots<br />

with carved wooden stands<br />

10cm high<br />

$200–300<br />

586<br />

A pair of Georgian silver mounted cut<br />

glass condiment jugs<br />

21cm high<br />

$100–200<br />

587<br />

A Meissen porcelain figure group of<br />

two children feeding a goat, German,<br />

circa 1720<br />

with blue underglazed ‘AR’ Augustus<br />

Rex Meissen factory mark to base<br />

16.5cm high<br />

$500–800<br />

588<br />

Two crimson and gold bee pattern<br />

cushions<br />

$100–200<br />

589<br />

An Australian cedar cutlery tray,<br />

19th century<br />

21cm high<br />

$200–300<br />

590<br />

A Worcester ‘Three Fences’ pattern tea<br />

bowl and saucer, 18th century<br />

with underglaze blue crescent moon<br />

mark to the base<br />

the tea bowl 6cm high<br />

$100–200<br />

591<br />

A Sèvres white bisque figure of a parrot<br />

on a plinth by O. Iversen, circa 1930<br />

incised to the base ‘O. Iversen’ and<br />

impressed ‘National Manufacture,<br />

Sèvres France’<br />

20.5cm high<br />

$200–300<br />

592<br />

A pair of George III Staffordshire white<br />

enamel salts with floral decoration,<br />

circa 1780<br />

3cm high<br />

$100–200<br />

593<br />

A Chamberlain’s Worcester porcelain<br />

pen tray, 19th century<br />

finely painted and gilt with a scene of<br />

Eastnor Castle, with ‘CHAMBERLAIN’S<br />

WORCESTER MALVERN’ stamped to<br />

the back<br />

26cm long<br />

$300–500<br />

594<br />

A Meissen porcelain trinket box,<br />

19th century<br />

painted with a scene of a courting<br />

couple, blue underglaze crossed<br />

swords mark to base<br />

8cm high<br />

$300–500<br />

595<br />

A Limoges gilt bronze porcelain inkwell,<br />

19th century<br />

7cm high<br />

$200–300


129<br />

596<br />

A collection of Georgian glass, first<br />

quarter 19th century<br />

comprising two knopped stem wine<br />

glasses and a pair of glass washers<br />

the glasses11cm high<br />

$300–500<br />

597<br />

A foliate etched footed glass covered<br />

sweetmeat dish, 19th century<br />

22cm high<br />

$200–300<br />

598<br />

A finely etched glass footed bowl,<br />

early 19th century<br />

the central design of a courting couple<br />

16cm high<br />

$150–250<br />

596<br />

597<br />

598


130<br />

599<br />

A framed Opal Shard mosaic<br />

floral arrangement, Australian,<br />

late 19th century<br />

52 x 36cm (image size)<br />

72 x 56cm (frame size)<br />

$300–500<br />

600<br />

A matched set of eight beech and elm<br />

rush seat dining chairs, 19th century<br />

$800–1,200<br />

601<br />

A blue and white pierced underplate by<br />

Rogers & Sons, circa 1840<br />

with an oriental inspired central scene<br />

impressed factory mark to base<br />

23.5cm long<br />

$120–150<br />

602<br />

An English hand painted ‘Indian Tree’<br />

pattern soup tureen, early 19th century<br />

27cm high<br />

$200–300<br />

599<br />

600


131<br />

603<br />

Two Japanese black lacquer boxes<br />

the largest 8cm high, 13cm wide,<br />

13cm deep<br />

$200–300<br />

604<br />

A pair of brass bound wooden ewers,<br />

late 19th century<br />

23cm high<br />

$150–250<br />

605<br />

A large Bohemia gilded cobalt overlaid<br />

glass vase, late 19th century<br />

41cm high<br />

$120–150<br />

606<br />

An ebonised wood and tusk elephant<br />

head form wall mount<br />

32cm high<br />

$300–500<br />

607<br />

A pair of Regency bronze candlesticks<br />

19cm high<br />

$200–300<br />

608<br />

Two Victorian hand painted papier<br />

maché letter stands<br />

One decorated with fern leaves the<br />

other with a face of a terrier<br />

the largest 22cm high<br />

$200–300<br />

609<br />

Two Minton “Society of the Arts” blue<br />

and white salt glaze jug, dated 1846<br />

one larger than the other, each<br />

decorated with a relief moulded<br />

grapevine and a split branch handle<br />

with moulded registration mark for ‘26th<br />

May 1846’ to the base<br />

the largest 20cm high<br />

REFERENCE<br />

Illustrated “Relief Moulded Jugs 1820-<br />

1900”; R.K Henrywood, page 87<br />

$300–500<br />

610<br />

A Leeds Pottery bone white sauce boat<br />

with plaited handle, circa 1780<br />

11cm high<br />

$120–150<br />

611<br />

A collection of English blue and white<br />

porcelain, 19th century<br />

seven pieces including Spode and<br />

Cauldon<br />

the jug 12cm high<br />

$300–500<br />

612<br />

A Minton porcelain comport, mid<br />

19th century<br />

with a latticework border painted<br />

with a cherub in a landscape<br />

5cm high, 23cm diameter<br />

$200–300


132<br />

613<br />

613<br />

Four Regency style toleware tea<br />

canisters<br />

the largest 39cm high<br />

$400–600<br />

614<br />

A Japanese Satsuma bowl,<br />

late19th century/early 20th century<br />

with blue character mark to base<br />

19.5cm diameter<br />

$120–150<br />

615<br />

A large speckled gold Murano glass<br />

table lamp, 20th century<br />

64cm high without shade<br />

$300–500<br />

616<br />

A collection of English blue ground<br />

Jasperware, 19th century<br />

comprising a Tunstal covered jar, a<br />

Wedgwood pot pourri vase and cover<br />

and an unmarked bottle form vase<br />

the vase 25cm high<br />

$600–800<br />

617<br />

A large gilded black lacquer tray<br />

80cm wide<br />

$200–300<br />

618<br />

Three leather bound volumes of<br />

‘Lord Lytton’s Works’, dated 1835<br />

$100–200<br />

619<br />

A Parianware figure of a seated maiden<br />

with impressed ‘FALCONET’ signature<br />

