Glade on the Border | Opera Gallery Seoul | 6 - 21 Oct. 2021
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GLADE ON<br />
THE BORDER<br />
An Ec-stasy from Truth and Will<br />
KANG SUKHO | KIM DEOKHAN | LEE EUNKYUNG<br />
경계의 열린 터<br />
(LICHTUNG):<br />
진리와 의지로부터의 엑스타시
GLADE ON<br />
THE BORDER<br />
An Ec-stasy from Truth and Will<br />
<strong>Oct</strong>. 6 th (Wed) – <strong>21</strong> st (Thu) 20<strong>21</strong><br />
KANG SUKHO | KIM DEOKHAN | LEE EUNKYUNG<br />
경계의 열린 터<br />
(LICHTUNG):<br />
진리와 의지로부터의 엑스타시<br />
10월 6일 (수) – <strong>21</strong>일 (목) 20<strong>21</strong>
FOREWORD<br />
<str<strong>on</strong>g>Glade</str<strong>on</strong>g> <strong>on</strong> <strong>the</strong> <strong>Border</strong>: An Ec-stasy from Truth and Will<br />
<strong>Opera</strong> <strong>Gallery</strong> <strong>Seoul</strong> is pleased to present <str<strong>on</strong>g>Glade</str<strong>on</strong>g> <strong>on</strong> <strong>the</strong> <strong>Border</strong>: An Ec-stasy from Truth<br />
and Will, an exhibiti<strong>on</strong> by Sukho Kang, Deokhan Kim, and Eunkyung Lee. This exhibiti<strong>on</strong><br />
promotes Korean artists selected through <strong>the</strong> first ‘<strong>Opera</strong> <strong>Gallery</strong> Artist Open Call’. The<br />
three selected artists invite visitors to a world of infinite possibilities with <strong>the</strong>ir highly<br />
completed works.<br />
Sukho Kang, Deokhan Kim, and Eunkyung Lee use methods of expressi<strong>on</strong> based <strong>on</strong> atypical<br />
and c<strong>on</strong>tingent factors such as nature, time, and single-momentum senses. Their approach<br />
presents new views that are immune to both <strong>the</strong> assailment of <strong>the</strong> human civilisati<strong>on</strong>s’<br />
collective ego pursuing absolute truth and <strong>the</strong> individual ego of <strong>the</strong> artist chasing after<br />
free will.<br />
The Ec-stasy presented in comm<strong>on</strong> by <strong>the</strong> three artists could be named as “middleness.”<br />
Acting as intermediaries or channelers, <strong>the</strong> artists do not put <strong>the</strong>mselves forth as <strong>the</strong><br />
subjects (<strong>the</strong> performers) of <strong>the</strong>ir artistic practice, but nei<strong>the</strong>r do <strong>the</strong>y retreat entirely<br />
to <strong>the</strong> positi<strong>on</strong> of <strong>the</strong> object. Beings of middleness — <strong>the</strong> realm outside activeness and<br />
passiveness, between cosmos and chaos — <strong>the</strong> artists have placed <strong>the</strong>ir works <strong>on</strong> a glade.<br />
Meaning, while every work of art is an incident devised by <strong>the</strong> artist, <strong>the</strong> works could remain<br />
safe from being privatised by <strong>the</strong> artist or <strong>the</strong> viewers, and <strong>the</strong>ir meanings unsca<strong>the</strong>d<br />
