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Ksenia Korotkova Portfolio and final project 2021 at Marbella Design Academy

"Secret Garden" is mainly inspired by the gardens of Rococo times where people used to spend most of their time playing, dating or meeting with their lovers secretly. The gardens used to be giant with a lot of trees and corners to hide. Mysterious spots of the garden inspired me to use black color as the main color for my collection combined with white for the contrast. Silhouettes and prints of the Rococo dresses are also taken into consideration. Marbella Design Academy - Spain - Founded 1995 - Tuition in English - BA (Hons) in Fashion Design & Manufacture validated programme by the University of Bedfordshire https://www.designschool.com/fashion-design/

"Secret Garden" is mainly inspired by the gardens of Rococo times where people used to spend most of their time playing, dating or meeting with their lovers secretly.
The gardens used to be giant with a lot of trees and corners to hide. Mysterious spots of the garden inspired me to use black color as the main color for my collection combined with white for the contrast.
Silhouettes and prints of the Rococo dresses are also taken into consideration.

Marbella Design Academy - Spain - Founded 1995 - Tuition in English - BA (Hons) in Fashion Design & Manufacture validated programme by the University of Bedfordshire

https://www.designschool.com/fashion-design/

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KSENIA KOROTKOVA<br />

SECRET GARDEN<br />

Secret Garden collection is inspired by the giant Gardens of the Rococo<br />

times where people used to spend most of their time playing, d<strong>at</strong>ing or<br />

meeting with their lovers secretly. Romantic but mysterious Collection<br />

consist of six total looks <strong>and</strong> 10 garments <strong>and</strong> is made of rich silky fabrics<br />

<strong>and</strong> floral prints complemented with black decor<strong>at</strong>ive stones.<br />

/SECRET GARDEN<br />

one


the<br />

CONCEPT<br />

Secret Garden is mainly inspired by the<br />

gardens of Rococo times where people used<br />

to spend most of their time playing, d<strong>at</strong>ing<br />

or meeting with their lovers secretly. The<br />

gardens used to be giant with a lot of trees<br />

<strong>and</strong> corners to hide. Mysterious spots of the<br />

garden inspired me to use black color as<br />

the main color for my collection combined<br />

with white for the contrast. Silhouettes <strong>and</strong><br />

prints of the Rococo dresses are also taken<br />

in the concider<strong>at</strong>ion.<br />

two


the<br />

INSPIRATION<br />

‘’Garden is where the secrets live.’’ The<br />

collection is mainly inspired by the giant<br />

gardens. P<strong>at</strong>terns of the collection are<br />

inspired by the trees <strong>and</strong> flowers <strong>and</strong> the<br />