to back<br />

24cm high<br />

$200–300<br />

620<br />

A carved giltwood mirror, English,<br />

19th century<br />

finely carved with a frieze of overlapping<br />

acanthus<br />

80 x 68cm<br />

$500–800<br />

621<br />

A set of six Wedgwood majolica green<br />

glazed plates<br />

factory mark to the base<br />

20cm diameter<br />

$300–500<br />

622<br />

A Moser faceted amber glass covered<br />

urn, 19th century<br />

with gilded panels and etched floral<br />

cartouche decoration<br />

23.5cm high<br />

$300–500<br />

614


133<br />

623<br />

A Gallé violet and yellow etched glass<br />

vase, French, circa 1900<br />

of compressed ovoid form decorated<br />

with anemone flowers, etched ‘Gallé’<br />

signature<br />

13.5cm high<br />

$600–800<br />

624<br />

A pair of French bronze poodle desk<br />

ornaments, late 19th century<br />

8cm high<br />

$500–800<br />

625<br />

A pair of 2nd Empire style gilt mounted<br />

white marble cassolettes lamps<br />

with acorn finials and gilt sconces,<br />

above an ovoid body with tripod<br />

supports headed by rams’ masks and<br />

hung with floral wags<br />

46.5cm high<br />

$300–500<br />

626<br />

A Victorian tortoiseshell tea caddy with<br />

floral mother of pearl inlay, circa 1850<br />

of serpentine form, standing on ivory<br />

bun feet<br />

13.5cm high, 20cm wide, 12.5cm deep<br />

$600–800 ♦<br />

623<br />

624


134<br />

627<br />

A pair of Louis XV style carved walnut<br />

fauteuils, French, circa 1860<br />

upholstered in contemporary<br />

Italian fabric<br />

$600–800<br />

628<br />

A Louis XV hanging corner cabinet<br />

lined with blue floral silk brocade<br />

105cm high, 61cm wide, 52cm deep<br />

$1,200–1,500<br />

629<br />

A small pair of Staffordshire porcelain<br />

hounds, 19th century<br />

10cm high<br />

$150–250<br />

630<br />

An Anglo-Indian Regency<br />

style macassar ebony carver,<br />

early 19th century<br />

with a woven cane seat<br />

$700–1,000<br />

631<br />

Two sets of St Louis gilded glasses,<br />

French<br />

10.5cm high<br />

$150–250<br />

632<br />

A bronze mounted verde marble desk<br />

blotter, 19th century<br />

9cm high<br />

$150–250<br />

633<br />

Two boxed sets of Georgian cut steel<br />

and paste shoe buckles and a set of<br />

Scottish silver shoe buckles<br />

the Scottish silver buckles by Thomas<br />

Ebbutt, Edinburgh 1919<br />

the largest buckle 7cm long, total<br />

weight of the silver buckles 72 gms<br />

$300–500<br />

634<br />

A pair of concrete garden columns<br />

relief decorated with twining<br />

convolvulus<br />

80cm high<br />

$400–600<br />

627


135<br />

635<br />

A French provincial metal wine<br />

bottle holder<br />

31cm high<br />

$200–300<br />

636<br />

A vintage leather suitcase<br />

40cm high, 53cm wide, 14cm deep<br />

$50–100<br />

637<br />

A collection of large silk fringed<br />

cushions<br />

48 x 46cm each<br />

$300–500<br />

635<br />

638<br />

A pair of Second Empire gilt bronze<br />

candlesticks, French, circa 1860<br />

each modelled as a flowering lily branch<br />

with a knopped stem and circular foot<br />

28cm high<br />

$500–800<br />

639<br />

A collection of auction catalogues<br />

and books on antiques, textiles and<br />

decorative arts<br />

$100–200<br />

640<br />

A silver plate humidor by Elkington<br />

& Co., 1878<br />

relief decorated with a village scene and<br />

inscribed to the rim ‘FROM WILLIAM<br />

ROBERTS JR. TO HIS DEAR FATHER<br />

10th MARCH 1878’, impressed maker<br />

and factory marks 13319 to the base<br />

18cm high<br />

$300–500<br />

641<br />

An English painted leather bucket<br />

together with a South Australian leather<br />

fire bucket<br />

the largest bucket 27.5cm high<br />

$200–300<br />

642<br />

A large brass jam pot<br />

40cm high<br />

$120–150<br />

643<br />

An English sterling silver purse and a<br />

pin box, 19th century and later<br />

the leather lined silver purse made by<br />

E. F. Braham, Birmingham, 1893; the<br />

sterling silver box with engine turned<br />

decoration, possibly Cork & Apthorp,<br />

London,1926<br />

the purse 8.5cm high, the box<br />

3.5cm high, 13cm wide, 5cm high, total<br />

205 gms<br />

$500–800


136<br />

644<br />

644<br />

Three large clam shells<br />

the largest 48cm long<br />

$400–600<br />

645<br />

A collection of etched and cut glass,<br />

English, 19th century<br />

comprising a small etched decanter,<br />

two wine glasses and a footed cut glass<br />

celery vase<br />

the vase 20cm high<br />

$300–500<br />

646<br />

A French gold and diamond mounted<br />

‘water satin’ silver reticule, 19th century<br />

inscribed with the insignia of its former<br />

owner in diamonds and gold, with a<br />

silver chain and intact calling card,<br />

leather lined interior, originally owned by<br />

Mrs A. Krieger<br />

13.5cm long<br />

$500–800<br />

647<br />

A pair of Georg Jensen acorn pattern<br />

sterling silver salts with matching<br />

spoons<br />

with blue enamel interiors, impressed<br />

factory marks<br />

the spoons 6cm long<br />

$100–200<br />

648<br />

A pair of figural bronze cherub<br />

candlesticks, 19th century<br />

with removable sconces<br />

29.5cm high<br />

$200–300


137<br />

649<br />

A carved classical marble figure of a<br />

maiden holding a bowl, 19th century<br />

44cm high<br />

$300–500<br />

650<br />

A Georgian mother of pearl tea caddy<br />

with bone handled lidded interior<br />

