Animals Are Us: Anthropomorphism in Children’s Literature; Celebrating the Peter J. Solomon Collection

Why do we tell stories to children through and about animals? Are there reasons why we shouldn’t? Animals Are Us invites explores these questions and more through influential historic examples of anthropomorphism in dialogue with contemporary books drawn from the collection of Peter J. Solomon (Harvard College Class of 1960, MBA 1963) and the holdings of Houghton Library.  The exhibition invites you to engage critically with animal anthropomorphism, and delight in the artfulness of this enduring literary genre. Catalog of an exhibition on view at Houghton Library, Harvard University, September 1, 2021 - January 7, 2022. Why do we tell stories to children through and about animals? Are there reasons why we shouldn’t? Animals Are Us invites explores these questions and more through influential historic examples of anthropomorphism in dialogue with contemporary books drawn from the collection of Peter J. Solomon (Harvard College Class of 1960, MBA 1963) and the holdings of Houghton Library.  The exhibition invites you to engage critically with animal anthropomorphism, and delight in the artfulness of this enduring literary genre.

Catalog of an exhibition on view at Houghton Library, Harvard University, September 1, 2021 - January 7, 2022.

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50 L. Frank Baum (American, 1856–1919, author) W. W. Denslow (American, 1856–1915, illustrator) The Wonderful Wizard of Oz Chicago, New York: G. M. Hill Co., 1900 22 x 18 cm Houghton Library, Typ 970.00.1950 Gift of Philip Hofer, date unknown Anthropomorphism in The Wonderful Wizard of Oz spans the animal (the Cowardly Lion), the vegetable (the Scarecrow), and the mineral (the Tin Woodman). Over fifty cinematic versions of the various Oz books exist, but the 1939 movie starring Judy Garland brought cult status to the original publication and its author. Recently, L. Frank Baum’s prominence in American literature has diminished due to his 1890s editorials advocating the genocide of all Native Americans. Whether his reputation suffers irrevocably has yet to be seen. 92

51 A. A. Milne (British, 1882–1956, author) Ernest H. Shepard (British, 1879–1976, illustrator) Winnie-the-Pooh London: Methuen & Co., Ltd., 1926 23 x 19 cm Houghton Library, EC9.M6357.926wa Gift of William B. Osgood Field, 1944 Milne was inspired by the stuffed animals of his son Christopher Robin to weave this beloved narrative. Stuffed animals universally embody a young child’s tenuous distinction between fact and fantasy, and the bonds between Christopher Robin and Pooh are powerful and endearing. Disney expressed interest in acquiring the rights as early as 1938 but didn’t succeed until 1961. The first animated Pooh film appeared in 1966, and a host of them have followed. 93

50<br />

L. Frank Baum (American, 1856–1919, author)<br />

W. W. Denslow (American, 1856–1915, illustrator)<br />

The Wonderful Wizard of Oz<br />

Chicago, New York: G. M. Hill Co., 1900<br />

22 x 18 cm<br />

Houghton Library, Typ 970.00.1950<br />

Gift of Philip Hofer, date unknown<br />

<strong>Anthropomorphism</strong> <strong>in</strong> The Wonderful Wizard of Oz spans <strong>the</strong> animal<br />

(<strong>the</strong> Cowardly Lion), <strong>the</strong> vegetable (<strong>the</strong> Scarecrow), and <strong>the</strong> m<strong>in</strong>eral<br />

(<strong>the</strong> T<strong>in</strong> Woodman). Over fifty c<strong>in</strong>ematic versions of <strong>the</strong> various Oz<br />

books exist, but <strong>the</strong> 1939 movie starr<strong>in</strong>g Judy Garland brought cult<br />

status to <strong>the</strong> orig<strong>in</strong>al publication and its author. Recently, L. Frank<br />

Baum’s prom<strong>in</strong>ence <strong>in</strong> American literature has dim<strong>in</strong>ished due to<br />

his 1890s editorials advocat<strong>in</strong>g <strong>the</strong> genocide of all Native Americans.<br />

Whe<strong>the</strong>r his reputation suffers irrevocably has yet to be seen.<br />

92

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