colorboard is inspired by the dark spots of<br />

the garden. Romantic vibes of the collection<br />

are taken from the couples hiding in the<br />

corners.<br />

three


the<br />

MOODBOARD


twenty<br />

LINE UP


JACQUARD<br />

polyester 100%<br />

CREPE SATIN<br />

polyester 100%<br />

CREPE SATIN<br />

polyester 100%<br />

TWILL<br />

polyester 67%, viscose 33%<br />

POPLIN<br />

polyester 65%, cotton 35%<br />

POPLIN<br />

polyester 65%, cotton 35%<br />

TAFFETA<br />

polyester 100%<br />

<strong>final</strong><br />

OUTFITS


KSENIA KOROTKOVA<br />

SECRET GARDEN<br />

LOOK<br />

one<br />

seven


KSENIA KOROTKOVA<br />

SECRET GARDEN<br />

LOOK<br />

two<br />

eight


KSENIA KOROTKOVA<br />

SECRET GARDEN<br />

LOOK<br />

three<br />

nine


KSENIA KOROTKOVA<br />

SECRET GARDEN<br />

LOOK<br />

four<br />

ten


KSENIA KOROTKOVA<br />

SECRET GARDEN<br />

LOOK<br />

five<br />

eleven


KSENIA KOROTKOVA<br />

SECRET GARDEN<br />

LOOK<br />

six<br />

twelve


KSENIA KOROTKOVA<br />

SECRET GARDEN<br />

the cre<strong>at</strong>ion<br />

PROCESS<br />

thirteen


KSENIA KOROTKOVA<br />

SECRET GARDEN<br />

the<br />

/PHOTO SHOOT<br />

fourteen


KSENIA KOROTKOVA<br />

SECRET GARDEN<br />

fifteen


KSENIA KOROTKOVA<br />

SECRET GARDEN<br />

sixteen


KSENIA KOROTKOVA<br />

SECRET GARDEN<br />

seventeen


KSENIA KOROTKOVA<br />

SECRET GARDEN<br />

eighteen


KSENIA KOROTKOVA<br />

SECRET GARDEN<br />

nineteen


KSENIA KOROTKOVA<br />

SECRET GARDEN<br />

twenty


KSENIA KOROTKOVA<br />

SECRET GARDEN<br />

twenty one


KSENIA KOROTKOVA<br />

SECRET GARDEN<br />

twenty two


KSENIA KOROTKOVA<br />

DECONSTRUCTION<br />

The Ancient Greek temple known as the Parthenon has long since been<br />

considered a gre<strong>at</strong> illustr<strong>at</strong>ion of the ideal <strong>and</strong> Classical architectural<br />

construction. This could simply be <strong>at</strong>tributed to the fact th<strong>at</strong> during the<br />

Classical period of Greek art, symmetry <strong>and</strong> balance were essential,<br />

which can easily be seen in the structure of the temple.<br />

Deconstruction is the concept of this <strong>project</strong>, so I wanted to devi<strong>at</strong>e<br />

from the rules of Greek symmetry <strong>and</strong> do something asymmetrical but<br />

just as “perfect” <strong>and</strong> perfectly balanced.<br />

DECONSTRUCTION<br />

twenty three


KSENIA KOROTKOVA DECONSTRUCTION<br />

the<br />

INSPIRATION<br />

My inspir<strong>at</strong>ion for this <strong>project</strong> came from<br />

ancient Greek architecture <strong>and</strong> st<strong>at</strong>ues.<br />

I tried to concentr<strong>at</strong>e on the lines of the<br />

columns, curves of the arches, <strong>and</strong> shapes<br />

of the famous st<strong>at</strong>ue Venus De Milo.<br />

twenty four


KSENIA KOROTKOVA DECONSTRUCTION<br />

the<br />

MOODBOARD<br />

twenty five


KSENIA KOROTKOVA<br />

DECONSTRUCTION<br />

preliminary<br />

SKETCHES<br />

twenty six


KSENIA KOROTKOVA<br />

DECONSTRUCTION<br />

<strong>final</strong><br />

SKETCH<br />

twenty seven


KSENIA KOROTKOVA<br />

DECONSTRUCTION<br />

the cre<strong>at</strong>ion<br />

PROCESS<br />

My research began by analyzing three<br />

simple button-up shirts <strong>and</strong> experimenting<br />

with different ways to arrange them on the<br />

mannequin <strong>and</strong> deconstructing each one<br />

until I found an interesting shape.<br />

twenty eight


KSENIA KOROTKOVA<br />

DECONSTRUCTION<br />

the<br />

PHOTOSHOOT<br />

Choosing the studio with the clear<br />

backround, layered with some texture, let<br />

me focus on the smallest details of the shirt,<br />

which would appear more readable in the<br />

photos.<br />

twenty nine


KSENIA KOROTKOVA<br />

KSENIA DECONSTRUCTION<br />

KOROTKOVA


KSENIA KOROTKOVA/WHITE CAMELIA<br />

WHITE CAMELIA<br />

A Russian folktale tells of a peasant couple without children.<br />

A miracle occurs one day, when a snow sculpture magically<br />

comes to life to become their daughter. Snegurochka brought<br />

lots of joy to her parents but she didn’t live a long life. She was<br />

challenged by the village children to jump over the bonfire<br />

where she melted.<br />

In a similar folktale, the play by Aleks<strong>and</strong>r Ostrovsky in the<br />

