GA022

Interiors 

PRIVATE COLLECTIONS 

Melbourne, Sunday 28 March 2021

Jennifer Gibson 

CEO & Head of Valuations 

Jennifer.Gibson@gibsonsauctions.com.au 

Deanna Baxter 

Business Manager 

Deanna.Baxter@gibsonsauctions.com.au 

Samuel Fricker 

Operations & Marketing Manager 

Samuel.Fricker@gibsonsauctions.com.au 

Simon Gibson 

CFO 

Simon.Gibson@gibsonsauctions.com.au 

Marilla O’Sullivan 

Auction Assistant 

Marilla.Osullivan@gibsonsauctions.com.au 

Juliet Hughes 

Account Administrator 

Juliet.Hughes@gibsonsauctions.com.au 

Ann Roberts 

Consultant Specialist 

Asian Art 

Jon Dwyer 


Australian & International Art 

Phil Gore 


Clocks, Watches & Barometers 

ORRONG RD 

IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII 

OSMENT ST 

03 9500 2607 

gibsonsauctions.com.au 

Auction, Viewing and 

Payment & Collections 

Level 1, 885-889 High St 

Armadale, Victoria 3143 

HIGH ST 

SUTHERLAND RD 

KOOYONG RD 

LE ST 

HAMPDEN RD ASHLEIGH RD 

MT PLEASANT GROVE 

NEW ST 

AUBURN GROVE 

DENBIGH RD 

NORTHCOTE RD 

CHEEL ST

FRONT COVER: 

Lot 64 (Detail) 

BACK COVER: 

Lot 466 

Interiors 

PRIVATE COLLECTIONS 

Auction 

Sunday 28 March 2021, 11.00am 

Level 1, 885-889 High Street 

Armadale, Victoria 3143 

Viewing 

Thursday 25 March 

Friday 26 March 

Saturday 27 March 

10.00am – 5.00pm 

10.00am – 5.00pm 

10.00am – 5.00pm 

Auction Code: GA022 

GST 

† Lots with this symbol are subject 

to GST on the hammer price and the 

buyer’s premium. 

Buyer’s Premium 

Buyer’s Premium is charged at 

22% of the hammer price plus GST. 

GST is applicable to the buyer’s 

premium only, unless otherwise 

indicated by the † symbol. 

Registration 

To register to bid at Gibson's 

Auctioneers & Valuers an accredited 

form of photo identification is required. 

This applies to bidding in person at 

the auction, Telephone, Absentee and 

Online bidding. 

Resale Royalty Scheme 

Lots subject to payment of the Artist's 

Resale Royalty Scheme will be denoted 

by the symbol §. The Australian Resale 

Royalty is a flat rate of 5% on the 

hammer price (including GST) and is 

payable by the seller. 

Restricted or Organic Material 

♦ Lots with this symbol have been 

identified at the time of cataloguing 

as containing organic material which 

may be subject to export or import 

restrictions. The absence of this 

symbol is not a guarantee that export 

or import restrictions will not apply. See 

www.cites.org for further information. 

Payments & Collections 

By appointment: 

gibsonsauctions.com.au/bookings 

or 03 9500 2607 

Payments & Collections can be made 

from: Level 1, 885-889 High Street, 

Armadale, Vic 3143 

Monday 29 March 

Tuesday 30 March 

Wednesday 31 March 

10am–5pm 

10am–5pm 

10am–5pm 

All goods must be collected and paid 

in full by 5pm on Wednesday 31 March 

(unless by prior arrangement) to avoid 

removal and storage charges. 

All payments are to be made in 

Australian Dollars (AU$). Please refer to 

the methods of payment in the HOW 

TO BUY section on the following pages. 

Credit card surcharges apply – 1.2% 

(incl GST) for Visa and Mastercard and 

2% (incl GST) for American Express.

PROPERTIES FROM 

1 Property from the Collection 

of Alan Bramich 

(Lots 1-48) 

2 A Private Collection Melbourne 

(Lots 49-288) 

3 Property of a Private Collector 

(Lots 289-404) 

4 Rugs and Carpets 

(Lots 405-421) 

5 A Bellarine Peninsula 

Private Collection 

(Lots 422-662) 

RIGHT: 

Lot 55 (Detail)

4 

How to Buy 

All you need to know about the bidding process at auction 

Viewing 

Catalogues 

Online catalogues can be viewed at 

www.gibsonsauctions.com.au approximately three weeks 

prior to the auction date. 

Complimentary printed catalogues are available at Gibson’s 

Auctioneers & Valuers. 

Symbols 

Occasionally, a symbol is printed next to a lot number, 

indicating a special clause associated with the sale of the 

item/s. Further information on symbols within our catalogues 

can be found on Page 1. 

Viewing 

Auction viewings are open to the public and usually take place 

three or four days prior to the auction date, at the location/s 

listed in the auction catalogue and on the website. 

Lot Descriptions 

Lot Descriptions provide basic catalogue information such 

as dimensions, date or age, medium, attribution, provenance 

and quantity. 

All lots are guaranteed for fourteen (14) days from the 

auction date. 

Estimates 

Estimates are printed in the catalogue beside every lot and 

take into account rarity, condition, quality and provenance. 

The reserve is the amount at which the item is available for 

purchase. The reserve is an undisclosed confidential amount 

which is set at, or below the low estimate. 

The reserve will never exceed the low estimate at Gibson’s 

Auctioneers & Valuers. Many lots are sold without reserve. 

Talk to our Specialists 

Gibson’s Auctioneers & Valuers are an experienced team of 

specialists who are available to discuss items in further detail, 

and to offer advice and assistance. 

Contact details for relevant specialists can be found on the 

inside front cover our auction catalogues and on our website. 

Condition Reports 

Condition Reports are available on request. Condition Reports 

supplement the lot description and provide information on the 

condition of an item. 

We strongly advise obtaining a condition report if you are 

unable to view an item in person prior to the auction. 

To request a condition report please email 

condition.reports@gibsonsauctions.com.au with the auction 

title and lot number/s. 

Bidding 

Gibson’s Auctioneers & Valuers offer four bidding options: 

1. Auction Room Bidding 

To bid in person we suggest you arrive early so that you 

have sufficient time to register for a bidding number prior 

to the auction. If this is your first time bidding with Gibson’s 

Auctioneers & Valuers please bring photo identification, such 

as a driver’s licence or passport with you. 

2. Telephone Bidding 

Gibson’s Auctioneers & Valuers offer telephone bidding on all 

lots, at all auctions. 

Telephone Bidding is a convenient solution if you are unable to 

attend an auction in person. A Gibson’s Auctioneers & Valuers 

staff member will call you approximately 5 lots in advance and 

with your instruction, bid on your behalf at the auction. 

Please note: Telephone Bids must be organised at least 24 

hours prior to the auction and that occasionally, the number 

of telephone bidders available may be restricted when the 

auction is offsite. 

To organise a Telephone Bid please follow the link 

to the Telephone Bidding form on our website: 

www.gibsonsauctions.com.au. 

Please fill in & return via email to mail@gibsonsauctions.com.au 

If this is your first time bidding with Gibson’s Auctioneers & 

Valuers, an email address is to be supplied when you submit 

your Telephone Bid, along with clear Photo ID verifying 

your address.

5 

3. Absentee Bids 

Absentee Bidding is another convenient solution if you 

are unable to attend an auction in person, to speak on the 

telephone or if you simply have a strict budget. 

An Absentee Bid should be set at the maximum amount 

you wish to bid on the lot/s you are interested in purchasing. 

Should the lot/s be knocked down at an amount lower than 

the bid recorded on your form, the lot will be sold to you for 

the lesser hammer price. 

Please note Absentee Bids must be received at least 24 hours 

prior to the auction to allow time for processing. 

To organise an Absentee Bid please follow the link to 

the Absentee Bidding form available on our website: 


Please fill in & return via email to mail@gibsonsauctions.com.au 

If this is your first time bidding with Gibson’s Auctioneers 

& Valuers, an email address is to be supplied when you 

submit your Absentee Bid, along with clear Photo ID verifying 

your address. 

4. Online Bidding 

Online bidding allows you to bid via the internet in real 

time with a live broadcast of the auction. To bid online visit 

our website and follow the ‘Live Bidding’ link under the 

‘Auctions’ tab. 

Please register for this service at least 24 hours prior to the 

auction to ensure you do not miss your lot. 

Please note online bidding is powered by Invaluable.com and 

so will incur a 5% fee on successful lots. 

If you have not bid with Gibson’s Auctioneers & Valuers 

previously, a photo ID verifying your address will be 

required before you can be approved to bid. Please email to 

mail@gibsonsauctions.com.au as soon as practical. 

International Bidding 

If you are bidding from overseas for the first time, you will be 

asked to provide a clear Photo ID verifying your address and 

a deposit (set at Gibson’s Auctioneers & Valuers’ discretion) 

prior to the auction. The deposit is refundable within 48 

hours should you not be successful. If you are successful 

the deposit will be deducted from your invoice total. The 

remaining balance must be paid preferably by direct deposit. 

Bank details are provided in the Payment & Collection section 

of this guide. 

Payment & Collection 

Payments 

If you are successful an invoice (AU$) will be emailed or 

posted to you immediately after the auction. 

You will pay the hammer price, plus the buyer’s premium 

(22% plus GST) on each Lot, together with any additional 

applicable charges such as GST on hammer. 

Payments must be made in full by the final day of Collections 

as printed in the catalogue. 

Bank Transfer/Direct Deposit is our preferred method 

of payment: 

Account Name: Gibsons Auctions 

Bank: 

Bank of Melbourne (A division of St George) 

BSB: 193879 

Account No: 441701443 

Swift Code: SGBLAU2S 

Routing Code: 021000021 

Bank Address: 197-201 Glenferrie Road, Malvern, Vic, 3144 

• Personal, Company and Bank Cheques are not accepted 

without prior approval. 

• Eftpos (no charge). 

• Credit cards: Visa and Mastercard (1.2% inc GST merchant 

fee) and American Express (2% inc GST merchant fee). 

• Please note that credit card transactions over $5,000 

will not be accepted over the telephone unless by prior 

arrangement. 

• Cash payments up to AU$10,000 can be accepted. For any 

amount over this, cash is to be deposited directly into our 

account at a Bank of Melbourne/St George branch. 

Collections 

Gibson’s Auctioneers & Valuers are happy to assist and 

provide you with recommended transport companies whether 

it be a local, interstate or international delivery. 

Storage 

All items must be paid for and collected within the collection 

times advertised for each individual auction. If items are not 

collected within this time-frame, Gibson’s Auctioneers & 

Valuers reserve the right to charge removal and storage fees.

6 

Property from the Collection of Alan Bramich 

1 

A George III string inlaid mahogany bow 

front sideboard 

92cm high, 130cm wide, 49cm deep 

$500–800 

2 

A George III mahogany inlaid secretaire 

bookcase 


$1,200–1,500 

3 

A George III mahogany and satinwood 

hanging corner cabinet 

the cabinet door inlaid with a 

satinwood conch 


$200–300 

4 

Two George III style mahogany bedside 

commode cabinets 


$200–300 

5 

A set of four Regency rosewood 

dining chairs 

with pink silk upholstered cushions 

$400–600 

6 

A George III mahogany tilt top 

wine table 

72cm high, 52cm diameter 

$300–500 

7 

A George III flame mahogany 

linen press 


$500–800 

8 

A pair of brass mounted glazed two-tier 

side tables 


$300–500 

9 

A collection of cut glass, 18th century 

and later 

including a George III decanter 

the tallest 28cm high 

$300–500 

1

7 

10 

11 

10 

SOPHIA COLSON 

(BRITISH, C.1830–C.1890) 

Romantic Landscape with Figures 

watercolour 

13 x 20cm 

$200–400 

11 

SOPHIA COLSON 

(BRITISH, C.1830–C.1890) 

Classical Landscape 

watercolour 

13 x 18.5cm 

$200–300 

12 

An English burr elm chest of drawers, 

circa 1790 

94cm high, 100cm wide, 58.5cm deep 

$600–800

8 

13 

A set of six George III mahogany 

dining chairs comprising two carvers 

and four chairs 

upholstered with red and gold floral 

brocade 

$800–1,200 

14 

A pair of marble top brass console 

tables 


$500–800 

15 

A verde marble top coffee table 

on a gold painted carved wood base 

46cm high, 77.5cm wide, 77.5cm deep 

$150–250 

16 

A collection of two marble busts 

and an obelisk 

the obelisk 50cm high 

$300–500 

17 

A Georgian tilt top mahogany wine table 

69cm high, 62.5cm diameter 

$300–500 

18 

A terracotta bust of Caesar Augustus 

63cm high 

$100–200 

19 

A pair of terracotta planters 


$100–200 

20 

A flat weave kilim rug 

with a black and white diamond 

on red ground pattern 

290 x 154cm 

$300–500 

21 

Three Staffordshire figures 

including a figure of Will Watch 

the largest figure 33cm high 

$200–300 

22 

A pair of gilt bronze peacock figures 

candlestick holders, 19th century 

with marble bases 

20cm high 

$200–300 

13

9 

23 

DARYL CARNAHAN 

The Dance 1998 

linocut 

signed, dated and inscribed on margin: 

Daryl Carnahan 1998 Proof 

111 x 87.5cm (image size) 

$150–250 

24 

An Anglo Indian Sadeli mosaic inlaid 

document box 

with a velvet lined interior 

7.5cm high, 26cm wide, 16.5cm 

$100–200 

23

10 

25 

LOUIS KAHAN (1905-2002) 

Fijian Woman and Man 1976 

ink on paper 

signed, dated and inscribed lower right: 

Louis Kahan 1976 Fiji 

35 x 40.5cm 

$120–180 

25 

26 

A Louis XV style beechwood fauteuil 

upholstered in red tapestry brocade 

$400–600 

27 

A collection of sterling silver flatware, 

19th century 

including six sterling silver kings pattern 

knives by Atkin & Oxley, Sheffield, 1833, 

seven sterling silver trident forks by 

Isaac Callard, London, 1762 

total weight of silver excluding the 

knives 665gms 

$500–800 

28 

A George III mahogany D-end 

extension dining table 

with two extension leaves 

74cm high, 156.5cm wide, 121cm deep 

$500–800 

26

11 

29 

29 

A pair of Chinoiserie porcelain table 

lamps and shades 

79cm high 

$300–500 

30 

A set of eight Richard Ginori fish 

decorated plates 

together with four side dishes 

the plates 26cm 

$200–300 

31 

A pair of Empire Works exotic birds 

decorated plates 

with a gilt edge and blue painted scale 

border 

turquoise factory stamp to base 

27cm diameter 

$100–200 

32 

A Chinese export ware porcelain drum 

jar and cover 

with scrolling blue agapanthus 

26cm high 

$100–200 

33 

A collection of stemware, early 

19th century and later 

including two George III wine glasses 

the urn 29cm high 

$300–500 

34 

An ebonised and gilded table lamp 

with cream shade 

49cm high without shade 

$100–200 

35 

A set of Limoges gilt edge plates 

and dishes 

comprising seven plates, seven dishes 

and a large platter 

the platter 55cm across the handles 

$200–300 

36 

A collection of three Indian brass 

pepper grinders 


$100–200 

37 

A pair of Staffordshire spaniels 

and two Staffordshire figures 

the spaniels 21cm high 

$100–200

12 

38 

38 


Grey Day 1987 

watercolour 

signed and dated lower right: 

Daryl Carnahan 31/10/87 

54 x 74cm 

$200–300 

39 


Two Eves 1986 

linocut 

signed, dated, titled and editioned on 

margin: Daryl Carnahan 1986 TWO 

EVES A/P 

25.5 x 57.5cm 

$100–200 

40 


Portrait 1988 

photograph 

signed and dated on margin: 

Daryl Carnahan 88 

51 x 34.5cm 

$80–120 

41 


Little Buddha 2009 

linocut 


margin: Daryl Carnahan 2009/2011 

Little Buddha 1/1 

37 x 33cm 

$100–200 

42 


Crouching 1986 

colour linocut 

signed, dated and editioned on margin: 

Daryl Carnahan 1986 A.P. 

15 x 15cm 

$100–200 

43 

SALVADOR DALI (1904-1989) 

Untitled 

lithograph 

inscribed and editioned on margin: 

S Dali 1/250 

35 x 45.5cm 

$200–400

13 

44 

UMETARO AZECHI 

(JAPANESE, 1902-1999) 

Mountain Man 

colour woodcut 

signed on margin lower right: U AZECHI 

39.5 x 26cm 

$200–400 

45 

TOM FANTL (BORN 1947) 

Bather 1974 

mixed media 

signed and dated lower left: 

FANTL 1974 

53 x 71cm 

$120–180 

46 

A French carved giltwood marble top 

console table, 19th century 


$800–1,200 

47 

JOHN CANFIELD 

Summer Landscape 

oil on board 

signed lower left: JOHN CANFIELD 

14 x 18.5cm 

$80–120 

48 

CHARLES BUSH (1919-1989) 

Landscape 

watercolour 

signed lower right: Bush 

26 x 35.5cm 

$120–180 

44

14 

A Private Collection 

Melbourne 

49 

A large Italian silvered bronze figure, 

by A. Calendi, 20th century 

modelled as a nude on a lion pelt, 

cast signature ‘Calendi’ to the base 

69cm high 

$4,000–6,000 

50 

A silver mounted cameo glass scent 

bottle, late 19th century 

carved with a floral design, 

hinged silver cover 

7cm high 

$500–800 

51 

A silver mounted cameo glass scent 

bottle, late 19th century 

carved with a floral design 

and silver cover 

7cm high 

$300–500 

52 

A cameo glass scent bottle, 

19th century 

in the Webb style, etched and 

decorated with white and blue floral 

motifs, silver lid 

8.5 x 4cm 

$500–800 

53 

An English sterling silver cased glass 

scent bottle, 19th century 

the case relief decorated with cupids 

enclosing a green glass internal vessel 

and stopper 

7.5cm high 

$500–800 

49

15 

54 

ÉMILE GALLÉ 

(FRENCH 1846-1904) 

‘Tempus Stellae’ a twin-handled 

opalescent and enamelled glass vase, 

circa 1900 

the green glass ground with bands 

of opalescence and textured finish, 

acid etched with floral design and star 

motifs, heightened with enamelling and 

gilt highlights, enamel signature to the 

underside ‘E Gallé Nancy déposé’ 

35cm high including stand 

NOTE 

Gallé was a deeply religious man, and 

many of his pieces feature religious 

symbols. This vase is relief decorated 

with the Latin words “Tempus Stellae,” 

meaning “time of the star.” The phrase 

is taken from the story of the arrival 

of the wisemen in Bethlehem to pay 

homage to the Christ child. 

$8,000–12,000 

54

16 

55 

55 

AFTER RUBENS 

Cimone and Efigenia 

painted ivory panel 

12 x 18.5cm 

$2,000–3,000 ♦ 

56 

LUCY YAD DONGEN (DUTCH) 

pate de verre mosaic panel 

of two canines 

64 x 122cm 

$3,000–6,000 

57 

A Venini ‘Opalino’ gold flecked turquoise 

art glass vase, 1999 

with engraved ‘venini 99’ and editioned 

1030/1999 to base 

30cm high 

$300–500 

58 

A Zsolnay porcelain pot, 20th century 

impressed ‘ZSOLNAY’ and blue 

underglaze factory marks to the base 

20cm high 

$200–300 

59 

A pair of French gilt metal and moulded 

glass candelabra 

53cm high 

$600–800 

60 

AFTER DEGAS 

Ballerina 

painted enamel 

15.5 x 10.5cm 

$300–500

17 

61 

From the workshop of Louis Süe (1875 

- 1968) & André Mare (1875-1968) 

a mahogany desk of rectangular 

form with rounded corners, the 

frieze with a single long drawer and 

carved with typical rounded corners, 

on tapering legs 


PROVENANCE 

Copeland & De Soos, Sydney 

The collection of Sir Tristan 

and Lady Antico, Sydney 

NOTE 

For a similar example see: Florence 

Camard, Sue et Mare et la Compagnie 

Des Art Francais, publ. by Les Editions 

de l’Amateur, pg. 203. 

