Animals Are Us: Anthropomorphism in Children’s Literature; Celebrating the Peter J. Solomon Collection

Why do we tell stories to children through and about animals? Are there reasons why we shouldn’t? Animals Are Us invites explores these questions and more through influential historic examples of anthropomorphism in dialogue with contemporary books drawn from the collection of Peter J. Solomon (Harvard College Class of 1960, MBA 1963) and the holdings of Houghton Library.  The exhibition invites you to engage critically with animal anthropomorphism, and delight in the artfulness of this enduring literary genre. Catalog of an exhibition on view at Houghton Library, Harvard University, September 1, 2021 - January 7, 2022. Why do we tell stories to children through and about animals? Are there reasons why we shouldn’t? Animals Are Us invites explores these questions and more through influential historic examples of anthropomorphism in dialogue with contemporary books drawn from the collection of Peter J. Solomon (Harvard College Class of 1960, MBA 1963) and the holdings of Houghton Library.  The exhibition invites you to engage critically with animal anthropomorphism, and delight in the artfulness of this enduring literary genre.

Catalog of an exhibition on view at Houghton Library, Harvard University, September 1, 2021 - January 7, 2022.

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16 Attributed to Oliver Goldsmith (Irish, 1728–1774, compiler) Mother Goose’s Melody; or Sonnets for the Cradle Boston: S. Hall, 1800 10 x 7 cm Houghton Library, Typ 870.00.5815 Gift of the Peter and Susan Solomon Family Foundation, 2020 By the mid-eighteenth century, Mother Goose had achieved widespread renown with a shifting focus from fairy tales to nursery rhymes. In 1786, American publisher Isaiah Thomas introduced John Newbery’s pioneering Mother Goose book, in a child-friendly size, to the American market to great success. This version provides new illustrations, infusing a greater degree of active and visually complex anthropomorphism; the human physiognomy of the moon and the cat’s fiddle performance underscore their human attributes. 50

17 Sarah Catherine Martin (British, 1768–1826, author-illustrator) The Comic Adventures of Mother Hubbard and Her Dog London: J. Harris, 1805 13 x 10 cm Houghton Library, Typ 805.05.5607 Gift of Peter J. Solomon, 2020 Sarah Martin did not invent this story, but she augmented three existing verses, embellishing them with illustrations. Speaking to the strong bond between person and pet, Martin endowed the dog with amusing activities ranging from reading the paper to spinning yarn. The adept marketing skills of John Harris—successor to John Newbery, pioneering publisher of children’s books—created an instant bestseller of “Old Mother Hubbard.” Harris recognized that playful books outsold evangelical tracts. 51

16<br />

Attributed to Oliver Goldsmith (Irish, 1728–1774, compiler)<br />

Mo<strong>the</strong>r Goose’s Melody; or Sonnets for <strong>the</strong> Cradle<br />

Boston: S. Hall, 1800<br />

10 x 7 cm<br />

Houghton Library, Typ 870.00.5815<br />

Gift of <strong>the</strong> <strong>Peter</strong> and Susan <strong>Solomon</strong> Family Foundation,<br />

2020<br />

By <strong>the</strong> mid-eighteenth century, Mo<strong>the</strong>r Goose had achieved<br />

widespread renown with a shift<strong>in</strong>g focus from fairy tales to<br />

nursery rhymes. In 1786, American publisher Isaiah Thomas<br />

<strong>in</strong>troduced John Newbery’s pioneer<strong>in</strong>g Mo<strong>the</strong>r Goose book,<br />

<strong>in</strong> a child-friendly size, to <strong>the</strong> American market to great<br />

success. This version provides new illustrations, <strong>in</strong>fus<strong>in</strong>g a<br />

greater degree of active and visually complex anthropomorphism;<br />

<strong>the</strong> human physiognomy of <strong>the</strong> moon and <strong>the</strong> cat’s fiddle<br />

performance underscore <strong>the</strong>ir human attributes.<br />

50

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