19th century depicted a young beauty as the daughter of her<br />

f<strong>at</strong>her Frost <strong>and</strong> mother Spring. She was immortal <strong>and</strong> lived in<br />

her f<strong>at</strong>her’s winter forest. Snegurochka was lonely <strong>and</strong> would<br />

happily give up her immortality for the ability to feel love like<br />

normal humans. Her mother Spring gave her th<strong>at</strong> gift of being<br />

capable of loving. As soon as she fell in love she melted <strong>at</strong> dawn<br />

when the sun touched her <strong>and</strong> turned her into a cloud.<br />

These two similar stories inspired me to cre<strong>at</strong>e a collection<br />

mixing winter <strong>and</strong> spring.<br />

thirty one


KSENIA KOROTKOVA<br />

WHITE CAMELIA<br />

the<br />

INSPIRATION<br />

I took my inspir<strong>at</strong>ion from the traditional<br />

white dress of Snegurochka, frozen plants<br />

<strong>and</strong> the snowy trees.<br />

thirty two


KSENIA KOROTKOVA<br />

WHITE CAMELIA<br />

the<br />

MOODBOARD<br />

thirty three


KSENIA KOROTKOVA<br />

WHITE CAMELIA<br />

<strong>final</strong><br />

SKETCHES<br />

thirty four


KSENIA KOROTKOVA<br />

WHITE CAMELIA<br />

the cre<strong>at</strong>ion<br />

PROCESS<br />

I started experimenting with puffy sleeves<br />

to cre<strong>at</strong>e th<strong>at</strong> Russian traditional look.<br />

thirty five


KSENIA KOROTKOVA<br />

WHITE CAMELIA<br />

the<br />

PHOTOSHOOT<br />

The photo shoot was captured <strong>at</strong> a place<br />

with rocks, the cold feeling of a rock, <strong>and</strong><br />

some fresh bushes <strong>and</strong> plants to give a hint<br />

of spring.<br />

thirty six


KSENIA KOROTKOVA<br />

WHITE CAMELIA


KSENIA KOROTKOVA<br />

BLUE TREASURE<br />

/BLUE TREASURE<br />

Gustav Klimt (July 14, 1862 – February 6, 1918)<br />

was an Austrian symbolist painter <strong>and</strong> one of<br />

the most prominent members of the Vienna<br />

Secession movement. Klimt is noted for his<br />

paintings, murals <strong>and</strong> sketches. His primary<br />

subject was the female body, <strong>and</strong> his works<br />

are marked by a frank eroticism.<br />

Klimt’s works were most often considered too<br />

sensual for the mores of the 20th century.<br />

Some of his paintings were criticized for their<br />

radical themes <strong>and</strong> m<strong>at</strong>erial, <strong>and</strong> were called<br />

“pornographic”.<br />

This collection is inspired by the colors of<br />

Klimt’s paintings <strong>and</strong> his obsession with<br />

female bodies.<br />

My aim was to show the most important thing;<br />

the body of a woman, complimenting it with<br />

feminine shapes <strong>and</strong> framing the silhouette.<br />

thirty eight


KSENIA KOROTKOVA<br />

BLUE TREASURE<br />

the<br />

INSPIRATION<br />

Inspir<strong>at</strong>ion for my collection came from the<br />

paintings of Gustav Klimt. I settled on the<br />

color scheme from which I used blue <strong>and</strong><br />

golden tones.<br />

thirty nine


KSENIA KOROTKOVA<br />

BLUE TREASURE<br />

the<br />

MOODBOARD<br />

fourty


KSENIA KOROTKOVA<br />

BLUE TREASURE<br />

<strong>final</strong><br />

SKETCH<br />

fourty one


KSENIA KOROTKOVA<br />

BLUE TREASURE<br />

the cre<strong>at</strong>ion<br />

PROCESS<br />

I started from the g<strong>at</strong>hering technique <strong>and</strong><br />

