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| ARTIST<br />
N<br />
PROFILE<br />
Jason<br />
Towne<br />
BY JEFF AL-MASHAT<br />
ew York Times theater critic Brooks Atkinson, who is probably<br />
more well known today for the Manhattan theater that bears his<br />
name than for his writings, wrote, “Real art is illumination, it adds<br />
stature to life.”<br />
There are many grand things that can be said about San Luis<br />
Obispo’s Jason Towne’s artwork, but associating it with a theatrical<br />
quote seems most appropriate. The work is visual, but it straddles<br />
both performance art and installation.<br />
Towne makes drawings and paintings. Some are geometrical shapes;<br />
others are simple squares of florescent paint on florescent paper.<br />
His magic is in his presentation, where he posts them together on<br />
walls in an almost 19th-century, salon-style arrangement. He then<br />
projects light, along with filters of additional shapes, on to them.<br />
The result is a shimmering, immersive experience that fills the entire<br />
room. Simply having the light spill upon the viewers draws them<br />
into the story in the same way that one gets pulled into a play or<br />
concert, or even a great film. Towne layers different music into the<br />
experience to add another dimension.<br />
“I am looking to create a glowing ambient journey,” says Towne.<br />
“I want people to take away an uplifting feeling that stays with<br />
them.” The execution of his presentation is important, but<br />
illuminating the viewer’s mind is really what it is about for Towne.<br />
“I want people to look to the future when we can gather again and<br />
experience things together.”<br />
Simply visiting his webpage at artbyjasontowne.com will give you a<br />
taste of the excitement associated with his work. The still image on<br />
his homepage alone will light up a phone or computer screen, but<br />
it seems like it has the power to light up whatever space it is being<br />
viewed in.<br />
He is a self-taught painter, but trained as a graphic designer, which<br />
Towne credits for his ability to know the mechanics of putting his<br />
grand presentations together. Figurative<br />
painter Francis Bacon is among his<br />
influences, but there are also nods to<br />
conceptual artists like Jenny Holzer’s<br />
thought-provoking projections on<br />
public spaces, as well as pioneering<br />
multi-media artist Nam June Paik’s<br />
massive video projects.<br />
His post-pandemic plans are to take<br />
the experience to large spaces that will<br />
include multiple musicians and possibly<br />
opportunities for audience members<br />
to get involved and make their own<br />
drawings that become part of the<br />
exhibition. <strong>SLO</strong> <strong>LIFE</strong><br />
JEFF AL-MASHAT is a<br />
writer and visual artist with<br />
an MFA in painting from<br />
Georgia State University. He<br />
lives in Grover Beach.<br />
40 | <strong>SLO</strong> <strong>LIFE</strong> MAGAZINE | APR/MAY <strong>2021</strong>