$10,000–15,000 

62 

A Royal Doulton ‘Venetian’ porcelain 

dessert service by John H. Plant 

comprising fourteen plates, two square 

platters and two bowls, each depicting 

a different sunset location in Venice 

with a gilded scalloped edge, signed 

J.H. Plant, green printed ‘Royal Doulton 

England’ factory stamp and the name of 

each location hand painted to the back 

the largest dish 22cm diameter 

$1,000–1,500 

63 

CAMILLE PISSARRO (1830-1903) 

Jeanne Fille de L’Artiste 

colour lithograph 

initialled in printed text lower right: C. P 

editioned on margin: 181/200 

21 x 14cm 

$500–800 

61

18 

64 

64 

A large Clarice Cliff enamelled porcelain Sir Frank Brangwyn 

series wall charger, circa 1930s 

signed and detailed to verso ‘The Brangwyn panels designed 

for the Royal Gallery of the House of Lords 1925, first 

exhibited at Olympia 1933, painted by Clarice Cliff from one of 

the panels, A.Wilkinson, Royal Staffordshire Pottery, Burslem, 

Staffordshire, No. 40’ 

44cm diameter 

NOTE 

This charger is part of a series by Clarice Cliff created from 

1934-1939, from panels painted by Sir Frank Brangwyn in 

1924 to adorn the walls of the Royal Gallery in the House 

of Lords in order to commemorate deceased soldiers in 

WWI. Though eventually rejected for being full of ‘insistent 

motives ill accord with the Waterloo Chamber’ by the Fine Art 

Commission of the time, three of the panels were made into 

porcelain charger’s by Cliff after being displayed at the Ideal 

Home Exhibition, Olympia. 

For a similar example see: G. Slater and J. Brough, 

Comprehensively Clarice Cliff, 2005,publ. by Thames & 

Hudson, fig. 2. pg. 253 

$6,000–8,000

19 

65 

65 

A Dame Laura Knight A.R.A. for Clarice Cliff hand painted first 

edition porcelain charger, 1934 

with maroon factory ‘designed by Laura Knight A.R.A. 

produced in Bizarre by Clarice Cliff, Wilkinson Ltd England’ 

marks, dated and editioned ‘First Edition 1934’ to base 

46cm diameter 

NOTE 

For a pattern example see: G. Slater and J. Brough, 

Comprehensively Clarice Cliff, 2005,publ. by Thames & 

Hudson, fig. 2 pg.287 

$6,000–8,000

20 

66 

A Clarice Cliff Bizarre jug designed by 

Dame Laura Knight, from the Circus 

service, designed for the 1934 Art in 

Industry Exhibition 

painted with a crowd of stylised women, 

the rim a border of streamers, maroon 

factory mark ‘designed by Laura Knight 

A.R.A. produced in Bizarre by Clarice Cliff, 

Wilkinson Ltd England’ marks, dated and 

editioned ‘First Edition 1934’ to base 

28cm high 

NOTE 

For a similar example see: G. Slater and 

J. Brough, Comprehensively Clarice Cliff, 

2005, publ. by Thames & Hudson, fig. 2 

pg.287 

$1,000–1,500 

66 

67 

A Clarice Cliff ‘Summerhouse’ lotus jug, 

circa 1930 

printed black ‘Fantasque hand painted 

Bizarre by Clarice Cliff, NEWPORT 

POTTERY ENGLAND’ mark to base 

29cm high 

$2,000–3,000 

68 

A Clarice Cliff hand painted conical 

sugar caster 

of typical form, ‘Handpainted Bizarre 

by Clarice Cliff NEWPORT POTTERY’ 

mark to base 

14.5cm high 

$400–600 

67

21 

69 

A Clarice Cliff ‘Latona Dahlia’ two handled 

lotus jug, circa 1930 

Latona hand painted Bizarre by Clarice 

Cliff’ signature and ‘NEWPORT POTTERY 

ENGLAND’ mark to base 

30cm high 

NOTE 

For a similar example see: G. Slater and 

J. Brough, Comprehensively Clarice 

Cliff, 2005,publ. by Thames & Hudson, 

fig. 7 pg. 47. 

$2,000–3,000 

69 

70 

A hand painted ‘Blue Chintz’ Bizarre series 

lotus jug by Clarice Cliff 

with ‘Fantasque handpainted Bizarre by 

Clarice Cliff’ signature and ‘NEWPORT 

POTTERY ENGLAND’ mark to base 

69cm high 

$1,500–2,500 

71 

Two Clarice Cliff commemorative ware ‘Age 

of Jazz’ porcelain figures by Wedgwood, 

circa 1996 

each printed and inscribed ‘Based on an 

original handpainted Bizarre by Clarice Cliff 

Wedgwood Made in England 1996’ to both 

bases, and ‘PT’ AND ‘JGH’ 

the largest 20cm high 

$200–300 

70

22 

72 

A Clarice Cliff ‘Caprice’ two handled 

lotus jug, circa 1930 

with ‘Caprice handpainted Bizarre 

by Clarice Cliff’ signature and 

‘NEWPORT POTTERY’ mark to base 

30cm high 

NOTE 

For a similar example see: G. Slater 

and J. Brough, Comprehensively 

Clarice Cliff, 2005,publ. by Thames 

& Hudson, fig. 1 pg. 224 

$2,000–3,000 

72 

73 

A Wedgwood Bizarre by Clarice Cliff 

‘Kew’ pattern conical jug, circa 1995 

with series and black transfer printed 

factory marks to the base 

23cm high 

$300–500 

74 

A small Clarice Cliff Bizarre series 

commemorative ware jug by 

Wedgwood, 2001 

with black transfer ‘Bizarre by Clarice 

Cliff Wedgwood Earthenware Made in 

England 2001’ marks to base 

9cm high 

$200–300 

73

23 

75 

75 

JEAN PELTIERE 

(FRENCH, 1907-1984) 

Contemplation 1944 

oil on board 


J Peltiere 1944 

47 x 45cm 

$3,000–5,000 

76 

CHARLES DOUGLAS 

RICHARDSON (1853-1932) 

A plaster maquette modelled as 

stalking lion 

signed to the obverse; 

‘C. Douglas Richardson’ 

18cm high, 22cm wide 

$600–800 

77 

AFTER ELISABETH LE BRUN 

Portrait 

oil on canvas 

22 x 17.5cm 

$600–800

24

25 

78 

A large Daum ‘Eucalyptus’ cameo glass 

lamp, French, circa 1910 

the swirling yellow and red glass body 

overlaid with carved opaque gumnuts and 

gum leaves with translucent red flowers 

signed Daum Nancy, France and Cross of 

Lorraine to the top of the shade and the base 


$30,000–50,000 

78

26 

79 

79 

JOHN ROGERS 

Abstract Still Life 1948 

watercolour 

signed and dated upper right: 

Rogers 48 

22.5 x 17cm 

$600–800 

80 

AFTER MONDRIAN 

Untitled 

oil on canvas 

60 x 60cm 

$200–400 

81 

A Moorcroft Tasmanian Blue Gum vase, 

1993 

with blue underglazed factory stamp, 

diamond date mark and editioned 

441/500 to base 

19cm high 

$1,500–2,500

27 

82 

FRANÇOIS THÉODORE LEGRAS 

(1839-1916) 

A gilded ‘Indiana’ tri handled glass vase, 

circa 1900 

with an etched swirling opaque red and 

translucent green poppy design on 

frosted ground 

marked ‘Indiana’ to the base 

13.5cm high 

$1,000–1,500 

83 

FRANÇOIS THÉODORE LEGRAS 

(1839-1916) 

A small gilded ‘Indiana’ vase, circa 1900 

etched with an opaque red poppy 

design on a frosted ground 

15cm high 

$600–800 

84 

JACQUI STOCKDALE 

(BORN 1968) 

The Rider 2006 

oil on canvas 

initialled, dated and titled verso: 

JS 2006 The Rider 

50.5 x 61cm 

$500–800 

85 


(BORN 1968) 

Janilya 2005 

colour photograph 

initialled, dated and titled on margin: 

JS 2005 Janilya 

48.5 x 37cm 

$300–500 

86 


(BORN 1968) 

Ginger Boy on the Obstacle Path 

2006 

oil on canvas 

initialled, dated and titled verso: JS 

2006 Ginger Boy on the Obstacle Path 

61 x 76.5cm 

$500–800 

87 

A finely etched and gilded Venetian 

glass mirror, late 19th century 


$3,000–5,000 

82 

83

28 

88 

A Loetz ‘Octopus’ glass vase, Bohemia, 

late 19th century 

of baluster form with gilt highlights 

22cm high 

$1,200–1,500 

89 

A Loetz bowl, late 19th century 

of square form with iridescent purple 

decoration 

10cm high 

$800–1,200 

90 

A Venini glass vase, circa 2001 

decorated in golden yellow and green 

stripe, engraved ‘venini 2001’ to the 

base 

21cm high 

$400–600 

88 

91 

A Loetz silver gilt mounted vase, 

Austrian, circa 1900 

of lobed form, the iridescent purple 

and green feathered favrile glass body 

mounted with silver gilt foliate banding 

14.5cm high 

$2,000–3,000 

92 

A small Moser gilded and faceted glass 

vase, late 19th century 

15.5cm high 

$100–200 

91

29 

93 

A Sabino opalescent glass 'L'Idole' 

lamp, French, circa 1930 

in the form of a seated nymph 

molded 'L'IDOLE' to the base 

signed 'Sabino France' to back of 

figure and illuminating chrome base 

21cm high 

$1,500–2,500 

93

30 

94 

A Japanese two tier lacquer handled 

box, late Meiji Period 

decorated with gold and red 

chrsyanthemums 


$500–800 

95 

A Japanese black lacquer box 

painted with gold cherry blossoms, 

early 20th century 


$200–300 

96 

A Japanese carved red lacquer box, 

20th century 


$200–300 

94 

97 

A Japanese silver inlaid bronze vase 

finely etched with goldfish on a wave 

pattern 

28cm high 

$800–1,200 

98 

Three Japanese bronze tsuba 

variously decorated with cranes, 

chrysanthemums and Oni 

each with impressed character marks 

to the reverse 

the largest 8 x 8cm 

$600–800 

99 

A small Japanese cloisonné brass vase 

finely decorated with chrysanthemums, 

peonies and butterflies on a layered 

yellow, red and purple ground 

12cm high 

$600–800 

97

31 

100 

100 

A Japanese lacquer tray, 20th century 

finely gilded depicting a moonlit wave 

scene, with original wooden box 

52cm long, 37cm wide 

$1,500–2,000 

101 

A Japanese gilded and mother of pearl 

inlaid lacquer box, early 20th century 


$300–500 

102 

A Japanese style red lacquer covered 

wooden bowl 

the cover decorated with a koi in gold 

and black 


$300–500 

103 

A Japanese lacquer box, 


decorated with chrysanthemums 


$300–500 

104 

A Japanese peach form orange 

lacquer box 


$200–300 

105 

A Japanese footed lacquer box, 

20th century 

with gold and silver decoration 


$300–500 

106 

A Japanese gilded lacquer box, 

20th century 

14cm high 

$200–300 

107 

Two polished agate carved goldfish 


$150–250

32 

108 

108 

A Lalique red crystal serpent pendant 

on a silk cord, signed ‘Lalique’ 

to the back 

the pendant 6cm 

$1,000–1,500 

109 

A Lalique opalescent glass serpent 

pendant 

on a silk cord, signed ‘Lalique’ 

to the back 

the pendant 6cm 

$800–1,200 

110 

A Japanese Furuyaishi style rock 

mountain, 20th century 

the upright stone form with ridges 

resembling a craggy mountain, the 

surface with white granite inclusions, 

on a conforming stand 


$2,000–3,000 

111 



the upright stone form with ridges 


surface with natural pale inclusions, 


22.5cm high, 52cm wide, 23cm deep 

$1,800–2,500 

112 



the horizontal stone with ridges 


surface with natural pale inclusions, 



$2,000–3,000 

110

33 

113 

A large Japanese gold and black 

lacquer layered compartment box, 


the five compartments decorated with 

sprays of gold bamboo 


$1,200–1,500 

113 

114 

A Japanese satsuma figure of a hawk 

and a sparrow 

with impressed character mark 

to the base 

10cm high 

$300–500 

115 

A Chinese gilded jade tree, 

20th century 

raised on a naturalistic green hard 

stone base 

19cm high 

$300–500 

113

34 

116 

116 

A pair of Japanese gilded red lacquer 

boxes, Meiji period 

with a carved pattern of peaches 


$800–1,200 

117 

A Japanese lacquer three tier box, 



$400–600 

118 

A covered ceramic dish by Wienerberger 

Keramik Co., Austrian, circa 1920 

green glaze with a coil handle, impressed 

underglaze mark ‘Weinerberger’ and 

editioned 10025 to the base 

9cm high 

$300–500 

119 

Two micro mosaic photo frames 

the larger blue frame 7.5 x 8.5cm 

$300–500 

117

35 

120 

A pair of Japanese banded lacquer 

cylindrical Hibachi, 20th century 

with original gilded copper inserts 


$800–1,200 

121 

A polished fluorite crystal orb 

10.5cm diameter 

$200–300 

122 

A Chinoiserie black lacquer table clock, 

French 

comes with original key 

editioned 2196/43 and initialled ‘SF’ 

to verso 

29cm diameter 

$200–300 

123 

A pair of ceramic mice by Walter Bosse 

for Wiener Werkstatte, Austrian 

impressed ‘BOSSE AUSTRIA’ mark to 

the base 

19.5cm high 

$500–800 

124 

A bronze of a horse and foal figure 

group, by Mary Pinsent 

signed ‘Mary Pinsent’ and editioned 

36/I to the base 

30cm high 

$300–500 

125 

A WMF silver plate frame, circa 1920 

impressed WMF silver marks to verso 

17 x 13cm 

$200–300 

126 

A large ‘Bandiere’ vase by Anzolo Fuga, 

Murano 

46cm high 

NOTE 

For a similar illustrated example see: 

Rosa Barovier Mentasti, ‘Anzola Fuga, 

Murano Glass Artist, Designs for 

A.V.E.M.’, p. 73. 

$1,500–2,500 

127 

A large Chinese rosewood stand 


$200–300 

128 

A ceramic bust of a woman, Italian, 

circa 1930 

with signature and edition handpainted 

to the base 

22cm high 

$300–500 

129 

A Venini ‘Calabash’ glass vase designed 

by James Carpentier, 1971 

engraved ‘venini 2001’ to the base 

29cm high 

$1,000–1,500 

130 

A Venini ‘Coccio’ glass vase by 

Alessandro Diaz, Murano, 2003 

engraved ‘venini 2003’ to base 

16cm high 

$600–800 

120

36 

131 

A pair of Peoples Republic Period 

ceramic busts of children, Chinese, 

circa 1950s 

stamped mark to the base 

41cm high 

$600–800 

132 

A Cia Manna ‘Tamoa’ porcelain figurine 

of a Balinese dancer, Italian, 1940-1950 

with factory mark, signature, title and 

edition N.637 to base 

44cm high 

$100–200 

133 

A large painted glass ‘Graal’ vase by 

Mark Douglass, Australian, dated 2001 

59cm high 

$800–1,200 

131 

134 

A Fazzoletto green glass handkerchief 

vase by Venini, Italian, 20th century 

engraved mark Venini, Italia, 82 

34cm high 

$1,200–1,500 

135 

A set of ten Murano glass orbs and 

a conforming wooden noughts and 

crosses board 

the board 33 x 22cm 

$400–600 

136 

An Art Nouveau WMF pierced silver 

plate dish, German, late 19th century 

with a conforming blue glass liner 

12.5cm 

$300–500 

134

37 

137 

A Louis Wain style ceramic horse 

form censer, 20th century 

with horse hair mane and tail 

18.5cm high 

$300–500 

138 

A polished agate and rock crystal figure 

of an angelfish 

21.5cm high 

$200–300 

139 

An ornamental imitation jade (glass?), 

plaster and copper flowering tree 

in ceramic pot 

50cm high 

$200–300 

140 

A seated laughing jade buddha, 

Chinese 

9cm high 

$600–800 

144 

Two gilded Moser faceted green glass 

goblets 19th century 

together with a ruby faceted glass 

tumbler 


$300–500 

145 

A set of fourteen Lalique ‘Angel’ etched 

wine glasses, 20th century 

each bowl etched with the wings 

of an angel 

20.5cm high 

$3,000–5,000 

146 

A mother of pearl inlaid pedestal in the 

Middle Eastern style 


$1,500–2,500 

147 

An intricately carved and pierced 

pedestal in the Middle Eastern style 

with mother of pearl inlay 


$1,500–2,000 

148 

A large Venini opaque turquoise vase 

with a gold flecked mouth and twin 

handles 

31cm high 

$1,800–2,500 

149 

A Murano Can vericale blue, green 

and yellow striped art glass vase, 

circa 1980s 

maker’s mark ‘Z’ impressed to base 

21cm tall 

$500–800 

141 

An art deco Indian porcelain horse and 

rider by Camille Tharaud for Limoges 

with green Limoges factory stamp and 

blue underglazed signature ‘Tharaud’ 

to base 

24.5cm high 

$600–800 

142 

A cast metal novelty money box, 

probably American 

modelled as a bird feeding her chicks 

15cm high 

$600–800 

143 

A set of four Moser gilded green 

faceted stemmed glasses, late 

19th century 

18.5cm high 

$600–800 

137

38 

150 

A Shigeo Shiga bottle vase 

25cm high 

$1,000–1,500 

151 

A Japanese cloisonné butterfly vase 

with impressed character mark 

to the base 

26cm high 

$500–800 

152 

A Queen’s Burmese ware comport and 

a ‘Jack in the pulpit’ vase, 19th century 

the comport 11.5cm high 

$400–600 

153 

Three Queen’s Burmese ware vases, 

19th century 

each with a typical pink blush to 

pale yellow variously hand painted 

with swags of oak leaves, ivy 

and raspberry bush 

the largest 10.5cm high 

$600–800 

150 

154 

OKADA KENZO (BORN 1948) 

Vase 

earthenware 

abstract shell pattern, signed ‘KENZO’ 

to the base 

34cm high 

$2,000–3,000 

155 

A Japanese bronze vase, 20th century 

of compressed ovoid form decorated 

with flowers, impressed character 

marks to the base 

20cm high 

$400–600 

154

39 

156 

QIAN JIAN HUA (CHINESE) 