compartments<br />

14.5cm high, 20cm wide, 12cm deep<br />

$400–600<br />

651<br />

A Victorian tortoiseshell tea caddy<br />

with engraved silver cartouche to lid,<br />

circa 1860<br />

with engraved silver cartouche to the<br />

hinged cover and engraved initials ME<br />

16.5cm high, 17.5cm wide,<br />

11.5cm deep<br />

$500–800 ♦<br />

649


138<br />

652<br />

A late Victorian cast iron garden seat<br />

length of back 97cm<br />

$500–800<br />

653<br />

A Victorian cast iron garden seat<br />

length of back 138cm<br />

$1,200–1,500<br />

654<br />

A small Japanese composition stone<br />

garden stand<br />

30cm high<br />

$100–200<br />

655<br />

A three piece cast iron garden setting<br />

comprising two chairs and a table<br />

the table 75cm high, 69cm diameter<br />

$400–600<br />

652<br />

653


139<br />

656<br />

A composition stone figure of a child<br />

72cm high<br />

$200–300<br />

657<br />

A composition stone figure of a cherub<br />

on a pedestal<br />

143cm high<br />

$400–600<br />

658<br />

A large composition stone rams head<br />

handled garden urn and pedestal<br />

109cm high, 71cm diameter<br />

$200–300<br />

659<br />

A moss covered garden bench top<br />

122cm long<br />

$100–200<br />

656<br />

660<br />

A large composition stone rams head<br />

handled garden urn<br />

89cm high, 71cm diameter<br />

$300–500<br />

661<br />

A large red glazed pottery pot jardinière<br />

39cm high<br />

$60–100<br />

662<br />

A small Chinese carved rosewood<br />

marble top pedestal<br />

34cm high, 31cm diameter<br />

$200–300<br />

660<br />

End of Sale


140<br />

Terms & Conditions of Sale<br />

The terms and conditions of sale listed here contain<br />

the policies of Gibson’s Auctioneers & Valuers<br />

Pty Ltd. They are the terms on which Gibson’s<br />

Auctioneers & Valuers Pty Ltd and the Seller contract<br />

with the Buyer. They may be amended by printed<br />

Saleroom Notices or oral announcements made<br />

before and during the sale. By bidding at auction you<br />

agree to be bound by these terms.<br />

1. Background to the Terms used in<br />

these Conditions<br />

The conditions that are listed below contain terms<br />

that are used regularly and may need explanation.<br />

They are as follows:<br />

“the Buyer” means the person with the highest bid<br />

accepted by the Auctioneer<br />

“the Lot” means any item depicted within the sale for<br />

auction and in particular the item or items described<br />

against any lot number in the catalogue.<br />

“the Hammer price” means the amount of the highest<br />

bid accepted by the auctioneer in relation to a lot<br />

“the Buyers Premium” means the charge payable by<br />

the Buyer to the auction house as a percentage of<br />

the hammer price.<br />

“the Reserve” means the lowest amount at which<br />

Gibson’s Auctioneers & Valuers has agreed with the<br />

Seller that the lot can be sold.<br />

“Forgery” means an item constituting an imitation<br />

originally conceived and executed as a whole, with<br />

a fraudulent intention to deceive as to authorship,<br />

origin, age, period, culture or source, where the<br />

correct description as to such matters is not<br />

reflected by the description in the catalogue.<br />

Accordingly no lot shall be capable of being a forgery<br />

by reason of any damage or restoration work of any<br />

kind (Including re-painting).<br />

“the insured value” means the amount that Gibson’s<br />

Auctioneers & Valuers in its absolute discretion<br />

from time to time shall consider the value for which<br />

a lot should be covered for insurance (whether or<br />

not insurance is arranged by Gibson’s Auctioneers<br />

& Valuers.)<br />

All values expressed in Gibson’s Auctioneers &<br />

Valuers Pty Ltd catalogues (in any format) are in<br />

Australian Dollars (AU$). All bids, “hammer price”,<br />

“reserves”, “Buyers Premium” and other expressions<br />

of value are understood by all parties to be in<br />

Australian Dollars (AU$) unless otherwise specified.<br />

2. Gibson’s Auctioneers & Valuers<br />

Auctions as Agent<br />

Except as otherwise stated Gibson’s Auctioneers &<br />

Valuers Pty Ltd acts as agent for the Seller.<br />

The contract for the sale of the property is therefore<br />

made between the Seller and the Buyer.<br />

3. Before the Sale<br />

A) EXAMINATION OF PROPERTY<br />

Prospective Buyers are strongly advised to examine<br />

in person any property in which they are interested<br />

before the Auction takes place. Neither Gibson’s<br />

Auctioneers & Valuers nor the Seller provides any<br />

guarantee in relation to the nature of the property<br />

apart from the Limited warranty in the paragraph<br />

below.<br />

The property is otherwise sold “AS IS”<br />

B) CATALOGUE AND OTHER DESCRIPTIONS<br />

All statements by Gibson’s Auctioneers & Valuers<br />

in the catalogue entry for the property or in the<br />

condition report, or made orally or in writing<br />

elsewhere, are statements of opinion and are not<br />

to be relied upon as statements of fact. Such<br />

statements do not constitute a representation,<br />

warranty or assumption of liability by Gibson’s<br />

Auctioneers & Valuers of any kind. References in the<br />

catalogue entry to the condition report to damage<br />

or restoration are for guidance only and should be<br />

evaluated by personal inspection by the bidder or<br />

a knowledgeable representative. The absence of<br />

such a reference does not imply that an item is free<br />

