Animals Are Us: Anthropomorphism in Children’s Literature; Celebrating the Peter J. Solomon Collection
Why do we tell stories to children through and about animals? Are there reasons why we shouldn’t? Animals Are Us invites explores these questions and more through influential historic examples of anthropomorphism in dialogue with contemporary books drawn from the collection of Peter J. Solomon (Harvard College Class of 1960, MBA 1963) and the holdings of Houghton Library. The exhibition invites you to engage critically with animal anthropomorphism, and delight in the artfulness of this enduring literary genre. Catalog of an exhibition on view at Houghton Library, Harvard University, September 1, 2021 - January 7, 2022.
Why do we tell stories to children through and about animals? Are there reasons why we shouldn’t? Animals Are Us invites explores these questions and more through influential historic examples of anthropomorphism in dialogue with contemporary books drawn from the collection of Peter J. Solomon (Harvard College Class of 1960, MBA 1963) and the holdings of Houghton Library. The exhibition invites you to engage critically with animal anthropomorphism, and delight in the artfulness of this enduring literary genre.
Catalog of an exhibition on view at Houghton Library, Harvard University, September 1, 2021 - January 7, 2022.
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William B. Osgood Field; John McAndrew (Class of 1924)<br />
and his wife Betty McAndrew; and Bayard Liv<strong>in</strong>gston Kilgour<br />
(Class of 1927) and his spouse Kate Gray Kilgour. Thus, <strong>the</strong>re<br />
is no better way to celebrate a new era <strong>in</strong> Houghton’s history<br />
than <strong>the</strong> exquisite marriage of <strong>the</strong> library’s legendary hold<strong>in</strong>gs<br />
with <strong>the</strong> superb collection of <strong>Peter</strong> J. and Susan <strong>Solomon</strong>.<br />
figure 5. Jerry P<strong>in</strong>kney. “A few m<strong>in</strong>utes later Sam and Sam<br />
came back with Miss Cat, Mr. Elephant, Brer Rabbit, Mrs.<br />
Monkey, Mr. Giraffe, Brer Fox, and Brer Wolf,” from Sam and <strong>the</strong><br />
Tigers: A New Tell<strong>in</strong>g of Little Black Sambo.<br />
Substance, quality, and controversy (framed by<br />
<strong>in</strong>tellectual discourse) have raised <strong>the</strong> reputation of children’s<br />
books s<strong>in</strong>ce <strong>the</strong> 1980s. Consequently, all <strong>the</strong> books <strong>in</strong> this<br />
exhibition are important. <strong>Children’s</strong> books have ga<strong>in</strong>ed hardearned<br />
respect and, whe<strong>the</strong>r geared to <strong>the</strong> young reader/<br />
listener, <strong>the</strong> beg<strong>in</strong>n<strong>in</strong>g reader, or <strong>the</strong> more advanced reader,<br />
<strong>the</strong>y are <strong>the</strong> portal to extraord<strong>in</strong>ary realms. As Tony Kushner<br />
wrote <strong>in</strong> tribute to Maurice Sendak, “<strong>Children’s</strong> literature<br />
makes us fall <strong>in</strong> love with books and we never recover—we are<br />
doomed.” 20<br />
This exhibition, as any exhibition, presents only a<br />
sampl<strong>in</strong>g, whe<strong>the</strong>r personal or <strong>in</strong>stitutional. Houghton Library<br />
is fortunate, <strong>in</strong>deed, that through <strong>the</strong> years it has been guided<br />
by prescient curators, such as Philip Hofer, Eleanor M. Garvey,<br />
Anne Ann<strong>in</strong>ger, and Hope Mayo, among o<strong>the</strong>rs. Likewise,<br />
<strong>the</strong> library has been embraced by generous collectors, such as<br />
notes<br />
1 See Kaitl<strong>in</strong> Buckley, “A New Vision for Houghton Library,” The Harvard<br />
Gazette, January 14, 2019, https://news.harvard.edu/gazette/story/2019/01/anew-vision-for-harvards-houghton-library/;<br />
Annie C. Doris and Sahana G.<br />
Sr<strong>in</strong>ivasan, “Donor’s <strong>Collection</strong> of <strong>Children’s</strong> <strong>Literature</strong> Sparks Houghton<br />
Library Renovations to Increase Accessibility,” The Harvard Crimson, January 25,<br />
2019, https://www.<strong>the</strong>crimson.com/article/2019/1/25/houghton-renovationsaccessibility/;<br />
and Jacob Sweet, “‘A Sense of Belong<strong>in</strong>g’: A Renovation to Make<br />
Houghton Library ‘Open to All,’” Harvard Magaz<strong>in</strong>e, May–June 2019, https://<br />
harvardmagaz<strong>in</strong>e.com/2019/05/houghton-renovation-renewal.<br />
2 Just<strong>in</strong> G. Schiller, “Bibliophiles <strong>in</strong> <strong>the</strong> Nursery: The Gradual Legitimacy of<br />
Collect<strong>in</strong>g Rare <strong>Children’s</strong> Books,” <strong>in</strong> One Hundred Books Famous <strong>in</strong> <strong>Children’s</strong><br />
<strong>Literature</strong>, ed. Jill Shefr<strong>in</strong> (New York: The Grolier Club, 2014), 27–32.<br />
3 Howard Pyle to Peveril Meigs, May 8, 1909, Archives of <strong>the</strong> Delaware Art<br />
Museum.<br />
4 This <strong>in</strong>formation was provided by Just<strong>in</strong> G. Schiller, a key figure <strong>in</strong> help<strong>in</strong>g<br />
build Mr. <strong>Solomon</strong>’s collection, <strong>in</strong> an email to <strong>the</strong> author, May 31, 2020.<br />
5 Hope Mayo, “The Edward Lear <strong>Collection</strong> at Harvard University,” Harvard<br />
Library Bullet<strong>in</strong> 22, nos. 2–3 (2012): 69–124. For a substantive account of Philip<br />
Hofer’s life and career, see William Bent<strong>in</strong>ck-Smith, “Pr<strong>in</strong>ce of <strong>the</strong> Eye: Philip<br />
Hofer and <strong>the</strong> Harvard Library,” Harvard Library Bullet<strong>in</strong> 32, no. 4 (Fall 1984):<br />
317–347. For aspects of his collection, see Eleanor M. Garvey’s <strong>in</strong>troduction <strong>in</strong> A<br />
Catalogue of an Exhibition of The Philip Hofer Bequest <strong>in</strong> <strong>the</strong> Department of Pr<strong>in</strong>t<strong>in</strong>g<br />
and Graphic Arts (Cambridge, Massachusetts: Harvard College Library, 1988).<br />
6 Just<strong>in</strong> G. Schiller, email to <strong>the</strong> author, May 5, 2020.<br />
7 Ibid.<br />
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