Pregnant Figure 

sculpted timber 

67cm high 

PROVENANCE 

Robin Gibson Gallery, Sydney 

$800–1,200 

157 

A Rosenthal porcelain figurine 

of two satyr’s 

with green factory stamp 

‘Rosenthal Selb-Bavaria’ to base 

26cm high 

$400–600 

158 

A hand painted gilded blue glass carafe 

20cm high 

$200–300 

159 

A Pierrot figured porcelain dish, 

probably French, late 19th century 

numbered ‘23159’ to base 

8cm high 

$200–300 

160 

Two Moorcroft enamel boxes and a 

polar bear vase, circa 1990’s 

the vase 9cm high 

$600–800 

156

40 

161 

A French Art Deco marble top wrought 

iron console, circa 1920 


$3,000–5,000 

162 

An Italian ceramic bust of a girl, 

circa 1930 

marked B135 123/25K and labelled 

‘ITALY’ to the inside of the base 

27cm high 

$400–600 

163 

A Viennese terracotta bust of the 

Madonna, 20th century 

stamped ‘Vienna, Keramos’ and 

editioned 861/D.A to base 

35cm high 

$400–600 

161 

164 

An Art Deco wrought iron and marble 

wall shelf, attributed to Edgar Brandt 

(French, 1880-1960) 

with a central scroll decorated apron 

and a curved support with a black 

veined marble top 

32cm high, 42cm wide, 26cm 

$1,000–1,500 

164

41 

165 

A French Art Deco wrought iron hall 

stand, in the Edgar Brandt style 

with a central arched mirror panel 

204cm high, 85cm high, 15cm deep 

$6,000–8,000 

166 

A Lenci Art Deco porcelain figure 

of a girl, Italian, circa 1936 

marked 1005 and signed ‘Lenci’ to base 

28.5cm high 

$1,000–1,500 

167 

A Royal Doulton Polly Peachum 

miniature figure, circa 1920 

with green factory mark, figure title 

and editioned ‘M.23’ to base 

6cm high 

$300–500 

168 

A Royal Copenhagen porcelain statue 

of Prometheus kissing a nymph, by 

Theodor Johan Lundberg 

with underglaze monogram for 

Lundberg, impressed green factory 

mark and editioned 1132 to the interior 

47cm high 

$1,000–1,500 

169 

A Belgian Art Nouveau gilt brass planter 

box, circa 1920 

with a conforming blue glass liner 


$400–600 

170 

A French Art Deco porcelain figure of 

Pierrette 

hand painted and monogrammed ‘DAX’ 

to right corner of base 

34cm high 

$400–600 

165

42 

171 

A chrome Stand lamp by Marcel Breuer, 

1925 

impressed ‘Marcel Breuer PARIS 

EXPOSITION 1925’ circular mark 

51cm high 

NOTE 

This lamp was designed by Marcel 

Breuer for the International Exposition 

of Modern Industrial and Decorative 

Arts, Paris, 1925 

$2,000–3,000 

172 

A William Moorcroft ‘Dawn’ pattern 

vase, circa 1930 

of baluster form, blue underglaze 

signature ‘WM Moorcroft’ and 

impressed ‘Moorcroft, Made in England’ 

21cm high 

$1,000–1,500 

171 

172

43 

173 

Two Moorcroft enamel vases, 

circa 1990 

in the moonlit blue and Florian ware 

pattern, stamped ‘Moorcroft’ and 

initialled SD and JHS to each base 

9cm high 

$600–800 

174 

A George V sterling silver mounted 

lapis lazuli jewel casket by Hardy 

Brothers, London 1933 

of rectangular form inset with panels of 

translucent Lapis Lazuli 


$2,500–3,500 

175 

An Italian porcelain plaque of Madonna 

of the Prayer 

titled and signed ‘Madonna Della 

Preghiera Di Nori’ to back 

30cm high 

$200–300 

173 

176 

A Fraureuth porcelain covered bowl, 

German 

surmounted by a boy holding a ball 

with green factory mark and ‘Fraureuth 

Kunstabteilung’ stamped to base 

editioned 23/687 536 to base 

24cm high 

$800–1,200 

174

44 

177 

A bronze figure of a horse by Pierre 

Jules Mêne (1810–1879) 

converted to an Australian agricultural 

trophy, circa 1900, on a rouge marble 

base inscribed ‘Gascoyne Pastoralists 

Association Trophy presented to D.N. 

MCCLEOD ESQ. for largest number 

of points gained for awards at annual 

show 1906’ 

46cm high 

$4,000–6,000 

178 

A 1924 British Empire Exhibition bronze 

commemorative medallion 

in a red leather box 


$200–300 

179 

A Royal Copenhagen figure of a satyr 

and goat 

stamped ‘Royal Copenhagen Denmark’ 

factory mark and numbered 737 

to base 

initialled FN to base 

21cm high 

$300–500 

180 

A German porcelain figurine of Pierrot 

15cm high 

$300–500 

181 

A porcelain box in the form of 

embracing Pierrot & Pierrette, French, 


25cm high 

$200–300 

182 

A Royal Copenhagen figure of a satyr 

and a parrot 

stamped ‘Royal Copenhagen Denmark’ 

in green and numbered 752 to base 

initialled hax to base 

18cm high 

$400–600 

183 

An Art Deco alabaster and coral box by 

Hardy Brothers Ltd, England 

the coral finely carved and inlaid in a 

geometric design 

with gilt washed hinge 


$300–500 

184 

A Rosenthal porcelain figure of a satyr 

peering at a crocodile, 1918 

signed ‘Ferd Lieberman’ to back 

with green underglazed factory mark 

‘Rosenthal Kunst-Abteilung’ and 

stamped with ‘1914 1918’ and iron 

cross to base 

36cm high 

$600–800 

177

45 

185 

185 

A pair of patinated bronze equestrian 

cavalier figures, German, 19th century 

each modelled as a horseman astride a 

rearing horse 

27cm high 

$4,000–6,000 

186 

A George V sterling silver mounted 

tortoiseshell box, Finnigans, New Bond 

Street, London 1913 

of rectangular form with classical 

gadrooned borders 


PROVENANCE 

Romayne Munro (née Hordern) of 

Point Piper and Milton Park, Bowral. 

NOTE 

Benjamin Finnigan opened a workshop 

in Newton Street Mill, and a Finnigans 

shop in 15 Market Street, both in 

Manchester. Finnigans was originally 

known for the manufacturing of high 

quality dressing cases and travelling 

trunks. 

Benjamin Finnigan registered marks 

with both Chester and London assay 

offices in 1830. 

When Benjamin died in 1868 he was 

succeeded by his son William Finnigan, 

who embodied the second generation 

of the family’s firm. 

In 1879, William opened a Finnigans 

shop at New Bond Street, London. 

Relatively quickly, American millionaires 

such as the Vanderbilts, the 

Rockefellers and the Fords joined the 

house’s customer base. 

Interestingly, opposite to Finnigans on 

New Bond Street was the firm Asprey. 

The two houses enjoyed a friendly and 

highly competitive rivalry benefiting 

both companies. 

At this time while still specializing in 

leather and saddlery, they diverged and 

started selling clocks, watches, and 

silverware. 

Finnigans Ltd registered marks at the 

London, Sheffield, Chester and Dublin 

offices in 1901, and subsequently with 

the Birmingham Assay office in 1904. 

The company thrived untiI 1968 when 

Finnigans closed its New Bond Street 

store in London. It continued to run as a 

family business until it shut down its last 

store in 1988. The family were bought 

out around this time by a company 

called Hoopers. 

Today, Finnigans Ltd now belongs to 

the Luvanis company, who specialise in 

reviving dormant brands. 

$800–1,200 ♦ 

187 

A 1911 George V Coronation 

Official Silver Medal, by Sir (Edgar) 

Bertram Mackennal 

The Official medal issued to 

commemorate the coronation of 

King George V 

Obverse: Crowned bust of King George 

V with legend George V Crowned 

June 22, 1911 

Reverse: Crowned bust of Queen Mary 

with legend Queen Mary June 22, 1911 

within a red leather box 

8.5 x 8.5cm 

$100–200

46 

188

47 

188 


stand, circa 1920 

with a central mirror panel 


$2,000–3,000 

189 

A pair of French art deco wrought iron 

marble top console tables and mirrors 


$4,000–6,000 

190 

An Art Deco bronze figure of a dancer, 

after the original by Chiparus 

on a black marble base, foundry mark 

and replica signature ‘DH Chiparus’ to 

back of the bronze base 

65cm high 

$2,000–3,000 

189

48 

191 

A glazed Goldscheider Keramik style 

pottery bust of a schoolboy, Austrian, 

circa 1900 


PROVENANCE 

John Hawkins Antiques 

$1,500–2,500 

192 

A large Royal Dux figure of an Arab 

riding a camel, circa 1925 

applied triangle mark and incised 

model number to base 

60cm high 

$1,500–2,500 

191 

193 

A French lustre glazed terracotta 

Delaunay jug 

with black underglazed signature 

‘DELAUNAY’ to side 

32cm high 

$400–600 

192 193

49 

194 

194 

JOHN ROGERS 

Domain Road, South Yarra 1948 

watercolour 

signed, dated and titled lower left: 

Rogers 48 Domain Road South Yarra 

18 x 23.5cm 

$400–600 

195 

A patinated cast iron Boston terrier 

door stop 


$1,000–1,500 

196 

A pair of micro-mosaic picture frames, 

19th century 

each decorated with a conforming 

floral design 

3.8 x 4.8cm 

$300–500 

195

50 

197 

A Rosenthal Studio Line porcelain 

plaque 

The Andy Warhol Collection 

Wandbild Flowers 

limited edition tile: 01/49 

48.5 x 48.5cm 

$2,000–3,000 

198 


plaque 


Campbell’s Soup 


48.5 x 48.5cm 

$2,000–3,000 

199 


plaque 


Wandbild Flowers 


48.5 x 48.5cm 

$2,000–3,000 

197 

200 


plaque 


Wandbild Marilyn 


48.5 x 48.5cm 

$2,000–3,000 

201 

A faceted blue glass vase designed by 

Josef Hoffman for Moser 

21cm high 

$1,000–1,500 

202 

Two Moorcroft enamel covered jarlets, 

circa 1990 

in the moonlit blue and plums pattern, 

stamped ‘Moorcroft’ to each base 

5.5cm high 

$400–600 

198

51 

203 

A large carved elm sculpture of a horse, 


90cm high 

$1,200–1,500 

204 

A pair of large majolica jardinières, 

probably Longwy, late 19th century 


$2,000–3,000 

205 

A Moorcroft enamels ‘Polar Bear’ 

covered jarlet, late 20th century 

with original box, marked Moorcroft, 

Made In England, C99 

7cm high 

$200–300 

206 

FRANK MALERBA 

Construction 

painted and welded steel 

signed with initials and editioned to 

base: FM 5/6 


$300-500 

203 

204

52 

207 


stand, circa 1920 


$1,500–2,500 

208 

A Mt. Washington glass peach blow 

double gourd vase, 19th century 

graduated pale pink to pale yellow, 

painted with a swirling peony motif 

23cm high 

$1,500–2,500 

209 

A large polished green fluorite 

crystal orb 

23cm diameter 

$500–800 

207

53 

210 

An Art Deco ebonised wood and sipo 

bookshelf by Ruhlmann 

with chrome fittings to base 


$4,000–6,000 

211 

A pair of Moorcroft enamel miniature 

covered jars, circa 1990 

in the eventide pattern and blue poppy 

pattern, stamped ‘Moorcroft’ and 

initialled ‘JOT’ and ‘JH’ to each base 

7cm high 

$400–600 

212 

A Chinoiserie style porcelain figure 

modelled as a semi-draped 

female nude 

30cm high 

$200–300 

213 

A Doulton Rembrandt ware portrait 

vase, circa 1900 

decorated with a portrait 

of Nicolas Poussin 

signed ‘DOULTON’ to the base 

32cm tall 

$800–1,200 

214 

A Chinese silver splashed blue 

glass vase 

25cm high 

$500–800 

215 

A Crystal Lalique ‘Yasna’ vase 

the frosted square form body with 

gilded rim, factory signature ‘Lalique 

France’ etched to base 

20cm high 

$1,000–1,500 

216 

A large chequer board eggshell 

lacquer tray, 20th century 


$200–300 

217 

A Wedgwood limited edition 

‘Fairyland Magic’ cabinet plate 

titled ‘Imps and Fairies on a Bridge 

and Treehouse’ and editioned 566a 

to the back 

printed factory marks 

20cm diameter 

$100–200 

210

54 

218 

218 

EUROPEAN SCHOOL 

Interior Design 

gouache and watercolour 

30.5 x 97cm 

$600–800 

219 


iron console, circa 1920 

99cm high, 131cm wide, 30cm 

$2,000–3,000 

220 

Two micro mosaic floral decorated 

picture frames, late 19th century 

each with a repeating daisy pattern on 

a blue ground 

the arched frame 19.5 x 15cm, 

the horseshoe 12 x 10.5cm 

$300–500 

219

55 

221 

A French Art Deco mirror, in the Edgar 

Brandt style, circa 1920 

56 x 40cm 

$1,000–1,500 

222 

A pair of French brass and enamel opera 

glasses 

with mother of pearl eye pieces and 

original case 

6.3 x 10.4cm 

$300–500 

223 

A pair of mother of pearl opera glasses 

by J.R. Rowland, Melbourne 

9.2 x 10.4cm 

$300–500 

221 

224 


iron console and mirror, circa 1925 

the console 93cm high, 58cm wide, 

35cm deep 

$4,000–6,000 

225 

Two Moorcroft enamel pill boxes, 

circa 1990 

one decorated in the moonlit blue 

pattern, the other with anemone 


$400–600 

226 

A small pierced enamel trinket box 

2.3cm high, 8.2cm wide, 5.2cm deep 

$100–200 

224

56 

235 

Tissot manual wind wristwatch, 

circa 1940s 

grey dial with gold numbers and hands 

to a 9ct gold case 

$200–300 

236 

Jewelex manual wind wristwatch, 

circa 1940s 

gold dial with Roman numerals to a 9ct 

gold case 

$200–300 

227 

237 

A Ernest Borel kaleidoscope 

wristwatch, circa 1950s 

rolled gold case 

$100–200 

227 

An Anglo Indian Vizagapatam silver and 

ivory inlaid box, late 19th century 


$600–800 

228 

A pair of brass mounted ivory opera 

glasses, 19th century 

5.4 x 10cm 

$200–300 

229 

A brass and ivory magnifying 

glass,19th century 

the curved handle carved with a dogs 

head 

20cm long 

$100–200 

230 

An Lord Elgin manual wind wristwatch, 

circa 1940s 

black dial with gold batons and hands 

roll gold and steel case 

2 x 2cm 

$60–80 

231 

An Bulova Accutron wristwatch, 

circa 1940s 

gold dial with gold batons 

date at three to a 14ct gold case 

$300–400 

232 

Ritex Deluxe manual wind wristwatch, 

circa 1940s 

gold dial with Arabic numerals to a 9ct 

gold case 

$200–300 

233 

Benrus manual wind wristwatch, 

circa 1940s 

silver dial, gold Arabic numbers to a 

14ct gold case 

$200–300 

234 

Ernest Borel kaleidoscope wrist watch, 

circa 1950s 

rolled gold case 

$100–200 

238 

Gents’ manual wind wrist watch, 

circa 1940s 

gold dial with numbers and batons to a 

9ct gold case 

$160–200 

239 

A collection of leather and simulated 

snake skin watch bands 

$100–200 

240 

A pair of circular enamel framed portrait 

miniatures 

each with a printed image of a 

clergyman 

11cm diameter 

$400–600 

241 

Two Italian floral decorated oval micro 

mosaic picture frames 

6.8 x 5.5cm 

$200–300 

242 

A Continental silver Art Nouveau style 

picture frame, 20th century 

with a relief decorated fairy design 

9.3 x 5.8cm 

$300–500

57 

243 

An Art Deco wrought iron vitrine, French 


$2,000–3,000 

244 

An Art Deco display cabinet by Brot, 

German, circa 1930 


$2,500–3,500 

245 

An Art Deco Le Verre Francais glass 

hanging light, circa 1920 

the opaque mottled purple glass cut in 

a star pattern, with etched ‘Le Verre - 

Francais’ signature to outer rim 


$500–800 

246 

A pair of carved amethyst crystal 

spheres 

20cm diameter 

$1,500–2,500 

247 

Two Royal Copenhagen figurines of 

seated Balinese women by Dahl Jensen 

with green ‘DJ Copenhagen Denmark’ 

factory marks, editioned 1136 and 

1238 and green underglaze initials 

to base 

22cm high 

$500–800 

248 

An Art Deco bronze display cabinet 


$2,500–3,500 

249 

A bronze figure of a stallion 

by Mary Pinsent 

29cm high 

$200–300 

243

58 

250 

250 

AN ART DECO DIAMOND COCKTAIL 

BRACELET 

Featuring open-centred mixed cut 

diamond set links, diamond set joiners, 

all totalling approximately 4.50cts; 

mounted in platinum. French hallmarks. 

Weight 18.2g. Length 17.5cms. 

$5,000–8,000 

251 

AN EMERALD AND DIAMOND 

CLUSTER RING 

Centrally set faceted oval cut emerald 

of 1.20cts, surrounded by a floral round 

brilliant cut diamond surround totalling 

0.80cts; 18ct white and yellow gold. 

Weight 9.4g. Ring size O. 

$1,800–2,500 

252 

AN AQUAMARINE, DIAMOND AND 

SAPPHIRE CLUSTER RING 

Featuring a faceted oval cut 

aquamarine of approximately 2.80cts, 

flanked by two faceted round cut 

sapphires, diamond set surround and 

shoulders; 18ct white gold. Weight 

7.00g. Ring size N. 

$1,200–1,500 

253 

A GARNET AND DIAMOND SYNTHETIC 

PENDANT NECKLACE 

Featuring a pavé set pendant 

comprising green garnets, coloured 

and white round brilliant cut diamonds 

totalling approximately 0.90cts 

surrounding a synthetic centre stone, 

suspended from a belcher link chain 

with green garnet set spacers; 18ct 

gold. Total weight 34.3g. 

$2,000–3,000 

254 

A TANZANITE AND PERIDOT RING 

Featuring a faceted marquise cut 

Tanzanite of 4.30cts, flanked by oval 

chequerboard cut peridots; mounted 

in 18ct white gold. Weight 7.2g. 

Ring size L. 

$1,500–2,500 

255 

A PAIR OF DIAMOND AND GARNET 

TASSEL EARRINGS 

Featuring a diamond set cage and 

bale suspending rows of garnet beads 

terminating to a gold bead, approximate 

total diamond weight 2.50cts, garnets 

totalling 52.20cts; 18ct rose gold. Total 

weight 24.2g. Length of drop 9cms. 

$2,000–3,000

59 

256 

256 

AN ART DECO-STYLE EMERALD 

AND DIAMOND PLAQUE RING 

Featuring an emerald cut emerald of 

approximately 4.85cts, within a pierced 

mount set with pear shaped and round 

brilliant cut diamonds totalling 1.80cts; 

18ct white gold. Weight 6.9g. 

$4,000–6,000 

257 

257 

AN ART-DECO STYLE EMERALD 

AND DIAMOND PLAQUE RING 

Featuring a faceted oval shaped 

emerald of approximately 5.60cts, 

within a diamond set plaque; 18ct gold. 

Weight 6.8g. Ring size J. 

NOTE 

Emerald has surface reaching 

inclusions and shows sign of colour 

enhancement via wax filling. 

$5,000–8,000 

258 

A PAIR OF ART DECO-STYLE 

EMERALD, DIAMOND AND ONYX 

EARRINGS 

Featuring a round brilliant cut diamond 

and black onyx drop, terminating to 

a pear shaped faceted emerald, total 

diamond weight 0.44cts, total emerald 

weight approximately 3.40cts; 18ct 

white gold. Weight 6.2g. 

$6,000–8,000 

258

60 

259 

259 

A PAIR OF CARVED JADE EARRINGS 

Featuring carved floral-motif drops, 

suspended from a 14ct gold mount. 

Length 7cms. Total weight 18.2g. 

$3,000–5,000 

260 

A GREEN GARNET, TOURMALINE 

AND DIAMOND RING 

Set with a faceted pear shaped 

green garnet of approximately 

5.00cts, flanked by pear shaped pink 

tourmalines, bordered by round brilliant 

cut diamonds; 18ct white and yellow 

gold. Weight 5.1g. Ring size L. 

