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Last of the Red Hot Lovers Playbill

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Director's Note<br />

One should never make one’s debut with a scandal.<br />

should reserve that to give an interest to one’s old age.<br />

One<br />

– Oscar Wilde<br />

When my Aunt Molly invited me to her 90th birthday party, <strong>the</strong> invitation read “please come to my<br />

“special birthday” and I asked why she used <strong>the</strong> word “special” to which she replied “I have a<br />

gentleman friend who doesn’t know how old I am”.<br />

From <strong>the</strong> earliest recorded comedies, <strong>the</strong> central <strong>the</strong>me in comedy has been sexual infidelity or <strong>the</strong><br />

withholding <strong>of</strong> sex as in Aristophanes’ “Lysistrata” (411 BC) or <strong>the</strong> Roman comedies <strong>of</strong> Plautus,<br />

Terence, Seneca, <strong>the</strong> Younger or Livius Andronicus. How does that play through <strong>the</strong> twenty-first<br />

century lens <strong>of</strong> <strong>the</strong> “Me Too Movement” and <strong>the</strong> redefining <strong>of</strong> gender and gender roles?<br />

Despite <strong>the</strong> fact that you’ll never hear <strong>the</strong> word “binary” or “empowerment” in this play, I find <strong>the</strong><br />

text amazingly current. The affair that Barney aspires to is less about sex and more to do with<br />

mortality.<br />

“Couldn’t I just once give in to my fantasies…I wanted to know what it was like with ano<strong>the</strong>r woman…<br />

a thousand questions that I’d never know <strong>the</strong> answer to if suddenly my name were in <strong>the</strong> obituary<br />

column tomorrow morning.”<br />

Our nation has lived through <strong>the</strong> sex scandals <strong>of</strong> our leaders from Bill Clinton to Donald Trump to <strong>the</strong><br />

point that it is no longer surprising. Why do people behave in a way that is hurtful to someone <strong>the</strong>y<br />

supposedly love? What are <strong>the</strong>y looking for?<br />

This production uses two comic actors at <strong>the</strong> top <strong>of</strong> <strong>the</strong>ir game to answer that question. We have <strong>the</strong><br />

same actor in three <strong>of</strong> <strong>the</strong> female roles to suggest that Barney goes out with <strong>the</strong> same woman over<br />

and over again. Finally, he decides that his wife is <strong>the</strong> woman he wants in his secret fantasy room.<br />

Neil Simon writes with wisdom and compassion. His brilliance derives from drawing characters based<br />

on human weakness that informed <strong>the</strong> work <strong>of</strong> Shakespeare, Moliere and <strong>the</strong> lazzi <strong>of</strong> commedia del<br />

arte.<br />

After a year and a half <strong>of</strong> shuttering our doors, we could all use a communal laugh. It is said that<br />

laughter reduces tension and lowers one’s blood pressure. The very act <strong>of</strong> laughing pushes one’s head<br />

back and creates distance – we celebrate <strong>the</strong> dichotomy <strong>of</strong> distance bringing us closer toge<strong>the</strong>r.<br />

- Roy Steinberg, Director

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