from defects or restoration, nor does a reference to<br />

particular defects imply the absence of any others.<br />

Estimates of the selling price should not be relied<br />

on as a statement that this is the price at which<br />

the item will sell or it’s value for any other purpose.<br />

Neither Gibson’s Auctioneers & Valuers nor The<br />

Seller is responsible for any errors or omissions in the<br />

catalogue or any supplemental material.<br />

Images are measured height by width (sight size).<br />

Illustrations are provided only as a guide and should<br />

not be relied upon as a true representation of colour<br />

or condition. Images are not shown at a standard<br />

scale. Mention is rarely made of frames (which may be<br />

provided as supplementary images on the website)<br />

which do not form part of the lot as described in the<br />

printed catalogue.<br />

Foreign buyers should note that all transactions<br />

are in Australian dollars (AU$)so there may be a<br />

small exchange rate risk. The costs associated<br />

with acquiring a good certificate will be carried by<br />

the purchaser. If the item turns out to be forged or<br />

otherwise incorrectly described, all reasonable costs<br />

will be borne by the vendor.<br />

C) BUYERS RESPONSIBILITY<br />

All property is sold “as is” without representation<br />

or warranty of any kind by Gibson’s Auctioneers<br />

& Valuers or the Seller. Buyers are responsible for<br />

satisfying themselves concerning the condition<br />

of the property and the matters referred to in the<br />

catalogue by requesting a condition report<br />

4. At the Sale<br />

A) REFUSAL OF ADMISSION<br />

Gibson’s Auctioneers & Valuers reserves the right at<br />

our complete discretion to refuse admission to the<br />

auction premises or participation in any auction and<br />

to reject any bid.<br />

B) REGISTRATION BEFORE BIDDING<br />

Any prospective new buyer must complete and sign<br />

a registration form and provide photo-identification<br />

before bidding. Gibson’s Auctioneers & Valuers may<br />

request bank, trade or other financial references to<br />

substantiate this registration.<br />

C) BIDDING AS A PRINCIPAL<br />

When making a bid, a bidder is accepting personal<br />

liability to pay the purchase price including the<br />

buyers premium and all applicable taxes, plus all<br />

other applicable charges, unless it has been explicitly<br />

agreed in writing with Gibson’s Auctioneers & Valuers<br />

before the commencement of the sale that the<br />

bidder is acting as agent on behalf of an identified<br />

third party acceptable to Gibson’s Auctioneers &<br />

Valuers and that Gibson’s Auctioneers & Valuers will<br />

only look to the principal for payment.<br />

D) INTERNATIONAL REGISTRATIONS<br />

All International clients not known to Gibson’s<br />

Auctioneers & Valuers will be required to scan or fax<br />

through an accredited form of photo identification<br />

and pay a deposit at our discretion in cleared funds<br />

into Gibson’s Auctioneers & Valuers’ account at least<br />

48 hours before the commencement of the auction.<br />

Bids will not be accepted without this deposit.<br />

Gibson’s Auctioneers & Valuers also reserves the<br />

right to request any additional forms of identification<br />

prior to registering an overseas bid.<br />

This deposit can be made using a credit card,<br />

however the balance of any purchase price in excess<br />

of $5,000 can not be charged to this card without<br />

prior arrangement. This deposit is redeemable<br />

against any auction purchase.<br />

E) ABSENTEE BIDS<br />

Gibson’s Auctioneers & Valuers will use reasonable<br />

efforts to execute written bids delivered to us AT<br />

LEAST 24 Hours before the sale for the convenience<br />

of those clients who are unable to attend the auction<br />

in person. If we receive identical written bids on a<br />

particular lot, and at the auction these are the highest<br />

bids on that lot, then the lot will be sold to the person<br />

whose written bid was received and accepted first.<br />

Execution of written bids is a free service undertaken<br />

subject to other commitments at the time of the sale<br />

and we do not accept liability for failing to execute<br />

a written bid or for errors or omissions which may<br />

arise. It is the bidder’s responsibility to check with<br />

Gibson’s Auctioneers & Valuers after the auction if<br />

they were successful. Unlimited or “Buy” bids will not<br />

be accepted. Please refer to our indicative bidding<br />

increments below for appropriate absentee bid<br />

amounts (Section K).<br />

F) TELEPHONE BIDS<br />

Priority will be given to overseas and interstate<br />

bidders. Arrangements for this service must be<br />

confirmed AT LEAST 24 HOURS PRIOR to the auction<br />

commencing. Gibson’s Auctioneers & Valuers<br />

accepts no responsibility whatsoever for any errors<br />

or failure to execute bids. In telephone bidding the<br />

buyer agrees to be bound by all terms and conditions<br />

listed here and accepts that Gibson’s Auctioneers<br />

& Valuers cannot be held responsible for any<br />

mis-communications in the process. The success<br />

of telephone bidding cannot be guaranteed due to<br />

circumstances that are unforeseen. Buyers should<br />

be aware of the risk and accept the consequences<br />

should contact be unsuccessful at the time of<br />

Auction. You must advise Gibson’s Auctioneers &<br />

Valuers of the lots in question and recommend a<br />