$1,400–1,800 

261 

A MORGANITE AND DIAMOND 

COCKTAIL RING 

Featuring a faceted oval cut morganite 

totalling 13.10cts, flanked by two round 

brilliant cut diamonds totalling 0.75cts 

with further diamond detail to the 

shoulders; 18ct rose gold. Weight 7.3g. 

Ring size O. 

$3,500–5,000 

262 

A BIWA PEARL AND DIAMOND 

CHOKER 

Featuring multi-stands of Biwa pearls 

closing to a diamond set barrel clasp 

totalling 0.40cts; 14ct gold. Length 

26cms. 

$700–900

61 

263 

A ‘CAMELIA’ RING BY CHANEL 

Featuring two carved ceramic camelias, 

black and white, diamond set shoulders, 

cross-over design; 18ct white gold. 

Fully hallmarked No: T31663 050 AU 

750 BAUMER. Ring size K. 

$2,000–3,000 

264 

A TUTTI FRUTTI GEM SET BRACELET 

Featuring black onyx bordered panels 

set with carved emeralds, rubies, 

faceted sapphires and round brilliant 

cut diamonds totalling approximately 

3.10cts; 18ct gold. Italian hallmarks. 

Weight 137.1g. Length 19cms. 

$7,000–9,000 

263 

265 

AN AMETRINE PENDANT 

Featuring a large faceted rectangular 

cut ametrine totalling 57.25cts, round 

brilliant cut diamond set bale; 18ct 

white gold. Weight 27.7g. 

$1,500–2,000 

264

62 

266 

266 

AN AQUAMARINE AND DIAMOND 

COCKTAIL RING 

Featuring an octagonal emerald cut 

aquamarine totalling 11.75cts, mounted 

within a rub-over setting, surrounded 

by round brilliant cut diamonds totalling 

1.10cts; platinum and 18ct gold. Weight 

11.6g. Ring size Q. 

$4,000–6,000 

267 

A TANZANITE AND DIAMOND DRESS 

RING 

Featuring a fancy oval faceted Tanzanite 

of 9.15cts, shouldered by round brilliant 

cut diamonds totalling 0.42cts; 18ct 

white gold. Weight 7.2g. Ring size T. 

$2,800–3,500 

268 

A PAIR OF PERIDOT AND WHITE 

STONE EARRINGS 

Featuring a faceted pear shaped 

peridot within a pierced stone set 

mount; 9ct white gold. 

$400–600 

269 

A TOPAZ COCKTAIL BRACELET 

Comprising a double row of cabochon 

cut blue topaz totalling 121.50cts, 

spaced by round brilliant cut diamonds 

totalling 0.60cts; mounted in 18ct white 

gold. Weight 41.5g. Length 17cms. 

$1,800–2,500 

270 

A TANZANITE AND DIAMOND RING 


Tanzanite totalling 2.25cts within a 

milligrain mount with baguette cut 

diamond set shoulders totalling 

0.25cts; 18ct white gold. Weight 3.8g. 

Ring size M. 

$1,200–1,500 

271 

A DIAMOND SET KEY PENDANT 

Tiffany-style key pendant set 

throughout with round brilliant cut 

diamonds totalling 1.40cts, on a white 

gold trace chain; 18ct white gold. Total 

weight 9.7g. 

$1,500–2,500

63 

272 

273 

272 

A TANZANITE AND DIAMOND 

DRESS RING 

Featuring an oval chequerboard cut 

Tanzanite of approximately 7.50cts, 

flanked by two round brilliant cut 

diamonds totalling 0.30cts; 18ct white 

gold. Weight 5.9g. Ring size M. 

$4,000–6,000 

273 

A SAPPHIRE AND DIAMOND 

DRESS RING 

Featuring a deep blue oval faceted 

sapphire of 1.35cts, tapered baguette 

cut sapphire shoulders, surrounded by 

a round brilliant cut diamond border 

totalling 0.80cts; 18ct white gold. 

Weight 5.7g. Ring size N. 

$1,000–2,000 

274 

A BULGARI B.ZERO RING 

Spring form, stamped Bvlgari to outer 

sides of the band, diameter 9.6mm, fully 

hallmarked to inside of band; 18ct white 

gold. Ring size L. Weight 11g. 

$1,500–2,000 

275 

A MULTI-COLOURED SAPPHIRE 

AND DIAMOND RING 

Designed as a flower, set with free-form 

faceted blue, pink and yellow sapphires 

totalling 8.60cts, bordered by round 

brilliant cut diamonds totalling 0.50cts; 

18ct gold. Weight 5.6g. Ring size M. 

$1,000–1,500 

276 

A LOOSE TANZANITE 

Faceted oval cut Tanzanite totalling 

16.22cts, purplish deep blue, 

measuring 6.1 x 13 x 10.5mm 

positive weight of 16.22ct. 

$3,000–5,000 

277 

AN OPAL, DIAMOND AND SAPPHIRE 

RING 

Featuring a sugarloaf cabochon cut 

light crystal opal totalling 3.60cts, 

flanked by carre cut sapphires 

and surround by round brilliant cut 

diamonds totalling 0.52cts; 18ct white 

gold. Weight 3.5g. Ring size N. 

$1,500–2,500

64 

278 

278 

AN INDIAN GEM SET NECKLACE 

Of elaborate design, set throughout 

with emeralds, rubies and diamonds, 

intricate enamelled barrel links, gem set 

enamelled clusters; 22ct gold. Weight 

63 grams. Length 42cms. 

$3,000–5,000 

279 

A PAIR OF YELLOW DIAMOND HOOP 

EARRINGS 

Featuring square princess cut irradiated 

yellow diamonds set to the outside 

and inside of verso of hoop, totaling 

approximately 5.00cts; 18ct gold. Total 

weight 18.7g. 

$3,000–5,000 

280 

AN INDIAN GEM SET NECKLET 

Featuring an embellished frontal piece 

with enamel detail, on a beaded necklet 

assessed as chrysophrase and red 

jasper; 23ct gold. Weight 31.2g. 

$500–800 

279

65 

281 

282 

281 

A VINTAGE AMETHYST BROOCH 


amethyst set within a foliate design, 

stamped Wager to verso. 

$400–600 

282 

AN ‘ANGEL’ CORAL BROOCH 

Featuring a piece of coral carved in 

the form of a feather; sterling silver pin. 

Weight 11.8g. 

$600–800 

283 

A DIAMOND AND RUBY BAND RING 

Set with oval faceted rubies totalling 

2.30cts, bordered and spaced by round 

brilliant cut diamonds; mounted in 

platinum. Weight 8.4g. Ring size N. 

$1,500–2,500 

284 

AN AMBER BANGLE 

Featuring a polished amber piece cut 

en-cabochon, mounted within a floral 

and foliate silver mount. 

$140–180 

285 

A PAIR OF SILVER CUFFLINKS 

Featuring enamelled panels with a 

horses head, bullet backs; silver. Total 

weight 5.7g. 

$120–150 

286 

AN ARTS AND CRAFTS SILVER STONE 

SET BROOCH 

2.2 x 2.2cm 

$100–200 

287 

A CARVED IVORY BROOCH OF AN 

AFRICAN WOMAN 

8.2 x 5.5cm 

$100–200 

288 

A CARVED IVORY BROOCH OF A 

CUPID, 19TH CENTURY 

2.5 x 3.8cm 

$100–200 

283

66 

Property of a Private Collector 

289 

YOUNG TIMOTHY 

DEMPSEY TJUNGURRAYI 

(BORN CIRCA 1941) 

Rainbow Serpents 1988 

acrylic on canvas 

signed and inscribed verso: YOUNG 

TIMOTHY DEMPSEY Rainbow Serpents 

indicating men carrying tall load of 

rainbow serpents, symbols + weapons 

door items (sic) to hide the most sacred 

parts. TINGAI for use for the initiation 

of young males. VERY IMPORTANT 

SACRED Rainbow Painting, Young 

Timothy well known from the Central 

desert because the Artist Dempsey is 

not prolific. 

124 x 77cm 

$800–1,200 

290 

CLIFFORD POSSUM 

TJAPALTJARRI 

(CIRCA 1933-2002) 

Bush Tucker Dreaming 1984 

synthetic polymer paint on canvas 

signed and dated verso: 

CLIFFORD POSSUM 1984 

cat no: FW12284 

127 x 81.5cm 

PROVENANCE 

Fireworks Gallery, Brisbane 

$3,000–5,000 

289

67 

290

68 

291 292 

291 

KATHLEEN PETYARRE 

(CIRCA 1935 - 2018) 

Women’s Camp Sites and 

Collecting Yams circa 2003 


signed and inscribed verso: 

Kathleen Petyarre, NO48 

88.5 x 59cm 

$1,000–1,500 

292 

EFFIE ROSLYN SERICO 

(BORN 1950) 

Care of the Earth 2006 



Effie Serico 2006 

70 x 112cm 

$500–700 

293 

CHRISTY McKINLESS 

Maranoa River 


signed and titled verso: 

C McKinless MARANOA RIVER 

cat no: CM002 

83 x 43.5cm 

$200–500 

294 

SHARON DODD 

Porcupine Dreaming 2001 



Sharon Dodd Porcupine Dreaming 

42 x 81cm 

$400–600 

295 

SHARON DODD 

Rainbow Snake 



Sharon Dodd Rainbow Snake 

39 x 39cm 

$250–350 

296 

SHARON DODD 

Carpet Snakes 



Sharon Dodd Carpet Snakes 

cat no. SDC001 

40.5 x 61.5cm 

$300–500

69 

297 

TWO BOB TJUNGURRAYI 

(CIRCA 1938-2000) 

Tingari Circle 


signed and inscribed verso: TWO BOB 

Property Papunya Tula Artists PTA 

180 x 89.5cm 

$2,000–4,000 

298 

POLLY WHEELER NAPARULA 

(BORN 1946) 

New Growth 


signed verso: Polly 

41.5 x 24.5cm 

$200–400 

299 

BARBARA MUNDRABY BUNGAN 

Turtle 


signed lower left: BUNGAN 

signed verso: 

BARBARA Mundraby Bungan 

30 x 30cm 

$150–250 

300 

BARBARA (BUNGAN) MUNDRABY 

Reef Creation (Cairns) 

synthetic polyer paint on canvas 

signed lower left: BUNGAN 

signed and titled verso: Barbara 

Mundraby Bungan Reef Creations 

(Cairns) 

45.5 x 45.5cm 

$200–400 

301 

JOY NAKAMARRA 


Women’s Stories circa 2001 


signed and titled verso: JOY 

NAKAMARRA WOMEN’S STORIES 

30 x 30cm 

$150–250 

297

70 

302 303 

302 

LORNA FENCER NAPARRULA 

(CIRCA 1920-2006) 

Tanami Desert 


signed verso: 

LORNA FENCER NAPURRULA 

80.5 x 60cm 

$500–800 

303 

MINNIE PWERLE (1922-2006) 

Melons 2005 


signed, dated and titled verso: 

MINNIE PWERLE 2005 melons 

cat no: 24812 

70 x 50cm 

$700–1,000 

304

71 

304 

JANELLE STOCKMAN 

NAPALJARRI (1976-2014) 

Untitled 


signed verso: Janelle Stockman 

26 x 26cm 

$250–350 

305 

JOSIE PETRICK KEMERRE 

(BORN 1955) 

Desert Bush Flowers After Rain 


signed verso: Josie Petrick Kemmerre 

cat no: AAC1557 

101 x 50cm 

$400–600 

306 

MARIE WARREN (BORN 1968) 

Seven Sisters 2004 


signed, dated and titled verso: Marie 

Warren 2004 Seven Sisters 2004 

43 x 45cm 

$300–500 

307 

COLIN WIGHTMAN 

Snake Dreaming 


signed verso: COLIN WIGHTMAN 

cat no: CW0082 

91 x 182cm 

$500–800 

308 

COLIN WIGHTMAN 

Echidna Dreaming 2006 


signed lower right: Colin Wightman 

signed verso: COLIN WIGHTMAN 

91.5 x 61cm 

$400–600 

305

72 

309 

309 

YOUNG TIMOTHY 

DEMPSEY TJUNGURRAYI 


Ceremony Dreaming 1988 


inscribed verso: YOUNG TIMOTHY 

DEMPSEY, Ceremony Dreaming 

cat no 0688342YTD 

85 x 70cm 

$600–900 

310 


TJAPALTJARRI 

(CIRCA 1933-2002) WITH 

COLLABORATIVE ARTISTS 

Dawn of Time 


triptych 

one panel signed verso: 

C POSSUM Clifford Possum 

40.5 x 152cm (each) 

$2,000–4,000

73 

310

74 

311 

ADA BIRD PETYARRE 

(CIRCA 1930-2004) 

Mountain Devil Lizard Dreaming 

1997 



ADA BIRD 1997 

inscribed verso: 

ADA BIRD PETYARE 1997 


81 x 81cm 

$500–800 

312 


(CIRCA 1930-2004) 

Mountain Devil Lizard Dreaming 

2000 



ADA BIRD April 2000 

cat no: PS5880 

31 x 31cm 

$400–600 

311 

313 


TJAPALTJARRI 

(CIRCA 1933-2002) 

Secret Men’s Business 1995 



CLIFFORD POSSUM 1995 


125 x 95.5cm 

$2,000–3,000 

314 

GRAHAM TJAPARULLA 

(BORN 1975) 

Western Desert 2005 


signed verso: GRAHAM T 

inscribed and dated verso: GT04,05 

59 x 60.5cm 

$300–500 

312

75 

313

76 

315 

315 

WALALA TJAPALTJARRI 

(BORN 1960s) 

My Country 1999 

sythetic polymer paint on canvas 

signed verso: Walala 

inscribed and dated verso: 

Walala Tjapaltjarri 1999 

91.5 x 91.5cm 

$1,200–1,500 

316 

WALALA TJAPALTJARRI 

(BORN 1960s) 

Untitled 


signed verso: WALALA 

cat no. AFA89811315 

90 x 121.5cm 

$1,000–1,500

77 

316

78 

317 

318

79 

317 

GEORGE YAPA TJANGALA 

(CIRCA 1925-1989) 

Rockpools 

inscribed verso: George Yapa 

TJANGALA Papunya Tula Artists 

Pty Ltd 

cat no. GY0102061 

60.5 x 91.5cm 

$1,000–1,500 

318 

ANDREW SPENCER 

TJAPALTJARRI (BORN 1955) 

Tingari Dreaming circa 1996 


signed, dated and inscribed verso: 

Andrew Spencer TJAPALTJARRI Born 

in 1955 at Central Mt Wedge Pintubi 

He is the community President and 

a policeman at Kintore approx 1996 

catalogue no: AAC0989 

66 x 127cm 

$500–800 

319 

TURKEY TOLSON TJUPURRULA 

(1938-2001) 

Spears circa 1994 



Turkey Tolsen Tjupurrula 

90.5 x 45cm 

$1,200–2,000 

320 

GRAHAM TJAPARULLA 

(BORN 1975) 

Tinjarri Cycle, Men’s Business 


signed and inscribed verso: 

Graham Graham Tjaparulla 

67 x 60.5cm 

$300–500 

319

80 

321 

ANDREW SPENCER TJAPALTJARRI 

(BORN 1955) 

Ceremonial Dreaming 2005 


signed verso: ANDREW SPENCER 

cat no: AST200509 

46.5 x 152.5cm 

$400–600 

322 

LINDSAY BIRD MPETYANE 


Rainbow Serpent Dreaming 

Circa 1988 


signed, dated and inscribed verso: 

LINDSAY BIRD PETYARRE MULGOA BORE 

NT approx 1988 

cat no. AAC15 

58 x 129.5cm 

$500–700 

323 



Untitled Circa 2002 


signed verso: LINDSAY 

18 x 31.5cm 

$300–500 

324 

JIMMY RABUNJA 

Waterhole 


signed verso: JIMMY RABUNJA 

34.5 x 54cm 

$300–500 

325 

DOUGLAS KWARLPE ABBOTT 

(BORN 1948) 

Haast Bluff 2001 

watercolour 

signed, dated and inscribed lower left: 

DOUGLAS KWARLPE ABBOTT 01 NT 

35.5 x 47cm 

$300–500 

321

81 

326 

326 

MICHAEL NELSON 

TJAKAMARRA (1945-2020) 

Line Map 2001 


signed verso: MICHAEL NELSON 


121 x 147cm 

$1,200–1,800 

327 

COLLEEN WALLACE 

NUNGURRAYI 

Aweyle Yam 



Colleen Wallace Aweyle Yam 

29 x 29cm 

$150–250 

328 

BARBARA KENDA (BORN 1966) 

Bush Potato 2000 

oil on canvas 


BARBARA KENDA 2000 BUSH POTATO 

33 x 51.5cm 

$200–500 

329 

ARTIST UNKNOWN 

Yadaki Dreaming 2005 


inscribed verso: yadaki dreaming 

62 x 45cm 

$200–400 

330 

EDDIE BLITNER (BORN 1961) 

Rain Boy Spirit Rifi 

oil on canvas 

signed and inscribed verso: Eddie 

Blitner Rain boy spirit, Rifi fish 

163 x 68.5cm 

$200–500 

331 

PETER OVERS (BORN 1976) 

Emu Footprints 2001 



Peter Overs 2001 

60.5 x 50cm 

$300–500

82 

332 334 

332 


(CIRCA 1930-2004) 

Spear Dreaming 


signed verso: ADA BIRD 

96 x 65.5cm 

$500–800 

333 

ANNIE HUNTER PETYARRE 

(BORN 1965) 

Body Paint 

synthentic polymer paint on canvas 


Annie Petyarre Body Paint 

28.5 x 27.5cm 

$120–180 

334 

AGNES LANE BROWN 

Rain Dreaming 


signed and inscribed verso: Agnes 

Lane Brown, When its rain the lake gets 

lot of the water and the ducks came 

and maker eggs and they come from 

everywhere. Sometime the frog came’s 

out the round, Where are little bit of Rain 

fall the lake Surprise of water. 

stamped verso: ALI-CURUNG 

ARLEHEYARENGE NT WOMENS 

CENTRE 2014/05 

96 x 67cm 

$600–900 

335 


(CIRCA 1930-2004) 

AND JUNE BIRD NGALE 

Bush Myths 1992 


signed and inscribed verso: Ada 

Bird and June Bird, MULGOA BORE 

NORTHERN TERRITORY, TRADITIONAL 

CORROBOREE BODY PAINT 


AAC 2137 TOOAC 1004 

76.5 x 124cm 

$700–1,200

83 

335

84 

336 


(1935-1945) 

Story of Tjankana Circa 1988 

synthetic polymer paint 

signed and titled verso: LINDSAY, 

LINDSAY BIRD PETYARRE MULGOA 

BORE NT STORY OF TJANKANA 

approx 1988 


130 x 74cm 

$400–600 

337 

SHANE HANSEN YONDEE 

(BORN 1964) 

Story and Journey circa 2005 


signed and titled verso: DONE BY 

YONDEE STORY + JOURNEY 

80 x 80cm 

$300–500 

338 


(BORN 1964) 

Kangaroo Eyes circa 2005 


signed and titled verso: DONE BY 

YONDEE KANGAROO EYES 

79.5 x 80cm 

$300–500 

339 

JOHANNES KATAKARINGA 

(BORN 1956) 

Central Australia circa 2000 

watercolour 

signed lower right: 

JOHANNES KATAKARINGA 

25 x 36.5cm 

$300–500 

336

85 

340 

340 

DOUGLAS KWARPLE ABBOTT 

(BORN 1948) 

Hermannsburg 1997 

watercolour 


DOUGLAS KWARPLE ABBOTT 

21 x 33.5cm 

$300–500 

341 

DOUGLAS KWARLPE ABBOTT 

(BORN 1948) 

