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Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

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In the midst of<br />

this unseemly rabble the words Caesarem <strong>and</strong> honorem seem incongruous.<br />

They help to give a sense of noble, devoted servants of the emperor caught<br />

up in this group. The impression is undone by the vague <strong>and</strong> promiscuous<br />

aut varios usus that follows it. <strong>Tacitus</strong> may have had in mind the so-called<br />

Augustiani – a special group of young men formed by Nero some years<br />

previously, to follow him, flatter him <strong>and</strong> applaud his performances: ‘All<br />

great performers had their own claques (fautores histrionum) to cheer them<br />

on <strong>and</strong> to whip up the audience <strong>with</strong> elaborate rhythmic chants <strong>and</strong> h<strong>and</strong>clapping.<br />

It was at his private Juvenile Games, celebrated in 59, that Nero<br />

first introduced his Augustiani, Roman knights in their prime who made<br />

both day <strong>and</strong> night ring <strong>with</strong> applause <strong>and</strong> praise of Nero’s godlike beauty<br />

<strong>and</strong> voice. ... By the time Nero first appeared in public in Naples, in 64,<br />

these Roman knights were backed by some 5,000 hardy plebeian youths.<br />

They were divided into groups, factiones, to learn the different elaborate<br />

forms of clapping (imported from Alex<strong>and</strong>ria) – “the buzzings,” “the<br />

tiles,” “the bricks” – by which Nero had been captivated <strong>and</strong> which they<br />

performed vigorously when he sang.’ 122 (What, do you think, did ‘the<br />

buzzings’, ‘the tiles’, <strong>and</strong> ‘the bricks’ sound like?) They would have been<br />

amongst this group, <strong>and</strong> the frequentative verb sectantur (‘keep following<br />

around’, ‘follow in the train of’) suggests their fawning attendance on the<br />

emperor.<br />

The preposition per has a causal sense here.<br />

honestum (‘the honourable’) <strong>and</strong> utile (‘the advantageous’) are two key<br />

concepts in (philosophical) ethics, extensively discussed in (for instance)<br />

Cicero’s de Officiis.<br />

etiam militum m etiam (‘even’) <strong>and</strong> the delay of this group<br />

to the end of the long list, makes clear that the soldiers’ presence was<br />

the most shocking: Nero has enlisted soldiers (most likely members of<br />

the Praetorian guard) to join his fan-club in the theatre <strong>and</strong> to cheer<br />

him on. The maniple was a company in the Roman army, numbering<br />

two centuries (i.e. about 120 men in total). Here it is plural (manipuli),<br />

indicating that Nero took a very sizeable number of soldiers <strong>with</strong> him.<br />

Their presence, stressed by the alliteration, the etiam <strong>and</strong> their final<br />

122 Champlin (2003) 59–60. See Suetonius, Nero 20.3 <strong>and</strong> <strong>Annals</strong> 14.15.

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