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Having established Toots and<br />
the Maytals in 1961 he worked<br />
in the music industry for close<br />
to seven decades. His entry<br />
on the scene in the 1960s was meteoric<br />
as he immediately caught the attention of<br />
the industry and listeners alike and scored<br />
some of Jamaica’s early international hits<br />
including “Sweet and Dandy”, “Take Me<br />
Home Country Roads”, “Monkey Man”, “54-<br />
a pioneer<br />
46”, “Peeping Tom”.<br />
of reggae and its<br />
evolutionary genres...<br />
Toots was globally recognised as a pioneer of reggae and<br />
its evolutionary genres, ska and rocksteady which have<br />
not only been covered by famous foreign singers and<br />
bands but have contributed to the development of other<br />
modern genres. Toots was also credited with, if not<br />
naming reggae, being the first to use the word in<br />
the title of a song – the 1968 composition, “Do the<br />
Reggay”. He performed and collaborated with many<br />
international artistes including Willie Nelson<br />
and the Rolling Stones. He performed in<br />
some 60 countries in the continents<br />
of Africa, Europe, Australia, North and<br />
South America.<br />
Toots was recognised for his<br />
outstanding career winning the 2004<br />
Reggae Grammy, for the album True<br />
Love and his latest album, Got to<br />
be Tough, released on August<br />
28 has been nominated for<br />
the <strong>2021</strong> Grammy Awards. In<br />
2010 Rolling Stone Magazine<br />
included him in their “100<br />
Greatest Singers of All Time”<br />
list with his ranking at 71. In<br />
2012 he was awarded the<br />
Order of Jamaica.<br />
14<br />
Jamaica Jazz and Blues<br />
salutes the incomparable<br />
Toots Hibbert!<br />
The <strong>2021</strong> Jamaica<br />
Jazz & Blues Team