The Olgas Central Desert 2001 

watercolour 


DOUGLAS KWARLPE ABBOTT NT01 

35 x 47.5cm 

$300–500 

342 


(BORN 1964) 

Sunset Dreaming 

Rainbow Serpent 

Wagul Dreaming 

Gnamma Holes 

Kangaroo Tracks 

Witchetty Grubs 

Boomerang Dreaming 

seven acrylic on canvas 

each signed and titled verso: 

YONDEE (with title) 

40 x 40cm (each) 

$200–400 

343 


(BORN 1964) 

Big Country Burning 

sythetic polymer paint on canvas 

inscribed verso: DONE BY YONDEE, 

BIG COUNTRY BURNING. THIS IS THE 

ANCIENT METHOD OF CLEANING THE 

LAND AND BRINGING FOOD BACK. IF 

YOU FOCUS ON THE PAINTING AND 

THEN WALK TOWARDS IT IT WILL 

HEAT UP 

101.5 x 101.5cm 

$300–600 

344 

BARBARA CHARLES 

NAPALJARRI 


Goanna Dreaming 


signed verso: 

BARBARA CHARLES NABALDJARI 

70 x 49.5cm 

$400–600

86 

345 

HELEN FERRANDO 

ARANTANUWI 

Bird Pukumani pole, Tiwi Islands 

natural earth pigments on carved wood 

175cm high 

$500–800 

346 

BEDE TUNGALUM (BORN 1952) 

Bird, Tiwi Islands 


60.5cm high 

$250–450 

347 

HELEN FERRANDO 

ARANTANUWI 

Pukumani pole, Tiwi Islands 


inscribed on base: FTCSK 

164cm high 

$500–800 

348 

JOHN PATRICK KELANTUMAMA 

(BORN 1952) 



62cm high 

$300–500 

349 

JOHN PATRICK KELANTUMAMA 

(BORN 1952) 



71cm high 

$300–500 

345 

346

87 

350 

SIMEON PORTAMINNI 

Head, Tiwi Islands 


47cm high 

$200–400 

351 

WILLAM PARMBUCK 

(BORN 1955) 


carved and painted wood 

42cm high 

$200–400 

352 

WILLAM PAMBUCK (BORN 1955) 



72cm high 

$300–500 

353 

WILLIAM PARMBUCK 

(BORN 1955) 

Water Creatures 1998 


signed lower right and centre left: 

W PARMBUK, William PARMBUCK 

60.5 x 76cm 

$300–600 

354 

Tiwi Island bird 


35.5cm high 

$120–180 

350 351 352

88 

355 

355 

LADDIE TIMBERRY 

(LA PEROUSE MAN) 

(1941-2019) 

Wooden shield 

carved and incised wood 

signed, inscribed and dated: 

Laddie Timberry 1989 Australia 

55cm, 23.5cm, 6cm 

$300–600 

356 

Sepik River ancestral spirit figure, 

New Guinea 

carved and painted and coloured wood 

with shells and textile decoration 

34cm high 

$300–600 

357 

Shark tooth sword, New Guinea 

carved wood with shark teeth 

and textile 


$120–180 

358 

South Pacific wall mask 



$250–450 

359 

South Pacific wall mask 

carved, painted and incised wood 


$300–500 

360 

South Pacific ceremonial mask 

carved, incised and painted wood 

102cm high 

$120–180 

361 

CHRISTY McKINLESS 

Maranoa Shield Design 

synthetic polymer on canvas 


Christy McKinless, 

MARANOA SHIELD DESIGN 

cat no: CM0010 

39.5 x 39.5cm 

$200–400 

356

357 358 359 

89

90 

362 

362 

Western Samoan bailer 

carved wood 


$150–250 

363 

JOHN PATRICK KELANTMAMA 

(BORN 1952) 



80.5cm high 

$300–600 

364 

TIWI ISLAND 

Pukumani pole 


70cm high 

$300–500 

363 364

91 

365 

A small and large Samoan kava 

bowls 

carved wood 

8cm high, 20cm wide (small), 

17cm high, 44cm diameter (large) 

$200–400 

366 

Indonesian figural ceremonial pole 

carved wood 

103cm high 

$200–500 

367 

New Guinea standing ceremonial 

mask figure 

together with a South Pacific utensil 

carved, incised and painted wood 

45cm high (mask), 40cm (utensil) 

$100–200 

368 

Central Sepik River ceremonial 

shield 

with crocodile and face decoration 



$200–400 

369 

Western Samoan drum and sticks 


10cm high, 30.5cm wide, 

8cm deep (drum), 30cm long (sticks) 

$120–180 

365 

366

92 

370 

Tapa Cloth, Western Samoa, 

20th century 

84 x 91cm 

$200–400 

371 

Tapa Cloth, Fijian, 20th century 

88 x 57.5cm 

$200–400 

372 

Tapa Cloth, Tongan, 20th century 

73 x 70cm 

$200–400 

370 

373 

SAM PALMI (FIJIAN) 

Natives Sailing 2005 

watercolour and gouache on tapa cloth 

signed and inscribed lower left: 

Sam Palmi Fiji 

22.5 x 29cm 

$150–250 

374 

A collection of indigenous 

artefacts 

comprising a boomerang by 

Reggie Ryan, a pair of hitting sticks 

and a bird sculpture 


45cm long (boomerang), 20cm long 

(sticks), 6cm high (bird) 

$120–180 

375 

Didgeridoo 


128.5cm high 

$120–180 

376 

A large carved wooden figure 

of a reclining Buddha 


$300–500 

371

93 

377 

377 

KEVIN (PRO) HART (1928-2006) 

Digging the Dunny 1982 

colour etching 

signed and dated in plate lower left and 

right: PRO HART 82 

signed, dated, titled and inscribed 

on margin: Pro Hart 82 DIGGING THE 

DUNNY, To PAUL 

12 x 13cm 

$100–300 

378 

ROBERT YOUNG (BORN 1954) 

The Suprematist 1979 

lithograph 

signed, titled and editioned on margin: 

Robert Young The Suprematist 27/36 

34 x 27cm 

$200–400 

379 

ROBERT YOUNG 

Throwaway Bix 1971 

oil on wood 

30 x 21.5cm 

PROVENANCE 

The Redfern Gallery, London, 

November 1971 

EXHIBITED 

Vancouver Art Gallery, Canada, Robert 

Young Exhibition, March 6-13 1974 

$200–400 

380 

DONALD EVANS 

(AMERICAN,1945–1977) 

Amis et Amants 1974 


signed, inscribed and editioned lower 

centre: for Paul from Donald, 101/500 

30 x 21.5cm 

$200–300 

381 

JOHN D THIESSEN 

Pencil Pine Creek Tasmania 

and Hobart Sunset 

two gouache 

inscribed and titled verso: 

John D Thiessen Pencil Pink Creek 

Tasmania, Hobart Sunset 

5.5 x 9.5cm 

$200–400 

382 

JOHN D THIESSEN 

King Parrot Male 

and Eastern Rosella Female 

two gouache 

each signed with initials lower left 

and right: J T 

9.5 x 5.5cm 

$200–40

94 

383 

383 

BLAIR McNAMARA (BORN 1964) 

Tropical Beach 1992 

oil on board 


Blair Mk 92 

77 x 124cm 

$500–900 

384 


Untitled Abstract 

oil on canvas 

107 x 97.5cm 

$200–400 

385 

LEIGH CHILLER 

Abstract Figures 1994 

oil on canvas 


L Chiller 94 

signed and dated verso: L Chiller 94 

121.5 x 101cm 

$120–200 

386 

PAUL WILLIAM WHITE 

(BORN 1944) 

Joy For Living: Waterfall National 

Park (Somersby Falls) 2003 

oil on canvas 

signed with initials (twice), dated and 

titled lower right and centre: P W W. 

P W W 2003 SACRED WATERFALL 

HEALING PLACE 

signed, dated and titled verso: PAUL 

WILLIAM WHITE 1987 JOY FOR 

LIVING: WATERFALL, NATIONAL PARK 

(SOMERSBY FALLS) 

151 x 122cm 

$200–400 

387 


Night Bridge 1984 

oil on canvas 

diptych 

one panel signed, dated and titled 

verso: PAUL WILLIAM WHITE 1984 

NIGHT BRIDGE 

123 x 152.5cm 

$300–600 

388 


(BORN 1944) 

Snow Forest, Tasmania, 1983 

oil on canvas 

signed with initials and dated lower 

right: PWW 83 


PAUL WILLIAM WHITE 1983 

SNOW FOREST TASMANIA 

122 x 152.5cm 

$200–400

95 

389 

389 

NEWTON HAYDN STUBBING 

(1921-1983) 

Owls Farm, Milden 1971 

oil on board 

signed, dated and titled lower right: 

Stubbing 71 Owls Farm, Milden 

inscribed verso: Tony Studding 1971 

20.5 x 25.5cm 

$400–600 

390 

Lewis Spencer, Myths & Legends, eight 

volumes, Ballantyne Press, England 

first published July 1914, reprinted 

1916-1919 

$60–100 

391 

CARTE DES CÔTES DE FRANCE 

ET D’ESPAGNE 

Par N Bellin Ingenieur de la Marine 

colour engraving 

22.5 x 28cm 

$100–200 

392 

Works of Lord Byron, six volumes, 

published Leipsick, Germany 1818 

together with Kathleen Raine, Yeats 

The Tarot and the Golden Dawn, 

published 1972 

and The Tasmanian Journals and 

Papers of George Augustus Robinson 

1829-1834, published 1966 

$80–100 

393 

A collection of art reference books 

with titles featuring Gary Shead, Sidney 

Nolan, Auguste Rodin and Paul Gaugin 

$80–120 

394 

John Evelyn, Diary and 

Correspondence, four volumes, 

published London 1906 

together with five additional volumes of 

Encylopedia and Dictionary Quotations 

$80–120 

395 

All collection of reference books 

Harmsworths Universal Encyclopedia, 

eight volumes 

Imperial Dictionary of Universal 

Biography, fourteen volumes 

Journal of Nicolas Baudin, one volume, 

published 1974 

The Pageant of Nature, British Wildlife, 

two volumes, published 1923 

$80–120 

396 

W & G Audsley, Polychromatic 

Decoration as Applied to Buildings in 

the Mediaeval Styles, published Henry 

Sotheran & Co, London 1882 

$80–120 

397 


Head Studies 

oil and collage on canvas 

122 x 137cm 

$300–500

96 

400 

ADAM RISH (BORN 1953) 

Invitation to Dance 1979 

etching 


margin: A Rish 79 invitation to dance 

12/25 

29 x 19.5cm 

$100–200 

401 

TONY WOODS (1940-2017) 

Coming or Going 1978 

lithograph 


margin: Woods 78 coming or going 1/1 

62.5 x 51cm 

$200–400 

402 

TONY WOODS (1940-2017) 

Nov 15th 

etching 

signed, titled, editioned and inscribed 

on margin: Woods Nov 15th 1/2 To Paul 

61 x 44.5cm 

$100–300 

398 

398 


A Room with a View 1979 



margin: A Rish 79 A Room with a View 

10/20 

60.5 x 45cm 

$160–280 

399 


Entertaining Mr Sloane 1981 

etching 

signed, dated, titled, editioned and 

inscribed on margin: Adam Rish 81 

Entertaining Mr Sloane 10/50 for Paul 

best wishes A Rish 

50 x 33.5cm 

$100–200 

403 

TONY WOODS (1940-2017) 

Portrait 1972 

watercolour 

signed and dated lower left: 

WOODS 1972 

28 x 12.5cm 

$200–400 

404 

PATRICK PROCTOR (1936-2003) 

Coleridge, Ancient Mariner 

etching 

signed with initials, editioned and 

inscribed on margin: PP AP Given to 

Paul White by Patrick Proctor 16 Feb, 

1972 in exchange for an illustrated 

copy of Fontain’s Fables by Gustave 

Dore, Coleridge - The Ancient Mariner 

22.5 x 15cm 

$100–200

97 

Rugs and Carpets 

405 

A Persian Lurestan hall runner, Iran 

woollen weft pile in tones of red and 

cream with tribal tree of life motifs 

398 x 136cm 

$1,500–2,500 

405

98 

406 

A Persian carpet, Iran 

woollen pile with heart motifs and a 

central sunburst medallion in tones of 

blues and reds on a cream ground 

300 x 200cm 

$2,200–2,800 

406

99 

407 

A Persian Tabriz carpet, Iran, circa 1950s 

in tones of red and cream on a rich blue 

ground with an intricate Minakani design 

332 x 252cm 

$5,000–8,000 

407

100 

408 

A Persian Kashan carpet, Iran 

woollen pile with floral palmettes in 

tones of gold and green on a deep 

blue ground 

352 x 266cm 

$2,800–3,500 

408

101 

409 

A Persian Kashan carpet, Iran, 

20th century 

woollen pile with the floral palmets 

design of a central medallion in tones 

of green and gold on a cream ground 

419 x 303cm 

$3,000–5,000 

409

102 

410 


with traditional shah abbasi floral motifs 

and a central medallion in tones of red 

and cream, signed and inscribed by the 

master weaver Edalatmand studio 

384 x 301cm 

$2,500–3,500 

411 

A Persian Tabriz carpet, Iran 

the central field with arabesque design 

in tones of cream and reds on a blue 

ground 

312 x 200cm 

$1,500–2,500 

412 

A Persian Yazd carpet, Iran 

with a central medallion in tones of blue 

and red on a cream ground, signed and 

inscribed by a master weaver 

320 x 200cm 

$2,000–3,000 

413 


with a shah abbasi floral medallion in 

tones of gold and greens on a cream 

ground 

312 x 212cm 

$1,500–1,800 

414 

A Persian Bakhtiari carpet, Iran 

the woollen pile with a tribal garden 

panel design in rich red and cream 

tones 

308 x 210cm 

$1,200–1,500 

415 

A Persian Songor kolyaie rug, Iran 

the woollen pile with a geometrical 

central medallion in soft red and blue 

tones 

324 x 158cm 

$1,000–1,500 

416 

A Persian Touserkan rug, Iran 

the woollen pile with a bold geometrical 

central medallion in colours of green 

302 x150cm 

$1,000–1,500 

417 

A vintage Persian tribal Malayer rug, Iran 

the woollen pile in rich dark brown and 

cream tones 

315 x 160cm 

$1,000–1,500 

418 

A Persian Sarouk carpet, Iran 

the floral field in tones of rich burgundy 

reds and French blue corner medallions 

213 x 133 cm 

$1,200–1,500 

419 

A Persian Bakhtiar rug, circa 1960s 

the hand spun woollen rug with garden 

diamond motifs in rich tones of blue 

and red 

184.5 x 127cm 

$1,000–1,500 

420 

A tribal Persian Herati Hamedan carpet 

with a pattern of floral motifs in tones of 

red on a cream ground 

141 x 106.5cm 

$300–500 

421 

A Persian Bidjar rug 

the woollen pile with a central medallion 

in rich red and cream tones 

187 x 115cm 

$1,500–2,000

103 

410

104 

A Bellarine Peninsula Private Collection 

422 

An Irish Chippendale style carved open 

arm library chair, late 18th century 

together with a small conforming 

Chippendale style single drawer side 

table, the chair with down-swept 

arm supports and carved scroll feet, 

upholstered in green silk 

the side table 53cm high, 27cm wide, 

27cm deep 

$3,000–4,000 

423 

A George III style wingback armchair, 

circa 1900 

with mahogany ball and claw feet and 

silk upholstery by Colefax and Fowler 

$500–800 

424 

A Sheraton style Chinoiserie painted 

green armchair, 19th century 

$300–500 

425 

A Louis XVI transitional style fruitwood 

book cabinet, French, circa 1770 


$400–600 

426 

An English carved mahogany dining 

chair, late 18th/early 19th century 

$100–200 

427 

A Hepplewhite style mahogany dining 

chair, 19th century 

with a pierced shield back upholstered 

in green silk 

$100–200 

428 

A George III oak fall front writing bureau, 

circa 1790 


$500–800 

422

105 

429 

429 

CIRCLE OF PIETER MUILIER 

(DUTCH, 17TH CENTURY) 

Figures in a Classical Wooded 

Landscape 

oil on canvas 

76 x 99.5cm 

PROVENANCE 

Mossgreen, A Private Toorak Collection 

of International Art and Antiques, 

Melbourne, September 2011, Lot 118 

$2,000–4,000 

430 

An Arts & Crafts bobbin turned Sussex 

corner chair, late 19th century 

with blue and white floral upholstery 

70cm high 

$200–300 

431 

A Louis XVI style gilt bronze mounted 

walnut occasional table, 19th century 

with a gallery edge and central drawer 

78cm high, 47cm long, 33cm deep 

$300–500 

432 

A Louis XVI style gilt metal mounted 

marble top walnut pedestal, 

19th century 


$200–300 

433 

A Louis XV style mahogany pedestal, 

19th century 


$200–300 

434 

A French provincial caned beech arm 


with a black leather upholstered seat 

$150–250 

435 

A Regency black lacquer tray on stand, 

19th century 

painted with grape vines, on a later 

ebonised black and gold painted stand, 

impressed ‘LONDON’ with a crown mark 

to back of tray 

54cm high, 82cm long, 68cm wide 

$400–600

106 

440 

A framed French black lace mourning 

fan in shaped fan box, 19th century 

the frame 30 x 46cm 

$120–150 

441 

A hand painted fan, French, 

19th century 

decorated with a nocturnal garden 

scene 

within a velvet lined conforming glazed 

and gilded case 

29 x 55cm (case size) 

$200–300 

442 

An embroidered woolwork panel, 

19th century 

depicting a Scottish couple 

housed within a later birdseye maple 

frame 

34 x 27cm (panel size) 

42 x 35.5cm (frame size) 

$120–180 

443 


Two Girls and Spaniel and Portrait 

of a Lady 

two pencil and chalk on paper 

60 x 50cm (oval, image size) 

$700–1,000 

436 

436 

FRENCH SCHOOL 

(LATE 18TH CENTURY) 

Portrait of Girl with Flowers 

in her hair 

pastel on paper on canvas 

60 x 49cm 

$1,000–1,200 

437 

A collection of seven glass paper 

weights and dumps, 19th century 

and later 


$600–800 

438 

A Wong Lee porcelain monkey 

candlestick holder, 20th century 

with iron red character and factory mark 

for ‘Wong Lee 1895’ and editioned ‘671’ 

to base 

21cm high 

$200–300 

439 

A framed segment of Jouy-en Joy 

blue and white cotton toile, French, 


depicting a Dutch dam and windmill 

23.5 x 31cm (image size) 

53.5 x 59.5cm (frame size) 

$200–300 

444 

A pair of George III cut crystal 

decanters 

23.5cm high 

$150–250 

445 

A collection of four English salt glaze 

jugs, 19th century 

comprising a large green jug decorated 

in high relief with a Bacchanalian scene, 

a powder blue jugs decorated with ears 

of wheat, a cream pewter lidded jug and 

a blue and white jug relief decorated 

with birds and vines with a pewter cover 


$800–1,200

107 

446 

A gilt framed portrait miniature of a lady, 

French, circa 1820 

wearing a blue dress with a lace bodice, 

within an oval frame 

6cm high 

$400–600 

447 

A Louis XVI style painted canapé, 

French, 19th century 

with a foliate carved crest rail, 

upholstered in pale aqua ‘Snow Tree’ 

fabric by Colefax & Fowler 

$500–800 

448 

A portrait miniature of Robert Burns, 

after the original by Alexander Nasmyth 

painted with a portrait of the poet in 

a black coat and white jabot within an 

oval 9 carat gold frame 

5.5cm long 

$500–800 

449 

A pair of portrait miniatures, 

19th century 

painted as a lady in a lace bonnet and a 

gentleman in a brown coat, each within 

an ebonised wooden frame 

3.5cm high 

$200–300 

450 

Four 19th century green wine glasses 

12cm high 

$100–200 

451 

A Georgian style gilded and ebonised 

wood wall shelf 

44cm high 

$200–300 

446 

447

108 

452 

452 

AUSTRALIAN SCHOOL 

(ATTRIBUTED TO LINDSAY 

BERNARD HALL) 