from <strong>the</strong> collective and <strong>the</strong> individual egos. C<strong>on</strong>sequently, middleness is elevated to an<br />
entirely new realm instead of being an accommodative, neutral world. From <strong>the</strong>re, we will<br />
encounter possibilities that are larger and more diverse than ever before.<br />
<strong>Opera</strong> <strong>Gallery</strong> <strong>Seoul</strong> is thrilled to showcase <strong>the</strong> works of three talented artists and invite<br />
you to discover <strong>the</strong> Korean emerging art scene.<br />
Gilles Dyan<br />
Founder and Chairman<br />
<strong>Opera</strong> <strong>Gallery</strong> Group<br />
Yo<strong>on</strong>ju Kim<br />
Director<br />
<strong>Opera</strong> <strong>Gallery</strong> <strong>Seoul</strong><br />
5
서문<br />
<br />
오페라 갤러리 서울은 강석호, 김덕한, 이은경 작가의 전시 를 개최합니다. 이번 전시는 한국 미술시장의 질적 성장과 글로벌 네트워크를<br />
활용한 한국 작가들의 활동을 장려하기 위해 개최된 첫 ‘오페라 갤러리 아티스트 오픈콜’로 공모를 통해<br />
모집된 작가들 중 현대미술의 흐름에 걸맞은 작업관을 가지고 활동하는 작가 최종 3인을 선정해 기획한<br />
전시입니다. 오페라 갤러리는 세 작가의 완성도 높은 작품 세계를 소개하고, 이들이 그려내는 무한한<br />
가능성의 세계로 관람객들을 초대하고자 합니다.<br />
이번 오페라 갤러리의 전시에 소개된 세 작가의 작품은 모두 계산과 통제를 통한 필연적 결과가<br />
아닌 비정형의 우연적 요인들―자연, 시간, 일회적 감각 등―에 의거한 표현법을 사용합니다. 이러한<br />
창작방식은 진리를 향한 인간문명의 집단적 자아와 자유의지를 향한 작가의 개체적 자아, 그것들에<br />
함몰되지 않는 새로운 바깥 풍경을 보여주고 있습니다.<br />
이들이 공통적으로 제시하는 ec-stasy는 중동( 中 動 )이라는 새로운 위치로 명명할 수 있을 것입니다.<br />
이들 작가들은 작품행위의 주체로서 자신을 전면에 내세우지 않으며, 완전한 객체로 물러서지도 않는<br />
중개자이자 매개자입니다. 코스모스와 카오스의 사이에 존재하는, 능동( 能 動 )과 피동( 被 動 )의 바깥에<br />
위치한 중동( 中 動 )적 존재로서 작품을 열린 터(Lichtung)에 위치시킵니다. 그렇기에 작품이라는 사건은<br />
파편화된 주체인 작가와 독자에게 사유화되지 않으며, 의미 역시 집단과 개인에 침식되지 않습니다.<br />
이때, 중동은 타협적·중도적 세계가 아니라 완전히 새로운 세계로 제시됩니다. 우리는 이 공간에서 더욱<br />
크고 다양한 가능성들과 마주하게 될 것입니다.<br />
오페라 갤러리 서울은 이번 전시가 무한한 잠재력을 가진 세 명의 재능 있는 예술가들의 작품을 통해<br />
한국의 떠오르는 예술 현장을 발견하는 신선한 경험으로써 여러분들에게 전달될 수 있기를 기대합니다.<br />
오페라갤러리 그룹 회장<br />
질 디앙<br />
오페라갤러리 서울 디렉터<br />
김윤주<br />
7
8<br />
KANG SUKHO<br />
강석호
Trans-Society #22 (Book)<br />
2015<br />
Book, plexiglass, stainless steel, wood<br />
40 x 18 x 39.6 cm | 15.7 x 7 x 15.6 in<br />
10 11
Trans-Society #4 (Book)<br />
2015<br />
Book, acrylic, stainless steel, wood<br />
42 x 41.3 x 31 cm | 16.5 x 16.3 x 12.2 in<br />
Trans-Society #15 (Book)<br />
2014<br />
Book, acrylic, stainless steel, wood<br />
38.9 x 42.4 x 42.4 cm | 15.3 x 16.7 x 16.7 in<br />
12 13
Trans-Society #14 (Book)<br />
2015<br />
Book, plexiglass, stainless steel<br />
16.8 x 10.6 x 23.1 cm | 6.6 x 4.2 x 9.1 in<br />
14
Grow #20<strong>21</strong>-30<br />
20<strong>21</strong><br />
Acrylic <strong>on</strong> cott<strong>on</strong><br />
Ø 20 cm | 7.9 in<br />
Grow #20<strong>21</strong>-03<br />
20<strong>21</strong><br />
Acrylic <strong>on</strong> canvas<br />
Ø 18 cm | 7.1 in<br />
16 17
Summer #20<strong>21</strong>-01<br />
20<strong>21</strong><br />
Acrylic <strong>on</strong> cott<strong>on</strong><br />
Ø 20 cm | 7.9 in<br />
Grow #20<strong>21</strong>-06<br />
20<strong>21</strong><br />
Acrylic <strong>on</strong> cott<strong>on</strong><br />
Ø 18 cm | 7.1 in<br />
18 19
