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Boxoffice Pro—Q4 2021

Boxoffice Pro is the official publication of the National Association of Theatre Owners

Boxoffice Pro is the official publication of the National Association of Theatre Owners

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As someone who has experience both<br />

running an art house theater and on<br />

the festival circuit (as the executive<br />

director of the Sedona International<br />

Film Festival), what are some lessons<br />

that the art house world can take<br />

from how film festivals create unique<br />

experiences?<br />

People are thirsty for so much more now.<br />

There’s a new streaming service popping<br />

up every single day, much to the chagrin<br />

of us theater owners and managers.<br />

Ultimately, we love that streaming<br />

services exist. There’s a great market for<br />

that. As long as people are experiencing<br />

films, they should experience them any<br />

way they can. But for us, getting people<br />

to have that communal experience in<br />

a theater surrounded by other movie<br />

lovers and having that opportunity for<br />

conversation—that’s what it’s all about. It<br />

enriches the experience.<br />

That’s what I would love to impart to<br />

all our colleagues, from the megaplex to<br />

other art house theaters. That experience<br />

is so appreciated by your audience. It<br />

takes going to the movies to the next<br />

level. And it’s something that is so easy<br />

to do, especially now—you can dial up a<br />

“It’s this wonderful, eclectic,<br />

artsy, cultural mix. We’re very<br />

proud that our own members<br />

have labeled us the ‘cultural<br />

heart of Sedona,’ because<br />

we really want people to<br />

experience that.”<br />

filmmaker or someone affiliated with the<br />

film for almost every screening and have<br />

that enhanced experience. And people<br />

go away talking about it. You don’t get<br />

that when you’re watching a movie on<br />

your laptop at home or on the TV at home.<br />

Number one, you don’t get that communal<br />

experience of seeing a film on the big<br />

screen in the dark, the way they’re meant<br />

to be experienced, surrounded by other<br />

people. And then having that conversation.<br />

Even if there’s not a conversation from<br />

a filmmaker at the end of the film, just<br />

hearing what’s happening in the lobby.<br />

As people leave, the conversations and<br />

the dialogue that happens is absolutely<br />

magical. To be able to take that experience<br />

and make it not just, in our case, the nine<br />

days of our festival but a 365-day-a-year<br />

experience is something really quite<br />

extraordinary.<br />

Given that you’re such an integral<br />

part of the cultural community in<br />

Sedona, what have you found to be<br />

the best ways to maintain strong<br />

communication with your customers,<br />

pre-Covid, during the shutdown<br />

period, and now?<br />

Q4 <strong>2021</strong><br />

25<br />

22-26_Indie-Influencers.indd 25 16/09/<strong>2021</strong> 11:32

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