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Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

Tacitus, Annals, 15.20­-23, 33­-45. Latin Text, Study Aids with Vocabulary, and Commentary, 2013a

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Then a sudden transition in narrative registers occurs. With the first word<br />

of the set text (exim), we join the senate meeting, in which this decree came<br />

to pass, <strong>and</strong> witness the next item on the agenda in ‘real time’ (as it were):<br />

the lawsuit against the Cretan power-broker Claudius Timarchus. From<br />

then on we we get a blow-by-blow account of the proceedings <strong>and</strong> are even<br />

treated to a direct speech from the Stoic Thrasea Paetus (20.3–21.4). This<br />

meeting of the senate, which suddenly comes to life, is the last event of AD<br />

62 that <strong>Tacitus</strong> reports in detail. As such it harks back to how his account<br />

of the year began at 14.48: also <strong>with</strong> a lawsuit <strong>and</strong> a meeting of the senate<br />

in which the same figure starred as here – Thrasea Paetus. For a proper<br />

appreciation of 15.20–22, <strong>and</strong> in particular its protagonist, we therefore<br />

need to know of this earlier occasion – which we accordingly discuss at<br />

some length in our Introduction (see section 6).<br />

Chapter 20<br />

20.1 Exim Claudius Timarchus Cretensis reus agitur, ceteris criminibus<br />

ut solent praevalidi provincialium et opibus nimiis ad iniurias minorum<br />

<br />

dictitasset in sua potestate situm an pro consulibus qui Cretam<br />

obtinuissent grates agerentur.<br />

The section consists of two sentences:<br />

a. exim ... elati;<br />

b. una ... agerentur.<br />

They feature more or less parallel syntax: in each case, a main clause (exim<br />

... agitur; una ... penetraverat) is followed by a sequence of subordinate<br />

clauses. In thematic terms, however, the design is obliquely asymmetrical.<br />

The first main clause sets up the entire scene, whereas the second main<br />

clause harks back not to the first main clause (its apparent syntactic<br />

counterpart) but to the subordinate constructions that follow it: una vox<br />

correlates antithetically <strong>with</strong> ceteris criminibus. The design downplays the<br />

generalizing cetera crimina: they are awkwardly tagged on in an ablative<br />

absolute <strong>and</strong> further elaborated in an elliptical ut-clause, in contrast to the<br />

one specific vox, which is the subject <strong>and</strong> in first position. S<strong>and</strong>wiched as<br />

they are between two main clauses that lead from the introduction of the<br />

defendant to the one offence (the una vox) that brought him to the attention<br />

of the senate, they are syntactically glossed over.

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