Grow #2019-07<br />
2019<br />
Acrylic <strong>on</strong> cott<strong>on</strong><br />
16.2 x 22.1 cm | 6.4 x 8.7 in<br />
Grow #2019-06<br />
2019<br />
Acrylic <strong>on</strong> cott<strong>on</strong><br />
16.2 x 22.9 cm | 6.4 x 9 in<br />
20 <strong>21</strong>
Grow #20<strong>21</strong>-13<br />
20<strong>21</strong><br />
Acrylic <strong>on</strong> cott<strong>on</strong><br />
29 x 29 cm | 11.4 x 11.4 in<br />
Trans-Society #17-6<br />
2014<br />
Pigment print <strong>on</strong> cott<strong>on</strong> rag paper<br />
Editi<strong>on</strong> 1 of 10<br />
Type B: 72.7 x 55.2 cm | 28.6 x <strong>21</strong>.7<br />
22 23
Trans-Society #34-1<br />
2016<br />
Pigment print <strong>on</strong> cott<strong>on</strong> rag paper<br />
Editi<strong>on</strong> of 5 + 1 AP<br />
Type A: 116.8 x 67.1 cm | 46 x 26.4 in<br />
Trans-Society #34<br />
2016<br />
Pigment print <strong>on</strong> cott<strong>on</strong> rag paper<br />
Editi<strong>on</strong> of 5 + 1 AP<br />
Type A: 116.8 x 67.8 cm | 46 x 26.7 in<br />
24 25
Trans-Society #16<br />
2013<br />
Pigment print <strong>on</strong> cott<strong>on</strong> rag paper<br />
Editi<strong>on</strong> 1 of 10<br />
Type B: 53 x 44.2 cm | 20.9 x 17.4 in<br />
Trans-Society #26-1<br />
2014<br />
Pigment print <strong>on</strong> cott<strong>on</strong> rag paper<br />
Editi<strong>on</strong> 1 of 10<br />
Type B: 72.7 x 64.7 cm | 28.6 x 25.5 in<br />
26 27
Trans-Society #30<br />
2015<br />
Pigment print <strong>on</strong> cott<strong>on</strong> rag paper<br />
Editi<strong>on</strong> 2 of 5<br />
Type A: 162.2 x 124.4 cm | 63.9 x 49 in<br />
Trans-Society #18-3<br />
2015<br />
Pigment print <strong>on</strong> cott<strong>on</strong> rag paper<br />
Editi<strong>on</strong> 1 of 5<br />
Type A: 162.2 x 126.9 cm | 63.9 x 50 in<br />
28 29
Trans-Society #17-8<br />
2015<br />
Pigment print <strong>on</strong> cott<strong>on</strong> rag paper<br />
Editi<strong>on</strong> 1 of 10<br />
Type B: 53 x 40 cm | 20.9 x 15.7 in<br />
Trans-Society #17-9<br />
2015<br />
Pigment print <strong>on</strong> cott<strong>on</strong> rag paper<br />
Editi<strong>on</strong> 1 of 10<br />
Type B: 53 x 41 cm | 20.9 x 16.1 in<br />
30 31
KANG SUKHO (b. 1980)<br />
강 석 호 (b. 1980)<br />
EDUCATION<br />
2011 M.F.A Painting, Department of Fine Arts, Chung-Ang University<br />
2004 B.F.A Painting, Department of Fine Arts, Chung-Ang University<br />
학력<br />
2011 중앙대학교 일반대학원 서양화학과 졸업(석사)<br />
2004 중앙대학교 예술대학 서양화학과 졸업(학사)<br />
SELECTED SOLO EXHIBITIONS<br />
2020 Trans-Society Project, E-Land <strong>Gallery</strong>, <strong>Seoul</strong>, Korea<br />
2018 Deep Mind – Revive Project, Kimreeaa <strong>Gallery</strong> Chungdam, <strong>Seoul</strong>, Korea<br />
2018 Trans-Society Project, <strong>Gallery</strong> IT, Tokyo, Japan<br />
2017 Underlying C<strong>on</strong>texts: Undisclosed yet intertwined, Sal<strong>on</strong> de H, <strong>Seoul</strong>, Korea<br />
2016 God’s Realm – Desert, <strong>Gallery</strong> Irritum, Daegu, Korea<br />