Studio Nude 

oil on canvas 

87 x 70.5cm 

$600–1,000 

453 


Portrait of a Lady 

hand coloured photograph 

37.5 x 30cm (oval) 

$100–200 

454 

ENGLISH SCHOOL 

Portrait of a Young Girl with 

Flowers in a Classical Landscape 

oil on canvas 

28 x 23cm 

$300–500

109 

455 

A silver mounted tortoiseshell and silver 

pique snuff box, English, 18th century 


$600–800 ♦ 

456 

A George IV rosewood chest of 

drawers, first half 19th century 

with an arrangement of three short and 

three long drawers with cross-banded 

decoration 


$1,000–1,500 

455 

456

110 

457 

FRENCH SCHOOL (CIRCA 1860) 

Portrait of an Officer 

oil on canvas 

56.5 x 47cm 

$1,000–1,500 

458 

Two Victorian mahogany dining chairs 

$100–200 

459 

A Royal Worcester gilded cabinet 

plate together with an Imari decorated 

cabinet plate, 19th century 

numbered 421 to back 

the largest plate 23cm diameter 

$300–500 

460 


Sheep in a Winter Landscape 

oil on canvas 

34 x 50cm 

$200–400 

457 

461 

A William IV rosewood fold-over card 

table 

the hinged swivel top opening to a 

baize lined interior 

75cm high, 91cm wide unfolded, 

91cm deep 

$600–800 

462 


(EARLY 18TH CENTURY) 

Portrait of a Young Lady 

oil on canvas 

73 x 54cm 

$200–400 

461

111 

463 

463 



Portrait of a Seated Gentleman 

and his Hound 

oil on canvas 

60 x 49.5cm 

$2,000–3,000 

464 


(CIRCA 1930) 

At the Bar 

oil on board 

47 x 38cm 

$200–400 

465 

ÉMILE DE LA MONTAGNE 

(BELGIAN, 1873-1956) 

The Forest 1923 

pastel, charcoal and chalk on paper 


Emile De La Montagne 1923 

45 x 71cm 

$600–900

112 

467 

A bronze pheasant inkwell by Le Blanc, 

Paris, 20th century 

on a grey stepped circular marble base, 

Barbedienne factory mark 

15cm high 

$300–500 

468 

A portrait miniature attributed to 

Charles Guillaume Alexandre Bourgeois, 


profile portrait of a gentleman in a black 

coat 

signed ‘Bourgeois 1800’ lower right 

4cm diameter 

$800–1,200 

469 

A portrait miniature of a gentleman, 

18th century 

finely painted with a gentleman in a 

taupe coat and white jabot, within an 

oval paste mounted frame 

3.7cm x 3cm 

PROVENANCE 

A Gentleman’s Collection – Mr Neil 

Robertson, Leonard Joel, Melbourne, 

December 2, 2018, lot 507 

$800–1,200 

466 

466 

W. A. BREAKSPEARE (1856-1914) 

An Interval in the Studio 

oil on board 

signed lower right: W. A. Breakspeare 

inscribed and titled on margin: 

W. A BREAKSPEARE RI AN INTERVAL 

IN THE STUDIO 

23 x 14cm 

PROVENANCE 

The British Galleries, Haymarket, London 

$1,500–2,500 

467

113 

470 

A gilt framed portrait miniature of a lady, 

19th century 

the figure painted in supplicant pose 

and inscribed verso ‘La Duchesse de la 

Balliere’, within an ornate pierced and 

carved giltwood frame 

the miniature 8cm high 

$600–800 

471 

An Italian carved giltwood verde marble 

console table, 19th century 

with painted cartouche to the frieze, 

raised on foliate decorated scroll 

carved legs 


$1,000–1,500 

470 

471

114 

472 

472 


Portrait of a Gentleman 

oil on canvas 

75 x 61cm 

$500–800 

473 



Portrait of a Seated Gentleman 

oil on canvas 

28 x 23cm 

$500–800 

474 


Portrait of a Girl in Yellow Dress 

watercolour 

33 x 24cm 

$200–400

115 

475 476 

475 

A seed pearl mounted portrait miniature 

brooch, 19th century 

showing a portrait of Julia Tatham 

wearing a red dress and lace head scarf 


PROVENANCE 

Estate of George Richmond thence by 

descent 

A fine small-scale portrait of Julia 

Tatham, daughter of 

Charles Heathcote Tatham (1772- 

1842), painted by George 

Richmond 

NOTE 

About 1826 George Richmond fell 

in love with Julia (1811-1881), the 

beautiful fourteen-year-old sister of 

the Tatham brothers, whose father 

had engaged Richmond to give her 

drawing lessons. Although old Tatham 

had encouraged the romance, his 

diminishing fortune brought a change 

of mind when a rich and elderly suitor 

expressed interest in Julia. Learning of 

this, the young couple – encouraged 

by Palmer, who loaned Richmond £40 

– eloped to Gretna Green, where they 

were married on 24 January 1831. Back 

in London, Richmond set up home at 

27 Northumberland Street, New Road, 

sending Julia to stay for the time being 

with Palmer’s father at Shoreham. 

Meanwhile John Linnell persuaded 

Tatham that Richmond had a promising 

future. Tatham forgave them, and 

within three weeks George and Julia 

were reunited: their marriage proved 

to be long and happy. They had fifteen 

children, of whom ten survived infancy; 

with this growing family Richmond 

needed a reliable income, and he spent 

most of his remaining working life 

painting portraits. 

The miniature shows Julia at a young 

age and would have been painted 

sometime during the very early years of 

their long and happy relationship. 

$2,000–3,000 

476 

A Victorian 9ct gold mounted ivory 

portrait miniature of a gentleman, 

19th century 

painted with a portrait of a gentleman 

in a black coat and cravat with a finely 

chased oval gold frame 

6cm high 

$1,000–2,000 

477 


(MID 19TH CENTURY) 

oval miniature of a Gentleman 

dressed in a black morning coat and a 

black jabot 

13 x 9.5cm (oval) 

$200–300 

478 

A portrait miniature of a young man, 

19th century 

painted with a young gentleman in a 

black coat and cravat, within a hinged 

leather case 

the portrait 8cm long 

$300–500 

479 

A portrait miniature of a gentleman 

in a Moroccan leather case, probably 

American, circa 1890 

painted wearing a black coat and vest 

with a white collar, in a silk lined leather 

case 

the portrait 3.5cm high 

$200–300

116 

480 

An English mahogany half tester bed, 

19th century 

220cm high, 239cm long, 153cm deep 

$500–800 

481 

A Chinese lavender glaze peach form 

wine pot 

10.5cm high 

$100–200 

482 

Two horn snuff mulls, English, 

18th/19th century 

comprising a ribbed table snuff box 

with a rose gold banding and shield to 

the hinged lid, and a brass mounted 

polished horn box 

the polished horn box 5cm wide, 

10cm high 

$500–800 

483 

A George IV sterling silver fish server by 

Thomas Jenkinson, London 1815 

together with a sterling silver mounted 

miniature hip flask 

the server 125 grams, 28cm long 

$200–300 

484 

A Japanese tortoiseshell cigar case, 

late19th century 

with gilded decoration of a crane and 

bamboo 

10cm long 

$200–300 ♦ 

485 

A malachite handled pierced ivory 

letter opener 

the page turner 30cm 

$200–300 

486 

A collection of carved Pacific Island 

tribal tortoiseshell and shell discs 

together with two polished slices 

of agate 

the largest shell disc 10cm diameter 

$100–200 ♦ 

480

117 

487 


(MID 19TH CENTURY) 

Girls in the Garden 

watercolour 

33.5 x 27.5cm (image size) 

54 x 43cm (frame size) 

$800–1,200 

488 

A Moser gilded acorn embossed glass 

trinket box, 19th century 

7cm high 

$300–500 

489 

A collection of Georgian mother of 

pearl gaming chips 

finely etched with temple, fish and 

marine motifs, together with a mabé 

pearl shell 

the largest chip 5.5cm long 

$100–200 

490 

A Murano glass table lamp 

with a barley twist column and white 

silk shade 

the base 37cm high 

$100–200 

491 

A 19th century conch shell and a small 

collection of sea shells 

the conch 14.5cm 

$300–500 

492 

A small gilt bronze figural epergne, 

French, 19th century 

with a green vaseline glass flute 

25cm high 

$150–250 

493 

A large Bohemian gilded overlaid glass 

table lamp 

65cm high 

$300–500 

494 

A pair of Regency cold painted bronze 

candlesticks in the form of Nubian 

blackamoors, Austrian 

26cm high 

$1,000–1,300 

495 

A treen ware twine box and a 

footed bowl, 19th century 

the footed bowl 15cm high 

$300–500 

496 

A black Haddonstone desk 

ornament of a reclining lion 

15cm high 

$100–200 

487 

488

118 

497 

497 

A Victorian silver mounted ruby glass 

double ended scent bottle 

13cm long 

$400–600 

498 

A red lithyalin glass flask by Friedrich 

Hegmann 

11cm 

$100–200 

499 

A Bohemia red and white overlaid glass 

scent bottle, 19th century 

24cm high 

$150–250 

500 

A French lapis blue enamel and brass 

chatelaine, second empire, circa 1860 

with a series of chains holding various 

ladies necessities including a cut glass 

perfume bottle 

21cm long 

$400–600 

501 

A late Georgian cut crystal bonbon 

dish, circa 1830 

15.5cm high 

$200–300 

502 

A Moroccan mother of pearl inlaid 

jewel box 


$200–300 

503 

A small pietra dura panel and a polished 

agate lidded pot, late 19th century 

the panel 13.5 x 9cm, 

the pot 10cm high 

$200–300 

504 

A glass ball pocket watch and 

chatelaine, French, 1860 

together with a sterling silver Swiss 

lady’s pocket watch 

the ball watch and chain 11.5cm 

$300–500 

505 

A small Rosenthal gilded porcelain 

dragonfly 

with green factory mark, impressed 

‘O.KOCH’ and 318 to base 

10cm high 

$100–200 

506 

A collection of Victorian and 

Georgian objects of virtue, 

19th century 

comprising a small enamelled 

compass pendant in the form 

of a butterfly, a miniature bust 

of Tsar Nicholas II, a brass rams 

head vesta case, a sterling silver 

decanter label, by Elizabeth Morley, 

London, circa 1850 and a set of 

Georgian etched mother of pearl 

gaming chips 

the chips 3.5cm long 

$300–500 

507 

A pair of George III gilded Bristol Blue 

spirit decanters, circa 1790 

24cm high 

$400–600 

508 

A classical bronze and marble bust of 

Diana, late 19th century 

25cm high 

$200–300 

498

119 

509 

A German porcelain gilt metal mounted 

lidded box, 19th century 

finely painted and gilt with floral 

swagged cartouche 


$500–800 

510 

A lac burgaute box and a carved 

tortoiseshell box 

the lac burgaute box 7cm diameter 

$120–150 ♦ 

509 

511 

A Viennese enamel perfume dispenser 

modelled as a wine barrel, 19th century 

finely decorated with classical scenes 

and Bacchanalian motifs, the barrel 

supported by two figures modelled 

as Silenus 

15cm high 

$1,000–1,500 

512 

A small Regency bronze pastille burner 

and metal figure of a hunting dog 

with butterfly handles and an acorn 

finial 

the burner 11cm high 

$200–300 

513 

A novelty slipper pin cushion with five 

various pins together with a Victorian 

gilt metal posy holder 

the slipper 5.5cm long 

$500–800 

511

120 

514 

A WMF silver plate jewellery box, 

German, circa 1900 


$700–900 

515 

An English sterling silver cat form vesta 

case, circa 1980 

with lid and strike to base 

4cm high 

$100–200 

516 

An Art Nouveau bronze seal decorated 

with a Borzoi head, French, circa 1890 

11cm long 

$200–300 

517 

A pair of gilt bronze portrait profile 

paperweights, 19th century 

11.5cm high 

$300–500 

514 

518 

An engraved silver egg form scent 

flask, early 19th century 

with and internal glass stoppered bottle 

and engraved 

5cm long 

$400–600 

519 

An 18 carat gold retracting mechanical 

pencil pendant 

with applied gold filigree and seed 

pearls 

total weight 9.1gms, 5cm long when 

closed 

$100–200 

518 

519

121 

527 

A French brass mounted marble top 

occasional table, late 19th century 

107cm high 

$150–250 

528 

A carved mahogany serving table, 

English, circa 1860 


$400–600 

520 

A gold mounted double ended cut 

glass scent bottle, late 18th century 

with a fitted shagreen leather case, 

signed ‘E.Williams’ to the silk interior 

9.5cm long 

$600–800 

526 

A Louis XV style glazed mahogany 

display cabinet 


$400–600 

520 

529 

A George III mahogany window seat, 

circa 1790 


$300–500 

521 

A French silver gilt etui in a mother 

of pearl and brass inlaid ebony case, 

19th century 

12cm long 

$300–500 

522 

An ornate carved and gessoed 

gilt wood frame, Italian, 

19th century 

69 x 60cm 

$300–500 

523 

A Louis XVI style carved walnut 

armchair, 19th century 

$200–300 

524 

A Chesterfield two seat buttoned 

leather sofa 

length of back 129cm 

$800–1,200 

525 

A Louis XV style carved giltwood salon 


$100–200 

521

122 

530 

A carved continental pine jewel box, 


surmounted with birds 

21cm high 

$200–300 

531 

A Louis XVI style linen upholstered 

French painted bergère 

$400–600 

532 

A French bronze plaque of a female 

profile, 19th century 

inscribed ‘E. Montaguy’, 

within a circular giltwood frame 

17cm diameter 

$200–300 

530 

533 

A Victorian gilt bronze figural inkstand 

modelled as a boy with a wheat sheaf 

crossing a bridge, raised on an oval 

black marble base 

16.5cm high 

$400–600 

534 

A Louis XV style bronze mounted black 

glazed tazza 

24cm high 

$200–300 

535 

A small Satsuma figural porcelain 

table lamp 

modelled as a child and a man with a 

pigeon, white silk shade 

27.5cm high 

$200–300 

533

123 

536 537 

536 

A portrait miniature of a lady signed 

‘Lingry’, late 19th century 

wearing a pale blue lace dress and 

flowers to her hair, inscribed verso ‘Mde 

de Marly’ 

$200–300 

537 

A gilt mounted portrait miniature on 

porcelain, 19th century 

painted with a portrait of a lady in a 

red and white dress with a blue sash, 

inscribed verso Henriette de Bourbon 

Conty by Goyer 

8.5cm high 

$400–600 

538 

A gold speckled red glass ovoid 

paperweight 

10cm 

$100–200 

539 

Two framed miniature portraits of 

ladies, late 19th/20th century 

oval, one showing a lady in a green 

dress with a lace collar, the other 

painted with a lady in a rose decorated 

bodice 

the largest 9.5cm 

$300–500 

540 

A small collection of papier maché and 

lacquer, 19th century 

comprising a papier maché box 

decorated with kittens, a small 

Chinoiserie lacquer tray and a lacquer 

painted bodkin case with tortoiseshell 

interior 

the bodkin case 12cm long 

$100–200 ♦ 

541 


Young Lady with Lamb 

colour engraving 

18.5 x 13.5cm (oval) 

$80–150 

542 


Young Boy with Dog 

printed engraving on cloth 


$100–200 

543 


Greek Goddess with Cherub 

engraving 

25 x 30cm (oval) 

$200–300 

544 

An Orrefors crystal decanter 

engraved ‘orrefors’ and editioned 

2508-111 to base 

27cm high 

$100–200

124 

545 

546 

545 

A painted papier maché tobacco box, 

19th century 

decorated with a risqué scene of a 

couple 

3cm high, 12.5cm long, 7cm deep 

$150–250 

546 

An Austrian malachite inlaid and 

enamelled silver gilt card and snuff box, 

circa 1880 

the dual hinged cover finely chased and 

gilt throughout with a central enamel 

oval picture of three figures, gilt wash 

interior and marked 800 

9cm long, 6cm wide 

$600–800 

547 

Three 19th century calling card cases 

comprising two tortoiseshell and 

mother-of-pearl inlaid cases and an 

Anglo Indian Sadeli mosaic inlaid card 

case 


$500–800 ♦ 

548 

A Staffordshire pearlware bust of Sir 

Isaac Newton, in the style of Enoch 

Wood, circa 1800 

the bust naturalistically modelled on a 

raised integral plinth 

25cm high 

$200–300 

549 

A carved marble bowl filled with various 

slices of agates and polished semi 

precious stones, together with a slate 

carving of two elephants 

the piece of slate 14cm long 

$100–200 

550 

A large gilded black lacquer tray and a 

small toleware tray, 19th century 

the largest 71cm long 

$200–300 

551 

A vintage Richard Ginori Antico Doccia 

Italian desert set 

comprising eighteen pieces, with gilded 

edges and painted with fruit 

with green underglazed factory mark, 

editioned D-5 

the largest plate 20cm diameter 

$200–300 

552 

A Wemyss ware porcelain tyg mug 

painted with roses, circa 1910 

with a green underglazed and an 

impressed factory mark to base 

10.5cm high 

$150–250 

553 

A pair of Louis XVI style gilt bronze 

mounted white alabaster candlesticks, 


23cm high 

$400–600

125 

554 

An Austrian black and gold enamel card 

case, first half 20th century 

8 x 5.5cm 

$200–300 

555 

A continental silver and enamel 

cigarette case,19th century 

decorated with the image of a hunting 

dog, impressed 800 mark 

total weight of silver 690gms, 

1.5cm high, 7.5cm wide, 5cm deep 

$150–250 

556 

A Meiji period round ivory box etched 

with tigers and ink drawings of insects, 

Japanese, 1868 


$100–200 

557 

A Murano Sommerso pink, 

blue and green art glass vase 

25.5cm high 

$200–300 

558 

An engraved brass tazza set with 

abanded agate cabochons, Scottish 

19th century 

with scrolling floriate decoration of 

broonie’s between the stones 

9cm high 

$200–300 

559 

A Tunbridge ware mother of pearl inlaid 

writing box, late 19th century 

with fitted interior and original inkwells 


$200–300 

560 

A Chinese enamelled porcelain 

snuff bottle 

decorated with a grasshopper to each 

side, three-character mark reading ‘Gu 

Yie Xuan’ to the base 

8cm high 

$400–600 

561 

A Victorian red velvet and gilt metal 

photo album together with a book of 

heliotypes of Paris, circa 1917 

21 x 27cm 

$80–100 

562 

A collection of Australian antique price 

guides and collecting books 

comprising eleven books 

$100–200 

563 

A collection of antique silver, porcelain, 

furniture and design referencing books 

comprising twenty two books 

$100–200 

554 

564 

A collection of reference books on 

British and European porcelain 

$100–200 

555 

565 

Seven books on British furniture 

$50–100

126 

566 

566 

A collection of five horn cups, 

1831 and later 

two with a silver mount and one carved 

with a tavern scene 

11.5cm high 

$400–600 

567 

An English oak refectory table, 

18th century 


$2,500–3,500 

568 

A large Irish Chippendale style 

mahogany open arm library chair, 

circa 1765 

with richly carved Rococo motifs to the 

knees and scrolled cabriole feet 

$1,500–2,500 

567

127 

569 



A Beggar Performing with his Dog 

oil on canvas 

59 x 48.5cm 

$600–800 

570 



Boy Taking a Bird’s Nest 

colour engraving on glass 

inscribed with printed text on margin 

32 x 25cm 

$800–1,200 

569 

571 

JAMES WATSON FECIT 

Lady Frances Bridges 1768 

steel engraving 

inscribed in printed text on margin: 

F COATES, R.A. PINXT 

45 x 35cm (image size) 


$200–300 

572 

S ROYMIEL (FRENCH) 

Still Life with Apples 

watercolour 

signed lower left: S Roymiel 

19 x 28cm 

$200–400 

573 


Portrait of a Young Man 

in a Blue Coat 

pastel 

20 x 16cm (oval) 

$250–350 

574 

ATTRIBUTED TO 

JOHN HENRY MOLE 

Self Portrait (possibly) 

oil on board 

26 x 19.5cm (oval, image size) 


$300–500

128 

575 

A Moore Brothers figural candelabra, 

19th century 

modelled as two branch candlestick 

with a seated putti 

22.5cm high 

$200–300 

576 

A sterling silver gilt guilloche enamel 

card case, first half 20th century 

with a yellow enamel hinged cover, 

engraved to the interior ‘K.BATTLE’ and 

marked 925 

8 x 6cm 

$300–500 

577 

A 9 carat gold Prince of Wales feather 

fleur-de-lys propelling pencil 

total weight 3.9gms 

6cm long 

$100–200 

578 

A cold painted bronze animalier 

inkwell in the form of a Border Collie, 

19th century 

8cm high 

$400–600 

579 

A bronze figure of a little girl, 

19th century 

21.5cm high 

$200–300 

580 

A Chantilly soft paste porcelain 

pot à jus, circa 1790 

together with an 18th century 

blue and white mug 

the pot 8cm, the mug 8.5cm high 

PROVENANCE 

Bernard Gomes, Paris 

$200–300 

581 

A pair of bronze busts ‘Laughing Infant, 

Crying Infant’ after the originals by F. 