‘Cover Bid’ amount should there be any issues with<br />

technology or communication via the telephone<br />

number provided. Gibson’s Auctioneers & Valuers<br />

will advise Telephone Bidders who have registered<br />

at least 24 hours before the auction of any relevant<br />

changes to descriptions, withdrawals or any other<br />

sale room notices.<br />

G) ONLINE BIDDING<br />

Gibson’s Auctioneers & Valuers accepts no<br />

responsibility for any errors, failure to execute bids or<br />

any other miscommunications regarding this process.<br />

It is the online bidder’s responsibility to ensure the<br />

accuracy of the relevant information regarding bids,<br />

lot numbers and contact details.<br />

H) RESERVES<br />

Unless otherwise indicated, all lots are offered subject<br />

to a reserve, which is the confidential minimum price<br />

below which the Lot will not be sold. The reserve will<br />

not exceed the low estimate printed in the catalogue.<br />

The auctioneer may open the bidding on any Lot<br />

below the reserve by placing a bid on behalf of the<br />

Seller. The auctioneer may continue to bid on behalf<br />

of seller up to the amount of the reserve, either<br />

by placing consecutive bids or by placing bids in<br />

response to other bidders.<br />

I) AUCTIONEERS DISCRETION<br />

The Auctioneer has the right at his absolute and sole<br />

discretion to refuse any bid, to advance the bidding<br />

in such a manner as he may decide, to withdraw or<br />

divide any lot, to combine any two or more lots and,<br />

in the case or error or dispute and whether during or


141<br />

after the sale, to determine the successful bidder, to<br />

continue the bidding, to cancel the sale or to reoffer<br />

and resell the item in dispute. If any dispute arises<br />

after the sale, then Gibson’s Auctioneers & Valuers’s<br />

sale record is conclusive.<br />

J) SUCCESSFUL BID AND PASSING OF RISK<br />

Subject to the auctioneer’s discretion, the highest<br />

bidder accepted by the auctioneer will be the buyer<br />

and the striking of his hammer marks the acceptance<br />

of the highest bid and the conclusion of a contract<br />

for sale between the Seller and the Buyer. Risk and<br />

responsibility for the lot (including frames or glass<br />

where relevant) passes immediately to the Buyer.<br />

K) INDICATIVE BIDDING STEPS, ETC.<br />

Gibson’s Auctioneers & Valuers reserves the right to<br />

refuse any bid, withdraw any lot from sale, to place<br />

a reserve on any lot and to advance the bidding<br />

according to the following:<br />

Increment Amount<br />

Dollar Range<br />

$20 $0–$500<br />

$50 $500–$1,000<br />

$100 $1,000–$2,000<br />

$200 $2,000–$5,000<br />

$500 $5,000–$10,000<br />

$1,000 $10,000–$20,000<br />

$2,000 $20,000–$50,000<br />

$5,000 $50,000–$100,000<br />

$10,000 $100,000–$200,000<br />

$20,000 $200,000–$500,000<br />

$50,000 $500,000–$1,000,000<br />

Absentee bids must follow these increments and any<br />

bids that don’t follow the steps will be rounded up to<br />

the nearest acceptable bid.<br />

5. After the Sale<br />

A) BUYERS PREMIUM<br />

In addition to the hammer price, the buyer agrees to<br />

pay to Gibson’s Auctioneers & Valuers the buyers<br />

premium. The buyer’s premium is 22% of the<br />

hammer price plus GST. (Goods and Services Tax)<br />

where applicable.<br />

B) PAYMENT AND PASSING OF TITLE<br />

The buyer must pay the full amount due (comprising<br />

the hammer price, buyers premium and any<br />

applicable taxes and GST) not later than three (3)<br />

days after the auction date.<br />

The buyer will not acquire title for the lot until<br />

Gibson’s Auctioneers & Valuers receives full<br />

payment in cleared funds, and no goods under any<br />

circumstances will be released without confirmation<br />

of cleared funds received. This applies even if the<br />

buyer wishes to send items interstate or overseas.<br />

Payment can be made by the following means:<br />

• Bank Transfer/Direct Deposit is our preferred<br />

method of payment<br />

Account Name: Gibsons Auctions<br />

Bank:<br />

Bank of Melbourne<br />

(A division of St George)<br />

BSB: 193879<br />

Account No: 441701443<br />

Swift Code: SGBLAU2S<br />

Routing Code: 021000021<br />

Bank Address: 197-201 Glenferrie Road,<br />

Malvern, Vic, 3144<br />

The buyer is responsible for any bank fees and<br />

charges applicable for the transfer of funds into<br />

Gibson’s Auctioneers & Valuers’s account<br />

• Personal, Company and Bank Cheques are not<br />

accepted without prior approval.<br />

• Eftpos (no charge)<br />

• Credit cards: Visa and Mastercard (1.2% incl GST<br />

merchant fee) and American Express (2% incl<br />

GST merchant fee)<br />

Please note that credit card transactions over<br />

$5,000 will not be accepted over the telephone<br />

unless by prior arrangement.<br />

• Cash up to AU$10,000 can accepted in<br />

cash. For any amount over this, cash is to be<br />

deposited directly into our account at a Bank of<br />

Melbourne/St George branch<br />

C) COLLECTION OF PURCHASES & INSURANCE<br />

Gibson’s Auctioneers & Valuers is entitled to retain<br />

items sold until all amounts due to us have been<br />

received in full in good cleared funds. Subject to this,<br />

the Buyer shall collect purchased lots within three<br />

(3) days from the date of the sale unless otherwise<br />

agreed in writing between Gibson’s Auctioneers &<br />

Valuers and the Buyer.<br />

At the fall of the hammer, insurance is the<br />

responsibility of the purchaser.<br />