2012 Trans-Society Project, <strong>Gallery</strong> Zeinxeno, <strong>Seoul</strong>, Korea<br />
2011 Hubris Disembodied, <strong>Gallery</strong> Bora, <strong>Seoul</strong>, Korea<br />
2009 Kang Sukho Solo Exhibiti<strong>on</strong>, <strong>Gallery</strong> Jung, <strong>Seoul</strong>, Korea<br />
주요 개인전<br />
2020 Trans-Society Project, 이랜드 갤러리, 서울<br />
2018 Deep Mind – Revive Project, 김리아갤러리 청담, 서울<br />
2018 Trans-Society Project, <strong>Gallery</strong> IT, 도쿄<br />
2017 내밀한 맥락, 갤러리 살롱드에이치, 서울<br />
2016 신의 영역-사막, 갤러리 이리툼, 대구<br />
2012 Trans-Society Project, 갤러리 자인제노, 서울<br />
2011 Hubris Disembodied, 갤러리 보라, 서울<br />
2009 강석호 개인전, 갤러리 정, 서울<br />
SELECTED GROUP EXHIBITIONS<br />
20<strong>21</strong> W<strong>on</strong>derful Days For All, <strong>Seoul</strong> Open City University East Campus, <strong>Seoul</strong>, Korea<br />
20<strong>21</strong> The World of Quantum, Ewha University Research Cooperati<strong>on</strong> Building, <strong>Seoul</strong>, Korea<br />
2018 Enlightened Mind - The Artists’ Way to Meditati<strong>on</strong>, Savina Museum, <strong>Seoul</strong>, Korea<br />
2017 D<strong>on</strong>g-gang C<strong>on</strong>temporary Artists Exhibiti<strong>on</strong>, D<strong>on</strong>g Gang Museum of Photography, Ye<strong>on</strong>gwol, Korea<br />
2016 Domestic Landscape of Twelve Houses, Jean <strong>Gallery</strong>, <strong>Seoul</strong>, Korea<br />
2015 Limited and C<strong>on</strong>diti<strong>on</strong>, Jean <strong>Gallery</strong>, <strong>Seoul</strong>, Korea<br />
2014 Start, Saatchi <strong>Gallery</strong>, L<strong>on</strong>d<strong>on</strong>, England<br />
2013 Pre-Drawing Biennale – Drawing, Birth of Thinking, Lee&Park <strong>Gallery</strong>, Paju, Korea<br />
주요 단체전<br />
20<strong>21</strong> 모두에게 멋진 날들, 서울자유시민대학 동남권캠퍼스, 서울<br />
2019 양자의 세계, 이화여자대학교 연구협력관, 서울<br />
2018 그리하여 마음이 깊어짐을 느낍니다 : 예술가의 명상법, 사비나미술관, 서울<br />
2017 동강현대작가 초대전, 영월동강사진박물관, 영월<br />
2016 열두 집의 거주풍경, 진화랑, 서울<br />
2015 한계와 조건, 진화랑, 서울, 대한민국<br />
2014 스타트, 사치갤러리, 런던, 영국<br />
2013 프레 드로잉 비엔날레-공모전>, 리 앤 박 갤러리, 파주<br />
32 33
34<br />
KIM DEOKHAN<br />
김덕한
Overlaid Series No. <strong>21</strong>-50-02<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> panel<br />
90 x 90 cm | 35.4 x 35.4 in<br />
Overlaid Series No. <strong>21</strong>-50-01<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> panel<br />
90 x 90 cm | 35.4 x 35.4 in<br />
36 37
Overlaid Series No. <strong>21</strong>-60-01<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> panel<br />
120 x 98 cm | 47.2 x 38.6 in<br />
Overlaid Series No. <strong>21</strong>-60-04<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> panel<br />
120 x 98 cm | 47.2 x 38.6 in<br />
38 39
Overlaid Series No. <strong>21</strong>-60-05<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> panel<br />
120 x 98 cm | 47.2 x 38.6 in<br />
Overlaid Series No. <strong>21</strong>-80-04<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> panel<br />
140 x 115 cm | 55.1 x 45.3 in<br />
40 41