Clamard, circa 1890 

16.5cm high 

$300–500 

582 

A Belgian gilded porcelain vase, 

by J Valentinelli, circa 1884 

titled and dated ‘Place du marché a 

Malinsen 1884’, signed ‘J Valentinelli’, 

red factory mark to base 

21cm high 

$100–200 

583 

A pair of Bohemia red overlay gilded 

flasks, 19th century 

24cm high 

$100–200 

584 

A Royal Worcester Blush Ivory pot 

pourri vase and a basket circa 1900 

with puce factory marks to the base of 

both pieces 

the pot pourri 22cm high 

$300–500 

585 

A pair of Japanese pierced ivory brush 

pots 

with carved wooden stands 

10cm high 

$200–300 

586 

A pair of Georgian silver mounted cut 

glass condiment jugs 

21cm high 

$100–200 

587 

A Meissen porcelain figure group of 

two children feeding a goat, German, 

circa 1720 

with blue underglazed ‘AR’ Augustus 

Rex Meissen factory mark to base 

16.5cm high 

$500–800 

588 

Two crimson and gold bee pattern 

cushions 

$100–200 

589 

An Australian cedar cutlery tray, 

19th century 

21cm high 

$200–300 

590 

A Worcester ‘Three Fences’ pattern tea 

bowl and saucer, 18th century 

with underglaze blue crescent moon 

mark to the base 

the tea bowl 6cm high 

$100–200 

591 

A Sèvres white bisque figure of a parrot 

on a plinth by O. Iversen, circa 1930 

incised to the base ‘O. Iversen’ and 

impressed ‘National Manufacture, 

Sèvres France’ 

20.5cm high 

$200–300 

592 

A pair of George III Staffordshire white 

enamel salts with floral decoration, 

circa 1780 

3cm high 

$100–200 

593 

A Chamberlain’s Worcester porcelain 

pen tray, 19th century 

finely painted and gilt with a scene of 

Eastnor Castle, with ‘CHAMBERLAIN’S 

WORCESTER MALVERN’ stamped to 

the back 

26cm long 

$300–500 

594 

A Meissen porcelain trinket box, 

19th century 

painted with a scene of a courting 

couple, blue underglaze crossed 

swords mark to base 

8cm high 

$300–500 

595 

A Limoges gilt bronze porcelain inkwell, 

19th century 

7cm high 

$200–300

129 

596 

A collection of Georgian glass, first 

quarter 19th century 

comprising two knopped stem wine 

glasses and a pair of glass washers 

the glasses11cm high 

$300–500 

597 

A foliate etched footed glass covered 

sweetmeat dish, 19th century 

22cm high 

$200–300 

598 

A finely etched glass footed bowl, 


the central design of a courting couple 

16cm high 

$150–250 

596 

597 

598

130 

599 

A framed Opal Shard mosaic 

floral arrangement, Australian, 


52 x 36cm (image size) 


$300–500 

600 

A matched set of eight beech and elm 

rush seat dining chairs, 19th century 

$800–1,200 

601 

A blue and white pierced underplate by 

Rogers & Sons, circa 1840 

with an oriental inspired central scene 

impressed factory mark to base 

23.5cm long 

$120–150 

602 

An English hand painted ‘Indian Tree’ 

pattern soup tureen, early 19th century 

27cm high 

$200–300 

599 

600

131 

603 

Two Japanese black lacquer boxes 

the largest 8cm high, 13cm wide, 

13cm deep 

$200–300 

604 

A pair of brass bound wooden ewers, 


23cm high 

$150–250 

605 

A large Bohemia gilded cobalt overlaid 

glass vase, late 19th century 

41cm high 

$120–150 

606 

An ebonised wood and tusk elephant 

head form wall mount 

32cm high 

$300–500 

607 

A pair of Regency bronze candlesticks 

19cm high 

$200–300 

608 

Two Victorian hand painted papier 

maché letter stands 

One decorated with fern leaves the 

other with a face of a terrier 


$200–300 

609 

Two Minton “Society of the Arts” blue 

and white salt glaze jug, dated 1846 

one larger than the other, each 

decorated with a relief moulded 

grapevine and a split branch handle 

with moulded registration mark for ‘26th 

May 1846’ to the base 


REFERENCE 

Illustrated “Relief Moulded Jugs 1820- 

1900”; R.K Henrywood, page 87 

$300–500 

610 

A Leeds Pottery bone white sauce boat 

with plaited handle, circa 1780 

11cm high 

$120–150 

611 

A collection of English blue and white 

porcelain, 19th century 

seven pieces including Spode and 

Cauldon 

the jug 12cm high 

$300–500 

612 

A Minton porcelain comport, mid 

19th century 

with a latticework border painted 

with a cherub in a landscape 


$200–300

132 

613 

613 

Four Regency style toleware tea 

canisters 


$400–600 

614 

A Japanese Satsuma bowl, 

late19th century/early 20th century 

with blue character mark to base 


$120–150 

615 

A large speckled gold Murano glass 

table lamp, 20th century 

64cm high without shade 

$300–500 

616 

A collection of English blue ground 

Jasperware, 19th century 

comprising a Tunstal covered jar, a 

Wedgwood pot pourri vase and cover 

and an unmarked bottle form vase 


$600–800 

617 

A large gilded black lacquer tray 

80cm wide 

$200–300 

618 

Three leather bound volumes of 

‘Lord Lytton’s Works’, dated 1835 

$100–200 

619 

A Parianware figure of a seated maiden 

with impressed ‘FALCONET’ signature 

to back 

24cm high 

$200–300 

620 

A carved giltwood mirror, English, 

19th century 

finely carved with a frieze of overlapping 

acanthus 

80 x 68cm 

$500–800 

621 

A set of six Wedgwood majolica green 

glazed plates 

factory mark to the base 

20cm diameter 

$300–500 

622 

A Moser faceted amber glass covered 

urn, 19th century 

with gilded panels and etched floral 

cartouche decoration 

23.5cm high 

$300–500 

614

133 

623 

A Gallé violet and yellow etched glass 

vase, French, circa 1900 

of compressed ovoid form decorated 

with anemone flowers, etched ‘Gallé’ 

signature 

13.5cm high 

$600–800 

624 

A pair of French bronze poodle desk 

ornaments, late 19th century 

8cm high 

$500–800 

625 

A pair of 2nd Empire style gilt mounted 

white marble cassolettes lamps 

with acorn finials and gilt sconces, 

above an ovoid body with tripod 

supports headed by rams’ masks and 

hung with floral wags 

46.5cm high 

$300–500 

626 

A Victorian tortoiseshell tea caddy with 

floral mother of pearl inlay, circa 1850 

of serpentine form, standing on ivory 

bun feet 

13.5cm high, 20cm wide, 12.5cm deep 

$600–800 ♦ 

623 

624

134 

627 

A pair of Louis XV style carved walnut 

fauteuils, French, circa 1860 

upholstered in contemporary 

Italian fabric 

$600–800 

628 

A Louis XV hanging corner cabinet 

lined with blue floral silk brocade 


$1,200–1,500 

629 

A small pair of Staffordshire porcelain 

hounds, 19th century 

10cm high 

$150–250 

630 

An Anglo-Indian Regency 

style macassar ebony carver, 


with a woven cane seat 

$700–1,000 

631 

Two sets of St Louis gilded glasses, 

French 

10.5cm high 

$150–250 

632 

A bronze mounted verde marble desk 

blotter, 19th century 

9cm high 

$150–250 

633 

Two boxed sets of Georgian cut steel 

and paste shoe buckles and a set of 

Scottish silver shoe buckles 

the Scottish silver buckles by Thomas 

Ebbutt, Edinburgh 1919 

the largest buckle 7cm long, total 

weight of the silver buckles 72 gms 

$300–500 

634 

A pair of concrete garden columns 

relief decorated with twining 

convolvulus 

80cm high 

$400–600 

627

135 

635 

A French provincial metal wine 

bottle holder 

31cm high 

$200–300 

636 

A vintage leather suitcase 


$50–100 

637 

A collection of large silk fringed 

cushions 

48 x 46cm each 

$300–500 

635 

638 

A pair of Second Empire gilt bronze 

candlesticks, French, circa 1860 

each modelled as a flowering lily branch 

with a knopped stem and circular foot 

28cm high 

$500–800 

639 

A collection of auction catalogues 

and books on antiques, textiles and 

decorative arts 

$100–200 

640 

A silver plate humidor by Elkington 

& Co., 1878 

relief decorated with a village scene and 

inscribed to the rim ‘FROM WILLIAM 

ROBERTS JR. TO HIS DEAR FATHER 

10th MARCH 1878’, impressed maker 

and factory marks 13319 to the base 

18cm high 

$300–500 

641 

An English painted leather bucket 

together with a South Australian leather 

fire bucket 

the largest bucket 27.5cm high 

$200–300 

642 

A large brass jam pot 

40cm high 

$120–150 

643 

An English sterling silver purse and a 

pin box, 19th century and later 

the leather lined silver purse made by 

E. F. Braham, Birmingham, 1893; the 

sterling silver box with engine turned 

decoration, possibly Cork & Apthorp, 

London,1926 

the purse 8.5cm high, the box 

3.5cm high, 13cm wide, 5cm high, total 

205 gms 

$500–800

136 

644 

644 

Three large clam shells 

the largest 48cm long 

$400–600 

645 

A collection of etched and cut glass, 

English, 19th century 

comprising a small etched decanter, 

two wine glasses and a footed cut glass 

celery vase 


$300–500 

646 

A French gold and diamond mounted 

‘water satin’ silver reticule, 19th century 

inscribed with the insignia of its former 

owner in diamonds and gold, with a 

silver chain and intact calling card, 

leather lined interior, originally owned by 

Mrs A. Krieger 

13.5cm long 

$500–800 

647 

A pair of Georg Jensen acorn pattern 

sterling silver salts with matching 

spoons 

with blue enamel interiors, impressed 

factory marks 

the spoons 6cm long 

$100–200 

648 

A pair of figural bronze cherub 

candlesticks, 19th century 

with removable sconces 

29.5cm high 

$200–300

137 

649 

A carved classical marble figure of a 

maiden holding a bowl, 19th century 

44cm high 

$300–500 

650 

A Georgian mother of pearl tea caddy 

with bone handled lidded interior 

compartments 


$400–600 

651 

A Victorian tortoiseshell tea caddy 

with engraved silver cartouche to lid, 

circa 1860 

with engraved silver cartouche to the 

hinged cover and engraved initials ME 

16.5cm high, 17.5cm wide, 

11.5cm deep 

$500–800 ♦ 

649

138 

652 

A late Victorian cast iron garden seat 


$500–800 

653 

A Victorian cast iron garden seat 


$1,200–1,500 

654 

A small Japanese composition stone 

garden stand 

30cm high 

$100–200 

655 

A three piece cast iron garden setting 

comprising two chairs and a table 

the table 75cm high, 69cm diameter 

$400–600 

652 

653

139 

656 

A composition stone figure of a child 

72cm high 

$200–300 

657 

A composition stone figure of a cherub 

on a pedestal 

143cm high 

$400–600 

658 

A large composition stone rams head 

handled garden urn and pedestal 


$200–300 

659 

A moss covered garden bench top 

122cm long 

$100–200 

656 

660 

A large composition stone rams head 

handled garden urn 


$300–500 

661 

A large red glazed pottery pot jardinière 

39cm high 

$60–100 

662 

A small Chinese carved rosewood 

marble top pedestal 


$200–300 

660 

End of Sale

140 

Terms & Conditions of Sale 

The terms and conditions of sale listed here contain 

the policies of Gibson’s Auctioneers & Valuers 

Pty Ltd. They are the terms on which Gibson’s 

Auctioneers & Valuers Pty Ltd and the Seller contract 

with the Buyer. They may be amended by printed 

Saleroom Notices or oral announcements made 

before and during the sale. By bidding at auction you 

agree to be bound by these terms. 

1. Background to the Terms used in 

these Conditions 

The conditions that are listed below contain terms 

that are used regularly and may need explanation. 

They are as follows: 

“the Buyer” means the person with the highest bid 

accepted by the Auctioneer 

“the Lot” means any item depicted within the sale for 

auction and in particular the item or items described 

against any lot number in the catalogue. 

“the Hammer price” means the amount of the highest 

bid accepted by the auctioneer in relation to a lot 

“the Buyers Premium” means the charge payable by 

the Buyer to the auction house as a percentage of 

the hammer price. 

“the Reserve” means the lowest amount at which 

Gibson’s Auctioneers & Valuers has agreed with the 

Seller that the lot can be sold. 

“Forgery” means an item constituting an imitation 

originally conceived and executed as a whole, with 

a fraudulent intention to deceive as to authorship, 

origin, age, period, culture or source, where the 

correct description as to such matters is not 

reflected by the description in the catalogue. 

Accordingly no lot shall be capable of being a forgery 

by reason of any damage or restoration work of any 

kind (Including re-painting). 

“the insured value” means the amount that Gibson’s 

Auctioneers & Valuers in its absolute discretion 

from time to time shall consider the value for which 

a lot should be covered for insurance (whether or 

not insurance is arranged by Gibson’s Auctioneers 

& Valuers.) 

All values expressed in Gibson’s Auctioneers & 

Valuers Pty Ltd catalogues (in any format) are in 

Australian Dollars (AU$). All bids, “hammer price”, 

“reserves”, “Buyers Premium” and other expressions 

of value are understood by all parties to be in 

Australian Dollars (AU$) unless otherwise specified. 

2. Gibson’s Auctioneers & Valuers 

Auctions as Agent 

Except as otherwise stated Gibson’s Auctioneers & 

Valuers Pty Ltd acts as agent for the Seller. 

The contract for the sale of the property is therefore 

made between the Seller and the Buyer. 

3. Before the Sale 

A) EXAMINATION OF PROPERTY 

Prospective Buyers are strongly advised to examine 

in person any property in which they are interested 

before the Auction takes place. Neither Gibson’s 

Auctioneers & Valuers nor the Seller provides any 

guarantee in relation to the nature of the property 

apart from the Limited warranty in the paragraph 

below. 

The property is otherwise sold “AS IS” 

B) CATALOGUE AND OTHER DESCRIPTIONS 

All statements by Gibson’s Auctioneers & Valuers 

in the catalogue entry for the property or in the 

condition report, or made orally or in writing 

elsewhere, are statements of opinion and are not 

to be relied upon as statements of fact. Such 

statements do not constitute a representation, 

warranty or assumption of liability by Gibson’s 

Auctioneers & Valuers of any kind. References in the 

catalogue entry to the condition report to damage 

or restoration are for guidance only and should be 

evaluated by personal inspection by the bidder or 

a knowledgeable representative. The absence of 

such a reference does not imply that an item is free 

from defects or restoration, nor does a reference to 

particular defects imply the absence of any others. 

Estimates of the selling price should not be relied 

on as a statement that this is the price at which 

the item will sell or it’s value for any other purpose. 

Neither Gibson’s Auctioneers & Valuers nor The 

Seller is responsible for any errors or omissions in the 

catalogue or any supplemental material. 

Images are measured height by width (sight size). 

Illustrations are provided only as a guide and should 

not be relied upon as a true representation of colour 

or condition. Images are not shown at a standard 

scale. Mention is rarely made of frames (which may be 

provided as supplementary images on the website) 

which do not form part of the lot as described in the 

printed catalogue. 

Foreign buyers should note that all transactions 

are in Australian dollars (AU$)so there may be a 

small exchange rate risk. The costs associated 

with acquiring a good certificate will be carried by 

the purchaser. If the item turns out to be forged or 

otherwise incorrectly described, all reasonable costs 

will be borne by the vendor. 

C) BUYERS RESPONSIBILITY 

All property is sold “as is” without representation 

or warranty of any kind by Gibson’s Auctioneers 

& Valuers or the Seller. Buyers are responsible for 

satisfying themselves concerning the condition 

of the property and the matters referred to in the 

catalogue by requesting a condition report 

4. At the Sale 

A) REFUSAL OF ADMISSION 

Gibson’s Auctioneers & Valuers reserves the right at 

our complete discretion to refuse admission to the 

auction premises or participation in any auction and 

to reject any bid. 

B) REGISTRATION BEFORE BIDDING 

Any prospective new buyer must complete and sign 

a registration form and provide photo-identification 

before bidding. Gibson’s Auctioneers & Valuers may 

request bank, trade or other financial references to 

substantiate this registration. 

C) BIDDING AS A PRINCIPAL 

When making a bid, a bidder is accepting personal 

liability to pay the purchase price including the 

buyers premium and all applicable taxes, plus all 

other applicable charges, unless it has been explicitly 

agreed in writing with Gibson’s Auctioneers & Valuers 

before the commencement of the sale that the 

bidder is acting as agent on behalf of an identified 

third party acceptable to Gibson’s Auctioneers & 

Valuers and that Gibson’s Auctioneers & Valuers will 

only look to the principal for payment. 

D) INTERNATIONAL REGISTRATIONS 

All International clients not known to Gibson’s 

Auctioneers & Valuers will be required to scan or fax 

through an accredited form of photo identification 

and pay a deposit at our discretion in cleared funds 

into Gibson’s Auctioneers & Valuers’ account at least 

48 hours before the commencement of the auction. 

Bids will not be accepted without this deposit. 

Gibson’s Auctioneers & Valuers also reserves the 

right to request any additional forms of identification 

prior to registering an overseas bid. 

This deposit can be made using a credit card, 

however the balance of any purchase price in excess 

of $5,000 can not be charged to this card without 

prior arrangement. This deposit is redeemable 

against any auction purchase. 

