Volume 26 Issue 7 - May and June 2021
Meet some makers (of musical things) - a live filmed operatic premiere of a Handel oratorio?; 20 years of Summer Music in the Garden, short documentary film A Concerto is a Conversation; choirs Zooming in to keep connection live; a watershed moment for bridging the opera/musical theatre divide; and more than 100 recordings listened to and reviewed since the last time.
Meet some makers (of musical things) - a live filmed operatic premiere of a Handel oratorio?; 20 years of Summer Music in the Garden, short documentary film A Concerto is a Conversation; choirs Zooming in to keep connection live; a watershed moment for bridging the opera/musical theatre divide; and more than 100 recordings listened to and reviewed since the last time.
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MODERN AND CONTEMPORARY<br />
To Anatolia – Selections from the Turkish<br />
Five<br />
Beyza Yazgan<br />
Bridge Records 9549 (bridgerecords.com/<br />
collections/catalog-all)<br />
! A love letter<br />
to Anatolia (Asia<br />
Minor), this album<br />
introduces young<br />
artist Beyza Yazgan,<br />
a Turkish pianist<br />
now based in<br />
New York. Yazgan<br />
expresses immense<br />
pride for her heritage <strong>and</strong> gentle longing for<br />
her homel<strong>and</strong> through a wonderful selection<br />
of piano pieces by a group of 20th-century<br />
composers known as the Turkish Five. She<br />
also includes her own illustrations <strong>and</strong><br />
detailed liner notes on Turkish music traditions,<br />
thus making this album even more<br />
personal.<br />
Yazgan’s interpretation of these compositions<br />
is simply lovely. Her heartfelt approach<br />
brings out beautiful colours from gentle <strong>and</strong><br />
melancholic pieces. On the other h<strong>and</strong>, she<br />
engages masterfully with complex rhythms<br />
in more percussive compositions, making her<br />
performance well balanced <strong>and</strong> charming.<br />
The Turkish Five – Ahmet Adnan Saygun,<br />
Ferid Alnar, Ulvi Cemal Erkin, Necil Kazim<br />
Akses <strong>and</strong> Cemal Reşit Rey – transformed the<br />
music of their time by introducing Western<br />
compositional styles <strong>and</strong> forms <strong>and</strong> blending<br />
them with rhythms <strong>and</strong> modes of traditional<br />
Turkish folk music <strong>and</strong> dances. Just<br />
as Anatolia itself has been the l<strong>and</strong> of many<br />
cultures <strong>and</strong> flavours, so is the music on this<br />
album. From the beautifully atmospheric<br />
Little Shepherd by Erkin <strong>and</strong> feet-stomping<br />
Horon by Reşit Rey, to the elegant Zeybek<br />
Dance by Alnar, the pieces tell stories of the<br />
unique <strong>and</strong> rich music heritage of this l<strong>and</strong>,<br />
its people <strong>and</strong> customs.<br />
Ivana Popovic<br />
Alex<strong>and</strong>er Mosolov – Symphony No.5; Harp<br />
Concerto<br />
Taylor Ann Fleshman; Moscow Symphony<br />
Orchestra; Arthur Arnold<br />
Naxos 8.574102 (naxosdirect.com/<br />
search/8574102)<br />
! Russian<br />
composer<br />
Alex<strong>and</strong>er Mosolov<br />
(1900-1973) was<br />
active in the<br />
early Soviet era,<br />
<strong>and</strong> his artistic<br />
voice sits somewhere<br />
between<br />
Shostakovich <strong>and</strong> Prokofiev. The latest<br />
recording of director Arthur Arnold <strong>and</strong> the<br />
Moscow Symphony Orchestra is a dedicated<br />
release of the lesser-known composer’s Fifth<br />
Symphony <strong>and</strong> Harp Concerto. In the former,<br />
never performed during the composer’s lifetime,<br />
Arnold <strong>and</strong> the Moscow Symphony<br />
deliver the work with subtle musicianship<br />
<strong>and</strong> crisp articulation – aspects that<br />
are needed to execute the contrasting three<br />
movements.<br />
Mosolov’s Harp Concerto is a delicate <strong>and</strong><br />
beautiful work in four movements that takes<br />
the listener on a journey from contemplative<br />
sustained atmospheres in the first movement,<br />
through a mysterious Nocturne, to<br />
a charming Gavotte, <strong>and</strong> finally a flashy<br />
Toccata. Harpist Taylor Ann Fleshman’s technique<br />
<strong>and</strong> phrasing are outst<strong>and</strong>ing in this<br />
performance. Her captivating interpretation<br />
leaves no doubt that this work deserves a<br />
lasting place in the harp concerto repertoire.<br />
It is always nice to encounter an effort to<br />
keep lesser-known composers’ music alive –<br />
Arnold <strong>and</strong> the Moscow Symphony certainly<br />
make a strong case for increased future<br />
performances of Mosolov’s music.<br />