Overlaid Series No. <strong>21</strong>-80-03<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> panel<br />
140 x 115 cm | 55.1 x 45.3 in<br />
Overlaid Series No. <strong>21</strong>-100-01<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> panel<br />
160 x 120 cm | 63 x 47.2 in<br />
42 43
Overlaid Series No. <strong>21</strong>-50-04<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> panel<br />
120 x 80 cm | 47.2 x 31.5 in<br />
Overlaid Series No. <strong>21</strong>-50-03<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> panel<br />
120 x 80 cm | 47.2 x 31.5 in<br />
44 45
Compressed Series <strong>21</strong>-01<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> stainless steel<br />
Ø 20 cm | 7.9 in<br />
Compressed Series <strong>21</strong>-02<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> stainless steel<br />
Ø 20 cm | 7.9 in<br />
46 47
Compressed Series <strong>21</strong>-03<br />
Compressed Series <strong>21</strong>-04<br />
Compressed Series <strong>21</strong>-05<br />
Compressed Series <strong>21</strong>-06<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> stainless steel<br />
Ø 20 cm | 7.9 in<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> stainless steel<br />
Ø 20 cm | 7.9 in<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> stainless steel<br />
Ø 20 cm | 7.9 in<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> stainless steel<br />
Ø 20 cm | 7.9 in<br />
48 49
Compressed Series <strong>21</strong>-07<br />
Compressed Series <strong>21</strong>-08<br />
Compressed Series <strong>21</strong>-09<br />
Compressed Series <strong>21</strong>-10<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> stainless steel<br />
Ø 20 cm | 7.9 in<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> stainless steel<br />
Ø 20 cm | 7.9 in<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> stainless steel<br />
Ø 20 cm | 7.9 in<br />
20<strong>21</strong><br />
Lacquer <strong>on</strong> stainless steel<br />
Ø 20 cm | 7.9 in<br />
50 51
KIM DEOKHAN (b.1981)<br />
김 덕 한 (b.1981)<br />
EDUCATION<br />
2015 M.F.A Myoungji University, Art c<strong>on</strong>servati<strong>on</strong> and restorati<strong>on</strong><br />
2009 B.F.A Pai Chai University, Korean traditi<strong>on</strong>al lacquering<br />
KOREAN Cultural Heritage Repair Technician – Lacquer<br />
학력<br />
2015 명지대학교 문화재보존관리학 석사 졸업<br />
2009 배재대학교 칠예과 학사 졸업<br />
문화재수리기능사 옻칠공 [문화재청]<br />
SELECTED SOLO EXHIBITIONS<br />
2020 Whitest<strong>on</strong>e <strong>Gallery</strong>, Taipei, Taiwan<br />
Leeungno Museum, Daeje<strong>on</strong>, Korea<br />
2019 CICA Museum, Gimpo, Korea<br />
2018 <strong>Gallery</strong> Palais de <strong>Seoul</strong>, <strong>Seoul</strong>, Korea<br />
2017 <strong>Gallery</strong> H, <strong>Seoul</strong>, Korea<br />
2016 <strong>Gallery</strong> Palais de <strong>Seoul</strong>, <strong>Seoul</strong>, Korea<br />
2014 First place 2014 Emerging Artist juried show, <strong>Gallery</strong> Palais de <strong>Seoul</strong>, <strong>Seoul</strong>, Korea<br />