D) PACKING, HANDLING AND SHIPPING<br />

At the request of the buyer, Gibson’s Auctioneers &<br />

Valuers may assist with packing of goods but takes<br />

no responsibility for loss, damage or breakage that<br />

may occur.<br />

Gibson’s Auctioneers & Valuers at the request of the<br />

buyer may arrange for a carrier, packer or shipper to<br />

have the property packed, insured and shipped at<br />

the buyer’s expense. All packing, shipping, insurance,<br />

postage & associated charges will be borne by the<br />

purchaser.<br />

Gibson’s Auctioneers & Valuers can assist with<br />

removal companies that the buyer can use but takes<br />

no responsibility whatsoever for the actions of any<br />

recommended third party.<br />

E) CULTURAL HERITAGE EXPORT LICENCES<br />

Unless otherwise agreed by us in writing, the fact<br />

that the buyer wishes to apply for an export licence<br />

does not affect his or her obligation to make full<br />

payment immediately, nor our right to charge<br />

interest or storage charges on late payment. It<br />

is the Buyer’s responsibility to check Australia’s<br />

Protection of Moveable Cultural Heritage Act 1986<br />

before purchase. If the Buyer requests Gibson’s<br />

Auctioneers & Valuers to apply for an export licence<br />

then we shall be entitled to charge a fee for this<br />

service. We shall not be obliged to rescind a sale nor<br />

to refund any interest or other expenses incurred<br />

by the Buyer where payment is made by the Buyer<br />

in circumstances where an export licence is not<br />

granted.<br />

F) REMEDIES FOR NON-PAYMENT<br />

If the Buyer fails to make full payment immediately,<br />

Gibson’s Auctioneers & Valuers is entitled to exercise<br />

one or more of the following rights or remedies (in<br />

addition to asserting any other rights or remedies<br />

available under the law)<br />

i) to charge interest at the ANZ visa credit card<br />

rate as published weekly in the Australian<br />

Financial Review<br />

ii)<br />

iii)<br />

iv)<br />

to hold the defaulting Buyer liable for the<br />

total amount due and to commence legal<br />

proceedings for it’s recovery along with interest,<br />

legal fees and costs to the fullest extent<br />

permitted under applicable law<br />

to cancel the sale<br />

to resell the property publicly or privately on<br />

such terms as we see fit<br />

v) to pay the Seller an amount up to the net<br />

proceeds payable in respect of the amount bid<br />

by the defaulting Buyer. In these circumstances<br />

the defaulting Buyer can have no claim upon<br />

Gibson’s Auctioneers & Valuers in the event that<br />

the item(s) are sold for an amount greater than<br />

the original invoiced amount.<br />

vi)<br />

vii)<br />

to set off against any amounts which Gibson’s<br />

Auctioneers & Valuers may owe the Buyer in<br />

any other transactions, the outstanding amount<br />

remaining unpaid by the Buyer.<br />

where several amounts are owed by the Buyer to<br />

us, in respect of different transactions, to apply<br />

any amount paid to discharge any amount owed<br />

in respect of any particular transaction, whether<br />

or not the Buyer so directs.<br />

viii) to reject at any future auction any bids made by<br />

or on behalf of the Buyer or to obtain a deposit<br />

from the Buyer prior to accepting any bids.<br />

ix)<br />

to exercise all the rights and remedies of a<br />

person holding security over any property in<br />

our possession owned by the Buyer whether by<br />

way of pledge, security interest or in any other<br />

way, to the fullest extent permitted by the law of<br />

the place where such property is located. The<br />

Buyer will be deemed to have been granted such<br />

security to us and we may retain such property<br />

as collateral security for such Buyer’s obligations<br />

to us.<br />

x) to take such other action as Gibson’s<br />

Auctioneers & Valuers deem necessary or<br />

appropriate<br />

If we do sell the property under paragraph<br />

(iv), then the defaulting Buyer shall be liable<br />

for payment of any deficiency between the<br />

total amount originally due to us and the<br />

price obtained upon reselling as well as for<br />

all costs, expenses, damages, legal fees and<br />

commissions and premiums of whatever kinds<br />

associated with both sales or otherwise arising<br />

from the default.<br />

If we pay any amount to the Seller under<br />

paragraph (v) the Buyer acknowledges that<br />

Gibson’s Auctioneers & Valuers shall have all<br />

of the rights of the Seller, however arising, to<br />

pursue the Buyer for such amount.<br />

G) FAILURE TO COLLECT PURCHASES<br />

Where purchases are not collected within three (3)<br />

days from the sale date, whether or not payment<br />

has been made, we shall be permitted to remove the<br />

property to a warehouse at the buyer’s expense, and<br />

only release the items after payment in full has been<br />

made of removal, storage handling, insurance and<br />

any other costs incurred, together with payment of all<br />

other amounts due to us.<br />

6. Extent of Gibson’s Auctioneers &<br />

Valuers Liability<br />

Gibson’s Auctioneers & Valuers agrees to refund<br />

the purchase price in the circumstances of the<br />

Limited Warranty set out in paragraph 7 below.<br />

Apart from that, neither the Seller nor we, nor any<br />

of our employees or agents are responsible for<br />

the correctness of any statement of whatever kind<br />

concerning any lot, whether written or oral, nor<br />