the way I wanted it to be placed. I wanted<br />

my belt to be corset-like so I began to drape<br />

it around the mannequin.<br />

fourty two


KSENIA KOROTKOVA<br />

BLUE TREASURE<br />

the<br />

PHOTOSHOOT<br />

For the photo shoot I found a loc<strong>at</strong>ion from<br />

the same century th<strong>at</strong> the Klimt paintings<br />

were cre<strong>at</strong>ed in. I intended it to have a feel<br />

of an ancient place so it would go with my<br />

concept.<br />

fourty three


KSENIA KOROTKOVA<br />

KSENIA BLUE KOROTKOVA<br />

TREASURE<br />

fourty four


KSENIA KOROTKOVA/A LITTLE DREAM<br />

A LITTLE DREAM<br />

Indian culture has always inspired me, especially<br />

their two-piece dresses with open backs. Women<br />

would always wear lots of head pieces <strong>and</strong> jewelry.<br />

For this <strong>project</strong>, I wanted to cre<strong>at</strong>e a wedding<br />

gown <strong>and</strong> jewelry set inspired by Indian culture.<br />

Since I’m from Europe, I decided to combine these<br />

two cultures <strong>and</strong> cre<strong>at</strong>e an outst<strong>and</strong>ing dress.<br />

fourty five


KSENIA KOROTKOVA<br />

A LITTLE DREAM<br />

the<br />

MOODBOARD<br />

My inspir<strong>at</strong>ion came from Indian traditional<br />

dresses <strong>and</strong> jewelry. I wanted to combine<br />

those with European plain design <strong>and</strong> color.<br />

fourty six


KSENIA KOROTKOVA<br />

A LITTLE DREAM<br />

<strong>final</strong><br />

SKETCH<br />

fourty seven


KSENIA KOROTKOVA<br />

A LITTLE DREAM<br />

the cre<strong>at</strong>ion<br />

PROCESS<br />

Initially, I started with the long skirt. After I<br />

achieved the desired design, I moved on to<br />

the top part <strong>and</strong> its princess line.<br />

fourty eight


KSENIA KOROTKOVA<br />

A LITTLE DREAM<br />

the<br />

PHOTOSHOOT<br />

The loc<strong>at</strong>ion I chose for the photoshoot<br />

was the countryside since this is one of the<br />

styles of European weddings.<br />

fourty nine


KSENIA KOROTKOVA<br />

A LITTLE DREAM<br />

the<br />

JEWELRY<br />

The jewelry was made from pearls since<br />

pearls are usually worn as wedding jewelry<br />

in Europe. I designed a headpiece th<strong>at</strong> was<br />

influenced by the headpieces in India. I built<br />

a pair of earrings <strong>and</strong> a brooch with the<br />

same pearls.


KSENIA KOROTKOVA/FASHION<br />

TEXTILE & COLORS<br />

FASHION TEXTILE & COLORS<br />

fifty one


KSENIA KOROTKOVA<br />

COLORBOARD · SAPPHIRE BLUE<br />

colorboard f/w 20/21<br />

SAPPHIRE BLUE<br />

Calm <strong>and</strong> flowing saphire blue turns towards<br />

a more feminine look. The deep tone of<br />

saphire blue works well with swe<strong>at</strong>ers <strong>and</strong><br />