주요 개인전<br />
2020 Whitest<strong>on</strong>e 갤러리, 타이페이, 대만<br />
이응노 미술관 M2, 대전<br />
2019 CICA 미술관, 김포<br />
2018 팔레드서울 갤러리, 서울<br />
2017 <strong>Gallery</strong> H, 서울<br />
2016 팔레드서울 갤러리, 서울<br />
2014 팔레드서울 갤러리, 서울<br />
SELECTED GROUP EXHIBITIONS<br />
20<strong>21</strong> Intermixture Vol.2, Whitest<strong>on</strong>e <strong>Gallery</strong>, H<strong>on</strong>g K<strong>on</strong>g<br />
2020 Painting and Existence: Chinese, Japanese and Korean Abstract Painting Travelling Exhibiti<strong>on</strong>, Tang C<strong>on</strong>temporary<br />
Art Beijing, Beijing, China<br />
2019 DAAM[담, 淡 ], Whitest<strong>on</strong>e <strong>Gallery</strong>, H<strong>on</strong>g K<strong>on</strong>g<br />
2018 SEEA (Special Exhibiti<strong>on</strong> for Emerging Artists) 2018, Se<strong>on</strong>gnam Art Center, Se<strong>on</strong>gnam, Korea<br />
2017 Korea-China Young Artist, Feng Zheng Jie studio, Jeju, Korea<br />
2016 Group exhibiti<strong>on</strong>, Artmora <strong>Gallery</strong>, New Jersey, United States<br />
2015 Infinite Chain Mechanism, Hanbyukw<strong>on</strong> <strong>Gallery</strong>, Korea<br />
주요 단체전<br />
20<strong>21</strong> Intermixture Vol.2, Whitest<strong>on</strong>e 갤러리, 홍콩<br />
2020 Painting and Existence: Chinese, Japanese and Korean Abstract Painting Travelling Exhibiti<strong>on</strong>,<br />
탕컨템포러리 갤러리, 베이징<br />
2019 담( 淡 ) 3인전, Whitest<strong>on</strong>e 갤러리, 홍콩<br />
2018 SEEA (Special Exhibiti<strong>on</strong> for Emerging Artists) 2018, 성남아트센터, 성남<br />
2017 한중 청년작가전, 펑정지에스튜디오, 제주<br />
2016 기획전, Artmora <strong>Gallery</strong>, 뉴저지<br />
2015 Infinite Chain Mechanism, 한벽원미술관, 서울<br />
52 53
54<br />
LEE EUNKYUNG<br />
이은경
물_Water<br />
2018<br />
Linen, rabbit skin glue, linseed oil, chalk, pigments, egg yolk<br />
190 x 100 cm | 74.8 x 39.4 in<br />
반_A Half<br />
2018<br />
Linen, rabbit skin glue, linseed oil, chalk, pigments, egg yolk<br />
180 x 140 cm | 70.9 x 55.1 in<br />
56 57
바질_Basil<br />
2018<br />
Linen, rabbit skin glue, linseed oil, chalk, pigments, egg yolk<br />
180 x 116 cm | 70.9 x 45.7 in<br />
반_A Half<br />
2018<br />
Linen, rabbit skin glue, linseed oil, chalk, pigments, egg yolk<br />
180 x 140 cm | 70.9 x 55.1 in<br />
58 59
데자뷰_Déjà vu<br />
2019<br />
Linen, rabbit skin glue, linseed oil, chalk, pigments, egg yolk<br />
116 x 180 cm | | 45.7 x 70.9 in<br />
60
물_Water<br />
2019<br />
Linen, rabbit skin glue, linseed oil, chalk, pigments, egg yolk<br />
30 x 40 cm | 11.8 x 15.7 in<br />
물_Water<br />
2019<br />
Linen, rabbit skin glue, linseed oil, chalk, pigments, egg yolk<br />
30 x 40 cm | 11.8 x 15.7 in<br />
62 63
물_Water<br />
2019<br />
Linen, rabbit skin glue, linseed oil, chalk, pigments, egg yolk<br />
30 x 40 cm | 11.8 x 15.7 in<br />
이해_Figuring out<br />
20<strong>21</strong><br />
Maple tree seed, styrofoam sphere, polyurethane foame<br />
24 x 24 x 36 cm | 9.4 x 9.4 x 14.2 in<br />
64 65
LEE EUNKYUNG (b.1983)<br />
이 은 경 (b.1983)<br />
EDUCATION<br />