E) ABSENTEE BIDS 

Gibson’s Auctioneers & Valuers will use reasonable 

efforts to execute written bids delivered to us AT 

LEAST 24 Hours before the sale for the convenience 

of those clients who are unable to attend the auction 

in person. If we receive identical written bids on a 

particular lot, and at the auction these are the highest 

bids on that lot, then the lot will be sold to the person 

whose written bid was received and accepted first. 

Execution of written bids is a free service undertaken 

subject to other commitments at the time of the sale 

and we do not accept liability for failing to execute 

a written bid or for errors or omissions which may 

arise. It is the bidder’s responsibility to check with 

Gibson’s Auctioneers & Valuers after the auction if 

they were successful. Unlimited or “Buy” bids will not 

be accepted. Please refer to our indicative bidding 

increments below for appropriate absentee bid 

amounts (Section K). 

F) TELEPHONE BIDS 

Priority will be given to overseas and interstate 

bidders. Arrangements for this service must be 

confirmed AT LEAST 24 HOURS PRIOR to the auction 

commencing. Gibson’s Auctioneers & Valuers 

accepts no responsibility whatsoever for any errors 

or failure to execute bids. In telephone bidding the 

buyer agrees to be bound by all terms and conditions 

listed here and accepts that Gibson’s Auctioneers 

& Valuers cannot be held responsible for any 

mis-communications in the process. The success 

of telephone bidding cannot be guaranteed due to 

circumstances that are unforeseen. Buyers should 

be aware of the risk and accept the consequences 

should contact be unsuccessful at the time of 

Auction. You must advise Gibson’s Auctioneers & 

Valuers of the lots in question and recommend a 

‘Cover Bid’ amount should there be any issues with 

technology or communication via the telephone 

number provided. Gibson’s Auctioneers & Valuers 

will advise Telephone Bidders who have registered 

at least 24 hours before the auction of any relevant 

changes to descriptions, withdrawals or any other 

sale room notices. 

G) ONLINE BIDDING 

Gibson’s Auctioneers & Valuers accepts no 

responsibility for any errors, failure to execute bids or 

any other miscommunications regarding this process. 

It is the online bidder’s responsibility to ensure the 

accuracy of the relevant information regarding bids, 

lot numbers and contact details. 

H) RESERVES 

Unless otherwise indicated, all lots are offered subject 

to a reserve, which is the confidential minimum price 

below which the Lot will not be sold. The reserve will 

not exceed the low estimate printed in the catalogue. 

The auctioneer may open the bidding on any Lot 

below the reserve by placing a bid on behalf of the 

Seller. The auctioneer may continue to bid on behalf 

of seller up to the amount of the reserve, either 

by placing consecutive bids or by placing bids in 

response to other bidders. 

I) AUCTIONEERS DISCRETION 

The Auctioneer has the right at his absolute and sole 

discretion to refuse any bid, to advance the bidding 

in such a manner as he may decide, to withdraw or 

divide any lot, to combine any two or more lots and, 

in the case or error or dispute and whether during or

141 

after the sale, to determine the successful bidder, to 

continue the bidding, to cancel the sale or to reoffer 

and resell the item in dispute. If any dispute arises 

after the sale, then Gibson’s Auctioneers & Valuers’s 

sale record is conclusive. 

J) SUCCESSFUL BID AND PASSING OF RISK 

Subject to the auctioneer’s discretion, the highest 

bidder accepted by the auctioneer will be the buyer 

and the striking of his hammer marks the acceptance 

of the highest bid and the conclusion of a contract 

for sale between the Seller and the Buyer. Risk and 

responsibility for the lot (including frames or glass 

where relevant) passes immediately to the Buyer. 

K) INDICATIVE BIDDING STEPS, ETC. 

Gibson’s Auctioneers & Valuers reserves the right to 

refuse any bid, withdraw any lot from sale, to place 

a reserve on any lot and to advance the bidding 

according to the following: 

Increment Amount 

Dollar Range 

$20 $0–$500 

$50 $500–$1,000 

$100 $1,000–$2,000 

$200 $2,000–$5,000 

$500 $5,000–$10,000 

$1,000 $10,000–$20,000 

$2,000 $20,000–$50,000 

$5,000 $50,000–$100,000 

$10,000 $100,000–$200,000 

$20,000 $200,000–$500,000 

$50,000 $500,000–$1,000,000 

Absentee bids must follow these increments and any 

bids that don’t follow the steps will be rounded up to 

the nearest acceptable bid. 

5. After the Sale 

A) BUYERS PREMIUM 

In addition to the hammer price, the buyer agrees to 

pay to Gibson’s Auctioneers & Valuers the buyers 

premium. The buyer’s premium is 22% of the 

hammer price plus GST. (Goods and Services Tax) 

where applicable. 

B) PAYMENT AND PASSING OF TITLE 

The buyer must pay the full amount due (comprising 

the hammer price, buyers premium and any 

applicable taxes and GST) not later than three (3) 

days after the auction date. 

The buyer will not acquire title for the lot until 

Gibson’s Auctioneers & Valuers receives full 

payment in cleared funds, and no goods under any 

circumstances will be released without confirmation 

of cleared funds received. This applies even if the 

buyer wishes to send items interstate or overseas. 

Payment can be made by the following means: 

• Bank Transfer/Direct Deposit is our preferred 

method of payment 

Account Name: Gibsons Auctions 

Bank: 

Bank of Melbourne 

(A division of St George) 

BSB: 193879 

Account No: 441701443 

Swift Code: SGBLAU2S 

Routing Code: 021000021 

Bank Address: 197-201 Glenferrie Road, 

Malvern, Vic, 3144 

The buyer is responsible for any bank fees and 

charges applicable for the transfer of funds into 

Gibson’s Auctioneers & Valuers’s account 

• Personal, Company and Bank Cheques are not 

accepted without prior approval. 

• Eftpos (no charge) 

• Credit cards: Visa and Mastercard (1.2% incl GST 

merchant fee) and American Express (2% incl 

GST merchant fee) 

Please note that credit card transactions over 

$5,000 will not be accepted over the telephone 

unless by prior arrangement. 

• Cash up to AU$10,000 can accepted in 

cash. For any amount over this, cash is to be 

deposited directly into our account at a Bank of 

Melbourne/St George branch 

C) COLLECTION OF PURCHASES & INSURANCE 

Gibson’s Auctioneers & Valuers is entitled to retain 

items sold until all amounts due to us have been 

received in full in good cleared funds. Subject to this, 

the Buyer shall collect purchased lots within three 

(3) days from the date of the sale unless otherwise 

agreed in writing between Gibson’s Auctioneers & 

Valuers and the Buyer. 

At the fall of the hammer, insurance is the 

responsibility of the purchaser. 

D) PACKING, HANDLING AND SHIPPING 

At the request of the buyer, Gibson’s Auctioneers & 

Valuers may assist with packing of goods but takes 

no responsibility for loss, damage or breakage that 

may occur. 

Gibson’s Auctioneers & Valuers at the request of the 

buyer may arrange for a carrier, packer or shipper to 

have the property packed, insured and shipped at 

the buyer’s expense. All packing, shipping, insurance, 

postage & associated charges will be borne by the 

purchaser. 

Gibson’s Auctioneers & Valuers can assist with 

removal companies that the buyer can use but takes 

no responsibility whatsoever for the actions of any 

recommended third party. 

E) CULTURAL HERITAGE EXPORT LICENCES 

Unless otherwise agreed by us in writing, the fact 

that the buyer wishes to apply for an export licence 

does not affect his or her obligation to make full 

payment immediately, nor our right to charge 

interest or storage charges on late payment. It 

is the Buyer’s responsibility to check Australia’s 

Protection of Moveable Cultural Heritage Act 1986 

before purchase. If the Buyer requests Gibson’s 

Auctioneers & Valuers to apply for an export licence 

then we shall be entitled to charge a fee for this 

service. We shall not be obliged to rescind a sale nor 

to refund any interest or other expenses incurred 

by the Buyer where payment is made by the Buyer 

in circumstances where an export licence is not 

granted. 

F) REMEDIES FOR NON-PAYMENT 

If the Buyer fails to make full payment immediately, 

Gibson’s Auctioneers & Valuers is entitled to exercise 

one or more of the following rights or remedies (in 

addition to asserting any other rights or remedies 

available under the law) 

i) to charge interest at the ANZ visa credit card 

rate as published weekly in the Australian 

Financial Review 

ii) 

iii) 

iv) 

to hold the defaulting Buyer liable for the 

total amount due and to commence legal 

proceedings for it’s recovery along with interest, 

legal fees and costs to the fullest extent 

permitted under applicable law 

to cancel the sale 

to resell the property publicly or privately on 

such terms as we see fit 

v) to pay the Seller an amount up to the net 

proceeds payable in respect of the amount bid 

by the defaulting Buyer. In these circumstances 

the defaulting Buyer can have no claim upon 

Gibson’s Auctioneers & Valuers in the event that 

the item(s) are sold for an amount greater than 

the original invoiced amount. 

vi) 

vii) 

to set off against any amounts which Gibson’s 

Auctioneers & Valuers may owe the Buyer in 

any other transactions, the outstanding amount 

remaining unpaid by the Buyer. 

where several amounts are owed by the Buyer to 

us, in respect of different transactions, to apply 

any amount paid to discharge any amount owed 

in respect of any particular transaction, whether 

or not the Buyer so directs. 

viii) to reject at any future auction any bids made by 

or on behalf of the Buyer or to obtain a deposit 

from the Buyer prior to accepting any bids. 

ix) 

to exercise all the rights and remedies of a 

person holding security over any property in 

our possession owned by the Buyer whether by 

way of pledge, security interest or in any other 

way, to the fullest extent permitted by the law of 

the place where such property is located. The 

Buyer will be deemed to have been granted such 

security to us and we may retain such property 

as collateral security for such Buyer’s obligations 

to us. 

x) to take such other action as Gibson’s 

Auctioneers & Valuers deem necessary or 

appropriate 

If we do sell the property under paragraph 

(iv), then the defaulting Buyer shall be liable 

for payment of any deficiency between the 

total amount originally due to us and the 

price obtained upon reselling as well as for 

all costs, expenses, damages, legal fees and 

commissions and premiums of whatever kinds 

associated with both sales or otherwise arising 

from the default. 

If we pay any amount to the Seller under 

paragraph (v) the Buyer acknowledges that 

Gibson’s Auctioneers & Valuers shall have all 

of the rights of the Seller, however arising, to 

pursue the Buyer for such amount. 

G) FAILURE TO COLLECT PURCHASES 

Where purchases are not collected within three (3) 

days from the sale date, whether or not payment 

has been made, we shall be permitted to remove the 

property to a warehouse at the buyer’s expense, and 

only release the items after payment in full has been 

made of removal, storage handling, insurance and 

any other costs incurred, together with payment of all 

other amounts due to us. 

6. Extent of Gibson’s Auctioneers & 

Valuers Liability 

Gibson’s Auctioneers & Valuers agrees to refund 

the purchase price in the circumstances of the 

Limited Warranty set out in paragraph 7 below. 

Apart from that, neither the Seller nor we, nor any 

of our employees or agents are responsible for 

the correctness of any statement of whatever kind 

concerning any lot, whether written or oral, nor 

for any other errors or omissions in description 

or for any faults or defects in any lots. Except as 

stated in paragraph 7 below, neither the Seller 

ourselves, our officers, agents or employees give any 

representation warranty or guarantee or assume any 

liability of any kind in respect of any lot with regard 

to merchantability, fitness for a particular purpose, 

description, size, quality, condition, attribution, 

authenticity, rarity, importance, medium, provenance, 

exhibition history, literature or historical relevance. 

Except as required by local law any warranty of any 

kind is excluded by this paragraph. 

7. Limited Warranty 

Subject to the terms and conditions of this 

paragraph, the Seller warrants for the period of 

fourteen (14) days from the date of the sale that 

any property described in this catalogue (noting 

such description may be amended by any saleroom 

notice or announcement) which is stated without 

qualification to be the work of a named author or

142 

authorship is authentic and not a forgery. The term 

“Author” or “authorship” refers to the creator of the 

property or to the period, culture, source, or origin 

as the case may be, with which the creation of such 

property is identified in the catalogue. 

The warranty is subject to the following: 

i) it does not apply where a) the catalogue 

description or saleroom notice corresponded 

to the generally accepted opinion of scholars 

and experts at the date of the sale or fairly 

indicated that there was a conflict of opinions, 

or b) correct identification of a lot can be 

demonstrated only by means of a scientific 

process not generally accepted for use until 

after publication of the catalogue or a process 

which at the date of the publication of the 

catalogue was unreasonably expensive or 

impractical or likely to have caused damage to 

the property. 

ii) 

iii) 

iv) 

the benefits of the warranty are not assignable 

and shall apply only to the original buyer of the 

lot as shown on the invoice originally issued by 

Gibson’s Auctioneers & Valuers when the lot was 

sold at Auction. 

the Original Buyer must have remained the 

owner of the lot without disposing of any interest 

in it to any third party 

The Buyer’s sole and exclusive remedy against 

the Seller in place of any other remedy which 

might be available, is the cancellation of the sale 

and the refund of the original purchase price 

paid for the lot less the buyers premium which is 

non refundable. Neither the Seller nor Gibson’s 

Auctioneers & Valuers will be liable for any 

special, incidental nor consequential damages 

including, without limitation, loss of profits not for 

interest. 

v) The Buyer must give written notice of claim 

to us within fourteen (14) days of the date of 

the Auction. The Seller shall have the right, 

to require the Buyer to obtain two written 

opinions by recognised experts in the field, 

mutually acceptable to the Buyer and Gibson’s 

Auctioneers & Valuers to decide whether or not 

to cancel the sale under warranty. 

vi) 

the Buyer must return the lot to Seller in the 

same condition that it was purchased. 

8. Severability 

If any part of these Conditions of Sale is found by any 

court to be invalid, illegal or unenforceable, that part 

shall be discounted and the rest of the Conditions 

shall continue to be valid to the fullest extent 

permitted by law. 

9. Copyright 

The copyright of all images, illustrations and written 

material produced by Gibson’s Auctioneers & 

Valuers relating to a lot including the contents of this 

catalogue, is and shall remain the property at all times 

of Gibson’s Auctioneers & Valuers and shall not be 

used by the Buyer, nor by anyone else without our 

prior written consent. Gibson’s Auctioneers & Valuers 

and the Seller make no representation or warranty 

that the Buyer of a property will acquire any copyright 

or other reproduction rights in it. 

10. Law and Jurisdiction 

These terms and conditions and any matters 

concerned with the foregoing fall within the exclusive 

jurisdiction of the courts of the state in which the 

auction is held. 

11. Pre-Sale Estimates 

Gibson’s Auctioneers & Valuers publishes with each 

catalogue our opinion as to the estimated price range 

for each lot. These estimates are approximate prices 

only and are not intended to be definitive. They are 

prepared well in advance of the sale and may be 

subject to revision. Interested parties should contact 

Gibson’s Auctioneers & Valuers prior to auction for 

updated pre-sale estimates and starting prices. 

12. Sale results 

Gibson’s Auctioneers & Valuers will provide auction 

results, which will be available as soon as possible 

after the sale. Results will include buyer’s premium 

(22% plus GST). These results will be posted at 


13. Goods and Service Tax 

In accordance with A New Tax System (Goods 

and Services Tax) Act 1999 Gibson’s Auctioneers 

& Valuers Auctions will collect on behalf of the 

Australian tax office (ATO) a Goods and Service Tax 

(GST) of 10% on all applicable transactions. 

ABN: 26 440 767 899 

GST is applicable on the hammer price in the case 

where the seller is selling property that is owned by 

an entity registered for GST. GST is also applicable 

on the hammer price in the case where the seller is 

not an Australian resident. These lots are denoted by 

a dagger symbol † placed next to the estimate. 

GST is also applicable on the buyer’s premium. 

Overseas buyers and buyers non-resident in Australia 

will not be charged GST on both hammer price and 

premiums under the following conditions: 

1. The items are exported through a Gibson’s 

Auctioneers & Valuers approved freight 

company including Australia Post 

2. The items are exported within 60 days of the 

date of the sale 

The invoice supplied by Gibson’s Auctioneers & 

Valuers for purchases will be regarded as a Tax 

invoice for GST purposes. 

14. Resale Royalty Scheme 

Under the legal obligations of the Resale Royalty 

Scheme for Visual Artists Act 2009, sellers must 

provide the following information to comply with 

the act: 

• was the artwork acquired after 8 June 2010? 

• is the sale/reserve price (including GST) $1,000 

or more? 

• is the artist from Australia or a country listed in 

the Regulations to the Act? 

• is the artist alive, or deceased less than 70 

years? 

The seller: 

i) acknowledges that he or she understands his or 

her legal obligations under the Resale Royalty for 

Visual Artists Act 2009 (the Act); 

ii) 

iii) 

iv) 

undertakes to comply with all requirements of 

the Act, including by providing its agent, the 

company, with accurate information sufficient for 

compliance with sections 28 and 29 of the Act; 

undertakes to indemnify the company for any 

loss incurred by the company as a result of 

the vendor’s failure to comply with any of the 

vendor’s legal obligations under the Act; and 

acknowledges that if he or she fails to comply 

with any of his or her legal obligations under 

the Act, the company may provide the vendor’s 

name and contact details to Copyright Agency 

Limited (CAL). 

Lots subject to payment of the Resale Royalty 

Scheme will be denoted by the §. The Australian 

Resale Royalty is a flat rate of 5% on the hammer 

price (including GST). The Australian Resale Royalty 

is payable by the seller in addition to the buyers 

premium plus any applicable GST. 

15. Jewels & Watches 

GEMSTONES 

Gemstones have historically been subjected to a 

variety of treatments to enhance their appearance. 

Sapphire and rubies are routinely heat treated to 

improve their colour and clarity, similarly emeralds 

are frequently treated with oils or resin for the same 

purpose. Other treatments such as staining or dyeing, 

irradiation, filling or coating may have been used 

on other precious and semi-precious gemstones 

and organic material. These treatments may be 

permanent, whilst others may need special care to 

preserve their appearance. Buyers should assume 

that each lot has been subject to some form of 

treatment and that the estimates reflect this. 

A number of laboratories issue certificates that 

give detailed descriptions of gemstones, and in 

the event that Gibson’s Auctioneers & Valuers has 

been supplied with or obtained certificates for any 

lot, this shall be noted in the catalogue. However, 

as there may not be consensus between different 

laboratories on the degree, or types of treatment 

of the gemstones, Gibson’s Auctioneers & Valuers 

supplies these without warranty. 

Buyers should assume that all gemstones sold by 

Gibson’s Auctioneers & Valuers may have been 

subjected to such treatments, and that the catalogue 

estimates reflect this. 

PEARLS 

Pearls, like gemstones, are also subject to various 

treatments. Buyers should assume that any pearls 

sold by Gibson’s Auctioneers & Valuers may have 

been subjected to such treatments, and that the 

catalogue estimates reflect this. 

WATCHES 

Please note: All watches sold by Gibson’s 

Auctioneers & Valuers are sold on an “as is” 

basis. Gibson’s Auctioneers & Valuers makes no 

representation or warranty that any watch is in 

working order. Many watches have been repaired 

over their lifetime and may contain non-original parts. 

The absence of any reference to the condition of a 

watch does not imply that the lot is in good condition 

and without defects, repairs or restorations. Buyers 

should be aware that a general service, change of 

battery or further repair work, for which the Buyer is 

solely responsible for, may be necessary. 

ESTIMATED WEIGHTS 

If a stone has a known weight, it has been weighed 

out of the mount. If a stone has an estimated weight, 

it is an approximate weight only and has been 

measured by us in the mount and is a statement of 

opinion only. The information is given as a guide only 

and Buyers should satisfy themselves with regard to 

this information as to its accuracy.

Lot 100 (Detail)

GA022 - Interiors

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