Adam Scime<br />
Frank Horvat – Music for Self-Isolation<br />
Various Artists<br />
Centrediscs CMCCD-28521<br />
(cmccanada.org/shop/cd-cmccd-28521)<br />
! Early in<br />
the COVID-19<br />
p<strong>and</strong>emic, Toronto<br />
composer <strong>and</strong><br />
pianist Frank<br />
Horvat observed<br />
fellow musicians<br />
struggling<br />
to cope with loss,<br />
precarity triggered by cancelled gigs <strong>and</strong> the<br />
strain of isolation. Wondering how to effectively<br />
respond, his answer: write new compositions<br />
to counter self-isolation. Thus, during<br />
the spring of 2020 he composed 31 short classical-style<br />
pieces, shared immediately with<br />
the international community on social media.<br />
They were an instant hit. Numerous performance<br />
videos were posted on the Internet <strong>and</strong><br />
Horvat made plans to record them on the<br />
album Music for Self-Isolation at Toronto’s<br />
Roy Thomson Hall. The session wrapped the<br />
day before Ontario’s stay-at-home order came<br />
into force on January 14, <strong>2021</strong>. The album also<br />
includes the ensemble composition Together<br />
in Spirit, using overdubbing technology to<br />
effectively bring together the 22 talented<br />
musicians who played solos <strong>and</strong> duos on the<br />
other tracks of Music for Self-Isolation.<br />
Part two of the album comprises eight<br />
nuanced The Idea of North-style audio documentaries<br />
titled P<strong>and</strong>emic Stories. These<br />
layered monologues, each by a different<br />
musician, are deeply personal stories about<br />
impacted careers <strong>and</strong> lives during the<br />
p<strong>and</strong>emic, accompanied by Horvat’s instrumental<br />
music. The aim: to present “the hopes,<br />
dreams <strong>and</strong> fears,” of each musician, <strong>and</strong><br />
their views on the arts <strong>and</strong> culture sector, “in<br />
order to heal <strong>and</strong> move forward together.”<br />
Taking the two sections together – the 32<br />
music miniatures <strong>and</strong> eight audio reports –<br />
the 40-track Music for Self-Isolation offers<br />
accessible, soothing music, plus international<br />
voices of resilience during this time of plague.<br />
The album reminds us that music is among<br />
the most mysterious <strong>and</strong> highest order of<br />
human skills.<br />
Andrew Timar<br />
#4<br />
Andrzej Pietrewicz<br />
Independent (soundcloud.com/<strong>and</strong>rzejpietrewicz/sets/4a-1/s-h6vzdD1KKYM)<br />
! Andrzej<br />
Pietrewicz is an<br />
independent musician,<br />
small instrumental<br />
ensemble<br />
composer <strong>and</strong><br />
producer based<br />
in Port Credit,<br />
near Toronto. His<br />
unique inspirational<br />
compositional <strong>and</strong> performing sound makes<br />
this six original-song, self-produced-during-<br />
COVID-lockdown creation, unforgettable!<br />
Pietrewicz clearly has a comprehensive<br />
technical underst<strong>and</strong>ing of diverse musical<br />
genres such as Baroque, jazz, blues, folk, classical<br />
<strong>and</strong> contemporary. He draws on this<br />
knowledge to develop his own vibrant sound<br />
performed here by talented instrumentalists<br />
on piano, strings, percussion, guitar, winds,<br />
programming <strong>and</strong>, in the closing track,<br />
vocalists.<br />
Multi-instrumental track 1 is a great introduction<br />
to his music, combining quasiorchestral<br />
tonal sounds with modern touches<br />
such as interval jumps <strong>and</strong> tweeting bird-like<br />
piano sounds. The faster, happier track 2 with<br />
its rhythmic piano interval patterns, instrumental<br />
held notes, simultaneous tonal/<br />
modern effects <strong>and</strong> high-pitched woodwind<br />
sounds creates a musical pre/post-COVID<br />
sunny warm spring day for me!<br />
Track 3, with a nod to Baroque keyboard<br />
music, yet so modern day in tonality, moves<br />
from the contrapuntal mood-changing<br />
opening lines to subtle dissonant intervals,<br />
steady rhythms <strong>and</strong> detailed phrasing,<br />
performed with sensitivity, passion <strong>and</strong> hope<br />
by the composer. Nice addition of singers<br />
Nacre, Timbre, Laura <strong>and</strong> Caroline Joy Clarke<br />
to track 6 as their high pitches alternating<br />
with tight string, flute <strong>and</strong> piano parts create<br />
a captivating positive soundscape.<br />
This is uplifting, joyous, beautiful music to<br />
be enjoyed over <strong>and</strong> over again.<br />
Tiina Kiik<br />
thewholenote.com <strong>May</strong> <strong>and</strong> <strong>June</strong> <strong>2021</strong> | 41