silky dresses. It perfectly interprets simplicity<br />

<strong>and</strong> elegance with its deep temperament.<br />

fifty two


KSENIA KOROTKOVA<br />

COLORBOARD · PURPLE LAVENDER<br />

colorboard f/w 20/21<br />

PURPLE<br />

LAVENDER<br />

Purple has long been a polarizing color<br />

among the fashion set, but it’s staging a<br />

triumphant comeback in dark shades this<br />

season. Purple hit the fall 2020 runways in<br />

dress, co<strong>at</strong> <strong>and</strong> evenng wear form.<br />

fifty three


KSENIA KOROTKOVA<br />

COLORBOARD · LIGHT CAMEL<br />

colorboard f/w 20/21<br />

LIGHT CAMEL<br />

Winter is the season for neutral colours <strong>and</strong><br />

Camel has been making a huge st<strong>at</strong>ement<br />

for the perfect winter colour.<br />

This desert, s<strong>and</strong> colour is a light beige. It is<br />

clean, classy, timeless <strong>and</strong> elegant paired<br />

with gold accessories.<br />

fifty four


KSENIA KOROTKOVA<br />

COLOR TRENDS · PINK FLAMINGO<br />

color fashion panel trends s/s 20<br />

PINK FLAMINGO<br />

The main color in SS/20, pink in all its<br />

beautiful shades can’t be ignored this<br />

Pre-Fall. To bring the best impact, use<br />

pink flamingo in head-to-toe looks, mixing<br />

plain fabrics together with prints, or woven<br />

fabrics with silky ones.<br />

fifty five


KSENIA KOROTKOVA<br />

COLOR TRENDS · GREEN TEA<br />

color fashion panel trends s/s 20<br />

GREEN TEA<br />

Shades of green tea are coming to make<br />

a dominant st<strong>at</strong>ement this Pre-Summer.<br />

Consider wearing head-to-toe looks to<br />

make an invigor<strong>at</strong>ing st<strong>at</strong>ement, especially<br />

when used in both day- <strong>and</strong> nightwear.<br />

fifty six


KSENIA KOROTKOVA<br />

COLOR PALETTE<br />

color palette<br />

TROPICAL<br />

ISLANDS<br />

Fun filled rainbow palettes of block colors th<strong>at</strong> bring<br />

modernity through mid-tone brights. Varied hues are<br />

achieved through mixed m<strong>at</strong>erial densities. Key colours sky<br />

blue <strong>and</strong> pineapple yellow add to a positive <strong>and</strong> fresh start<br />

for 2020.<br />

fifty seven


KSENIA KOROTKOVA<br />

COLOR PALETTE · NIGHT SKY BLUE<br />

s/s 20<br />

NIGHT SKY<br />

BLUE<br />

The combin<strong>at</strong>ion of bright fabrics <strong>and</strong><br />

bold accessories makes the fashion trend<br />

turn towards the more delic<strong>at</strong>e <strong>and</strong> sexy<br />

feminine style. Night sky blue combined with<br />

wild orange <strong>and</strong> soft gray makes anything<br />

possible.<br />

fifty eight


KSENIA KOROTKOVA<br />

COLOR PALETTE · SILKY PURPLE<br />

s/s 20<br />

SILKY<br />

PURPLE<br />

The free will <strong>and</strong> wild vitality drives the use<br />

of m<strong>at</strong>erials with rich surface textures <strong>and</strong><br />

luxurious touch. Yellow <strong>and</strong> silky purple<br />

is beautifully paired with neutral colors<br />

such as hazelnut beige. This contrasting<br />

combin<strong>at</strong>ion is perfect to st<strong>and</strong> out.<br />

fifty nine


KSENIA KOROTKOVA<br />

COLOR PALETTE · DEEP DARK BLUE<br />

s/s 20<br />

DEEP DARK<br />

BLUE<br />

Blooming flowers <strong>and</strong> n<strong>at</strong>ural fibers cre<strong>at</strong>e<br />

the new aesthetics to release the primitive<br />

temperament of body <strong>and</strong> exude the<br />

n<strong>at</strong>ural beauty. Fresh mint <strong>and</strong> bright pink<br />

are popping out when combining with<br />

deep dark blue. These colours work well for<br />

fancy summer eveningwear.<br />

sixty


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