for any other errors or omissions in description<br />

or for any faults or defects in any lots. Except as<br />

stated in paragraph 7 below, neither the Seller<br />

ourselves, our officers, agents or employees give any<br />

representation warranty or guarantee or assume any<br />

liability of any kind in respect of any lot with regard<br />

to merchantability, fitness for a particular purpose,<br />

description, size, quality, condition, attribution,<br />

authenticity, rarity, importance, medium, provenance,<br />

exhibition history, literature or historical relevance.<br />

Except as required by local law any warranty of any<br />

kind is excluded by this paragraph.<br />

7. Limited Warranty<br />

Subject to the terms and conditions of this<br />

paragraph, the Seller warrants for the period of<br />

fourteen (14) days from the date of the sale that<br />

any property described in this catalogue (noting<br />

such description may be amended by any saleroom<br />

notice or announcement) which is stated without<br />

qualification to be the work of a named author or


142<br />

authorship is authentic and not a forgery. The term<br />

“Author” or “authorship” refers to the creator of the<br />

property or to the period, culture, source, or origin<br />

as the case may be, with which the creation of such<br />

property is identified in the catalogue.<br />

The warranty is subject to the following:<br />

i) it does not apply where a) the catalogue<br />

description or saleroom notice corresponded<br />

to the generally accepted opinion of scholars<br />

and experts at the date of the sale or fairly<br />

indicated that there was a conflict of opinions,<br />

or b) correct identification of a lot can be<br />

demonstrated only by means of a scientific<br />

process not generally accepted for use until<br />

after publication of the catalogue or a process<br />

which at the date of the publication of the<br />

catalogue was unreasonably expensive or<br />

impractical or likely to have caused damage to<br />

the property.<br />

ii)<br />

iii)<br />

iv)<br />

the benefits of the warranty are not assignable<br />

and shall apply only to the original buyer of the<br />

lot as shown on the invoice originally issued by<br />

Gibson’s Auctioneers & Valuers when the lot was<br />

sold at Auction.<br />

the Original Buyer must have remained the<br />

owner of the lot without disposing of any interest<br />

in it to any third party<br />

The Buyer’s sole and exclusive remedy against<br />

the Seller in place of any other remedy which<br />

might be available, is the cancellation of the sale<br />

and the refund of the original purchase price<br />

paid for the lot less the buyers premium which is<br />

non refundable. Neither the Seller nor Gibson’s<br />

Auctioneers & Valuers will be liable for any<br />

special, incidental nor consequential damages<br />

including, without limitation, loss of profits not for<br />

interest.<br />

v) The Buyer must give written notice of claim<br />

to us within fourteen (14) days of the date of<br />

the Auction. The Seller shall have the right,<br />

to require the Buyer to obtain two written<br />

opinions by recognised experts in the field,<br />

mutually acceptable to the Buyer and Gibson’s<br />

Auctioneers & Valuers to decide whether or not<br />

to cancel the sale under warranty.<br />

vi)<br />

the Buyer must return the lot to Seller in the<br />

same condition that it was purchased.<br />

8. Severability<br />

If any part of these Conditions of Sale is found by any<br />

court to be invalid, illegal or unenforceable, that part<br />

shall be discounted and the rest of the Conditions<br />

shall continue to be valid to the fullest extent<br />

permitted by law.<br />

9. Copyright<br />

The copyright of all images, illustrations and written<br />

material produced by Gibson’s Auctioneers &<br />

Valuers relating to a lot including the contents of this<br />

catalogue, is and shall remain the property at all times<br />

of Gibson’s Auctioneers & Valuers and shall not be<br />

used by the Buyer, nor by anyone else without our<br />

prior written consent. Gibson’s Auctioneers & Valuers<br />

and the Seller make no representation or warranty<br />

that the Buyer of a property will acquire any copyright<br />

or other reproduction rights in it.<br />

10. Law and Jurisdiction<br />

These terms and conditions and any matters<br />

concerned with the foregoing fall within the exclusive<br />

jurisdiction of the courts of the state in which the<br />

auction is held.<br />

11. Pre-Sale Estimates<br />

Gibson’s Auctioneers & Valuers publishes with each<br />

catalogue our opinion as to the estimated price range<br />

for each lot. These estimates are approximate prices<br />

only and are not intended to be definitive. They are<br />

prepared well in advance of the sale and may be<br />

subject to revision. Interested parties should contact<br />

Gibson’s Auctioneers & Valuers prior to auction for<br />

updated pre-sale estimates and starting prices.<br />

12. Sale results<br />

Gibson’s Auctioneers & Valuers will provide auction<br />

results, which will be available as soon as possible<br />

after the sale. Results will include buyer’s premium<br />

(22% plus GST). These results will be posted at<br />

www.gibsonsauctions.com.au.<br />

13. Goods and Service Tax<br />

In accordance with A New Tax System (Goods<br />

and Services Tax) Act 1999 Gibson’s Auctioneers<br />

& Valuers Auctions will collect on behalf of the<br />