2011 M.F.A Painting, The Slade School of Fine Art (UCL), L<strong>on</strong>d<strong>on</strong><br />
2008 B.F.A Painting, The College of Fine Arts, <strong>Seoul</strong> Nati<strong>on</strong>al University, <strong>Seoul</strong><br />
학력<br />
2011 슬래이드(UCL), 회화 석사 졸업, 런던<br />
2008 서울대학교 미술대학 서양화 학사 졸업<br />
SELECTED SOLO EXHIBITIONS<br />
2020 Placeholder, Place MAK, <strong>Seoul</strong>, Korea<br />
2017 The Mysterious C<strong>on</strong>tinuum, This Weekend Room, <strong>Seoul</strong>, Korea<br />
2016 The Quietude, Mallery MEME, <strong>Seoul</strong>, Korea<br />
2014 The Fragile, <strong>Gallery</strong> DOS, <strong>Seoul</strong>, Korea<br />
2012 Something is Missing, Christophe & Cecile Dup<strong>on</strong>t’s house, Versailles, France<br />
주요 개인전<br />
2020 자리표시자, 플레이스막, 서울<br />
2017 미스테리한 연속체, 디스위켄드룸, 서울<br />
2016 조용한 것들, 갤러리밈, 서울<br />
2014 유약한 것들, 갤러리도스, 서울<br />
2012 Something is Missing, 개인주택, 베르사유<br />
SELECTED GROUP EXHIBITIONS<br />
20<strong>21</strong> Colour/Collage/Poetry, The Slade School of Fine Art (UCL), L<strong>on</strong>d<strong>on</strong>, United Kingdom<br />
2020 Re:Collect, <strong>Seoul</strong> Nati<strong>on</strong>al University Museum of Art, <strong>Seoul</strong>, Korea<br />
2019 The Nomenclature of Colours, The Slade Research Centre, L<strong>on</strong>d<strong>on</strong>, United Kingdom<br />
2018 Short Glance, Elephant Art, <strong>Seoul</strong>, Korea<br />
2016 Discourse <strong>on</strong> Tactile Superficiality, Ilnyunman Mislgwan, <strong>Seoul</strong>, Korea<br />
2014 Made in Antarctica, Space291, <strong>Seoul</strong>, Korea<br />
2013 The Secret Garden, Choi & Lager Project, Paris, France<br />
2012 The World’s Our Oyster, APT <strong>Gallery</strong>, L<strong>on</strong>d<strong>on</strong>, United Kingdom<br />
2010 Istanbul was C<strong>on</strong>stantinople, Hush <strong>Gallery</strong>, Istanbul, Turkey<br />
2009 Young Artist Project, <strong>Gallery</strong> Jung, <strong>Seoul</strong>, Korea<br />
주요 단체전<br />
20<strong>21</strong> Colour/Collage/Poetry, 슬래이드 (UCL), 런던<br />
2020 Re:Collect, 서울대미술관, 서울<br />
2019 The Nomenclature of Colours, 슬래이드 리서치 센터, 런던<br />
2018 Short Glance, 엘리펀트 아트, 서울<br />
2016 촉각적 피상성에 관한 대화, 일년만 미술관, 서울<br />
2014 Made in Antarctica, 공간291, 서울<br />
2013 The Secret Garden, Choi & Lager Project, 파리<br />
2012 The world is our oyster, APT 갤러리, 런던<br />
2010 Istanbul was C<strong>on</strong>stantinople, 허쉬갤러리, 이스탄불<br />
2009 Young Artis Project, 갤러리 정, 서울<br />
66 67
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COORDINATORS<br />
Albane Jerphani<strong>on</strong><br />
Yo<strong>on</strong>ju Kim<br />
DESIGNER<br />
Willie Kaminski<br />
PROOFREADERS<br />
Nadine El Guiddawy<br />
Aurélie Heuzard<br />
Albane Jerphani<strong>on</strong><br />
Léa Sitb<strong>on</strong><br />
18, E<strong>on</strong>ju-ro 154 gil, Gangnam-gu, <strong>Seoul</strong> 060<strong>21</strong> | + 82 2 3446 0070 | seoul@operagallery.com | operagallery.com<br />
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