Australian tax office (ATO) a Goods and Service Tax<br />

(GST) of 10% on all applicable transactions.<br />

ABN: 26 440 767 899<br />

GST is applicable on the hammer price in the case<br />

where the seller is selling property that is owned by<br />

an entity registered for GST. GST is also applicable<br />

on the hammer price in the case where the seller is<br />

not an Australian resident. These lots are denoted by<br />

a dagger symbol † placed next to the estimate.<br />

GST is also applicable on the buyer’s premium.<br />

Overseas buyers and buyers non-resident in Australia<br />

will not be charged GST on both hammer price and<br />

premiums under the following conditions:<br />

1. The items are exported through a Gibson’s<br />

Auctioneers & Valuers approved freight<br />

company including Australia Post<br />

2. The items are exported within 60 days of the<br />

date of the sale<br />

The invoice supplied by Gibson’s Auctioneers &<br />

Valuers for purchases will be regarded as a Tax<br />

invoice for GST purposes.<br />

14. Resale Royalty Scheme<br />

Under the legal obligations of the Resale Royalty<br />

Scheme for Visual Artists Act 2009, sellers must<br />

provide the following information to comply with<br />

the act:<br />

• was the artwork acquired after 8 June 2010?<br />

• is the sale/reserve price (including GST) $1,000<br />

or more?<br />

• is the artist from Australia or a country listed in<br />

the Regulations to the Act?<br />

• is the artist alive, or deceased less than 70<br />

years?<br />

The seller:<br />

i) acknowledges that he or she understands his or<br />

her legal obligations under the Resale Royalty for<br />

Visual Artists Act 2009 (the Act);<br />

ii)<br />

iii)<br />

iv)<br />

undertakes to comply with all requirements of<br />

the Act, including by providing its agent, the<br />

company, with accurate information sufficient for<br />

compliance with sections 28 and 29 of the Act;<br />

undertakes to indemnify the company for any<br />

loss incurred by the company as a result of<br />

the vendor’s failure to comply with any of the<br />

vendor’s legal obligations under the Act; and<br />

acknowledges that if he or she fails to comply<br />

with any of his or her legal obligations under<br />

the Act, the company may provide the vendor’s<br />

name and contact details to Copyright Agency<br />

Limited (CAL).<br />

Lots subject to payment of the Resale Royalty<br />

Scheme will be denoted by the §. The Australian<br />

Resale Royalty is a flat rate of 5% on the hammer<br />

price (including GST). The Australian Resale Royalty<br />

is payable by the seller in addition to the buyers<br />

premium plus any applicable GST.<br />

15. Jewels & Watches<br />

GEMSTONES<br />

Gemstones have historically been subjected to a<br />

variety of treatments to enhance their appearance.<br />

Sapphire and rubies are routinely heat treated to<br />

improve their colour and clarity, similarly emeralds<br />

are frequently treated with oils or resin for the same<br />

purpose. Other treatments such as staining or dyeing,<br />

irradiation, filling or coating may have been used<br />

on other precious and semi-precious gemstones<br />

and organic material. These treatments may be<br />

permanent, whilst others may need special care to<br />

preserve their appearance. Buyers should assume<br />

that each lot has been subject to some form of<br />

treatment and that the estimates reflect this.<br />

A number of laboratories issue certificates that<br />

give detailed descriptions of gemstones, and in<br />

the event that Gibson’s Auctioneers & Valuers has<br />

been supplied with or obtained certificates for any<br />

lot, this shall be noted in the catalogue. However,<br />

as there may not be consensus between different<br />

laboratories on the degree, or types of treatment<br />

of the gemstones, Gibson’s Auctioneers & Valuers<br />

supplies these without warranty.<br />

Buyers should assume that all gemstones sold by<br />

Gibson’s Auctioneers & Valuers may have been<br />

subjected to such treatments, and that the catalogue<br />

estimates reflect this.<br />

PEARLS<br />

Pearls, like gemstones, are also subject to various<br />

treatments. Buyers should assume that any pearls<br />

sold by Gibson’s Auctioneers & Valuers may have<br />

been subjected to such treatments, and that the<br />

catalogue estimates reflect this.<br />

WATCHES<br />

Please note: All watches sold by Gibson’s<br />

Auctioneers & Valuers are sold on an “as is”<br />

basis. Gibson’s Auctioneers & Valuers makes no<br />

representation or warranty that any watch is in<br />

working order. Many watches have been repaired<br />

over their lifetime and may contain non-original parts.<br />

The absence of any reference to the condition of a<br />

watch does not imply that the lot is in good condition<br />

and without defects, repairs or restorations. Buyers<br />

should be aware that a general service, change of<br />

battery or further repair work, for which the Buyer is<br />

solely responsible for, may be necessary.<br />

ESTIMATED WEIGHTS<br />

If a stone has a known weight, it has been weighed<br />

out of the mount. If a stone has an estimated weight,<br />

it is an approximate weight only and has been<br />

measured by us in the mount and is a statement of<br />

opinion only. The information is given as a guide only<br />

and Buyers should satisfy themselves with regard to<br />

this information as to its accuracy.


Lot 100 (Detail)

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